Magazines 121 Items

The twelfth issue of We Jazz Magazine, "Worldwide" for Gilles Peterson. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes Gilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word / Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of Die Enttäuschung by Bill Meyer, divr by Daryl Worthington, Astro Can Caravan by Wif Stenger, Discaholic Column by Mats Gustafsson, J Jazz 1955-88 by Tony Higgins + album reviews & more.

The sixth issue of We Jazz Magazine, "Revelation" for Black Jazz Records. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Black Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah / Jazz Composers Orchestra by Seymour Wright, reviews, plus more.

Country of printing: Finland

The fifth issue of We Jazz Magazine, "Amaryllis" for Mary Halvorson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Mary Halvorson by Peter Margasak, Pi Recordings by Will Layman, Tyshawn Sorey by Marc Medwin, Women On the Syllabus by Tina Edwards, A Love Supreme Festival by Gareth Allen, Odysseus Festival by Dave Waller, Bob Rutman by Marialuisa Bonometti, Sarathy Korwar & Joanna Duda in conversation by Debra Richards, Tokyo Jazz Joints Vol. 3 by Philip Arneill, reviews, plus more.

This is the third issue of the new We Jazz Magazine, 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Joe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, Ben Lamar Gay by Stewart Smith, Smooth Jazz by Francis Gooding, ESP-Disk by Matti Nives, Scottish Folk & Jazz by Gareth Allen, The Lisbon Scene by Rui Miguel Abreu, plus many more.

The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makhathini by Rob Garratt, Discaholic column by Mats Gustafsson, We Jazz Festival 2023 photo essay by Julius Töyrylä, album & live reviews, plus more.

*140+ Pages, Full Colour, Heavyweight Print *

DJ Koco on the cover. A growing superstar DJ, but with an old soul. He brings a classic beat digger’s approach to his impeccable 7-inch selections but peppers them with new-school DJ tricks and is now making waves that reverberate worldwide. Beyond this the issue will be chocked full with articles covering Brit-Funk, Taj Mahal, 23 Skidoo, DJ Parrot, the Monterrey dance scene in the 90's, Don Blackman, Hermeto Pascoal, Larry McDonald and much much more.

*140+ Pages, Full Colour, Heavyweight Print *
Another packed trademark journal from Wax Poetics.

. This issue features articles on the history of the Yellow Magic Orchestra, the 90's hip-hop of Bahamadia and a deep dive into Dazz Band with their strutting funk jams. Plus, we cover the London Latin Jazz scene, Brian Auger, Lenny White and old school Parisian record stores, along with much much more. Don't sleep, very limited numbers.

Wax Poetics presents the third issue since our 2021 relaunch with another heavyweight 148-page journal packed full of timeless music stories, record spreads, archival photography, and original artwork. Each issue now also comes individually stamped.

Continuing with the trademark double cover, the front is graced with Patrice Rushen, an accomplished jazz keyboardist who found her singing voice and embraced her love of R&B, becoming a bona fide star with the release of 1982’s Straight from the Heart, an album that featured the smash hit “Forget Me Nots.” Our other cover story dives into the history of Detroit techno, from the primordial electronics of Juan Atkins and the sonic upheaval of “Mad” Mike Banks’s Underground Resistance to Waajeed (featured on the back cover), whose Underground Music Academy aims to help the next generation of Detroit artists.

You’ll also find pieces on jazz organist Shirley Scott; the psychedelic soul group the Chambers Brothers; hip-hop icon Masta Ace; Jamaica’s musical incubator the Alpha Boys School; the Bill Evans Trio’s famous Village Vanguard recordings; trombonist Joseph Bowie’s trek from avant-garde jazz to NYC downtown funk; the history of Mo’ Wax Records; Brazilian singer-songwriter Joyce; London sax player Chelsea Carmichael; and nu-R&B multi-hyphenate KeiyaA.

zweikommasieben #29 features interviews and essays on contemporary music and sound, with a focus on experimental and electronic music.

The eighth issue of our quarterly underground hip hop magazine.

52 pages – no ads, full color, 5.5″ x 8.5″

Featuring: Yoni Wolf (WHY?) Interview by Peter Agoston – Illustration by 319 Heads, Butcher Bear ((iN)Sect Records) Interview by DJ Jester the Filipino Fist – Illustration by 319 Heads, Roughneck Jihad Interview by Luke Sick – Illustration by 319 Heads, Sampler Cafe Interview by Jonathan Balazs – Illustration by Aidan Searle, DJ Jester the Filipino Fist Interview and Illustration by 319 Heads, Rap Meets Opera Article by Werner von Wallenrod – Illustration by Allan Lorde, plus book reviews of Rap and Redemption on Death Row (The University of North Carolina Press) and Words From Wize (Parker Pubs).

The seventh issue of our quarterly underground hip hop magazine.

56 pages – no ads, full color, 5.5″ x 8.5″

Featuring: Moka Only Interview by Peter Agoston – Illustration by 319 Heads, Masta Ace & Marco Polo Interview by Brian Kayser – Illustration by Aidan Searle, Controller 7 Interview by DJ Jester the Filipino Fist – Illustration by Max Rodgers, P-Minus (atak) Interview by Matt Bomarr – Photo by Paul’s daughter, J.M. Harper (director of As We Speak) Interview by Jonathan Balazs – Illustration by 319 Heads, Memorecks Interview by Jonathan Balazs – Photos by Yú, and Gajah Biography by Tommy V – Illustration by 319 Heads

The sixth issue of our quarterly underground hip hop magazine.

