Magazines 190 Items

The sound of each individual’s voice is thought to be entirely unique. Like a fingerprint, its composition is distinct, nuanced, and one-of-a-kind. While all this is true, it’s a concept that has been challenged in recent times by the refinement of AI-powered systems which are able to emulate voices to a tee. And not only voices, for that matter, but whole styles and aesthetics: an AI-generated facsimile of Drake and The Weeknd’s voices titled “Heart on My Sleeve” made the rounds this year and was even submitted for Grammy consideration. It’s a legitimate song, and a proposal that does not only keep legal departments busy, but also allows for myriad reflections on originality and, bluntly, the future of music. But as the future of music is a broad and daunting topic to speculate on, we want to hone in on what’s been prefaced above: issue #28 ofzweikommasiebencenters the voice as means of expression, and wants to expand on what is meant by that: it’s not only what is heard, but also why a voice is used and by whom. This latest edition considers what it means to voice, and its physical, societal and political dimensions.

zweikommasieben #28 includes


-interviews with / portraits on bela,Krista Papista,DJ Voices,Tianzhuo Chen,Meth Math,Rainy Miller,Honour,Ziúr, andNatural Wonder Beauty Concept
- an essay on fan culture
- columns on stimming and the work ofDjamil Image
- a contributionby Claudia Pagès with Nora Haddad and nara is neus

All content in English

As the team behind zweikommasieben takes its latest edition to ponder the essence of longevity, they arrive at several questions which they have worked through with their featured artists and writers. On the one hand, artistic traditions might be useful to lean on, to conjure an image and an accompanying gut feeling of a recent past. On the other hand, investing in the knowledge of traditions might allow to bend and twist them to explore ones own expression. Whether that is consciously incorporating sounds from the past to evoke historical resonances, as Courtesy did for her most recent album Violence of the Moodboard, or propelling the presentation of music forward into new traditions, such as in the work of Xzavier Stone who has recently started pairing scent with sound during his live performances. In a similar manner, Lateena Plummer proposes new traditions for a dancehall scene which finally makes space for marginalized identities and voices, a purpose directly derived from her experiences in the past, which she openly speaks about in conversation with Anna Froelicher. When Beatriz de Rijke decided to work under the moniker Bea1991, she did this as a conscious anchoring in time, with the latter part of the name being a direct reference to her year of birth. One can imagine that a birthdate might be one of the only constants in life: one that will forever connect someone to a certain generation, and maybe even to a global cultural zeitgeist.

zweikommasieben #27 includes

-interviews with / portraits on Bea1991, Christian Marclay, Courtesy, Divide and Dissolve, DJ Loser, Lateena Plummer, Somatic Rituals, and Xzavier Stone -essays on “New Moon” by Children of the Light for Darkside - a column on Rike Scheffle's work - a contribution by Lou Lou Sainsbury

All content in English; 92pages; 230x305mm zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.

The 24th issue of zweikommasieben focuses on an aspect of experimental electronic music that might be rather obvious. Nevertheless, this aspect is integral to the type of discerning perspective adopted in the pages of this magazine: bringing anything to life usually is a collective effort. Our world and its culture thrives on collaboration, be it between artists or the number of people involved to get a release ready and out into the world. Given the abundance of collaborations, a deep(er) dive into their internal structures is warranted. For example, a recent EP by Phillip Jondo, which features Maxwell Sterling and DJ Plead, clearly designates these collaborations as such. However, the details of how this three-way-constellation developed into a shared practice are not as obvious. With the new issue of zweikommasieben, these details are being addressed in a conversation. Despite being a common practice in the scene, the modus operandi of collaboration is far from clear or pre-determined. :3lon explains in an interview that they often rely on intuition in choosing how to go about working together with others instead of deliberately weighing up interests. Swiss-Congolese producer Soraya Lutangu Bonaventure goes one step further by questioning the differentiation between solo and collaborative efforts: “Everything I share as a ‘solo project’ is in fact never experienced as such,” she explains in the pages of this magazine. The things we do are as much enabled by as they facilitate the connections we share with other people. zweikommasieben #24 highlights the conditions, intricacies, and consequences of collective efforts in the featured interviews, essays, columns, and artist contributions.

List of contents: -interviews with Soraya Lutangu Bonaventure & Bobby Kolade, Milyma, Yegorka, :3lON, Phillip Jondo, Maxwell Sterling & DJ Plead -portrait on Nazar -essays on Sound Archives and Rave Variants -columns: Soundtexte (poetry), “Art Review” (art review), and Formations (photography) -further contributions by Elbis Rever and Martina Lussi

The twelfth issue of We Jazz Magazine, "Worldwide" for Gilles Peterson. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes Gilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word / Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of Die Enttäuschung by Bill Meyer, divr by Daryl Worthington, Astro Can Caravan by Wif Stenger, Discaholic Column by Mats Gustafsson, J Jazz 1955-88 by Tony Higgins + album reviews & more.

The ninth issue of We Jazz Magazine, "Oisters" for Petter Eldh. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN English.

Petter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.

Country of printing: Finland

The eighth issue of We Jazz Magazine, "Shadow Shapes" for Dorothy Ashby. 128 pages 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN English.

Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose & the Voices Of Creation by Samuel Lamontage, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.

Country of printing: Finland

The seventh issue of We Jazz Magazine, "Universal Beings" for Makaya McCraven. 128 pages 174 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH.

Stories include Makaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Peter Evans by Andrey Henkin, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pressing plant photo essay by Mathias Foster, reviews, plus more.

Country of printing: Finland

The sixth issue of We Jazz Magazine, "Revelation" for Black Jazz Records. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Black Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah / Jazz Composers Orchestra by Seymour Wright, reviews, plus more.

Country of printing: Finland

The fifth issue of We Jazz Magazine, "Amaryllis" for Mary Halvorson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Mary Halvorson by Peter Margasak, Pi Recordings by Will Layman, Tyshawn Sorey by Marc Medwin, Women On the Syllabus by Tina Edwards, A Love Supreme Festival by Gareth Allen, Odysseus Festival by Dave Waller, Bob Rutman by Marialuisa Bonometti, Sarathy Korwar & Joanna Duda in conversation by Debra Richards, Tokyo Jazz Joints Vol. 3 by Philip Arneill, reviews, plus more.

