Latin | Brazil Vinyl 187 Items

Records are slightly warped but still enjoyable.

When Greg Caz and Deano Sounds teamed up to create The Brasileiro Treasure Box Of Funk & Soul they created a collection of vintage Brazilian music that stretches across the scope of funk, soul, and psychedelic. Co-compiler and Brazilian music aficionado, Greg Caz says: “Without necessarily having a central theme other than funky nuggets from the first half of the 70s, we believe this compilation displays its own particular sense of logic, and that these songs ultimately all sound fantastic together. Regardless of one’s familiarity, or lack thereof, with artists like Antonio Carlos & Jocafi, Os Incríveis, Toni Tornado or Celia, the material on these 45s speaks its own truth and justifies their inclusion here. Many of these were originally available as singles, while others were taken from albums, but all are guaranteed to find their way into many DJ boxes and playlists.” The stunning 45s from this set will now be available for individual sale. The series wraps up with a split 45 featuring Novos Bainos haunting Jeventude Sexta E Sabado on the A Side and on the flip, the cinematic sounding Uma Vida, the 1971 cut from Dom Salvador E Abolicao.

Limited to 300 copies. West African and Venezuelan inspired dance floor 45 from Cyril Diaz the 1950's Trinidadian bandleader playing the roots music of his Afro-Venezuelan parentage. His father Gordon Diaz migrated to Trinidad sometime in the early 1900's. Throughout the 1950's Cyril Diaz and his big band calypso orchestra toured the Caribbean and South America recording culturally inspired hybrid calypsos with an African and Latin tinge. Showcased here is his fascination with West African shango on "Mme Killio" Mme Killio is a famous beauty contest in Africa, Diaz’s version being recorded by Emory Cook in November 1957.

Limited to 500 copies.

We’ve taken a selection of the most in-demand and asked-for titles in our Brazil 45’s catalogue and given them a loving remaster and repress.

This edition takes two hugely sought-after tracks from Quinteto Ternura, and their original outfit Trio Ternura, and cuts them loud and proud on either side of a seven inch.

First up, a hit of pure sunshine from Quinteto Ternura. Trio Ternura, who were made up of two sisters, Jussara, Jurema and their brother Robson, also formed Quinteto Ternura by joining forces with Léo and Zé Roberto. ‘Baby’ is an absolutely killer, blissful Brazilian modern soul jam written by Caetano Veloso, arranged by Arthur Verocai, covering Gal Costa. Once a real rarity in Brazil, this beauty is now accessible for all to enjoy and is one that rarely leaves our record bags. Taken from the Quinteto Ternura self-titled LP from 1974.

On the flip side, ‘Filhos De Zambi’ is an exquisite, uptempo samba-funk cut from the same year, but released as the siblings original Trio Ternura lineup. Infectious, feel-good fire from the trio, co-written by their father Umberto Silva and José Ribamar. Contains a brilliant, harmonised chorus and wondrous key change that is sure to light up any dancefloor.

Two 1980s Brazilian boogie bombs from Sandra de Sá and Equipe Rádio Cidade get a remastered reissue as part of Mr Bongo Brazil 45’s series.

Sandra de Sá’s ‘Olhos Coloridos’ is an ‘80s MPB/boogie jam, taken from her self-titled 1982 LP on RGE Brazil, that sits perfectly alongside the likes of Tim Maia, Marcos Valle, Robson Jorge and Lincoln Olivetti. No surprise then that Lincoln Olivetti and Robson Jorge feature on the track, backed by some of the members from Banda Black Rio. A joyous combination of funk basslines and dreamy Rhodes that marry with jubilant horns and Sá’s incredible vocal tones.

On the B side, Equipe Rádio Cidade ‘Bons Tempo Sao Paulo (Good Times)’ was originally released on a rare promo only 7 inch from 1980. Giving a Brazilian boogie makeover to Good Times by Chic / Rapper’s Delight by Sugarhill Gang, the track is voiced by radio DJs from Sao Paulo wishing their listeners a Merry Christmas and Happy New Year.

This replayed version, heavy on the clavinet with a samba-infused, cuica-laced percussion breakdown, gives a true Brazilian spin on one of the most distinctive melodies out there.

Remastered with refreshed artwork.

Brazilian funk-soul at it’s finest. Both tracks taken from the increasing more expensive and sought after ‘Cartão Postal’ LP, originally released on Odeon Brazil from 1971.

