Metal 344 Items

Double-Heavyweight 180g Vinyl! Remastered by Scott Hull Gatefoldcover on 300g Paper Printed Innersleeves 30 Tracks, incl. ALL Non-Album Material from 2001-2008 In the meantime, we are pleased to announce, at long last, the discography collection of splits and EPS, entitled "Pulling Out The Nails" (after the first song the band wrote). It will feature 30 tracks, and include ALL non-album material from 2001-2008, including the Overthrow and Dissent EPs, as well as the splits with Structure of Lies, Commit Suicide, Mumakil, and Bathtub Shitter, the Hang em' High 7", live tracks, bonus covers etc. The compilation was remastered by Scott Hull last year. No More words needed.

The first Mizmor full-length, originally released in 2012, has now been remastered and pressed on vinyl for the first time. The release of this self-titled album gave the world its first glimpse of Mizmor, and while many of the elements that we recognize on Yodh and Cairn are present here it's fascinating to hear the foundation for those sounds in a very raw fashion. The Mizmor debut is a document of change. A person losing their faith and finding the trailhead of a new path.

More information coming soon.

Gatefold sleeve, Limited clear vinyl

“In the Flesh” is the brainchild of Egyptian-born, New York-based conceptual artist Nader Sadek. Known for his impressively twisted sculptures, masks, and installations used for example by bands such as Mayhem and Sunn O))), Sadek is now venturing into the realm of recorded music- including songwriting credits on this album!

The band Nader Sadek emerges out of a collaboration between Sadek and some of extreme music’s most talented artists with its core made up out of songwriter/vocalist Steve Tucker (ex-MORBID Angel), Cryptopsy drummer Flo Mounier and Norwegian composer/guitarist Rune Eriksen (ava Inferi, ex-Mayhem). A host of guest-appearances lends additional weight to the musical impact of “In the Flesh” by leading artists such as Attila Csihar (Mayhem), Travis Ryan (cattle Decapitation), Tony Norman (monstrosity), Descructhor (morbid Angel), and Nick McMaster (krallice). “In the Flesh” is firmly based on a technically masterfully executed unique style of Death Metal with a pitch black twist that creates a multi-cultural symphonic abyss where melody and corrosion meet.

As a work conceptual art “In the Flesh” is best explained like this:

Nader Sadek invite you on a journey to the depths of the earth, where substances of a repulsive nature dwell. Beneath the earth’s crust, over millions of years creatures have disintegrated and decayed until taking on ghastly new life as petroleum. Like a return of the undead, petroleum and its derivates have wrought cross-cultural conflict, environmental pollution, and economic distress. With a visual and aural assault, Sadek’s new work “In The Flesh” re-interprets petroleum’s sinister insinuation into our everyday lives. Nine songs and a series of original drawings video works explore several aspects of the commodified resource we find ourselves fatally dependent on.

“In the Flesh” exploits the sonic links between death metal and gasoline-dependent heavy machinery such as automobile and airplane engines. These links shaped the process of musical composition itself: The album opener, “Petrophilia”, kicks in with a sound evoking an engine starting up. Another song, “Of This Flesh (novus deus)”, follows the sonic structure of a car shifting gears. While continuing to link musical composition to mechanical transformations, other songs depart from engine-based references. The outro to the album, “Nigredo in Necromance” which is already accompanied by a video, dwells on an individual’s recognition that he must die in order to reunite with his deceased lover. The song riffs on the life-in-death of an oil-drenched society, as the lovers’ reunite in their decomposition and rebirth as petroleum. This theme also drives the track “Mechanic Idolatry”, which channels the uncanny thrust of Sadek’s recent artistic output, as live human beings provide the fuel for machines transforming themselves into flesh.

After the phenomenal success of Nekromantheon’s new album The Visions of Trismegistos, we are re-launching their 2012 album Rise, Vulcan Spectre.The 2021 version has updated artwork and is being released on transparent red vinyl and black vinyl.

After the phenomenal success of Nekromantheon’s new album The Visions of Trismegistos, we are re-launching their 2012 album Rise, Vulcan Spectre.The 2021 version has updated artwork and is being released on transparent red vinyl and black vinyl.