- 52 pages – no ads, full color, 5.5″ x 8.5″

- Featuring: N8noface, Kid Koala, MC Homeless, Mindbender, Art Morera, Dan Lactose aka DJ Eons One, and more.

- Includes a bonus 20 page zine dedicated to the late great Khari “Conspiracy” Stewart (limited to 100 copies)

- Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Eric Kneeland, Max Rodgers, Chaps, Homeboy Sandman, Id Obelus, DJ Jester the Filipino Fist, Jonathan Balazs, Matt Bomarr, Rajen Bhatt, and Werner von Wallenrod.

The second issue of our quarterly underground hip hop magazine.

44 pages – no ads, full color, 5.5″ x 8.5″ Indie rap articles, reviews, illustrations and more. Featuring: Homeboy Sandman, Fat Tony, Lxvndr, Helixx C. Armageddon + more. Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Helixx C. Armageddon, Ian “Bub” Davis, King Rose Visuals, Chaps, Clemits, Homeboy Sandman, Shane Young, Werner von Wallenrod.

The debut issue of our quarterly underground hip hop magazine.

40 pages – no ads, full color, 5.5″ x 8.5″ Indie rap articles, reviews, illustrations and more. Featuring: Bleubird (Anti-Hate Adventure Bois), Chief and TheDoomsdayDevice, Rove, Id Obelus (Audio Recon) + more.

Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Shithouse Mouse, Chaps, Clemits, Matt Greenfield

In the magazine: Marshall Allen, Frank Chickens, Water Damage, IVTKYGYG, Seo, Callahan & Witscher, Kamilya Jubran, Invisible Jukebox: Pharmakon, Global Ear: Riga, Unlimited Editions: Reading Group, The Inner Sleeve: Eleni Poulou on Irdial, Epiphanies: David Borden on Bob Moog, and in the reviews sections: Blood Incantation, FaithNYC, Alan Lamb, Music From Elsewhere, Mark Ernestus’ Ndagga Rhythm Force, Mother Mallard’s Portable Masterpiece Co, MC5, BARK!, Stick In The Wheel, and more.

On the CD: 16 new tracks by Sealionwoman, Niton featuring John Butcher, Masayoshi Fujita featuring Moor Mother, Deaf Squad x Flowdan, Tristan Perich & Ensemble 0, and more.

On the cover: The Body & Dis Fig. Inside: Farida Amadou, Steve Beresford, Pavel Richter, Dialect, petals, Erica Dawn Lyle, H-Fusion, Invisible Jukebox: Melt-Banana, The Inner Sleeve: Eve Libertine, Epiphanies: Roy Claire Potter, Global Ear: Barcelona, Unlimited Editions: YOUTH, plus in the review sections: Laurie Anderson, Belong, Seefeel, Three Quarter Skies, Dhangsha, NicoNote, Laura Cannell, Primitive Percussion Youth Orchestra, Endon, Bobby Hutcherson, Harold Land, Red Kross, David Corio’s images of Black musicians, the Gnaoua & World Music Festival, Gary Stewart, Lonnie Holley, specialist columnists, and more.

On the cover of the magazine: 19 page special feature – inside the sound world of David Lynch, including a new interview with the director and his music collaborators Chrysta Bell Zucht and Dean Hurley + essays on Dune, Eraserhead, Twin Peaks, Lost Highway, The Straight Story, Wild At Heart, backwards speech, wind sounds, drones, finger clicks, lip-syncing, and more.

Also in the magazine: interviews with Copper Sounds, Miaux, and Theodora Laird & Caius Williams, plus: Invisible Jukebox: Dhangsha, Unlimited Editions: Discreet Music, Epiphanies: Lonnie Holley, The Inner Sleeve: Mabe Fratti, Global Ear: Monterrey, and 36 pages of reviews including Vijay Iyer, World Service, Joe McPhee, Paul Burwell, new histories of krautrock and free jazz, Chicago Jazz String Summit, and more.

Finally: all copies of the August issue come complete with a free CD of The Wire Tapper 65 featuring 16 new tracks by Farida Amadou, Mettani, Landless, Noémi Büchi, Doc Sleep, TAU, and more.

On the cover: Tomeka Reid. Inside: KMRU, Gordan, Bodies in Motion: Malik Nashad Sharpe + NWAKKE + Bianca Scout, Tongue In The Mind, Nick Dunston, Nika Son, Henry Birdsey, Sisso & Maiko, Invisible Jukebox: Karl Bartos, Global Ear: Belgrade, Unlimited Editions: Notice Recordings, Unofficial Channels: A Moon Age Daydream, The Inner Sleeve: Alison Cotton on John Cale & Terry Riley’s Church Of Anthrax, Epiphanies: Jim Staley + 40 pages of reviews including Sun Ra, Chris Corsano, Skin Graft label, Nilotpal Das, Winter, Elton Dean, Cecil Taylor, Eno, Kim Gordon, Jeff Mills, Charles Curtis and specialist columnists including Steve Barker and Byron Coley + charts, letters, listings, and more.