Both tracks are heavy on the drums, bass and horns, with Evinha’s lead to top them off. ‘Esperar Pra Ver’ is a mid tempo funk soul jam, and ‘Que Bandeira’ moves between funk/soul and bossa/MPB grooves.

‘Que Bandeira’ was released on a 7” EP, featuring tracks from ’Cartão Postal’ LP, on Odeon under the artist name ‘Eva’, in 1972… Ridiculously expensive now, as you have no doubt come to expect – so, released here for your affordable pleasure!

Two classic cuts from Jorge Ben and Miriam Makeba take either side of this Mr Bongo Brazil 45 reissue.

’Xica Da Silva’ is one of Jorge Ben’s most well-known and well-loved cuts, housed on the legendary Africa Brazil LP that deserves a place in every collection. A magical MPB cut, it instantly transports you to the shores of Rio de Janeiro. With a low-slung funky samba flavour, Ben’s absorbing vocal recounts the legend of one of Brazil's oldest black icons.

On the flip side, Miriam Makeba serves up an entrancing, slowed-down, grooved-out version of ‘Xica da Silva’. A highly influential singer, songwriter, and civil rights activist from South Africa, this low and slow interpretation is doused in strutting guitar, off-beat piano stabs and hypnotic drums providing the perfect platform to let Miriam’s vocal shine through.

Remastered with refreshed artwork.

Arthur Verocai’s first appearance in the series – a double A-side featuring
tracks from his incredible self-titled LP, soon to be reissued on Mr Bongo.
Sylvia is a warm guitar-led instrumental orchestral samba, laced with
percussion and woodwind.
Na Boca do Sol is a firm favourite from the LP – a perfect mix of drums,
rhodes, vocals and strings.

‘2 Minutos De Um Novo Dia’ – pacey samba-funk-MPB that originally appeared on a 7” from 1969 released on Odeon Brazil. Soaring vocals, strings and horns over alternating full and half-time funk drum breaks. Very big indeed.

‘Candomble’ has been a resident in our DJ sets for a long, long time. A retrained, deeper opening section drops into drum heavy, rich uptempo jazzy-MPB. Super catchy vocal hooks and piano lines sit over the top from start to finish. Taken from their self titled album from 1975 on RCA.

‘Ye Mele’ double sider, featuring Elis’ version and an incredible Turkish cover by the wonderful ?enay. Luiz Carlos Vinhas ‘Le Mele’ is an all time favourite of ours, and these versions take it in brilliant new directions.

Elis’ starts in a similar vein to LCV, building with huge vocals and soaring synths, before dropping into a latin-esque section. Appeared on 7” in 1968 on Philips Brazil, not easy to find.

?enays psychedelic soul version is a B-side from a rare Turkish 7” released in 1972. Her classic 1980 LP Honki Ponki has just been re-issued too, which is equally as great.

Claudia - Garra

Rich, sweet, orchestral bossa nova/MPB from the excellent Claudia, another of our favourite artists and featured several times in this series. Taken from her ‘Você, Claúdia, Você’ LP released in 1971 by Odeon Brazil.

Os Tres Morais - Freio Dynamico

Uptempo, cinematic, vocal MPB/Jazz with muted trumpets, pinging bass guitar strings and even a little bit of fuzz for good measure! Os Tres Morais we’re two brothers and a sister; Jane Vincentina, Sidney and Roberto do Espírito Santo. They formed in 1963.

‘Freio Dynamico’ is taken from the groups self-titled LP on Odeon 1971.

“Leão Leonardo” and “Guajiru”, here gathered in an exclusive 7-inch record, represent the first two steps in a journey that will lead to the Spring 2024 release of the new album by Toco, a Brazilian singer-songwriter with a unique sensibility and taste. “Leão Leonardo” is a very heartfelt and engaging song that constitutes a homage to a childhood friend, a tribute to a deep and everlasting bond, as well as a return to a place very dear to Toco: the Guarapiranga water reservoir near São Paulo in Brazil; it is mainly inspired by two great samba jazz masters, Jorge Ben and João Donato. “Guajiru”, a classic sambarock track inspired by Orlandivo’s swing and Jorge Ben’s sensuality, explores the more romantic side of Toco’s multifaceted style and tells of a fleeting summer love in northeastern Brazil, where the indigenous fishing village of Guajiru, on the coast of the state of Ceará, is located. As the whole new album, both “Leão Leonardo” and “Guajiru” have been recorded at Schema Records’ Blue Spirit studios and produced by Stefano “S-Tone Inc.” Tirone, who skillfully captured the spirit of these tracks and elaborated the essence and energy of their songwriting. Both of them see Toco’s alluring voice masterfully surrounded by an ensemble of exceptional musicians: Donatinho (keyboards), Tuca Milan (percussion), Ramiro Levy (guitars), Edu Hebling (bass), Mauro Martins (drums), Priscila Ribas (vocals), Gianluca Petrella (trombone), Mirco Rubegni (trumpet) and Marquinho Baboo (percussion). This 45rpm is therefore a tasty appetiser for an album that we expect to be unique, just like Toco’s style!