This is the third issue of the new We Jazz Magazine, 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN English. Stories include Joe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, Ben Lamar Gay by Stewart Smith, Smooth Jazz by Francis Gooding, ESP-Disk by Matti Nives, Scottish Folk & Jazz by Gareth Allen, The Lisbon Scene by Rui Miguel Abreu, plus many more.

The eleventh issue of We Jazz Magazine, "Oni Puladi" for Carla Bley. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Carla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon / David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makhathini by Rob Garratt, Discaholic column by Mats Gustafsson, We Jazz Festival 2023 photo essay by Julius Töyrylä, album & live reviews, plus more.

The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Marc Medwin, Discaholic column by Mats Gustafsson, Vogel Records by Lander Lenaerts + reviews & more

128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers

This is the first issue of the new We Jazz Magazine, 128 pages, 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. Inside, you'll find great new stories about music including the cover piece on Alice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more. This is a magazine but together by a quality cast of writers and illustrators/photographers with references such as The Wire, The Quietus, Deutschlankfunk Kultur, etc. Something new is beginning here.

Thirteenth issue of We Jazz Magazine, "Zoning".

128 pages, 170 x 240 mm in size and printed on 140g Edition paper with laminated 300g Invercote covers. All articles presented in English.

Includes Mary Lou Williams by Anton Spice, Tomeka Reid by Michael Mikesell, Horace Silver by Seymour Wright, Wind Up & Julius Eastman by Marc Medwin, Esmond Edwars at Prestige by Francis Gooding, Contemporary Ethio-Jazz by Nathan Hamelberg, Ivo Perelman & Matthew Shipp by Phil Freeman, Arooj Aftab by Rob Garratt, John Surman by Bret Sjerven, Punk Jazz with Benjamin Herman by Danny Veekens, Discaholic Column by Mats Gustafsson, Odysseus Festival 2024 photo report, reviews and more.

*140+ Pages, Full Colour, Heavyweight Print *

DJ Koco on the cover. A growing superstar DJ, but with an old soul. He brings a classic beat digger’s approach to his impeccable 7-inch selections but peppers them with new-school DJ tricks and is now making waves that reverberate worldwide. Beyond this the issue will be chocked full with articles covering Brit-Funk, Taj Mahal, 23 Skidoo, DJ Parrot, the Monterrey dance scene in the 90's, Don Blackman, Hermeto Pascoal, Larry McDonald and much much more.

*140+ Pages, Full Colour, Heavyweight Print *
Another packed trademark journal from Wax Poetics.

. This issue features articles on the history of the Yellow Magic Orchestra, the 90's hip-hop of Bahamadia and a deep dive into Dazz Band with their strutting funk jams. Plus, we cover the London Latin Jazz scene, Brian Auger, Lenny White and old school Parisian record stores, along with much much more. Don't sleep, very limited numbers.

To celebrate 50 years of hip-hop this issue will be dedicated to the genre with a stunning cover featuring the Notorious B.I.G. The cover image image was taken by renowned photographer B+ who captures Biggie at unique time and the cover article is written by Michael A. Gonzales. The issue features articles and insight from Notorious B.I.G., Super Cat, Blackalicious, Yo-Yo, Rap Zines, Grand Master Flowers, B+, Sue Kwon, Lady B, Schoolly D, Mike, T. Eric Monroe and much more… Details:

Wax Poetics presents the third issue since our 2021 relaunch with another heavyweight 148-page journal packed full of timeless music stories, record spreads, archival photography, and original artwork. Each issue now also comes individually stamped.

Continuing with the trademark double cover, the front is graced with Patrice Rushen, an accomplished jazz keyboardist who found her singing voice and embraced her love of R&B, becoming a bona fide star with the release of 1982’s Straight from the Heart, an album that featured the smash hit “Forget Me Nots.” Our other cover story dives into the history of Detroit techno, from the primordial electronics of Juan Atkins and the sonic upheaval of “Mad” Mike Banks’s Underground Resistance to Waajeed (featured on the back cover), whose Underground Music Academy aims to help the next generation of Detroit artists.

You’ll also find pieces on jazz organist Shirley Scott; the psychedelic soul group the Chambers Brothers; hip-hop icon Masta Ace; Jamaica’s musical incubator the Alpha Boys School; the Bill Evans Trio’s famous Village Vanguard recordings; trombonist Joseph Bowie’s trek from avant-garde jazz to NYC downtown funk; the history of Mo’ Wax Records; Brazilian singer-songwriter Joyce; London sax player Chelsea Carmichael; and nu-R&B multi-hyphenate KeiyaA.

** warehouse find price ... nice!

The iconic digger's journal Wax Poetics returns in a beautiful, heavyweight format. Each issue features 148-pages of deep music insight, unique stories, lush photo spreads, and inspiration for your record collecting. The first issue in the relaunch features Motown stars Marvin Gaye on the front cover, and Tammi Terrell on the back cover. You'll also find articles on hip-hop ground zero Harlem World, Sergio Mendes, Herb Alpert, Cymande, Toots Hibbert, and much more within.

Also included with each purchase is three months of digital access to Wax Poetics. Expect weekly stories, music, insight, members-only offers, and more!

FULL CONTENTS

Re:Discovery: Timothy Leary & Ash Ra Tempel

Re:Discovery: Light of the World

Re:Discovery: Leon Huff

Re:Discovery: Superb DJ K-Nyce ft. Supreme Nyborn

Feature: High Art - Lee Quiñones

Feature: The Hip-Hop Shangri-La - Harlem World

Feature: Patta Cover Story - Steven Julien

Feature: See Me - Tammi Terrell

Feature: The Fire From Within - Marvin Gaye

Feature: The Maestro - Sergio Mendes

Feature: Beyond Boundaries - Herb Alpert

Feature: Native Sons - Redbone

Feature: Mighty Heavy Load - Cymande

Feature: Perpetual Glory - Toots Hibbert

zweikommasieben #29 features interviews and essays on contemporary music and sound, with a focus on experimental and electronic music.

The eighth issue of our quarterly underground hip hop magazine.

