Magazines 265 Items

Meredith Monk, Ocen James, Barbara Dane, Aya, Gina Birch, …

This issue is dedicated to the memory of astral traveling saxophone colossus Pharoah Sanders, with a tremendous evaluation of his most important work by the great music writer Andy Beta as the cover feature, rare images by Leni Sinclair, and a brief remembrance by film director Jeff Feuerzeig. Columns: - Lucy Sante - New column is about her collage practice, which was unknown until recently. Unsurprisingly it’s great work. - Mimi Lipson – Returns with another advice column filled with warmth, humor, and even advice. - Jazz Roundtable – with Ben Jaffe, Sam Cohen, Bekah Flynn, and Makaya McCraven: New Orleans’ entire history as refracted through the work of Charlie Gabriel of the Preservation Hall Jazz Band, an absolutely deep and important piece we are so stoked for. - Thinking Fellers – An overview related to new reissues, written by none other than your favorite writer from Bananafish. - Some Churches – Amazing images of small churches, rural and urban, from the collection of the Library of Congress. Also Featuring: Mick Collins – Tremendous career-spanning feature on the Gories/Dirtbombs frontman by the great RJ Smith. Lambchop – A great new album for Merge and an expansive theater piece Kathy Lindenmayer goes deep with leader Kurt Wagner. XV – Detroit’s new no wave supergroup deconstructs an interview, with musician Adam Taub. Ghost Riders – ‘60s/‘70s North American downer psych-pop/ garage “Coming of Age Garage Ballads,” Glen Morren turns in a lengthy overview. Ernest Hood – A feature on the heralded Pac NW ambient composer, amazing ephemera to choose from courtesy the Rvng peeps. THE HI Rhythm Section - Tennie, Charles, and Leroy! An often hilarious feature by Jason Gross from Perfect Sound Forever. Edel Rodriguez – Contemporary Cuban-American graphic artist interviewed by Britt Daniel from Spoon – they’ve collaborated together. Wednesday Knudsen – An overview of the work of this genius rural Massachusetts- based contemporary zone folk goddess, by Michelle Dove. Alpaca Brothers – In depth feature by Matt Goody (whose new book on Flying Nun’s history is a must). Matthew Dickman – The great skater poet and poet/skater, introduced by Alex Behr. Charles Gillam SR – Gabe from Desert Island interviews the New Orleans-based music obsessive and folk artist. King Kong – Former Homestead Records honcho Ken Katkin is here with ten trenchant observations on a reunion show by Louisville’s finest.

The Necks. Sirom, Marc Hollander, James Brandon Lewis, …

This issue features interviews with Pete Brown, Dana Gillespie, Gruff Rhys, Alex Merry and Benjamin Myers, as well as features about the lesser-known UK free festivals, Argentinian underground magazine Expreso Imaginario, Gwawr Records, The New Eves, Burd Ellen, Aphex Twin, album/live music reviews & much more...

Maria Chávez, Mariam Rezaei & Victoria Shen Three experimental turntablists, from the UK and the US East and West coasts, come together in a new project which sets out on a European festival tour this April. By Emily Pothast.

Dorothy Moskowitz The vocalist in venerable US experimental/electronic rock band The United States Of America talks to Edwin Pouncey as she returns with new project The United States Of Alchemy.

Mihály Víg The Hungarian film composer, actor and close collaborator of film director Béla Tarr talks to Ilia Rogatchevski ahead of a major new Berlin screening and soundtrack performance of Tarr’s monumental Sátántangó.

Invisible Jukebox: Tatsuya Yoshida Japanese underground rock’s most prolific drummer takes times out from Ruins, KK Null, Korekyojinn, etc to take our mystery record test.

...

Titelstory: Depeche Mode Anlässlich des neuen Albums „Memento Mori“ widmen wir uns auf 46 Seiten der Welt der Synthie-Pop-Pioniere Depeche Mode. Es gibt einen großen Vinyl-Guide zu Studioalben und Live-Bootlegs, dazu Interviews mit Sänger Dave Gahan, Bandentdecker und Mute-Gründer Daniel Miller und Stammdesigner Anton Corbijn. Zudem haben wir einem leidenschaftlichen Depeche-Mode-Fan einen Besuch abgestattet und blicken in Form von Historys auf die New-Romantics-Bewegung der frühen 80er und auf die Entwicklung der Remix-Kultur, die Depeche Mode geprägt haben.

Frauen und Vinyl Warum sind Frauen in der Vinyl-Welt immer noch Ausnahmeerscheinungen? Wir haben Sammlerinnen quer durchs Land interviewt und nach Antworten gesucht.

Coturn Ein neuer Plattenspieler setzt Maßstäbe für die mobile Wiedergabe. Der Weg dorthin war weit. Wir haben den Erfinder in seinem Atelier besucht.

Musik zum Lesen Von Pink Floyd über Prince bis Rory Gallagher: sechs aktuelle Bücher, in denen sich Schallplatten- und Musikfans verlieren können.

Master Class Frank Wonneberg widmet sich in der Reihe zu Albumklassikern „Surfer Rosa“, dem einflussreichen Debüt der Indierocker Pixies.

