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All Items / HHV Records / Vinyl, CD & Tape / Organic Grooves / Latin | Brazil

Latin | Brazil Vinyl 690 Items

Hip Hop 5695 Organic Grooves 11847 Funk | Soul 3787 Contemporary Funk 544 Jazz | Fusion 5278 Blues 388 Disco | Boogie 754 Latin | Brazil 690 Afrobeat 1002 Original Breaks & Samples 13 Rock & Indie 32332 Electronic & Dance 28408 Reggae & Dancehall 2444 Pop 6550 Classical Music 873 Soundtracks 1875 Childrens 60
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Vinicius De Moraes - Berimbau
Vinicius De Moraes
Berimbau
LP | 2024 | EU | Original (Jazz Samba)
25,99 €*
Incl. VAT plus Shipping Costs
Release: 2024 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
180-Gram Limited Edition. Brazilian poet, lyricist, essayist and playwright, Vinicius de Moraes (1913- 1980) became a seminal figure in modern Brazilian music and literature. Along with his longtime collaborator, composer, arranger, singer, and pianist/guitarist Antonio Carlos Jobim (1927-1994), known in Brazil as Tom Jobim, he composed hundreds of songs which have become true classics and have transcended the bossa nova, as they continue to be played and recorded by countless singers and instrumentalists within Brazil and throughout the world. This LP set compiles some of the earliest recordings by Vinicius.
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Vinicius De Moraes - The Poet Of The Bossa Nova
Vinicius De Moraes
The Poet Of The Bossa Nova
LP | 2017 | EU | Original (New Continent)
20,99 €*
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Release: 2017 / EU – Original
Genre: Organic Grooves
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Voodoocuts & Tommy Manero - Ray's Delight / B-Boy Chunga
Voodoocuts & Tommy Manero
Ray's Delight / B-Boy Chunga
7" | 2023 | EU | Original (Legofunk)
12,99 €*
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Release: 2023 / EU – Original
Genre: Organic Grooves
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Another baby from Legofunk series will make your body shake!
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Waaju - Grown
Waaju
Grown
LP | 2020 | EU | Original (Olindo)
20,99 €*
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Release: 2020 / EU – Original
Genre: Organic Grooves
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Pulsing Afro-Latin roots and UK jazz combine on Grown, the latest album by London-based quintet Waaju, released via Olindo Records. Fusing dexterous hand-percussion, hypnotic guitar riffs and soaring melodies, Waaju connect a wide range of traditional musics percolating at different corners of the global soundscape yet with a distinctly of-the-moment and British jazz flavour. Led by drummer and percussionist Ben Brown (Alfa Mist, Dizraeli, Ashley Henry), and comprising members across the UK’s extensive music scene including, percussionist Ernesto Marichales (Jordan Rakei, Sigala), guitarist Tal Janes (Nubiyan Twist, Bahla), Sam Rapley (Fabled, Maria Chiara Argiro) and Joe Downard (China Moses, Judi Jackson), Waaju’s unique and divergent sound connects the dots between the likes of Beth Carvalho, Oscar D’Leon, Alain Peters and Los Muñequitos de Matanzas, Waaju formed as a means of exploring music’s hidden connections, from trance-inducing Moroccan gnawa to Caribbean carnival music, and embracing them to reflect the different layers of London’s own musical culture. It was the band’s love for Mali’s folk music – and Ali Farka Touré’s stylistic prowess in particular – that first set the project in motion. London’s Jazz Cafe invited Waaju to reinterpret classic tracks from Farka Touré’s catalogue to sold-out audiences in 2018 and 2019. According to Brown: “Ali’s one of the best. He has such a unique sound. His playing is so gnarly. His spirit and attitude are things I always think of when making music.” Waaju (meaning ‘to urge, inspire or influence to take action’ in Bambara) blend Latin polyrhythms, psychedelic Malian blues licks and dancefloor-oriented UK jazz arrangements. Following the group’s 2018 self-titled debut LP, Grown represents Waaju at their most distinctive and refined. The record begins with Moleman, a reminder of the craft and intricacy of composition Waaju has become known for. Gritty, clattering metal defines its sonic makeup, whilst gently hinting at influences such as dancehall and jungle. Listening Glasses follows and it’s clear why this is the album’s lead single – its Afrobeat-like energy and joyful interplay between guitar and tenor sax lies somewhere between Tony Allen’s grooves, chimurenga guitar and Headhunters’ funk. Joe Downard’s skulking bass frequencies take centre stage as heavy dub grooves almost tear themselves apart on late night jam Rollando. Time’s Got a Hold was co-written by Waaju and Jordan Rakei for a live show together in November 2018. Kicking off side B, this version features guest vocalist Will Heard and some rhythmical triplets, evocative of 1970’s sega from La Reunion. Pulling back the tempo and dimming the lights, cavernous percussion fills each corner of the room on the sparse yet purposeful Wassoulou, whilst the title and final track shows off the many dynamic sides of the outfit’s far-reaching sound, with its expansive harmonies and explosive climax spanning influences as wide as Yoruba Andabo to Hendrix, signing off an exciting and energetic second LP from Waaju, at their most commanding.
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Walter Gavitt Ferguson - King Of Calypso Limonense
Walter Gavitt Ferguson
King Of Calypso Limonense
LP | 2018 | CH | Original (Les Disques Bongo Joe)
20,99 €*
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Release: 2018 / CH – Original