Shellac, Arnold Dreyblatt, Robyn’s Rocket, Zoh Amba, Normil Hawaiians, Kalia Vandever, Antti Vauhkonen, Marion Cousin, Invisible Jukebox: Iceboy Violet, The Inner Sleeve: Kai Fagaschinski on The Jimmy Giuffre 3, Global Ear: Berlin choir A Song For You, Unlimited Editions: Ipecac, Unofficial Channels: Music Republic & Moroccan Tape Stash, Epiphanies: Tashi Wada on tuning systems, plus 40 pages of reviews including Tony Conrad & Jennifer Walshe, FUNK.BR: São Paulo, Christer Bothén featuring Bolon Bata, Somerset House Studios’ Assembly, and much more

On the cover: Still House Plants. Inside: Cheer-Accident, Lolina, NikNak, FUJI|||||||||||TA, Ana Lua Caiano, BBBBBBB, Fatboi Sharif, Angelica Sanchez, Invisible Jukebox: Kristin Hersh, Unlimited Editions: Tripalium Corp, The Inner Sleeve: Lee Gamble on Chain Reaction, Epiphanies: Jlin on Philip Glass, Global Ear: Tashkent, plus 40 pages of reviews including Kavain Wayne Space & XT, Natalia Cappa, Bianca Scout, NOUT, Ustad Noor Bakhsh, punk rock in Northern Ireland, Indonesia and Kosovo, female Latin American electronic music composers, Sakamoto on film, and much more.

In the magazine: Darius Jones, Steve Roach, Clarissa Connelly, [Ahmed], Shovel Dance Collective, Arushi Jain, Kulku, Harmony Holiday, Richie Culver, Invisible Jukebox: Ka Baird, Global Ear: Dublin, Epiphanies: Aura Satz on the sound of sirens, Inner Sleeve: Raji Rags on D’Angelo, Unlimited Editions: Industrial Coast, Unofficial Channels: The Rest newsletter, plus 40 pages of reviews including Shabaka Hutchings, Eddie Prévost, Creation Rebel, Eugene S Robinson, hcmf 2023 and more.

On the CD: 16 new tracks by Jac Berrocal, Elaine Mitchener, Derek Piotr, Heejin Jang, Lori Vambe, Shit & Shine, The Phereomoans, A Lily, Dream Skills & GW Sok, and more.

On the cover: The Haxan Cloak. Inside: DJ Znobia, Linda Smith, Ariel Kalma, Billy Bultheel, Lumpeks, Yasuhiro Morinaga, John Pope, Invisible Jukebox: Kahil El’Zabar, Epiphanies: Edward Ka-Spel on Faust, The Inner Sleeve: Teresa Winter on Saint Etienne, Global Ear: Santiago, Unlimited Editions: Thanatosis Produktion, Unofficial Channels: The Blindboy Podcast, and in the reviews sections: Allison Burik, John Surman, Univers Zero, Techno Animal, Le Guess Who?, rap in Britain and much more.

With Richard Pinhas, Weyes Blood, Hamid Drake, DJ Marcelle, Ale Hop, …

Tyshawn Sorey
In the magazine: Tyshawn Sorey, Joyce, Horse Lords, Devin Townsend, Invisible Jukebox: Big Joanie, Andrew Poppy, Backxwash, Xhosa Cole, Camille Émaille, BLTNM, No Choice, Adrian Corker, Glasgow Improvisers Orchestra, OM, High Castle Teleorkestra, Dickie Landry, The Advisory Circle, Björk, John Carpenter, Eno, Charles Lloyd, Jessica Pavone, Senyawa, Can, Dead Kennedys, Gnawa Music Of Marrakesh, Main Source, Mal Waldron, Robert Fripp, Little Annie, Adam Rudolph, Alice Coltrane, Trevor Mathison, Cory Arcangel & Stine Janvin, Grimalkin festival and more.

On the CD: 16 new tracks by Lucrecia Dalt, Lady Aicha & Pisco Crane, Reiko & Tori Kudo, Balka Sound, OISEAUX-TEMPÊTE, Dave Clarkson and more.

Joyce
The Brazilian musical prodigy, a favourite of Antonio Carlos Jobim, enjoyed a stellar 1970s before her career was diverted by domestic political struggles and the disco era. As her 1977 New York album Natureza finally sees the light of day, she talks to Joshua Minsoo Kim.

Horse Lords
Baltimore’s rock trio put the ‘tune’ into ‘tuning’ through their mantric rock minimalism which collides Just Intonation harmonic systems and the energy of West African guitars. By Dan Wilson

Devin Townsend
The rogue operator of avant rock has forged a unique career as both first choice collaborator for metal groups and lone psychonaut exploring the outer corners of the guitar. He talks to Joseph Stannard about his new twin release Lightwork/Nightwork.

Invisible Jukebox
Radical punx and founders of London’s Decolonize festival Big Joanie take The Wire’s mystery record test.

Global Ear
Memories of a coastal town destroyed in 2011 by the Japanese tsunami live on through field recordings and songs in the hands of one of its former residents.

One page interviews with Backxwash, Andrew Poppy, Xhosa Cole and Camille Emaille.

Unlimited Editions: Ramallah based label BLTNM.
Unofficial Channels: DJ M-TRAXXX.

Epiphanies: Raymond McDonald of Glasgow Improvisers Orchestra.

