Movies | TV 161 Items

Coloured vinyl seems unplayed. With OBI. Seam splits in top spine.

Tiny wear. With OBI. Vinyl seems unplayed. Limited edition.

Previously released only as a promotional library music album, this 1975 cult score by eclectic musician, producer and composer Albert Verrecchia is finally available as a vinyl LP. While perfectly in line with the poliziottesco genre, the unique hybrid sound created by Verrecchia combines elements of funk, prog rock, and disco.

Netflix’s acclaimed series Suburra: Blood on Rome (available in over 190 countries) focuses on the deep connections between politics and organised crime in the Italian capital. The soundtrack to the third and final season was written, produced and performed by Roman rapper and songwriter Piotta, whose “7 Vizi Capitale” was already the theme song for seasons 1 and 2. His music beautifully complements the gripping plot and the characters’ journey, capturing the atmosphere of a side of Rome unknown to many. The vinyl LP contains 10 previously unreleased tracks, including 2 instrumentals and a remix.

With 9 albums under his belt, Tommaso Zanello, also known as Piotta, is one of the pioneers of Italian hip hop. Active on the Roman rap scene since the mid-90s, he earned national fame with his award-winning single “Supercafone” (1998), which was later used by Sky Japan as a theme song for the Italian football championship. He can boast collaborations with hip hop legend Afrika Bambaataa and English musician Captain Sensible and has toured the United States with the Vans Warped Tour.

Orange vinyl with a couple of light scuffs. Cover with bumped corner

Ship to Shore PhonoCo. is proud to present the original soundtrack to the cult favorite Dial Code: Santa Claus (aka Deadly Games), for the first time on vinyl in over 30 years!

Mixing Christmas themes with hair-raising screams, Dial Code: Santa Claus concerns young Thomas - a kid with an IQ number as long as his mullet - whose infatuation with games of war and obsession of Father Christmas come together in a night of terror when his house is invaded by a maniac who believes he is Père Noël himself…

Composer Jean-Félix Lalanne mixes a range of styles to form a solid soundtrack, utilizing industrial & electro with traditional festive motifs and thriller stings, perfectly complementing the bold visual style of the movie.

Second volume of music from the hit Fox TV show. The Emmy-winning, top-rated show was named one of the 60 Greatest TV Cartoons of All Time by TV Guide. In addition to the show's cast, the album features high-profile guests, including Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). Bob's Burgers audience is wide-ranging: strong performance with 15-25 year olds, median viewing age of 37, 35 share among males 35-54 and a 16 share of females in the same group. Campaign will include promotion from the cast and show production team. Past seasons are in heavy syndication and available on major streaming platforms. The Bob's Burgers Music Album Vol. 2 includes nearly every single musical morsel from seasons 7 through 9. This 90-song smorgasbord will feature the Belcher family - Bob (H. Jon Benjamin), Linda (John Roberts), Tina (Dan Mintz), Gene (Eugene Mirman) and Louise (Kristen Schaal) - as well as the show's numerous recurring and special guests. This includes actors, comedians, and musicians Adam Driver, Tiffany Haddish, Jenny Slate, Daveed Diggs, Max Greenfield, Toddrick Hall, Aparna Nancherla, and Matt Berninger (of the National). For fans of the show, enjoying the music of Bob's Burgers on its own is both an irresistible to-go bag and ultimately a world unto itself. Lose yourself in the strangely epic disco celebration "Hot Pants Rain Dance", sing along with the musical theater gem, "The Wedding Is My Warzone," or do whatever you're gonna do to "Sexy Little Tiger" but don't miss the Bob's Burgers Music Album Vol. 2. Fans, your order is up.

