Movies | TV 143 Items

Soundtrack to the 2003 Academy Award nominated film. Features songs by My Bloody Valentine, Air and The Jesus and Mary Chain. On Rolling Stone’s Greatest Soundtracks of All Time list.

2023 issue, last edition.

Nana is a Japanese manga created by Ai Yazawa and first published in Cookie magazine in 2000. It tells the story of two young women, both called Nana, who meet on the train to Tokyo and, despite their different personalities, become roommates and friends.

The manga was a great success with readers, thanks in particular to the quality of its plot, its characters and its soundtrack, which includes several original songs written by Ai Yazawa herself. It was published in 21 volumes in Japan and has been translated into many languages, including English and French.

In 2006, the manga was adapted into an anime by the Madhouse studio, under the direction of Morio Asaka. This 47-episode adaptation brought Nana to an even wider audience, and was also praised for its quality.

The "Nana - Best" anime soundtrack is the result of the collaboration of various artists, including Tomoki Hasegawa, Anna Tsuchiya and Olivia Lufkin. Their unique compositions and interpretations capture the emotions of the characters and the essence of the world of "Nana". The album brings together iconic songs that amplify the impact of key moments in the story, creating a memorable musical experience.

Following their collaboration on 2021"s Oscar winning Drive My Car, Eiko Ishibashi & filmmaker Ryusuke Hamaguchi up the ante with a deeply inspired synergistic exchange: music for images, visuals for sounds. Eiko"s score initiated the project that has become his celebrated new film (Best Picture - BFI London Film Fest, Asian Film Awards, Silver Lion - Venice Film Fest, Best Score - Asia Film Awards). Eiko"s compositions are scored for violin, cello, guitar, drums and keyboards. Her longtime partner Jim O"Rourke played the guitar and mixed and mastered the recordings when they were done, eliciting further the necessary nuances of atmosphere and mood that one would expect in one film, much less two!

A young doctor on the verge of greatness finds his career and life shattered after choosing to treat two children rather than the town mayor. The deaths of one of the children are inexplicable. What if he had saved a monster?

Monster, the manga created by Naoki Urasawa, is an acclaimed psychological thriller that has been a huge critical and commercial success. The complex and gripping story, which follows the moral choices of a surgeon confronted with a serial killer he has saved, has attracted a wide international audience. Monster has won several awards and is regarded as one of Urasawa's major works, affirming her place as a master of suspense in the world of manga.

Kuniaki Haishima is a Japanese composer best known for creating the soundtrack to the anime Monster. In addition to his contribution to Monster, Haishima has also composed music for TV series (Terra Formars and S-CRY-ed) and films (Tokyo Tribe and Helter Skelter).

The genesis of the film lay with actress Winona Ryder, who wished to make amends with director Francis Ford Coppola after her late withdrawal from The Godfather Part III. She brought him a script written by James V. Hart, which provided an adaptation of the famous 1897 novel Dracula by Irish author Bram Stoker. Coppola decided that he wanted a composer with classical eastern European sensibilities. After listening to a few pieces from fellow Pole Wojciech Kilar, Coppola was convinced that he had found his man. He called him and offered the assignment, which Kilar gladly accepted as he was very impressed with Coppola’s cinematic success. For his soundscape, Kilar chose to utilize traditional leitmotifs. Besides it features “Love Song For A Vampire” by Annie Lennox (Eurythmics).

John Carpenter's 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their
homes. The multi-talented filmmaker's atmospheric synthesiser score has long been a soundtrack favourite and this 7" single features its two most recognisable themes.

Thom Yorke’s Suspiria (Music for the Luca Guadagnino Film) is released on XL Recordings. Suspiria consists of 25 original compositions written by Thom specifically for Luca Guadagnino reimagining of the 1977 Dario Argento horror classic. The album is a mix of instrumental score work, interstitial pieces and interludes, and more traditional song structures featuring Thom’s vocals such as Unmade, Has Ended and Suspirium, the album's first single featuring the melodic theme that recurs throughout the film and its score.

As scoring a horror film presented Thom with altogether new challenges and opportunities, Suspiria stands apart from any of his other work. Piano / vocal ballads, Krautrock-esque modular synth work inspired by the film’s Berlin 1977 setting, multilayered vocals, and melodies that convey terror, longing and melancholy combine to create a chaotic yet cohesive musical spell.