Lucrecia Dalt, Anthony Moore, Carl Stone, …

On the cover: Saul Williams. Inside: Alan Skidmore, Laura Cannell, Cheri Knight, Joe Rainey, Anna Butterss, Michael Gregory Jackson, Invisible Jukebox: Bob Mould, Unlimited Editions: Cortizona, Unofficial Channels: Rāga Junglism, Global Ear: Gothenberg, The Inner Sleeve: Éliane Radigue, Epiphanies: Emeka Ogboh, Nancy Mounir, Midori Takada, Tony Williams, Albert Ayler, Moers festival, and more.

+ Free CD with every issue: The Wire Tapper 59 featuring 16 new tracks by MimiCof, Delmore FX, Evicshen, RSS Boy 1 featuring Waclaw Zimpel, Mark Stewart featuring KK Null, Madeleine Cocolas, and more.

Phew One of Japan’s original punk generation, a collaborator with both Otomo Yoshihide and members of Can, has reinvented herself once again in the new millennium with recordings of her hardcore voice, electronic experiments, and collaborations with Jim O’Rourke and The Raincoats’ Ana Da Silva. Interview by Emily Pothast.

The Primer: Pauline Oliveros The sprawling discography of the Deep Listening innovator, including electronic compositions at Mills College, adventurous settings for improvisation, site-specific projects, experimental scores and her distinctive accordion drones, is mapped by Louise Gray. The Dream Syndicate The survivors of the 80s US Paisley Underground have flourished since their recent reformation, exploring cinematic influences, hypnotic songwriting, soundtrack collaborations, and with Steve Wynn as a wild card guitarist for hire in numerous collaborations. Joseph Stannard talks to them. Invisible Jukebox US guitar shredder Ava Mendoza tries to ID our mystery record selection. Global Ear Arthur Kuzmin of New New World Radio in Moscow describes the changes in Russia’s alternative music landscape following the country’s invasion of Ukraine. Unlimited Editions Pioneering broadcasting project Radio Art Zone aims to light up the airwaves in Luxembourg as part of this year’s European Capital of Culture Esch celebrations. By Ilia Rogatchevski. Unofficial Channels Inner Sleeve US rapper billy woods on Bigg Jus’s Black Mamba Serums. Epiphanies Former Magic Band and Jeff Buckley guitar hero Gary Lucas chronicles his 50 year obsession with the mesmerizing moves of Third Ear Band.

Plus one page interviews with Julmud, Black Glass Ensemble, Floris Vanhoof, and Deborah Walker & Silvia Tarozzi...

Reynols As one of the most singular groups in rock release a new album, and following drummer Miguel Tomasin’s Henry Viscardi Award for achievement in the disability community, the Argentinian trio talk to Emily Pothast about their mission to acknowledge all sounds, experiences and abilities, and the emancipatory power of noise and jamming.

Valentina Magaletti One of the most prolific and sought after percussionist-composers in the London music scene tells Ilia Rogatchevski about her role laying down the rhythm for psychedelic rock groups like Vanishing Twin, participation in London Improvisers Orchestra, and her growing reputation as timekeeper for hire for Gruff Rhys, Can Project, Bat For Lashes, and many more.

Ivo Perelman The Brazilian saxophonist has forged his own uncompromising and hardcore approach to the instrument that’s now being heard across a dizzying range of collaborations and projects. He tells Phil Freeman about his epic plans for 2022 including a dozen recordings with fellow saxophonists, a trio with Joe McPhee and Matthew Shipp, and a new documentary about his work.

Invisible Jukebox: King Jammy Reggae and dancehall godfather King Jammy takes our mystery record test as he revisits his 1980s and 90s catalogue in dub style on a new release.

Global Ear Two reports from the underground music scenes of Kyiv and Moscow as their communities are left reeling by Russia’s invasion of Ukraine.

Unlimited Editions Nathan Evans tunes into unorthodox transmissions from Blackpool with Lancashire’s guardians of the weird and the occult Fonolith Records.

Unofficial Channels Marc Weidenbaum surveys eclectic and groundbreaking uses of sound to represent information via the Data Sonification Archive.

The Inner Sleeve Dennis Bovell on The Slits’s Cut.

Epiphanies Composer and writer Edward Henderson discovers the true meaning of experimentation watching two people cover themselves in tape in an East London flat. Plus full page interviews with Ailbhe Nic Oireachtaig, oksana linde, Helms Alee, and Blod.

Scratcha DVA As the best connected mover and shaker in London’s dance underground nears 20 years in music, the producer and DJ talks to Chal Ravens about his Afrofuturist visions, his Hyperdub productions, making intercontinental connections with South Africa’s bass avant garde, and a broadcasting legacy that stretches from his pirate days at Rinse FM to NTS.

and also...

Eberhard Kranemann An unheralded figure in Germany’s underground rock revolution, Eberhard Kranemann was a member of Kraftwerk and Neu! in their crucial early years before striking out on his own with the notorious Fritz Müller Rock project and later collaborations with Harald Grosskopf.

Anne Gillis The French artist and experimental sound maker trod a distinctive path through the industrial scene with projects such as Devil's Picnic. Now, with her first album in over 15 years and new collaborations with London duo Seymour Wright and Paul Abbott, her unique rhythmic sensibility is surfacing once more.

Invisible Jukebox: Lee Ranaldo & Steve Shelley As an extensive collection of Sonic Youth’s live recordings is released, the New York pair take The Wire’s mystery record test.

Global Ear Peter Margasak investigates a new group of Berlin composers exploring the possibilities of just intonation tuning, including Catherine Lamb, Werner Durand, Marc Sabat, Chiyoko Szlavnics and Arnold Dreyblatt.