52 pages – no ads, full color, 5.5″ x 8.5″

Featuring: Yoni Wolf (WHY?) Interview by Peter Agoston – Illustration by 319 Heads, Butcher Bear ((iN)Sect Records) Interview by DJ Jester the Filipino Fist – Illustration by 319 Heads, Roughneck Jihad Interview by Luke Sick – Illustration by 319 Heads, Sampler Cafe Interview by Jonathan Balazs – Illustration by Aidan Searle, DJ Jester the Filipino Fist Interview and Illustration by 319 Heads, Rap Meets Opera Article by Werner von Wallenrod – Illustration by Allan Lorde, plus book reviews of Rap and Redemption on Death Row (The University of North Carolina Press) and Words From Wize (Parker Pubs).

The seventh issue of our quarterly underground hip hop magazine.

56 pages – no ads, full color, 5.5″ x 8.5″

Featuring: Moka Only Interview by Peter Agoston – Illustration by 319 Heads, Masta Ace & Marco Polo Interview by Brian Kayser – Illustration by Aidan Searle, Controller 7 Interview by DJ Jester the Filipino Fist – Illustration by Max Rodgers, P-Minus (atak) Interview by Matt Bomarr – Photo by Paul’s daughter, J.M. Harper (director of As We Speak) Interview by Jonathan Balazs – Illustration by 319 Heads, Memorecks Interview by Jonathan Balazs – Photos by Yú, and Gajah Biography by Tommy V – Illustration by 319 Heads

The sixth issue of our quarterly underground hip hop magazine.

- 52 pages – no ads, full color, 5.5″ x 8.5″

- Featuring: N8noface, Kid Koala, MC Homeless, Mindbender, Art Morera, Dan Lactose aka DJ Eons One, and more.

- Includes a bonus 20 page zine dedicated to the late great Khari “Conspiracy” Stewart (limited to 100 copies)

- Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Eric Kneeland, Max Rodgers, Chaps, Homeboy Sandman, Id Obelus, DJ Jester the Filipino Fist, Jonathan Balazs, Matt Bomarr, Rajen Bhatt, and Werner von Wallenrod.

Cartoons about vinyladdicted cats.

In the magazine: Marshall Allen, Frank Chickens, Water Damage, IVTKYGYG, Seo, Callahan & Witscher, Kamilya Jubran, Invisible Jukebox: Pharmakon, Global Ear: Riga, Unlimited Editions: Reading Group, The Inner Sleeve: Eleni Poulou on Irdial, Epiphanies: David Borden on Bob Moog, and in the reviews sections: Blood Incantation, FaithNYC, Alan Lamb, Music From Elsewhere, Mark Ernestus’ Ndagga Rhythm Force, Mother Mallard’s Portable Masterpiece Co, MC5, BARK!, Stick In The Wheel, and more.

On the CD: 16 new tracks by Sealionwoman, Niton featuring John Butcher, Masayoshi Fujita featuring Moor Mother, Deaf Squad x Flowdan, Tristan Perich & Ensemble 0, and more.

On the cover: Keiji Haino. Inside: Shamica Ruddock, Seppuku Pistols, Jabu, Gregory TS Walker, Viktar Siamaška, The Primer: John Butcher, Invisible Jukebox: Wolfgang Voigt, Epiphanies: Mark Webber on Spaceman 3, The Inner Sleeve: Céline Gillain on Leonard Cohen, Global Ear: Nicosia, Unlimited Editions: Nashazphone, and in the reviews sections: Wendy Eisenberg, Ivo Perelman, Yellow Swans, Meshell Ndegeocello, Tristwch Y Fenywod, Byard Lancaster, Zdeněk Liška, Dr John, Supernormal, Heroines Of Sound, and much more.

On the cover: The Body & Dis Fig. Inside: Farida Amadou, Steve Beresford, Pavel Richter, Dialect, petals, Erica Dawn Lyle, H-Fusion, Invisible Jukebox: Melt-Banana, The Inner Sleeve: Eve Libertine, Epiphanies: Roy Claire Potter, Global Ear: Barcelona, Unlimited Editions: YOUTH, plus in the review sections: Laurie Anderson, Belong, Seefeel, Three Quarter Skies, Dhangsha, NicoNote, Laura Cannell, Primitive Percussion Youth Orchestra, Endon, Bobby Hutcherson, Harold Land, Red Kross, David Corio’s images of Black musicians, the Gnaoua & World Music Festival, Gary Stewart, Lonnie Holley, specialist columnists, and more.

On the cover of the magazine: 19 page special feature – inside the sound world of David Lynch, including a new interview with the director and his music collaborators Chrysta Bell Zucht and Dean Hurley + essays on Dune, Eraserhead, Twin Peaks, Lost Highway, The Straight Story, Wild At Heart, backwards speech, wind sounds, drones, finger clicks, lip-syncing, and more.

Also in the magazine: interviews with Copper Sounds, Miaux, and Theodora Laird & Caius Williams, plus: Invisible Jukebox: Dhangsha, Unlimited Editions: Discreet Music, Epiphanies: Lonnie Holley, The Inner Sleeve: Mabe Fratti, Global Ear: Monterrey, and 36 pages of reviews including Vijay Iyer, World Service, Joe McPhee, Paul Burwell, new histories of krautrock and free jazz, Chicago Jazz String Summit, and more.

Finally: all copies of the August issue come complete with a free CD of The Wire Tapper 65 featuring 16 new tracks by Farida Amadou, Mettani, Landless, Noémi Büchi, Doc Sleep, TAU, and more.

On the cover: Tomeka Reid. Inside: KMRU, Gordan, Bodies in Motion: Malik Nashad Sharpe + NWAKKE + Bianca Scout, Tongue In The Mind, Nick Dunston, Nika Son, Henry Birdsey, Sisso & Maiko, Invisible Jukebox: Karl Bartos, Global Ear: Belgrade, Unlimited Editions: Notice Recordings, Unofficial Channels: A Moon Age Daydream, The Inner Sleeve: Alison Cotton on John Cale & Terry Riley’s Church Of Anthrax, Epiphanies: Jim Staley + 40 pages of reviews including Sun Ra, Chris Corsano, Skin Graft label, Nilotpal Das, Winter, Elton Dean, Cecil Taylor, Eno, Kim Gordon, Jeff Mills, Charles Curtis and specialist columnists including Steve Barker and Byron Coley + charts, letters, listings, and more.