Original London Cast Recording - Mel Brooks' Young Frankenstein Presenting the original London cast recording of Mel Brooks' Young Frankenstein on Vinyl LP! Legendary filmmaker and comedian Mel Brooks brings his classic monster musical comedy Young Frankenstein to life on stage in a musical collaboration with Tony-award winning Broadway director and choreographer Susan Stroman. Recorded live in London's West End. Grandson of the infamous Victor Frankenstein, Dr. Frederick Frankenstein (pronounced 'Fronk-en-steen') (Hadley Fraser) inherits a castle in Transylvania leading him to fulfill his grandfather's legacy by bringing a corpse (Nic Greenshields) back to life. With help and hindrance from hunchback henchman Igor (Ross Noble), buxom assistant Inga (Summer Strallen) and needy fiance Elizabeth (Dianne Pilkington), his experiment yields madcap success and monstrous consequences. After opening on Broadway in November of 2007 the show ran until 2009. A revised version of the show opened in London's West End in October of 2017 to mostly positive reviews. ABC was set to air Young Frankenstein Live last October and delayed it due to Covid-19 restrictions. The show has been rescheduled to air October 2021 on ABC. Mastered and mixed at Abbey Road Studios. This is the first LP release of music from either of the Young Frankenstein live shows.

Hand-Numbered Vinyl Edition Of 500 Copies Is 180gramlp In Window-Cut Artboard Jacket That Frames Eight Different Images From Magid's The Barragan Archives Project, Printed On Four 12"X12" Art Card Inserts Including An Artworked Inner Sleeve. The Original Score For The Acclaimed Feature-Length Artworld Documentary By Multi-Disciplinary Artist Jill Magid: An Exploration Of The Contested Legacy Of The Mexican Architect Luis Barragan And An Art Intervention In Its Own Right. Griffin Wrote, Performed And Recorded The Proposal Soundtrack With An Understated But Wide-Ranging Electro-Acoustic Sensibility That Organically Compliments The Film's Enigmatic Narrative And The Discreet Beauty Of Barragan's Architectural Spaces. Various Acoustic Instruments Combine With Electronics, Sampling And Ambient Treatments For An Ever-Shifting Suite Of Musical Vignettes Across The Album's Thirteen Tracks. Guest Musicians Include Matana Roberts, Reut Regev, Jim White (Xylouris White, The Dirty Three), Jason Ajemian (Helado Negro), And Sophie Trudeau And Timothy Herzog (Godspeed You! Black Emperor) Alongside Griffin's Own Contributions On Multiple Instruments, Field Recordings And Production. Griffin Weaves An Iridescent Musical Tapestry, Threading Various Genres With Sublime Thematic And Atmospheric Coherence, Echoing Magid's Contemplative, Cerebral Journey. The Music Also Works Enchantingly On Its Own As A Subtly Haunted, Evocative And Meditative Album.

Known best for his work scoring the majority of Albert Pyun's films, tony Riparetti has always blended elements of new wave synth and guitars, and soaring drums into his compositions for a signature sound integral to Pyun's style. Deathbomb Arc is very excited to present the score to 'Crazy Six' (1997) to the world for the first time ever - on both vinyl and digital formats. The sound sets the tone for this extremely 90s slice of action, bathed in dream-like, melodramatic eroticism.

To celebrate the 25th anniversary of the release of She’s The One, we are releasing a remixed, remastered and re-imagined version of this album. The original album included several songs that were left off the original Wildflowersalbum (recently included as the "All The Rest" disc in the "Wildflowers & All The Rest" re-issue), so this re-release is an appropriate ending to the campaign celebrating the Wildflowers-era.

Ryan Ulyate (Tom’s long time engineer and producer) has remixed the audio, and the song selection is designed to work as aTom PettyAnd The Heartbreakers album, rather than a soundtrack album. Four unreleased tracks have been added; the rocker “105 Degrees” (written by Petty), a cover of JJ Cale’s “Thirteen Days”, “One of Life’s Little Mysteries” (another Petty original), and an instrumental (“French Disconnection”) in the same vein as the instrumentals on the original album. An extended version of “Supernatural Radio” is also included.

