Metal 159 Items

BORN VILLAIN is the eighth studio album by Marilyn Manson, released in 2012. Two singles were released from the album (No Reflection and Slo-Mo-Tion).

In their ten years of existence, Child Abuse have become much more than a jarring name. The NY trio has fused elements of Noise, Death Metal, Free Jazz, and Grind (among other things) into something entirely their own, all the while becoming one of the most innovative, and polarizing bands in New York. Trouble in Paradise, the band's third full-length release, expands on their forays into uncharted musical territory. “After hearing Child Abuse the trio's moniker seems more like a reference to violence inflicted by a toddler rather than upon one. The group's growled vocals, manic riffs and copious double-kick drumming nod to death metal. These loopy tones align with TIM DHAL’s fuzzed-out bass and Orran Canfield’s dense, swinging beats to create a highly technical sound that's also weirdly playful.”—Time Out New York

Rock im Park 2001 is a live festival recording from Nuremberg, Germany, and captures a Limp Bizkit festival performance praised as “chaotic, frenzied-high energy.” DJ Lethal functions as the sound designer, shaping their sound on this recording. According to Lethal, "I try and bring new sounds, not just the regular chirping scratching sounds. It's all different stuff that you haven't heard before.

Format: CD (Vinyl Look-A-Like Compact Disc). This Vinyl Look-A-Like Compact Disc is yellow on both sides with an LP groove and record label design. Remastered in high res, it will play in any CD player. The packaging includes a Gatefold jacket, printed inner sleeve insert and an OBI side spine (French Import ediiton).

Love Metal (Clear Vinyl) - HiM

Razorblade Romance (Clear Vinyl) - HiM

High Roller Records, reissue 2023, black vinyl, ltd 250, insert

The third instalment of SIX Feet Under's highly successful Graveyard Classics cover album series! SIX Feet Under puts their classic influential death metal styling's on some of the rock and metal classics that inspired the members of SIX Feet Under to pick up guitars in the first place!

For the first time in their diverse second act, they allow themselves to be a rock band, freed of adornment and embellishment. As much as Carlson’s guitar has always been the focal point of Earth’s music, it’s been surrounded by consistently diverse instrumentation. Here the dialog between Carlson and Davies drumming remains pivotal, underpinned by the sympathetic bass of Bill Herzog (Sunn O))), Joel RL Phelps, Jesse Sykes and the Sweet Hereafter) and thickened by additional layers of guitar from Brett Netson (Built To Spill, Caustic Resin) and Jodie Cox (Narrows). Perhaps the largest left turn on Primitive And Deadly, though, is the prominence of guest vocalists Mark Lanegan and Rabia Shaheen Qazi (Rose Windows) who transform the traditionally free ranging meditations of Earth into something approaching traditional pop structures.

On “Rooks Across the Gates,” a song stylistically the closest to the folk inspired modality of Angels Of Darkness, Carlson stretches out into some of his most lyrical playing to date, creating an almost symbiotic relationship between his performance and the vocals of old friend Mark Lanegan. “From the Zodiacal Light,” meanwhile, takes the late 60s San Franciscan/freaked-out jazz-rock transcendence of The Bees Made Honey In The Lion’s Skull and quickly re-appropriates that sound into a musky torch song for the witching hour.

This contradictive tension between a band pushing itself ever-forward whilst surveying their history is reflected in the albums twin recording locales. The foundation of the record was laid in the mystic desert highlands of Joshua Tree, California where Earth recorded hour after hour of meditations on each track's central theme at Rancho de la Luna. Upon returning to Seattle these were edited, arranged and expanded upon at Avast with the help of long-term collaborator Randall Dunn (who was previously at the helm for the Hex, The Bees Made Honey In The Lion's Skull and Hibernaculum sessions).

MAYHEM: One of the earliest of the Norwegian black metal bands to form (aptly named after a Venom track) the bands 20 year history is littered with tragedy and controversy. Now Back On Black re-issues the bands 4 studio albums on deluxe audiophile quality vinyl. All editions of these classic black metal albums come in gatefold packaging!

