Latin | Brazil 327 Items

“It sounds amazing!” - Gilles Peterson (BBC 6 Music)
“This is pure bliss” **** SHINDIG!
“Yuhuuu” - Coco Maria (NTS Radio)
“Just copped doubles!” - DJ Spinna
No one has lived a life quite like Marcos Valle. He became an overnight international sensation, fled a military dictatorship, dodged the Vietnam war draft, had his music sung by Homer Simpson, made enemies with Marlon Brando, and became an unsuspecting fitness guru for multiple generations. But to truly understand the great Brazilian composer, arranger, singer and multi instrumentalist, one must listen to his music.
Between the release of his first album in 1962 and today, Marcos Valle has released twenty-two studio albums traversing definitive bossa nova, classic samba, iconic disco pop, psychedelic rock, nineties dance and orchestral music. He has also had his songs recorded by some of the all time greats, including Frank Sinatra, Sarah Vaughn, Sergio Mendes, Elis Regina, and (last but not least), Emma Button of the Spice Girls. He has also had his music sampled by Jay-Z, Kanye West, Pusha T and many more.
With his twenty-third studio album Túnel Acustico, Valle set out to bring it all together.
“I believe my music is many things. It goes in different directions. I have many different ways of writing music, sometimes it’s melodies and harmony, sometimes the groove is the focus. But all the music I have made over my sixty year career is unified. It is all natural and it is all sincere. And this is what I wanted to bring to my new album.”
A prominent feature of Valle’s career has been his dual residence between Brazil and the USA. Originally moving over in the mid-sixties on the back of bossa nova’s international proliferation, Valle toured with Sergio Mendes and became hugely in demand as a composer and arranger. But the Vietnam War loomed and the threat of being drafted saw him return to Brazil. He spent the following years in Rio writing music for TV and film, as well as four cult favourite albums in collaboration with some of Brazil’s most groundbreaking musicians including Milton Nascimento, Azymuth, Som Imaginario and O Terco.
By 1975, Brazil's military dictatorship was at its most oppressive, making living and working increasingly difficult. Valle moved back to the US where he would reside in LA, writing songs for, and collaborating with the likes of Eumir Deodato, Airto Moreira, Chicago, Sarah Vaughn and Leon Ware, amongst others.
Túnel Acústico features two songs originally conceived during Valle’s time on the West Coast: “Feels So Good”, a stirring two-step soul triumph written in 1979 with soul icon Leon Ware, and the sublime AOR disco track “Life Is What It Is”, composed around the same time, with percussionist Laudir De Oliveira from the group Chicago.
Built around an unfinished demo Marcos found on a shelf in his house 44 years after it was made, the “Feels So Good” demo was restored with the help of producer Daniel Maunick, who also utilised AI stem-separation to remove the placeholder vocal ad-libs. Valle added Portuguese lyrics to sit alongside Ware’s vocal hook, as well as extra keyboards and percussion.
Also written in late seventies LA, “Life Is What Is It” was co-penned by Laudir De Oliveira from the band Chicago and first released on the bands’ Chicago 13 album with lyrics by Robert Lamb. Another nod to his good times in LA, Valle recorded his own version for Túnel Acústico, upping the tempo and deepening the groove for a blast of irresistible summer soul.
On Túnel Acústico, Valle's core band features two members of the renowned Brazilian jazz-funk group Azymuth: Alex Malheiros on bass and Renato Massa on drums. The rhythm section is completed by percussionist Ian Moreira, with additional contributions from guitarist Paulinho Guitarra and trumpeter Jesse Sadoc.
The contemporarily composed music on Túnel Acústico features an impressive lineup of guest lyricists, including renowned Brazilian artists: Joyce Moreno (Bora Meu Vem), Céu (Nao Sei), and Moreno Veloso (Palavras Tão Gentis) as well as Valle's brother Paulo Sergio Valle (Tem Que Ser Feliz).
The album closes with "Thank You Burt (For Bacharach)", a tribute to the legendary composer who passed away in 2023.