Enthüllt: Prince Die Ideen hinterm Cover von Prince’ „Around The World In A Day“, einem psychedelischen Meisterwerk, gestaltet von Doug Henders.

Soundtrack Of My Life Garbage-Sängerin Shirley Manson über „The Scream“ von Siouxsie And The Banshees

Weitere Themen der Ausgabe Praxistests zu Plattenspieler, Phono-Vorverstärker und Regallautsprecher, über 100 LP-Besprechungen auf 50 Seiten, die Rubrik „33 1 / 3 Cover“, News-Features, Dr. Mint, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

The seventh issue of We Jazz Magazine, "Universal Beings" for Makaya McCraven. 128 pages 174 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH.

Stories include Makaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Peter Evans by Andrey Henkin, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pressing plant photo essay by Mathias Foster, reviews, plus more.

Country of printing: Finland

GROOVE #177 is the second strictly limited special edition of the magazine since the discontinuation of the print issue in 2018. 156 pages bundle a selection of articles published on groove.de from the last year with exclusive content. This is also the case in the large dossier on trance, trash pop and TikTok. Where will the techno and house scene go if it flirts with the mainstream? The festival special with a look behind the scenes of the industry and of course all the important dates of the summer season offers the best prospects. Rave on!

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike Mcgonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. Issue # 12 goes in depth with Dolly Parton, Octavia Butler, Rolin-powers, THE Clean + Hamish Kilgour, Fred Tomaselli, Crazy Doberman, Tayondai Braxton, Galore and much, much more.

Titelstory: Vinyl-Report Paris
Auf 45 Seiten begeben wir uns auf einen ausführlichen Trip durch die Plattenläden von Paris, zeichnen die Entwicklung der Rockmusik zwischen Rhein und Atlantik nach, werfen einen Blick auf die Besonderheiten der französischen Vinyl-Kultur und stellen – von Françoise Hardy über Gong bis Daft Punk – 33 der besten Alben französischer Herkunft vor, die auch hierzulande ins Plattenregal gehören.

Clearaudio
High End Made in Germany: Wir besuchen die Produktionshallen des traditionsreichen fränkischen Familienbetriebs.

Vinyl-Laube
Wir verbringen einen Abend mit fünf Freunden, die in einer Dortmunder Gartenlaube ihre Leidenschaft für Vinyl teilen.

Master Class
Frank Wonneberg befasst sich in seiner Reihe zu großen Alben mit „Tubular“ Bells von Mike Oldfield.

Enthüllt: Yellow Magic Orchestra
Die Geschichten zum Cover von Yellow Magic Orchestras „Solid State Survivor“, fotografiert von Masayoshi Sukita.

Soundtrack Of My Life
Jethro-Tull-Mastermind Ian Anderson über den Folk-Klassiker „Come Out Fighting Ghengis Smith“ von Roy Harper.

Weitere Themen der Ausgabe: Praxistests zu Plattenspieler, Phono-Vorverstärker und Tonabnehmer, über 100 LP-Besprechungen auf 50 Seiten, die Rubrik „33 1 / 3 Cover“, News-Features, Dr. MINT, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

Dave Lombardo, Paul Dunmall, Alison Cotton, Verity Susman, …

Highlights of our Savages issue include… - Ricky Powell... It’s probably a truism, and doubly true for those of us invested in the idea of culture, that when we finally go, we have a nagging fear that others will eulogize us with half-baked notions about who we were, what we cared about, what we brought to the party. A lot of empty pontificating, getting the important details all wrong. Well, lemme tell you, Ricky wasn’t just interested or invested in culture, it was his lifeblood, his *‘raisin dead rat’*. Rest In Peace, brother!

- WHY Ebay... Every once in a while you get introduced to the work of an emerging artist that immediately makes you reflect on why you fell in love with graffiti, graphic design, fashion and getting inked in the first place. It is as if you suddenly got invited to observe things from an edge, wondering when and why you suddenly stopped to rethink - or think ahead - the many possibilities these mediums offer while admiring the audacity, presumed playful easiness and variety of ideas on display. And one of these artists goes by the capricious name of Why Ebay.

- Richard Kern... There are quite a few protagonists that portrayed the seedy underground of NYC in the 80s, and East Village-based Richard Kern certainly is one of the most prominent ones. As a filmmaker he was one of the driving forces behind the Cinema of Transgression, for which he explored hysteria, sex, drugs and violence through the punk rock lens - topics he committed to for a large part of his professional career as a photographer as well.

- Cali Thornhill Dewitt... Creating subversions of the American flag. Being a roadie for grunge royalty. Running a publishing house. Doing radio. Preparing for solo-exhibitions worldwide. Running a record label. Actually, the creative endeavors of celebrated artist Cali Thornhill DeWitt are too numerous to list, but it’s safe to state that the collaboration with Abloh and Kanye a few years back might have been the moment that catapulted his name into the mainstream consciousness once and for all.

- plus more elaborate features and visual awesomeness from the likes of: Marta Blue, Mark Mulroney, Clamm, Jake & Dinos Chapman, Icy & Sot, Dry Cleaning, Matt Hansel, Mike Osborne, Djinn and many others.

