Metal 216 Items

"Six tracks of apocalyptic black metal, Wode's newest record unleashes five years of outstanding potential, finding the band on deadly form, wielding enough surprises to suggest that its work in service to the counter-cosmos is far from done."

"Six tracks of apocalyptic black metal, Wode's newest record unleashes five years of outstanding potential, finding the band on deadly form, wielding enough surprises to suggest that its work in service to the counter-cosmos is far from done."

After the mind blowing success of Witchcraft's Legend (2012), mastermind Magnus Pelander outdid himself once again with the band's 2016 offering Nucleus. Combining what made it's predecessor the modern classic it quickly became as well as elements of the band's earlier days makes Nucleus a melancholic, raging, fragile, melodic and at times noisy masterpiece filed somewhere between classic rock, doom and ambient music.

With a renewed line-up (Rage Widerberg on drums and Tobias Anger on bass) the band sounds more hungry and powerful than ever. In combination with the thrilling, yet very down-to-earth production by Pelander, Philip Gabriel Saxin and Anton Sundell, Nucleus throws you in dreamy sonic landscapes that will mesmerize and haunt you alike.

Svart Records are proud to re-release Nucleus on black-, green- and Svart exclusive purple/turquoise marble vinyl on May 19th.

High Roller Records, evergreen/ white splatter vinyl, ltd 200, insert, Mastered for vinyl by Patrick W. Engel at TEMPLE OF DISHARMONY in October 2021.

High Roller Records, black vinyl, ltd 300, insert, Mastered for vinyl by Patrick W. Engel at TEMPLE OF DISHARMONY in October 2021.

Re-edition (with different sleeve colors) of this cult French Grind/Noisecore hammer originally released on F.O.A.D. in 2015 and sold out very quickly! Total discography of this terrifying unit hailing from France… V.N.A. (Violent Noise Attack) was the side-project of a crew of friends from the late 80ies French scene formed by members of the Thrash band Nomed, Patrick from the highly missed label “Thrash Records” (that released Exit 13, Carbonized, Sorcery, Sentenced, Vital Remains etc) and local HC bands/zine editors. Their debut demotape “Final execution”, the split 7″ with Agathocles and the song on “1984, the fourth” Comp. LP have been always seen as some of the most intense and devastating expressions of the early short-song Grind/Noisecore era, worshipped by the most deranged noise extremists all over the world. Try to imagine a mix of Sore Throat, Napalm DEATH’s b-side of “Scum” and Fear OF GOD and you get the idea of the brain-drilling mayhem these maniacs were able to deliver, with a studio production that was fairly above the average level of the period. This LP collects all their existing recordings, mastered from sources directly provided and licensed by band members.. 90 Songs of absolute ear blasting horror! Side A includes their demo (1988), the split 7″ with Agathocles (1989) and a couple of unreleased studio tracks. Side B has all never heard before stuff: a rehearsal, a full live set and even a sound-check! Comes with a 4 page insert featuring liner notes, photos, original artworks and flyers. This record is entirely dedicated to VNA’s members André Lemesle and Patrick Blondeau that both passed away few years ago.. R.I.P.!

Earth Recordings are extremely proud to announce the release of ‘Shirley Inspired’. July 2015 will see Shirley Collins celebrate her 80th year – an age that would seem frankly ridiculous for a woman as spritely as her, had it not been for all she’s achieved. From her seminal field-recording trip to America to her lauded musical career; from her role as historian and protector of the folk tradition, to the very fact that this record can exist – more than half a century after her career began – all of these things are testament to the breadth of her influence.And so we arrive at ‘Shirley Inspired’. It would be almost lazy to the talk about the resurgence of folk music or the ‘new folk’ sound – the recordings found here are so much more than that. This is the very essence of folk – songs handed down from person to person, interpreted by modern musicians – as a way of keeping these songs alive.

An official reissue, with the original gatefold jacket and the original large booklet reproduced. Pressed on 180 gram vinyl, with side D etched. Sweden's Tribulation have been one of the most innovative bands working in metal in the new millennium. Their third album The Children Of The Night (2015) saw the band leap even further from their death, black and thrash metal origins and add hints of psych rock, prog and classic rock into the mix. Pitchfork called it "a sprawling, compulsory tale that doesn't turn dull. [...] There is no way to arrive at a consensus artist who will satisfy everyone, but The Children Of The Night comes close."

Svart Records presents, in conspiracy with Century Media, an official reproduction of the original 2015 double LP, that has already become a rarity.

Finally back in print! One of our most sought after albums "Hour Of The Nightingale" by Trees Of Eternity is soon to be available on vinyl once again.

