Metal 206 Items

After the phenomenal success of Nekromantheon’s new album The Visions of Trismegistos, we are re-launching their 2012 album Rise, Vulcan Spectre.The 2021 version has updated artwork and is being released on transparent red vinyl and black vinyl.

After the phenomenal success of Nekromantheon’s new album The Visions of Trismegistos, we are re-launching their 2012 album Rise, Vulcan Spectre.The 2021 version has updated artwork and is being released on transparent red vinyl and black vinyl.

The first Mizmor full-length, originally released in 2012, has now been remastered and pressed on vinyl for the first time. The release of this self-titled album gave the world its first glimpse of Mizmor, and while many of the elements that we recognize on Yodh and Cairn are present here it's fascinating to hear the foundation for those sounds in a very raw fashion. The Mizmor debut is a document of change. A person losing their faith and finding the trailhead of a new path.

Lightning Bolt redefines what it means to be DIY. An utterly singular band in every way, unbridled creativity and energy propel them well past most categorical boundaries, least of which is the boundary between band and audience. Theirs is an immersive experience - a sound so huge it can swallow us all. Oblivion Hunter is a monster. Not a compilation, not concept album and more than the sum of its parts, the record is a peek into the band's inner world on their home turf (the Hilarious Attic in Providence), collecting deep explorations into distortion, bass manipulation and its intersection with rhythm. A Limited release in 2012 sold out almost immediately. This first re-issue is a deluxe one coming with 4 different covers each matched with it's own color vinyl. Re mastered by Josh Bonati, you can now immerse yourself in this pivotal Lightning Bolt album's sonic oblivion and YOU are now the Oblivion Hunter. A cathartic listening experience, Oblivon Hunter finds blast-beats colliding with distorted vocals and all shapes and sizes of guitar noises, even some metallic riffage on the album closer and aptly named "World Wobbly Wide." Throughout, the sound is amped-up and free with an ear on the railroad tracks to the big sounds of industry and clamor. Bass sounds jump out of the speaker cones that conjure up ears in alien propulsion systems, nights in faraway wind tunnels. Experience this pivotal album in Lightning Bolt's catalog like never before.

Lightning Bolt redefines what it means to be DIY. An utterly singular band in every way, unbridled creativity and energy propel them well past most categorical boundaries, least of which is the boundary between band and audience. Theirs is an immersive experience - a sound so huge it can swallow us all.

Re-release of the third full-length album by the American grindcore legends!

True to the American interpretation of Grindcore Terrorizer amalgamate the most forceful elements of Death and Thrash into a true juggernaut of Metal. Since their famed debut “World Downfall” (1989), this beast has been driven by the relentless and precise pounding of Pete Sandoval (Morbid Angel), who delivers yet another jaw-dropping barrage. Fans will be delighted to see Morbid Angel frontman David Vincent once more returning to play bass on this album. They will also be glad to hear that excellent singer Wolf aka Anthony Rezhawk (Resistant Culture), who already refined the highly acclaimed second album “Darker Days Ahead” (2006) is again adding his resonant and fierce growls as well. The new line-up is completed by Katina Culture (Resistant Culture), who is replacing the sadly late Jesse Pintado (August 28th, 2006) on guitar.

The first album completely new re-recorded with Krimh (Septic Flesh) on drums.

REISSUE 2023 ON BLADE BULLET 180G VINYL! LIMITED TO 450 COPIES WW!DER WEG EINER FREIHEIT was born in February 2009 when Nikita Kamprad and Tobias Jaschinsky released their self titled debut record. The basic idea of the band and the first musical material, however, existed for a ye...

High Roller Records, reissue 2023, black vinyl, ltd 250, gatefold, A1 poster

High Roller Records, reissue 2023, piss yellow/ evergreen splatter vinyl, ltd 250, gatefold, A1 poster

