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Latin | Brazil 590 Items

Name: Vinicius De Moraes - Berimbau
Brand: Jazz Samba
SKU: 1098043v1
Price: 25.99 EUR
Availability: InStock

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Vinicius De Moraes

Berimbau

LP | 2024 | EU | Original (Jazz Samba)

25,99 €*

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Release: 2024 / EU – Original

Genre: Organic Grooves

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180-Gram Limited Edition. Brazilian poet, lyricist, essayist and playwright, Vinicius de Moraes (1913- 1980) became a seminal figure in modern Brazilian music and literature. Along with his longtime collaborator, composer, arranger, singer, and pianist/guitarist Antonio Carlos Jobim (1927-1994), known in Brazil as Tom Jobim, he composed hundreds of songs which have become true classics and have transcended the bossa nova, as they continue to be played and recorded by countless singers and instrumentalists within Brazil and throughout the world. This LP set compiles some of the earliest recordings by Vinicius.

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Vinicius De Moraes & Odette Lara

Vinicius & Odette Lara

LP | 2018 | EU | Original (Elenco)

23,99 €*

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Release: 2018 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

seam split. 180gr Limited edition.

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Vinicius De Moraes

The Poet Of The Bossa Nova

LP | 2017 | EU | Original (New Continent)

20,99 €*

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Release: 2017 / EU – Original

Genre: Organic Grooves

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Waaju

Grown

LP | 2020 | EU | Original (Olindo)

20,99 €*

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Release: 2020 / EU – Original

Genre: Organic Grooves

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Pulsing Afro-Latin roots and UK jazz combine on Grown, the latest album by London-based quintet Waaju, released via Olindo Records. Fusing dexterous hand-percussion, hypnotic guitar riffs and soaring melodies, Waaju connect a wide range of traditional musics percolating at different corners of the global soundscape yet with a distinctly of-the-moment and British jazz flavour. Led by drummer and percussionist Ben Brown (Alfa Mist, Dizraeli, Ashley Henry), and comprising members across the UK’s extensive music scene including, percussionist Ernesto Marichales (Jordan Rakei, Sigala), guitarist Tal Janes (Nubiyan Twist, Bahla), Sam Rapley (Fabled, Maria Chiara Argiro) and Joe Downard (China Moses, Judi Jackson), Waaju’s unique and divergent sound connects the dots between the likes of Beth Carvalho, Oscar D’Leon, Alain Peters and Los Muñequitos de Matanzas, Waaju formed as a means of exploring music’s hidden connections, from trance-inducing Moroccan gnawa to Caribbean carnival music, and embracing them to reflect the different layers of London’s own musical culture. It was the band’s love for Mali’s folk music – and Ali Farka Touré’s stylistic prowess in particular – that first set the project in motion. London’s Jazz Cafe invited Waaju to reinterpret classic tracks from Farka Touré’s catalogue to sold-out audiences in 2018 and 2019. According to Brown: “Ali’s one of the best. He has such a unique sound. His playing is so gnarly. His spirit and attitude are things I always think of when making music.” Waaju (meaning ‘to urge, inspire or influence to take action’ in Bambara) blend Latin polyrhythms, psychedelic Malian blues licks and dancefloor-oriented UK jazz arrangements. Following the group’s 2018 self-titled debut LP, Grown represents Waaju at their most distinctive and refined. The record begins with Moleman, a reminder of the craft and intricacy of composition Waaju has become known for. Gritty, clattering metal defines its sonic makeup, whilst gently hinting at influences such as dancehall and jungle. Listening Glasses follows and it’s clear why this is the album’s lead single – its Afrobeat-like energy and joyful interplay between guitar and tenor sax lies somewhere between Tony Allen’s grooves, chimurenga guitar and Headhunters’ funk. Joe Downard’s skulking bass frequencies take centre stage as heavy dub grooves almost tear themselves apart on late night jam Rollando. Time’s Got a Hold was co-written by Waaju and Jordan Rakei for a live show together in November 2018. Kicking off side B, this version features guest vocalist Will Heard and some rhythmical triplets, evocative of 1970’s sega from La Reunion. Pulling back the tempo and dimming the lights, cavernous percussion fills each corner of the room on the sparse yet purposeful Wassoulou, whilst the title and final track shows off the many dynamic sides of the outfit’s far-reaching sound, with its expansive harmonies and explosive climax spanning influences as wide as Yoruba Andabo to Hendrix, signing off an exciting and energetic second LP from Waaju, at their most commanding.

