Metal Vinyl 371 Items

High Roller Records, reissue 2023, black vinyl, ltd 200, 425gsm heavy cardboard cover, printed inner sleeve, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1987 sound

High Roller Records, reissue 2023, white/ doublemint mixed w/ red splatter vinyl, ltd 400, 425gsm heavy cardboard cover, printed inner sleeve, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1987 sound

High Roller Records, COMMEMORATIVE EDITION, 40 YEARS OF UNLIMITED THRASH 1982–2022, picture vinyl, ltd 500, individually numbered, 425gsm heavy cardboard cover, printed inner sleeve, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1987 sound

High Roller Records, reissue 2023, black vinyl, ltd 300, 425gsm heavy cardboard cover, printed inner sleeve, poster, A5 promo photo, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1987 sound

High Roller Records, COMMEMORATIVE EDITION, 40 YEARS OF UNLIMITED THRASH 1982–2022, picture vinyl, ltd 500, individually numbered, 425gsm heavy cardboard cover, printed inner sleeve, insert, poster, A5 promo photo, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1987 sound

High Roller Records, reissue 2023, black vinyl, ltd 480, 425gsm heavy cardboard cover, 2 inserts, poster, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony. Cutting by SST Germany on Neumann machines for optimal quality on all levels

High Roller Records, reissue 2023, red/ grey mixed w/ black splatter vinyl, ltd 400, 425gsm heavy cardboard cover, 2 inserts, poster, A5 photo card, mastered for vinyl by Patrick W. Engel at Temple of Disharmony. Cutting by SST Germany on Neumann machines for optimal quality on all levels...

Cover with small stains from prior waterdamage.

High Roller Records, reissue 2023, black vinyl, ltd 300, 425gsm heavy cardboard cover, insert, poster, bonus track, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

High Roller Records, reissue 2023, red/ purple bi-color w/ bone splatter vinyl, ltd 200, 425gsm heavy cardboard cover, insert, poster, bonus track, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

High Roller Records, picture vinyl, ltd 438, lyric sheet, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

High Roller Records, picture vinyl, ltd 438, lyric sheet, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

with hype sticker

2019 will be the 30th anniversary of this seminal record from the hugely influential GODFLESH. 10 tracks of atmospheric and minimalistic industrial metal from one of the genre’s founding fathers. Godflesh was the brainchild of Justin Broadrick, a founding member of Napalm Death who played on the A side of the legendary ‘Scum’ album. Over the band’s career, Godflesh became one of the most influential industrial bands ever, touring the globe with the likes of Ministry, Fear Factory, Danzig and Type O Negative, and gaining influential fans including the likes of Metallica’s Kirk Hammett.

Record Store Day 2020 Release.
Limitation: 1500 copies.

The full length that started it all! Previously we reissue the album by Green Jelly that everyone was familiar with and now we are reissuing the album that came out first.

This will be the first time that it shows the Green Jelly name as this album has been out of print since 1989 and generally sells for $100-200 on ebay.

This album has original versions of a lot of the songs that would later be released on the Cereal Killer Soundtrack including the first version of Three Little Pigs, Obey the Cowgod and a handful of others that you know/love.

Side A 1) Circus Circus 2) Obey the Cowgod 3) Nightmare on Sesame Street 4) Whip Me Teenage Babe 5) Rock N Roll Pumpkin 6) Anarchy in Bedrock

Side B 7) Three Little Pigs 8) Food Fight 9) Eat Satan's Ham 10) Flight of the Scajaquada 11) Icrog

Re-issue of Harter Attack's 'Human Hell' on absolutely stunning limited edition RED AND Black Splatter Vinyl. Thrash so apocalyptic and ferocious it could easily be the soundtrack to Armageddon!

A manic clash of guitars, bass and drums beating each other’s brains out in the same sonic bullring? Check. Despite already (if a little unbeknownst) being considered crust pioneers, by 1988, Hellbastard had firmly inserted themselves, even proudly so, in between a series of bifurcated genre schisms well-protected by those scene’s respected guardians. Their official debut, Heading For Internal Darkness no less perfectly exemplifies that schism. With Wendy V Gill’s haunted-cosmos monologues injecting some transcendental light into the neck otherwise being mercilessly ripped to pieces by Scruff and Scotty’s spaced-out vocal grunts, opener We Had Evidence to the equally arresting elevator-shaft-with-a-mind-of-its-own Death Camp to The Pylons whip up seriously dark whirlwinds into atmospheric dances of rapid energy and relentless spasms of spellcasting drama. Never mind metal, too punk for anything.

Colored Vinyl reissue of the landmark debut album from Hellbastard, the band that allegedly created the ‘crust-punk’ genre which spawned a million bands worldwide. Too metal for punk and too punk for metal... Includes six bonus tracks not featured on the original release! For fans of Amebix, Antisect, Discharge, Sacrilege and Slayer.

