Movies | TV Vinyl 246 Items

Composed and Performed by:- Alison Chesley (Helen Money)- Steve Albini (Shellac, Big Black)- Tim Midyett (Mint Mile, Silkworm)- Guest vocals on "Irish" by Gaelynn Lea- Full-color gatefold jacket featuring drawing by Jay Ryan//When director Travis Stevens called about composing musicfor his new horror film, Steve Albini found himself with a new creative challenge. After meeting with Stevens and Queensbury Pictures, Steve signed on and recruited Tim Midyett, and Alison Chesley to complete the ensemble that would compose and record the soundtrack. Upon completion of the soundtrack, Albini refllected, "Tim and Alison are a joy to work with, very open-minded and eager, and master musicians. Just great. That whole part of it, writing and playing with them, was fucking fantastic and effortless, and I wish I could do it all the time."

* Composed by Christopher Lennertz and Dara Taylor * Artwork by Johnny Dombrowski * Pressed on 180 Gram Pink and Yellow Split Vinyl * Manufactured in the Czech Republic

First time on vinyl for this utterly top level score composed by Luciano Michelini for the slasher/crime flick directed by Sergio Margino, "The Suspicious Death of a Minor" (Morte sospetta di una minorenne), and recorded in 1975 at Ortophonic Studio in Rome. The main theme echoes certain passages from Goblin’s “Deep Red” - recognizable by the use of the same church organ played a few months earlier by Claudio Simonetti’s hands for Dario Argento’s masterpiece, whilst the entire soundtrack sounds somehow “Goblinesque”, thanks to the prog-rock & funk action themes used for chases, murders, and suspense scenes. Remastered from the original reels preserved in the C.A.M. archives, this vinyl edition features new LP editing, and is housed in a hard tip-on sleeve with a stunning artwork designed by Luke Insect.

Mondo and WaterTower Music are proud to present Tom Holkenborg's epic complete soundtrack to the fan-fueled phenomenon Zack Snyder's Justice League.

As pure as any film music expression has ever existed, Holkenborg's nearly-four hour opus is as bombastic and singular as the film it compliments, and we are honored to present the premiere physical release of this staggering work of expression.

The filmmaking story behind Zack Snyder's return to his DC Comics juggernaut is well known at this point, but not enough time has been spent on the journey of the film's once-shelved score. The incredible composer behind one of last decade's biggest filmmaking triumphs (mad MAX Fury Road) Tom Holkenborg joined the sadly far too large club of composers, across filmmaking history, to have their blockbuster scores replaced.

But the big-budget redemption arc of Zack Snyder's original vision for Justice League presented Holkenborg with the opportunity to build upon what he had started many years ago, with new skills and tools - this time with no other cook in the kitchen but his director and friend.

It’s difficult being a stepmother at any time, so it’s going to be super-hard when your predecessor commits suicide and your partner has to be somewhere else, leaving the two whippersnappers behind for you to look after. This is what happens to Grace (Ril

Converging at a cultural terminus that bridges Belgian electronic music, French comic book culture and the cream of the cinéma fantastique film genre, this rescued and previously unreleased multi-discipline art film soundtrack entwines unlikely links between the likes of Daniel Schell's Cos, French vampire film director Jean Rollin, Tintin, dark ambient pioneer Igor Wakhévitch, Heavy Metal magazine, Moebius, Alejandro Jodorowsky, choreographer Maurice Béjart, musique concrète legends François Bayle and Luc Ferrari, and some of the most notorious examples of pre-certificate Video Nasties and Mondo cinema. Needless to say the empty branch on the Finders Keepers family tree reserved for synthesist, sound designer and ethnological instrument enthusiast Alain Pierre is ready to bare some very strange fruit.

