Movies | TV 375 Items

Never released before Original Soundtrack of Sergio Martino's 1983 Movie

Symphonic suite album which Joe Hisaishi newly recorded “Princess Mononoke”
as suite with Czech Philharmonic the year after the movie release.

The Complete Film Score by James Newton Howard
180 Gram Double LP "Aqua" Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Unbreakable, about a security guard named David Dunn (Bruce Willis) who becomes the sole survivor of a train wreck, posed the question of what would happen if superheroes were real. At the insistence of a mysterious, rare-comic-book collector named Elijah Price (Samuel L. Jack-son), who suffers from a medical condition that makes his bones shatter on the slightest impact, Dunn comes to believe that he has super strength and is impervious to injury or illness. Not only that, he has the ability to see or sense the evil deeds of others simply by touching them.

The Unbreakable score, by James Newton Howard, was the second collaboration between Shyamalan and Howard, following their work together on The Sixth Sense. The Unbreakable score experience was unlike any the composer had had before. “Night sat there and story-boarded the whole movie for me,” Howard said. “I’ve never had a director do that for me. He wanted something that was very different, very distinctive, that immediately evoked the movie when people heard it.”

Howard and Shyamalan chose to simplify the score, and minimized the number of instruments (strings, trumpets, and piano), with limited orchestrations. Some compositions were recorded in a converted church in London. “You could have recorded the same music in a studio in Los Angeles, and it would have been great, but there is something about the sound of that church studio,” Howard said. “It's definitely more misterioso.”

James Newton Howard is an American composer, conductor, and producer. He has scored more than 100 films and is the recipient of a Grammy Award, Emmy Award, and eight Academy Award nominations. His scores include The Fugitive, Batman Begins, The Dark Knight, and The Hunger Games film series.

Dolemite is his name and rappin’ & tappin’ is his game! Eddie Murphy’s 15-year-old pet project about Rudy Ray Moore is absolutely one of the best feel good films in recent memory. Featuring music by Scott Bomar. The soundtrack is a loving homage to 1970’s funk and Blaxploitation scores that sounds contemporary and fresh rather than just leaning on the past. It’s fun, reverential and funky as all hell. Bomar has an incredible feel for funk and soul and it absolutely shines here. This vinyl edition features the full score plus tracks sung by Eddie Murphy, Craig Robinson & Da’Vine Joy Randolph.

Franco Micalizzi wrote one of his best OSTs for the Poliziesco genre with this one (the main theme is one of Micalizzi’s favorites and he often performs it live in concert with his orchestra BIG Bubbling Band). The OST opens with the strong main score written for woodwinds and percussion, which is then reprised with different arrangements throughout the film. It is also alternated with moments of suspense. The violent urban jungle atmosphere is broken by "Sambamba", a sunny pop piece with a Latin sound written for choir and orchestra. For this LP, the master tapes of the recording session were used.

In partnership with Milan Records, Waxwork Records is proud to announce the deluxe soundtrack vinyl release to COLOR OUT OF SPACE Original Motion Picture Soundtrack by Grammy Award-winning saxophonist and multi-instrumentalist, song writer and composer Colin Stetson!

Directed by Richard Stanley (Hardware, Dust Devil), Color Out of Space is based on the short story by H.P. Lovecraft. After a meteorite lands in the front yard of their farmstead, Nathan Gardner (Nicolas Cage) and his family find themselves battling a mutant extraterrestrial organism as it infects their minds and bodies, transforming their quiet rural life into a technicolor nightmare.

About Colin Stetson:

A highly-coveted collaborator to Bon Iver, Arcade Fire, Tom Waits, LCD Soundsystem, The National and more, Stetson brings with him an expansive body of work that includes both genre-defying, avant-jazz records as well as critically-acclaimed original scores for major film, television and game titles (Ari Aster’s Hereditary, Red Dead Redemption 2). Of the soundtrack, Stetson says:

"The question posed initially when conceiving of this score was what exactly is the sonic representation of a cosmic alien color that does not exist in this terrestrial reality? I began trying to answer that by layering the sounds of coral reefs, processing that cacophony and finding the order revealed through harmonic generation of these hyperdensities, and then continued to chase that same concept of 'transfiguring the natural' down every path and application I could see. Turns out it's somewhere between magenta and hot pink :)"

Waxwork Records is thrilled to present the complete soundtrack by Stetson pressed to 180 gram "Cosmic Magenta" swirled vinyl, housed within a heavyweight printed inner sleeve inserted into an old-style tip-on jacket with film laminate gloss coating, and new art by Matt Taylor.

