Movies | TV Vinyl 339 Items

Recorded in 1976 by Invisible Girls’ Steve Hopkins and Martin Hannett for a truly
bizarre stop-motion animation called All Sorts OF Heroes, this hard edged funk
instrumental theme reveals another side to this versatile production team joining the
hidden dots between ESG, Gyro, A Certain Ratio and Afro Express.

Like much of the lost and unreleased projects that stalled on the peripheries of early
proto-Madchester, including the disco-pogo music of Spider King, Gerry And The
Holograms, The 48 Chairs, Naffi and The Mothmen, this record has been frozen in
time waiting for the wider marathon of independent pop to catch up!

Pressed here by Finders Keepers for the first time on vinyl.

Super deluxe lo fi 7″ grape-colored vinyl housed in DIY low-budget sleeve, + includes “I love my VCR Sticker

After the release of the successful soundtrack for the TV series Gomorra (which was aired outside Italy as well) the Italian combo Mokadelic returns with a brand new score, Sulla Mia Pelle, for one the most controversial movies around. Based on the despicable history of Stefano Cucchi, literally killed in prison by a bunch of policemen, the album renews the cinematic style of Mokadelic through a series of almost dramatic instrumental sketches. Equally informed by the post-rock of luminaries such as Godspeed You Black Emperor and Explosions In The Sky - not to mention the subtle rhythms of contemporary IDM (Boards Of Canada first came to mind) - the band delivers their signature with several epic moments. That is the real companion to a tragic feature film.

7 track mini album. 'Waterpark' is a film score written for Director Evan Prosofsky's same titled film, and explores the neutral element of sound in a massive indoor water park located in west Edmonton Mall, in the province of Alberta. A vacation home to countless stranded Canadians with no vacation in sight.

The instrumentation of oscillators, heavily reverberated strings, mellotron/chamberlain, and experimental electric guitar sets the mood for this bizarre plastic tropical paradise thats within a shopping mall.

Stanley Kubrick has a troubled past with Deerhoof. An argument over whether Eyes Wide Shut was good almost broke up the band in 1999 and again in 2003. When Famous Class suggested a 7" of music from The Shining, the band waffled for three years about whether they thought they could do it justice. But once a Halloween release date was proposed, Deerhoof couldn't resist. They got the score to Bartok's "Music For Strings, Percussion and Celesta" out of the library, and transcribed one of the 20s songs straight from the closing credits. Music that in the movie echoed from some ghostly, gilded past takes on a more urgent character in Deerhoof's versions, as if to underscore that the horrors of white supremacy, oligarchy, and domestic abuse are alive and well in 2018 America.

What we have here are three of the most obscure but still beautiful italian music libraries ever released.
Originally conceived in the early eighties as soundtracks for special tv shows about space, aliens and thrilling in general, the songs included in the three lp's are masterpieces of obscure electronic music with hints of krautrock, electro-ambient and spacey suites a la Tangerine Dream. Obscure artists that played great music!!!

A must have for fans of Tangerine Dream, Brian Eno, Neu!…

Remastered from the original analog master tapes.

John Carpenter's 1980 follow-up film to his smash hit Halloween featured ghost sailors terrorizing a Californian coastal community as a dense fog descends on their
homes. The multi-talented filmmaker's atmospheric synthesiser score has long been a soundtrack favourite and this 7" single features its two most recognisable themes.

Released in 2020 to celebrate the 100th anniversary of the theremin, The Gateway features the instrument as a lead voice in the extraordinary realm of high-energy post-Italo electronics.

For this newest collection of original works, Brown transports the theremin to the heart of the dance floor – reimagining its mysterious interface as an electro-magical conduit for the opening of forbidden portals and the summoning of subversive spirits.

The Gateway also features a contemporary expansion of the classic theremin sound. Brown plays the Moog Etherwave Pro theremin in two ways – employing both its familiar heterodyne voicing and possessing a range of analog synthesizers via control voltage technology.

This groundbreaking combination presents a fresh voice and thrilling new context for the world’s oldest electronic instrument.

Waxwork Records is excited to present the deluxe double LP film score release of The Eyes Of My Mother. Written and directed by Nicolas Pesce, The Eyes Of My Mother is a 2016 black and white horror film that focuses on a young woman, Francisca (Kika Magalhães) that grows up on the family farm where she has previously witnessed the murder of her mother during her adolescence. After keeping her mother’s murderer captive for years, and plagued by loneliness after the death of her father, Francisca begins a bizarre chain of actions that include luring victim’s back to the family farmhouse, dismemberment, kidnapping an infant to raise as her own son, and personally exhuming her mother.