Born in 1866 BC, Abraham lived a peaceful life near the town of Sodome, NC. He married his half-sister who gave birth to some 14 kids while already aged far over a hundred years. those golden days are gone, but the virile power of Abraham's beard survived and he was reborn in 2007 as a rock band near Lausanne, Switzerland. Committed rehearsals and songwriting eventually led the band to record their first full-length, 'An Eye on the Universe', which was released in early 2011 on Pelagic Records. The critically acclaimed album was presented live all over Europe, with the likes of bands like Red Fang, Intronaut, Khoma, EF, Celan, Birds In Row, Mumakil or Kruger. Abraham's second album "The Prophet, The Serpent and The Whore" was inspired by a novel by J.G. Rawls. In case you're not familiar with this writer, well, shame on you! A bit of Wikipedia research will tell you that Rawls lived at the beginning of the 20th century and died in an motel room somewhere on the East Coast. It is not exactly clear whether his works are authentic or not; they might have been written by college students trying to pull a prank. The title of his most well-known book is The Chronoception. Abraham found this book on a flee market and used it as an inspiration for their second album. The lyrics were freely adaptated from the story, not wanting the record to become a literary illustration of the book. The story of an unnamed man falling from the sky to crawl through this world's lowest spheres; and the prevalent themes of falling from grace, primal fear, physical pain, loneliness and mystical visions resonated perfectly within Abraham's continuous state of mind. The music to this exploration of the human soul and consciousness was composed with these themes in mind and thus emerged darker and more tortured than what the band had done before. Magnus Lindberg from Cult Of Luna mixed the album and drove the contemplative aspects of their sound to even bleaker aural landscapes, while pushing its violent side further towards armageddon... Expect to see the band live on stage in France, Germany, Belgium, the Netherlands, Denmark, Slovenia, Croatia, Czech Republic, Italy soon.

Black vinyl, with insert.

White vinyl seems unplayed. Limited edition.

High Roller Records, first time on vinyl, black vinyl, ltd 250, 425gsm heavy cardboard cover, insert, mastered for vinyl by Patrick W. Engel at Temple of Disharmony.

High Roller Records, first time on vinyl, grey vinyl, ltd 250, 425gsm heavy cardboard cover, insert, mastered for vinyl by Patrick W. Engel at Temple of Disharmony.

Vinyl with a couple of light scuffs

The ten year anniversary of Chaos Echœs' first ever release, celebrated as a limited edition vinyl reissue with enhanced artwork to homage and consecrate the origin of an unforgettable legacy that will never fade our memory's reach. With 2012's "Tone of Things to Come" Chaos Echœs instantly established themselves as the very future of underground extreme metal, elaborating a formula rooted in arcane sepulchral dark death metal characterized by lengthy instrumentals and innovative detours deep into remote areas of history, art, culture and lore that would dictate the rhythm and tempo of a staggering metamorphosis of ascension. Still rooted in the legacy of Incantation, Morbid Angel, and Immolation, at its inception "Tone of Things to Come" had however already revealed widespread mutations in the fabric of conventional extreme metal and opened the eye of transformation, with its omniscient glare gazing through a spectral veil concealing abhorrent forms of ritualism and exploration within it. Enigmatic minimalisms crafted from unconventional instrumentations and improvisational free-flowing jam sessions were an already well established means of transcendence and transmutation within this earliest form of the band, and "Tone of Things to Come"'s oracular load of experimentation was already foreboding musical changes in consciousness and perception on a massive scale lurking not too far away on the horizon. A would-be future for extreme metal which we all now too-well know, love, and will forever miss. There will never again be an entity quite like Chaos Echœs, one capable of opening worlds within the listener and which had become such a synonym of transformation and of the fearless defiance of dogmas and conventions. A beacon for metamorphosis and boundary-dissolvement bridging effortlessly the sidereal distances between performance art, world music, ritualism, and death metal, that would help cement thereafter the undeniable and manifested explorative genetics of extreme metal. And as the sands of time and the immortality of this legacy fixate the greatness and majesty of those who dare, burning them forever into our minds, "Tone of Things to Come" remains a reminder for all that great legacies are built on great transformations, and the courage that motivates them.

Limited edition of 100 copies. A whopping 12 years after the release of Monkeys with Guns from the Swedish punk'n'roll gods, it's now going to "bone" on Noisy Plastics Records and Backbite Records. The first time that there is a vinyl reissue of this incredibly good record. The Bones have blasted 15 absolute pieces here that simply don't get boring and, in addition to a fat pogo, also get you dancing.

Melodic boards like Shooting Blanks bring punk rock into your place, but also fine rock 'n' roll songs like the opening song by Bones City Rollers really make every room crack. But even a little mosher can get by. Because one or two tracks definitely make your neck turn to rubber.

Sure, blame the guy in the dress… and then move your tired bodies and die like men. This album offers eternal hits and even more in very elaborate and fantastically beautiful versions.

