Metal 215 Items

Still in shrink but opened with hype sticker. Purple splatter vinyl. Limited edition

Still sealed. Pink vinyl Limited edition. tiny wear

Picture Disc. Still in shrink but opened with hype sticker. Tiny wear. Limited edition.

Limited Edition. Record Store Day.
Red Transparent Vinyl.

Sealed copy.
Cover corners slightly dented.

In early 2021, Eroded comes as a strong, hopeful voice expressing the suppressed yearning for an end of this madness which we all carry inside.

Back in 2012 LIZZARD recorded with Rhys Fulber in L.A. (Paradise Lost, Fear Factory, Front Line Assembly...) who confesses his love for their "marvelous poly-rhythmical sound". It is true that LIZZARD's songwriting is distinguished by at times intricate rhythmical patterns, but these are always woven into the fabric of immensely catchy song constructs. The technical prowess here is well concealed behind the glaring allure of the immediacy of raw, in your face rock music.

Formed in 2006, when Katy Elwell (drums), William Knox (bass) and Mathieu Ricou (guitar & vocals) met and discovered that they shared a common vision in music, LIZZARD soon set out to work on their sound with a mission to find their own idiosyncratic approach to contemporary rock music – music that makes confident reference to the past without romanticising it. In many ways, Eroded is a trip back to the best parts of the 90's, but in the sound of 2020.

Sophomore album Majestic was released in 2014 and met with great critical acclaim: a more spontaneous and raw affair compared to its predecessor, recorded live and produced by the band themselves, the album captures the intense energy the band unleashes on stage. “We’re very much a live band creatively speaking”, says bass player Will Knox. “All of the writing sessions happen in our rehearsal space rather than at home. We believe that to capture any vibe, the chemistry between members needs to occur in real time... at least for us.”

Shift (produced, mixed and engineered by Peter Junge), released in 2018, opened new doors for the French trio: “Lizzard accomplish the perfect balancing act between music that is challenging and catchy in equal measure”, Metal Hammer raved. The band opened for Gojira and Terry Bozzio who invited them to perform on Drum Channel, and embarked on month-long European tours with the likes of HIGH ON FIRE, THE PINEAPPLE THIEF and the ADRIAN BELEW POWER TRIO.

Recorded during a long month of voluntary isolation at the legendary Castle Studios in Germany, Eroded brings a light at the end of the tunnel: “The vibe on the album is generally one of hope and an invitation to stay alert to the light within ourselves, and to keep moving towards brighter destinations.”

Bring on the future and for once, let it be the past, as we knew it before the pandemic.

Black vinyl edition. Gatefold double lp with silver foil blocking and a large booklet. First time on vinyl! The fourth Lord Vicar full length album, a sonically and emotionally devastating journey in doom metal, features songs about war, fought both between people and within us all. Slow and intense riffage, progressive structures, and introspective lyrics create a hard and yet magical journey to the relief that waits at the end of all things.

Record with just a few paper scuffs, close to VG+.
Cover as new with slightly dented corners.

Slight sticker residue on front cover. White marbled vinyl seems unplayed. Original inner sleeves. Limited edition.

Blue vinyl Limited edition. With insert. tiny wear. Still in shrink but opened with hype sticker.

Still in shrink but opened with hype sticker. Green/White vinyl. tiny wear. Limited edition.

Orange vinyl Limited edition. With insert. tiny wear

Red vinyl. Limited edition. With insert

Limited Edition.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes original insert.
Record is close to NM.

Limited to 500 copies worldwide, no repress!
Includes insert and poster. Records are close to VG+
Original plastic sleeves have seamsplits.
Box has a two seam splits.

Classic black vinyl!The contemporary Belgian music scene keeps spawning awesome bands, and B R I Q U E V I L L E - the spaces in between the letters are part of their moniker are among the most intriguing and compelling of them. The meditative heaviness of their sound and the carefulengineering of the visual aspects of their mesmerizing live-performance rituals are awe-inspiring and challenging in equal measure.After 2017's dazzling instrumental opus ,II", the Flemish 5-piece finally return with their 3rd studio album, one of the first real pandemic-albums to be released on Pelagic. The band members had to finish the album in separation, which worked outbetter than they had initially expected: the forced distance allowed them to take distance not only to each other, but alsotowards their own song material. Some pieces grew larger than originally intended, others were stripped down to the essentials and reinvented.The end result is a staggering album that is sophisticated and smothering at the same time, made up of altogether shorter songs as compared to the previous release, and there is a more prominent focus on those tasty electronics, which have always been an integral part of B R I Q U E V I L L E 's sound. The album is also the first one with an album title: Quelle means ,source" in German, and ,which" in French. ,We strongly feel that this record keeps all the ingredients of previous recordsand explores them further than we ever did before. The theme of a 'source', and the 'which' linking it reflexively to our previous album artwork gave us the feeling that we stayed true to our original concept, music, artwork and clips. Water and sand as a source of life and death. How an isolated soul deals with these elements", says a nameless band member... What? Yes, B R I Q U E V I L L E is a band shrouded in mystery. The black Nazgûl-robes and golden masks that all members wear on stage give their presence the air of an occult ritual... butthe band is not chasing (a) Ghost; in fact t...