The perfect Brazilian jazz odyssey created by Roman Andren, also known as "Swedish Deodato"!His finest album "Juanita" wasreleasedin 2007which has a presence comparable to the many masterpieces produced by Azymuth and Airto Moreira!P-VINE presented this album as CD in 2008 and it's finally released as an LP with OBI-strip for the first time!

"Espontaneamente se Tenta: Aventuras Sonoras de Djalma Corrêa is an album of deeply exploratory pieces by legendary percussionist and composer Djalma Corrêa. This double-LP set features previously unreleased recordings that cover a wide range of sonic experiments, revealing an unknown side of the prolific and groundbreaking Brazilian artist. Most of the tracks on this album were digitized for the first time – directly from the original tapes – and were compiled in collaboration with Corrêa just before he passed.

The result is a wild and unsettling collage that shows us just how original and intense Corrêa could be: from the unorthodox electroacoustic piece Evolução (Para Fita e Filme), which channels ancestral African inspirations to create a sonic cosmogonical narrative, to the proto-mixtape Exemplo de Sintetizadores, in which he transitions from transcendental drones to astral cha-cha-chas.

While the compilation might seem disjointed at first listen, it is in fact the most accurate translation or representation of his central concept: spontaneous music. Djalma's relationship with sound was always guided by his fearless approach to listening, and by his audacious and dynamic interaction with both musicians and equipment, which enabled him to work across a wide array of genres: from jazz to completely abstract music, always through a personal DIY ethic.

Corrêa developed a strong bond with experimentalist and inventor Walter Smetak, with whom he shared a studio during his formative years at Universidade Federal da Bahia. Suite Contagotas, featured in this collection, is no less than a sonic materialization of that bond: an experiment revolving around dripping water and its randomness – a tentative exploration of the ideas and possibilities envisioned by Smetak for his audacious, albeit unrealized, Estúdio OVO.

Djalma, however, is best known for his studio work in historical albums, including many by Caetano Veloso, Gilberto Gil and Jorge Ben, and for his own polyrhythmic opus Baiafro. The last track is an early recording called Bossa 2000 dC, first performed by Djalma at the 1964 Nós, Por Exemplo concert, an event which is often cited as marking the beginning of the Tropicalia movement. At the time, he was the only artist in the lineup using electronic devices to create sounds, e.g. medical oscillators and contact mics to augment his percussive palette.

The artwork is an amalgamation of material found in the Djalma Corrêa Archive (currently managed by his son Caetano Corrêa) and other material created during the period in which the record was being put together. The intention is to guide the listeners through this possibly tempestuous soundscape, giving them additional resources so that they may draw their own meanings and make their own sense of this extremely immersive and original experience – which is like nothing we've ever heard before."

Di Melo's Debut Album Was Originally Released In 1975 And It's A Fusion Of Genuinely Brazilian Rhythms With Funk, Soul And The Right Amount Of Psychedelia. Di Melo Is One Of The Main Brazilian Soul Music Artists, Seen By Many As Talented And Musically Creative As His Peers Jorge Ben And Tim Maia.Di Melo Went Missing In Action From 1976 To 1997, The Year His Song "A Vida Em Seus Métodos Diz Calma" Was On The Collection "Blue Brazil" From Blue Note Record Label. The Word On The Streets Was That He Was Dead Until 2011, When The Documentary Called "Di Melo, O Imorrível" (Di Melo, The Immortal) Was Released. In This 2021 Edition The Album Contains The Original 1975 Insert With Lyrics Plus Photos From Personal Family Archives And For The First Time The Full Credits With All The Name Of Every Single Musician Who Took Part, Among Them, Hermeto Pascoal.The Young Man Of 25 Coming From The Outskirts Of Pernambuco Was At The Peak Of His Success. Psychedelic Drugs And Cinema References Were Blowing His Mind Away When He Realised That He Was Being Conned By Music Industry Rats. His Songs Were At The Hit Parade On The Radio And His Music Had Been Recorded By Some Of The Biggest Names In Brazil, But What He Was Being Paid For Made No Justice To That. People Say That After Watching The Movie "Blow Up" By Antonioni, Di Melo Himself Beat The S*** Out Of The Publisher Who Paid Him Less Than 10 Dollars For His Rights For The Past Three Months.Such Events, Ran By The Same Strong Personality That Initially Opened Doors, Made Di Melo Ostracized By The Ungrateful Brazilian Music Industry. Perhaps That's What It Took To Make Such A Mythical Album.