Limited edition of 100 copies. A whopping 12 years after the release of Monkeys with Guns from the Swedish punk'n'roll gods, it's now going to "bone" on Noisy Plastics Records and Backbite Records. The first time that there is a vinyl reissue of this incredibly good record. The Bones have blasted 15 absolute pieces here that simply don't get boring and, in addition to a fat pogo, also get you dancing.

Melodic boards like Shooting Blanks bring punk rock into your place, but also fine rock 'n' roll songs like the opening song by Bones City Rollers really make every room crack. But even a little mosher can get by. Because one or two tracks definitely make your neck turn to rubber.

Sure, blame the guy in the dress… and then move your tired bodies and die like men. This album offers eternal hits and even more in very elaborate and fantastically beautiful versions.

Chestnut vinyl

SISSY SPACEK began in 1999 as a Blur / Grind duo consisting of John Wiese (SUNNO)), Bastard Noise) and Corydon Ronnau. Since then they have taken countless detours, pushing the extremes of sound in all possible directions on close to 50 releases. On their newest 7", "CONTRETEMPS" via PPM, they return to full on grind-core reflecting on material of their recent live outings and line up. Now as a 4 piece with Jesse Jackson (noise guitar), Charlie Mumma (drums), Corydon Ronnau (vocals), and John Wiese (bass) SISSY SPACEK tear through 10 songs of blasting noise. Limited to 500 copies. Cover art by Ace Farren Ford (Los Angeles Free Music Society).

Clear wax seems unplayed. With slipmat. Limited edition.

POWER IT UP Records presents a very special and limited 7" Series. This collector's edition is called B.E.A(S).T. Series and contains 5 different 7" EP's, four of them are split EP's with bands such as DEAD, MESRINE, F.U.B.A.R. and FONDLECORPSE. The fifth EP is a picture EP featuring EMBALMING THEATRE only. All the front covers of Embalming Theatre together will create on large (and very gory) piece of artwork. All EP's contain new songs of course, so expect 5 times brutal rot'n'gore.First Part of the B.E.A(S).T. Series:EMBALMING THEATRE/ DEADthe Split EP contains 3 new gory grind attacks from Embalming Theatre and 2 tracks from germany's almighty Dead. One tracks includes guestvokills from Kam Lee. The complete pressing is limited to 400 copies.

Cover with beginning of seam split on top spine

Magenta Transparent vinyl

Limited Edition. Blue Vinyl.
Still shrink wrapped but opened.
Cover with a beginning seam split at the upper edge.
Record is close to VG+.

Cult Black Metal from Czech Republic!Three essential albums – "Ritual", "Jilemnický okultista" and "Vracejte konve na místo", will be reissued on vinyl and jewel-case CD in mid-November.Their preparation required several months of work:The band found the original production tape from 1991 for "Ritual" and achieved a result that sonically surpasses the original release."Jilemnický okultista" and "Vracejte konve na místo", underwent new, more sensitive re-mastering.All titles will be released as gatefold double vinyls and jewel-case CDs. The new artwork includes original, some previously unpublished illustrations and photographs reproduced in the highest quality. The inserted double sheets of the vinyls contain not only lyrics and archival documents but also current interviews with František Štorm.The past is alive! TBC

BORN VILLAIN is the eighth studio album by Marilyn Manson, released in 2012. Two singles were released from the album (No Reflection and Slo-Mo-Tion).

Includes original inner sleeve with seam split.

Combines the hook-laden appeal of '70s garage rock & gritty '80s hardcore with a skate punk energy & attitude resulting in a sound the trio decribes as "psychedelic violence."

In their ten years of existence, Child Abuse have become much more than a jarring name. The NY trio has fused elements of Noise, Death Metal, Free Jazz, and Grind (among other things) into something entirely their own, all the while becoming one of the most innovative, and polarizing bands in New York. Trouble in Paradise, the band's third full-length release, expands on their forays into uncharted musical territory. “After hearing Child Abuse the trio's moniker seems more like a reference to violence inflicted by a toddler rather than upon one. The group's growled vocals, manic riffs and copious double-kick drumming nod to death metal. These loopy tones align with TIM DHAL’s fuzzed-out bass and Orran Canfield’s dense, swinging beats to create a highly technical sound that's also weirdly playful.”—Time Out New York