Disco Pogo is the new, bi-annual, electronic music magazine from the original founders of seminal 90s title Jockey Slut.

Issue 3 is a heavyweight 220 pages and features Roisin Murphy, Grace Jones, Art of Noise, Boards of Canada, Chris Frantz, Danielle Moore, Decius, Hifi Sean, Jamz Supernova, Leftfield, Luke Solomon, Native Tongues, Ralph Lawson, Twisted Nerve, Underground Resistance and much, much more.

Mark E Smith, Adele Bertei, Natalia Beylis, …

Eugen S Robinson, O Yama O, Nappy Nina, Lary 7, Ale Hop, …

The eighth issue of We Jazz Magazine, "Shadow Shapes" for Dorothy Ashby. 128 pages 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN English.

Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose & the Voices Of Creation by Samuel Lamontage, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.

Country of printing: Finland

Annea Lockwood, Kramer, Svitlana Nianio, Ziur, …

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike Mcgonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. Issue # 13 goes in depth with features on Prince, Emeralds, KIM Jung MI, Mimi Lipson, Stewart LEE, Negativland, Mary Lattimore, THE Go-betweens, Duchamp/roussel and much, much more!

"The third issue of LÄRM presents a collection of essays on nostalgia at the junction of pop culture and individual memory.

What is it about the emotional warmth lurking in our recourse to the past? What about the familiar? These and other questions are explored as we delve into the topic of nostalgia by means of song, through a landscape, a picture or a film – subjectively but also critically, in the hope of grasping the shape of this strange familiarity in all its ambivalent nature.

Authors:
Valeria Calderoni, Benedikt Eiden, Rumen Lasev, Ezio Sabottigh, Marion Schiwietz, Wyndham Wallace"

As the team behind zweikommasieben takes its latest edition to ponder the essence of longevity, they arrive at several questions which they have worked through with their featured artists and writers. On the one hand, artistic traditions might be useful to lean on, to conjure an image and an accompanying gut feeling of a recent past. On the other hand, investing in the knowledge of traditions might allow to bend and twist them to explore ones own expression. Whether that is consciously incorporating sounds from the past to evoke historical resonances, as Courtesy did for her most recent album Violence of the Moodboard, or propelling the presentation of music forward into new traditions, such as in the work of Xzavier Stone who has recently started pairing scent with sound during his live performances. In a similar manner, Lateena Plummer proposes new traditions for a dancehall scene which finally makes space for marginalized identities and voices, a purpose directly derived from her experiences in the past, which she openly speaks about in conversation with Anna Froelicher. When Beatriz de Rijke decided to work under the moniker Bea1991, she did this as a conscious anchoring in time, with the latter part of the name being a direct reference to her year of birth. One can imagine that a birthdate might be one of the only constants in life: one that will forever connect someone to a certain generation, and maybe even to a global cultural zeitgeist.

zweikommasieben #27 includes

-interviews with / portraits on Bea1991, Christian Marclay, Courtesy, Divide and Dissolve, DJ Loser, Lateena Plummer, Somatic Rituals, and Xzavier Stone -essays on “New Moon” by Children of the Light for Darkside - a column on Rike Scheffle's work - a contribution by Lou Lou Sainsbury

All content in English; 92pages; 230x305mm zweikommasieben is a magazine that has been devoted to the documentation of contemporary music and sound since the summer of 2011. The magazine features artist interviews, essays, and columns as well as photography, illustration, and graphics.

Since ITS Inception, Orienteer HAS Taken THE Print Format OF AN OLD OS MAP. Moving IN A Progressive Direction, THE Mapazine HAS Transformed Into A 240-page Print Magazine.

THE Term Deimatic Behaviour Refers TO THE Patterns OF Bluffing That AN Animal CAN Display IN Defence. This Feat OF Nature IS Seen Across ALL Forms OF Wildlife, Especially Butterflies, Moths AND Small Creatures Like Birds AND Insects.

Cover 2 OF 4, ‘the Only Thing Guaranteed IN Life IS Death’, Took Orienteer Mapazine TO THE Mountainous Region OF Michoacan IN Mexico. Much Like THE Olden Days OF Photojournalism AND Venturing Into THE Unknown, There’s NO Precedent FOR What Might BE Captured & NO Expectations. IN Nature, NOThing IS Guaranteed, Except Death.

THE Monarch Butterflies Migrate From Canada AND Northern Parts OF THE United States Down TO Mexico FOR THE Winter Months, Where They Hibernate AND Reproduce. Along THE WAY They Face Many Battles Stemming From Modern Life, Deforestation, AND Climate Change.

A Truly Natural Wonder OF THE World AND AN Eye-opening Experience. Raising Awareness DUE TO THE Decline IN Monarch Populations HAS Been A Joint Effort OF THE Canadian, US & Mexican Governments.