Genre: Organic Grooves
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Wganda Kenya / Kammpala Grupo - Wganda Kenya / Kammpala Grupo
Wganda Kenya / Kammpala Grupo
Wganda Kenya / Kammpala Grupo
LP | 2023 | EU | Original (Vampisoul)
26,99 €*
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Release: 2023 / EU – Original
Genre: Organic Grooves
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A wild and funky collection of Afro grooves that was ahead of its time in 1977 and has become a collector's item in recent years, especially due to the growing international interest in Colombian picó sound system culture. Fruko and his studio bands Wganda Kenya and Kammpala Grupo treat us to a diverse set of African and Caribbean styles, laced with crazy synths, psychedelic guitar and infectious pan-African polyrhythms.First time reissue. 180g vinyl. By the time Discos Fuentes released the album "Wganda Kenya Kammpala Grupo" in 1977, Wganda Kenya's discography was expanding with many 45 singles and appearances in various artists collections. The group's 1975 debut record "Africa 5.000" was a full length LP in the U.S. and a various artists compilation in Colombia, which was followed by the self-titled long player the following year. However, Kammpala Grupo, which shared the album's title and was credited to three songs on the record, had never appeared before, yet was basically the same studio group as Wganda Kenya. Most likely the creation of this short-lived studio band was just a ploy by the label to make it seem like there were more groups playing the type of exotic afro tracks favored by the picotero DJs of Colombia's Caribbean coast (especially in Barranquilla and Cartagena).The record kicks off with the joyful 'El Gallo Africano' which features exquisite interplay between Sepúlveda's highlife style guitar and an authentic-sounding African style saxophone, perhaps played by Carlos Piña. In reality it was 'Go Call Police Chief' by prolific Nigerian highlife guitarist Chief Oliver Sunday Akanite, aka Oliver De Coque. Next up is Kammpala Grupo's 'La Yuca Rayá' ('Grated Yuca'), written by Isaac Villanueva in a style he termed son haitiano which sounds much more like Zimbabwe Shona mbira music. Wganda Kenya's 'Caimito' (star apple, a type of tropical fruit), on the other hand, is actually a cover of a relatively well-known Haitian merengue song.Kammpala Grupo then takes us from the...
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Wganda Kenya - Wganda Kenya
Wganda Kenya
Wganda Kenya
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
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Release: 2022 / EU – Original
Genre: Organic Grooves
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Wganda Kenya was a group formed by Discos Fuentes under the idea of developing an African and Caribbean sound in order to appeal to the Costeño Colombian market and also inject a little international exoticism into the label. - This 1976 album has become a collector's favorite waiting to be reissued, and it's not hard to understand why since it's full of so many Afro-Funk, Congolese rumba and Caribbean-flavored dance floor burners. - Special edition reissue containing two non-album bonus tracks from the same period that appeared on 45s and various artist compilations, as well as an insert with liner notes. Pressed on 180g vinyl. - First time reissue.More Info!According to Fruko, Wganda Kenya was formed at the request of José María Fuentes in 1974. Fuentes came to Fruko with the proposal to assemble a group with an African and Caribbean sound in order to appeal to the Costeño Colombian market and also inject a little international exoticism into the label.Fuentes wanted to create their own domestic version of the rare (and often unidentified) African and Antillean records played on the Colombian coast in the outdoor picó sound systems in cities like Barranquilla and Cartagena, as well as opening up their markets to international tastes.Fruko was happy to comply, becoming the bandleader and bassist while his pianist from Los Tesos, Luis "Tomate" Mesa, was recruited to play various electronic keyboards. Venezuelan singer Joe Rodríguez was tapped to play drums, Mariano Sepúlveda of Afrosound played guitar, José "Cholo" Gallardo of Los Diplomáticos played saxophone and several Tesos manned the percussion section. Various Fuentes regulars became the vocalists including Jaime Galé, Luis Carlos, and Joe Arroyo.In keeping with the exoticism and façade of foreignness, the vocalists often sang in made-up languages that approximated Indigenous Colombian, Haitian Creole, Papiamento from the Dutch Caribbean or Nigerian Yoruba; at other times they invented Spanish lyrics that mimicked th...
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Wilson Simonal / Osmar Milito - Nana / Rita Jeep
Wilson Simonal / Osmar Milito
Nana / Rita Jeep
7" | 2015 | UK | Original (Mr Bongo)
11,99 €*
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Release: 2015 / UK – Original
Genre: Organic Grooves
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More samba-jazz and brazilian flavors on part 24 of Mr Bongos 45 series focusing on Brazil!
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Wilson Simonal / Trio Mocoto - Nem Vem Que Não Tem / Não Adianta
Wilson Simonal / Trio Mocoto
Nem Vem Que Não Tem / Não Adianta
7" | 2015 | UK | Reissue (Mr Bongo)
11,99 €*
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Release: 2015 / UK – Reissue
Genre: Organic Grooves
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Wilson Simonal and Trio Mocotó provide a double dose of Brazilian classics for this Brazil 45’s 7 inch.