The recent rediscovery of this 1974 short film documenting revered cosmic comic artist Philippe Druillet and the creation of one of his finest works has given fans and enthusiasts of counter culture comic design, sci-fi pop art, and French Futurism a rare glimpse and insight into a master at work during his creative halcyon. Directed by Swiss-born Michel Jakar, the film Ô Sidarta, (named after a seminal design created for French/Belgian bandes dessinée monthly Pilote) not only explored the mind-set and applied techniques of the artist, it also witnessed the master painter in his natural habitat, at home amongst gothic decor, while seizing the opportunity to animate some of the artist’s best work via quick-fire edits and cross-fades accompanied by the all-important back drop of Alain Pierre's unique, multi-layered and potentially ground breaking space raga soundtrack.

Limited edition of 500 copies pressed on white and yellow vinyl.

Back in the latter half of the 1960s the burgeoning idiosyncratic group of alternative filmmakers coming out of (then) Czechoslovakia known as the Czech New Wave were taking art house cinemas in Western Europe and America by storm. The hour long films that came out of the infamous Barrandov production house played a competitive rival to that of the French and Italian New Waves with their very own immaculate and spellbinding takes on cinema verité, film noir, surrealism and cinema concrète. But after the Soviet Union invaded Czech in August 1968 the clampdown on non-conformist creative arts saw over seventy films either banned or withdrawn from production in a mass culling of film reels until 1970.

It is not until recent years that the genre has become widely recognised as a veritable and virtually untapped source of inspiration for fans of experimental cinema, psychedelic cinematography, baroque costumes and scenery, music and graphic design.

Daisies pulls together what you might call the ‘Holy Trinity’ of the Czech New Wave – director Vera Chytilová, costume and set designer Esther Krumbachová, and cinematographer Jaroslav Kucera – arguably the three most forward-thinking and truly experiMENTAL minds in the whole of the CNW collective. Witness Les Petites Margeurites (original French theatrical title) as they mischievously flutter through Prague’s finest restaurants accompanying middle-aged men on flamboyant double dates in gastronomic ménage à trois – “If the world spoils itself, then we shall be spoiled as well” decide the two bikini clad button-cute Maries in the films opening scenes.

The radical and experimental nature of Daisies is further enhanced by its erratic score which consists of the juxtaposition of various non-melodic elements and sound effects, laden with a broad palette of samples and snippets of choral and classical vintage recordings spliced with concréte effects, traditional brass band music, Disney style exotica, Charleston dance standards and token 60’s beat tracks.

Originally prepared for public consumption by Finders Keepers in 2007 and available once again as part of our ongoing (and slightly disrupted) 15th birthday celebrations this immaculate release was taken from the original reels and compiled in close accordance to the original storyline and comes complete with unseen archive images, original international poster designs and new and extensive sleevenotes.

Collector’s edition strictly limited to 300 copies, with one insert.

After the release of the successful soundtrack for the TV series Gomorra (which was aired outside Italy as well) the Italian combo Mokadelic returns with a brand new score, Sulla Mia Pelle, for one the most controversial movies around. Based on the despicable history of Stefano Cucchi, literally killed in prison by a bunch of policemen, the album renews the cinematic style of Mokadelic through a series of almost dramatic instrumental sketches. Equally informed by the post-rock of luminaries such as Godspeed You Black Emperor and Explosions In The Sky - not to mention the subtle rhythms of contemporary IDM (Boards Of Canada first came to mind) - the band delivers their signature with several epic moments. That is the real companion to a tragic feature film.

The soundtrack of one of the most sinister, disturbing, controversial and original horror films of the last twenty years is finally available on a physical format!

"The Human Centipede" is a film conceived, produced and directed by Dutch director Tom Six, which tells the story of the wicked Doctor Heiter, a manic German surgeon who kidnaps three people with the aim of surgically sewing them together to form a 'human centipede'. The movie has won many awards at various horror film festivals, and its delirious plot has become part of the urban subculture, thanks to numerous citations in TV series (including The Simpsons and South Park), films and songs.