Unlimited Editions Emily Pothast talks to Ratskin Records, the Bay Area crew putting issues of accessibility and equality at the forefront of its music including in its ‘mixed reality’ online projects.

Unofficial Channels Abi Bliss investigates This Band Isn’t Real, the Twitter feed creating fictitious metal groups and album covers through the power of machine learning.

Mdou Moctar

Niger guitar hero Mdou Moctar has blazed a trail across the world for a new style of hypnotic desert rock. On the eve of a major US and European tour, Clive Bell talks to Moctar and his band about the anti-colonial spirit animating their current album Afrique Victime, the infamous Purple Rain-inspired motorbike musical Akounak Tedalat Taha Tazoughai, and their connections with other leading lights of daredevil North African guitar including Les Filles De Illighadad.

Inside the issue... Éliane Radigue Mazen Kerbaj Ben LaMar Gay Jeff Parker

The Primer: Éliane Radigue Julian Cowley writes a user’s guide to the recordings of the great French electronic and electroacoustic composer, whose work has continued exploring the connections between Buddhism and longform sound well into the 21st century with the acoustic Occam Ocean series. Mazen Kerbaj The Lebanese trumpeter, improvisor and cartoonist has carved out a new niche for himself in Berlin. He tells Mariam Rezaei about his new album Sampler/Sampled, where a global cast of collaborators including Bob Ostertag, Muqata’a and Equiknoxx’s Gavsborg explore the power of music as a universal language.

Invisible Jukebox Chicago creative music polymaths Jeff Parker and Ben LaMar Gay go head to head with The Wire’s mystery record test. Global Ear In Lisbon, April Clare Walsh gets familiar with a new wave of creole language rap.

Unlimited Editions Tokyo label, record shop and keepers of the roots reggae flame Dub Store.

Unofficial Channels YouTube’s Original Jungle Samples channel.

Inner Sleeve Tim Hecker. Epiphanies Reinhold Friedl on Iannis Xenakis.

Plus full page interviews with Robbie Lee, Hedvig Mollestad, Powers/Rolin Duo, and Duma.

The Wire’s essential annual guide to the year in sound and music is upon us, as we consider where we are now after a tumultuous 12 months of underground activity, recovery, false starts and new beginnings. Our specially extended Rewind issue includes our Top 50 Releases of the Year and Archive Releases of The Year charts, cultural reflections from our extensive roster of writers, and our specialist columnists’ charts from avant rock to noise. This year the Rewind section also includes essays by Clive Bell on how new tunings are breaking the stranglehold of Western music; Neil Kulkarni on the complex and problematic legacy of the Fourth World aesthetic in contemporary sound; and Rob Turner on how music formats from LP and tapes to downloads and streams are still changing the way we listen.

Elaine Mitchener

Loré Lixenberg

Reiko & Tori Kudo

Haley Fohr Inside the issue...

Invisible Jukebox Vocalists Loré Lixenberg and Elaine Mitchener take The Wire’s mystery record test.

Global Ear James Gui spends a week in Seoul as the underground music scene opens up after Covid.

Unlimited Editions Robert Barry profiles publishing house and event organiser Grapheme as it explores the role of notation and scoring in music.

Unofficial Channels Punk ’zine archive Contextual Dissemination. Inner Sleeve Reiko and Tori Kudo choose record sleeves that have influenced them.

Epiphanies Haley Fohr aka Circuit Des Yeux on lessons learned in quarantine and the isolation of a Robert Rauschenberg residency.

Plus full page interviews with Matthias Muche, Klankvorm, Giant Claw, and Saadet Turkoz.

Soundcheck Selected new vinyl, CDs, cassettes, singles, downloads, streams etc reviewed

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

UK Hardcore Volume 1 features the likes of Basement Records, Dark Horse, Liquid Wax, Satin Storm, Symphony Sounds, Tone Def and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Warlock

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

House Volume 1 features the likes of Defected, Trax, Music For Freaks, Sound Pak, Vulture Music and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Joe Roberts & Chris Dexta

We're back in print.

In 2019, after our 5th printed magazine, we switched to exploring the digital issue format. Successful as it was, we missed the handfeel of our work.

Today we are delighted to bring Techunter Magazine back offline.

Techunter 08 will be a new endeavor for our team. This is a new chapter of our history and it reflects our experience, gathered throughout all the years of operation, as well as everything cutting edge in the functional apparel industry and its community of today and tomorrow. We changed the concept for this new iteration, but the Techunter core is still there: we explore functional apparel, in very possible detail and nuance, sharing our findings with you.

Techunter 08 magazine will be launched this winter in Paris, and available through a range of different retailers around the world. We can't wait to show you our new magazine. Stay tuned for more updates and we thank you for your continuous support! – team Techunter.

The latest issue is a 200-page trip through the past, present and future, with a focus on the early 2000s. Memories of the Y2K era are relived with features on Peter Yee, the former Oakley designer responsible for the Ellipse logo and many of the brand's most iconic moments, as well as Linus Nutland from Nike Server. Racing to the present, the heat gets hotter with a world-exclusive reveal of Salehe Bembury's latest New Balance colab starring on the cover, with closer looks at the 'Magma' and 'Lava' 1906Rs inside. If you flick to the inside back cover, you'll also get the scoop on the new Sneaker Freaker book. World's Greatest Sneaker Collectors is a stonking journey into the priceless stockpiles and obsessive minds of footwear aficionados. At over 750 pages, this is our biggest and most insane publishing project yet!

