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First ever vinyl edition of "Zeder" soundtrack, one of the best Italian thriller/horror movies ever!

The music composer is Riz Ortolani ("Mondo Cane" and "Cannibal Holocaust" stand out among his many works), here collaborating with director Pupi Avati for the second time: this soundtrack expertly blends electronic and symphonic music, the latter here consisting mainly of an orchestral string section often repetitive, hypnotic and insistent, that reflects the arrogance of the protagonist in continuing his research, no matter what the consequences could be. There is no shortage of funk-filled brighter themes and requiems, suspended songs full of tension and sudden vibe changes, melancholic melodies and eerie soundscapes.

"Zeder" is today a cult movie, released in theaters in 1983, at a time when hardly anyone dared to shoot anything that had to do with zombies. Pupi Avati went against the tide then, giving life to an atmospheric horror film set in a sunny Italian Romagna Riviera - a typical destination for cheerful summer holidays - which tells the discovery of ancient experiments by researcher Paolo Zeder on a special 'K terrain' that allow those buried there to return from beyond. Avati's stylistic approach, in which tension and fear arise from simply narrated situations instead of full-blooded scenes with a strong visual impact, finds here a perfect match with Maestro Riz Ortolani's score.

Lawa is the acronym for the duo of Austrian soundtrack wizards Alain Leonard and Alex Wank. Once again they are honouring the world of film music in their idiosyncratic, very personal way. After their first Cineploit release, "Omaggio a Lucio Fulci and Fabio Frizzi“ (Exploit 02, 2012, Vinyl only) and the follow up, "Omaggio a Riz Ortolani“ (Exploit 06, 2015, Vinyl only) Lawa now takes a ride through the furthest reaches of '70s and '80s French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis, every base is covered. And, of course, not to forget the Master of them all: Ennio Morricone (rip).

These very special tracks have been renewed in Lawa's dark electronic style, proving without a doubt the high-level craft of the composers extraordinaire that created them. Some versions are close to the original, but others have acted as springboards for new ideas and creations. This release is probably Lawa's final reinterpretation of classic obscure film scores, as Messrs Leonard and Wank are creating more and more of their own atmospheric soundtrack music for documentaries, shorts and feature films - hopefully soon to be released via Cineploit as well. Now take a deep dive into this dark ride through European cinema, brought to you in the inimitable Lawa way!

Lawa is the acronym for the duo of Austrian soundtrack wizards Alain Leonard and Alex Wank. Once again they are honouring the world of film music in their idiosyncratic, very personal way. After their first Cineploit release, "Omaggio a Lucio Fulci and Fabio Frizzi“ (Exploit 02, 2012, Vinyl only) and the follow up, "Omaggio a Riz Ortolani“ (Exploit 06, 2015, Vinyl only) Lawa now takes a ride through the furthest reaches of '70s and '80s French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis, every base is covered. And, of course, not to forget the Master of them all: Ennio Morricone (rip).

These very special tracks have been renewed in Lawa's dark electronic style, proving without a doubt the high-level craft of the composers extraordinaire that created them. Some versions are close to the original, but others have acted as springboards for new ideas and creations. This release is probably Lawa's final reinterpretation of classic obscure film scores, as Messrs Leonard and Wank are creating more and more of their own atmospheric soundtrack music for documentaries, shorts and feature films - hopefully soon to be released via Cineploit as well. Now take a deep dive into this dark ride through European cinema, brought to you in the inimitable Lawa way!

Composed by Carl Thiel
Pressed on 2x 180 Gram Black Vinyl with artwork by César Moreno
Mondo, in collaboration with Powerhouse Animation and Viz Media are proud to present the soundtrack to the Netflix Original Series: Seis Manos.

Composed by Carl Thiel (Machete, From Dusk Til Dawn) the music for the Seis Manos is a unique blend of soundscapes from the exploitation films of the 60’s and 70’s, modern action adventure films, all anchored by classical mexican instrumentation. It’s a one of a kind soundtrack for a one of a kind animated series.

