/
DE

Latin | Brazil Vinyl 1079 Items

Hip Hop 7062 Organic Grooves 17217 Funk | Soul 5498 Contemporary Funk 602 Jazz | Fusion 7786 Blues 598 Disco | Boogie 1320 Latin | Brazil 1079 Afrobeat 1299 Original Breaks & Samples 62 Rock & Indie 41466 Electronic & Dance 31350 Reggae & Dancehall 4986 Pop 8533 Classical Music 998 Soundtracks 2300 Childrens 65
Hide Filter & Categories Show Filter & Categories
Filter Results
Format
Format
Vinyl
LP
12"
10"
7"
CD
Tape
Close
Used Vinyl
Used Vinyl
No Used Vinyl
Used Vinyl Only
Sealed
Mint
Near Mint
VG+
VG
G+
G
F
Close
Artist
Artist
291out
90 Degrees Of Shade
Abrao
Acid Coco
Adolfo Echeverria Y Su Orquesta
Adrian Younge & Ali Shaheed Muhammad
Africa Negra
Afrosound
Agustin Pereyra Lucena
Alceu Valenca
Alcides Neves
Alex Figueira & Maxado
Alex Malajunta
Alfonso Noel Lovo
Alfredo Linares
Alfredo Linares Y Su Sonora
Alonso Wilson De Briano
Amália Rodrigues
Americo Brito And Djarama
Ana Frango Elétrico
Ana Mazzotti
Andre Tanker Five
Andrés Landero
Angellilo Et Hamel
Anilza Leoni / Sambalanco Trio
Antonio Adolfo
Antonio Adolfo / Erasmo Carlos
Antonio Adolfo E A Brazuca / Maria Castro Neves & Samba S.A.
Antonio Carlos e Jocafi
Antonio Carlos Jobim
Antonio Carlos Jobim / Os Incriveis
Antonio Neves
Aquarius
Arosa
Arsenio Rodriguez & The Afro-Cubano Sound
Arthur Verocai
Assim Assado
Astrud Gilberto
Ayizan
Azambuja & Cia
Azymuth
Azymuth / Osmar Milito E Quarteto Forma
Bahama Soul Club
Baianasystem
Baiano & Os Novos Caetanos
Baja Frequencia
Banda Black Rio
Barbatuques
Bechan & Alex Figueira
Bèlènou
Béliz
Bio Ritmo
Black Sugar
Bossacucanova & Roberto Menescal
Brandão
Brazilian Octopus
Bro David
Brother Resistance
Brownout
Bruno Berle
Buena Vista Social Club
Buena Vista Social Club Presents
Bulla En El Barrio
Burnier & Cartier
C.A.M.P.O.S.
Cachao
Caetano Veloso
Caixa Cubo
Cal Tjader
Captain Creole
Carlos Sodré
Celia
Cesar Mariano & Cia.
Cesaria Evora
Ceu
Chancha Via Circuito
Chano Pozo
Charlie Palmieri & His Charanga (La Duboney)
Chelique Sarabia
Chicha Libre
Chick Corea
Chico Science & Nacao Zumbi
Chico Trujillo
Chivo Borraro
Chocolate
Chupame El Dedo
Claudia
Claudia / Os Tres Morais
Club Internacional
Coco Lagos Y Sus Orates
Coladera
Colorado
Combo Chimbita
Combo Los Yogas
Compay Segundo
Conjunto Papa Upa
Contento
Cortijo & His Time Machine
Cumbiamuffin
Cyril Diaz Orchestra
Dave Pike
Dayme Arocena
Deuce Eclipse
Di Melo
DJ Tudo E Gente De Todo Lugar
DJ Tudo E Sua Gente De Todo Lugar
Dom La Nena
Dom Salvador / Osmar Milito
Dom Salvador e Abolicao
Domenico Modugno
Dorival Caymmi
Ed Motta
Eddie Palmieri
Edson Frederico
Edson Natale
Eliane Elias
Elis Regina
Elis Regina / Senay
Elizeth Cardoso / Elza Soares
Eloah
Elton John
Elza Soares
Erasmo Carlos
Esperanto
Ethel Azama
Eve
Evinha
Fabiano Do Nascimento
Fabio
Fabriano Fuzion
Fachada
Fania All Stars
Fania All-Stars
Fedia Laguerre
Femina
Flavia Coelho
Flora Purim
Foxy
Francisco Aguabella
Francisco Mora Catlett
Franck Valmont
Frankie Reyes
Frente Cumbiero
Fruko y sus Tesos
Gabriele Poso
Gal Costa
Garotas Suecas
Gary Corben
Gecko Turner
Gelson Oliveira & Luiz Ewerling
Geniva Cassiano / Dom Salvador
George & Glen Miller
George Guzman
George Sauma Jr.
Gerardo Frisina
Gerardo Manuel & C.V.P.
Gerardo Manuel & Humo
Gerhard Heinz
Germannu
Gilberto Gil
Gitkin
Gloria Estefan
Gozalo!