The Complete Score By Mauric Jarre
180 Gram “Subway Hallucination” Metallic Silver and Metallic Gold Swirled Vinyl
Artwork By Jérémy Pailler
Deluxe Packaging
Re-Mastered From The Original Master Tapes

Waxwork Records is thrilled to present JACOB'S LADDER Original Motion Picture Score By Maurice Jarre. Jacob’s Ladder is a 1990 psychological horror movie starring Tim Robbins, Elizabeth Peña, and Danny Aiello. The film follows Jacob Singer, a Vietnam veteran, whose experiences before and during the war result in strange, fragmented visions and bizarre hallucinations that continue to haunt him. As his ordeal worsens, Jacob desperately attempts to figure out the truth. Though only moderately successful upon release, Jacob’s Ladder garnered a cult following. Its plot and special effects became a source of influence for various other works such as the horror video game Silent Hill and the TV series American Horror Story. Kim Manners prepared for directing The X-Files episode “Grotesque” by listening to the score to Jacob’s Ladder.

The experimental score by late French composer Maurice Jarre is dynamic and haunting with use of piano, synth, orchestral cues, and droning electronic soundscapes that feature reverberating horns, chants, tribal woodwinds, and chasing percussion. The avant-garde score is atmospheric and melancholy without sacrificing melody. It features seamless transitions that reflect Jacob’s loneliness, grief, nightmares, and horrific hallucinations.

Waxwork Records is excited to present the complete score to JACOB’S LADDER as a deluxe vinyl release featuring high quality packaging, 180 gram “Subway Hallucination” metallic silver and metallic gold swirled vinyl, artwork by Jérémy Pailler, and audio re-mastered from the original master tapes

Features 6 original pieces of music by PJ Harvey written for the series
Pressed on 2 x 180g black vinyl
Housed in a heavyweight gatefold sleeve with beautiful artwork throughout. Digital download card included

The Soundtrack to Shane Meadows’ “The Virtues” which screened on Channel 4 last May/June

Features 6 original pieces of music by PJ Harvey written for the series
Includes tracks used throughout the series including music by Aphex Twin, MONO, Lisa Hannigan and more

“I am so happy to have provided the original music for this extraordinary and powerful new drama by a director I have admired and followed all my life. Shane has a unique directness and sensitivity to his work which I am drawn to and aspire to in my own work, so our collaboration was open and trusting. I sent Shane ideas as demos for him to try out as he edited and let him choose what he used and where to the greatest effect. In the end we both loved how the demos worked so left them as they were, adding to the raw beauty of the piece.” – PJ Harvey

The Virtues is an emotionally charged drama starring Stephen Graham (This Is England) that teeters on the edge of total self destruction, battling alcohol addiction and memories from a dark childhood.

The follow up to the 2014 blockbuster film, Guardians of the Galaxy, features original cast including Chris Pratt, Zoe Saldana and the voice of Bradley Cooper. Featuring a compilation of memorable tracks from the 60s and 70s which are played within key moments of the film. Written and directed by James Gunn

Tracklist:
1.Mr. Blue Sky,
2.Fox On The Run,
3.Lake Shore Drive,
4.The Chain,
5.Bring It on Home to Me,
6.Southern Nights,
7.My Sweet Lord
1.Brandy (You're A Fine Girl),
2.Come A Little Bit Closer,
3.Wham Bam Shang-a-Lang,
4.Surrender,
5.Father And Son,
6.Flash Light,
7.Guardians Inferno

The fantastic soundtrack of the new Tarantino comes in a double gatefold sleeve with inlay and poster.

A phenomenal soundtrack to a phenomenal movie. Tarantino once again proves that he not only has a great taste when it comes to music, but he also takes a good amount of time to dig through record collections to pick gems for his soundtracks and arrange the 22 songs 9 era-specific radio advertisements.
This should become a movie soundtrack classic.

The Dead Don't Die is writer/director Jim Jarmusch's unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the film's score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band's EP #260 in 2017, is releasing the LP edition of the score.The score to the The Dead Don't Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural.From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari _ all sculpted through a collection of effects pedals, notably from Earthquaker Devices.The inspiration for SQÜRL's score for The Dead Don't Die came from some of the most iconic soundtracks of the past half-century of genre cinema _ Tangerine Dream's Sorcerer, Bebe and Louis Barron's Forbidden Planet, Ennio Morricone's The Thing and Once Upon a Time in the West, Goblin's Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Hoffman on films like Spellbound and The Day the Earth Stood Still also made its way into Jarmusch and Logan's consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.