Black Screen Records Has Teamed Up With Headup And Neil Jones - Artist, Game Developer And Creator Of Aerial_knight's Never Yield - To Release The Amazing Soundtrack To His Highly Stylized Narrative 3d Runner Game On Limited Edition Vinyl.Survive A Futuristic Tokyo-Style Detroit By Running For Your Life, With The Amazing Soundtrack By Neil "Aerial_knight" Jones And The Detroit Artist Daniel "Danime-Sam" Wilkins, Featuring Vocals From Artists Of Colour From All Over The World. The Soundtrack Presents An Eclectic Mix Of Hip-Hop, Rap, Soul And Trip-Hop And Comes In A Beautiful Gatefold Sleeve With Original Art By Neil Jones

The Nest is a 2020 thriller film written, directed, and produced by Sean Durkin. It tells the story of a family plunged into uncertainty upon relocation from America to England, as the tense isolation of their new home affects them differently. Its soundtrack was arranged by Richard Reed Parry, a Canadian multi-instrumentalist, composer, producer, best known as a core member of the Grammy Award-winning indie rock band Arcade Fire, where he plays a wide variety of instruments. The Nest is available as a limited edition of 500 individually numbered copies on crystal clear vinyl. The package includes an insert with pictures from the movie.

180 gram Transparent Army Green + Transparent Red A-SIDE B-SIDE + Opaque Gold, Opaque Brown & Transparent Brown SPLATTER = “Mrs Palmers Blood” variant
First time the score has been released on any format
Audio pulled from original master tapes
Liner notes by Tim Ritter
Gatefold packaging by Stoughton / The score to the 1987 horror film by Tim Ritter, Killing Spree. A man suspects his wife of adultery and goes on a killing spree, eliminating all he believes are sleeping with her, but his victims don’t stay dead. Pressed on 180 gram “Mrs Palmers Blood” variant = Transparent Army Green + Transparent Red ASIDE BSIDE + Opaque Gold, Opaque Brown & Transparent Brown SPLATTER.

Reissue on 180gr. Vinyl

Limited 180g pink and black marble vinyl with Insert print, liner notes, postcard and download card

Better known for his mixing and mastering of other people’s records, Ken Long has been working on a series of library/soundtrack inspired pieces involving instrumentation and programming. Version Control is one of these series. Produced and Recorded in NE London, 2020, it was self-released on limited compact cassette later that year. Fast forward a year and We Stay True are releasing this work for the first time on limited edition 12” LP and digital formats on the 13th of September. Expect thick electric pianos riding over Roland arpeggios, Sp1200 grooves and percussion, lashings of thunder reverb and space echos, all mixed and recorded analog and cut from the original tapes. With fresh new artwork, we’re ensuring further access to collectors, library music enthusiasts, and soundtrack lovers alike.

Record Store Day 2021 Release. Following their 1990s hiatus, Wire reformed in 1999, and, after setting up their own Pinkflag imprint, between 2001–2003 released five distinct Wire items: Twelve Times You (pf3; 7-inch vinyl), Read & Burn 01 (pf4; CD EP), Read & Burn 02 (pf5; CD EP), Send (pf6; CD album) and Pf456 Redux (pf456 Redux; 12-inch vinyl album. Following the two Read & Burn CD EPs, Wire released the full length album Send, combining some tracks from both Read & Burn EPs and four unreleased pieces. Since none of the tracks had previously been issued on vinyl, a creative solution was sought to include all of the tracks from Send and the two Read & Burn EPs. This was achieved by some quite brutal edits! Thus the title Pf456 Redux is both catalog number and descriptor of the process. However, none of the tracks on PF4, PF5 and PF6 were ever put out on vinyl at full length—hence Pf456 Deluxe, which includes everything from those three releases and Twelve Times You, for good measure. As in many things with Wire, form follows function. This limited edition version for Record Store Day 2021 comes with a hard -bound book containing text about these recordings and photos from the period.

Original live re-score composed and performed by Morricone Youth to F.W. Murnau's 1927 silent film Sunrise: A Song Of Two Humans. Pressed on sunrise orange vinyl in an edition of 500 copies. Includes a download.