Suspiria was written and arranged by Thom Yorke, recorded and produced by Thom and Sam Petts-Davies. The album also features the London Contemporary Orchestra and Choir, Noah Yorke on drums on Has Ended and Volk, and Pasha Mansurov on solo flute on Suspirium.

We saw the power of BET when their New Edition Movie drove the Bell, Biv, Devoe album to #1.
eOne and BET will join forces on a massive Death Row marketing campaign consisting of commercials
on the show, crawlers during the show, eblasts to the million plus Death Row fan list, Death Row pop up
stores etc..
This 15 song album is a good mix of front line hits like “Murder Was The Case” and hard-to-find rarities
like Sam Sneed’s “Drug Related”.

Memoirs Of A Geisha (2005) is the award winning drama film adaptation of the novel of the same name. The original score and songs were composed and conducted by John Williams. The album won the Golden Globe Award for Best Original Score, BAFTA Award for Best Film Music and the Grammy Award for Best Score Soundtrack for Visual Media. It was also nominated for the Academy Award for Best Original Score.

The movie hit of 2014, Interstellar, chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage. While the film is directed by acclaimed Christopher Nolan (Inception, Batman Begins, The Dark Knight…), the epic soundtrack score was composed by Nolan's longtime collaborator, Oscar, Grammy, and Golden Globe Award-winning composer Hans Zimmer.

180g vinyl.

180 gram audiophile vinyl
Includes 4-page booklet, and "White Death" Bullet Train boarding pass
2022 action comedy featuring Brad Pitt, Sandra Bullock, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon & Benito A. Martínez Ocasio

Bullet Train is the 2022 American action-comedy film by the Deadpool 2-director David Leitch and is based on the 2010 novel Maria Beetle, written by Kōtarō Isaka. In Bullet Train, Brad Pitt stars as Ladybug, an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe – all with connected, yet conflicting, objectives – on the world's fastest train...and he's got to figure out how to get off.

The film features a number of original tracks. Most notably, the film contains Japanese language covers of "Stayin' Alive" by Bee Gees and "Holding Out for a Hero" by Bonnie Tyler. Composer Dominic Lewis noted that the film's soundtrack represents "all vibe and no technique".

The soundtrack for Bullet Train is available on vinyl and comes in different editions, all based on the characters in the movie. All editions include a 4-page booklet, but each edition contains an exclusive Bullet Train boarding pass with corresponding picture of the character. This is the limited "White Death" edition on white coloured vinyl.
Soundtrack includes songs by Shuggie Otis, Rare Earth, Alejandro Sanz, 坂本 九 (Kyu Sakamoto), 奥田 民生 (Tamio Okuda) and Japanese-language covers of "Stayin' Alive" by アヴちゃん (Avu-chan [Queen Bee]) and "Holding Out for a Hero" by 麻倉未稀 (Miki Asakura)
Limited "White Death" edition on white coloured vinyl

Double 180g coloured marbled vinyl (Disc 1: translucent sun yellow with red; Disc 2: purple with violet & white) housed in a gatefold cover.Double EP 7" on randomly coloured eco vinyl with four new tracks written for "Risk Of Rain Returns". Carefully designed, beautifully remastered and loaded with new ways to play - "Risk of Rain" is back and better than ever! Dive into the iconic roguelike full of unique loot combinations, enhanced with new Survivors, overhauled multiplayer, fan favourite content from Risk of Rain 2 and more!Ten years to the day, after "Risk of Rain" was released into the world to become a true classic, the game is revived on November 8, 2023 as "Risk of Rain Returns" to reconnect with its fans and be discovered by those who didn't realise what they were missing. Time to give the iconic game soundtrack an update as well, isn't it?Creator Chris Christodoulou gives an insight on his work as well as the extensive and luxurious new vinyl release that come with some remarkable extras: "Can you believe it's been ten years already? It seems like yesterday that I was sitting in my small bedroom/studio in front of an aching computer writing the music for 'Risk of Rain'. And here we are, ten years later, returning to it to, adding to its musical compendium. What an unexcepted, magnificent journey!With this very special release we're celebrating both, the 10-year anniversary of 'Risk of Rain' and the release of 'Risk of Rain Returns'! This modular album contains the entire Risk of Rain soundtrack remastered and the four new tracks written for 'Risk of Rain Returns' (with contributions from special guest musicians Damjan Mravunac & Maria Papageorgiou).