* Features a spined ‘sombre grey’ outer sleeve with deboss and die-cut
* Pressed on 2 x black vinyl

After being completely sold out on vinyl, Geoff Barrow & Ben Salisbury’s ‘DROKK: Music Inspired By Mega-City One’ has been re-issued as a special edition on 2 x LP with beautiful new bespoke packaging, including extra bonus material previously not available with the retail vinyl release.

DROKK is a synth heavy score with a relentless darkness, a cold atmosphere where the tension never drops. Although it is a soundtrack of sorts, Barrow and Salisbury instinctively felt that music for MC1 should steer clear of the rich orchestration common to many contemporary film scores. Even for electronica the music is often purposefully stark and spare, with the majority of tracks created exclusively on the Oberhiem 2 Voice Synthesizer with a cameo from Beak>

First ever LP reissue of this ultra-rare Italian soundtrack originaly released on cult CAM label. Gianni Marchetti wrote this beautiful score for the Eurospy filmI Il Magnifico Tony Carrera as he was more of a songwritter than a film composer.
The score includes lots of different atmospheres and arrangements: from fuzzy dark psychedelic themes with harpsichord and haunted choirs (performed by the famous 4 + 4 di Nora O²rlandi) to angelic and dreamy vocal themes. Also contains some tense climax sitar tunes with beautiful bass sound.
Compared to the original CAM LP, this reissue dropped some carnivalesque tracks in order to include some nice unreleased variations of the themes, plus all the suspense cues that were largely removed from the original tracklisting.
Il Magnifico Tony Carrera is definitely a major score of the Italian Silver Age.
Limited Edition remastered from the original master tapes.

This almost unheard score holds some never before heard Budd gems. Dynamite Cuts release for the first time a 7” 45 with a selection of original cues and dialogue taken from the Film. How, James Coburn as Professor Robert Elliot creates a masterful plan to get four people, who know too much, to kill each other is a fine example of a classic British thriller with a superb twist at the finale. This 45 is a journey through the film that includes some never before heard tracks. A must have!

* Transparent Red Vinyl
* 500 Limited Edition / Released for the first time on vinyl is Max Richter’s emotive and minimal score to Damon Lindelof’s TV series about a post-apocalyptic global event where 2% of the world’s population disappears without explanation. Richter’s approach explores the feelings of the protagonist’s family, the Garveys, through intimate, small scale music. He tackles this psychological landscape by bringing a ritual quality to the score, while themes of departure and loss are represented by a sense of sonic decay, relying on the instrumentation of a few sustained tones on pianos, harps and celesta. Max Richter is a classically trained composer that defies boundaries. Trained at the Royal Academy of Music and finishing his studies under the tutelage of avant-garde composer Luciano Berio in Florence, Richter’s career has followed many paths. His musical output ranges from ballets (Wayne MacGregor’s Infra), reinventions of classical works (Vivaldi’s Four Seasons), collaborations with The Future Sound Of London, Roni Size and Vashti Bunyan to writing scores for film and TV (Waltz With Bashir, Lost and Found, Last Days on Mars) and solo work (Memoryhouse, The Blue Notebooks, 24 Postcards In Full Colour).

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

John Carpenter's 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their
homes. The multi-talented filmmaker's atmospheric synthesiser score has long been a soundtrack favourite and this 7" single features its two most recognisable themes.

Waxwork Records is excited to present the deluxe double LP film score release of The Eyes Of My Mother. Written and directed by Nicolas Pesce, The Eyes Of My Mother is a 2016 black and white horror film that focuses on a young woman, Francisca (Kika Magalhães) that grows up on the family farm where she has previously witnessed the murder of her mother during her adolescence. After keeping her mother’s murderer captive for years, and plagued by loneliness after the death of her father, Francisca begins a bizarre chain of actions that include luring victim’s back to the family farmhouse, dismemberment, kidnapping an infant to raise as her own son, and personally exhuming her mother.

Composed by Ariel Loh, the score to The Eyes Of My Mother is dark, haunting, and atmospheric. Composed entirely on vintage, modded analog synthesizers, the score effectively presents a tune drifting, ghostly, and often beautiful collection of compositions that captures the lead characters psychosis and devolvement.

The score to The Eyes Of My Mother has been pressed to two 180 gram colored vinyl records and housed in a deluxe, heavyweight old-style gatefold jacket with satin coating. Features include composer liner notes by Ariel Loh, new artwork by illustrator Nikita Kaun, and an 11”x11” art print.