In the magazine: Darius Jones, Steve Roach, Clarissa Connelly, [Ahmed], Shovel Dance Collective, Arushi Jain, Kulku, Harmony Holiday, Richie Culver, Invisible Jukebox: Ka Baird, Global Ear: Dublin, Epiphanies: Aura Satz on the sound of sirens, Inner Sleeve: Raji Rags on D’Angelo, Unlimited Editions: Industrial Coast, Unofficial Channels: The Rest newsletter, plus 40 pages of reviews including Shabaka Hutchings, Eddie Prévost, Creation Rebel, Eugene S Robinson, hcmf 2023 and more.

On the CD: 16 new tracks by Jac Berrocal, Elaine Mitchener, Derek Piotr, Heejin Jang, Lori Vambe, Shit & Shine, The Phereomoans, A Lily, Dream Skills & GW Sok, and more.

On the cover: Khanate. Inside: Agitation Free, BEAM SPLITTER, Violent Magic Orchestra, Mpho Molikeng, Galya Bisengalieva, Eve Stainton, Invisible Jukebox: Dali de Saint Paul, Global Ear: Berlin, The Inner Sleeve: Alan Courtis, Epiphanies: Nkisi, Unlimited Editions: bié Records, Unofficial Channels: The Roulette Tapes, and in the reviews sections: Abstract Concrete, Manzanera Mackay, Position Normal, Sly Stone’s memoirs, Another Sky festival, Barbara Dane, and much more.

In the magazine: Irreversible Entanglements, Vanishing Twin, Carol Robinson, Tom Mudd, Hearsay, Marina Herlop, The Primer: Jazz & Poetry, Invisible Jukebox: Matana Roberts, Global Ear: Oaxaca, The Inner Sleeve: Val Wilmer on Henry Grimes, Epiphanies: Raphael Rogiński on Neopolitan soul, Unlimited Editions, Gin&Platonic, Unofficial Channels: Chocolate Monk Top Tens, and in the reviews sections: Gong, Tricky, Neumusik, Supersonic, and much more.

On the CD: 16 new tracks by Martin Rev, Rebeca Omordia, Nick Dunston, Lucidvox, Nihiloxica, Sam Genovese, Dredd Foole & The Din, and more.

L'Rain, Blevin Blectum, Trevor Mathison, Kate Gentile, …

Don Cherry's Organic Music Family, Gaika, John Butcher, Ahao Ssan, …

Annea Lockwood, Kramer, Svitlana Nianio, Ziur, …

Mark E Smith, Adele Bertei, Natalia Beylis, …

Meredith Monk, Ocen James, Barbara Dane, Aya, Gina Birch, …

With Richard Pinhas, Weyes Blood, Hamid Drake, DJ Marcelle, Ale Hop, …

Lucrecia Dalt, Anthony Moore, Carl Stone, …

On the cover: Saul Williams. Inside: Alan Skidmore, Laura Cannell, Cheri Knight, Joe Rainey, Anna Butterss, Michael Gregory Jackson, Invisible Jukebox: Bob Mould, Unlimited Editions: Cortizona, Unofficial Channels: Rāga Junglism, Global Ear: Gothenberg, The Inner Sleeve: Éliane Radigue, Epiphanies: Emeka Ogboh, Nancy Mounir, Midori Takada, Tony Williams, Albert Ayler, Moers festival, and more.

+ Free CD with every issue: The Wire Tapper 59 featuring 16 new tracks by MimiCof, Delmore FX, Evicshen, RSS Boy 1 featuring Waclaw Zimpel, Mark Stewart featuring KK Null, Madeleine Cocolas, and more.

Phew One of Japan’s original punk generation, a collaborator with both Otomo Yoshihide and members of Can, has reinvented herself once again in the new millennium with recordings of her hardcore voice, electronic experiments, and collaborations with Jim O’Rourke and The Raincoats’ Ana Da Silva. Interview by Emily Pothast.

The Primer: Pauline Oliveros The sprawling discography of the Deep Listening innovator, including electronic compositions at Mills College, adventurous settings for improvisation, site-specific projects, experimental scores and her distinctive accordion drones, is mapped by Louise Gray. The Dream Syndicate The survivors of the 80s US Paisley Underground have flourished since their recent reformation, exploring cinematic influences, hypnotic songwriting, soundtrack collaborations, and with Steve Wynn as a wild card guitarist for hire in numerous collaborations. Joseph Stannard talks to them. Invisible Jukebox US guitar shredder Ava Mendoza tries to ID our mystery record selection. Global Ear Arthur Kuzmin of New New World Radio in Moscow describes the changes in Russia’s alternative music landscape following the country’s invasion of Ukraine. Unlimited Editions Pioneering broadcasting project Radio Art Zone aims to light up the airwaves in Luxembourg as part of this year’s European Capital of Culture Esch celebrations. By Ilia Rogatchevski. Unofficial Channels Inner Sleeve US rapper billy woods on Bigg Jus’s Black Mamba Serums. Epiphanies Former Magic Band and Jeff Buckley guitar hero Gary Lucas chronicles his 50 year obsession with the mesmerizing moves of Third Ear Band.

Plus one page interviews with Julmud, Black Glass Ensemble, Floris Vanhoof, and Deborah Walker & Silvia Tarozzi...

Reynols As one of the most singular groups in rock release a new album, and following drummer Miguel Tomasin’s Henry Viscardi Award for achievement in the disability community, the Argentinian trio talk to Emily Pothast about their mission to acknowledge all sounds, experiences and abilities, and the emancipatory power of noise and jamming.

Valentina Magaletti One of the most prolific and sought after percussionist-composers in the London music scene tells Ilia Rogatchevski about her role laying down the rhythm for psychedelic rock groups like Vanishing Twin, participation in London Improvisers Orchestra, and her growing reputation as timekeeper for hire for Gruff Rhys, Can Project, Bat For Lashes, and many more.

Ivo Perelman The Brazilian saxophonist has forged his own uncompromising and hardcore approach to the instrument that’s now being heard across a dizzying range of collaborations and projects. He tells Phil Freeman about his epic plans for 2022 including a dozen recordings with fellow saxophonists, a trio with Joe McPhee and Matthew Shipp, and a new documentary about his work.

