Movies | TV Vinyl 127 Items

“Thomas” is an Italian Soundtrack milestone and pure masterpiece of Italian Giallo Thriller exploitation. It’s the infamous and legendary score for the film directed by cult Italian director Pupi Avati and originally released on Gemelli label in 1970. Check out he mind-blowing scary Giallo vibes, stunning cinematic sinister beats with the participation of Edda Dell'Orso who gives some astonishing frightful vocals with dope thrilling vibes allover. “Thomas” aka “Thomas E Gli Indemoniati” is a horror-thriller, fantasy-drama and grotesque film cult from 1969, originally not distributed due to the bankrupt of film publisher. Mythical item for record collectors and fundamental piece for any Italian Giallo thriller enthusiast. This release is limited to 500 copies!

Finally, after 45 years, comes the soundtrack, from the original master tapes, of the truly mad and weird exploitation euro-erotic-horror cult movie filmed in 1971 (but released only in 1973) by Renato Polselli (Ralph Brown). Incomprehensible and inconceivable beyond the reach of the human intellect, Riti, magie nere e segrete orge nel trecento... shows a cult of pseudo-Satanists in tight red jumpsuit and black cape requiring the blood and eyes of seven virgins in order to resurrect the corpse of the persecuted witch Isabella (Rita Calderoni), who was impaled and burned at the stake some 500 years ago. A precious nonsensical gem, with nervous zooming, nude women's breasts in a colorful scenery, and an overly cryptic storyline; loony.
The soundtrack encapsulates, in its fifteen total tracks (including the 2 released at the time on 45 RPM vinyl), all typical sound elements of the “scary music” ‘of the seventies but with a hard touch of madness, experimentation and psychedelia. Female vocals give out agonizing and distressing groans, tribal African rhythmic, turned over words, plucked stings of the piano, baroque elements and lot of effects makes this soundtrack a cult object, not even to mention the obsessive care of the packaging.
Released in a limited edition of 666 numbered copies in gatefold heavy thick cover with front cover design by Michele Targonato with embossed flames. Bi-color red-blue vinyl. Includes digital download code.

Cinedelic Records never ceases to amaze us and they are back again with the rediscovery of these two amazing and mind-blowing unrecognized gems (originally released individually in 1971 in ultra-limited edition), by the American transplanted to Florence, David H. Kimball (also known by the pseudonym Peymont) and Riccardo A. Luciani (who, for contractual reasons, could not use his name). Another two tracks are composed by Serena Marega.

Abstract, mysterious, evocative, experimental, futuristic and avant-psychedelic, ATMOSFERE is a fascinating electro-acoustic, industrial, dreamy journey that stands out in the panorama of Italian discography as one of the most original and unusual examples of psychedelia.

Franco Chiari, born in 1927 in Naples, was an eclectic artist who is considered a bit of a wildcard of keyboard instruments: he played the piano, accordion, synthesizer, vibraphone and marimba in both jazz and symphony. For three consecutive years (1957/58/59) he won the National Jazz referendum, was vibraphonist in the national TV Orchestra and participated in numerous important broadcasts. He received many awards in his career, and numerous are the artists who have wanted to play live alongside him, including Lionel Hampton, Stéphane Grappelli, Django Reinhardt, Piero Piccioni, Armando Trovajoli, Lelio Luttazzi, and more.

In this album released in 1973, the most groovy in his career, and now the most wanted from collectors, he rearranges the compositions of Mario Bertolazzi electronically with the use of synthesizer on rhythms ranging from latin beats to funk.

Numbered limited edition with digital downloads included and an amazing cover with splashes of paint, making each copy unique and unrepeatable.