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Walter Gavitt Ferguson

King Of Calypso Limonense

LP | 2018 | CH | Original (Les Disques Bongo Joe)

20,99 €*

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Release: 2018 / CH – Original

Genre: Organic Grooves

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Wganda Kenya

LP | 2022 | EU | Original (Vampisoul)

17,99 €*

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Release: 2022 / EU – Original

Genre: Organic Grooves

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Wganda Kenya was a group formed by Discos Fuentes under the idea of developing an African and Caribbean sound in order to appeal to the Costeño Colombian market and also inject a little international exoticism into the label. - This 1976 album has become a collector's favorite waiting to be reissued, and it's not hard to understand why since it's full of so many Afro-Funk, Congolese rumba and Caribbean-flavored dance floor burners. - Special edition reissue containing two non-album bonus tracks from the same period that appeared on 45s and various artist compilations, as well as an insert with liner notes. Pressed on 180g vinyl. - First time reissue.More Info!According to Fruko, Wganda Kenya was formed at the request of José María Fuentes in 1974. Fuentes came to Fruko with the proposal to assemble a group with an African and Caribbean sound in order to appeal to the Costeño Colombian market and also inject a little international exoticism into the label.Fuentes wanted to create their own domestic version of the rare (and often unidentified) African and Antillean records played on the Colombian coast in the outdoor picó sound systems in cities like Barranquilla and Cartagena, as well as opening up their markets to international tastes.Fruko was happy to comply, becoming the bandleader and bassist while his pianist from Los Tesos, Luis "Tomate" Mesa, was recruited to play various electronic keyboards. Venezuelan singer Joe Rodríguez was tapped to play drums, Mariano Sepúlveda of Afrosound played guitar, José "Cholo" Gallardo of Los Diplomáticos played saxophone and several Tesos manned the percussion section. Various Fuentes regulars became the vocalists including Jaime Galé, Luis Carlos, and Joe Arroyo.In keeping with the exoticism and façade of foreignness, the vocalists often sang in made-up languages that approximated Indigenous Colombian, Haitian Creole, Papiamento from the Dutch Caribbean or Nigerian Yoruba; at other times they invented Spanish lyrics that mimicked th...

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Wilson Simonal / Osmar Milito

Nana / Rita Jeep

7" | 2015 | UK | Original (Mr Bongo)

11,99 €*

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Release: 2015 / UK – Original

Genre: Organic Grooves

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More samba-jazz and brazilian flavors on part 24 of Mr Bongos 45 series focusing on Brazil!

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Wilson Simonal / Trio Mocoto

Nem Vem Que Não Tem / Não Adianta

7" | 2015 | UK | Reissue (Mr Bongo)

11,99 €*

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Release: 2015 / UK – Reissue

Genre: Organic Grooves

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Wilson Simonal and Trio Mocotó provide a double dose of Brazilian classics for this Brazil 45’s 7 inch.

First up, an infectious, samba-MPB hit from one of Brazil’s most popular artists of the ‘60s and early ’70s, Wilson Simonal. Originally released on 7 inch by Odeon in 1967 and landing on Simonal’s Alegria, Alegria !!! album in the same year, ‘Nem Vem Que Nao Tem’s fame had a new lease of life in 2002 when it was used as part of the soundtrack to the critically acclaimed film, ‘City Of God’.

On the B side, one of Jorge Ben’s main backing bands and a group that was highly influential to his sound, Trio Mocotó. Alongside recording with Ben on the seminal Força Bruta, Negro É Lindo and Tábua de Esmeralda LPs, they were also key figures in the development of the samba rock sound – a fusion of samba, soul and rock influenced by music from the USA.

First appearing on Trio Mocotó’s self-titled 1977 Arlequim LP, ‘Nao Adianta’ is a dynamic orchestral-infused gem, laced with that sun-kissed, samba flavour.

Remastered with refreshed artwork.

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Winter & Triptides

Estrela Magica

LP | 2018 | EU | Original (OAR)

25,99 €*

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Release: 2018 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Estrela Mágica is a collaboration between Winter (Samira Winter) and Triptides (Glenn Brigman). The duo didn’t plan on making a record together; they simply set out to create the type of music they both loved. Sighting influences from Brazil’s colorful Tropicalia movement as well as the phased out sunshine psychedelia of the American 1960’s, Winter and Brigman started blending together their favorite musical colors into a brand new sonic palette. Two years and a dozen home recording sessions later, they had crafted enough material to form the Estrela Mágica LP.

The pair first met in Los Angeles and immediately bonded over their mutual love of Brazilian music and culture. Winter, growing up in Curitiba, Brazil was exposed to mpb, samba and tropicalia at an early age by her mother Maristela, who used to sing “Ele Dorme” and “Raio De Sol” to young Samira (both appear as new arrangements on the record). Brigman, while attending Indiana University, was introduced to Brazilian music by his roommate Pedro Assad who left him a collection of Brazilian samba, bossa nova and tropicalia LP’s upon moving to Rio de Janeiro.

While Winter and Brigman perform most of the music on the record, they were graced with the guest appearances of some their musical friends; Jason Simon (Dead Meadow), Julian Porte (Levitation Room), Modeste Cobián (The Buttertones), Mason Rothschild (Fever The Ghost), Tiago Lobão (Nevilton).

The music was recorded throughout LA, starting in the basement of Winter’s Echo Park house, traveling to a studio in Highland Park and ending in an apartment in East Hollywood. Brigman’s trusty Tascam 488 Portastudio tape machine travelled with them capturing the nuances of each environment to give each song a unique voice and sound.