A selection of 15 pieces from the soundtrack of the cult Dragon Ball Z Anime - on a limited 2LP edition, fully licensed. Including the Main opening track "cha-la Head-cha-la".

Dragon Ball Z resumes five years after Son Goku's wedding. Radditz, a mysterious warrior, arrives on Earth to find Goku, who learns that he comes from a planet of warriors from a planet of warriors, of which only four remain. The plot of the story is based on a succession of increasingly strong opponents to be fought, but there is also a but there's often a quest or travel context that adds interest beyond the duels.

The series has become a worldwide phenomenon, generating massive sales of merchandising merchandise and is considered one of the most influential anime franchises of all time. of all time.

Chiho Kiyooka (YU YU Hakusho), Takeshi Ike (transformers) and Keiju Ishikawa (godzilla) have collaborated on the iconic music for the animated series.

Based on the critically acclaimed video game of the same name developed by Naughty Dog for the PlayStation® platforms, The Last of Us is written and executive produced by co-creators Craig Mazin (Emmy® Award-winning creator of HBO’s “Chernobyl”) and Neil Druckmann (creator and writer of the award-winning “The Last of Us” franchise and Naughty Dog Co-President).

The Last of Us takes place twenty years after modern civilization has been destroyed by a viral outbreak. Joel, a hardened survivor, is hired to smuggle Ellie, a 14-year-old girl, out of an oppressive quarantine zone. What starts as a small job soon becomes a brutal, heartbreaking journey, as they both must traverse the U.S. and depend on each other for survival.

The vinyl release to the acclaimed series contains soundtrack highlights from the show. Featured are score tracks by composer Gustavo Santaolalla, with additional music by David Fleming as well as songs by Depeche Mode, Pearl Jam, Jessica Mazin & Nick Offerman.

The package contains 2x vinyl, standard weight at 140g, 1x green and 1x clear, a double-sided poster of the show’s key art, spot gloss and soft touch on the gatefold and an insert featuring liner notes by Neil Druckmann, Craig Mazin, Gustavo Santaolalla & David Fleming and images from the show.

Quartet Records presents the premiere vinyl edition Ennio Morricone’s bizarre giallo score for the 1974 thriller L’ultimo Uomo DI Sara (aka SaraH’S Last Man).

Directed by actress Maria Virginia Onorato (in her only foray into feature film directing), the movie stars Oddo Bracci as Paolo Castellano, an artist who wants to investigate the death of his ex-wife Sara long after the police declare the case closed. Aided by Sara’s friend Anna (played by Rosemary Dexter), Paolo goes through the hours of footage shot by Sara on her camera, slowly realizing that the identity of the killer is captured on film and his identity might be one of the reasons why the police wants the case closed as soon as possible.

The LP opens with the title song, performed by singer Carmen Villani, a passionate plea for peace and the memory of a doomed romance. The score features a propulsive action theme that Morricone varies and adorns with experimental percussion noises that mimic the sound of big-city traffic. Other tracks in the varied score include a heartbreaking love theme, a nice cue featuring Edda dell’Orso practicing musical scales, and a funny silent film pastiche.

This premiere LP has been produced and mastered by Chris Malone using the first-generation analogue stereo master tapes and pressed in 180 GM audophile black vinyl. The package features luxurious artwork designed by Luca Barcellona.

Shigeru Umebayashi is an internationally renowned composer who is best known for creating ‘Yumeji’s Theme’ for Wong Karwai’s film In The Mood For Love.
In addition to collaborating with Wong Kar-Wai on 2046, Umebayashi was the music producer and composer for Zhang Yimou’s films House Of Flying Daggers and Curse Of The Golden Flower.

This is an updated version of Film Fest Ghent’s 2010 tribute to the composer’s work which featured his most celebrated music.
This edition includes material that has not been otherwise released featuring two pieces from A Single Man, a cue from the anthology film
Hero and a new arrangement from his breakthrough score, Moyou from Sorekara, which features in the film The Grandmaster.
Following the success of vinyl releases featuring Ryuichi Sakamoto and Alan Silvestri in the same series,
this double LP on white vinyl in a distinctive gatefold sleeve features world-class recording by Brussels Philharmonic/Dirk Brossé of Umebayashi’s most impressive work.