Yet another chapter in the long and fruitful collaboration between Piero Umiliani and the director Luigi
Scattini, who films here a Mondo Movie between fiction and documentary, settled in the world of
pornography. Umiliani returned to his jazz roots and composed fifteen tracks, recorded with some of the best
Italian musicians of the time: Cicci Santucci, Sam Genovese, Roberto Scoppa, Enrico Pieranunzi, Franco
D’Andrea, Bruno Tommaso, Gegè Munari, Carlo Coppotelli and Antonello Vannucchi.

“Questo sporco mondo meraviglioso” is one of the numerous collaborations between the director Luigi Scattini and
Piero Umiliani, and one of the most interesting and varied soundtracks within the composer’s repertoire. A work full of
influences and musical quotes, with guests and valuable collaborators such as Edda Dell’Orso and I Cantori Moderni di
Alessandro Alessandroni. Some of the songs presented in this album are among his best works.

Also known under the erroneous title "Schock", this LP is the soundtrack of Mario Bava's eponymous film, also his last one before his death, which sadly occurred three years later in 1980. "Shock" was therefore released in 1977, while the Italian horror cinema was at its peak, led to international success by Dario Argento with "Deep Red" and "Suspiria".
With Goblin at work with Argento, the choice for the music of "Shock" fell on Libra, in some ways 'related' to Goblin anyway, thanks to drummer Walter Martino and guitarist Carlo Pennisi, and they also say about a fleeting participation by keyboardist Maurizio Guarini. In '77 Libra, after a brief experience on the American soul/funk label Motown, had practically split up, yet they found the necessary inspiration to record an album like "Shock", maybe 'goblinian' in its intentions, but full of personality. It contains in fact groovy tracks, delicate and acoustic atmospheres, up to completely dissonant and avant-garde sounds.
"Shock" was released on LP only in 1977 in Italy and Japan, therefore this new AMS Records edition is therefore the first official reissue after nearly 40 years! A small yet important event, celebrated with a colored vinyl encased in a beautiful triple gatefold cover with a marvellous new artwork! The track list also includes four bonus tracks which have been released only on CD until today. A must!!!

incl. three is a magic number

This 1976 Jamaican blaxsploitation soundtrack is a holy grail in the reggae world, original copies are practically non-existent. Composed by MELBA LISTON, reissued for the first time ever on orange vinyl. For fans of HARDER THEY COME, ROCKERS & COUNTRYMAN.

Celebrating the 50th anniversary of the album ‘Monty Python Live At Drury Lane’. Inspired by Terry Gilliam’s unmistakable animations and graphics, the original artwork was created by Kate Hepburn and has been adapted for a first release on picture disc by Darren Evans and Holly Gilliam, who were also responsible for 2019 ‘Life Of Brian’ RSD release. It was recorded in March 1974 on the last night of a sell-out four week-run at the London theatre. The album features live versions of sketches made famous on the BBC TV progamme Monty Python’s Flying Circus.

1974 soundtrack from Ennio Morricone Pressed on Red Vinyl & includes a 30x30cm insert Liner notes and audio remastered by Claudio Fuiano “Allonsanfàn” is a 1974 historical film written and directed by Paolo and Vittorio Taviani; set in 1816 in Italy during the Restoration period, its cast features, among others, Marcello Mastroianni, Lea Massari, Laura Betti and Mimsy Farmer.

“Allonsanfàn” is the first collaboration between the two directors and Morricone, who would also compose the music for the film “Il prato” (The Meadow, 1979). The soundtrack starts with a main marching theme, “Rabbia e tarantella”, introduced by the piano and reworked in a thrilling way by the full orchestra; Giuseppe Tornatore liked it so much that in 2009 he asked Morricone to write a similar musical theme for a sequence of the film “Baarìa”. This motif is alternated with the bucolic passages for flute and orchestra of “Ritorno a casa”, the festive “Dirindindin”, the classical piece “Te Deum Laudamus” for orchestra and choir and “Frammenti di sonata” for solo violin and small ensemble.