Deep', also known as 'Oh Poor Me' is a mid-tempo latin soul/boogaloo from singer Quetchy Alma aka La Lloroncita. Taken from the very rare LP ‘El Sol Brilla Para Todos’ on Tico.

'Identify Yourself' is a stone cold Nu Yorican funk/soul hit. Drum heavy, huge horns and punchy Rhodes lines. Taken from their self-titled LP on Vaya, released in 1974.

Edson Frederico double featuring tracks from his sought after and VERY pricey ‘Edson Frederico E A Transa’ LP.

‘Tava Mas Nao Tava’ is a psychedelic boogie-samba fusion with 4/4 drums and traditional rhythms alternating throughout.

‘Bobeira’ is a jazzy samba-MPB workout, with bubbling rhodes, layered backing vocals, horns, percussion and whistles.

Previously unreleased on 7”.

Our leading lady of the series, Claudia, is back once again, this time
with a double A-side.
‘Macumba’ is taken from one of her several self-titled LP’s, the one in
question released in 1970 on Premier, Brazil. Sought after in its
original form.
Psychedelic, orchestral, MPB, exotica with hints of Bollywood! Horns
strings and spaced out male vocals back Claudia’s amazing lead. Highly
unique.
‘Baoba’ is taken from Claudia’s all-killer-no-filler Jesus Cristo LP,
from Odeon released in 1971.
Heavy on the strings and tough on the funk drums, before it breaks into
a vocal jazz section, then back into the groove. Reminiscent of Swedish
folk-funk singer Doris, whose album we reissued in the past.

Here it comes the first tropical Uluru! The A side sees an instant classic from uprising french producer Yeahman! Produced in 2016, this jewel sees the light for the first time on a 7” and featured some “badman” lyrics on a crispy cumbia beat. On the b side we welcome to the label Austrian trio Restless Leg Syndrome with a classic cumbia re-work called Hornrace. Pull up guaranteed! Pressed on high quality black and turquoise vinyl (38 gr.) Edition of 500, coming with “hand stamped” paper sleeves.

We are celebrating the 100th release in the Brazil45 series with a massive track. The enticing and exotic samba 'Redondo Sambão' is pure Brazilian fire. With beautiful female vocal-group arrangements, floating flutes and vibrating rhythms, this song oozes charm. Its only downside being that it is over far too soon. Originally released in 1967 on a compact 7" on the Som Maior imprint, to our knowledge, the group sadly only had a couple of releases.

'Brasileiro' is taken from Jorginho Telles' self-titled 1971 album and also featured on a 7", both released on Copacabana Records. The track switches between a hoarse male vocal crooner and a rough and raw psych-guitar, RnB dancer: totally magic!

You know that long hot days are fast approaching when it is Brazilian music that you crave. Thankfully the Scruniversal has got us covered with a second release that is as scorching as the first. It pairs MPB, samba and Latin flair with hard-edged hip-hop and funk stylings across a pair of tunes from Scruscru, each one a different collaboration. The first is alongside Tony Lavrutz and has gorgeous vocals and organic percussion paired with cut-up beats and jazzy keys that will ignite any floor on 'Rave Du Brazil.' It is Los Protos's jazz funk groover 'Primavera' that gets the good vibes going on the flip.

Here it comes the first tropical Uluru! The A side sees an instant classic from uprising french producer Yeahman! Produced in 2016, this jewel sees the light for the first time on a 7” and featured some “badman” lyrics on a crispy cumbia beat. On the b side we welcome to the label Austrian trio Restless Leg Syndrome with a classic cumbia re-work called Hornrace. Pull up guaranteed! Pressed on high quality black and turquoise vinyl (38 gr.) Edition of 500, coming with “hand stamped” paper sleeves.

Glorious Various Artist on the beloved Legofunk Records. Moving sensations for an always pleasant vibe!