The sinister and spine-chilling electronic soundtrack created by Patrick Savage and Holeg Spies perfectly reflects the morbid atmosphere of a film that "occupies a world where the stars don't shine". This release contains the music of the first film of "The Human Centipede" series, conceived right from the start as a trilogy that began in 2009 with a 'First Sequence' and followed in 2011 and 2015 respectively by the 'Full' and 'Final sequence'.

This first yellow vinyl edition, enclosed in a gatefold cover with artwork by Ed Harrington, contains also a very special add-on: a temporary tattoo with the illustration the centipede project designed by Dr. Heiter himself!

Don't Miss The Party Girls - An Organ Grindin' Funky Good Time! While the 1969 film may be lost to obscurity, thanks to the discovery of the original audio reels this funk-fueled soundtrack is finally seeing the light of day! Sexy time sounds of grooving organ, bass, drums, and brass, there's even a down and dirty booty-shaker of a James Brown cover. The perfect accompaniment to get you in the mood for a lascivious love-in, pressed on gold vinyl and including a replica of an original pressbook that details the fabled film!

This is the first-ever release of the soundtrack to Massimo Pirri’s 1977 film, which explores the controversial and then very current topic of left-wing armed struggle in Italy. By combining dark and haunting jazz-funk with ambient atmospheres and suspenseful electronic sounds, Lallo Gori creates a brilliant score that ends up sounding like an instrumental proto-hip hop record where Moog synths and drums take the lead.

Record Store Day 2020 Release.
Limitation: 2000 copies.

Truly special picture disc featuring imagery unavailable elsewhere - side A features the cover art; side B features the floor of the Dark Crystal's chamber, a circle of 18 arcane symbols for each of the urSkeks that came to Thra during the first Great Conjunction. ''I wanted the music to be as magical as Thra itself - organic, imperfect, strange, mystical, otherworldly and wonderful. I wanted to create new sounds that felt like they came from the world itself'', composer Daniel Pemberton revealed. Side A - 1. The Dark Crystal: Age Of Resistance - Daniel Pemberton 2. Another World, Another Time - Daniel Pemberton 3. Story Of The Dark Crystal - Daniel Pemberton 4. Rian + Mira Dreamfast - Daniel Pemberton 5. Aughra Awakes - Daniel Pemberton 6. The Crystal Chamber - Daniel Pemberton 7. Essence Draining - Daniel Pemberton Side B - 1. What Lies At The Dream's End - Daniel Pemberton 2. Together We Fight - Daniel Pemberton 3. The Blue Flames Part 1 - Daniel Pemberton 4. Deet In The Woods - Samuel Sim 5. Speak For The Dead - Daniel Pemberton 6. Brea And The Library - Samuel Sim 7. Her Light Faded - Daniel Pemberton

Hair is a 1968 rock musical with lyrics by Gerome Ragni and James Rado and music by Galt MacDermot. The work reflects the creators' observations of the hippie counterculture and sexual revolution of the late 1960s. The musical broke new ground in musical theatre by defining the genre of 'rock musical', using a racially integrated cast, and inviting the audience onstage for a 'Be-In' finale. The album reached the #1 spot on the Billboard chart and received a Grammy award. For the first time ever, the complete recording of Hair is now available on a deluxe and expanded 2LP-set. The album features classic hits like 'Aquarius', 'Ain't Got No', 'Let The Sunshine In' and 'Hair'. There are multiple guest appearances, including Diane Keaton, Idris Muhammad, Melba Moore and many more. Hair is available on black vinyl. The package contains a 8-page booklet with pictures and liner notes.

Newly arranged and composed by Joe Hisaishi for children and adults who are exposed to an orchestra for the first time. It consists of two parts: an introductory version with an easy-to-understand explanation of the names and tones of the instruments, narrated by Shigesato Itoi as the father, and a suite without narration. Performed by the New Japan Philharmonic.