A manic clash of guitars, bass and drums beating each other’s brains out in the same sonic bullring? Check. Despite already (if a little unbeknownst) being considered crust pioneers, by 1988, Hellbastard had firmly inserted themselves, even proudly so, in between a series of bifurcated genre schisms well-protected by those scene’s respected guardians. Their official debut, Heading For Internal Darkness no less perfectly exemplifies that schism. With Wendy V Gill’s haunted-cosmos monologues injecting some transcendental light into the neck otherwise being mercilessly ripped to pieces by Scruff and Scotty’s spaced-out vocal grunts, opener We Had Evidence to the equally arresting elevator-shaft-with-a-mind-of-its-own Death Camp to The Pylons whip up seriously dark whirlwinds into atmospheric dances of rapid energy and relentless spasms of spellcasting drama. Never mind metal, too punk for anything.

Hirax is back in print as it was meant to be. Hirax returned in 1986 to deliver us their second album Hate, Fear and Power. A faster, more intense, more relentless speed metal release than their debut. Raging Violence. Hirax, rejuvenated with the addition of the formidable Eric Brecht on drums, the speed and intensity was kicked up a notch across the board. Hirax's second full length drops 8 tracks of great thrash in under 20 minutes. Hate, Fear And Power starts of with furious short blast that touches on DRI or Repulsion territory, and it doesn't let up until the end of the final track. No time is wasted, this album is exactly what thrash should be: straight to the point and played to maximum intensity. Returning with tighter songwriting, relentless riffing. barbaric drumming, and KATON's vocal delivery standing strong, Only a minute or so longer than Slayer's Reign In Blood, this a Hirax condensed and dialed in to it's rawest, fastest form. True raging speed/thrash from beneath the streets of L.A. Original front cover art photographed and restored by Hillarie Jason. Audio has been freshly mastered and cut for vinyl by Nick Townsend. Pressed on colored vinyl and housed in heavy board jackets with printed inner sleeve

Hirax is back in print as it was meant to be. A blistering slab of crossover/thrash/speed metal that was able to bridge the gap between the straight up metal audience and the embryonic "Crossover" hardcore/punk era that was evolving in 1985. Hirax was always fast, rough and raw, they blasted forward with energy and relentless speed. Katon delivered traditional metal style singing with upper registers often only used by Mercyful Fate or Judas Priest. Unique and uncompromising in their attack, Hirax played with bands across the heavy music spectrum in the L.A. scene and cemented their legacy with fans worldwide with a prolific amount of interviews, correspondence and tape trading. They built a fan base with a true DIY style dedication. That legacy continues today. We're happy to have this record back on its original format for old heads and new fans alike. Play it loud! Original front cover art photographed and restored by Hillarie Jason. Audio has been freshly mastered and cut for vinyl by Nick Townsend. Pressed on colored vinyl and housed in heavy board jackets with printed inner sleeve.

High Roller Records, reissue 2023, bonus track "Road Crew", black vinyl, ltd 200, insert, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

High Roller Records, reissue 2023, bonus track "Road Crew", light blue/ white mixed vinyl, ltd 300, insert, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

High Roller Records, reissue 2023, black vinyl, ltd 200, insert, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

High Roller Records, reissue 2023, oxblood/ yellow mixed vinyl, ltd 300, insert, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

Rather Death Than False Of Faith (1988) was the debut album from UK thrash metal group Hydra Vein. Rather Death Than False Of Faith saw Hydra Vein hailed as the UK's answer to Slayer. The UK thrash scene at the time (and subsequently) had been lagging behind the US and Germany both in quality of output and exposure in the media and Rather Death ... was widely considered to be a decent riposte on behalf of the underdog. The album's highlights are undoubtedly the breathless title track, the stop-start "Right To Die" and the high octane "Crucifier".

Deluxe 180g gatefold Vinyl

red 180 gram vinyl

God of Hellfire’ Arthur Brown made an indelible impact in The Crazy World Of Arthur Brown, performing outlandish theatrics with a burning helmet and being deported from Italy after a naked appearance at the Palermo Pop Festival in 1970. When his bandmates quit to form Atomic Rooster, Brown formed Kingdom Come to cut three esoteric albums for Polydor, this self-titled sophomore set inspired by the element of water. It’s a deep dive into prog concept territory, with churning organ, pounding bass and drums, wah-wah excursions and Brown’s internal conversations drifting between the speakers. Fantastic stuff!

tiny saw cut

Stain on cover.

High Roller Records, reissue 2023, black vinyl, ltd 200, lyric sheet printed on uncoated paper, poster, bonus tracks Demo 1983, remastered & restored by Patrick W. Engel at Temple of Disharmony

High Roller Records, reissue 2023, halloween orange vinyl, ltd 300, lyric sheet printed on uncoated paper, poster, bonus tracks Demo 1983, remastered & restored by Patrick W. Engel at Temple of Disharmony