First up, an infectious, samba-MPB hit from one of Brazil’s most popular artists of the ‘60s and early ’70s, Wilson Simonal. Originally released on 7 inch by Odeon in 1967 and landing on Simonal’s Alegria, Alegria !!! album in the same year, ‘Nem Vem Que Nao Tem’s fame had a new lease of life in 2002 when it was used as part of the soundtrack to the critically acclaimed film, ‘City Of God’.

On the B side, one of Jorge Ben’s main backing bands and a group that was highly influential to his sound, Trio Mocotó. Alongside recording with Ben on the seminal Força Bruta, Negro É Lindo and Tábua de Esmeralda LPs, they were also key figures in the development of the samba rock sound – a fusion of samba, soul and rock influenced by music from the USA.

First appearing on Trio Mocotó’s self-titled 1977 Arlequim LP, ‘Nao Adianta’ is a dynamic orchestral-infused gem, laced with that sun-kissed, samba flavour.

Remastered with refreshed artwork.
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Winter & Triptides - Estrela Magica
Winter & Triptides
Estrela Magica
LP | 2018 | EU | Original (OAR)
26,99 €*
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Release: 2018 / EU – Original
Genre: Organic Grooves, Rock & Indie
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Estrela Mágica is a collaboration between Winter (Samira Winter) and Triptides (Glenn Brigman). The duo didn’t plan on making a record together; they simply set out to create the type of music they both loved. Sighting influences from Brazil’s colorful Tropicalia movement as well as the phased out sunshine psychedelia of the American 1960’s, Winter and Brigman started blending together their favorite musical colors into a brand new sonic palette. Two years and a dozen home recording sessions later, they had crafted enough material to form the Estrela Mágica LP.

