Metal Vinyl Singles 204 Items

The absolute vile-force of Deathpunks DOLDREY is encroached in the group’s latest pièce de résistance “Only Death Is Eternal”, an EP featuring five tracks of cruel, glacial-piercing riffs akin to a rusty knife clutched deep into an infected stabwound. “Only Death Is Eternal” is a true manifestation of nefarious, show-no-mercy Death/Thrash Metal with the sensibilities of streetpunk, intricate but brilliantly arranged song structures further elevate the wicked and twisted DNA of DOLDREY; “Only Death Is Eternal” is the sublime transition and a flawless emulsifier of the unadulterated lawless nature of Punk and the precision musicianship of traditional Metal. Recorded and mixed once again by Izzad Radzali Shah at Dungeon 416 and mastered by Will Killingsworth at Dead Air Studios, Western Massachusetts, USA (Full Of Hell, Iron Lung, The Body, Glue, etc), with macabre cover artwork and illustrations conceptualized by Alexander L. Brown (Bølzer, Cruciamentum, Horrendous, etc). 1. Moral Decay2. Only Death Is Eternal3. All Is Hell4. Societal Machine5. Keres

HELLS HEADBANGERS is proud to present a brand-new mini-album from SPITER, Enter the Gates of Fucking Hell.It was but the summer of 2022 when SPITER burst from the fucking grave with their debut album for HELLS HEADBANGERS, Bathe the Babe in Bats' Blood. Featuring members of labelmates SHITFUCKER and Devil Master, the power-trio made plain - and vulgar - their infernal & infectious True Vampyric Metal Punk: a raw-yet-anthemic blend of cult blackthrash, obscure hardcore punk, and even the wildest deathrock. The album sowed its seeds of sanguine depravity and SPITER took their madness on the road, cementing their cult status immediately.Now, the deviants of SPITER return with a ripping new mini-album, Enter the Gates of Fucking Hell. This six-song / 26-minute recording sees the lineup scaled back to vocalist / guitarist / songwriter Richard Spider (Daemon Bitch of SHITFUCKER) and drummer Snake (Disjawn) - they continue to be a trio for live purposes - and remarkably shows even more fire and focus than that not-inconsiderable debut album. Somehow, those six(-six-six) songs sound shorter and more epic simultaneously, with Spider showing his songwriting chops between wild & winding mania and ghoulish catchiness. The production, in kind, is colder and harsher but clearer and heavier, assaulting the listener with arguably more undead energy than said debut. And then, over before it began, you're again possessed to press "play" and enter those fucking gates over and over...again, until it fucking hurts. 1. Enter The Gates Of Fucking Hell 04:212. Drowning In Darkness 03:413. Tears Of Blood 03:494. The Creeping Serpent Psychosis 04:275. 666 On The Crucifix 05:046. Reflection Of The Vampire 04:21

HELLS HEADBANGERS is proud to present a brand-new mini-album from DEMONCY, Diabolica Blasphemiae.For those who truly know black metal, DEMONCY require no introduction: ever restless and always surprising, their name is legendary for stirring an infinitely deep cauldron of black magick that's completely their own. One of the earliest black metal bands on American soil, DEMONCY have gone through myriad lineups over the past 30-plus years, but they've always been guided by the vision of vocalist/multi-instrumentalist Ixithra. In their wake, they've left landmark recordings like Within the Sylvan Realms of Frost and Joined in Darkness, which were both originally recorded in the mid '90s despite their eventual release year of 1999. Even latter-day records like 2015's Empire of the Fallen Angel (Eternal Black Dominion), which saw Ixithra entirely revamp the band's 2003 album in a manner most miasmic, prove the potency of DEMONCY no matter when or how recordings crop up.And so it goes with Diabolica Blasphemiae, DEMONCY's first new recording in nearly a decade. With Ixithra currently handling vocals and bass, joining him here are the incredibly prolific VJS (Nightbringer, Sargeist, Adaestuo) on guitar and Vorthrus (Cerebral Rot, Crurifragium) on drums. Serpentine in its flow and mesmerizing in its effect, DEMONCY's latest mini-album is a vile, virile display of the band's eternal aesthetic, sounding very much like it could've come out during the mid '90s yet retaining a freshness of approach that defies deja vu. Gutted in its low-end throb whilst exhibiting an ethereal aspect, Diabolica Blasphemiae explores above as it is below, sending forth sine waves of obsidian energy both punishing and pleasurable: primeval black metal magick harnessed with a true auteur's touch. Same as it ever was, then, but still so surprising after all these years - there is only one DEMONCY. 1. Satanas Vult 02:232. Diabolica Blasphemiae 05:583. Sepulcrum Spectra 05:154. Malum Incarnatus Est 06:585. Consummatum Est 01:53

