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Cryptozoo is an animated feature-film drama, written and directed by Dash Shaw, featuring the voices of Lake Bell, Zoe Kazan, Michael Cera and Louisa Krause. The film won the Next Innovator Award at Sundance, and premiered internationally at the 2021 Berlinale. It will be released on August 20 in theaters and on demand.

This is John Carroll Kirby’s first time bringing his talents as a composer and producer to film scoring. His score resists easy genre classification, melding together sounds from New Age, exotica, library music, and the sweeter side of electronic music, and makes for a perfect match with artist and filmmaker Dash Shaw’s vibrant animated feature.

Celebrating the 50th anniversary of the 1973 cult classic Theatre OF Blood, Quartet Records, in collaboration with MGM, presents the first-ever LP edition of the Iconic Michael J. Lewis’ score! Directed by Douglas Hickox and starring Vincent Price and Diana Rigg, with guest victims Ian Hendry, Harry Andrews, Robert Morley, Michael Hordern and Jack Hawkins, among others, the film is a macabre British black comedy about a Shakespearean actor who is systematically humiliated by critics who consider him hammy and old-fashioned. The actor becomes a serial killer and murders every critic by emulating the sadistic crimes in Shakespeare’s plays. Michael J. Lewis (sphinx, THE Madwoman OF Chaillot, THE Naked Face, THE Medusa Touch) composed a delightful score, with a catchy, charming main theme that is opposed to the brutality of the story. Contrasting strains of old-fashioned lyricism and modern soundscapes frame a score of great stylistic diversity. Even though Theatre OF Blood was a success—and has become even more widely admired over the last halfcentury—no commercial album of the full soundtrack existed until 2010, when the score made its debut on CD by La-La Land Records. The program has now been freshly mastered specially for vinyl and re-sequenced for a better listening experience, as it would have been had it been released in 1973. This limited edition of 500 units, pressed on audiophile 180 GM blood-red-and-black splatter, has been produced, restored and mastered by Chris Malone from the original stereo master tapes.

Composer Alan Howarth (Star Trek, They Live, Halloween series) with Andrew VanWyngarden of MGMT
Limited Edition Red Vinyl
Soundtrack to Jefferson Moneo’s 2022 film, Cosmic Dawn

Ship to Shore PhonoCo. is proud to announce the release of Cosmic Dawn: Original Motion Picture Soundtrack by Alan Howarth & Mgmt’s Andrew Van Wyngarden! After her mother is seemingly abducted by aliens, a disturbed young woman seeks answers by joining a UFO cult… but all is not as it seems.

Alan Howarth (best known for his collaborative work with John Carpenter on soundtracks such as Big Trouble In Little China, Prince Of Darkness and Halloween III: Season of the Witch) teams up with Andrew Van Wyngarden of Mgmt to create a 40 minute opus of unsettling moodiness. A unique mixture of ominous synthwave & dark ambience (occasionally blended with some psychedelic funk rock) and mixed with audio samples from the movie, the score invokes an uneasy dreamlike atmosphere that you will want to return to again and again!

After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive. As Halloween Ends marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Recorded in its entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides the signature sound of Halloween, one of the most distinctive aspects of the movie franchise to date. The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread yet the record includes some groove laden moments reminiscent of Escape From New York or some of Carpenter's other more dance-able scores. Exquisite and delicate ambient pieces weave their way between some of the score's more arresting moments and yet maintain a subtle pop sensibility. The overall achievement showcases three master musicians, one of whom invented the entire horror-synth genre, crafting an evocative, playful and deeply listenable score that honors a legacy and expands on the decades of work that have been leading to this triumphant climax. Halloween Ends is the soundtrack of the final battle against evil. Watch your back this Halloween, Michael may be near you.

After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive. As Halloween Ends marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Recorded in its entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides the signature sound of Halloween, one of the most distinctive aspects of the movie franchise to date. The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread yet the record includes some groove laden moments reminiscent of Escape From New York or some of Carpenter's other more dance-able scores. Exquisite and delicate ambient pieces weave their way between some of the score's more arresting moments and yet maintain a subtle pop sensibility. The overall achievement showcases three master musicians, one of whom invented the entire horror-synth genre, crafting an evocative, playful and deeply listenable score that honors a legacy and expands on the decades of work that have been leading to this triumphant climax. Halloween Ends is the soundtrack of the final battle against evil. Watch your back this Halloween, Michael may be near you.