Born out of the partnership of singer-songwriter Aleah Starbridge and guitarist-composer Juha Raivio, Trees of Eternity began as a quiet acoustic collaboration but then sprouted into a full band, with the Norrman brothers (ex-Katatonia, October Tide) on stringed instruments and the ubiquitous Kai Hahto on drums.

Three years of work on the group's debut album were tragically cut short when Aleah passed away during the album's final post-production phase. The work got finished, and Svart Records are proud to present it to the world once again to honor the legacy and artistry of Aleah Starbridge. Cover art is by the incomparable Fursy Teyssier (Les Discrets). Juha and Fursy had long nightly conversations about the ethereal magic of Aleah, and Fursy's work manages to capture the essence of the album perfectly. "The art contains such power and calm beauty, so many hidden messages. It is mystical in the same way that Aleah always was", comments Juha Raivio.

"This is a celebration of the music, lyrics and life of Aleah, who so tragically and suddenly crossed the bridge of stars and left this world so young and so early. There really are no words to describe the ultimate weight of the darkness, or the rays of the brightest of light that this album holds within its songs and lyrics. In so many ways this album turned out to be the most important album I've done in my life, and we both loved it from the first note to the last as we wrote it.

We were very proud to record "Hour of the Nightingale" together with our friends, band mates and amazing musicians, Kai Hahto, Mattias and Fredrik Norrman who all played their hearts out on this album. And working with another good friend Jens Bogren producing, recording, mixing and mastering the album we’re ready to take this music to the world and play it to you all. Sadly, that never happened... But this is the point where we can finally start this long journey and celebrate our Queen Aleah Starbridge whose words and music will live forever on."

-Juha Raivio

Trees of Eternity are:

Aleah Starbridge: vocals Juha Raivio (Swallow The Sun) : guitar Kai Hahto (Nightwish, Wintersun) : drums Mattias Norrman (ex-Katatonia, October Tide): bass Fredrik Norrman (ex-Katatonia, October Tide) : guitar

Finally back in print! One of our most sought after albums "Hour Of The Nightingale" by Trees Of Eternity is soon to be available on vinyl once again.

Born out of the partnership of singer-songwriter Aleah Starbridge and guitarist-composer Juha Raivio, Trees of Eternity began as a quiet acoustic collaboration but then sprouted into a full band, with the Norrman brothers (ex-Katatonia, October Tide) on stringed instruments and the ubiquitous Kai Hahto on drums.

Three years of work on the group's debut album were tragically cut short when Aleah passed away during the album's final post-production phase. The work got finished, and Svart Records are proud to present it to the world once again to honor the legacy and artistry of Aleah Starbridge. Cover art is by the incomparable Fursy Teyssier (Les Discrets). Juha and Fursy had long nightly conversations about the ethereal magic of Aleah, and Fursy's work manages to capture the essence of the album perfectly. "The art contains such power and calm beauty, so many hidden messages. It is mystical in the same way that Aleah always was", comments Juha Raivio.

"This is a celebration of the music, lyrics and life of Aleah, who so tragically and suddenly crossed the bridge of stars and left this world so young and so early. There really are no words to describe the ultimate weight of the darkness, or the rays of the brightest of light that this album holds within its songs and lyrics. In so many ways this album turned out to be the most important album I've done in my life, and we both loved it from the first note to the last as we wrote it.

We were very proud to record "Hour of the Nightingale" together with our friends, band mates and amazing musicians, Kai Hahto, Mattias and Fredrik Norrman who all played their hearts out on this album. And working with another good friend Jens Bogren producing, recording, mixing and mastering the album we’re ready to take this music to the world and play it to you all. Sadly, that never happened... But this is the point where we can finally start this long journey and celebrate our Queen Aleah Starbridge whose words and music will live forever on."

-Juha Raivio

Trees of Eternity are:

Aleah Starbridge: vocals Juha Raivio (Swallow The Sun) : guitar Kai Hahto (Nightwish, Wintersun) : drums Mattias Norrman (ex-Katatonia, October Tide): bass Fredrik Norrman (ex-Katatonia, October Tide) : guitar

Limited edition of 100 copies. A whopping 12 years after the release of Monkeys with Guns from the Swedish punk'n'roll gods, it's now going to "bone" on Noisy Plastics Records and Backbite Records. The first time that there is a vinyl reissue of this incredibly good record. The Bones have blasted 15 absolute pieces here that simply don't get boring and, in addition to a fat pogo, also get you dancing.