Invisible Jukebox: King Jammy Reggae and dancehall godfather King Jammy takes our mystery record test as he revisits his 1980s and 90s catalogue in dub style on a new release.

Global Ear Two reports from the underground music scenes of Kyiv and Moscow as their communities are left reeling by Russia’s invasion of Ukraine.

Unlimited Editions Nathan Evans tunes into unorthodox transmissions from Blackpool with Lancashire’s guardians of the weird and the occult Fonolith Records.

Unofficial Channels Marc Weidenbaum surveys eclectic and groundbreaking uses of sound to represent information via the Data Sonification Archive.

The Inner Sleeve Dennis Bovell on The Slits’s Cut.

Epiphanies Composer and writer Edward Henderson discovers the true meaning of experimentation watching two people cover themselves in tape in an East London flat. Plus full page interviews with Ailbhe Nic Oireachtaig, oksana linde, Helms Alee, and Blod.

Scratcha DVA As the best connected mover and shaker in London’s dance underground nears 20 years in music, the producer and DJ talks to Chal Ravens about his Afrofuturist visions, his Hyperdub productions, making intercontinental connections with South Africa’s bass avant garde, and a broadcasting legacy that stretches from his pirate days at Rinse FM to NTS.

and also...

Eberhard Kranemann An unheralded figure in Germany’s underground rock revolution, Eberhard Kranemann was a member of Kraftwerk and Neu! in their crucial early years before striking out on his own with the notorious Fritz Müller Rock project and later collaborations with Harald Grosskopf.

Anne Gillis The French artist and experimental sound maker trod a distinctive path through the industrial scene with projects such as Devil's Picnic. Now, with her first album in over 15 years and new collaborations with London duo Seymour Wright and Paul Abbott, her unique rhythmic sensibility is surfacing once more.

Invisible Jukebox: Lee Ranaldo & Steve Shelley As an extensive collection of Sonic Youth’s live recordings is released, the New York pair take The Wire’s mystery record test.

Global Ear Peter Margasak investigates a new group of Berlin composers exploring the possibilities of just intonation tuning, including Catherine Lamb, Werner Durand, Marc Sabat, Chiyoko Szlavnics and Arnold Dreyblatt.

Unlimited Editions Emily Pothast talks to Ratskin Records, the Bay Area crew putting issues of accessibility and equality at the forefront of its music including in its ‘mixed reality’ online projects.

Unofficial Channels Abi Bliss investigates This Band Isn’t Real, the Twitter feed creating fictitious metal groups and album covers through the power of machine learning.

Mdou Moctar

Niger guitar hero Mdou Moctar has blazed a trail across the world for a new style of hypnotic desert rock. On the eve of a major US and European tour, Clive Bell talks to Moctar and his band about the anti-colonial spirit animating their current album Afrique Victime, the infamous Purple Rain-inspired motorbike musical Akounak Tedalat Taha Tazoughai, and their connections with other leading lights of daredevil North African guitar including Les Filles De Illighadad.

Inside the issue... Éliane Radigue Mazen Kerbaj Ben LaMar Gay Jeff Parker

The Primer: Éliane Radigue Julian Cowley writes a user’s guide to the recordings of the great French electronic and electroacoustic composer, whose work has continued exploring the connections between Buddhism and longform sound well into the 21st century with the acoustic Occam Ocean series. Mazen Kerbaj The Lebanese trumpeter, improvisor and cartoonist has carved out a new niche for himself in Berlin. He tells Mariam Rezaei about his new album Sampler/Sampled, where a global cast of collaborators including Bob Ostertag, Muqata’a and Equiknoxx’s Gavsborg explore the power of music as a universal language.

Invisible Jukebox Chicago creative music polymaths Jeff Parker and Ben LaMar Gay go head to head with The Wire’s mystery record test. Global Ear In Lisbon, April Clare Walsh gets familiar with a new wave of creole language rap.

Unlimited Editions Tokyo label, record shop and keepers of the roots reggae flame Dub Store.

Unofficial Channels YouTube’s Original Jungle Samples channel.

Inner Sleeve Tim Hecker. Epiphanies Reinhold Friedl on Iannis Xenakis.

Plus full page interviews with Robbie Lee, Hedvig Mollestad, Powers/Rolin Duo, and Duma.

The Wire’s essential annual guide to the year in sound and music is upon us, as we consider where we are now after a tumultuous 12 months of underground activity, recovery, false starts and new beginnings. Our specially extended Rewind issue includes our Top 50 Releases of the Year and Archive Releases of The Year charts, cultural reflections from our extensive roster of writers, and our specialist columnists’ charts from avant rock to noise. This year the Rewind section also includes essays by Clive Bell on how new tunings are breaking the stranglehold of Western music; Neil Kulkarni on the complex and problematic legacy of the Fourth World aesthetic in contemporary sound; and Rob Turner on how music formats from LP and tapes to downloads and streams are still changing the way we listen.

Elaine Mitchener

Loré Lixenberg

Reiko & Tori Kudo

Haley Fohr Inside the issue...

Invisible Jukebox Vocalists Loré Lixenberg and Elaine Mitchener take The Wire’s mystery record test.

Global Ear James Gui spends a week in Seoul as the underground music scene opens up after Covid.

Unlimited Editions Robert Barry profiles publishing house and event organiser Grapheme as it explores the role of notation and scoring in music.

Unofficial Channels Punk ’zine archive Contextual Dissemination. Inner Sleeve Reiko and Tori Kudo choose record sleeves that have influenced them.

Epiphanies Haley Fohr aka Circuit Des Yeux on lessons learned in quarantine and the isolation of a Robert Rauschenberg residency.

Plus full page interviews with Matthias Muche, Klankvorm, Giant Claw, and Saadet Turkoz.

Soundcheck Selected new vinyl, CDs, cassettes, singles, downloads, streams etc reviewed

Inside this issue: Laraaji, Jun Togawa, Olivia Block, Global Era, Epiphanies, … plus lots of reviews and the regulars you know from Wire.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Jungle Volume 1 features the likes of Dread, Legend, Moving Shadow, Rugged Vinyl, White House and many more.