Record Time No 2 hits the bargain bins and neglected corners of the local record store to find great records that are still affordable to average folks. And, as with the first issue, we dig into the back stories of these records and artists, with a focus on good writing. This time around we do a deep dive into the life and career of Ray (Rae) Bourbon, a pre-Stonewall drag artist and comedian; jazzman Charles Lloyd's "wilderness" albums; Catalan folk legend and politico Lluis Llach; oddball rockers the Hampton Grease Band; finding the South African country music holy grail; Canadian cabaret rocker Louis Furey; the weird world of Polka; hard rocking should-have-been-huge Birtha; actor & music pusher Jack Webb; Sex Pistols and Pistols-inspired novelty records; patron saint of smart asses Rick Johnson; and more! Contributors this time are TOM Hyland, Owen Maercks, Stella Beratlis, Steve Silverstein, Nathanel Amar, Adam Taub, Nate Knaebel, Laurent Bigot, Mike Trouchon, Greg Pshaw, Johnny Sunshine, Dennis Worden, Fred DE Vries, Stan Appleton, Billups Allen, and Todd Trick Knee, with guest appearances by Lali Donovan, Larry Hardy, Tony Coulter, and Dana Katharine. Edited by S Soriano.

Record Culture Magazine Issue 4 : Featuring Kim Ann Foxman, Suso Saiz, Joe Goddard, Alexis Le-Tan, Jonnine Standish, Keith Haring Party Invites, Ron Morelli, Andee Frost, Paramida, Eddie Ruscha, Phil Mison, Justin Van Der Volgen and Ruggero Pietromarchi.
Record Culture Magazine is a bi-annual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.
Led by in-depth interviews, image portfolios and photography that gives a unique view into homes and studio spaces.

Delve into the largely overlooked footprint that Black punks have on the underground music scene in a new archival publication brought to you by Raeghan Buchanan and Silver Sprocket. The Secret History of Black Punk: Record Zero by Buchanan is an illustrated roll-call for punk, post-punk, hardcore, no-wave, and experimental bands from ground zero ‘til now. A starting point for anyone curious, another reference for those who devour all genre-related things, or a cool artifact for anyone in the know. This book is part of an ongoing series that covers musicians like Sister Rosetta Tharpe, Poly Styrene, Don Letts, Minority Threat, and many others. From LA to London, from the early 1900s till today, Buchanan examines and presents narratives to show how Black musicians shape (and are shaped by) the world we live in. 64 full-color pages. 6.625" x 10.187" with spine.

This issue features exclusive interviews with Donovan, Adam Green, P.G. Six, Modern Nature, Moving Gelatine Plates and Pete Brown (pt. 2), as well as features about Cornwall's Psychedelic Underground, the Gathering of the Juggalos, Folklore Tapes, LSD Underground 12, Vascha, book reviews, new music reviews, creative writing, poetry & more.

The Tories Are The Real Criminals is an A5 zine of Matt Smith’s images of non-violent direct action from demonstrations against the Criminal Justice and Public Order Act 1994. The legislation was invented to criminalise the culture of free parties, festivals, squatters, travellers and peaceful protest which had grown, flourished and thrived over the previous decade attracting vast public support.

Three national demonstrations took place in London during 1994’s long, hot summer that transformed the nature of peaceful protest forever. In May, July and October hundreds of thousands of people from all over the country travelled to England’s capital city to dance their way through its streets. The common intention was to just say no to new laws designed to outlaw the lifestyle choices of a generation. For the first time, the spirit of carnival fused with rave culture to combine celebration and opposition.

In a modern liberal democracy standing up for liberty, freedom and voicing dissent at injustice is supposed to be a valuable tradition with immense social worth. A judge called Hoffman even said so at the time. The Tories disagreed and passed their laws anyway with a little help from their secret inside weapon, the new leader of the “opposition.”

1994 was a year of fervent resistance against the encroaching Criminal Justice Act in the UK. Amidst the clamour of dissent, three historic demonstrations echoed through the streets of London, challenging the very fabric of authority and transforming the nature of peaceful protest, forever.

Through the lens of Matt Smith (Exist To Resist), witness the raw energy and unity of the protests that shook the capital. Each image in this zine is a testament to the power of the people, capturing not just moments frozen in time, but the spirit of a generation refusing to accept oppressive legislation.

Pages: 68
Size: A5 (21cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Front cover design: Tom Booth Woodger
Interior design: Jez Tucker

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike McGonigal: 100+ pages packed with phenomenal content – art, music, literature, unpublished archival material, and more – with a simple promise to only exist on the printed page. The cover feature is an epic, really long timeline of images and interview with the modern king of arts portrait photography, Michael Lavine. + Amazing archival images by Gail Butensky and reflections on Pavement + what we think is the band’s first new interview in a decade in anticipation of their reusion shows and events later this year + Tom Scharpling talks about prog rock with Matt Berry + a lengthy interview with the SF-based dreamy pop band Cindy by editor Mike McGonigal + Reuben Radding’s killer photos and review of a recent show in Brooklyn by Chicago’s Irreversible Entanglements + Ana Gavrilovska on why sax player and drone composer Lea Bertucci matters +Sara Jaffe on how essayist Aisha Sabatini Sloan is a genius

ON THE Cover: Grace Jones BY Tamara Palmer: Palmer delves into the entire history of this remarkable artist, who will naturally deliver us a stunning cover image. Jones is even more of a one of a kind musician and persona than most of us realize, so we're extra excited to feature her on the cover of this issue.