Starring James Fox as a British gangster on the run who finds refuge in the home of reclusive ex-rock star Mick Jagger, Donald Cammell and Nicolas Roeg's Performance is one of the great cult movies of the 1970s. The film's soundtrack, produced by Jack Nitzsche for Warner Bros., is equally noteworthy. Needless to say, the Rolling Stones connection is strong; the Jagger-sung single "Memo From Turner" was co-written with Keith Richards, and vocalist Merry Clayton (famous as the duet partner on "Gimme Shelter") appears on three tracks. Several up-and-coming WB artists also make key contributions, including Randy Newman (the raucous "Gone Dead Train"), slide guitar virtuoso Ry Cooder and Little Feat leader Lowell George. Like the film itself, the Performance original motion picture soundtrack offers a fascinating glimpse at one of the most exciting eras in rock.

n alternative soundtrack for Roy Andersson’s movie A Pigeon Sat on a Branch Reflecting on Existence

Emilie Zoé was invited in 2018 by the alternative film festival « 2300 plan 9 à Les Étranges Nuits du Cinéma » in La Chaux-de-Fonds, CH to create a live soundtrack for a movie of her choice. She asked Christian Garcia-Gaucher, who had recently produced her second album The Very Start, to join the project. They chose together Roy Andersson’s A Pigeon Sat on a Branch Reflecting on Existence for its hypnotic rhythm and its overall contemplative atmosphere and worn out colors. Within a few days, they wrote a collection of delicate themes and slightly melancholic interludes that they could play along the original feature. The show sold out and it felt crucial to everyone that such an exciting project would not end there. They gathered few months later in Swiss producer Louis Jucker’s tiny attic studio to lay these sounds on rusty second hand tapes. These 11 demo tapes merged spontaneously into a rich collaborative album, that assembles lo-fi pop hits and intriguing field recordings into a surprisingly coherent whole.

The Complete Film Score by West Dylan Thordson
180 Gram Double LP Yellow Colored Vinyl
Old Style Tip-On Gatefold Jackets with Satin Coating
Deluxe Packaging
Pencil and Ink Illustrations by Jonas Scharf
Colors by Dennis Calero
Heavyweight Printed Insert

Split, a terrifying, breakneck thriller, centers on Kevin Wendell Crumb (James McAvoy), a man with dissociative identity disorder whose more sinister personalities (collectively known as The Horde) kidnap three teenage girls. The plan is to feed the “impure” girls to another of Crumb’s personalities, a superhuman creature known as The Beast. The final girl, Casey Cooke (Anya Taylor-Joy) is spared because The Beast sees scars covering Casey’s body, markers of child-hood abuse. Because Casey, unlike the other girls, has suffered, her heart is pure. “Rejoice,” The Beast tells her. “The broken are the more evolved.”

The Split score, by West Dylan Thordson, became the first collaboration between Shyamalan and the composer. Sonic, sinister and foreboding, the music was unlike any recorded for a film before. “I started by recording several loose takes of some simple harmonic bowing ideas with a cellist and violinist,” Thordson said. “The intention was to heavily modulate the captured sounds. While playing around with an idea in the past, I’d accidentally captured something like this and wanted to explore it more. The resulting sound was extremely chaotic, unpredictable, and scary. It felt haunted and seemed to capture the otherworldly, tortured, animalistic quality I was looking for. I wanted it to feel like “Jaws,” foreshadowing the existence of this malevolent being.”

"Mediterraneo" is a film directed by Gabriele Salvatores, set during the Second World War on the Greek island of Castelrosso, a few kilometers from the Turkish coasts. In this place, only apparently uninhabited, some Italian soldiers arrive on a mission; they will soon find themselves to be completely isolated, forced to wait for any communication signs from the outside world and to integrate with the local population.