From Horten, Norway emerges the black metal band Nidingr – a band that’s been in the scene all the way since 1992. Since then, Nidingr has released 1 demo and 3 albums and played on the biggest metal festivals all over the world. Nidingr is a band that let themselves grow naturally over time and when they release an album it’s in good belief that it’ll be a great contribution to the top tier world of metal music.
They are now releasing their fourth album on Feb 10th 2017, titled “The High Heat Licks Against Heaven”. An album drenched in Norse mythology, and names from the younger and older Edda appears throughout in the lyrics. The album drifts in the middle of black and death metal, but with the Norse theme it creates a unique and fresh breath of sound. To put it mildly, this is a brutal and honest metal record. The album was being worked on intensely for two years, where they took a deep dive into the old English translations of the older and younger Edda from the 18th century. They are continuously striving towards authenticity and shapes the music partly around the theme and the text material, which in broad terms talks about the great and classical themes like death, afterlife, war and the many majestic personalities from the mythology.
The songs are characterized by heavy riffs in a glassy but dirty sound, with at times some melodies with melancholic atmospheres, steady tempo with an almost marching undertone. The vocals hang on in the top of the sound wall with a drive, power and quality one rarely hears. With Cpt.Estrella Grasa on vocals, Teloch (Mayhem, Gorgoroth, God Seed) on guitar, Destructhor (Myrkskog, Morbid Angel) on backing vocals (guitar), Myrvoll on drums and SIR (Gaahls Wyrd, Trelldom, God Seed) on bass, the music is shaped to a monolith of an album in an unmitigated an authentic style.

Pink vinyl Limited edition seems unplayed.

High Roller Records, first time on vinyl, black vinyl, ltd 250, 425gsm heavy cardboard cover, insert, mastered for vinyl by Patrick W. Engel at Temple of Disharmony.

High Roller Records, first time on vinyl, grey vinyl, ltd 250, 425gsm heavy cardboard cover, insert, mastered for vinyl by Patrick W. Engel at Temple of Disharmony.

Legendary Black Metal Band From Oslo, Norway, Founded By Galder (Dimmu Borgir). The Pagan Prosperity Album Was Originally Released In 1997 By Century Media. Here Is The Official Repress On Cosmic Key Creations.

Powerflo is a rap metal band formed in 2017, consisting of Cypress Hill rapper Sen Dog, guitarists Billy Graziadei (Biohazard) and Roy Lozano (ex-downset.), bassist Christian Olde Wolbers (ex-Fear Factory) and Worst drummer Fernando Schaefer.

The band's history can be traced back to the 1990's, where the band members would often collaborate - such as Cypress Hill and Biohazard performing on the famous Judgment Night soundtrack, or Wolbers and Lozano appearing in Cypress Hill albums Skull & Bones and Stoned Raiders. In 2015, Lozano played some demos to Sen Dog on a ride to the airport, setting the foundations for Powerflo.

The name of the band comes from a comment Roy Lozano made about Sen Dog's vocal tracking for the upcoming album. Describing their sound as a "cross between Iron Maiden, Black Sabbath and Cypress Hill", they first unveiled the group on March 1, 2017 while recording their self-titled debut album. On May 2 2017, they released the first single "Resistance" via Metal Injection. In launching the first single, Sen Dog indicated that this is a long term project and that future Powerflo albums will be released after their self-titled is released.

Quorthon was a Swedish musician. He was the founder and songwriter of the band Bathory, which pioneered the black metal genre and is credited with creating the Viking metal style. A multi-instrumentalist, Quorthon wrote the music and lyrics on all of Bathory's albums and performed vocals and guitars. Originally released in 1997, Purity of Essence was the second full length studio album released by Quorthon as a solo project. Featuring 23 epic tracks split across a double CD - this version has been dedicatingly transcribed to vinyl and is available here as a massive heavyweight double LP.

2017 reissue. Still sealed with hype sticker.

Red Fang's self-titled debut full-length will be reissued on Sargent House in December 2021.This debut is being repressed for the first time since 2015). Red Fang is the formation of long time friends and collaborators Bryan Giles (Last of the Juanitas, Party Time), Aaron Beam (Dark Forces, Lachrymator), David Sullivan (Party Time, facedowninshit, Shiny Beast) and John Sherman (Party Time, Bad Wizard, Trumans Water, All Night). Unleashed on New Year's Eve of 2006 in Portland, Oregon, Red Fang stormed out of the gates, introducing a sweaty, seething basement to a new kind of unforgettable fist-pumping, beer-chugging rock music. Since that night, the band has continued with the same intensity, energy, and intimacy to quickly become a touring juggernaut, playing shows all over the US with bands like The Melvins, Big Business, and The Sword, to name just a few. Residing somewhere between Black Flag and Black Sabbath, Red Fang recall a time when rock was more urgent and horrifying. Synthesizing a variety of heavy music influences into their own distinct musical identity, the band easily shifts from barn-burning punk to mid-tempo, hyper-distorted bass destruction all while maintaining a cohesive sound. Red Fang create gigantic rock songs that are easy to listen to (not easy listening, mind you) and qualify the simultaneous usage of both the thinking and the banging head, which are usually mutually exclusive. Their instrumentation is fluid and effortless, and the vocals are delivered melodically and forcefully, with enough rasp and effect saturation to fit nicely within the music. Paired with elemental imagery, the lyrics are immense and satisfying without any pretense. Classic black vinyl, for Fans of Fu Manchu, Melvins, Clutch, Stoner, Doom & Sludge!