Deep Archival Dives With Living Luminaries: Pulp: Peeling back the onion of time, we are graced with a fine selection of ephemera and rare images from the forthcoming Hat + Beard book on the cult band's cult band: I'm With Pulp, Are You?, by Mark Webber.

Mayo Thompson: Jasper Leach has delivered a stunningly good and very deep dive into the genesis and long life of Thompson's masterpiece Corky's Debt to His Father. We're not worthy!

Redd Kross: They've already had a great double album and documentary readied for summer but in the Fall there's also a definitive RK book so we enlisted Jen B. Larson to do a career-spanning feature on your favorite teen babes from Monsanto. Larson wrote Hit Girls: Women of Punk in the USA 1975-83.

Mary Timony: Mary Timony is one of the great guitar luminaries and songwriters of the indie era, but rarely does she get the credit she deserves. Audrey Golden, author of I Thought I Heard You Speak: Women at Factory Records, not only went into every nook and cranny of Timony's career, but the first question she asked Timony is one for the ages: ''Is that a lute?''

On The Cover: Unpublished JOE Dilworth photo of MY Bloody Valentine, from sessions for their Isn't Anything record. My Bloody Valentine: Revelatory, unpublished interview excerpts from hours of tapes with Kevin Shields by editor Mike Mcgonigal conducted for his 33 book on Loveless. Inside: A great interview with Joe Dilworth by Mike Galinsky and pages of his photos of London's underground music scenes in the 1980s and '90s, including unseen images of MBV. Will Oldham: Great, lengthy conversation with his collaborator and longtime friend Nathan Salsburg, on the occasion of their record of Lungfish covers. Harvey Milk: Epic, well-illustrated oral history of the pioneering '90s Athens, GA-based doom/ heavy-rock/ experimental/otherwise unclassifiable and influential band. Justin Green: New scans of the underground cartoonist's music comics, many originally published in Tower's Pulse magazine. 18 full pages, with text by comics historian John KELLY."

This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name. Inside: Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein. Tresa Leigh: An in-depth feature on the star of Efficient Space's beloved Ghost Riders compilation! Really a beautiful, untold story. Dredd Foole: As his legacy is revealed through Corbett vs Dempsey's archival series, Foole talks to Six Organs of Admittance's Ben Chasny about the role of his band the Din in the Boston underground. Plus, sidebars from Christina Carter, Kris Price, and Phil Milstein. Loopsel: Mike McGonigal on some of the most elusive, beautiful contemporary music, straight out of Gothenburg. Sleater-Kinney: 30 vital years of uncompromising music, by none other than Audrey Golden. All that and tons more.

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike Mcgonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. The cover feature is a career-spanning piece by Tamara Palmer on Iceland’s most noted export since the foundation of their parliament in 930, Björk, with a terrifically gorgeous cover image by our illustrator, Marly Beyer. Also included and excerpt from a graphic novel by Marcellus Hall; Chelsea Wolfe, Wayne Phoenix, BE Your OWN PET, Penguin Cafe, a new food column from Quintron and much more.

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike McGonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. Issue # 10 has features on Belle & Sebastian, novelist David Gordon, 1960s-'70s Motown artist Christina Carter, Chris Forsyth & Steve Wynn, Tony IOMMI-era Black Sabbath, Buffy Saint-marie, and much more.

Highlights of our Crush issue include… Karabo Mookie… The brilliant thing about authenticity is that you are either authentic or not. There’s no way to try it, no way to buy it. And that’s why, in the current climate of everybody wanting to be everything at any given time in praise of rising follower numbers, the work of Johannesburg-based photographer and filmmaker Karabo Mooki - and the way he explores local subcultures - cannot be appreciated highly enough.

Alison Blickle… Myths are deeply embedded in basically every culture on our planet. They were necessities to explain our surroundings and the world itself, long before any kind of elaborate academic vocabulary offered a different view on things. And, in actuality, people still love to create them in order to make sense of a world that’s changing at warp speed. Los Angeles-based artist Alison Blickle now combines the ancient with the contemporary to form urgent and highly topical narratives in her amazing paintings.

DRE Dogue… If you understand life as a state less shaped by borders and rules but by connectivity and options, then it makes perfect sense to be constantly in motion instead of showboating your permanent residence. And celebrated photographer Dre Dogue does exactly that. From Manila to Tokyo, from Bangkok to Hong Kong. And then some more. Living the life of a full-time urban nomad for many years already, he travels Asia’s primate cities and beyond with his trusted analog cameras - and luckily, he isn’t getting tired of it at this point.

JAY Wilkinson … Your sense of self is much more defined by what your mind tells you about yourself than by the actual truths your very own storyline is offering. It’s way more fiction less facts. It’s basically a composition of disjointed half-truths placed on a rather porous timeline that keeps you going. Texas-based painter Jay Wilkinson is very much aware of this fact, and his latest series “free Dirt“ is his take on how memories are built by the permanent absorbance of information.

- plus more elaborate features and visual awesomeness from the likes of: John Brosio, Sunandbass, Mark Gonzales, LA Pools, and many others.