"Vente pa'cá" started with an afro-funk groove made by Jah Sazzah who has produced Dub, Reggae & a recent Deep Global Electronic album for Turntables on the Hudson called "Horizons." When asked for a possible vocalist, Nickodemus made some edits & mixes and sent it to Colombian vocalist Jimena Angel who quickly put her signature vocal style in as a catchy chorus saying "venue pa'cá" meaning "come here." Jimena has been on recent Captain Planet album with a hit song "Pambelé" as well as releasing many Latin/ Electronic / Alternative singles the past few years. The song's afro disco funk feel then got a heavy Caribbean style four to the floor Poirier remix with an entirely different melody for the dance-floors. Poirier is best know for his remixes & modern Afro-Caribbean productions & has a strong selling album on Wonderwheel Recordings called "Soft Power."

Jacques Renault draws inspiration from the rich heritage of Latin Underground music, Renault embraces the vibrant rhythms, soulful melodies, and irresistible beats to create a captivating soundscape that bridges the gap between eras. He weaves together a collection of handpicked Latin Underground Classics, each chosen for its historical significance and cultural impact. With great respect for the original compositions, Renault breathes new life into these hidden gems, preserving their authenticity while crafting alluring edits that speak to contemporary audience

Soundway presents a double-sider of raw, West Indian Funk from 1977. Led by King Wellington's 'Shango', the stand-out cut harvested from his Sooner Or Later LP finally gets the 45 treatment it deserves. Inspired by the Shango ritual with its roots in Yoruba culture, traces of Calypso music are driven by hypnotic bass and Wellington's signature vocal, making up a musical blend only found in the Caribbean.

Hidden on the B-side, 'Mystery Music' fronted by Canadian musician Tony Springer, embarks on a dreamy, dynamic and even a touch psychedelic trip. Steel pans coupled with floating horns, electronic keyboard effects, crisp drums and subtle guitar licks cook up a soundscape baked by the Trinidad sun. While original copies climb their way to impossible-to-find status, enthusiasts will be excited to hear this sought after piece of music is available on the 45 format again.

Pellegrino & Zodyaco, with their new single 'Malìa', continue the aesthetic and sonic journey of the project led by the Neapolitan producer, with a mixture of Neapolitan disco-funk and fusion steeped in Latin flavour that already explored the innermost corners of the soul with 'Quimere'. This new work captures the frenzy and vibrant character of Naples, with its rarefied atmospheres and infectious groove that evoke the beating heart of the city and take us on a journey through the wonder of life in search of the Mediterranean essence. The 'Malìa' is enchanting, it’s that mysterious force that hides deep inside, transforming itself into a vortex of emotions through the fusion of involving rhythms and reflections on inner battles, on the importance of finding the 'light' to overcome conflicts and difficulties that hinder the ability to choose, a dreamlike mirage that opens a window on human vulnerability, a hymn to authenticity, to self-acceptance.

The celebration of dance in the Caribbean Escapade version is also an exhortation to escape from everyday life; it takes us into a sonic imagery that plays with the Neapolitan musical tradition and the freshness of Caribbean and Latin sounds. This summer single becomes an ode to the vital energy of dance music: there is no more time for hesitation, one must let oneself be carried away by the enthralling embrace of 'Malìa', like a call to awareness and the search for authenticity in life. Malìa becomes the guiding thread, the mystery that urges us to go beyond the confines of everyday life, to explore and celebrate the complexity of existence.

Captain Planet has teamed up with 2 long-time collaborators (Zuzuka Poderosa & Raphael Futura) for a new Brazilian disco funk song, "Moqueca." The song harkens back to Brazil's legendary funk parties in the 70's and early 80's - where soundsystems bumped legends like Tim Maia, Sandra Da Sa & Gilberto Gil - while infusing some fresh contemporary energy and extra thump for today's dancefloors. Zuzuka's bright vocals bounce over a bubbly bassline, syncopated percussion and wormy vintage synthesizers, while an additional punch is brought in the form of horn arrangements by the prolific maestro Todd Simon, another frequent Captain Planet collaborator.

"Moqueca" takes inspiration from the Brazilian dish of the same name, a nationally famous fish stew that varies across the regions of Brazil. In her lyrics, Zuzuka talks about the origins and variations of Moqueca, starting with the style from Espirito Santo, her home state, and continuing to Moqueca Baiana, from Bahia, which incorporates African influences and ingredients. The result is a song that is as much an homage to Brazilian music as it is its food, culture and people.

