Metal Vinyl 284 Items

Karg was founded back in the summer of 2006 as a one-man project by J.J. of Harakiri for the sky. Between 2010 & 2014 Karg was fully formed as a band to play gigs, formally in Germany, Austria and Central Europe. In the years till 2018 Karg was, like in its beginning, held as a one-man project and released two more albums. With the release of Kargs sixth studio album “Dornenvögel” Karg will celebrate its rebirth as a live band for a few special dates from now on.

Origin of the Alimonies is Liturgy’s fifth full-length album and their first to fully integrate Hunter Hunt-Hendrix’s vision of total art, or what she calls Perichoresis, with her musical compositions. The music amplifies a dramatic narrative addressing the question of the origin of all things, which itself aesthetically grounds the content of Hunt-Hendrix’s ongoing philosophical YouTube series on her System of Transcendental Qabala.

The album is by far Liturgy’s most meticulous and radical statement, pushing their characteristic synthesis between black metal, minimalism, experimental club music, and 19th–century romanticism to new extremes. Exploring microtonality, free improvisation, polymetric structures and Richard Wagner’s ideas of musikdrama and leitmotif, Hunt-Hendrix employs her unique “burst beat” technique to bind together the rhythmic signatures of metal, experimental club and classical music in the service of speech patterns and narrative flow.

Featuring the virtuosic playing of bandmates Leo Didkovsky, Tia Vincent-Clark and Bernard Gann, the entire album also includes flute, piano, harp, strings and horns performed by a 8-piece chamber ensemble drawn from New York’s various avant-garde music scenes.

Influenced by kabbalah, German Idealism and French post-structuralism, the opera tells the story of a cosmogonical traumatic explosion between Oioion and Siheymn, a pair of divine beings whose thwarted love tears a wound from which civilization is generated, producing the Four Alimonies of the intelligible universe and the task of collective emancipation.

Outside the narrative frame, the piece is meant to foster productive discord between the modes of attention and political commitments that implicitly accompany its various genres, as well as to hover in the liminal territory between the music industry, the art world and the contemporary philosophy community, reiterating the message of Jesus via William Blake by belonging nowhere, only half-comprehensible within any established framework, puncturing hypocritical ideologies while crying out in the name of love.

The album is accompanied by a new, eponymous album-length operatic video written, directed, shot, edited by and starring Hunt-Hendrix, who uses her evolving body, in the wake of her recent gender affirmation as a trans woman, as the medium for the story.

Comes in a gatefold jacket and Includes a lyric insert, Orange/Green swirl colored vinyl.Filth-ridden death metal, for fans of Morbid Angel, Death, Massacre, Monstrosity, and the classic Florida sound.Formed in 2014, Cemetery Filth have consistently crafted death metal of the highest quality, starting with their debut EP, Screams from the Catacombs. Dominion is their first full-length, boasting nine songs that will crack necks.Press Quotes:A modern death metal classic. _Metal InjectionOne of the stand-out death metal albums of 2020. _No Clean SingingAbsolutely essential. _Indy Metal VaultI couldn't be more impressed by this well-crafted and highly considered debut. _Grizzly Butts

Obsidian… dark, reflective and black: it’s a pretty decent description of the music that PARADISE LOST have been making over the last 32 years, even though this most resilient of British metal bands have stoically refused to be pinned down to one easily defined formula. Powered by a lust for creativity and a stout devotion to haunting heaviness, PARADISE LOST have defied the odds by coming back stronger than ever over the past decade.

Uncovering the intensity and the metal inherent in non-metal, the avant-garde and anti-traditionalist inclinations of Finland’s ORANSSI PAZUZU have always had transcendental goals at heart. Through the rabbit hole and out the other side to 2020 with the release of their fifth album “Mestarin kynsi”, (“The Master’s Claw”). Inking a deal with German-based industry giants Nuclear Blast, ORANSSI PAZUZU subvert the idea of world domination to open a conceptual discourse on indoctrination and propaganda itself. Their psychological nightmare evolves a philosophical and earnest tone, where occult future meets troubled reality.