Composed by Ariel Loh, the score to The Eyes Of My Mother is dark, haunting, and atmospheric. Composed entirely on vintage, modded analog synthesizers, the score effectively presents a tune drifting, ghostly, and often beautiful collection of compositions that captures the lead characters psychosis and devolvement.

The score to The Eyes Of My Mother has been pressed to two 180 gram colored vinyl records and housed in a deluxe, heavyweight old-style gatefold jacket with satin coating. Features include composer liner notes by Ariel Loh, new artwork by illustrator Nikita Kaun, and an 11”x11” art print.

Ship to Shore PhonoCo. is very proud to present Vince Pope’s score to Issa López’s acclaimed dark fairy tale Tigers Are Not Afraid, on limited edition vinyl!

The film plays out as a dark fairytale, set against the harsh reality of a Mexican city in which a group of orphaned children living rough in the streets butt heads with the local murderous cartel, all the while their most recent addition - Estrella - is literally haunted by a dark presence…

The music helps weave the tapestry of the story together, dark ambient moments are punctuated with touching melodies that will pull at your heartstrings with a soundscape that is simultaneously creepy and melancholic in all the good ways.

The soundtrack is pressed onto an orange-with-black-splatter variant LP, and also comes with a voucher offering a 30 day free trial of Shudder!

Pre-Cert, short for pre-certi?cation video, is a UK phrase that refers to a VHS tape released prior to the introduction of the 1984 Video Recordings Act. As the then new VHS market was completely unregulated, these editions were not required to be submitted to the BBFC, meaning the releases were completely uncensored - soon leading to the "video nasties" outrage. Today these tapes are sought after items on the collector's market. With his Cineploit debut, Magnus Sellergren set out to further and improve on the concept of Videogram's previous "S/T" 2014 album. Inspiration was drawn from the same sources as the previous full length effort, with the key words being bigger, better, and more produced. The result is an album created during a six-month period, between January and June 2015, starting with a total of thirty-some tracks that were written, then re-written - in some cases even completely rearranged - polished, and ?nally whittled down to a thirteen-track, 40+ minute full length LP/CD. Starting off with the now-familiar Videogram idents, Pre-Cert covers an assortment of classic genre-in?uenced sounds; from occult horror, 1980s Cannon action, thrillers and post-apocalyptics to "cannibal freakouts" (as he affectionately calls them), Italian-produced erotica, 1970s Spanish horror, the iconic Friday the 13th series and climaxing with a mammoth ?ve-part, 13-minute tribute to John Carpenter's sci-? horror classic "The Thing". The journey Videogram started in 2014 is now taking a huge step forward, offering the same amount of affection for the VHS format and genres as his previous efforts, but more focused, polished and well executed!

Original Soundtrack in a collectors edition.

From the cosmic creative musical mind of Swiss/Catalan studio whizz, Zeleste Nightclub engineer, Video Nasty film composer, occasional Jaume Sisa (Música Dispersa) collaborator and future electronic music therapy pioneer comes the synthridden vocoder-loaded 1984 sci-funk soundtrack to Barcelona’s daytime TV response to the universal E.T. phenomena. Get ready to meet your new alienígena amic and the unidentified flying object of thousands of Catalonian kids affections through the 1980s as Finders Keepers present J. M. Pagan’s lost lunar modular synth score to Kiu I Els Seus Amics (Kiu And Friends aka Kiu Is Your Friend).
From the same intergalactic phenomenon that brought such delights as Turkey’s exploito cash-in “Badi” or South Africa’s lo-rent hommage “Nukie” to our unregulated small screens, and the same craze which filled international airwaves with the likes of Extra T’S electro smash single “E.T. Boogie” or the million selling Columbian “Cumbia De E.T. El Extraterrestre” smash hit... not to mention a wide range of unofficial themetune cover versions from Holland, Austria, France and Germany (lest we forget an inspired late period Lee Scratch Perry Album) the creators of the movie which inspire the music on the album you are about to hear made no bones about their intergalactic muse. In 1982 the diaspora from Steven Spielberg’s small fictional mid-American neighbourhood that played host to everyones favourite torch fingered, three toed, Skittle scoffing space goblin touched virtually every family home in every major city resulting in one of the biggest cinematic merchandise phenomenas of the 21st century, resulting in an unexpected high-demand / short-supply play-off in which bootleggers, copyists and counterfeiters rose to the challenge like never before. At the precise moment that international audiences saw that cute little baldy poke his retractable neck around the corner and started stealing beer from the fridge, demanding long distance phone calls while circuit bending kids toys and frankly not looking after the plants... the human race was hooked! and we wanted more! more! more! When Spielberg regrettably told interviewers that he had no intention of making a sequel to E.T. The Extra Terrestrial, it instantly became open-season for the imitators... but way before somebody squeezedout, Mac & Me, ALF and The Purple People Eater a team of kid’s TV executives in Catalunya were ready to fill the widening gap in the market without haste. Created in 1983 by Luna Films and Televisió de Catalunya (TV3) and screened exclusively in Catalunya, Kiu I Els Seus Amics was one of the first E.T. “tributes” to make it out of the gate, and with a crew of five individual directors and writers to ensure that the five episode, one-off series hit the wave of phone-home-fever, “Kiu” has since remained a short but sweet micro-memory in the hearts of an entire generation of Catalonian cosmonauts.