Deluxe double gatefold 180gr audiophile grade LP. Includes two-page spread with complete lyrics. Personnel on Side A and Side B #1-2: Orchestra arranged and conducted by Antonio Carlos Jobim (p). João Gilberto (vcl, g). Musicians featured on these sides: Nicolino Cópia “Copinha” (fl), Edmundo Maciel (tb), Guarany (percussion), Milton Banana (Antonio de Souza) (d), Juquinha (triangle), Rubens Bassini (bongo), Milton, Acyr and Edgardo (vcl Side A #3) Personnel on Side B #5-10 and Side C #1-6: João Gilberto (vcl, g) with orchestra arranged and conducted by Antonio Carlos Jobim. Side C #1: Solo guitar and rhythm Personnel on Side C #7-11: João Gilberto (vcl, g) with Walter Wanderley’s Group Personnel on Side D #1-4: with orchestra arranged by Antonio Carlos Jobim. Side D #5-6 & 8: with Antonio Carlos Jobim (p) and rhythm. Side D #7: João Gilberto accompanies himself on guitar The poet Vinícius de Moraes pointed out that the bossa nova movement began after his first songs with Antonio Carlos Jobim appeared in the 1958 album Cançao do Amor Demais, sung by Elizete Cardoso and played by an unknown 28 year-old guitarist from Baia named João Gilberto. He accompanied the singer (in two songs “Chega de Saudade” and “Outra vez”) with a new rhythmic feeling, “batida”, and with rich harmonies that would become the trademark of the modern Brazilian samba, which became known as Bossa Nova.

Vinyl close to NM

“During the pandemic, I was hearing drums all the time,” says Carolina Oliveros, who leads the New York-based group Bulla en el Barrio. “Not only bullerengues, but also tamboritos panamanians, solomas – like panamanian styles – also I’ve been listening to salve, which is a rhythm from Dominican Republic. I always want to try to create a bullerengue that sounds more traditional but also sounds like me with my own influences.” Since 2015, Bulla en el Barrio has been envisioned as a collective and a study group of the traditional rueda de bullerengue – dance music originating from the Caribbean coast of Colombia that transmits ancient African rhythms and knowledge. Oliveros and Bulla co-founder Camilo Rodriguez – both in NY tropical futurism band Combo Chimbita – first experimented with writing their own bullerengue during their monthly residencies at Barbès in Brooklyn, culminating in two singles released by Names You Can Trust in 2017. Thanks to these recordings, these two Bulla en el Barrio compositions are now sung in music festivals and ruedas all over Bullerengue territory. They now present eight original songs recorded live to tape, preserving and documenting the participative and rough vibes of the ruedas and performances. “We’ve been playing together since 2015,” says Rodriguez. “The group is a space to study, connect, to learn, so this record captures a moment where we were – taking a picture of a process. This was just what was happening at that time. It was a way to document what we were doing and our process of learning, documenting bullerengue.”