“Umebayashi’s oeuvre can be found at the confluence of Western and Eastern music. It is unique, stylistically original,
authentic in colour and has its own character. Its vibrant intensity transports us. It is Ume” – Dirk Brossé – Musical Director – Film Fest Ghent

First commercial LP edition of SCORPIO, one of the most celebrated collaborations between composer Jerry Fielding and director Michael Winner
Remastered by Chris Malone
Audiophile 180GM Transparent Red Vinyl
Limited edition of 500 units

This limited 500 units edition, pressed on audiophile 180 GM transparent red vinyl, has been restored and specially mastered for vinyl by Chris Malone.

Limited edition for Black Friday Records Store Day 2022.

Sacred Bones Records celebrates its 15th year anniversary by repressing this incredible debut by the one and only master of horror on vortex blue vinyl. John Carpenter has been responsible for much of the horror genre's most striking soundtrack work in the fifteen movies he's both directed and scored. The themes can instantly flood his fans' musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kungfu fighters, or a mirror holding the gateway to hell. The music on Lost Themes is there for Carpenter's acolytes to visualize their own nightmares. As is Carpenter's style, repetition is the key to the thundering power of these tracks, their energy swirling with shredding chords, soaring organs, unnerving pianos and captivating percussion. Horror fans will be reminded of Carpenter's past works, as well as ancestors like Mike Oldfield's Tubular Bells and Goblin's Suspiria. "They're little moments of score from movies made in our imaginations," Carpenter says. "Now I hope it inspires people to create films that could be scored with this music."

The original soundtrack to the Spider-Man film that started it all, now available for the first-time ever on vinyl. Danny Elfman's 2002 Spider-Man score features music composed for the first installment of Sam Raimi's Spider-Man trilogy starring Tobey Maguire alongside Willem Dafoe, Kirsten Dunst, and James Franco. Conducted by Pete Anthony and opening with Elfman's iconic Main Title theme, the high-flying, orchestral score soars alongside Peter Parker's heroic origin story, including fan favorite tracks such as the menacing "Parade Attack" and "Specter of the Goblin," as well as the triumphant "Farewell," "End Credits" themes and more. The Spider-Man 20th Anniversary vinyl release comes pressed on 180-gram black vinyl housed in a soft-touch, gatefold jacket with UV spot gloss, 2-sided poster insert and printed eurosleeve featuring original film photography.

Baton Rouge sludge band Thou have released over a dozen LPs worth of music, collaborated with divergent artists like Emma Ruth Rundle and The Body and released covers that run the full gamut of genres. Continuing their practice of bucking typical metal tradition, their latest record, a split release with composer Gewgawly I, is a soundtrack created for the highly anticipated new video game Norco. Gewgawly I has created a master work of ambiance, not only reminiscent of some of the best game soundtracks from the 80s and 90s but also a stunning work of contemporary experimental music pushing the genre forward in exciting ways. Thou have rounded out the game's grit with a wash of downtuned doom and drone. The band has previously been described as "For fans of: alienation, absurdity, boredom, futility, decay, the tyranny of history, the vulgarities of change, awareness as agony, reason as disease," and these themes come to life vividly in Thou's collaboration with the richly illustrated world of Norco. "Thou represents an aspect of Louisiana that's close to my heart. The members know the suburbs of New Orleans and Baton Rouge well. They capture a kind of strange irreverence in their

Thanks to the brilliant debut “Night of the Living Dead” (1968), director and screenwriter George Romero is considered the creator of the ‘modern zombie’, a metaphor for the profoundly consumerist and capitalist society we live in, that was perfectly shown years later in “Dawn of the Dead” (1978); this movie was distributed in Italy as “Zombi”, with a different editing made by Dario Argento and a soundtrack once again composed by legendary Goblin.

“Zombi” is a very varied album where the electric guitars, taking the lead in the hard-rock track “Zaratozom”, often give way to keyboards, synthesizers and percussion elements of all kinds. The real masterpiece of the record remains the opening cut “L’Alba dei Morti Viventi” (Dawn of the Living Dead) with its sinister, unrelenting pace evoking a slow and unstoppable march of zombies, impossible to escape from.

Limited edition for Record Store Day 2022.