Still in shrink, but opened, with hype sticker

Cover closer to NM

White vinyl. Cover closer to NM

Cover close to NM.

Limited Edition. Picture Disc.

Original plastic sleeve with seam splits.
Includes original insert.

few paper scuffs. Still in shrink but opened with hype sticker. tiny wear

Dark Green Vinyl, probably from the box set.

CD is missing.

Green vinyl is close to NM. Still in shrink but opened. Original inner sleeve. With poster.

Still in shrink but opened. Golden vinyl. with hype sticker. Limited edition. With poster.

Still in shrink but opened with hype sticker. Red Black Marbled vinyl. Original inner sleeve. Tiny wear. Limited edition. With poster.

Deafheaven’s new album, Ordinary Corrupt Human Love, finds them working with old friends again. The Jack Shirley-produced and Nick Steinhardt-art directed (of Touché Amoré) collection gets its title from Graham Greene’s novel The End of the Affair, referencing a moment when someone is looking for love, in all of its
imperfection and simple beauty. This sentiment is carried throughout the hazy, yearning romanticism of the record with song titles and words as sumptuous as the sounds around them. Clarke describes the composition of Ordinary Corrupt Human Love beginning with “small seeds of healing, repair, and rebirth,” and like each subsequent Deafheaven album, this record is, in fact, a revelation.
Defeat has inspired some of our best art. If you survive something terrible, you surface on the other side, walk toward the light, and come back to life. If you’re an artist, this kind of new self-knowledge can lead to creating something universal and remembered, something that can live longer than you do. While Deafheaven have managed to cross over this road in the past, they’ve nailed the feeling wholly with Ordinary Corrupt Human Love, a feeling that comes with experience and wisdom.
Yes, everybody deals with hurt, everybody’s been the cause of their own implosions, and everybody has the capacity to overcome and love again. Deafheaven have found a way to externalize all of this, and in making their most complete record to date, they turn it into a balm and a cathartic exorcism.

Contrasts have always been deep and at the very heart of Amenra, who have been uttering prayers and holding masses for eighteen years. Tormented darkness has always coexisted alongside luminous beauty, and thunderous impacts instantly follow frail, delicate subtleties. Songs that engulf everyone in the world suddenly feel whispered inside a solitary womb. Mass VI is here, and more than any other album in the band’s past, it highlights those contrasts.

The eerie quiet of the first couple minutes of “Children Of The Eye” announces the coming storm, and the nine explosive, cathartic minutes that follow hold all the striking disparate emotions one expects from the band. This album is an emotional rollercoaster until its very last second, when “Diaken” abruptly ends at its very climax. Every band member is stretched to their physical limits throughout: Colin H. Vaneeckhout (vocals) puts in the performance of a lifetime, but he is inextricably intertwined to the guitar-work of Mathieu J. Vandekerckhove; Lennart Bossu expresses unimaginable weight, both physical and spiritual, as well as weaving melodies of the utmost delicacy; the rhythm section of Levy Seynaeve and Bjorn J. Lebon rumbles like a consuming thunderstorm or retreat to the shadows with flowing spontaneity. No love without pain. No life without death. No light without darkness. That is the conflict at the heart of the album and at the heart of what it means to be human, and this music wrenches that ambivalence out.

It’s hard to think of a better person to capture this enormity than Billy Anderson. The legendary American producer was already the chosen one for Mass V, and between Neurosis’s Through Silver In Blood, Sleep’s Dopesmoker, and Eyehategod’s Dopesick, among many others, he’s been a decisive element in the building of many a true classic.

Still shrink wrapped but opened.
Cover as new with slightly dented corners.
Includes original insert.

More information coming soon.

Scottish metal pirates Alestorm return to their ships and release their glorious fourth album, 'Sunset On The Golden Age'.