This book touches on some the most important labels responsible for the scene’s foundations - along with some rare, hard to find & more recent labels that are keeping the Junglist movement rolling on.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Lewis Joyce (Sicknote)

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

UK Hardcore Volume 1 features the likes of Basement Records, Dark Horse, Liquid Wax, Satin Storm, Symphony Sounds, Tone Def and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Warlock

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints that are now defunct, plus a few heavy-hitting newcomers.

UK Garage Volume 1 features the likes of Casa Trax, Groove Yard, Locked On, Social Circles, Swing City and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Chapman (Immerse)

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage, Techno and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Techno Volume 1 features the likes of Basic Channel, BPitch, Force Inc, Lenske, Plus 8, Soma and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Emily Thomas & Rob Smith

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

House Volume 1 features the likes of Defected, Trax, Music For Freaks, Sound Pak, Vulture Music and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Joe Roberts & Chris Dexta

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Dubstep Volume 1 features the likes of Boka, Hyperdub, Skull Disco, Tempa, Uprise Audio and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Sam Rice (Yeti) & Chris Dexta

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Drum & Bass Volume 1 features the likes of Metalheadz, Symmetry, Sofa Sound, Prototype, Commercial Suicide and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Immerse

Now in stock: The Sneeze Magazine N61 aka The Violet Issue. The latest edition of the Sneeze Magazine is dedicated to skateboard deck designer/producers and skate team Violet, shot by legendary photographer and filmmaker Ari Macropoulos. Violet is a skateboardin company with a pro team made up of nine riders, each featured with their own portrait in this issue of Sneeze. Among the images is an interview of Violet, Ari and the contemporary skateboarding scene. Includes features of William Strobeck, Seven Strong, Kader Sylla, Patrick O'Mara, Auguste Bouznad, Efron Danzig, Troy Gipson, Kyle Teh, Kris Brown, Mike Ward, Jax and Lucas as well as stickers. Dimensions: approx. 28 x 40.5 cm (folded) / 56 x 81 cm (unfolded); printed in Canada.

Record Time No 2 hits the bargain bins and neglected corners of the local record store to find great records that are still affordable to average folks. And, as with the first issue, we dig into the back stories of these records and artists, with a focus on good writing. This time around we do a deep dive into the life and career of Ray (Rae) Bourbon, a pre-Stonewall drag artist and comedian; jazzman Charles Lloyd's "wilderness" albums; Catalan folk legend and politico Lluis Llach; oddball rockers the Hampton Grease Band; finding the South African country music holy grail; Canadian cabaret rocker Louis Furey; the weird world of Polka; hard rocking should-have-been-huge Birtha; actor & music pusher Jack Webb; Sex Pistols and Pistols-inspired novelty records; patron saint of smart asses Rick Johnson; and more! Contributors this time are TOM Hyland, Owen Maercks, Stella Beratlis, Steve Silverstein, Nathanel Amar, Adam Taub, Nate Knaebel, Laurent Bigot, Mike Trouchon, Greg Pshaw, Johnny Sunshine, Dennis Worden, Fred DE Vries, Stan Appleton, Billups Allen, and Todd Trick Knee, with guest appearances by Lali Donovan, Larry Hardy, Tony Coulter, and Dana Katharine. Edited by S Soriano.

Record Culture Magazine is a biannual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.

200 plus magazine featuring interviews and studio visits with:

– Louise Chen – John Gómez – Apiento – Regularfantasy – Lauer – Beatrice Dillon – Public Possession – River Yarra – Sadar Bahar – Anthony Naples And the visual feature, “A Decade of Power and L.I.E.S.

Featuring Louise Chen, John Gómez, Apiento, Regularfantasy, Lauer, Beatrice Dillon, Public Possession, River Yarra, Sadar Bahar, Anthony Naples, and the visual feature, “A Decade of Power and L.I.E.S.”

228 pages, Perfect bound, Softcover Printing: Kopa, EU

Record Culture Magazine is a biannual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.

200 plus magazine featuring interviews and studio visits with:

– Louise Chen – John Gómez – Apiento – Regularfantasy – Lauer – Beatrice Dillon – Public Possession – River Yarra – Sadar Bahar – Anthony Naples And the visual feature, “A Decade of Power and L.I.E.S.

Record Culture Magazine is a biannual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.

200 plus magazine featuring interviews and studio visits with:

– Louise Chen – John Gómez – Apiento – Regularfantasy – Lauer – Beatrice Dillon – Public Possession – River Yarra – Sadar Bahar – Anthony Naples And the visual feature, “A Decade of Power and L.I.E.S.

Record Culture Magazine Issue 4 : Featuring Kim Ann Foxman, Suso Saiz, Joe Goddard, Alexis Le-Tan, Jonnine Standish, Keith Haring Party Invites, Ron Morelli, Andee Frost, Paramida, Eddie Ruscha, Phil Mison, Justin Van Der Volgen and Ruggero Pietromarchi.
Record Culture Magazine is a bi-annual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.
Led by in-depth interviews, image portfolios and photography that gives a unique view into homes and studio spaces.

Record Culture Magazine is a biannual publication that shines a light on the people intrinsic to niche music communities around the world and their intersection with art, fashion, and culture.

250 plus magazin featuring in-depth interviews and home/studio visits with:

– DJ Harvey
– Sofie
– Jun Takahashi
– Ziggy Devriendt
– DJ Sundae
– Pedro Winter
– Ariel Kalma
– Octo Octa
– Max Essa
– Moxie
– Pierre Rousseau
– CC:DISCO!

And the visual feature, “White Columns Retrospective: 1977–1986.”

Delve into the largely overlooked footprint that Black punks have on the underground music scene in a new archival publication brought to you by Raeghan Buchanan and Silver Sprocket. The Secret History of Black Punk: Record Zero by Buchanan is an illustrated roll-call for punk, post-punk, hardcore, no-wave, and experimental bands from ground zero ‘til now. A starting point for anyone curious, another reference for those who devour all genre-related things, or a cool artifact for anyone in the know. This book is part of an ongoing series that covers musicians like Sister Rosetta Tharpe, Poly Styrene, Don Letts, Minority Threat, and many others. From LA to London, from the early 1900s till today, Buchanan examines and presents narratives to show how Black musicians shape (and are shaped by) the world we live in. 64 full-color pages. 6.625" x 10.187" with spine.

