Mash-Ups Vinyl 5 Items

"b-sides, Remixes, Rarities: Volume 3 & 4" is the second DLP in the master of mash-up's "soul Mates" series, compiling 15 more tracks from AMERIGO's extensive catalog. Featuring Kendrick Lamar vs. Marvin Gaye, DR. DRE vs. Curtis Mayfield, Black Star vs. Aretha, and many more.

Side A lifts the vocal from Devil’s Pie by D’Angelo and adds it to a nicely
rocking reggae groove result! And on the flip side there's a killer reggae dub version of WU-TANG’s
C.R.E.A.M !!

Side "think About IT" has one of WHITNEY's strongest vocal performances. Backed by a gospel choir it almost reaches heaven. Sonically, it connects heavily to the 70s era Stax and DR. John. On the B side, "let IT Happen (unreleased 7" Mix)" is another Gamm classic reworked for 7"

"Many collectors had thought Coxsone’s first LP was “All Star Top Hits” , but this “Stars On Parade” is the true owner of that honour. The original pressing was a small run and all copies have long gone.

You can enjoy the big shot of Clancy Eccles “Freedom” and other shuffle boogie tunes from the earliest Ska era."

The first Jamaican sound systems played American RnB, jive, and New Orleans hits, picked up by DJs fresh off the boat from States. As Jamaica gradually produced its own army of musicians, the earliest Jamaican records were mostly covers and reworkings of American songs. Eventually, the offbeat of RnB became the "ska" that changed everything.

An important work, as the origin of not only Studio One, but all time Jamaican music from ska, rocksteady, reggae to dancehall. The liner notes by Brian Keyo include first-hand information from the artists which reveals the background of Jamaican music scene at that time.

Recorded on the 1978 tour promoting his Cats Under The Stars album, presented here is The Jerry Garcia Band live at The Capitol Theatre in Passaic, New Jersey. The early show from this evening was simulcast live on Wnew in New York City and has long been a staple of Garcia collections. This particular JGB lineup included both Donna Jean Godchaux and Maria Muldaur on support vocals. This recording is also remarkable for John Kahn being so prominent in the mix, which gives listeners a fine opportunity to hear the telepathic musical relationship he established with Garcia during the years.