Urin one of the most sought after arcana bands in Berlin, having broke barriers down and represent hard with a core so unyielding for the true punk anima. Szybciej (speedy) showcases the outrageous rapture and Sama Chęć NIE Wystarczy equalize the EP with guitar thrashed out beyond the curtain call fuckery.

S.A.T.I.N, the new project by Infinity Division & Ireen Amnes, brings doom-electronics, squeezing out post rock sensibilities in the short form is no mean feat but the duo all chemicalize for a creation of experiential motifs. 'Dirt' leads the charge with perpetual drum programming sliced beside thashed vox, 'Nothing is real' blows the walls off with complex ambienta and doom metal.

ART by Stachu Szumski & Ash Luk

Troll invites you on a Nordic black metal odyssey with "Tilbake til Trollberg." This marks the 6th chapter in Troll's mysterious journey through the genre's dark landscapes. Immerse yourself in a timeless tapestry that weaves echoes of the past, whispers from the future, and the stark reality of the present. Each track celebrates black metal's evolution, sidestepping into the heart of classical Norwegian black metal. This isn't just an album; it's a statement of mastery. Secure your copy now and join the odyssey. Let the black metal saga unfold - a journey that transcends time and captivates the soul.

Messa’s rising trajectory hits the stratosphere on their immense new album “Close”. Soaring up out of the Italian Doom Rock underground in 2014, Messa have been rapidly garnering a frenzied throng of devotees, in thrall to their monumental and broad-ranging sound craft. Releasing two widely celebrated cult records, the latest of which “Feast For Water” in 2018 was a critical breakthrough success, with Rolling Stone calling the whole album “captivating, wringing maximum drama out of its savvy stylistic clash,” Messa have had everyone on tenterhooks, waiting for what was next.

New album “Close” draws us further into Messa’s spellbinding textures and immersive dynamics. Described as “Stevie Nicks fronting Black Sabbath,” singer Sara’s colossal voice omnipotently carries the listener on an emotional rollercoaster ride where the sonic cauldron of Iommi guitars gives way to Arabian oudh and progressive solos in a masterful style-clash that well befits Messa’s incendiary reputation.

The hushed Fender Rhodes piano intro on opener “Suspended,” picks up where Messa left off on their previous album “Feast For Water” but then collapses gloriously into Jazz guitar and widescreen impassioned crushing riffs, lighting our way for the odyssey ahead. The scene is set magnificently for the journey that “Close” expertly takes the listener on, with Messa’s obvious care and passion for the album as a pilgrimage of sonic experience. Heavyweight tracks like “If You Want Her To Be Taken” or “0=2” are modern Doom Rock classics that expertly upgrade and leave the genre reeling in their wake. “Pilgrim” and “Orphalese” are woven with tapestries of Mediterranean sounds where oudh and eastern chord phrasings expand Messa’s cinematic palette with a panache that is all their own. Atmospheric and grandiose belters like “Rubedo” and “Dark Horse” build into an almost limitless climax of discord and harmony where blast beats and saxophones descend into a thrilling cacophony that’s a masterclass in artful cutting edge Doom.

Referencing bands like Dead Can Dance, Swans and Om, Messa have created an album where song, experience and atmosphere are focused into a crystalline modus where high art flawlessly embraces good old fashioned riff-worship. Transcending the occult and noir-tinted atmospheres of their past works, “Close” confidently weaves Messa’s multifarious influences into a singular breath-taking sound that leaves the listener enthralled. Perfection or something extremely close, Messa’s “Close” is not just a Metal record, but it’s definitely one of the best things to break out of the confines of Metal in a long time.