On “Sweven”, Morbus Chron carved out their very own territory of unorthodox death metal, far beyond their raw and simple initial style, adding many uncanny acoustic parts to create a nightmare world of utter horror. Together with producer Fred Estby (ex- Dismember), the band found a warm, yet haunting sound to go with their vision. The resulting soundscapes spread out like a wasteland of death and terror, sending chills down the hardest of spines. Guitar and drum patterns flow in various directions, building cathedrals of darkness in which tormented vocals echo in agony.

The EP ‘A Saunter through the Shroud’, was a revelation upon its release in July 2012, displaying tremendous progression from previous efforts. Instead of playing it safe, sticking to traditional death metal patterns, Morbus Chron had started to transcend the genre to incorporate elements of progressive rock as well as black metal. With patterns oozing of Voivod, Atheist and Darkthrone, as well as Death and Autopsy, Morbus Chron was on their way to something majestic. Possessing unrelenting integrity, the band shunned all trends to go further into the unknown with “Sweven”. Smell the coffin with these two pioneering recordings, available in one lush package for the first time! Morbus Chron’s idiosyncratic legacy has never sounded or looked finer.

Red Fang's self-titled debut full-length will be reissued on Sargent House in December 2021.This debut is being repressed for the first time since 2015). Red Fang is the formation of long time friends and collaborators Bryan Giles (Last of the Juanitas, Party Time), Aaron Beam (Dark Forces, Lachrymator), David Sullivan (Party Time, facedowninshit, Shiny Beast) and John Sherman (Party Time, Bad Wizard, Trumans Water, All Night). Unleashed on New Year's Eve of 2006 in Portland, Oregon, Red Fang stormed out of the gates, introducing a sweaty, seething basement to a new kind of unforgettable fist-pumping, beer-chugging rock music. Since that night, the band has continued with the same intensity, energy, and intimacy to quickly become a touring juggernaut, playing shows all over the US with bands like The Melvins, Big Business, and The Sword, to name just a few. Residing somewhere between Black Flag and Black Sabbath, Red Fang recall a time when rock was more urgent and horrifying. Synthesizing a variety of heavy music influences into their own distinct musical identity, the band easily shifts from barn-burning punk to mid-tempo, hyper-distorted bass destruction all while maintaining a cohesive sound. Red Fang create gigantic rock songs that are easy to listen to (not easy listening, mind you) and qualify the simultaneous usage of both the thinking and the banging head, which are usually mutually exclusive. Their instrumentation is fluid and effortless, and the vocals are delivered melodically and forcefully, with enough rasp and effect saturation to fit nicely within the music. Paired with elemental imagery, the lyrics are immense and satisfying without any pretense. Classic black vinyl, for Fans of Fu Manchu, Melvins, Clutch, Stoner, Doom & Sludge!

POWER IT UP Records presents a very special and limited 7" Series. This collector's edition is called B.E.A(S).T. Series and contains 5 different 7" EP's, four of them are split EP's with bands such as DEAD, MESRINE, F.U.B.A.R. and FONDLECORPSE. The fifth EP is a picture EP featuring EMBALMING THEATRE only. All the front covers of Embalming Theatre together will create on large (and very gory) piece of artwork. All EP's contain new songs of course, so expect 5 times brutal rot'n'gore.First Part of the B.E.A(S).T. Series:EMBALMING THEATRE/ DEADthe Split EP contains 3 new gory grind attacks from Embalming Theatre and 2 tracks from germany's almighty Dead. One tracks includes guestvokills from Kam Lee. The complete pressing is limited to 400 copies.

Double-Heavyweight 180g Vinyl! Remastered by Scott Hull Gatefoldcover on 300g Paper Printed Innersleeves 30 Tracks, incl. ALL Non-Album Material from 2001-2008 In the meantime, we are pleased to announce, at long last, the discography collection of splits and EPS, entitled "Pulling Out The Nails" (after the first song the band wrote). It will feature 30 tracks, and include ALL non-album material from 2001-2008, including the Overthrow and Dissent EPs, as well as the splits with Structure of Lies, Commit Suicide, Mumakil, and Bathtub Shitter, the Hang em' High 7", live tracks, bonus covers etc. The compilation was remastered by Scott Hull last year. No More words needed.