The new title is a reference to one of the stand-out tracks on the album, for which there will be a video. The new album will have brand new artwork, and this version will replace the existing physical versions of "She’s The One."

Hey Dugee is the multiple BAFTA and Emmy award-winning preschool series winning preschool series devised by Studio AKA. Hey DuggeeDuggeewas the mostwas the most-watched kids' show of the year on BBC iPlayer in 2020 watched kids' show of the year on BBC iPlayer in 2020 with over 192 million requests. Year to date in 2021, Hey DuggeeDuggeecontinues to be continues to be a top performing children's show on BBC iPlayer and CBeebies each month. a top performing children's show on BBC iPlayer and CBeebies each month. Demon Music are proud to present the first ever release of Hey DuggeeDuggeeon vinyl. On vinyl. Music featured is from series 1, 2 and 3. Highlights from the album include: fan favourite 'Stick Song' which has been viewed over 10. 3 million times on YouTube, 'A Cappella', 'Raindance', 'Toothbrushing Song' and the brand new track 'Step By Step'Toothbrushing Song' and the brand new track 'Step By Step'. In a specially designed product by Studio AKA, the album is pressed on a double sided picture disc and presented in a die cut sleeve with Duggee'sDuggee'sface on the face on the cover. Side a and side b feature the Squirrels while side b is specially designed to create a zoetrope effect. a zoetrope effect. The zoetrope effect on side b is best experienced using a The zoetrope effect on side b is best experienced using a smartphone running a third party stroboscope app.

In 2018, David Gordon Green's Halloween, starring icon Jamie Lee Curtis, slaughtered the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. The film had the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter served as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his recent solo albums, Cody Carpenter and Daniel Davies. Now the scream team is back for the highly anticipated follow up, Halloween Kills and Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 Halloween movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. The trio utilized an array of software synths, vintage analogue equipment, and live instrumentation including a Dave Smith Ob-6, bowed guitar, Roland Juno, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano. Now with the Halloween Kills score director Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level.

Four years on from the debut album “Cinematic Lies”, the second release from Sospetto founder Christian Rzechak under the Pan/scan alias is heading your way. Inspired by old-school synthesizer soundscapes of the Berlin or Düsseldorf school, but with an atmospheric modern feel added, Kosmonauter is a pure electronic science fiction soundtrack to guide your dreams. Reminders of composers such as Jóhann Jóhannsson, Cliff Martinez or Steve Moore are quite intentional. The fusion of retro-futurism and contemporary electro-ambient innovations takes you on an exhilarating aural trip into the darkest, furthest reaches of infinite space! Who is the Kosmonauter? What is his mission? Does he defend us against danger or is he a threat himself? The six tracks on the album tell a story, but where this journey goes is up to the listener. The track titles hint at the true meaning, but who can interpret them? The Kosmonauter will invade your head; and, maybe, you will lose your mind...The Kosmonauter: Redemption or Apocalypse?

Limited to 300 copies.

Originally issued in 2011, Ashcan Copy is the third instalment in Rashomon's Film Music series of LPs. Cineploit Records is proud to present this re-release, and to introduce the record to a wider audience than the 150 lucky souls who snagged a copy of the ultra-limited initial release on Hlava Records.
Active since 2009, Rashomon is the solo project of Matt Thompson, also of Cineploit mainstays Zoltan. This is his second release on the label under the Rashomon name, following 2014's LP/DVD extravaganza The Cameraman's Revenge: Film Music Vol. 4 – the final release in the Film Music series to date.
The previous edition to this, 2009's The Finishing Line: Film Music Vol. 2, had focused on re-creating the psychological mind-state of the wilder end of 1970s British public information films. By way of change Ashcan Copy is presented as an album of soundtrack cues from films that were, for one reason or another, never released. The films, hailing from Italy, Japan and the USA (among others) supposedly date from the 1950s to the 1970s, and were (according to the extensive sleeve notes) exactingly sourced from film archives across Europe.
In reality, all the music is self-composed. The eight tracks include elements of noise, folk, psychedelia, prog and noir-jazz within their elaborate constructions, created with a panoply of instrumentation including Mellotron, zither, home-made percussion, Fender Rhodes, harmonium, MiniMoog and more. Delicate and sensuous, heavy and oppressive – the record negotiates these musical contradictions while retaining a single-minded pursuit of strangeness and surprise.
Having finally found its spiritual home on soundtrack specialist label Cineploit, Ashcan Copy can at last be heard by all.