20% OF ALL Monarch Butterfly Cover Sales Will BE Donated TO Alternare A.C. With 24 Years OF Work IN Conserving THE #mariposamonarca Biosphere Reserve. @AlternareAC

— Includes Charlie Constantinou X 66north Foldout MAP — 240 Pages — 230x300mm — Spot UV Orienteer Logo — Cmyk + Neon Pink Print Throughout

Since ITS Inception, Orienteer HAS Taken THE Print Format OF AN OLD OS MAP. Moving IN A Progressive Direction, THE Mapazine HAS Transformed Into A 240-page Print Magazine.

THE Term Deimatic Behaviour Refers TO THE Patterns OF Bluffing That AN Animal CAN Display IN Defence. This Feat OF Nature IS Seen Across ALL Forms OF Wildlife, Especially Butterflies, Moths AND Small Creatures Like Birds AND Insects.

Since Turning PRO FOR @satisfyrunning, WE Have Been Keeping A Close EYE ON @stiandhl AND HIS Impressive Work ON THE Trails & Competitions. WE Travelled TO Oslo TO Meet HIM IN HIS Backyard, AND Then Caught UP With HIM Just After THE Black Canyons 100k Race TO Speak About ALL Things Trail & Gear. Stian Makes Cover 3 OF 4.

IN Stian’S Words: “running ON Trails CAN Heal THE Rift Between Human Experience AND THE Natural WORLD.”

IT WAS A Pleasure TO Work With YOU Stian AND WE Would Like TO Thank THE Satisfy Team FOR Their Support

— Includes Charlie Constantinou X 66north Foldout MAP — 240 Pages — 230x300mm — Spot UV Orienteer Logo — Cmyk + Neon Pink Print Throughout

Highlights of our Heat issue include… Jean Jullien… The French multidisciplinary artist just opened a massive solo show titled “Studiolo“, which basically runs for the entire second half of 2023 at Brussels’ Mima - his first European institutional solo exhibition, to be precise. It’s an immersive experience, celebrating the symbiotic relationship between art and language (and therefore the richness and complexity of the human experience), showcasing Jean Jullien's exceptional talent for combining the two.

Pose… Pose already started to sink his teeth into graffiti in 1992, and later became part of renowned crews The Seventh Letter and MSK. He then co-founded We Are Supervision in 2005 before deciding to focus entirely on his artistic career around 2009. His work takes pop culture out of context via an expertly executed cut-and-paste technique that deconstructs and reinterprets familiar compositions in order to create something entirely new.

Chicago Gang Culture… Los Angeles-based writer Alec Banks was revisiting his hometown Chicago for “Compliments of: Chicago Gang Culture“, an excellent new book that delivers deep insights on the visual history and exploration of Chi-town’s gang culture and its controversial standing within the city.

Will Cotton … New York City-based painter Will Cotton continues to write his very own take on Americana with his latest exhibition “Trigger“, that’s currently on display at Paris-based Templon gallery. His art might have a soft focus on first impression. In actuality though, it is not only a masterfully executed reflection on American pop culture and its often implied myth-making, but a first-rate deconstruction of ultra-masculinity, gender, and outdated role models.

- plus more elaborate features and visual awesomeness from the likes of: Andrea Orejarena, Caleb Stein, Tristan Martinez, Adali Schell, and many others.

“All in the Golden Afternoon We Glide” (Realia006) is the forthcoming record from Lathe 00, the new moniker under which Umbria-based artist Leonardo Carloni has recently started to operate.

Preceded by several collaborative undertakings, Lathe 00’s debut solo album is akin to an experiment in autotheory, where art-making practice and theoretical inquiry are entwined to the point of being virtually inseparable. Through the combined use of autobiographical and philosophical elements, “All in the Golden Afternoon We Glide” meditates on individuality, technology, and new forms of (post-)human existence.

The record has been conceived as a three-act project, with each act comprising four compositions that correspond to as many recurring themes: birth, love, death, and emptiness. Produced over the course of two years, the album has a total of twelve tracks, the majority of which run for less than two and a half minutes. Upon closer inspection, these tracks feel less like standalone pieces of music and more like outtakes of a single but continuously mutating continuum.

Lathe 00’s first feature is a work of rare beauty. As a one-person debut project, its stylistic variety, compositional maturity, and technical rigor are outstanding. By combining a forward-looking production style with references as varied as ambient, hyper-pop, instrumental post-rock, world-beat, and modern classical and folk music, Lathe 00 develops a mode of expression that transgresses genres and is distinctively his own.

The result is a signature sound that feels equally primordial and hyper-contemporary, fleshly visceral and detached. The inclusion of the artist's own vocals in the music is a notable aspect of this style. Alongside sampled materials, his non-lexical vocalisations appear as both an affirmative and negative act, simultaneously gesturing towards bodiless dissolution and a desire to reclaim one’s all-too-embodied presence in this world.

Despite being a concept album grounded in a profound theoretical substrate, “All in the Golden Afternoon We Glide” surprisingly relies on wordless communication only. As such, in it, song titles become key vectors of information. Appealing primarily to the listener’s sense of sight, they are used in a way that seamlessly blends the aesthetics of the digital (“Loading of Image Aborted!”), nature (the title track), and ritual (Pouring Blood into the Lake).

The album will be released in digital format alongside a limited-edition printed publication conceptualised and designed by Lidia Ginga Cozzupoli and Bernardo Berga.