Das letzte Hitalbum der finnnischen Superband jetzt als limitierte Astro Green 3LP!

Heavy Psych Sounds is really proud to announce a brand new series of split albums that will be called Doom Sessions. We are going to release a bunch of compilations with doom bands from Heavy Psych Sounds roster featuring some of the heaviest bands of the world doom scene. Each volume will host two bands. This record you are holding is VOL. 3 – a split album between the US "Relapse records" legendary sludge-hardcore riffers 16 and the Italian heavy sludge band Grime. All the tracks are new and never released before. Almost half an hour of angry and aggressive heavy doom and sludge riffs !!! Awesome artwork by the mighty Branca Studio.

Following the releases of «Grain» and «Clôture», Darius' third opus «Voir» lives up to their reputation. After heading to Laval (FR) to meet with young producer Amaury Sauvé (Birds in Row), the five Fribourgers came back with a massive record whose overview is worthy of a CinemaScope western. Their twenty-two guitar strings compose a surprising orchestral landscape that masterfully oscillates between abstract noise rock and instrumental post-rock. Their playing has refined although it hasn’t soothed; Darius’ formula stays the same. Being poles apart from effects, manners and make-up, these five lads play for the sake of passion, honor and camaraderie. A beautiful live band to be taken in the face, with open arms, calm breath and a battling heart.

No one album could ever capture the claustrophobia-to-catharsis of an Eyehategod show, but this compilation of live tracks and demos comes as close as it gets. Giving you an idea of Eyehategod’s uncompromising, single minded purity of expression and exertion of raw nerve, “10 Year Of Abuse” is a monumental document all the way from the demo era to their later, legendary relentless live tour set. Many other bands have tried unsuccessfully to emulate Eyehategod and have never quite captured their dynamic. Formed in 1988 in New Orleans they have become one of the most well known bands to emerge from the Nola metal scene. Eyehategod note bands like Melvins, The Obsessed, Discharge, Black Flag, Black Sabbath and Saint Vitus as major influences, but are often mentioned in the same breath as any of these legendary bands. Drawing comparisons to Grindcore, Crust Punk and Sludge Metal, their heavy bluesy, detuned rock and roll has been a lynchpin for the misanthropic and disenfranchised. Eyehategod has released five studio albums to date with a sixth in the works and have toured all over the world in a career spanning over thirty years. Though the band has never released a live album, we are left with “10 Years” as the only official witnessing document to decades of decimating live sonic abuse. Released on May 29, 2001, “10 Years” spans seven live tracks from their European tour in 2000, a live radio show from August 1994 and four songs from an early 1990 demo. The result is a feedback-laced window into that wonderful, brutal Eyehategod “sound”, that addictive, lower-than-low note that nestles somewhere in the pit of your burning, alcohol-soaked, nauseated stomach. The booklet alone is a delight for anyone who worships at the altar of Eyehategod’s oppressively heavy, crushing riffs. With personal liner-notes, that set the scene and describe the unique vibe of the band’s sound and live show, including old flyers and posters from concerts and photos of the different line-ups from 1990 until today, the package is an immersive insight into one of the paramount heavy Sludge bands of our time. A vision of pain and neglect, they’ve done thousands of shows, never predictable in their tension and ultimately, release. Glory in their downtuned vision of depravity and despair, for the End Times aren’t coming, they’re here and they’ve always been here. Revel in the power of Nines, in the power that is Eyehategod. Licensed from Century Media and released in a limited edition of 600 on black vinyl, and 400 on green splatter vinyl. Expertly remastered by Jaime Gomez Arellano (Paradise Lost, Cathedral, Ghost).