Guyana folk music reinterpreted and infused with Afroroots and culture, reissued on vinyl for the first time. A year after their debut album ‘Ojinga’s Own’, the Yoruba Singers from Guyana released the singles ‘Black Pepper’ and ‘Basa Bongo’. These two songs were recorded in Barbados and released on the Green Shrimp label and became extremely popular throughout the Caribbean and South America. The music also became an integral part of the very beginnings of what was later to become the Champeta Criolla sound in the Caribbean coast of Colombia.

Although it is hard to explain why, it's unmistakeable that music's potence only parallels that of the fauna as one moves closer to the equatorial latitudes of this planet. Cachapas is a HANDy effort at exploring the dance-floor oriented sounds of the eastern Caribbean triangle formed amongst Colombia, Venezuela and the Dominican Republic where rhythms and percussions have clearly taken new life forms in the production methods of Caribbean studios during the 90s. Taking the American ideas of “House” music and adulterating it in the most pleasantly bombastic ways, some producers have shown that Latin house not only exists outside of the US but it flourishes in the most amazing and unimaginable ways. A collection of 3 edits that celebrate Spanish speaking south Caribbean 90's house based productions re-edited and re-mixed in less orthodox manners. For promotional purposes only.

Limited edition for Record Store Day 2016!

Beloved Rio de Janeiro veteran producer and live act, Fabio Santanna, brings his heady take on the tropical flavors of modern Brazil on Onda Boa’s second release, a pulsating double-sider that serves as a loving tribute to two giants of Brazilian boogie, Marcos Valle and Lincoln Olivetti. “Ao Som De Marcos Valle" kicks things off with a mix of organic elements layered alongside synths and Rhodes that Master Marcos himself would approve of, with lyrics that slyly reference some of Valle’s most iconic moments from his 80s boogie period. Razor N Tape’s Jkriv turns up the heat even further on his remix, bringing a touch of that NYC fire to the already sultry beaches of Rio. “Chega Mais Lincoln” on the flip applies the lessons learned from “O Mago do Pop”, Lincoln Olivetti, utilizing sophisticated synth arrangements over a delicious mid-tempo groove and a vocoder calling out in praise… "Lincoln!”. Joutro Mundo’s remix takes things into dubbyer territory with his trademark approach to dance music that carefully balances tropical bliss with swirling, synth-thetic psychedelia, capping off an epic sophomore 12” for the label that manages to occupy the spaces in-between cosmic disco, tropical balearica and modern boogie… and always with that unmistakable Brazilian swing

Tito Puente's classic 'Guayaba' has been recorded by so many artists over the years and these two covers by Sonora de Lucho Macedo and La Logia Sarabanda are undoubtedly among the best ones. Here you are two proper dance floor shakers for the tropical heads out there, recorded under the influence of the early 70s Latino rock sounds, reissued on a 45 for the first time. Our series of tropical 45s aimed to shake up the dance floors presents two incredible versions of one of the best songs ever composed by maestro Tito Puente: Guayaba. In the late 1950s, rock'n'roll shook the foundations of music in Peru, and orchestras rushed to cover hit songs and explore the possibilities of mixing them with tropical music. Lucho Macedo followed this trend, even many years later. In 1972 his version of 'Guayaba' was published, combining elements of the emerging Chicano rock sound, popularized internationally by bands like Santana or Malo, blended with a Latin flavor loaded with elements of mambo, son montuno, boogaloo... Timbales and distorted guitars shaking hands in this very dance floor friendly version. La Logia Sarabanda would arrive all the way from Rio de la Plata but -despite their origin- they'd release their records exclusively in Peru and Mexico. Their only single opened with another very interesting version of 'Guayaba' that highlights the sounds of fierce and psychedelic guitars while keeping the Latin essence of the original song.

Moar is back with his Badlibs, this time covering a track composed by legendary producer Jay Dee aka J Dilla. This time the Badlibs are joined by pianist Floriant Pélissier, who covers the main theme on piano, accompanied by Elisabeth Jutel (Double Françoise) on backing vocals and Jean-Louis Potin on saxophone. Moar is behind the MPC to produce and arrange the track, while he entrusts his long-time friend King Most (SF / Usa) with the task of remixing it for an explosive Samba version. The artwork is by the young and talented Arthur Zupashaf, and the logo by friend Eno Kruger.