Whether or not you speak Portuguese, the nostalgic, hazey sound and classic song crafting of Estrela Mágica will translate into any heart that is willing to open itself to the music. From melancholic ruminations on time and loneliness to blissful statements of friendship and peace, Winter and Brigman are exploring the universal aspects of the human experience. Whether sung in Portuguese, Spanish or English, these songs transcend language and plunge straight into the soul.

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World Psychedelic Funk Classics

Brazilian Guitar Fuzz Bananas

2LP | 2010 | US | Original (World Psychedelic Funk Classics)

33,99 €*

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Release: 2010 / US – Original

Genre: Organic Grooves

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The heaviest, rarest, best Fuzz-Funk-Psych 45s from Brazil. Contains full booklet with liner notes in English and Portuguese plus photos by Brazilian vinyl archaeologist Joel Jones.

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Yasser Tejeda

La Madrugá Blue Vinyl Edition

LP | 2024 (Seasick)

31,99 €*

Incl. VAT plus Shipping Costs

Release: 2024

Genre: Organic Grooves

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La Madrugá is a transcendental Afro-Caribbean offering by artist and composer Yasser Tejeda inspired traditional folkloric, jazz, rock, and Caribbean rhythms. Pressed on blue vinyl. Includes vinyl bonus track, "Pa' Sembrar".

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Yoanson & Karamie / Prof Jah Pinpin 4tet

African Leaders / The Final Bird (Le Temps D'Une Vie)

12" | 2024 | EU | Original (Disques Messagers)

14,24 €* 14,99 € -5%

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Release: 2024 / EU – Original

Genre: Organic Grooves

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New Parisian label, Disques Messager, presents its new and second release. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which began like fire last year with a 7inch reissue release including two Brazilian Disco bangers by Cristina Camargo. For this second efforts, the label doesn’t deviate from the artistic and quality path taken, however also making quite a U-turn, this time presenting 2 underrated kind of musical UFO, both from the French scene. Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions. On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report). Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!

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Zanja All Stars

Cuban Jam Session Volume 1

LP | 2024 | WW | Original (Zanja)

52,99 €*

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Release: 2024 / WW – Original

Genre: Organic Grooves

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Joyous, superb music; the real deal. Hotly recommended. Scintillating, masterful, roaring, classic Cubanismo, beautifully recorded in 2017 at the storied Areito Studio in Havana.

Descargas, jazz, boogaloo, son… and some ritual music to bring the curtain down. You’ll find yourself hungry for more.

The musicianship is dazzling in every corner of the orchestra; set on fire by the timbales of Changuito (from Los Van Van), and booted along by a hard-swinging, full brass section led by trumpeter Julito Padron, graduate of the legendary septet Nacional de Igacio Pinero, and later Irakere. The sound is steeped in tradition but by no means stuck in the past.

The vinyl is beautifully presented in a heavyweight, high-gloss gatefold.

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Zito Righi E Seu Conjunto

Alucinolandia

CD | 2022 | EU | Original (Mr Bongo)

14,99 €*

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Release: 2022 / EU – Original

Genre: Organic Grooves

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Some things take time to happen, some things perhaps take a bit longer than they should but, finally, we are delighted to present an issue of the iconic, and sought-after, Brazilian album 'Alucinolândia' by Zito Righi e Seu Conjunto from 1969.

The trippy, surrealist 60s cover design with hands holding eyeballs is somewhat confusing. Rather than the stoner acid rock record that the art may suggest, 'Alucinolândia' is actually a quintessential 60s gem, mixing samba, MPB, bossa nova, quirky organ-led mod-jazz groovers and easy-listening crooners with a relaxed cool swagger.

Zito Righi aka Isidoro Righi, the Brazilian saxophonist, instrumentalist, conductor and composer brought together an illustrious cast for this masterpiece, including the much-loved vocalist Sônia Santos. Sônia delivers a masterclass on the album's opener, and maybe its crown-jewel 'Poema Ritmico Do Malandro’. The song is fierce and driving with an enticing funk intro that bursts into a Samba / Batucada workout. A real monster that works magic on the dancefloor. Sônia would later re-visit this track in 1971 on a recording for Copacabana Records, which Mr Bongo released as part of the Brazil45 series. The Brazilian songwriter Roberval penned three tracks on the record, including another highlight and the far too short 'Birimbau'; a catchy Brazilian jazzy-samba dancer at its finest. Other musicians include the drummer Fernando who also recorded with the greats Dila & Guilherme Coutinho.

The fact the record was released in 1969 meant it was probably a bit out of step with its contemporaries in comparison to the works of artists such as Os Mutantes, Gilberto Gil et al. The core of 'Alucinolândia' is that of a more optimistic early to mid-sixties party feelgood vibe rather than the angsty, psychedelia, and rebellion of the Tropicália movement. Over 50 years since its release, the work can finally be judged on its own merit; and what a beauty it is.

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