Don Cherry's Organic Music Family, Gaika, John Butcher, Ahao Ssan, …

L'Rain, Blevin Blectum, Trevor Mathison, Kate Gentile, …

Titelstory: 1973 Von The Who über Pink Floyd zu Bruce Springsteen bis New York Dolls: Der große Rückblick auf ein Jahr, in dem große Bands den Zenit ihres kreativen Schaffens erreichen und letzte Meisterwerke aufnehmen oder auch Richtungsentscheidungen treffen, Ausnahmetalente ihre Debütalben veröffentlichen und damit den Grundstein für Superstarkarrieren legen und die Punk-Bewegung ihren Anfang nimmt.

Sugar Man Die Geschichte von Songwriter Sixto Rodriguez, seinen beiden wiederentdeckten Ausnahmealben und weiteren Meisterwerken, die ebenfalls fast vergessen worden wären.

Master-Class Frank Wonneberg befasst sich in seiner Reihe diesmal mit dem Akustik-Livealbum „Unplugged“ von Eric Clapton.

Rega Made in England: Wir besuchen das Werk des legendären HiFi-Herstellers in Leigh-on-Sea in Großbritannien und treffen den Firmengründer Roy Gandy. Soundtrack Of My Life MC5-Gitarrist Wayne Kramer über das Free-Jazz-Album „Ascension“ von John Coltrane, das seine Weltsicht veränderte.

Enthüllt: The Pogues Die Geschichten zum Cover von The Pogues’ Folk-Punk-Klassiker „New Peace And Love“, designt von Simon Ryan.

Weitere Themen der Ausgabe Praxistests zu Plattenspieler, Vollverstärker und Standlautsprecher, Über 100 LP-Besprechungen auf 42 Seiten, die Rubrik „33 1/3 Cover“, News-Features, Dr. Mint, Vinyl-Vorschau, das Sleeveface des Monats und vieles mehr.

The ninth issue of We Jazz Magazine, "Oisters" for Petter Eldh. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN English.

Petter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.

Country of printing: Finland

Issue 4 is a bumper 200 pages of quality journalism and original photography and features The Chemical Brothers, Romy, Skream, Pet Shop Boys, 90s Chicago House, DJ Paulette, Mr Scruff, Jon Carter, John Carroll Kirby, Alex Kassian, Movulango, Say She She, Church of Sound, Josh Caffe, Sofia Kourtesis, A (New) Balearic Network, On-U Sound, 50 Years of Hip Hop and much more...

To celebrate 50 years of hip-hop this issue will be dedicated to the genre with a stunning cover featuring the Notorious B.I.G. The cover image image was taken by renowned photographer B+ who captures Biggie at unique time and the cover article is written by Michael A. Gonzales. The issue features articles and insight from Notorious B.I.G., Super Cat, Blackalicious, Yo-Yo, Rap Zines, Grand Master Flowers, B+, Sue Kwon, Lady B, Schoolly D, Mike, T. Eric Monroe and much more… Details:

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike Mcgonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. The cover features the new cover design with an unseen photo of Anthology of American Folk Music hero Harry Smith gracing the cover, plus an archival interview with Black Mountain / Bauhaus fabric arts pioneer Anni Albers, the reissue of a forgotten LOU Reed album, CAT POWER's sense of humor, and tributes to Rodriguez and Pee-wee Herman

The fifth issue of our quarterly underground hip hop magazine.

60 pages – no ads, full color, 5.5″ x 8.5″ Featuring: Buck 65, ShrapKnel, illingsworth, MC Paul Barman, Southern Vangard Radio, Drop the Needle director Rob Freeman, Myst Milano, Ben Buck, and more. Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Brent Fierro, Max Rodgers, Brian Kayser, Chaps, Homeboy Sandman, DJ Jester, Jonathan Balazs, Justin Boland, and Peter Agoston.

The fouth issue of our quarterly underground hip hop magazine.

44 pages – no ads, full color, 5.5″ x 8.5″ Indie rap interviews, articles, illustrations and more. Featuring: Wordsworth, Es, Sankofa, Codefendants (Ceschi + Sam King), Elemxnt + more. Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Donae’ Johnson, Max Rodgers, Brian Kayser, Chaps, Justin Boland, Matt Bomarr, Matt Greenfield, Werner von Wallenrod.

The third issue of our quarterly underground hip hop magazine.

52 pages – no ads, full color, 5.5″ x 8.5″ Indie rap articles, book reviews, illustrations and more. Featuring: Andrew, Chali 2na, Noah23, The Custodian of Records, Hand’Solo Records, Tase Grip: Akai Solo, ctyzn, GAM, iblss, Lungs, phiik, S!LENCE, Seji Beats, Shae Buttah, Wavy Bagels, and more. Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Hip Hop Toys, Matt Shaver, Brian Kayser, Chaps, Homeboy Sandman, Ralph Perez, Werner von Wallenrod.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage, Techno and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Techno Volume 1 features the likes of Basic Channel, BPitch, Force Inc, Lenske, Plus 8, Soma and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Emily Thomas & Rob Smith

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Dubstep Volume 1 features the likes of Boka, Hyperdub, Skull Disco, Tempa, Uprise Audio and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Sam Rice (Yeti) & Chris Dexta

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Drum & Bass Volume 1 features the likes of Metalheadz, Symmetry, Sofa Sound, Prototype, Commercial Suicide and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Immerse

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints that are now defunct, plus a few heavy-hitting newcomers.