Another great shot at Four Flies 7'' Family: two gorgeous soul ballads composed for the title sequences of two Italian-Spanish thrillers, both magnificently sung by Shawn Robinson’s divine voice. Special Ultra-limited Collector's Edition: 133 copies with reddish-purple label and sleeve + 133 blue label & sleeve + 133 violet label and sleeve.

The release comes with a download code. Betbeder, asked Sebastien Tellier to compose the music of his new film, "Marie et les naufragés" (Translated: "Marie and The Castaways"). For this score, Tellier chose a retro-futuristic electronic path in the tradition of Giorgio Moroder's music in keeping with the with free and off-the-beaten path tone of this film starring Eric Cantona. With the help of friend and fellow musician John Kirby, Sebastien has diffused film‘s languid themes with tributes to Marvin Gaye or to Ennio Morricone.

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

Four Flies 45s Serie strikes back with this unmissable Piero Umiliani double-filler, featuring the only two tracks survived from BABA YAGA's score, a pop-mystery movie inspired by the comic books of Guido Crepax, Valentina. Limited edition: 250 copies with cyan sleeve and purple label + 250 copies with gold-cover and label.

Converging at a cultural terminus that bridges Belgian electronic music, French comic book culture and the cream of the cinéma fantastique film genre, this rescued and previously unreleased multi-discipline art film soundtrack entwines unlikely links between the likes of Daniel Schell's Cos, French vampire film director Jean Rollin, Tintin, dark ambient pioneer Igor Wakhévitch, Heavy Metal magazine, Moebius, Alejandro Jodorowsky, choreographer Maurice Béjart, musique concrète legends François Bayle and Luc Ferrari, and some of the most notorious examples of pre-certificate Video Nasties and Mondo cinema. Needless to say the empty branch on the Finders Keepers family tree reserved for synthesist, sound designer and ethnological instrument enthusiast Alain Pierre is ready to bare some very strange fruit.

The recent rediscovery of this 1974 short film documenting revered cosmic comic artist Philippe Druillet and the creation of one of his finest works has given fans and enthusiasts of counter culture comic design, sci-fi pop art, and French Futurism a rare glimpse and insight into a master at work during his creative halcyon. Directed by Swiss-born Michel Jakar, the film Ô Sidarta, (named after a seminal design created for French/Belgian bandes dessinée monthly Pilote) not only explored the mind-set and applied techniques of the artist, it also witnessed the master painter in his natural habitat, at home amongst gothic decor, while seizing the opportunity to animate some of the artist’s best work via quick-fire edits and cross-fades accompanied by the all-important back drop of Alain Pierre's unique, multi-layered and potentially ground breaking space raga soundtrack.

« It's stressfull! It's shocking! It's everything a disturbed mind can imagine! »

A zombie wearing a Nazi SS uniform terrorizes the French countryside. Meanwhile, some really weird shit is happening, involving a possessed horse, a pirate boat and a couple of car drivers desperately fighting the evil tearing the land to pieces.

No plot needed for the madness to begin, as this movie is filled with the insanity guaranteed to give you psychedelic dreams. Directed by Bernard Launois, Devil Story is a cult film that is favored by connoisseurs as one of the craziest pieces of out-there cinema ever committed to screen. Even better, the soundtrack composed by Michel Roy and Paul Piot matches the performance with obscure electronic digressions and bone-chilling melodies.