Earl of Lemon Wave Vinyl.Latin Grammy-nominated and Brazilian Music Awards-winning artist Rogê hasbecome a pivotal figure in the resurgence of Música Popular Brasileira (MPB).With a rich career spanning over two decades, Rogê has released seven soloalbums that have solidified his place in the contemporary Brazilian musicscene. In March 2023, he released his U.S. debut album "CURYMAN" underDiamond West Records. Produced by Thomas Brenneck of the Budos Band_who has worked with artists like Lady Gaga, Beyoncé, Jay-Z, and AmyWinehouse_the album is a celebration of samba infused with messages ofresilience and redemption. "CURYMAN" not only marked the launch ofBrenneck's new label but also reflected Rogê's deep belief in the power ofmusic to inspire hope and perseverance.As Rogê looks to the future, he is gearing up to release "CURYMAN II" inNovember 2024. Building on the success of his U.S. debut, this upcomingalbum promises to deliver even more vibrant samba rhythms and thoughtprovokinglyrics. Exciting new singles are set to drop in the lead-up to thealbum's release, offering fans a preview of what's to come. As Rogê continuesto evolve his sound and push the boundaries of Brazilian music, he remainsdedicated to spreading the rich cultural heritage of Brazil to audiences aroundthe world.

Central, “the closest salsa band to the club scene,” releases its long-awaited full-length album on analog LP!! Two of Central's biggest hit singles, DJAVAN's classic “Samurai” and Stevie Wonder's “Pastime Paradise,” have been a hit with DJs and core listeners all over the world. The long-awaited full-length album will be released in November! The album features their own original songs in various languages (Spanish, English, Japanese, etc.), as well as the album title track “Flor De Roble,” an excellent original instrumental song, and the full versions of the two hit singles that were previously released! Dance to the hot Tokyo Latin Soul of Central, celebrating the band's 25th anniversary!!

Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is a new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state. The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba - and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states. The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s - who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album has never been heard outside of Cuba. Cuba: Music and Revolution is the third book that Gilles Peterson and Stuart Baker have collaborated on together and follows on from their two earlier critically acclaimed books, Freedom, Rhythm and Sound (Revolutionary Jazz Music in the 1960s and 1970s) and Bossa Nova and the Rise of Brazilian Music in the 1960s, both of which also had related album releases on Soul Jazz Records.

In The Woods Records will be releasing on 45rpm DJ vinyl all the Tito Puente and his Orchestra tracks from the compact disc ‘Salsa Salsa’. The vinyl was pressed by The Vinyl Factory on The Famous EMI 1400’s - ‘The Beatles Presses’. Up until now these recordings were very rare and hard to find audiophile recordings, rare and hard to find no more! This is the first DJ 45rpm Vinyl release of these recordings. Liner notes on inner sleeve in English, Spanish and Japanese. In Tito’s words... ‘Salsa Pure!’

This is one of Tito Puente’s best original albums released under the label of Tico in the 60s. The album features one of his best hits, “Oye Cómo Va,”. Tito Puente and his orchestra lay down a driving irresistible beat that moves from beginning to end in a pulsating performance and create an added appeal with their ensemble singing which lends an authenticity to the music. Pressed on 180g black vinyl with a tip-on-jacket. US Import.

You don't have to travel halfway around the world to find top-class Brazilian and Caribbean grooves; some of the finest bossa nova, samba, mambo and calypso recordings were made in sunny Italy, still perfect for dancing and lounging today. From the legendary Italian soundtrack archive of CAM Sugar comes a compilation that as it has never been heard before: “Tropicale”, tropical rhythms and irresistible catchy tunes from films of Italian cinema’s golden era, composed by masters such as Ennio Morricone, Piero Piccioni, Bruno Nicolai, Armando Trovajoli and many others. 26 remastered tracks, 8 of which are previously unreleased, 2LP in an elegantly designed gatefold sleeve.

180 gram pressing

180 gram pressing

180 gram pressing

For the first time on vinyl, MELINGO’s 2000 album Ufa! takes listeners on a captivating journey through the gritty streets of Buenos Aires. The album captures the essence of the urban landscape and the stories of an array of characters, including Jack The Ripper, Count Dracula, dealers, hustlers, trans love, and much more. Ufa! delves much deeper than its predecessor, Tangos Bajos, as it solidifies Melingo's collaboration with tango lyricists Luís Alposta and Enrique Cadícamo across ten tracks. Melingo's partnership with the iconic tango poet Enrique Cadícamo becomes profoundly significant when he sets to music Cadícamo's poem 'Siga Cochero,' written at the age of 19 in 1929. This particular composition gains newfound relevance and preservation thanks to Melingo's intimate collaboration with Don Enrique. The album also features renditions of beloved songs such as the Uruguayan Alfredo ZITARROSA's 'El Violin De Becho,' a chamamé, 'Las Flores Del Paraguay,' and the enchanting lullaby 'Sin Luna,' all exquisitely mastered by Myles BOISEN."