UK Garage Volume 1 features the likes of Casa Trax, Groove Yard, Locked On, Social Circles, Swing City and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Chapman (Immerse)

Following on from his 2021 book, Synthesizer Evolution: From Analogue to Digital (and Back), Oli Freke returns with a Synthesizer Evolution A6 zine series.

Drum machines and samplers have something of a shared history and this zine celebrates their invention and by picking out 46 of the most influential, important or most interesting drum machines and samplers from 1949 – 1996. Explore the most legendary drum machines and samplers ever created, including the Roland TR-808, Roland TR-909, Akai S1000, Fairlight CMI, Akai MPC60 and more, with detailed descriptions and the stories behind their development.

The earliest rhythm machines from the 1960s (and even earlier) used unwieldy sound generation techniques such as tape or other electro-mechanical means. However, the application of the transistor from the early 1970s swiftly saw an improvement in sound quality, usability and commercialisation of the drum machine.

These same transistors, minuaturised into microchips, also enabled the wider take-up of digital sampling in the 1970s – albeit initially at vast cost. As the 1980s wore on, silicon became cheaper and samplers became ubiquitous.

Drum machines took advantage by first incorporating sampled drum sounds, providing increased realism over their analogue predecessors. They then went full hybrid with the creation of the ‘music production workstation’ – a slick combination of drum machine, sampler and sequencer, much favoured by the hip-hop community.

Both music production workstation and ‘pure sampler’ brought a revolutionary new approach to music making – whether in newly realistic replications of acoustic instruments, the recycling of old music and records into new, exciting collage styles, or by simply facilitating new approaches to sound design.

All of this furious development, enabled by silicon chips and their reducing cost, caused the development of brand new styles of music from hip-hop to rave, and from newly lush film scores to the experimental avante-garde.

Pages: 52
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white

Following on from his 2021 book, Synthesizer Evolution: From Analogue to Digital (and Back), Oli Freke returns with a Synthesizer Evolution A6 zine series.

The invention of the synthesizer in the 1960s changed musical culture and music production forever, giving musicians whole new worlds of sound to play with. Vintage Synths celebrates that invention and its subsequent history by picking out 46 of the most influential, important or most interesting synths from 1939 – 1998. They represent the introduction of a new technology, had a particular impact, or maybe even formed the basis of entirely new genres.

Explore the most legendary synthesizers ever created, including the Minimoog, ARP 2600, Yamaha DX7, Roland Jupiter 8 and more, with detailed descriptions and the stories behind their development.

Vintage Synths delves into the fascinating world of synthesizers, tracing their evolution from the early days of analogue synthesis to the modern digital era, and exploring the recent resurgence of analogue synthesizers.

Synthesizer Evolution Vintage Synths takes readers on an inspiring journey through the history and technology behind these iconic musical instruments. From the earliest electronic experiments to the cutting-edge digital synthesizers of today, this zine provides a comprehensive overview of how synthesizers have shaped the world of music.

Accompanying are illustrations that celebrate the visual qualities of synthesizers – not only have they produced the sound of the future, but they have also looked like the future since the earliest days.

Whether you’re a seasoned synthesizer player, a music producer, or simply an enthusiast, Vintage Synths is a valuable resource that offers both technical depth and historical context.

Pages: 52
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white

Highlights of our VEHICULAR issue include:

MATHEW ZEFELDT… The digital world is embedded in basically every aspect of our lives to irreversible effect. And American artist Mathew Zefeldt now transfers these spheres to the physical canvas. Heavily influenced by the GTA series, Adobe icons, Hollywood’s SFX factories, and current smartphone displays in equal measure, Zefeldt meticulously brings digital elements and repetitions onto canvas via acrylic techniques.

ARTURO + BAMBOO… When you travel, you are noticeably much more present once your sensory compass gets readjusted. And Dutch artistic duo Arthur Groeneveld and Bamboo van Kampen are masters at capturing these circumstances. Usually at ease with traveling to Mediterranean areas, they explored a very different scenery with their fourth project “Snow“, which basically pays homage to the timeless grandeur of the Alps.

MALCOLM MORLEY… The fundamental aspect, the motor that drove Malcolm Morley‘s (1931 - 2018) passion for painting, was sensation. Sensation being the unmediated bodily response to the outside world through the senses; in this case, the sense of sight. In the end, he lived and painted the seeming paradox of manifesting one’s innocence through a lifetime of experience.

JUSSI PUIKKONEN … In Finland, there is a tradition of gathering in the center of a small town with cars, for socializing. In the Finnish language, there is a word to describe it: “Pilluralli,” directly translated as “pussy rally.” The meaning of the word: driving without destination with an old banger decorated with Wunderbaums and fuzzy dices and having your friends in the backseat sipping alcohol. A fantastic photo documentary by Finnish artist Puikkonen.