Red splattered seems unplayed. Tiny wear. Limited edition.

4 titles of the cult Japanese cartoon (Candy) that marked a whole generation of babies bottle-fed at Club Récré A2 then at Club Dorothée.

A first vinyl edition in limited series with the original versions fully remastered! ... To sing the heady chorus 'In the land of Candy, like in all countries… ”

* The complete original soundtrack to BNA: Brand New Animal * Vinyl comes packed in a rigid case * Vinyl includes a 68-page hardback art book. * Vinyl includes a poster using recognizable artwork from the series * 42 tracks across 3 x 180g 12' vinyl records

Estimated arrival! The date might change +/- 2-4 weeks.

In partnership with Milan Records and Netflix, we are thrilled to present the official score album to Zack Snyder's Army OF THE Dead as a deluxe double LP album featuring never before seen interactive packaging with new artwork and design by Oliver Barrett. Listeners must tear open the screaming visage of Zeus, the film’s zombie leader, to reveal a locked vault door. The packaging then expands into a neon pink and yellow soaked triple gatefold which unlocks the vault to reveal a horde of Las Vegas zombies inside. As you continue opening the album packaging, and all zombies are killed, you'll be greeted by Valentine, the film’s beloved (and first ever?) zombie tiger!

The score has been pressed to 180 gram neon pink and yellow vinyl and the album features exclusive liner notes from director Zack Snyder!

Mondo and Vinyl Films are proud to present the premiere, expanded edition of the soundtrack to Cameron Crowe's essential, genre-defining 1989 debut film SAY Anything…

Containing the original soundtrack album, plus an entire additional disc of music - featuring demos written and recorded for the film, previously unreleased in any form - including long-lost demo recordings of the 'Joe Lies' songs, as performed by Nancy Wilson for Lili Taylor.

Featuring a 16-page booklet, containing never-before-seen photos and liner notes with the film's writer and director Cameron Crowe, stars John Cusack, Ione Skye, Lili Taylor and composer Nancy Wilson and more!

The long-awaited recurrence of the OP theme "I won't be your wife" from the TV anime "Kiteretsu Daihyakka"!

The opening theme of the TV anime "Kiteretsu Daihyakka" sung by Kaori Moritani, announced in 1988, has been reissued with a new analog 7-inch jacket design. On the B-side, the ending theme of the 90-minute special version that was broadcast the year before the start of regular broadcasting (1987), "Korosuke Machigou" composed and arranged by Haruomi Hosono is recorded.

9 x 7" box set.

The Godzilla franchise is a Japanese media franchise created and owned by Toho, centered on the fictional kaiju character Godzilla.

It is the longest-running film franchise, having been in ongoing production from 1954!



From the first ever Godzilla record "Godzilla-san / Our Anguirus" to the big hit "Shin Godzilla" in 2016, it is a permanent preservation board that traces Godzilla's music history in the form of a single record. In addition to "All Monsters Attack", the theme song that colored Godzilla's hero era at the Toho Champion Festival is recorded in the form of a reprint of the original version of Crown Toho Records. For the theme song "Kaese! Taiyo wo" of "Godzilla vs. Hedorah (1971)", which is gaining cult popularity, the soundtrack version used in the movie was made into a record for the first time. "Godzilla vs. Mothra (1992)" and "Shin Godzilla (2016)", which boast the largest number of mobilization in the Heisei Godzilla series, are the first 7inch records of the inserted songs.

The reprinted 7inch single record contains valuable past art. (* The recording form of art is different from the original board)The four new records will be recorded with completely new art.

First released by Cazzo Film in 2001, ebo hill’s Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill’s vision was both ahead of its time and a playful distillation of 90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-ton. The music follows a group of squatters, punks and drag queens as they fuck, party and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film’s narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city’s former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise / industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub and electro. It’s a sonic spectrum that connects Berlin’s queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film’s cast & crew) to the more industrial, breakcore and noise- oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk.