Metal 564 Items

The debut album by the project led by Gaahl, the former drummer of Gorgoroth. Hallucinating vocals, Scandinavian folkloristic instruments and ambient elements make for a totally original black metal effort.

Special new vinyl versions of the two Wardruna album classics!!! Presented here is "Runaljod - Gap var Ginnunga" on White Marble vinyl

Gatefold sleeve, Limited clear vinyl

“In the Flesh” is the brainchild of Egyptian-born, New York-based conceptual artist Nader Sadek. Known for his impressively twisted sculptures, masks, and installations used for example by bands such as Mayhem and Sunn O))), Sadek is now venturing into the realm of recorded music- including songwriting credits on this album!

The band Nader Sadek emerges out of a collaboration between Sadek and some of extreme music’s most talented artists with its core made up out of songwriter/vocalist Steve Tucker (ex-MORBID Angel), Cryptopsy drummer Flo Mounier and Norwegian composer/guitarist Rune Eriksen (ava Inferi, ex-Mayhem). A host of guest-appearances lends additional weight to the musical impact of “In the Flesh” by leading artists such as Attila Csihar (Mayhem), Travis Ryan (cattle Decapitation), Tony Norman (monstrosity), Descructhor (morbid Angel), and Nick McMaster (krallice). “In the Flesh” is firmly based on a technically masterfully executed unique style of Death Metal with a pitch black twist that creates a multi-cultural symphonic abyss where melody and corrosion meet.

As a work conceptual art “In the Flesh” is best explained like this:

Nader Sadek invite you on a journey to the depths of the earth, where substances of a repulsive nature dwell. Beneath the earth’s crust, over millions of years creatures have disintegrated and decayed until taking on ghastly new life as petroleum. Like a return of the undead, petroleum and its derivates have wrought cross-cultural conflict, environmental pollution, and economic distress. With a visual and aural assault, Sadek’s new work “In The Flesh” re-interprets petroleum’s sinister insinuation into our everyday lives. Nine songs and a series of original drawings video works explore several aspects of the commodified resource we find ourselves fatally dependent on.

“In the Flesh” exploits the sonic links between death metal and gasoline-dependent heavy machinery such as automobile and airplane engines. These links shaped the process of musical composition itself: The album opener, “Petrophilia”, kicks in with a sound evoking an engine starting up. Another song, “Of This Flesh (novus deus)”, follows the sonic structure of a car shifting gears. While continuing to link musical composition to mechanical transformations, other songs depart from engine-based references. The outro to the album, “Nigredo in Necromance” which is already accompanied by a video, dwells on an individual’s recognition that he must die in order to reunite with his deceased lover. The song riffs on the life-in-death of an oil-drenched society, as the lovers’ reunite in their decomposition and rebirth as petroleum. This theme also drives the track “Mechanic Idolatry”, which channels the uncanny thrust of Sadek’s recent artistic output, as live human beings provide the fuel for machines transforming themselves into flesh.

Mamaleek’s Kurdaitcha is finally back in print! The San Francisco-based duo released their third album of weirdo black metal, Kurdaitcha, on the legendary cult label Enemies List Home Recordings (Have a Nice Life, Giles Corey), and it quickly sold out. For years the LP has been a hard to find collector’s item. Kurdaitcha finds the project in its initial period of creating music influenced by black metal, hip hop, jazz, and spirituals. Founded in 2008 in the Bay Area by two anonymous brothers, Mamaleek has explored a vast sonic territory on the edge of a genre renown for its aversion to change. Their expert utilization of left-field samples and unconventional instrumentation, and their insistent drive to experiment continues to set the band apart from their peers. This pressing of Kurdaitcha has been remastered and features a previously unreleased bonus track with a gold foil stamped jacket.

"Satan's disowned children are once again slipping on their hoods and frocks to give birth to one of the dirtiest and heaviest sludge/doom record of recent times. Acclaimed here and there, their previous EP "Open The Gates Of Shambhala" was our first release and allowed them to inflict tinnutus and stiffness while opening for Electric Wizard, Ramesses and many more. Now we're proud to introduce you to "Atavist Of Mann", the debut album from Brittany's own Huata. 60 minutes as a giant middle finger to modernism : recorded in the middle of nowhere by Kristian Keyboard Production, this slow procession of anvil riffs smoke-filled enough to make your mouth feel all furry, of liturgical atmospheres played with Hammond organ and clean vocals singed by the devil himself will pervert the most innocent souls. Seven tracks that crown a band who has been able to go to the very bitter end of its process , musically as well as aesthetically, and a record meant to be a milestone, at least by outclassing menopause on the podium of the causes of prolapse."