Brand New Album From The Infernal Sea! Now Available On Vinyl!Black Metal From The Fenlands Of East Anglia, Uk. Terrifying & Captivating Wrenched From The Bleak, Flat Nothingness That Makes Up Much Of The Surrounding Area Native To The Infernal Sea. The Infernal Sea Draw Influences From The Founding Fathers Of Black Metal While Firmly Imprinting Their Own Unique Plague-Ridden Ukbm Stamp. With British Bravado They Inject Their Black 'N' Roll Groove Into Their Savage Riffage To Create Something Truly Diabolical. New Album 'Negotium Crucis' Released September 18th 2020 (Apocalyptic Witchcraft) Expands On The Medieval Concept, Brutally Established On 2016's 'The Great Mortality', Focusing On The Black Death That Swept Across The Uk And Europe From 1348 And The Horrors That Man Inflicted Upon One Another As A Result. An Experimental Album That Bridges The Gap Between 'The Great Mortality' And 'Agents Of Satan' Ep. It Showcases The Progression And Maturity Of The Infernal Sea. This Album Is Raw, Not Only Sonically But Also Production Value Wise. It Captures The 'Black 'N' Roll' Element That The Band Inject Into Their Compositions, It Is Savage Yet Melodic And Sounds Undeniably Like The Infernal Sea.

Kitchen is the first aural glimpse into the Vespertine project, a collaborative concept wherein the entirety of Chef Jordan Kahn’s new Culver City restaurant has been custom-scored by Los Angeles’ own This Will Destroy YOU. One of seven pieces written for the building itself (and even the space around it), Kitchen is the music that diners first hear as they are greeted by Chef Kahn before dinner service begins for the evening. In composing the music for this interaction, This Will Destroy YOU’s Chris King and Jeremy Galindo sought to convey a warm, hospitable – if not reassuring – tone for listeners that may (or may not) be present elsewhere as they discover and explore the spaces in and around Vespertine’s looming architectural monolith for the remainder of their stay.

Thunderous bass, powerful drums, sharped riffs, fierce vocals and yet a great piece of melodic heavy metal. Lady Beast celebrate 10 years with the 2020 release of their fourth full length studio album ‘The Vulture’s Amulet’.

Los Angeles based outfit THE GHOST INSIDE is poised to release their fifth studio album. The self-titled album is a true triumph over adversity. The band was involved in a shocking road collision one tragic night in November 2015; a truck crashed into the band's tour bus near El Paso, Texas, killing both the bus driver and truck driver as well as leaving vocalist Jonathan Vigil, guitarist Zach Johnson, and drummer Andrew Tkaczyk in critical condition. Tkaczyk was in a coma for 10 days and eventually lost his right leg. The metalcore heroes have spent the past four years recovering, with each member documenting their recovery process openly. In February 2019, the band released a video featuring some new music they were working on in the studio. Shortly thereafter, they also announced their first concert since the bus crash. It was to be a "one time only" event to take place in August in Los Angeles. 7000 tickets sold out within five minutes after they went on sale on March 1st. Bassist Jim Riley speaks of the writing process for the new album, "For anyone that has followed the story of THE GHOST INSIDE for the last 5 years, one line in "Aftermath" sums it all up: "Triumph over tragedy". We went into the writing process knowing full well that every song and every lyric would be influenced by what we've been through, but we tried our best for them to be relatable to everyone. With "Aftermath" we let it be much more personal - this one is us telling OUR story. So when it was time to choose a first song to share with the world, it felt right for it to be "Aftermath". It allows anyone that listens into our world, but it also lets us put final punctuation on that chapter of our lives. "Aftermath" is a total catharsis for us. We let it all out in the song so that it's not bottled up inside us anymore and we can heal and move on, since after all, the beat goes on".

Okkultokrati are keeping their fire alive with their new album La Ilden Lyse, which translates rougly as «Keep the Fire Burning», upcoming on Southern Lord this May.

Lucky Album Number 7 From Northern Ireland's Crossover Outfit, Gama Bomb, The Uk's Mostconsistent Contributors To The Modern Thrash Revival.

The time has arrived for TESTAMENT to unleash new thunder to the masses and reveal their thirteenth studio album: Titans Of Creation. Just as the elements of this planet thrive within all living creatures, each musician in TESTAMENT represents a necessary component of this latest musical endeavour. Still filled with a massive and unstoppable energy since their last release, TESTAMENT has taken their style to the next level and present an album that is loyal to the roots of traditional thrash metal while still bringing alluring, brilliant, and progressive ingredients to the table. Bass is showcased, new vocals are introduced, and as expected, the guitarwork of Peterson and Skolnick is greatly complex and mesmerizing.