Limited edition of 500 coloured LP.

Mastering by Julien Louvet
Artwork by Jennie Zakrzewski

Russian occultists Old Komm collaborate with the south Californian dons of austere electronics German Army, bringing to life the made up soundtrack to a film that never was. 'Disquiet' tells the story of a child born to a desolate, post-apocalyptic world, war torn and fractured by greed. As far as the music is concerned, organ tones and broken exoteric bumps coexist with dark ambient themes and cavernous beats.

The Score to the short film "Ellis" starring Robert De Niro, written by Eric Roth and directed by (Street) Artist JR.

Parisian lynchpin Krikor Kouchian summons spooked-out radiophonic sounds in his superb, as-yet-unreleased soundtrack for the 2014 redux of Jean Epstein’s pioneering, silent 1920’s avant-garde cinema classic. A must check for fans of Elodie, Kevin Drumm, Mika Vainio, Eliane Radigue. The 1927 film ’Six Et Demi Onze’ tells the tragic romantic tale of two brothers who, unbeknownst to eachother, fall in love with the same woman. A timeless psychological narrative involving suicide and lies ensues across the film’s grand locations, but on his soundtrack Krikor prefers to home in on the internal thoughts of the film’s central protagonists, outlining a claustrophobic atmosphere in some of his subtlest and most affective soundtrack work, which follows from a panoply of scores for everything from an Arnold Schwarzenegger documentary, to films on Franco-Saudi geopolitics and fantasy sci-fi. It’s arguably Krikor’s finest endeavour in this arena.

Collector’s edition strictly limited to 300 copies, with one insert.

Japanese industrial/synth-duo Group A partner with choreographer/performer Dana Gingras, Montréal artist Sonya Stefan & Finnish lighting designer Mikko Hynninen for athe multimedia project. Performance, installation of televisions, sound, light and image converging to create an exhilarating event placing a living, breathing and transmuting body at the heart of the experience.

“Charmingly lo-fi AOR-inflected 8-bit small group funky rock and post-punky disco-not-disco with open breaks and experimental electronics – an undiscovered gem!” Ed Griffiths (Blaxploitation.com)
Moving musis is out with it’s third Soundtrack release, the 1982 Norwegian cult feature “Carl Gustav, the Gang and the Parking Bandits” A teenage flick set in the outskirts of Bergen. A Band of black dressed greedy corporate thugs are converting all the playgrounds in the area to parking lots. This doesn’t fit well with the local youth, Carl Gustav and his friends finds all the clues, traces down the thugs and get their revenge at the castle finale.
Well respected Norwegian director Ola Solum again hired Pete Knutsen (see also Operasjon Cobra MM02 ost) and his bandmates from Popol Ace for the job to make the score. And the result is a brilliant small group funky rock outfit with plenty of open breaks, quirky instrumentation and interludes. Songs from the film includes vocal tracks by famous Norwegian pop artist Jahn Teigen and the punk group Alle Tiders Duster.
Never before released and remastered from multitrack tapes by Timmion Finland, this score is long overdue but finally available for the first time!

The 'Pipeline' O.S.T. is the result of a collaboration between L'Ironie Du Son, Guillaume Peitrequin and Fabio Poujouly. It's an experimental soundtrack featuring material fitting in between ethnic and organic sounds, and electronic atmospheres giving birth to a splendid world of textures, ambiences and noises that are predominant in the movie. Limited to 400 copies in silkscreen printed cover with insert.

180 gram LP limited edition. This is the movie event of the year, winner of the Public Prize at the Berlinale in February 2012! Finally on 180 gram HQ vinyl the original soundtrack to the docufiction Diaz - Don't Clean Up This Blood by Daniele Vicari about the Videla-esque police brutalities that took place in 2001 during the G8 in Genoa.

Recorded and mixed by Mauro Teho Teardo a versatile composer, researcher and performer with the help of the Balanescu Quartet and a number of eclectic guests.

Featuring "Evolution Revolution Love" by Tricky. ++ Music by Teho Teardo featuring The Balanescu Quartet.

Music written, recorded, mixed and produced by Teho Teardo at Basement Recordings, Rome and Studio 108, London march/december 2011.