Brazilian singer/songwriter/multi-instrumentalist Antonio Loureiro's debut album, originally released in 2010, is now available on vinyl for the first time! Antonio Loureiro, who was establishing himself as an up-and-coming young composer in the state of Minas Gerais by winning the Premio Bdmg Instrumental, a competition for prominent composers, released his debut album "Antonio Loureiro" in 2010 with full anticipation. The music seamlessly blends influences from Brazilian jazz predecessors such as Egberto Gismonti and Hermeto Pascoal, Brazil's rich musical heritage from popular music to folklore to the "Clube da Esquina," as well as progressive rock, jazz, and electronica. Antonio has released six records so far, and in addition to his own work, he has produced and supported various artists, and outside of Brazil he has performed with artists such as Kurt Rosenwinkel, Miho Hazama, Qururi, Hakushi Hasegawa, and many others.

Alan Kwan, the Hong Kong-born guitarist, recorded his debut acoustic quartet album ‘Petrichor’ in 2018, which is now finally being released on clear-colored vinyl. After winning Taiwan's Golden Melody Award—often referred to as the Taiwanese Grammy—Kwan has also performed with Japanese jazz legends like Kazumi Watanabe and Masaki Hayashi, marking him as a rising star in the Asian jazz scene. This album was recorded in New York after Kwan graduated from the University of North Texas, just before returning to Hong Kong.

The title ‘Petrichor’ refers to the unique scent produced when rain interacts with dry soil, symbolizing Kwan's emotions at the time of recording in the U.S. and releasing it in Hong Kong. The album features top-tier musicians from the New York jazz scene, including bassist Linda Oh, who toured with the Pat Metheny Trio, and the exceptional modern jazz drummer Johnathan Blake.

Record Store Day 2021 Release.

Joyous, superb music; the real deal. Hotly recommended. Scintillating, masterful, roaring, classic Cubanismo, beautifully recorded in 2017 at the storied Areito Studio in Havana.

Descargas, jazz, boogaloo, son… and some ritual music to bring the curtain down. You’ll find yourself hungry for more.

The musicianship is dazzling in every corner of the orchestra; set on fire by the timbales of Changuito (from Los Van Van), and booted along by a hard-swinging, full brass section led by trumpeter Julito Padron, graduate of the legendary septet Nacional de Igacio Pinero, and later Irakere. The sound is steeped in tradition but by no means stuck in the past.

The vinyl is beautifully presented in a heavyweight, high-gloss gatefold.

"Na Rua, na Chuva, na Fazenda" is a classic of Brazilian music, released by Hyldon in 1975, one of the 20 best sellers of that year, it marks the debut of the singer and composer from Bahia, it is a seminal work of Brazilian soul, reflecting the musical effervescence of the 1970s and the influence of the black power movement in the country alongside Tim Maia and Cassiano. Born in Salvador and passionate about music from an early age, the singer developed his music in the 60s alongside dance bands in Rio de Janeiro and even recorded with some of them. Hyldon was influenced by the mix of rhythms that permeated the city, from MPB to soul and funk. He worked as a support guitarist for artists such as Wilson Simonal, Os Diagonais (Banda de Cassiano) and Tim Maia. He composed and produced several artists with Odair Joé and Erasmo Carlos. The title of the album, "Na Rua, na Chuva, na Fazenda", is also the title of its most iconic track, but the album has other successes such as: "As Dores do Mundo", "Vamos Passear De Bicicleta", "Meu Patuá", among others. The album is an ode to simple and pure love. This song became a romantic anthem, and its soft melody combined with Hyldon's sweet and soulful voice captivated the audience.

Still in shrink, but opened