The second album and classic Hfts album completely new re-recorded with Krimh (Septic Flesh) on drums. This album will blow everything away and finally includes the song "Mad World"

To celebrate the return of 1349 with their new album "The Infernal Pathway" on Season Of Mist, Indie Recordings present special limited edition repress of their 2014 album "Massive Cauldron of Chaos"

SISSY SPACEK began in 1999 as a Blur / Grind duo consisting of John Wiese (SUNNO)), Bastard Noise) and Corydon Ronnau. Since then they have taken countless detours, pushing the extremes of sound in all possible directions on close to 50 releases. On their newest 7", "CONTRETEMPS" via PPM, they return to full on grind-core reflecting on material of their recent live outings and line up. Now as a 4 piece with Jesse Jackson (noise guitar), Charlie Mumma (drums), Corydon Ronnau (vocals), and John Wiese (bass) SISSY SPACEK tear through 10 songs of blasting noise. Limited to 500 copies. Cover art by Ace Farren Ford (Los Angeles Free Music Society).

High Roller Records, reissue 2023, black vinyl, ltd 150, lyric sheet

I Shall Die Here / Earth Triumphant is an expanded edition of the fourth full-length album by The Body, first released to widespread acclaim, and terror, in 2014. Sharing their moribund vision with Bobby Krlic, aka The Haxan Cloak, the tried and true sound of The Body is shred to pieces on I Shall Die Here, mutilated by process and re-animated in a spectral state by the collaboration. This double album set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body's brutality in its most primal form. With both albums revisited by The Body and Seth Manchester at Machines With Magnets and remastered by Matt Colton at Metropolis Studios, this is the definitive edition of a shocking classic of unbridled bleakness and innovation. Formed by drummer Lee Buford and guitarist Chip King in Little Rock, Arkansas in 1999, The Body soon relocated to Providence, Rhode Island. The duo remained in Providence for a decade before moving west to their current home of Portland, Oregon. Their debut self-titled album (Moganano, 2003) and on the widely-acclaimed, classification curtailing of All the Waters of the Earth Turn to Blood (At A Loss, 2011) readied the band for even more experimentations. The employment of the Assembly of Light Choir's classical chorales on All the Waters, alongside more industrial music techniques such as vocal sampling and drum programming, prompted RVNG to inquire with King and Buford which darker corners of the electronic universe they were presumably interested in exploring. The undertaking of I Shall Die Here was aided by Seth Manchester and Keith Souza, The Body's long standing engineer and creative collaborator, and noted producer Bobby Krlic. Krlic's own work as The Haxan Cloak struck a similarly despairing chord to The Body with the celebrated Excavation (Tri Angle, 2013), itself a minimalist evocation of the afterlife. I Shall Die Here shares similar nether space with the morbidly deviating darkness of Excavation, but remains sculpturally frozen in a sort of earthen purgatory. The Body's musical approach, engraved by Buford's colossal beats and King's mad howl and bass-bladed guitar dirge, became something even more terrifying with Krlic's post-mortem ambiences serving as both baseline and outer limit. I Shall Die Here sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. This expanded edition gives us a window into the creation of a classic with the inclusion of its in utero twin, Earth Triumphant. Recorded as a nearly finished album by Buford and King before The Haxan Cloak's transformation, it stands as a raw statement of intent, the original DNA for what would soon mutate into something wholly new. Fans of I Shall Die Here will find familiar sonic fragments in a more primitive state - like seeing an out-of-context photograph of a family member taken well before you knew them - but the album stands on its own in its minimalist brutality, a natural bridge to what The Body was soon to become. The Body's I Shall Die Here / Earth Triumphant will be released in digital and vinyl formats on June 30, 2023. On behalf of The Body, The Haxan Cloak, and RVNG Intl., a portion of the proceeds from this release will benefit Intransitive, an organization that works to advance the cause of Trans liberation in Arkansas through art, education, advocacy, organizing and culture in order to create effective systemic change and on-the-ground impact.