When it came out in theaters in 1991, “Mediterraneo” immediately gained wide acclaim and recognition (David di Donatello and Nastro d'Argento for best film, Academy Award for best foreign film), a success also significantly determined by the soundtrack written by Giancarlo Bigazzi and Marco Falagiani, record producers and composers of a large series of Italian music famous songs and themes: the essence of this movie score is fully enclosed in the five notes of the main theme, both simple and evocative, immersed in a context of ethnic feel and Arabic/Oriental flavours. Except for some occasional modern sounds, the music of “Mediterraneo” is almost entirely produced by ‘popular’ and unconventional acoustic instruments: santouri, bouzouki, gavala, bagpipe, zurna, toubeleki, davul, rabeca and lyre.

The deep work of music research, composition and arrangement by the Bigazzi/Falagiani duo earned them the 1991 Globo d’oro Award. A soundtrack that is still memorable today, reissued exclusively by AMS Records on clear blue vinyl!

Luciano Michelini created symphonic background music that alternates romanticism with drama and mystery. Our LP opens with the theme of the opening credits, a dark motif produced by strings, percussion and piano which is reprised later in the film. A second recurring motif is a love theme that is introduced in a slow, romantic version with a modern arrangement that alternates with a fast, extravagant march. Initially only the mono mixed tapes were found, but further research into the RCA archives brought to light the stereophonic tape of a previously unreleased LP montage.

Previously released only as a promotional library music album, this 1975 cult score by eclectic musician, producer and composer Albert Verrecchia is finally available as a vinyl LP. While perfectly in line with the poliziottesco genre, the unique hybrid sound created by Verrecchia combines elements of funk, prog rock, and disco.

Netflix’s acclaimed series Suburra: Blood on Rome (available in over 190 countries) focuses on the deep connections between politics and organised crime in the Italian capital. The soundtrack to the third and final season was written, produced and performed by Roman rapper and songwriter Piotta, whose “7 Vizi Capitale” was already the theme song for seasons 1 and 2. His music beautifully complements the gripping plot and the characters’ journey, capturing the atmosphere of a side of Rome unknown to many. The vinyl LP contains 10 previously unreleased tracks, including 2 instrumentals and a remix.

With 9 albums under his belt, Tommaso Zanello, also known as Piotta, is one of the pioneers of Italian hip hop. Active on the Roman rap scene since the mid-90s, he earned national fame with his award-winning single “Supercafone” (1998), which was later used by Sky Japan as a theme song for the Italian football championship. He can boast collaborations with hip hop legend Afrika Bambaataa and English musician Captain Sensible and has toured the United States with the Vans Warped Tour.

Ship to Shore PhonoCo. is proud to present the original soundtrack to the cult favorite Dial Code: Santa Claus (aka Deadly Games), for the first time on vinyl in over 30 years!

Mixing Christmas themes with hair-raising screams, Dial Code: Santa Claus concerns young Thomas - a kid with an IQ number as long as his mullet - whose infatuation with games of war and obsession of Father Christmas come together in a night of terror when his house is invaded by a maniac who believes he is Père Noël himself…

Composer Jean-Félix Lalanne mixes a range of styles to form a solid soundtrack, utilizing industrial & electro with traditional festive motifs and thriller stings, perfectly complementing the bold visual style of the movie.

Ship to Shore PhonoCo. is proud to present Nick Soole’s masterful score to the fantasy-horror motion picture The Head Hunter!

Featuring minimal dialogue, The Head Hunter concerns a Viking warrior who protects the outskirts of his city from supernatural, mythical creatures. When his daughter is murdered by one of the very beasts he was meant to destroy, he finds himself alone and disillusioned, and becomes obsessed with getting revenge…

A film with few words will often have to rely on its visual and non-dialogue audio components to tell the story, and this is exactly what we get with Jordan Downey’s remarkable feature The Head Hunter. Boasting an impressive sound design to draw us into the cold, snowy world and fabulous sound effects to make us feel every squelch of mud, every crack of bone and every slice of the hero’s sword, the soundtrack sandwiches the elements together whilst providing the emotional pull of the narrative. Thankfully, composer Nick Soole has not only created a musical score that allows us to follow the Head Hunter’s mental state - from grief, pain and faithlessness to rage, horror and fear - but also stands on its own as a work of art when listened separately to the movie. Available on vinyl in a limited edition “Viking Flame” orange variant, don’t miss out on getting a copy!