The summer 2023 offering from Discos Mas is a blast from the past updated in typical Los Disco Duro fashion with vocoder vocals, live cumbia percussion and synthesized everything else. Nobody will admit to actually liking the Macarena, yet, without fail, everybody does the dance and sings along to the chorus when it comes blaring out of nightclub speakers. This little 7” life preserver will certainly keep djs from drowning should they find themselves in troubled waters. The B-side is an original electro composition with reflexive yet lighthearted lyrics about dancing dancing dancing to the tiny music in the discoteca heat. Minimal electronic 909 beats and a bassline inspired by enemy Automazeon laser fire from Atari’s Berzerk perfectly balance with the vocoder vocals resulting in pure retro bliss.

Federica Grappasonni aka Mistura Pura is an Italian DJ, composer, singer, vinyl collector and music producer. She started to play and produce music at the age of 19 in Bologna, Italy. Before becoming a DJ she wrote and performed her songs live, either as a duo or with a complete band. In the ‘Acid Jazz’ era she was totally immersed in Bossanova, Jazz-funk and Jazzy Hip Hop music. At the time she wrote poetry and songs, singing melodies that burned in her mind. ‘Ed è…’ is one of the first songs she wrote. While ‘Vamo Vive’ is the result of the mix of more songs connected as part of her repertoire, made as a later piece of her musical puzzle.

At the end of the ‘90s and for the following decade Federica became known in the so called ‘lounge scene’ as a selector with Mistura Pura DJ sets in great demand, she gained residencies in the most beautiful and cool places in Milan, the isle of Panarea, Eolian Islands, and Sicily. Coming into the present day she decided to edit and rework some of her repertoire with both songs being revisited while keeping the original voice she recorded at the time and with the support of the pianist and co-arranger Alberto Napolioni and the flautist Carlo Nicita whom worked very well to define the harmonies of the musical works. After 25 years from that period and during the pandemic, Federica repeatedly told herself as a loop ‘go to live Fede’. It was during a walk on the beach that she remembered capturing a frame of a couple of children building a castle in the sand on the Adriatic sea with all the meaning and poetry that this image portrays; a sense of freedom, innocence and truth. In this sense ‘Vamo Vive’ and ‘Ed è…’ is a gentle scream of hope in a time when humanity was closed and living like prisoners in their own houses.

Nil's (Jazz) Ensemble, the band fronted by jazz musician, arranger and composer Nilo Espinosa, jumped on the bandwagon of recording covers of international hits under the name Sangre Joven. This 1975 single is loaded with tropical infused funky and disco sounds: 'Zamba, Zamba' is a true-to-the-original version of Elkin & Nelson's 1974 chartbuster; classic balearic vibes! 'Lindo Caballito', on the flipside, is a boogaloo dance floor number with an extra Latin rock and jazzy descarga touch. Once resettled in Lima, Peru, in 1974 after spending some time playing in a jazz quintet in Berlin, sax player Nilo Espinosa would put together the Nil's Jazz Ensemble, a top-notch array of local talent. They recorded one single album (1976) that remains not only as one of the grails for collectors of Latin-American jazz but also as an outstanding piece of music on its own. Most of the line up of the ensemble were also part of Sangre Joven, a side project to release covers of international disco and funk hits for Discos MAG. A full album and a single were released under that moniker in 1975. 'Zamba Zamba' is a true-to-the-original cover version of the song 'Samba Samba' by Colombian brothers Elkin & Nelson, who moved to Spain in the 70s and recorded a couple of albums with the famous singer Juan Pardo on the production duties. Classic balearic vibes! 'Lindo Caballito', on the flipside, is an uptempo Latin track for the dance floor that had been previously recorded by Enrique Lynch and Grupo Ecuación. It includes elements of descarga and boogaloo but with a funky rock twist.

Abelardo Carbono aka "The Godfather of Champeta" meets Abelardo Carbono x Quantic!! A miraculous encounter between a Colombian music - alternative Latin legend and a neo-tropical music innovator who inherits his aspirations. A shocking collaboration between Abelardo Carbono, who was "rediscovered" during the tropical music revival and has become loved by DJs around the world as the "Godfather of Champeta," and Eblis Alvarez, aka the Meridian Brothers, who gained even greater recognition with "cumbia Siglo Xxi"! Produced/recorded by Will Holland aka Quantic and Lucas Silva, supervisor of "Palenque Palenque" (Soundway), "Machuca" (Analog Africa), etc.

The physical debut of Conjunto Media Luna, a band of the new generation of neo-tropical movement in Bogota, acclaimed by Frente Cumbiero and the Meridian Brothers! Cumbia Sabanera is a traditional cumbia from Montes de Maria, Colombia, where many maestros have been born. Highly recommended for fans of old-school accordion cumbia, such as Andres Landero, who captivated Joe Strummer, and Carmelo Torres, who is enjoying a remarkable reappraisal.