After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive. As Halloween Ends marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Recorded in its entirety at Carpenter's home studio and Davies' studio, the unmistakable mix of software synths, vintage analogue equipment, and live instrumentation once again provides the signature sound of Halloween, one of the most distinctive aspects of the movie franchise to date. The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread yet the record includes some groove laden moments reminiscent of Escape From New York or some of Carpenter's other more dance-able scores. Exquisite and delicate ambient pieces weave their way between some of the score's more arresting moments and yet maintain a subtle pop sensibility. The overall achievement showcases three master musicians, one of whom invented the entire horror-synth genre, crafting an evocative, playful and deeply listenable score that honors a legacy and expands on the decades of work that have been leading to this triumphant climax. Halloween Ends is the soundtrack of the final battle against evil. Watch your back this Halloween, Michael may be near you.

The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display. The film is a new take on the thriller examining a girl with extraordinary pyrokinetic powers and her fight to protect her family and herself from sinister forces that seek to capture and control her. The film releases theatrically on May 13th, 2022 and stars Zac Efron, Sydney Lemmon, Ryan Kiera, is directed by Keith Thomas (The Vigil) and created by the producers of The Invisible Man. The story has become a classic and the intense nature of the film creates a canvas for a dynamic soundtrack. The Firestarter soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic. These three musicians are all working in the peak of their individual and collaborative creativity and this soundtrack further solidifies them as masters of the craft.

The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display. The film is a new take on the thriller examining a girl with extraordinary pyrokinetic powers and her fight to protect her family and herself from sinister forces that seek to capture and control her. The film releases theatrically on May 13th, 2022 and stars Zac Efron, Sydney Lemmon, Ryan Kiera, is directed by Keith Thomas (The Vigil) and created by the producers of The Invisible Man. The story has become a classic and the intense nature of the film creates a canvas for a dynamic soundtrack. The Firestarter soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic. These three musicians are all working in the peak of their individual and collaborative creativity and this soundtrack further solidifies them as masters of the craft.

The horror master John Carpenter is back with his Halloween franchise collaborators Daniel Davies and Cody Carpenter for their infectious new soundtrack to the 2022 adaptation of Stephen King's Firestarter. This marks the first official soundtrack that the team has composed together outside of the Halloween franchise and their inspiration and evolution as a creative team is on full display. The film is a new take on the thriller examining a girl with extraordinary pyrokinetic powers and her fight to protect her family and herself from sinister forces that seek to capture and control her. The film releases theatrically on May 13th, 2022 and stars Zac Efron, Sydney Lemmon, Ryan Kiera, is directed by Keith Thomas (The Vigil) and created by the producers of The Invisible Man. The story has become a classic and the intense nature of the film creates a canvas for a dynamic soundtrack. The Firestarter soundtrack utilizes some of the best elements of Carpenter's famous musical repertoire and charts exciting new territory. The tracks range from fist pumping sci-fi anthems to slow reverb drenched piano ballads and each utilizes a variety of sonic applications. Skulking beats, skittering synths, crushing guitars and an ever-lurking echo come together to create an album that is atmospheric and also deeply melodic, cohesive and eclectic. These three musicians are all working in the peak of their individual and collaborative creativity and this soundtrack further solidifies them as masters of the craft.

Kein Geringerer als Oscar-, Grammy- und Emmy-Gewinner und Komponist Michael Giacchino hat den Soundtrack zu „Spider-Man: No Way Home“ geschrieben. Für den Soundtrack erweitert Giacchino die Klanglandschaft, die er mit „Spider-Man: Homecoming“ (2017) und „Spider-Man: Far From Home“ (2019) etabliert hat. Auch das ikonische und von den Fans geliebte Spider-Man Thema kommt in der Filmmusik vor.



„Es war wirklich etwas Besonderes, diese drei Filme mit Peter Parker und Regisseur Jon Watts zu drehen. Im Laufe der Filme entwickelt sich Peter von einem typischen Teenager mit den alltäglichen Ängsten, die so viele von uns in diesem Alter haben, zu einem selbstbewussten jungen Erwachsenen, der sich seiner großen Verantwortung bewusst ist. Der zusätzliche Bonus, dass er reisen und mit dem Multiversum spielen kann, hat mich um einige Jahre zurückversetzt und daran erinnert, warum ich diese Figur überhaupt so liebe. Es war mir eine Ehre, zum Vermächtnis des freundlichen Spider-Man aus der Nachbarschaft beizutragen“ erklärt Michael Giacchino.