Limited edition for Record Store Day 2022.

Fifth western in a row for Sergio Leone after the Dollar Trilogy and “Once Upon a Time in The West”, “Giù la testa” (Duck, you sucker, 1971) is also the fifth collaboration between the director and Ennio Morricone, which would be followed by the final “Once Upon a Time in America” nearly 15 years later, before Leone’s premature death in 1989. World famous and holder of unlimited resources, with “Giù la testa” Leone directed an epic film that tells of the friendship between a Mexican bandit and an Irish explosives expert, during the historical context of the 1913 Mexican Revolution; lasting over two hours, the film has almost tones of an Hollywood colossal, but its epicness is only occasionally accompanied by Morricone’s music, which focuses more on the romance and melancholy aroused by the two protagonists’ memories. This score’s main theme alone would have been enough to make it a classic, thanks to the recurring “Sean-Sean” tune, and especially the melody sung by Edda Dell'Orso, a theme that even the less music passionate will immediately recognize!

Dario Argento’s ‘opera prima’ ‘L’uccello dalle piume di cristallo’ was premiered in 1970 and marked an historical and revolutionary debut, being a truly original and innovative thriller. The stylistic choices of Argento mark a clear step forward from the thrillers of that era and even the soundtrack was something utterly special.

Argento assigned the score to Ennio Morricone, composer of the soundtracks for ‘Comandamenti per un gangster’, ‘C’era una volta il west’, ‘Metti, una sera a cena’ ‘Un esercito di 5 uomini’ and ‘La stagione dei sensi’, which Argento had already written the screenplay of. For this movie the maestro adopted a particular style that draws heavily on contemporary music and on the studies of his Gruppo di Improvvisazione Nuova Consonanza. With ‘L’uccello dalle piume di cristallo’ Morricone develops this approach and defines a 'formula': he alternates traditional songs, built around an easy and immediate melody used as a leitmotiv, with avant-garde and abstract tracks that amplify the state of uneasiness and fear of the viewers of tension and violence sequences.

Cinevox released this soundtrack on an LP with 10 tracks in the spring of 1971 when ‘Il gatto a nove code’ was already a big hit in the Italian cinemas. The record was originally issued in mono, with different tracks from the Stereo US version. This is the first vinyl reissue featuring the original score in Stereo, enclosed in a brand new artwork made by Adventprod studios!

This is a 11st collaborative animated features works by Miyazaki and Hisaishi. “The Wind Rises” have released only soundtrack. Performance by full orchestra of New Japan Philharmonic. Folk instrument which are Balalaika and Bayan etc. are impressive. Including the main theme “hiko-ki Gumo” (vocal: Yumi Arai)

Wrwtfww Records is not trolling when it says it is very very very happy to announce the official reissue of Richard Band’s soundtrack for horror fantasy classic Troll (1986).The limited edition yellow-colored 180g vinyl LP is housed in a heavy gatefold sleeve with full movie gallery, obi strip, and video store stickers.The album is also available on CD house in a classic jewel case with cavalier and video store sticker. Both versions contain liner notes by Richard Band himself.

Wrwtfww Records is giggling with pleasure as it announces the official reissue of Richard Band’s director’s cut soundtrack for sci-fi horror comedy classic TerrorVision (1986).The limited edition blue-colored 180g vinyl LP is housed in a heavy gatefold sleeve with full movie gallery, obi strip, and video store stickers. It includes liner notes by Richard Band himself. People of Earth Your planet is about to be destroyed… We’re terribly sorry for the inconvenience Conceived as a late 1960s Lost in Space type score with a 80s electronic twist, TerrorVision is one of the most unique soundtracks in Richard Band’s discography. Part oddball adventure, part eerie soundscape, it mixes the fun and flashy colors of the era with synth explorations that flirt with minimalism and experimental music. Band composed with a Yamaha Cs70 plus twin ARP 2800s, a mini Moog synthesizer, as well as DX5 and DX7 keyboards, creating a groovy twilight zone of electrifying alien funk. The soundtrack also includes 5 numbers by deliriously wild LA band The Fibonaccis. One of a kind - like the movie itself!