This score was only partially issued on vinyl in 1979, and subsequently only on CD; for the first time, then, it’s here released on clear red vinyl in an extended version, including a 30x30cm insert. Liner notes and audio remastered by Claudio Fuiano.

A Record Store Day 2024 exclusive!

The "Galaxy Express 999" Theme Songs and Insert Songs Collection to be Released on Analog Vinyl! An analog version of the theme song and insert song collection of the TV animation broadcast from 1978 to 1981 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the LPs released on February 1, 1979, respectively, on heavy vinyl.

Music Collection of "The Galaxy Express 999" Theatrical Film to be Released on Analog Vinyl! An analog version of the music collection of the second theatrical film "The Galaxy Express 999 -Andromeda Terminus-," released in 1981, will be released on March 20, 2024, LP Record Day! This is a reissue of the LP released on July 25, 1981 on heavy vinyl.

Music Collection of "The Galaxy Express 999" Theatrical Production to be Released on Analog Vinyl! An analog version of the music collection of the theatrical film "The Galaxy Express 999" released in 1979 will be released on March 20, 2024, LP Record Day! This is a reissue of the LP released on July 25, 1979, on heavy vinyl.

Analog Vinyl Release of Opening Theme "Akuma-kun" and Ending Theme "12friends" Announced! Analog vinyl (7inch) containing the opening theme "Demon-kun" and ending theme "12friends" of the anime "Demon-kun" will be released on March 20, 2024, which is LP Record Day! This is a reissue of the EP released on April 21, 1989.

Analog disc containing the 2nd opening theme and ending theme to be released! An analog disc (7inch) containing the 2nd opening theme "Saint Myth - Soldier Dream" and the ending theme "Dream Traveler" of the TV anime "Saint Seiya" which started airing in 1986 will be released on March 20, 2024, which is LP Record Day! This is a reissue of the theme song EP released on May 1, 1988.

“Una pistola per Ringo” and “Il ritorno di Ringo” are two movies from 1965 that belong to the ‘spaghetti western’ genre, directed by Duccio Tessari and starring Giuliano Gemma as the main character. The two movies, not actually having much more in common besides their title and protagonist, were filmed in a very short time, thanks to the huge success of the first ‘chapter’. The soundtracks of both movies, by Ennio Morricone, show the incredible versatility of the composer, who at the time had already collaborated with Sergio Leone in “Per un pugno di dollari” and “Per qualche dollaro in più”. Thanks to the precious contribution of conductor Bruno Nicolai, the choir of the Cantori Moderni di Alessandroni, trumpeter Michere Lacerenza and harpist Anna Palombi, the Maestro wrote a mainly classical score, developing a wide range of sensations and dynamics in which epic atmosphere, drama and tension alternate to reflective moments or even romantic ones.

“La Califfa” (1970) is a very rare example in which the director and author of the book on which the film is inspired coincide; we’re talking about Alberto Bevilacqua, who won the Nastro D’Argento prize as Best New Director with this film. The film deals with the issue of the class struggle, and in particular the love-hate relationship between a businessman (Ugo Tognazzi) and a female worker (Romy Schneider, almost too sensual here) who lost her fiancé at the working place. A romantic and dramatic work, as the music written and orchestrated by Ennio Morricone, here often surrounded by an impressive aura of sacredness. This LP also features, as guests on voices and choirs, Edda Dell’Orso and I Cantori Moderni di Alessandro Alessandroni. Surprisingly, despite the success of the film and its soundtrack received at the time, “La Califfa” has never been reissued on LP since the early ’70s. This new edition on Vinyl Magic record label eventually fills this gap and, except for the front cover image, the artwork has been completely renewed: the inner sleeve contains in fact many reproductions of posters and lobby cards of the film. Various tracks, never released on LP until today, have also been added to the final tracklist.