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Since ITS Inception, Orienteer HAS Taken THE Print Format OF AN OLD OS MAP. Moving IN A Progressive Direction, THE Mapazine HAS Transformed Into A 240-page Print Magazine.

THE Term Deimatic Behaviour Refers TO THE Patterns OF Bluffing That AN Animal CAN Display IN Defence. This Feat OF Nature IS Seen Across ALL Forms OF Wildlife, Especially Butterflies, Moths AND Small Creatures Like Birds AND Insects.

Cover 2 OF 4, ‘the Only Thing Guaranteed IN Life IS Death’, Took Orienteer Mapazine TO THE Mountainous Region OF Michoacan IN Mexico. Much Like THE Olden Days OF Photojournalism AND Venturing Into THE Unknown, There’s NO Precedent FOR What Might BE Captured & NO Expectations. IN Nature, NOThing IS Guaranteed, Except Death.

THE Monarch Butterflies Migrate From Canada AND Northern Parts OF THE United States Down TO Mexico FOR THE Winter Months, Where They Hibernate AND Reproduce. Along THE WAY They Face Many Battles Stemming From Modern Life, Deforestation, AND Climate Change.

A Truly Natural Wonder OF THE World AND AN Eye-opening Experience. Raising Awareness DUE TO THE Decline IN Monarch Populations HAS Been A Joint Effort OF THE Canadian, US & Mexican Governments.

20% OF ALL Monarch Butterfly Cover Sales Will BE Donated TO Alternare A.C. With 24 Years OF Work IN Conserving THE #mariposamonarca Biosphere Reserve. @AlternareAC

— Includes Charlie Constantinou X 66north Foldout MAP — 240 Pages — 230x300mm — Spot UV Orienteer Logo — Cmyk + Neon Pink Print Throughout

Following on from his 2021 book, Synthesizer Evolution: From Analogue to Digital (and Back), Oli Freke returns with a Synthesizer Evolution A6 zine series.

Drum machines and samplers have something of a shared history and this zine celebrates their invention and by picking out 46 of the most influential, important or most interesting drum machines and samplers from 1949 – 1996. Explore the most legendary drum machines and samplers ever created, including the Roland TR-808, Roland TR-909, Akai S1000, Fairlight CMI, Akai MPC60 and more, with detailed descriptions and the stories behind their development.

The earliest rhythm machines from the 1960s (and even earlier) used unwieldy sound generation techniques such as tape or other electro-mechanical means. However, the application of the transistor from the early 1970s swiftly saw an improvement in sound quality, usability and commercialisation of the drum machine.

These same transistors, minuaturised into microchips, also enabled the wider take-up of digital sampling in the 1970s – albeit initially at vast cost. As the 1980s wore on, silicon became cheaper and samplers became ubiquitous.

Drum machines took advantage by first incorporating sampled drum sounds, providing increased realism over their analogue predecessors. They then went full hybrid with the creation of the ‘music production workstation’ – a slick combination of drum machine, sampler and sequencer, much favoured by the hip-hop community.

Both music production workstation and ‘pure sampler’ brought a revolutionary new approach to music making – whether in newly realistic replications of acoustic instruments, the recycling of old music and records into new, exciting collage styles, or by simply facilitating new approaches to sound design.

All of this furious development, enabled by silicon chips and their reducing cost, caused the development of brand new styles of music from hip-hop to rave, and from newly lush film scores to the experimental avante-garde.

Pages: 52
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white

Following on from his 2021 book, Synthesizer Evolution: From Analogue to Digital (and Back), Oli Freke returns with a Synthesizer Evolution A6 zine series.

The invention of the synthesizer in the 1960s changed musical culture and music production forever, giving musicians whole new worlds of sound to play with. Vintage Synths celebrates that invention and its subsequent history by picking out 46 of the most influential, important or most interesting synths from 1939 – 1998. They represent the introduction of a new technology, had a particular impact, or maybe even formed the basis of entirely new genres.

Explore the most legendary synthesizers ever created, including the Minimoog, ARP 2600, Yamaha DX7, Roland Jupiter 8 and more, with detailed descriptions and the stories behind their development.

Vintage Synths delves into the fascinating world of synthesizers, tracing their evolution from the early days of analogue synthesis to the modern digital era, and exploring the recent resurgence of analogue synthesizers.

Synthesizer Evolution Vintage Synths takes readers on an inspiring journey through the history and technology behind these iconic musical instruments. From the earliest electronic experiments to the cutting-edge digital synthesizers of today, this zine provides a comprehensive overview of how synthesizers have shaped the world of music.

Accompanying are illustrations that celebrate the visual qualities of synthesizers – not only have they produced the sound of the future, but they have also looked like the future since the earliest days.

Whether you’re a seasoned synthesizer player, a music producer, or simply an enthusiast, Vintage Synths is a valuable resource that offers both technical depth and historical context.

Pages: 52
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white

Titelstory: 1973 Von The Who über Pink Floyd zu Bruce Springsteen bis New York Dolls: Der große Rückblick auf ein Jahr, in dem große Bands den Zenit ihres kreativen Schaffens erreichen und letzte Meisterwerke aufnehmen oder auch Richtungsentscheidungen treffen, Ausnahmetalente ihre Debütalben veröffentlichen und damit den Grundstein für Superstarkarrieren legen und die Punk-Bewegung ihren Anfang nimmt.

Sugar Man Die Geschichte von Songwriter Sixto Rodriguez, seinen beiden wiederentdeckten Ausnahmealben und weiteren Meisterwerken, die ebenfalls fast vergessen worden wären.

Master-Class Frank Wonneberg befasst sich in seiner Reihe diesmal mit dem Akustik-Livealbum „Unplugged“ von Eric Clapton.

Rega Made in England: Wir besuchen das Werk des legendären HiFi-Herstellers in Leigh-on-Sea in Großbritannien und treffen den Firmengründer Roy Gandy. Soundtrack Of My Life MC5-Gitarrist Wayne Kramer über das Free-Jazz-Album „Ascension“ von John Coltrane, das seine Weltsicht veränderte.

Enthüllt: The Pogues Die Geschichten zum Cover von The Pogues’ Folk-Punk-Klassiker „New Peace And Love“, designt von Simon Ryan.