Wrwtfww Records is ghoulishly happy to announce the first ever release of Richard Band’s full uncut soundtrack for cult horror comedy classic Ghoulies (1985).The limited edition pink-colored 180g vinyl LP is housed in a heavy gatefold sleeve with full movie gallery, obi strip, and video store stickers.The album is also available on CD house in a classic jewel case with cavalier and video store sticker. Both versions contain liner notes by Richard Band himself.

The Complete Film Score by James Newton Howard
180 Gram Double LP "Aqua" Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Unbreakable, about a security guard named David Dunn (Bruce Willis) who becomes the sole survivor of a train wreck, posed the question of what would happen if superheroes were real. At the insistence of a mysterious, rare-comic-book collector named Elijah Price (Samuel L. Jack-son), who suffers from a medical condition that makes his bones shatter on the slightest impact, Dunn comes to believe that he has super strength and is impervious to injury or illness. Not only that, he has the ability to see or sense the evil deeds of others simply by touching them.

The Unbreakable score, by James Newton Howard, was the second collaboration between Shyamalan and Howard, following their work together on The Sixth Sense. The Unbreakable score experience was unlike any the composer had had before. “Night sat there and story-boarded the whole movie for me,” Howard said. “I’ve never had a director do that for me. He wanted something that was very different, very distinctive, that immediately evoked the movie when people heard it.”

Howard and Shyamalan chose to simplify the score, and minimized the number of instruments (strings, trumpets, and piano), with limited orchestrations. Some compositions were recorded in a converted church in London. “You could have recorded the same music in a studio in Los Angeles, and it would have been great, but there is something about the sound of that church studio,” Howard said. “It's definitely more misterioso.”

James Newton Howard is an American composer, conductor, and producer. He has scored more than 100 films and is the recipient of a Grammy Award, Emmy Award, and eight Academy Award nominations. His scores include The Fugitive, Batman Begins, The Dark Knight, and The Hunger Games film series.

Record Store Day 2020 Release.

Two 12" black LPs in a gatefold sleeve with a set of 4 alternative 'Multiverse' covers printed on x2 double-sided inserts. Composer Lorne Balfe with BBC National Orchestra OF Wales introduces the series and character themes for HIS Dark Materials, the new TV adaptation of Philip Pullman's acclaimed series of novels.

Franco Micalizzi wrote one of his best OSTs for the Poliziesco genre with this one (the main theme is one of Micalizzi’s favorites and he often performs it live in concert with his orchestra BIG Bubbling Band). The OST opens with the strong main score written for woodwinds and percussion, which is then reprised with different arrangements throughout the film. It is also alternated with moments of suspense. The violent urban jungle atmosphere is broken by "Sambamba", a sunny pop piece with a Latin sound written for choir and orchestra. For this LP, the master tapes of the recording session were used.

The Complete Score By Mauric Jarre
180 Gram “Subway Hallucination” Metallic Silver and Metallic Gold Swirled Vinyl
Artwork By Jérémy Pailler
Deluxe Packaging
Re-Mastered From The Original Master Tapes

Waxwork Records is thrilled to present JACOB'S LADDER Original Motion Picture Score By Maurice Jarre. Jacob’s Ladder is a 1990 psychological horror movie starring Tim Robbins, Elizabeth Peña, and Danny Aiello. The film follows Jacob Singer, a Vietnam veteran, whose experiences before and during the war result in strange, fragmented visions and bizarre hallucinations that continue to haunt him. As his ordeal worsens, Jacob desperately attempts to figure out the truth. Though only moderately successful upon release, Jacob’s Ladder garnered a cult following. Its plot and special effects became a source of influence for various other works such as the horror video game Silent Hill and the TV series American Horror Story. Kim Manners prepared for directing The X-Files episode “Grotesque” by listening to the score to Jacob’s Ladder.

The experimental score by late French composer Maurice Jarre is dynamic and haunting with use of piano, synth, orchestral cues, and droning electronic soundscapes that feature reverberating horns, chants, tribal woodwinds, and chasing percussion. The avant-garde score is atmospheric and melancholy without sacrificing melody. It features seamless transitions that reflect Jacob’s loneliness, grief, nightmares, and horrific hallucinations.