It has been 30years since “Nausicaä of the Valley of the Wind Symphony” was produced Isao Takahata. This is the first and last soundtrack by Movie Director Isao Takahata and Composer Joe Hisaishi collaborative work. Including the main theme by Kazumi Nikaido.

In 2018, David Gordon Green's Halloween, starring icon Jamie Lee Curtis, slaughtered the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. The film had the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter served as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his recent solo albums, Cody Carpenter and Daniel Davies. Now the scream team is back for the highly anticipated follow up, Halloween Kills and Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 Halloween movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. The trio utilized an array of software synths, vintage analogue equipment, and live instrumentation including a Dave Smith Ob-6, bowed guitar, Roland Juno, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano. Now with the Halloween Kills score director Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level.

Coming together for their 4th feature length collaboration, composer Jonathan Snipes and director Rodney Ascher have descended even deeper into intentional disorientation with 'A Glitch in the Matrix'. For this film about, essentially, people who believe that the metaphysics of 'The Matrix' are real, Snipes has composed a score that is both smooth classic sci-fi and totally obtuse and broken. Just like your mind if you watch the film.

In 2018, David Gordon Green's Halloween, starring icon Jamie Lee Curtis, slaughtered the box office, earning more than $250 million worldwide, becoming the highest-grossing chapter in the four-decade franchise and setting a new record for the biggest opening weekend in history for a horror film starring a woman. The film had the distinction of being the first film in the series with creator John Carpenter's direct involvement since 1982's Halloween III: Season of the Witch. Carpenter served as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his recent solo albums, Cody Carpenter and Daniel Davies. Now the scream team is back for the highly anticipated follow up, Halloween Kills and Carpenter has returned to the studio with son Cody Carpenter and godson Daniel Davies to further expand on the iconic score that forever changed the course of horror cinema and synthesizer music. The 2018 Halloween movie soundtrack received unanimous praise and brought a rich and ominous depth to the original theme music that was famously recorded on a shoestring budget in 1978. The trio utilized an array of software synths, vintage analogue equipment, and live instrumentation including a Dave Smith Ob-6, bowed guitar, Roland Juno, Moog, Roland System 1, Roland System 8, different guitar pedals, mellotron, and piano. Now with the Halloween Kills score director Green has pushed the musicians to be more experimental and take their modern sound to a chilling new level.

One Night in Miami is a 2020 American drama film directed by Regina King (in her feature directorial debut), from a screenplay by Kemp Powers, based on his stage play of the same name.

It had its world premiere at the Venice Film Festival on September 7, 2020 and was the first film directed by an African-American woman to be selected in the festival’s history. It received overwhelmingly positive reviews, with critics praising King’s direction, the performances and the writing.

It is scheduled to be released in a limited release on December 25, 2020, followed by digital streaming on Prime Video on January 15, 2021

On one incredible night in 1964, four icons of sports, music, and pop culture gather to celebrate one of the biggest upsets in boxing history. When underdog Cassius Clay, soon to be called Muhammed Ali, (Eli Goree), defeats heavy weight champion Sonny Liston at the Miami Convention Hall, Clay memorialized the event with three of his friends: Malcolm X (Kingsley Ben-Adir), Sam Cooke (Leslie Odom Jr.) and Jim Brown (Aldis Hodge).