Weitere Themen der Ausgabe Praxistests zu Plattenspieler, Vollverstärker und Standlautsprecher, Über 100 LP-Besprechungen auf 42 Seiten, die Rubrik „33 1/3 Cover“, News-Features, Dr. Mint, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

Titelstory: Vinyl-Report Paris
Auf 45 Seiten begeben wir uns auf einen ausführlichen Trip durch die Plattenläden von Paris, zeichnen die Entwicklung der Rockmusik zwischen Rhein und Atlantik nach, werfen einen Blick auf die Besonderheiten der französischen Vinyl-Kultur und stellen – von Françoise Hardy über Gong bis Daft Punk – 33 der besten Alben französischer Herkunft vor, die auch hierzulande ins Plattenregal gehören.

Clearaudio
High End Made in Germany: Wir besuchen die Produktionshallen des traditionsreichen fränkischen Familienbetriebs.

Vinyl-Laube
Wir verbringen einen Abend mit fünf Freunden, die in einer Dortmunder Gartenlaube ihre Leidenschaft für Vinyl teilen.

Master Class
Frank Wonneberg befasst sich in seiner Reihe zu großen Alben mit „Tubular“ Bells von Mike Oldfield.

Enthüllt: Yellow Magic Orchestra
Die Geschichten zum Cover von Yellow Magic Orchestras „Solid State Survivor“, fotografiert von Masayoshi Sukita.

Soundtrack Of My Life
Jethro-Tull-Mastermind Ian Anderson über den Folk-Klassiker „Come Out Fighting Ghengis Smith“ von Roy Harper.

Weitere Themen der Ausgabe: Praxistests zu Plattenspieler, Phono-Vorverstärker und Tonabnehmer, über 100 LP-Besprechungen auf 50 Seiten, die Rubrik „33 1 / 3 Cover“, News-Features, Dr. MINT, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

Titelstory: Prince Unser Special beleuchtet das Lebenswerk des Pop-Pioniers und Ausnahmekünstlers mit einem besonderen Vinyl-Fokus. So erzählen wir die Geschichte rund um das neue Album „Welcome 2 America“, lassen Weggefährten zu Wort kommen und präsentieren sein Gesamtwerk an 39 Studioalben in einem großen Vinyl-Guide.

Posthume Alben The Doors, Jeff Buckley, Marvin Gaye: Wir präsentieren 14 Meisterwerke, die nach dem Tod der Künstler erschienen sind.

Bücher Lesevergnügen auf insgesamt 3.500 Seiten: Wir stellen 10 Neuerscheinungen vor, in denen sich Schallplatten- und Musikfans verlieren können.

Musikarchiv NRW Wir werfen im Musikarchiv NRW einen Blick auf 80 archivierte Jahre der Musik-Geschichte Nordrhein-Westfalens – und darüber hinaus.

Enthüllt: Oasis Wir beleuchten die Geheimnisse hinter dem Covermotiv von „Definitely Maybe“ – fotografiert von Michael Spencer Jones.

Ein Tag im Boxen-Labor Das Traditionsunternehmen aus Schwaben baut Lautsprecher der Extraklasse. Wir besuchen das Nubert-Hauptquartier.

Master Class Frank Wonneberg befasst sich in seiner Reihe zu großen Alben diesmal mit Back To Black, dem Neo-Soul-Klassiker von Amy Winehouse.

Soundtrack Of My Life Moby spricht über „Heroes“ von David Bowie.

Weitere Themen der Ausgabe Praxistests zu Plattenspielern, Tonabnehmer und Vorverstärker, über 90 LP-Besprechungen, die Rubrik „33 1/3 Cover“, News-Features, Dr. Mint, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

Themen Mint Nr. 36

Titelstory: Deep Purple Es existieren wohl nur wenige Bands, die so lange aktiv sind und zugleich so viele Besetzungswechsel hinter sich haben. Auf 40 Seiten widmet sich Mint deshalb zunächst jeder einzelnen „Mark“ der Hardrock-Pioniere, wie Deep-Purple-Fans die Besetzungen bezeichnen, sowie ihren wichtigsten Studio- und Livealben. In der „Master Class“ nimmt sich Frank Wonneberg in aller Ausführlichkeit Machine Head vor; das musikalisch einflussreichste Album der Band, während Fotograf Didi Zill, der die Briten über Jahrzehnte begleitete, für Mint sein riesiges Fotoarchiv geöffnet hat. Mint-Chefredakteur Dennis Plauk geht in „Enthüllt“ ausführlich auf das Cover der dritten, nach der Band benannten LP ein. Und nicht zuletzt stellen Sänger Ian Gillan, Schlagzeuger Ian Paice und Gitarrist Steve Morse die Soundtracks ihrer Leben vor.

Zuhause ist, wo die Plattensammlung steht Michael Reinboth, DJ und Chef des Labels Compost Records, gewährt Mint-Redakteur Florian Schneider einen umfassenden Einblick in seine Plattensammlung,

Signierte Schallplatten Mint-Autor Gerrit Terstiege erzählt von einem ganz speziellen Sammelgebiet, in dem er sich selbst rege betätigt: Vom Künstler selbst unterzeichnete Platten und Plattencover. Wie verifiziert man die Authentizität, welche signierte Platte ist die teuerste – und möchte man sie überhaupt besitzen?

Der Tütensammler Vinyl ist nicht der einzige Kunststoff, für den sich Roman Bühlmann begeistert. Seit 1980 sammelt der Schweizer Schallplatten – und fast genauso lange die Plastiktüten der Läden, in denen er sie kauft. Mint-Autor Florian Höhr besuchte Bühlmann in Schaffhausen und lernte eine Kunstform für sich kennen.

Musik-Bücher Fünfmal neuer Lesestoff zum Lieblingsthema. Vom Krautrock-Label Brain über eine Joy-Division-History, eine popkulturelle Chronik der 70er, eine Ringo-Starr-Biografie zu David Byrnes Abhandlung über die Wirkung von Musik.

Weitere Themen der Ausgabe Neue Boxen, Verstärker und Plattenspieler im Praxistest, über 90 LP-Besprechungen, die Rubrik „33 1/3 Cover“, News-Features, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.