In anticipation to greater, more horrific things to come in the new year, we proudly bring you the Divinations split 7” between Aberration and Diabolic Oath, two rising forces of surrealistic extreme metal darkness. This two-song declaration of war upon human psyche showcases the two US-based sorcerers of omnipotent aural terror in complete command of control of their respective crafts as they summon each their own staple idealization of humongous and hallucinatory black/death deformations. Divinations serves as a precursor and taste to what's to come, namely the spring 2024 release of the bands’ two new full length albums, Aberration’s colossal Refracture, and Diabolic Oath’s still secretive but completed second full length abomination.

Uncompromising, with their backs to the world and a fierce grin! Koldbrann has been at the forefront of the Norwegian Black Metal underground since the band was formed in 2001. Now a new chapter is at hand! Expect a relentless display of pitch-dark disharmony! This 7” single contains two exclusive tracks, not included on the upcoming album. Led by Mannevond’s characteristic, strict vocals and Kvass’ cunning Norwegian lyrics, Koldbrann has delivered the real goods from day one. With obscure and unique riffs, free from all trends and plagues. From the raw and cold debut “Nekrotisk Inkvisition” (2003), to the varied and distinctive “Vertigo” (2013). Koldbrann has been a notorious live band since the beginning, touring with bands such as Taake, Urgehal, Endstille, Marduk and Shining, and making a mark at principal festivals such as Hellfest, Inferno, Party.San and Wacken.

Fresh from the overwhelming success of their latest album ‘IV: Sacrament’ Lancaster's heavy bards and spiritual hard rock titans Wytch Hazel have gone all in on delivering a fully-fledged, tubular-bell-ringing Christmas single. Transposing the hymnal classical influences of Handel's Messiah and the spirit of carols the like of "The First Noël” via the earthy heraldry of Steeleye Span and Wishbone Ash, the band deliver something for which perhaps only they would have the skill, sensitivity and spiritual charge. Replete with Wytch Hazel's trademark twin-guitar harmonies and finely honed arrangements, "King Of Israel" is both a stirring devotional tribute and a heartfelt message of unity, peace and goodwill to all on Earth.

The 7” red marble vinyl edition is backed by Colin Hendra’s minor key arrangement of “Auld Lang Syne” which was misspelled on the first pressing as “Old Lang Syne” by the Bad Omen elves.

Quantity: 4000
Release type: RSD Exclusive Release

The EP contains Remixes (with Badbadnotgood) of three songs ("Mystery", "Alien Love Call", "Underwater Boi") from the Turnstile's 2021 Album "Glow on"

In 2019 BC (Before Covid) Discharge frontman Jeff Janiak reached out to longtime friend and musician JP Parsons to assist on a new project. The pair wrote and recorded various ideas before reaching out to Amebix guitarist Stig.C.Miller who joined them in the midst of the global pandemic. The trio utilized this new creative climate of physical restriction and went on to set the foundations for their first album, via file sharing home recordings, which would be arranged and produced by Stig. It was several months later when he would call upon Nausea, Ministry and former Amebix drummer Roy Mayorga to complete the line up. Roy went onto record drums, mix and produce the band's debut album 'let Them EAT Fake'.

In these unprecedented times of global restriction, fear and the everlasting lack of faith in the hierarchy 'False Fed' has cultivated a heavy sound that is drenched in melody, aggression and shrouded in darkness. It is not bound by genre, yet still offers subtle hints to the creators lineage.

Celebrating 40th Anniversary of Shout AT THE Devil. Reimagined 40th anniversary 12” picture disc EP featuring all new images from the infamous Blood photo session! Also features paper insert with additional shot from Blood session. 12” EP Features 2 tracks from Shout AT THE Devil and 2 tracks from TOO Fast FOR Love. Motley CRUE’s The World Tour 2023 features more dates in the US and around the World!