A dreamful, energetic and emotional voyage made tangible through melodic death metal and driven by a personal musical and lyrical concept.

Black Friday Record Store Day 2020 Release.
RSD First. Limitation: 3500 copies.

Live at Maida Vale BBC - Vol. II is a limited edition RSD exclusive splatter EP that capture's the band's BBC Maida Vale session from September 2019. It contains four live ver

Magnetic Eye Records presents a blistering live document of flagship Magnetic Eye Records band Elephant Tree tearing it up onstage at the "Day of Doom" label showcase at Brooklyn's Saint Vitus Bar.

Dark Buddha Rising unveil their seventh album, Mathreyata on Friday the 13th of November 2020 via Svart Records. Mathreyata album artwork, and teaser trailer for first single “Sunyaga” revealed. Video by Dehn Sora. Finnish “dark underlords of psychedelic drone” Dark Buddha Rising return with their heaviest and darkest record yet. V. Ajomo from Dark Buddha Rising states “Mathreyata follows the visions that were received from Inversum’s implosion and is the accession of what we invoked with the II EP. Before completing the great circle, all cycles must be dissolved. In the end we are standing at the edge of the abyss with all our previous work as weights, impatient to dive in. We recorded the basis of the album just before the Waste of Space Orchestra project began and mostly because of that, it took a few years to get it finished. Finally the material that we have performed live for several years can be experienced as a recorded album.” Dark Buddha Rising’s abyssic and meditative sonic-void has been opening up over the last 10 years to swallow more and more devotees in their wake. Since their inception in 2007, with their first four albums being highly-coveted, sold-out private pressings, to subsequent Svart Records reissues, to their burgeoning fifth album Dakhmandal, Dark Buddha Rising have been shining like a black diamond for those that go mining for the real thing. Embraced into Neurosis’ Neurot Records fraternity, with 2015’s critically acclaimed sixth album Inversum, Tampere-based psychonauts, Dark Buddha Rising have captivated the collective consciousness of the heavy underground and achieved cult-legend status. 2019’s climactic and highly praised Waste Of Space Orchestra collaboration with local kindred spirits Oranssi Pazuzu at Roadburn Festival, put Dark Buddha Rising’s Wastement home studio: “the asylum of eternal feedback,” firmly on the International music world map and into the hearts of the pitch-black psych-rock underworld. Gathering a throng of newly devoted adherents who worship at the altar of their churning vortex, Dark Buddha Rising’s live shows are a transformative experience that are religiously revered by audiences across Europe, with Invisible Oranges calling their performance “brain melting.” Metal Hammer describe Dark Buddha Rising’s music as “a shamanic voice chanting before a tumultuous void, soon all encompassed by a yawning riff chasm, contorted by keys, chants, rants and abyssal atmospherics,” and to put words into what Dark Buddha Rising does to the listening audience is to describe the band surrendering fully to the intuition and primal instincts as altered states of mind. Prepare your mind and body for an initiation into the dark arts of Mathreyata on Friday the 13th of November 2020. Dark Buddha Rising have channeled a work for dark spirits and those who seek to travel beyond the unknown.

Vanguard is a metallic hardcore band based out of Houston, TX; formed during the Covid-19 quarantine of 2020. Vanguard is unapologetically a vegan-leftist band, and actively supports and promotes a host of critical social and political causes, both lyrically and through the direct action and activism of its members. The band is ideologically tied to the animal liberation movement, endorses socialistpolitical theory, is vehemently anti-fascist, and believes and fights for the political, legal, educational, and economic equality of all people, regardless of race, gender, orientation, or class. Their message and sound come exploding out of the gates with a style that nods to the storied militance and aggression of metallic hardcore from decades past, while injecting the sound with their own unique modern ferocity and urgency.