William Tyler composed the music for First Cow, the new A24 film directed by Kelly Reichardt, almost entirely on several of his guitars and a dulcimer. In First Cow, Kelly Reichardt once again trains her perceptive and patient eye on the Pacific Northwest, this time evoking an authentically hardscrabble early nineteenth century way of life. A taciturn loner and skilled cook (John Magaro) has traveled west and joined a group of fur trappers in Oregon Territory, though he only finds true connection with a Chinese immigrant (Orion Lee) also seeking his fortune; soon the two collaborate on a successful business, although its longevity is reliant upon the clandestine participation of a nearby wealthy landowner's prized milking cow. Reichardt again shows her distinct talent for depicting the peculiar rhythms of daily living and ability to capture the immense, unsettling quietude of rural America.

Record Store Day 2020 Release.
Limitation: 200 copies.

The soundtrack for the documentary film, Record Safari, on standard vinyl. Record Safari is a feature documentary about vinyl record collectors. Vinyl Records are Alex Rodriguez's drug, and he's turned his addiction into a career. Running the Glass House Record Store and curating for Coachella Music Festival's on-site record store, Alex spends weeks on the road buying records and swapping stories with fellow collectors, musicians, enthusiasts and producers. Record Safari takes you on journey as Alex searches high and low for these sought after pieces of plastic and gives us an inside look into the world of record collecting. Side 1 (A Side) 1. Bikini Kill- This Is Not A test (1:59) 2. Deidre & The Dark- Which Way (3:02) 3. High Waisted- Hey Hey (3:07) 4. Atmosphere- Camera Thief (4:46) 5. Fiona Silver- Here Comes The Fall (3:38) 6. Deidre & The Dark- Tell Me (3:29) 7. Lenny Kaye- Record Collector Side 2 (B Side) 1. Fiona Silver- Housewife (4:09) 2. Atlantic Thrills- Day At The Beach (2:40) 3. Atmosphere- To All My Friends (3:17) 4. The Chamber Strings- Check Out Girls (3:38) 5. The Postmarks- You Drift Away (3:50) 6. Deidre & The Dark- Can't Believe You're Mine (1:52) 7. Outro: ''Thanks'' (:06)

Original London Cast Recording - Mel Brooks' Young Frankenstein Presenting the original London cast recording of Mel Brooks' Young Frankenstein on Vinyl LP! Legendary filmmaker and comedian Mel Brooks brings his classic monster musical comedy Young Frankenstein to life on stage in a musical collaboration with Tony-award winning Broadway director and choreographer Susan Stroman. Recorded live in London's West End. Grandson of the infamous Victor Frankenstein, Dr. Frederick Frankenstein (pronounced 'Fronk-en-steen') (Hadley Fraser) inherits a castle in Transylvania leading him to fulfill his grandfather's legacy by bringing a corpse (Nic Greenshields) back to life. With help and hindrance from hunchback henchman Igor (Ross Noble), buxom assistant Inga (Summer Strallen) and needy fiance Elizabeth (Dianne Pilkington), his experiment yields madcap success and monstrous consequences. After opening on Broadway in November of 2007 the show ran until 2009. A revised version of the show opened in London's West End in October of 2017 to mostly positive reviews. ABC was set to air Young Frankenstein Live last October and delayed it due to Covid-19 restrictions. The show has been rescheduled to air October 2021 on ABC. Mastered and mixed at Abbey Road Studios. This is the first LP release of music from either of the Young Frankenstein live shows.