Melodic boards like Shooting Blanks bring punk rock into your place, but also fine rock 'n' roll songs like the opening song by Bones City Rollers really make every room crack. But even a little mosher can get by. Because one or two tracks definitely make your neck turn to rubber.

Sure, blame the guy in the dress… and then move your tired bodies and die like men. This album offers eternal hits and even more in very elaborate and fantastically beautiful versions.

Limited edition of 100 copies. A whopping 12 years after the release of Monkeys with Guns from the Swedish punk'n'roll gods, it's now going to "bone" on Noisy Plastics Records and Backbite Records. The first time that there is a vinyl reissue of this incredibly good record. The Bones have blasted 15 absolute pieces here that simply don't get boring and, in addition to a fat pogo, also get you dancing.

Melodic boards like Shooting Blanks bring punk rock into your place, but also fine rock 'n' roll songs like the opening song by Bones City Rollers really make every room crack. But even a little mosher can get by. Because one or two tracks definitely make your neck turn to rubber.

Sure, blame the guy in the dress… and then move your tired bodies and die like men. This album offers eternal hits and even more in very elaborate and fantastically beautiful versions.

Limited edition of 100 copies. A whopping 12 years after the release of Monkeys with Guns from the Swedish punk'n'roll gods, it's now going to "bone" on Noisy Plastics Records and Backbite Records. The first time that there is a vinyl reissue of this incredibly good record. The Bones have blasted 15 absolute pieces here that simply don't get boring and, in addition to a fat pogo, also get you dancing.

Melodic boards like Shooting Blanks bring punk rock into your place, but also fine rock 'n' roll songs like the opening song by Bones City Rollers really make every room crack. But even a little mosher can get by. Because one or two tracks definitely make your neck turn to rubber.

Sure, blame the guy in the dress… and then move your tired bodies and die like men. This album offers eternal hits and even more in very elaborate and fantastically beautiful versions.

One Day You Will Ache Like I Ache is the first collaborative release from The Body and Full of Hell. Through their own respective recordings, both The Body and Full of Hell are internationally-revered as forward-thinking entities of harsh music, delivering their audio torment through incredibly intense and often unorthodox methods. The Body's 2010-released All The Waters Of The Earth Turn To Blood sophomore LP stands among the band's high points and remains on of the most groundbreaking and frightening albums in recent times. Their subsequent releases, including several LPs and more have continued to expand upon this seminal release. Similarly, Full of Hell rapidly became a favorite amongst hardcore, grind, death and noise metal fans upon their formation with an incredibly energetic and destructive live attack. Their 2013-released Rudiments Of Mutilation sophomore LP solidified them as one of the most damaging new acts going, and since its detonation, the band's intensity and hunger for experimentation continues to magnify. Both acts are proven collaborators, relishing the results of collective efforts to create life-numbing constellations of distortion and depravity. The two members of The Body have joined forces with arcane producer The Haxan Cloak (Bobby Krlic) for the I Shall Die Here long player, Louisiana's darkest sludge troupe Thou for You, Whom I Have Always Hated, as well as Nothing Passes with Braveyoung and a myriad of splits with artists as divers and detesting as Australia's Whitehorse, Japan's Vampillia, Rhode Island's Sandworm, and New Jersey's Krieg taking their virulent, insidious influence to unsuspecting destinations both stateside and abroad. Full of Hell made a huge impression on the ears of fans and those previously unfamiliar with the band with 2014's two-part alliance with internationally feared noisemonger Merzbow, which resulted in the Full of Hell & Merzbow LP and the subsequent Sister Fawn EP. Their discography is littered with noise sodden demos and splits that wrench Full of Hell in to fresh dimensions of heaviness and extremity, and their constant live actions never cease to stun.

Re-release of the third full-length album by the American grindcore legends!

True to the American interpretation of Grindcore Terrorizer amalgamate the most forceful elements of Death and Thrash into a true juggernaut of Metal. Since their famed debut “World Downfall” (1989), this beast has been driven by the relentless and precise pounding of Pete Sandoval (Morbid Angel), who delivers yet another jaw-dropping barrage. Fans will be delighted to see Morbid Angel frontman David Vincent once more returning to play bass on this album. They will also be glad to hear that excellent singer Wolf aka Anthony Rezhawk (Resistant Culture), who already refined the highly acclaimed second album “Darker Days Ahead” (2006) is again adding his resonant and fierce growls as well. The new line-up is completed by Katina Culture (Resistant Culture), who is replacing the sadly late Jesse Pintado (August 28th, 2006) on guitar.