The long-awaited second floor-oriented 7" from the masterpiece album "cumbia Siglo Xxi", chosen as the best of the year 2020 by numerous music media and record stores! Strange, poppy and groovy, these are the two coupled tracks that are the Meridian Brothers! The unique mastering, which differs from Lp/cd, was done by Frankie Merritt of The Carvery UK, a leading mastering and cutting company in tropical music and responsible for SOUNDWAY's series of works.

From the underground scene of Bogota, the capital of Colombia, the Meridian Brothers, a project of Eblis Alvarez, a prodigy who is also well known as a guitarist for LOS Piranas and Ondatropica, makes its debut at Okra!! The band is releasing four dance floor-oriented tracks on two 7-inch discs from their new album "cumbia Siglo XXI," which is a departure from the acoustic chamber Latin pop of their previous album and is a fully cumbia-oriented electronic sound in the Meridian Brothers' style that they have been experimenting with for more than 15 years.

Latin Afrobeat band whose debut LP "Bailalo Duro" was released at the end of 2020 has been the talk of the town. The Nkumba System, led by former Romperayo guitarist Guillo Cros, is now available on Okra!! Both sides are from completely different sessions and were not included on the album "Bailalo Duro". Guillo Cros was a guitarist in the band of Cameroonian music veteran Mama Ohanja before joining the Romperayo. The sound that this wandering French guitarist has created in Bogota with Colombian musicians such as John Socha, who was also a bassist in the Romperayo, is a hybrid groove of Afro-Latin and Latin music from the vintage tropical music revival onward that is distinctly different from the Afro-Latin music of the past. While based on traditional Cameroonian and Colombian rhythms, it also incorporates Afrobeat, champeta, and a touch of psychedelicism to create a strong dance sound that was not possible before.

A 7-inch record coupling "Tour Of Jamaica", a sample cource of the Japanese hiphop classic "mess/age" by Seiko Ito and Yann Tomita, and one of the selector's must-haves, "Under My Skin", will be released from Think! Records!!

Discos Mas kicks off 2023 with a Banger from LOS Disco Duro with this roboticized double A sider featuring a pair of cover songs that are sure to resonate on the dance floor. Many will recognize the Tito Puente composition “Oye Como Va” from the many versions including perhaps the most popular by Carlos Santana. This version heavily references the original arrangement, replacing the horns with interwoven resonant synth lines and vocoder vocals. The A side‘s “La Inconforme” is a newer song, well known in sonidero circles and will soon be a staple in DJ sets around the world.

Mumbia Y SUS Candelosos is a Tokyo-based cumbia band led by percussionist Mutsumi Kobayashi, who has played with Minyo Crusaders and other groups. Following their debut album "Hokkori Time/Cumbia Ducha", which marked the beginning of a new chapter in the Japanese tropical music scene, part 2 of the Tokyo Cumbia Trilogy is now available on 10"/45rpm! The center label artwork is a gorgeous collaboration between Mutsumi Kobayashi himself for the illustrations, Mateo Rivano for the logo, and Katsumi Tanaka of the Minyo Crusaders for the total design.

It's often a good sign when one of your favorite musicians steps out from beyond the studio walls and past the stage lights to fulfill their own inspired and creative intent. And Caíto Sánchez is not just a favorite musician, but as his lengthy resume as a sideman shows, he's also one of your favorite musicians' favorite musicians, constantly working without fanfare as an essential ingredient in a larger music feast. Sánchez earned his stripes in the 2000s and beyond as a key session player and an integral touring band member, a quiet standout even among many oversized personalities. A dedicated drummer born in Panama and living in New York, Sánchez is quite capable of keeping time for legends like Charles Bradley, Lee Fields, and Brian Jackson, as well as supporting eclectic outfits like the live groups of Quantic, Chico Mann and Midnight Magic. For all the players who have shared a stage or studio with him it comes as no real surprise, and frankly as a long overdue development, that such a unique artistic force is finally stepping into the spotlight.
With this debut single we get a glimpse into Sánchez's creative and artistic personal space, more precisely a multi-instrumental discipline of not only drums, but also bass, guitar and lead voice. It's an intensely intimate recording debut, a fantastic studio concoction born from the heart of its creator, and later fostered and mixed down by the talented hands of Nyct and Daptone veteran Victor Axelrod. The defining result on this initial 7-inch offering are two heavy psychedelic and moody nuggets of rock enespañol, a decidedly new wave of sounds and style that are quite capable of shining on their own.