Although this wasn’t directed by but Sergio Leone, but by the less known Giulio Petroni, “Tepepa” is one of the best films in the spaghetti western genre, thanks to a perfect synopsis – even if as set in the ‘abused’ Mexican Revolution of the early ‘900 – to a trio of exceptional actors and, finally, to Ennio Morricone’s soundtrack. The protagonists are in fact the immovable doctor John Steiner, the histrionic revolutionary Tomas Milian and the massive Colonel Orson Welles, a unique and practically unrepeatable combination, however directed in a ‘leone-ish’ way by Petroni, who often focuses on large panoramas and close-ups on the character’s faces. As always, Morricone means quality: for “Tepepa” the Maestro creates a memorable soundtrack, dominated by strings and, curiously, by the acoustic guitar! Reissued several times on CD, this album has been reissued on vinyl almost 40 years later! When the film was premiered in the theatres (1969) just a the single 45rpm “Viva la Revolucion / In Mexico I would like” had been released; both songs are of course included here, the second of which is sung by Christy (stage name of Mary Cristina Brancucci) in a very felt and compelling way.

First LP Reissue in Over 35 Years With Four Tracks Never Released on Vinyl Before! Clear Blue Vinyl Edition Gatefold Cover and Brand New Artwork! “Murderock - Uccide a passi di danza” (internationally released as “Murder Rock” is a thriller/horror 1984 film directed by legendary Lucio Fulci about a dance school in which a mysterious murderer kills female students with a long pin. Its soundtrack was entrusted by the producers to Keith Emerson, another incredible artist, a virtuoso keyboardist and composer. In those early 1980s, having temporarily shelved the prog-rock experience of Emerson, Lake & Palmer, Keith Emerson launched a solo career that led him to compose a number of soundtracks, including “Inferno” (1980), “Nighthawks” (1981) and, then, “Murderock”: here we have an energetic mix of 80s pop/rock anthems, perfectly in line with the sounds of the time, dressed with baroque and magniloquent arrangements that make the whole result extravagant and eccentric, almost impossible to classify and consequently unique. The most ‘straightforward’ and least extravagant tracks are “Tonight Is The Night”, “Streets To Blame” and “Not So Innocent”, sung by special guests Doreen Chanter and Mike Sheppard. “Murderock” has become a cult title among genre film fans over the years, and is here reissued on the occasion of Black Friday 2023 in a new clear blue vinyl version with gatefold sleeve and audio remastered by Claudio Fuiano. The last four tracks - Murderock (Part 1-4) - are released on vinyl for the first time ever. Artwork by Eric Adrian Lee.

* Transferred from the original master tape reels * Pressed on 180 gram hand poured marble vinyl with deluxe gatefold jacket * Includes full color printed inner sleeve liner notes and Roberta Findlay interview * Score has never been released on any format ever until now / Soundtrack to Roberta Findlay's NYC action exploitation film “Tenement”(1985), music composed by Walter Sear, recorded at Sear sound recording studio NYC. Features music spanning from heavy prog rock to 1980's NYC rap theme by Kool Krew, with horror synth score throughout.

* Pressed on Silver and Red Double Vinyl * Music to the animated series based on George Morikawa's famous manga * Composed by Tsuneo Imahori, Hideki Taniuchi, and Naoya Mori / Published in 1989 in the 'Weekly Shônen Magazine', 'Hajime no Ippo' by George Morikawa has become over the years a cult sports manga, and remains to this day one of the longest river series, still being published, counting more than 130 volumes. It is only natural that an animated version was born in 2000, produced by Madhouse, under the name of “Hajime no Ippo: The Fighting! of 76 episodes (covering the first thirty volumes of the series). This narrates the beginnings and the rise of a high school student, Ippo Makunouchi, in the world of professional boxing. Find now a selection of the best anime music with rock and jazz accents with the final destination: The ring! Three composers worked for this selection: Tsuneo Imahori (trigun and Gungrave), Hideki Taniuchi (in collaboration with Yoshihisa Hirano on Death Note) and Naoya Mori.