“The Moon Lit Our Path”; the crushing second album from TEMPEL. A dynamic, epic and organic monument of instrumental metal for appreciators of Mastodon, Enslaved, Isis and the pummeling riff.

Stone Sour is an American rock band formed in Des Moines, Iowa. To date Stone Sour have released five studio albums. Originally released in 2002, Stone Sour is the debut studio album by the band. The album received positive reviews. It was praised for showing a diversity in Taylor's vocals. It was certified Gold in the United States.

Stockholm's Spelljammer Volume II is like a herd of bison running off a cliff. Not for the faint of heart, this is one of the best doom albums of the last 10 years. If you like your music heavy and slow, there is nothing that quite satisfies the itch the way that Spelljammer does. Out previously on a very limited run of vinyl that has fetched $100 and more, this record is now made available to the masses via RidingEasy Records on LP and CD (for the first time ever). For fans of Monolord, Conan, Sleep & Electric Wizard.

SISSY SPACEK began in 1999 as a Blur / Grind duo consisting of John Wiese (SUNNO)), Bastard Noise) and Corydon Ronnau. Since then they have taken countless detours, pushing the extremes of sound in all possible directions on close to 50 releases. On their newest 7", "CONTRETEMPS" via PPM, they return to full on grind-core reflecting on material of their recent live outings and line up. Now as a 4 piece with Jesse Jackson (noise guitar), Charlie Mumma (drums), Corydon Ronnau (vocals), and John Wiese (bass) SISSY SPACEK tear through 10 songs of blasting noise. Limited to 500 copies. Cover art by Ace Farren Ford (Los Angeles Free Music Society).

Siberian Meat Grinder is a crossover gang from Russian frozen hell, mixing raging hardcore thrash with many different genres from black metal and rap to stoner rock. Destroy the heretics and traitors in the name of the Bear-Tsar!

Originally released as a demo-cassette in 1995, the first ever Sear Bliss recordings of “the Pagan Winter” are now officially available on a 2022 deluxe 12” vinyl release! Hungarian black metal cult!

2022 Deluxe edition of “phantoms”, the iconic debut full-length of Hungary’s atmospheric black metal outfit Sear Bliss!

More information coming soon.

Orthodox recently reformed as a duo with Marco Serrato (bass, vocals) and Borja Daz (drums). Here they perform with different guests musicians, developing a new form of contemporary heavy metal meets extreme jazz meets doom. These tracks showcase a more 'straight forward' concept in the composing process. But this is just NOW, as ORTHODOX never compromises with certain sound or 'song concept' for very long. 'Crown For A Mole' is the first single taken from the 2015 album 'Axis'.

In 2013 Finland’s Oranssi Pazuzu issued their ‘Valonielu’ LP, an album of timeless creative immensity that was met with ubiquitous praise throughout the world, and solidified the band’s position as one of the most forward-thinking and interesting metal bands. Now, in the early months of 2016, Oranssi Pazuzu returns with the follow-up album and fourth overall, the mind-bending masterwork ‘Värähtelijä’.

Oranssi Pazuzu, since birth, has never been satisfied to stick with a formula. Each album has seen the band expand upon its previous incarnation and then, like a supernova, blow it up and transform again into something recognizable but completely new. ‘Värähtelijä’ continues in this vein, giving the band much more room to diverge and explore the vast regions of hypnotic progressive psychedelia and the nebulous outer limits of Scandinavian black metal. Songs explode with radiant ultraviolet color and plunge into the deep black darkness of innermost consciousness. If ‘Valonielu’ was the creation of a universe, ‘Värähtelijä’ is the magnification and expansion of its infinite boundaries.

A 70+ minute sprawling voyage, ‘Värähtelijä’ more accurately represents the stunning live presence of the band where the songs often span new and previously unheard dimensions of form and structure. Not meant for genre purists, Oranssi Pazuzu are on a trip all their own; modern electric pioneers on an expedition to unlock the keys to the hidden spaces all around and inside us. 20 Buck Spin are pleased to once again present the innovative brilliance of Oranssi Pazuzu and ‘Värähtelijä’.

On 'Raspberry Dawn', OKKULTOKRATI thrusts the heretic rock and roll that it has cultivated since its 2008 inception into more extraordinary situations. Classic '70s riffing, snotty punk and brash old-school metal are inventively mixed with pulses and spikes of darkwave and ice cold, psychedelic repetition. The musicians execute these infectious tunes effortlessly, playing with the attitude retained from their roots in rural hard rock and busting a propulsive stomp that aligns them closer to the clarity of recordings from decades past, also exemplified by spring reverb twangs that ping across the mix like rubber bands.