Based on the award winning play of the same name, One Night In Miami is a fictional account of the actual night that these formidable figures spent together in the hotel. It looks at the struggles these men faced and the vital role they each played in the civil rights movement and cultural upheaval of the 1960s.

More than 40 years later, their conversations on racial injustice, religion, and personal responsibility still resonate

First ever vinyl edition of "Zeder" soundtrack, one of the best Italian thriller/horror movies ever!

The music composer is Riz Ortolani ("Mondo Cane" and "Cannibal Holocaust" stand out among his many works), here collaborating with director Pupi Avati for the second time: this soundtrack expertly blends electronic and symphonic music, the latter here consisting mainly of an orchestral string section often repetitive, hypnotic and insistent, that reflects the arrogance of the protagonist in continuing his research, no matter what the consequences could be. There is no shortage of funk-filled brighter themes and requiems, suspended songs full of tension and sudden vibe changes, melancholic melodies and eerie soundscapes.

"Zeder" is today a cult movie, released in theaters in 1983, at a time when hardly anyone dared to shoot anything that had to do with zombies. Pupi Avati went against the tide then, giving life to an atmospheric horror film set in a sunny Italian Romagna Riviera - a typical destination for cheerful summer holidays - which tells the discovery of ancient experiments by researcher Paolo Zeder on a special 'K terrain' that allow those buried there to return from beyond. Avati's stylistic approach, in which tension and fear arise from simply narrated situations instead of full-blooded scenes with a strong visual impact, finds here a perfect match with Maestro Riz Ortolani's score.

Lawa is the acronym for the duo of Austrian soundtrack wizards Alain Leonard and Alex Wank. Once again they are honouring the world of film music in their idiosyncratic, very personal way. After their first Cineploit release, "Omaggio a Lucio Fulci and Fabio Frizzi“ (Exploit 02, 2012, Vinyl only) and the follow up, "Omaggio a Riz Ortolani“ (Exploit 06, 2015, Vinyl only) Lawa now takes a ride through the furthest reaches of '70s and '80s French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis, every base is covered. And, of course, not to forget the Master of them all: Ennio Morricone (rip).

These very special tracks have been renewed in Lawa's dark electronic style, proving without a doubt the high-level craft of the composers extraordinaire that created them. Some versions are close to the original, but others have acted as springboards for new ideas and creations. This release is probably Lawa's final reinterpretation of classic obscure film scores, as Messrs Leonard and Wank are creating more and more of their own atmospheric soundtrack music for documentaries, shorts and feature films - hopefully soon to be released via Cineploit as well. Now take a deep dive into this dark ride through European cinema, brought to you in the inimitable Lawa way!

Lawa is the acronym for the duo of Austrian soundtrack wizards Alain Leonard and Alex Wank. Once again they are honouring the world of film music in their idiosyncratic, very personal way. After their first Cineploit release, "Omaggio a Lucio Fulci and Fabio Frizzi“ (Exploit 02, 2012, Vinyl only) and the follow up, "Omaggio a Riz Ortolani“ (Exploit 06, 2015, Vinyl only) Lawa now takes a ride through the furthest reaches of '70s and '80s French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis, every base is covered. And, of course, not to forget the Master of them all: Ennio Morricone (rip).

These very special tracks have been renewed in Lawa's dark electronic style, proving without a doubt the high-level craft of the composers extraordinaire that created them. Some versions are close to the original, but others have acted as springboards for new ideas and creations. This release is probably Lawa's final reinterpretation of classic obscure film scores, as Messrs Leonard and Wank are creating more and more of their own atmospheric soundtrack music for documentaries, shorts and feature films - hopefully soon to be released via Cineploit as well. Now take a deep dive into this dark ride through European cinema, brought to you in the inimitable Lawa way!