- plus more elaborate features and visual awesomeness from the likes of: Motonori Uwasu, Bosozoku, Arnold Odermatt, Pink Flamingo USA, EJ Hill, Oliver Sperl, and many others.

On the cover: Khanate. Inside: Agitation Free, BEAM SPLITTER, Violent Magic Orchestra, Mpho Molikeng, Galya Bisengalieva, Eve Stainton, Invisible Jukebox: Dali de Saint Paul, Global Ear: Berlin, The Inner Sleeve: Alan Courtis, Epiphanies: Nkisi, Unlimited Editions: bié Records, Unofficial Channels: The Roulette Tapes, and in the reviews sections: Abstract Concrete, Manzanera Mackay, Position Normal, Sly Stone’s memoirs, Another Sky festival, Barbara Dane, and much more.

In the magazine: Irreversible Entanglements, Vanishing Twin, Carol Robinson, Tom Mudd, Hearsay, Marina Herlop, The Primer: Jazz & Poetry, Invisible Jukebox: Matana Roberts, Global Ear: Oaxaca, The Inner Sleeve: Val Wilmer on Henry Grimes, Epiphanies: Raphael Rogiński on Neopolitan soul, Unlimited Editions, Gin&Platonic, Unofficial Channels: Chocolate Monk Top Tens, and in the reviews sections: Gong, Tricky, Neumusik, Supersonic, and much more.

On the CD: 16 new tracks by Martin Rev, Rebeca Omordia, Nick Dunston, Lucidvox, Nihiloxica, Sam Genovese, Dredd Foole & The Din, and more.

The debut issue of Head Voice, featuring Matt Valentine, Peter Laughner, Naomi Yang, Cheval Sombre, Kristen Gallerneaux, & Jason Quever.

Autumn of 2023, 8.25 x 6”, black and white, 84 pages.

The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Marc Medwin, Discaholic column by Mats Gustafsson, Vogel Records by Lander Lenaerts + reviews & more

128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers

Big Takeover returns with features on Slowdive, Sloan (part 2), Lenny Kaye on Nuggets, Fountains OF Wayne, Blonde Redhead, THE Clientele, Emma Anderson, Soft Science, Modernettes / LOS Popluaros, Crime & THE City Solution, Deer Tick, Mountain Goats, Sweeping Promises, THE 1981, and more!

The sound of each individual’s voice is thought to be entirely unique. Like a fingerprint, its composition is distinct, nuanced, and one-of-a-kind. While all this is true, it’s a concept that has been challenged in recent times by the refinement of AI-powered systems which are able to emulate voices to a tee. And not only voices, for that matter, but whole styles and aesthetics: an AI-generated facsimile of Drake and The Weeknd’s voices titled “Heart on My Sleeve” made the rounds this year and was even submitted for Grammy consideration. It’s a legitimate song, and a proposal that does not only keep legal departments busy, but also allows for myriad reflections on originality and, bluntly, the future of music. But as the future of music is a broad and daunting topic to speculate on, we want to hone in on what’s been prefaced above: issue #28 ofzweikommasiebencenters the voice as means of expression, and wants to expand on what is meant by that: it’s not only what is heard, but also why a voice is used and by whom. This latest edition considers what it means to voice, and its physical, societal and political dimensions.

zweikommasieben #28 includes


-interviews with / portraits on bela,Krista Papista,DJ Voices,Tianzhuo Chen,Meth Math,Rainy Miller,Honour,Ziúr, andNatural Wonder Beauty Concept
- an essay on fan culture
- columns on stimming and the work ofDjamil Image
- a contributionby Claudia Pagès with Nora Haddad and nara is neus

All content in English

Magazine for City Boys. Since 1976, Popeye Magazine is one of the oldest men's lifestyle magazine that have covered fashion and lifestyles from all around the world.

Popeye magazine Founded: 1976 Type: Monthly (on sale from the 10th of every month) Readership: ages 25 to 35 – and anyone who thinks of himself as a city boy Topics: fashion, food, outdoor activities, travel and life in our favorite cities New York, Paris, London and Tokyo Language: Japanese

Maggot Brain is a full-color, quarterly magazine edited by noted Detroit scribe Mike Mcgonigal: 100+ pages packed with phenomenal content—art, music, literature, unpublished archival material, and more—with a simple promise to only exist on the printed page. The cover feature is a career-spanning piece by Tamara Palmer on Iceland’s most noted export since the foundation of their parliament in 930, Björk, with a terrifically gorgeous cover image by our illustrator, Marly Beyer. Also included and excerpt from a graphic novel by Marcellus Hall; Chelsea Wolfe, Wayne Phoenix, BE Your OWN PET, Penguin Cafe, a new food column from Quintron and much more.

The sixth issue of our quarterly underground hip hop magazine.

- 52 pages – no ads, full color, 5.5″ x 8.5″

- Featuring: N8noface, Kid Koala, MC Homeless, Mindbender, Art Morera, Dan Lactose aka DJ Eons One, and more.