A new world of accordion music pioneered by the Meridian Brothers, who lead the tropical music scene with their unique approach to Colombian musical heritage and twisted pop sensibility, andCONJUNTO Media Luna, who revive the charm of authentic cumbia sabanera in the present! Despite the simplicity and minimalism of the live instrumentation, the collaboration "paz EN LA Tierra", released in 2021, has no hint of the conventional acoustic music mood, but is instead a collection of songs with the rhythmic intensity of house and techno. Two of the tracks have been further edited, mixed, and mastered to be released as exclusive 7" versions.

Wilfred Trevor Woodley aka Woods (1934 - 2010) is certainly one of the best kept secrets in Caribbean jazz. A pianist composer from Point Fortin, Trinidad & Tobago, Woods was a fascinating man who lived an incredible life traveling to more than 70 countries. Even though he composed hundreds of songs he had never released an official album. Woods was a man who lived a fearless life. Even when faced with life's adversities he dealt with them with such courage and calmness that all who knew him could only remember him with admiration and respect. In july 1990 he was involved in an accident where a truck crushed one os his legs. facing the doctors, he replied with aplomb: "As long as I can play the pinao, everything is fine". This EP is the first project of a series to pay a tribute to his legend and to keep his music alive.

Trippy, dark and mysterious. A new development of the popular Mexican Sonidero style cumbia by the hottest cyber cumbia unit of the moment! The cover is a reversible sleeve by Ryohei Kazumi, the genius of Entertainment. This is part 1 of a two-part work, and the two pieces will be placed side by side to complete a single picture.

Debut 7" of a 7-piece Caribbean + Afrobeat + Dub combo led by Frente Cumbiero saxophonist/clarinetist Marco Fajardo! This is a masterpiece that shows how Colombian dance music has cultivated its mellow sound by greedily incorporating Caribbean and African music through the culture of the Pico Sound System, which is popular in the Caribbean Gulf Coast region, especially in the Caribbean city of Barranquilla. The artwork was drawn by Inti-Huayra Guevara Rios from Bogota.

Georgina's Rumba is a magnum opus in the field of latin music in the broadest sense. Gabriele Deiana Sardinian guitarist, composer, arranger, producer and lyricist brings together 36 musicians for this work, including the winners of the Latin Grammy 2021 Alain Perez and Ivan "Melon" Lewis. 15 Cubans, 12 Spanish gypsies, 5 Spanish and 3 Venezuelans give life to a musical biographical journey that ranges from latin jazz to bolero, salsa, flamenco-jazz, tropical, nordic argentine style, son montuno and modern flamenco. The record also features former members of the Paco de Lucia sextet including Jorge Pardo and Carles Benavent. The best of the best of each genre. The vinyl format is gatefold and contains a 6 pages insert 30cm x 30cm with photos and the history of the album.

A true and fascinating novel in that began in 1992. The cover is a hand-painted watercolor by the illustrator Gianluigi Concas and contains an encrypted rebus that can be solved by reading the novel in the insert.

Acting and singing prodigy child Marisol is one of the greatest stars in Spain ever. She was incredibly big in her country, and her popularity soon reached other lands, some as far away as Japan where she issued some records and even recorded one of her hits in Japanese. Germany was another country that saw a market for a German-sung 45, as was Italy with a couple of rare Italian-sung tunes released. Marisol also sang in English, and even Chinese-as you willhear on the songs compiled on this LP, which features some of her non-Spanish sung sides alonside with very rare performances from TV appearances on vinyl for the first time ever! The selection is completed by tunes based on rhythms from the world and a couple of other favourites from her more classic repertoire.

Creole dance music by Shinsuke Fujieda, a flute and saxophone player active in Mumbia y Susu Candelosos and i-dip, leads a group of virtuoso musicians. The sound that responds to the French Caribbean~Zouk revival that has been making waves in the European club scene finally emerges from Tokyo! Shinsuke Fujieda's call has brought together such renowned musicians as Shinichi Tsukamoto (TRIAl Production) and Masaki Nagata (Zainichi Funk) to form the Shinsuke Fujieda Group, which has garnered attention for its groovy, sometimes ceotic, deep and emotional sound that is based on jazz but is distinct from so-called "club jazz. After the release of their magnum opus "informel" in 2021, they have further strengthened their groove intensity and have chosen dance music from the French Caribbean as the theme for their new journey.