The pair first met in Los Angeles and immediately bonded over their mutual love of Brazilian music and culture. Winter, growing up in Curitiba, Brazil was exposed to mpb, samba and tropicalia at an early age by her mother Maristela, who used to sing “Ele Dorme” and “Raio De Sol” to young Samira (both appear as new arrangements on the record). Brigman, while attending Indiana University, was introduced to Brazilian music by his roommate Pedro Assad who left him a collection of Brazilian samba, bossa nova and tropicalia LP’s upon moving to Rio de Janeiro.

While Winter and Brigman perform most of the music on the record, they were graced with the guest appearances of some their musical friends; Jason Simon (Dead Meadow), Julian Porte (Levitation Room), Modeste Cobián (The Buttertones), Mason Rothschild (Fever The Ghost), Tiago Lobão (Nevilton).

The music was recorded throughout LA, starting in the basement of Winter’s Echo Park house, traveling to a studio in Highland Park and ending in an apartment in East Hollywood. Brigman’s trusty Tascam 488 Portastudio tape machine travelled with them capturing the nuances of each environment to give each song a unique voice and sound.

Whether or not you speak Portuguese, the nostalgic, hazey sound and classic song crafting of Estrela Mágica will translate into any heart that is willing to open itself to the music. From melancholic ruminations on time and loneliness to blissful statements of friendship and peace, Winter and Brigman are exploring the universal aspects of the human experience. Whether sung in Portuguese, Spanish or English, these songs transcend language and plunge straight into the soul.
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Woods - The Lone Pilgrim
Woods
The Lone Pilgrim
12" | 2023 | EU | Original (Jamwax)
10,99 €* 21,99 € -50%
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Release: 2023 / EU – Original
Genre: Organic Grooves
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Wilfred Trevor Woodley aka Woods (1934 - 2010) is certainly one of the best kept secrets in Caribbean jazz. A pianist composer from Point Fortin, Trinidad & Tobago, Woods was a fascinating man who lived an incredible life traveling to more than 70 countries. Even though he composed hundreds of songs he had never released an official album. Woods was a man who lived a fearless life. Even when faced with life's adversities he dealt with them with such courage and calmness that all who knew him could only remember him with admiration and respect. In july 1990 he was involved in an accident where a truck crushed one os his legs. facing the doctors, he replied with aplomb: "As long as I can play the pinao, everything is fine". This EP is the first project of a series to pay a tribute to his legend and to keep his music alive.
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World Psychedelic Funk Classics - Brazilian Guitar Fuzz Bananas
World Psychedelic Funk Classics
Brazilian Guitar Fuzz Bananas
2LP | 2010 | US | Original (World Psychedelic Funk Classics)
33,99 €*
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Release: 2010 / US – Original
Genre: Organic Grooves
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The heaviest, rarest, best Fuzz-Funk-Psych 45s from Brazil. Contains full booklet with liner notes in English and Portuguese plus photos by Brazilian vinyl archaeologist Joel Jones.
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Yasser Tejeda
La Madrugá Blue Vinyl Edition
LP | 2024 (Seasick)
31,99 €*
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Release: 2024
Genre: Organic Grooves
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Preorder shipping from 2024-07-12
La Madrugá is a transcendental Afro-Caribbean offering by artist and composer Yasser Tejeda inspired traditional folkloric, jazz, rock, and Caribbean rhythms. Pressed on blue vinyl. Includes vinyl bonus track, "Pa' Sembrar".
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Yeahman / Restless Leg Syndrome - Mind Control, Modern Slavery Black Vinyl Edition
Yeahman / Restless Leg Syndrome
Mind Control, Modern Slavery Black Vinyl Edition
7" | 2023 | EU | Reissue (Uluru)
12,99 €*
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Release: 2023 / EU – Reissue
Genre: Organic Grooves
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Here it comes the first tropical Uluru! The A side sees an instant classic from uprising french producer Yeahman! Produced in 2016, this jewel sees the light for the first time on a 7” and featured some “badman” lyrics on a crispy cumbia beat. On the b side we welcome to the label Austrian trio Restless Leg Syndrome with a classic cumbia re-work called Hornrace. Pull up guaranteed! Pressed on high quality black and turquoise vinyl (38 gr.) Edition of 500, coming with “hand stamped” paper sleeves.