- Includes a bonus 20 page zine dedicated to the late great Khari “Conspiracy” Stewart (limited to 100 copies)

- Contributors: David “319 Heads” Jaguttis, Aidan Searle, Allan Lorde, Eric Kneeland, Max Rodgers, Chaps, Homeboy Sandman, Id Obelus, DJ Jester the Filipino Fist, Jonathan Balazs, Matt Bomarr, Rajen Bhatt, and Werner von Wallenrod.

We're back in print.

In 2019, after our 5th printed magazine, we switched to exploring the digital issue format. Successful as it was, we missed the handfeel of our work.

Today we are delighted to bring Techunter Magazine back offline.

Techunter 08 will be a new endeavor for our team. This is a new chapter of our history and it reflects our experience, gathered throughout all the years of operation, as well as everything cutting edge in the functional apparel industry and its community of today and tomorrow. We changed the concept for this new iteration, but the Techunter core is still there: we explore functional apparel, in very possible detail and nuance, sharing our findings with you.

Techunter 08 magazine will be launched this winter in Paris, and available through a range of different retailers around the world. We can't wait to show you our new magazine. Stay tuned for more updates and we thank you for your continuous support! – team Techunter.

On the cover: The Haxan Cloak. Inside: DJ Znobia, Linda Smith, Ariel Kalma, Billy Bultheel, Lumpeks, Yasuhiro Morinaga, John Pope, Invisible Jukebox: Kahil El’Zabar, Epiphanies: Edward Ka-Spel on Faust, The Inner Sleeve: Teresa Winter on Saint Etienne, Global Ear: Santiago, Unlimited Editions: Thanatosis Produktion, Unofficial Channels: The Blindboy Podcast, and in the reviews sections: Allison Burik, John Surman, Univers Zero, Techno Animal, Le Guess Who?, rap in Britain and much more.

The latest issue is a 200-page trip through the past, present and future, with a focus on the early 2000s. Memories of the Y2K era are relived with features on Peter Yee, the former Oakley designer responsible for the Ellipse logo and many of the brand's most iconic moments, as well as Linus Nutland from Nike Server. Racing to the present, the heat gets hotter with a world-exclusive reveal of Salehe Bembury's latest New Balance colab starring on the cover, with closer looks at the 'Magma' and 'Lava' 1906Rs inside. If you flick to the inside back cover, you'll also get the scoop on the new Sneaker Freaker book. World's Greatest Sneaker Collectors is a stonking journey into the priceless stockpiles and obsessive minds of footwear aficionados. At over 750 pages, this is our biggest and most insane publishing project yet!

In the magazine: Darius Jones, Steve Roach, Clarissa Connelly, [Ahmed], Shovel Dance Collective, Arushi Jain, Kulku, Harmony Holiday, Richie Culver, Invisible Jukebox: Ka Baird, Global Ear: Dublin, Epiphanies: Aura Satz on the sound of sirens, Inner Sleeve: Raji Rags on D’Angelo, Unlimited Editions: Industrial Coast, Unofficial Channels: The Rest newsletter, plus 40 pages of reviews including Shabaka Hutchings, Eddie Prévost, Creation Rebel, Eugene S Robinson, hcmf 2023 and more.

On the CD: 16 new tracks by Jac Berrocal, Elaine Mitchener, Derek Piotr, Heejin Jang, Lori Vambe, Shit & Shine, The Phereomoans, A Lily, Dream Skills & GW Sok, and more.

The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Techno, Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene’s foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

UK Hardcore Volume 1 features the likes of Basement Records, Dark Horse, Liquid Wax, Satin Storm, Symphony Sounds, Tone Def and many more.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Warlock

Highlights of our Sound issue include… Peter Anderson… Regardless of what kind of music you’re into, it is more than likely that your idol - or, depending on your age, your idol’s idol - has been immortalized on a roll of black and white film by Anderson. He started to work at the NME shortly after he moved from Glasgow to London in the late 1970s, and later in his career delivered the goods for record labels (big and small) and publications such as Rolling Stone, The Face or I-D.

Eric White… Splitting the majority of his time between Los Angeles and New York, White blends New Hollywood myth-making with pop culture references and more than just a nod to the hyperrealist movement to create his very own narrative on modern Americana. The resulting paintings more than often tap into uncanny territories, as you feel that they’re just delivering snapshots of a higher plot driven by disorder, surveillance, and paranoia.

Conny Plank… Even before he built and founded the legendary recording studio “Connys Studio“ in the provincial backwaters of North Rhine-Westphalia in 1974, he had already proven himself to be a visionary at the mixing desk, with albums by Krautrock heavyweights such as Ash Ra Tempel, Cluster, Kraftwerk, and Neu! being rewarding examples of his craft.

Siren Kings … Siren Kings are members of a primarily Pasifika underground youth subculture, originating in Auckland, New Zealand, which gained popularity in the mid 2010s. The siren scene involves competitions where crews compete for the loudest and clearest sound produced by sirens, loudspeakers, or public address systems attached to cars or bicycles, to win the title of Siren King.

- plus more elaborate features and visual awesomeness from the likes of: Nik Nowak, Benoit Maubrey, Movies about Sound, Nate Langston Palmer, Maya Shenfeld, Edwin van der Heide. and many others.