Waxwork Records is excited to present the complete score to JACOB’S LADDER as a deluxe vinyl release featuring high quality packaging, 180 gram “Subway Hallucination” metallic silver and metallic gold swirled vinyl, artwork by Jérémy Pailler, and audio re-mastered from the original master tapes

Dolemite is his name and rappin’ & tappin’ is his game! Eddie Murphy’s 15-year-old pet project about Rudy Ray Moore is absolutely one of the best feel good films in recent memory. Featuring music by Scott Bomar. The soundtrack is a loving homage to 1970’s funk and Blaxploitation scores that sounds contemporary and fresh rather than just leaning on the past. It’s fun, reverential and funky as all hell. Bomar has an incredible feel for funk and soul and it absolutely shines here. This vinyl edition features the full score plus tracks sung by Eddie Murphy, Craig Robinson & Da’Vine Joy Randolph.

The Dead Don't Die is writer/director Jim Jarmusch's unique, semi-comic take on the zombie apocalypse genre. As with his recent efforts Only Lovers Left Alive and Paterson, the film's score was composed and performed by SQÜRL, the band Jarmusch and producer Carter Logan founded in 2009. Sacred Bones Records, the same label that released the band's EP #260 in 2017, is releasing the LP edition of the score.The score to the The Dead Don't Die is a true expression of where SQÜRL stand at the center of a decade of sonic exploration. It is the culmination of their passion for analog synths, with guitar violence reverberating from the darker corners of Americana. It is at once a tribute to the classic sounds of horror and sci-fi, as well as a decapitation of traditional film scores. It is naturally supernatural.From their arsenal of tools, Jarmusch and Logan pulled electric guitars and basses made by Rick Kelly and Cindy Hulej at Carmine Street Guitars, an acoustic resonator, Moog Minitaur and Theremini synthesizers, Fender Rhodes electric piano, an old Ludwig drum kit, cheap vintage Casio and Yamaha keyboards and new synths from Critter and Guitari _ all sculpted through a collection of effects pedals, notably from Earthquaker Devices.The inspiration for SQÜRL's score for The Dead Don't Die came from some of the most iconic soundtracks of the past half-century of genre cinema _ Tangerine Dream's Sorcerer, Bebe and Louis Barron's Forbidden Planet, Ennio Morricone's The Thing and Once Upon a Time in the West, Goblin's Dawn of the Dead, and all things John Carpenter. The singular Theremin work of Samuel J. Hoffman on films like Spellbound and The Day the Earth Stood Still also made its way into Jarmusch and Logan's consciousness. The result is a new horror soundtrack that stands shoulder to shoulder with the great works of its genre.

* Features a spined ‘sombre grey’ outer sleeve with deboss and die-cut
* Pressed on 2 x black vinyl

After being completely sold out on vinyl, Geoff Barrow & Ben Salisbury’s ‘DROKK: Music Inspired By Mega-City One’ has been re-issued as a special edition on 2 x LP with beautiful new bespoke packaging, including extra bonus material previously not available with the retail vinyl release.

DROKK is a synth heavy score with a relentless darkness, a cold atmosphere where the tension never drops. Although it is a soundtrack of sorts, Barrow and Salisbury instinctively felt that music for MC1 should steer clear of the rich orchestration common to many contemporary film scores. Even for electronica the music is often purposefully stark and spare, with the majority of tracks created exclusively on the Oberhiem 2 Voice Synthesizer with a cameo from Beak>

* Transparent Red Vinyl
* 500 Limited Edition / Released for the first time on vinyl is Max Richter’s emotive and minimal score to Damon Lindelof’s TV series about a post-apocalyptic global event where 2% of the world’s population disappears without explanation. Richter’s approach explores the feelings of the protagonist’s family, the Garveys, through intimate, small scale music. He tackles this psychological landscape by bringing a ritual quality to the score, while themes of departure and loss are represented by a sense of sonic decay, relying on the instrumentation of a few sustained tones on pianos, harps and celesta. Max Richter is a classically trained composer that defies boundaries. Trained at the Royal Academy of Music and finishing his studies under the tutelage of avant-garde composer Luciano Berio in Florence, Richter’s career has followed many paths. His musical output ranges from ballets (Wayne MacGregor’s Infra), reinventions of classical works (Vivaldi’s Four Seasons), collaborations with The Future Sound Of London, Roni Size and Vashti Bunyan to writing scores for film and TV (Waltz With Bashir, Lost and Found, Last Days on Mars) and solo work (Memoryhouse, The Blue Notebooks, 24 Postcards In Full Colour).