Black Screen Records Has Teamed Up With Headup And Neil Jones - Artist, Game Developer And Creator Of Aerial_knight's Never Yield - To Release The Amazing Soundtrack To His Highly Stylized Narrative 3d Runner Game On Limited Edition Vinyl.Survive A Futuristic Tokyo-Style Detroit By Running For Your Life, With The Amazing Soundtrack By Neil "Aerial_knight" Jones And The Detroit Artist Daniel "Danime-Sam" Wilkins, Featuring Vocals From Artists Of Colour From All Over The World. The Soundtrack Presents An Eclectic Mix Of Hip-Hop, Rap, Soul And Trip-Hop And Comes In A Beautiful Gatefold Sleeve With Original Art By Neil Jones

The Nest is a 2020 thriller film written, directed, and produced by Sean Durkin. It tells the story of a family plunged into uncertainty upon relocation from America to England, as the tense isolation of their new home affects them differently. Its soundtrack was arranged by Richard Reed Parry, a Canadian multi-instrumentalist, composer, producer, best known as a core member of the Grammy Award-winning indie rock band Arcade Fire, where he plays a wide variety of instruments. The Nest is available as a limited edition of 500 individually numbered copies on crystal clear vinyl. The package includes an insert with pictures from the movie.

Better known for his mixing and mastering of other people’s records, Ken Long has been working on a series of library/soundtrack inspired pieces involving instrumentation and programming. Version Control is one of these series. Produced and Recorded in NE London, 2020, it was self-released on limited compact cassette later that year. Fast forward a year and We Stay True are releasing this work for the first time on limited edition 12” LP and digital formats on the 13th of September. Expect thick electric pianos riding over Roland arpeggios, Sp1200 grooves and percussion, lashings of thunder reverb and space echos, all mixed and recorded analog and cut from the original tapes. With fresh new artwork, we’re ensuring further access to collectors, library music enthusiasts, and soundtrack lovers alike.

Record Store Day 2021 Release. Following their 1990s hiatus, Wire reformed in 1999, and, after setting up their own Pinkflag imprint, between 2001–2003 released five distinct Wire items: Twelve Times You (pf3; 7-inch vinyl), Read & Burn 01 (pf4; CD EP), Read & Burn 02 (pf5; CD EP), Send (pf6; CD album) and Pf456 Redux (pf456 Redux; 12-inch vinyl album. Following the two Read & Burn CD EPs, Wire released the full length album Send, combining some tracks from both Read & Burn EPs and four unreleased pieces. Since none of the tracks had previously been issued on vinyl, a creative solution was sought to include all of the tracks from Send and the two Read & Burn EPs. This was achieved by some quite brutal edits! Thus the title Pf456 Redux is both catalog number and descriptor of the process. However, none of the tracks on PF4, PF5 and PF6 were ever put out on vinyl at full length—hence Pf456 Deluxe, which includes everything from those three releases and Twelve Times You, for good measure. As in many things with Wire, form follows function. This limited edition version for Record Store Day 2021 comes with a hard -bound book containing text about these recordings and photos from the period.

4 titles of the cult Japanese cartoon (Candy) that marked a whole generation of babies bottle-fed at Club Récré A2 then at Club Dorothée.

A first vinyl edition in limited series with the original versions fully remastered! ... To sing the heady chorus 'In the land of Candy, like in all countries… ”

* The complete original soundtrack to BNA: Brand New Animal * Vinyl comes packed in a rigid case * Vinyl includes a 68-page hardback art book. * Vinyl includes a poster using recognizable artwork from the series * 42 tracks across 3 x 180g 12' vinyl records

Estimated arrival! The date might change +/- 2-4 weeks.

In partnership with Milan Records and Netflix, we are thrilled to present the official score album to Zack Snyder's Army OF THE Dead as a deluxe double LP album featuring never before seen interactive packaging with new artwork and design by Oliver Barrett. Listeners must tear open the screaming visage of Zeus, the film’s zombie leader, to reveal a locked vault door. The packaging then expands into a neon pink and yellow soaked triple gatefold which unlocks the vault to reveal a horde of Las Vegas zombies inside. As you continue opening the album packaging, and all zombies are killed, you'll be greeted by Valentine, the film’s beloved (and first ever?) zombie tiger!