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Yeahman / Restless Leg Syndrome - Mind Control, Modern Slavery Colored Vinyl Edition
Yeahman / Restless Leg Syndrome
Mind Control, Modern Slavery Colored Vinyl Edition
7" | 2023 | EU | Reissue (Uluru)
13,99 €*
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Release: 2023 / EU – Reissue
Genre: Organic Grooves
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Here it comes the first tropical Uluru! The A side sees an instant classic from uprising french producer Yeahman! Produced in 2016, this jewel sees the light for the first time on a 7” and featured some “badman” lyrics on a crispy cumbia beat. On the b side we welcome to the label Austrian trio Restless Leg Syndrome with a classic cumbia re-work called Hornrace. Pull up guaranteed! Pressed on high quality black and turquoise vinyl (38 gr.) Edition of 500, coming with “hand stamped” paper sleeves.
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Yoanson & Karamie / Prof Jah Pinpin 4tet - African Leaders / The Final Bird (Le Temps D'Une Vie)
Yoanson & Karamie / Prof Jah Pinpin 4tet
African Leaders / The Final Bird (Le Temps D'Une Vie)
12" | 2024 | EU | Original (Disques Messagers)
14,99 €*
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Release: 2024 / EU – Original
Genre: Organic Grooves
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New Parisian label, Disques Messager, presents its new and second release. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which began like fire last year with a 7inch reissue release including two Brazilian Disco bangers by Cristina Camargo. For this second efforts, the label doesn’t deviate from the artistic and quality path taken, however also making quite a U-turn, this time presenting 2 underrated kind of musical UFO, both from the French scene. Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions. On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report). Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!
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Yoruba Singers - Basa Bongo / Black Pepper
Yoruba Singers
Basa Bongo / Black Pepper
7" | 2023 | UK | Original (Soundway)
14,99 €*
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Release: 2023 / UK – Original
Genre: Organic Grooves
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Guyana folk music reinterpreted and infused with Afroroots and culture, reissued on vinyl for the first time. A year after their debut album ‘Ojinga’s Own’, the Yoruba Singers from Guyana released the singles ‘Black Pepper’ and ‘Basa Bongo’. These two songs were recorded in Barbados and released on the Green Shrimp label and became extremely popular throughout the Caribbean and South America. The music also became an integral part of the very beginnings of what was later to become the Champeta Criolla sound in the Caribbean coast of Colombia.
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Yoruba Singers - Ojinga's Own
Yoruba Singers
Ojinga's Own
LP | 2023 | UK | Original (Soundway)
23,74 €* 24,99 € -5%
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Release: 2023 / UK – Original
Genre: Organic Grooves
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The 1974 debut album Ojinga’s Own and single Basa Bongo/Black Pepper by Guyanese Afro-Folk band The Yoruba Singers has been remastered for vinyl and digital. The Yoruba Singers formed in Georgetown, Guyana in 1971. Despite their name they were not from Nigeria, but identified strongly with the area from which so many of the African diaspora in Guyana and neighbouring regions were originally descended. The group started adapting Guyanese traditional folk music as well as writing their own - blending a mixture of protest, social commentary, blues, and genres inspired by the times. Beginning with about 12 people sharing vocal duties, most of the early repertoire was inspired by folk songs that started life on plantations or in religious settings accompanied by a few sparse musical instruments. Integral to the Yoruba Singers’ sound are echoes of Obeah traditions which are very closely related to the Santería religion of Cuba and the Orisha and Shango traditions of Trinidad and Tobago. Calypso and steelband culture from nearby Trinidad and Tobago was to some extent part of the musical DNA of the group, but they were naturally also influenced by the massive volume of rocksteady and roots-reggae coming from Jamaica.
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