After the phenomenal success of Nekromantheon’s new album The Visions of Trismegistos, we are re-launching their 2012 album Rise, Vulcan Spectre.The 2021 version has updated artwork and is being released on transparent red vinyl and black vinyl.

Ghost is the name of a devil worshipping ministry, that in order to spread their unholy gospels and, furthermore, trick mankind into believing that the end is ultimately a good thing, have decided to use the ever so popular rock music medium as a way to achieve their ends. Standing motionless and anonymous beneath the painted faces, hoods and robes which their sect demand, the six nameless ghouls of Ghost deliver litanies of sexually pulsating heavy rock music and romantic lyrics, that glorify and glamorise the disgusting and sacrilegious, with the simple intention to communicate a message of pure evil via the most effective device they can find - entertainment. In May 2010 Ghost were contracted to a UK based gramophone company called Rise Above Ltd, who swore an oath stating that they will assist the group in the task of spreading their musical blasphemies through formats such as Compact Discs, Long Playing Vinyl Records and Digital Downloading. The first full length Ghost album ‘Opus Eponymous’ will be released in October 2010 and it is understood and agreed that Rise Above Ltd will invest money in areas such as magazine advertising and retail marketing and will employ the services of music publicity specialists in order to expose the music of Ghost to the wider public. Specific attention will be paid to targeting people (research suggests these are most likely to be adolescents) who have a void in their life, perhaps caused by some form of emotional trauma or upset, that can be filled by the music and philosophies of Ghost. In time, these easily manipulated children will come to share the views and goals of the Ghost sect and can prepare their own plans for the downfall of humanity....

Limited edition of 100 copies. A whopping 12 years after the release of Monkeys with Guns from the Swedish punk'n'roll gods, it's now going to "bone" on Noisy Plastics Records and Backbite Records. The first time that there is a vinyl reissue of this incredibly good record. The Bones have blasted 15 absolute pieces here that simply don't get boring and, in addition to a fat pogo, also get you dancing.

Melodic boards like Shooting Blanks bring punk rock into your place, but also fine rock 'n' roll songs like the opening song by Bones City Rollers really make every room crack. But even a little mosher can get by. Because one or two tracks definitely make your neck turn to rubber.

Sure, blame the guy in the dress… and then move your tired bodies and die like men. This album offers eternal hits and even more in very elaborate and fantastically beautiful versions.

"Majesty and Decay" is Immolation's eighth full-length album, originally released 2010. This death metal classic is often cited by fans as the band best album!

Re-issue of Year OF NO LIGHT's album 'Ausserwelt'!! Year OF NO LIGHT's lengthy, sprawling compositions of towering walls of guitars and sombre synths irradiate a sense of dire solemniand spiritual gravity, and couldn't be a more fitting soundtrack for such grim medieval scenarios. But there is also the element of element of absolution transcendence in the face of death. Year Of No Light sound dense, rich and lush and yet somehow starved and deprived. “There's a thread running through all of our albums”, the band comments, “an exploration of the sensitive world that obeys a certain telos, first fantasized ("Nord") and reverberated ("Ausserwelt"), then declaimed as a warning ("Tocsin"). The deeper we dig, the more the motifs we have to unveil appear to us. Yes, it's a bit gnostic. This album is invoked after the Tocsin, it's the epiphany of the Fall”.

Limited edition of 100 copies. A whopping 12 years after the release of Monkeys with Guns from the Swedish punk'n'roll gods, it's now going to "bone" on Noisy Plastics Records and Backbite Records. The first time that there is a vinyl reissue of this incredibly good record. The Bones have blasted 15 absolute pieces here that simply don't get boring and, in addition to a fat pogo, also get you dancing.

Melodic boards like Shooting Blanks bring punk rock into your place, but also fine rock 'n' roll songs like the opening song by Bones City Rollers really make every room crack. But even a little mosher can get by. Because one or two tracks definitely make your neck turn to rubber.

Sure, blame the guy in the dress… and then move your tired bodies and die like men. This album offers eternal hits and even more in very elaborate and fantastically beautiful versions.