Highlights of our Sound issue include… Peter Anderson… Regardless of what kind of music you’re into, it is more than likely that your idol - or, depending on your age, your idol’s idol - has been immortalized on a roll of black and white film by Anderson. He started to work at the NME shortly after he moved from Glasgow to London in the late 1970s, and later in his career delivered the goods for record labels (big and small) and publications such as Rolling Stone, The Face or I-D.

Eric White… Splitting the majority of his time between Los Angeles and New York, White blends New Hollywood myth-making with pop culture references and more than just a nod to the hyperrealist movement to create his very own narrative on modern Americana. The resulting paintings more than often tap into uncanny territories, as you feel that they’re just delivering snapshots of a higher plot driven by disorder, surveillance, and paranoia.

Conny Plank… Even before he built and founded the legendary recording studio “Connys Studio“ in the provincial backwaters of North Rhine-Westphalia in 1974, he had already proven himself to be a visionary at the mixing desk, with albums by Krautrock heavyweights such as Ash Ra Tempel, Cluster, Kraftwerk, and Neu! being rewarding examples of his craft.

Siren Kings … Siren Kings are members of a primarily Pasifika underground youth subculture, originating in Auckland, New Zealand, which gained popularity in the mid 2010s. The siren scene involves competitions where crews compete for the loudest and clearest sound produced by sirens, loudspeakers, or public address systems attached to cars or bicycles, to win the title of Siren King.

- plus more elaborate features and visual awesomeness from the likes of: Nik Nowak, Benoit Maubrey, Movies about Sound, Nate Langston Palmer, Maya Shenfeld, Edwin van der Heide. and many others.

Regardless if you’re doing it for the purpose of relaxation or for releasing a lot of stress, having a night out could have an almost purifying effect. Things then will certainly look even more peachy when your name is on the guest list. It’s just perfect in case you want to have a life but it shouldn’t be too real.
People who aren’t on the guest list are officially uninvited. At least that’s how you should feel when your name made it on one. You put so much energy, smalltalk, omnipresence and social media action into it, you deserve to be treated like royalty. If there’s one constant you can count on, then it certainly is that being on the guest list still is the ultimate status check.

For our GUEST LIST issue, Lodown was hanging out backstage, enjoyed private views, got drunk at uncountable vernissages, took a closer look at flyer culture, high-fived a few bouncers - and even let a few guest art directors take over a couple of pages.
All for the simple reason that you don’t have to queue. You’re welcome. Now let’s dance.

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

Highlights of our GUEST LIST issue include…

DAVE SWINDELLS… In the UK, some people refer to the London of 1988 as “Year Zero“, because it seemed to have kickstarted a club scene in a way that hadn’t existed before. It was the year Acid House was hitting England’s capital (and beyond) big time. It was the time of clubs like Future, Shoom and Spectrum. And luckily East London-based photographer Dave Swindells was there to capture it all.

CIVILIST… Everybody’s favorite Skate Shop in Berlin opened its diary for us. In the end, it basically felt like chronicling the last years of skateboarding of Germany’s capital. It’s a Lodown exclusive, by the way.

NIKITA TERYOSHIN… Berlin-based photographer Nikita Teryoshin invites us to visit the back office of war with him, as his awarded, ongoing project “Nothing Personal“ takes a look at global defence business. Shot (so far) at fourteen different defence exhibitions worldwide between 2016 and 2020 the images capture a parallel world unknown to the vast majority of us ordinary mortals.

DAN WITZ… Embracing the possibility of a collective high through clubbing or a proper show can have an almost cleansing effect - because letting loose within the community of kindred spirits is something very comforting. And there hardly is any other artist capturing these moments of crowds going blissfully berserk than Brooklyn-based genius artist Dan Witz.

- plus more elaborate features and visual awesomeness from the likes of: EIKE KÖNIG, KUEDO, MARCELOA CANEVARI, PVA, LISA WASSMANN, LYZZA, DAVID HENRY BROWN JR. and many others.

Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

eye_C Magazine's first cover this time is dedicated to the mag's legacy and their Spring 24 collection titled ‘Snow in April’. The cover shoot, shot in Tokyo is also accompanied by an interview with one Jockum Hallin, one of the label’s co-founders. Their second sees the return of norbit by Hiroshi Nozawa as a cover brand featuring an editorial shot in the mountains west in the Greater Tokyo area. Lastly a simple cover dedicated to eye_C Magazine's love of Navy featuring some of the latest pieces from the editor’s choice x SEE SEE.

eye_C Magazine also included several multi-brand editorials for this issue featuring a plethora of different labels alongside their regular product highlights.

The second volume of the "Past Venue GUIDE," which tracks the sites of live houses and clubs that have been our allies from the 1970s, the era of rapid economic growth, to the 2000s, is now available. In the previous issue, 42 sites were introduced, mainly in the Tokyo metropolitan area, but this time 64 sites were covered. The coverage area has been expanded to include not only the Tokyo metropolitan area, but also Osaka, which is important for unraveling the history of punk/hardcore in Japan. The text (Japanese only) is kept as simple as possible, and more photographs are used to create a sense of realism. Full color, 56 pages. Random trading card included.

A four-year filming of the present-day live houses and clubs that supported band members and band kids from the 1980s to the 2010s, but are no longer around today. Tokyo Rockers - The band boom, the melodic hardcore boom, and the places where we kids poured our youth into.