The score has been pressed to 180 gram neon pink and yellow vinyl and the album features exclusive liner notes from director Zack Snyder!

Mondo and Vinyl Films are proud to present the premiere, expanded edition of the soundtrack to Cameron Crowe's essential, genre-defining 1989 debut film SAY Anything…

Containing the original soundtrack album, plus an entire additional disc of music - featuring demos written and recorded for the film, previously unreleased in any form - including long-lost demo recordings of the 'Joe Lies' songs, as performed by Nancy Wilson for Lili Taylor.

Featuring a 16-page booklet, containing never-before-seen photos and liner notes with the film's writer and director Cameron Crowe, stars John Cusack, Ione Skye, Lili Taylor and composer Nancy Wilson and more!

The long-awaited recurrence of the OP theme "I won't be your wife" from the TV anime "Kiteretsu Daihyakka"!

The opening theme of the TV anime "Kiteretsu Daihyakka" sung by Kaori Moritani, announced in 1988, has been reissued with a new analog 7-inch jacket design. On the B-side, the ending theme of the 90-minute special version that was broadcast the year before the start of regular broadcasting (1987), "Korosuke Machigou" composed and arranged by Haruomi Hosono is recorded.

9 x 7" box set.

The Godzilla franchise is a Japanese media franchise created and owned by Toho, centered on the fictional kaiju character Godzilla.

It is the longest-running film franchise, having been in ongoing production from 1954!



From the first ever Godzilla record "Godzilla-san / Our Anguirus" to the big hit "Shin Godzilla" in 2016, it is a permanent preservation board that traces Godzilla's music history in the form of a single record. In addition to "All Monsters Attack", the theme song that colored Godzilla's hero era at the Toho Champion Festival is recorded in the form of a reprint of the original version of Crown Toho Records. For the theme song "Kaese! Taiyo wo" of "Godzilla vs. Hedorah (1971)", which is gaining cult popularity, the soundtrack version used in the movie was made into a record for the first time. "Godzilla vs. Mothra (1992)" and "Shin Godzilla (2016)", which boast the largest number of mobilization in the Heisei Godzilla series, are the first 7inch records of the inserted songs.

The reprinted 7inch single record contains valuable past art. (* The recording form of art is different from the original board)The four new records will be recorded with completely new art.

First released by Cazzo Film in 2001, ebo hill’s Bonking Berlin Bastards has long achieved the status of an underground punk porn classic. Like the Cazzo productions of director Bruce LaBruce, hill’s vision was both ahead of its time and a playful distillation of 90s and early-2000s Berlin Zeitgeist: queer, industrial, hypersexual, exhibitionist and fueled by electronic music. The story is told in large part by the soundtrack, to be released for the first time on Ostgut Ton sublabel A-ton. The music follows a group of squatters, punks and drag queens as they fuck, party and stumble their way through an empty city at the turn of the millennium. Approaching these themes more through location than plot, the film’s narrative freedom is also a narrative of freedom; between chance encounters and sex in public, atop the maze of roofs in the city’s former East, bent over bridges and moaning in ecstasy at oncoming traffic, pants down in telephone booths, packed into sex clubs, in the shadows of abandoned factories and techno clubs lost in time. Composed by improvisational techno trio AeoX and noise / industrial producer Rouage aka CNM (respectively), the music spans a broad range of appropriately pounding industrial, weird techno, noise, ultra-stoned ambient, improvised dub and electro. It’s a sonic spectrum that connects Berlin’s queer hardcore techno and squatter party scenes from which AeoX and Rouage emerged, drawing a direct line between the likes of Berghain-forerunner OstGut (a primary meeting point for the film’s cast & crew) to the more industrial, breakcore and noise- oriented independent party collectives and locations who provided multiple settings for the film, including Grüne Hölle and Stellwerk.