(Teho Teardo - guitars, bass, rhodes, piano, electronics, synth, theremin; Balanescu Quartet: Alexander Balanescu - violin, James Shenton - violin, Katie Wilkinson - viola, Nick Holland - cello; Martina Bertoni - cello, Alexis Fletcher, Giacomo Orsi, Henry Marseille - violin, Remy Dault, JC Goodwin, Susan Rosenthal - viola, Lee Leibowitz, Doug Pierce, Matthew Quinlan - bass)

Limited to 500 copies.

Six years before the release of his landmark Mother Earth's Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn't You Hear? While not much is known now about the exact nature of their collaboration, we have Garson's magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn't You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn't You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati. Morton S. "Mort" Garson was a Canadian-born composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s that were among the first to feature Moog synthesizers. His best-known album is Mother Earth's Plantasia, a 1976 Moog album designed to be played "for plants and the people who love them." Sacred Bones Records has undertaken the project of giving official, licensed reissues to key releases from Mort Garson's catalog, with the intention of bringing these bold masterpieces to a 21st century audience.

The Kotiomkin were born in 2012 from the idea of Enzo P. Zeder to compose soundtracks for imaginary films of which he himself is the author. The group is inspired by the great masters of Italian soundtracks of the '60s/'70s/'80s filtering everything through a wall of eclecticism, distortion, low frequencies and vibrations.
Buffalmacco and Fra' Tazio wake up in Hell, in the Circle of the Lustful. In this bad beginning, the two cronies begin to tell each other their latest vicissitudes, in order to remember what brought them to eat those strangely bitter apricots...
The fate of a nun seems to join the two damned souls. She hanged herself for shame in the cloister of the convent. But the woman's father does not accept his loss and, overcome by sorrow, evokes an infernal Fiend and puts his trust in Him. Among ancient rites, lustful violences, unholy events and dreadful misfortunes takes place this dark Renaissance story where Desperate Revenge feasts with Iglorious Death!
For the composition of their third work "Lo Albicocco Al Curaro - Decameron 666" (Subsound Records, 2018) there was a change of line up and the guitar was replaced by a massive use of vintage analogic synthesizers giving life to an album that crosses, transversally, different musical genres with an ever more relevant cinematographic imprint.

William Tyler composed the music for First Cow, the new A24 film directed by Kelly Reichardt, almost entirely on several of his guitars and a dulcimer. In First Cow, Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner's prized milking cow. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.

Limited edition of 500 copies pressed on white and yellow vinyl.

Back in the latter half of the 1960s the burgeoning idiosyncratic group of alternative filmmakers coming out of (then) Czechoslovakia known as the Czech New Wave were taking art house cinemas in Western Europe and America by storm. The hour long films that came out of the infamous Barrandov production house played a competitive rival to that of the French and Italian New Waves with their very own immaculate and spellbinding takes on cinema verité, film noir, surrealism and cinema concrète. But after the Soviet Union invaded Czech in August 1968 the clampdown on non-conformist creative arts saw over seventy films either banned or withdrawn from production in a mass culling of film reels until 1970.

It is not until recent years that the genre has become widely recognised as a veritable and virtually untapped source of inspiration for fans of experimental cinema, psychedelic cinematography, baroque costumes and scenery, music and graphic design.

Daisies pulls together what you might call the ‘Holy Trinity’ of the Czech New Wave – director Vera Chytilová, costume and set designer Esther Krumbachová, and cinematographer Jaroslav Kucera – arguably the three most forward-thinking and truly experiMENTAL minds in the whole of the CNW collective. Witness Les Petites Margeurites (original French theatrical title) as they mischievously flutter through Prague’s finest restaurants accompanying middle-aged men on flamboyant double dates in gastronomic ménage à trois – “If the world spoils itself, then we shall be spoiled as well” decide the two bikini clad button-cute Maries in the films opening scenes.

The radical and experimental nature of Daisies is further enhanced by its erratic score which consists of the juxtaposition of various non-melodic elements and sound effects, laden with a broad palette of samples and snippets of choral and classical vintage recordings spliced with concréte effects, traditional brass band music, Disney style exotica, Charleston dance standards and token 60’s beat tracks.

Originally prepared for public consumption by Finders Keepers in 2007 and available once again as part of our ongoing (and slightly disrupted) 15th birthday celebrations this immaculate release was taken from the original reels and compiled in close accordance to the original storyline and comes complete with unseen archive images, original international poster designs and new and extensive sleevenotes.