Death doom metal group Kuolemanlaakso's most recent album Kuusumu, released to much critical acclaim in March 2022, will be followed up by a limited three song EP Kuolleiden laulu in December. Both the album and the EP were recorded in the same studio session in 2021, both share lyrical themes and cover art based on art by Evelyn De Morgan (1855-1919).

"We knew already when entering the studio that we're going to record more than an album, as we had plenty of material to work on. When all ten songs were done, it felt natural to compile the album of the heavier epic songs and put the more unusual and catchy tracks on the EP. These three songs have contagious hooks and clean vocals", comments guitarist-songwriter Laakso.

The title track on the EP is the band's most radio friendly track to date with a smoother production and an infectious chorus plus guest female vocals by Lotta Ruutiainen, who also performed on the album. The slow and menacing second track "Juuret jalkojeni alla" is a more complex composition, whereas the EP closing number "Rautasiivet" pays a visit to the same melancholic but catchy territory that Kent and Katatonia also inhabit.

"The three songs on Kuolleiden laulu differ from one another considerably, and they present new sides to the band. Lyrically all three songs are fictional stories based on the 10-year volcanic winter that begun in 535 and has been described by historical scholars as 'the worst time to be alive'", comments Laakso.



Aleksi Munter (ex-Swallow The Sun and Insomnium) plays keyboards on the EP, and it was produced, recorded, mixed and mastered by V.Santura (Triptykon), the man responsible for producing everything Kuolemanlaakso has released thus far.

Norwegian underground legends Purified in Blood dropped some long-awaited new music online in 2022 with their gut wrenching and explosive tracks Krater and Myrå. Purified in Blood’s aggressive and unique take on metal has ripped through the scene since 2003, influencing several of contemporary metal and punk acts. Their raw and uncompromising sound, blending furious guitar riffs with driving rhythms and powerful and menacing vocals, paired with their assailing and dominant live shows, put them in class of their own. The result is fierce extreme metal, mixing the best of thrash, hard metal and death metal into their own unique sound. The band was instantly renowned for their brutal live performances, which in course would send them on extensive tours worldwide with gigs in cities like Seattle and New Delhi and have had them play the same events as icons in Slayer, Mastodon, Gojira, Madball and Meshuggah.

San Luis Potosí's Cotärd have been shovelling the grime in Mexico since their initial inception back in 2018. They've established themselves as major players in the Mexican, DIY Punk Scene booking tours, driving bands and playing a perfected '90s style Swedish/UK, D-Beat/Crust. This new, 4 Track EP finds them laying into their particular blend of the dark and dismal and is their first release since their 2020 Demo and in their most focused and punishing form. The winded exasperations call back to the vocal stylings of classics like Doom and the musical D-Beat/Crust attack reminiscent of juggernauts like Disgust and Napalm Raid are clear and not unfounded comparisons. There's a bleak levity weaving through the relentlessness and it showcases that incessant brooding of the human existence. A not-so-subtle cry for a way out in a world gone mad.

Six tracks of punishing true blue old-school UK/Swedish Death Metal. Don't let the term "Demo" scare you, this session is well produced and executed from start to finish. FFO: Dismember and Benediction.

We announced our cooperation with Grá over one year ago. Now, the time has finally come to shed some light over the Swedish black metal band’s latest activity, and there is no better way than a good, old 7’’. Here comes Flame Of Hephaestus. We asked the band to comment on the new single, which will serve as an anticipation for their incoming fourth studio album, following the acclaimed Väsen (2018). Guitarist and singer Heljarmadr (Dark Funeral) expressed his thoughts: “Flame Of Hephaestus” is the first single from our new album Lycaon. We feel that it is a good representative for the album and it carries an intensity that kinda connects it with our last album Väsen. It serves as a natural bridge, if you will.

A powerhouse split 12-inch EP for the heads. Cavity comes in with "Primitive Angel," while Midmourner follows with "Burning My Eyes" and "When Knives Still Drove Conversations." Edition of 300 copies on black vinyl with artwork by Alan Forbes (based on an illustration by Daniel Gorostiaga).