Grupo Alegria
Grupo Arembepe
Grupo Controle Digital
Grupo Irakere
Grupo Jejeje
Grupo Los Yoyi
Grupo Majezza
Grupo Renacer
Guilherme Coutinho E O Grupo Stalo
Guilherme Lamounier
Guilllermo Portabales
Guts
Hanna / Almir Ricardi
Hareton Salvanini
Hazel Scott
Hector Lavoe
Helio Matheus / Hélio Matheus
Henri Guédon
Henry Wenceslas Thenard
Herbie Mann
Hermanos Gutiérrez
Hermeto Pascoal & Grupo Vice Versa
Heroes Of Limbo
Hollie Cook
Humberto Gessinger
Hyldon
Ike Quebec
Ilhan Ersahin
Insolito Universo
Isaac Sasson
Ivan "Mamao" Conti
Ivan Conti
Jack McDuff
Jack Savoretti
Jaguar
Jahbitat
Jaime & Nair
Jaime Roos
Jards Macale
Jazzanova presents
Jenny And The Mexicats
Jimmy Salcedo Y Su Onda Tres
Jneiro Jarel
Joanne Shaw Taylor
Joao Donato
Joao Donato E Donatinho
Joao Gilberto
Joao Selva
Joe Bataan
Joe Cuba Sextet
Joe Gallardo & Sol
Joe Sembene
Joey Pastrana & His Orchestra
Johnny Alf
Johnny Blas
Johnny Zamot
Jorge Ben
Jorge Ben & Toquinho / Joao Donato
Jorge Trasante
Jose Mauro
Jose Prates / Wroblewski Jazz Quintet
Jose Roberto Bertrami
Joyce
Joyce / Rosinha Da Valencia
Juan Pablo Torres
Jule Henri Malaki
Julian Y Su Combo Sabor
Jungle Fire
Just What The World Needs
Khruangbin
King Coya
King Sporty
King Wellington
Kingsley Bucknor
Kip Carmen & Danny Horton
Kit Sebastian
Koko-Jean & The Tonics
Krak In Dub
La Compagnie Creole
La Fricativa Sonora
Lachinos
Laura Pausini
Legiao Urbana
Lemos
Leonardo V. Boccia
Les Ya Toupas Du Zaire
Lincoln Olivetti & Robson Jorge
Linda Ronstadt
Lo Borges
Lola's Dice
London Is The Place For Me
Los Afroins
Los Calvos
Los Corraleros de Majagual
Los Disco Duro
Los Fulanos
Los Guapos Sensibles
Los Hermanos
Los Mambo Jambo
Los Ovnis
Los Picapiedra
Lucas Arruda
Lucas Santtana
Lucha Reyes
Lucho Bermudez Y Su Orquesta
Luis Perez
Luiz Carlos Vinhas / Golden Boys
Luiz Carlos Vinhas / O Som de L.C.V
Luiz Eça Y La Familia Sagrada
Luiz Henrique
Lula Cortes
Luli Lucinha
Lumingu Puati (Zorro)
Machito
Madlib
Maga Bo
Magalhaes / Os Panteras
Majo / Os Impossiveis
Malphino
Maluma
Mancha 'E Platano
Mandala
Manfredo Fest
Manix
Manzanita Y Su Conjunto
Marcos
Marcos Valle
Marcos Valle / Don Beto
Marcos Valle / Toni Tornado
Maria Rita
Marisol
Marius Cultier
Mark Wirtz Orchestra & Chorus
Martin Denny
Mauricio Smith
Max Rambhojan
Melingo
Mental Abstrato
Meridian Brothers
Meridian Brothers Y Conjunto Media Luna
Michael Boothman & Kysofusion Band
Michi Sarmiento Y Su Combo Bravo
Mighty Sparrow
Miguel De Deus
Miguel de Deus / Boogaloo Combo
Milton Nascimento
Mina
Minyo Crusaders
Mistura Pura
Moacir Santos
Modesto & Orchestra Duran
Money Chicha
Mongo Santamaria
Moons
Moton Records Inc Presents
Mutantes
Naná Vasconcelos
Natalie Greffel
Neno Exporta Som / Agnaldo Rayol
Nestor Alvarez
Neyde Alexandre / Dalila
Nickodemus
Nico Gomez
Nico Gomez And His Afro Percussion Inc
Nicola Conte
Nkumba System
Novos Baianos
Novos Baianos / Dom Salvador
Nyssa Musique
O Terno
Oluko Imo
OPA
Orchestral Overtures
Orchestre Les Mangelepa
Ornella Vanoni
Orquesta Akokan
Orquestra Afro-Brasileira
Os Mutantes
Os Novos Baianos
Os Originais Do Samba
Osmar Milito
Osmar Milito & Quarteto Forma / Brasil Ritmo
Oz Brazoes
Ozomatli
O’Seis
Pancrudo
Pao Com Manteiga
Paolo Conte
Papik
Papillon
Paul Haslinger
Pedro Ruy-Blas
Pedro Santos
Pellegrino & Zodyaco
Peregoyo Y Su Combo Vacana
Phil Moore And The Afro Latin Soultet
Phirpo Y Sus Caribes
Pink Martini
Piry Reis
Pitty
Poder Del Alma
Prince Lasha, Clifford Jordan & Sonny Simmons
Quartetto Gianni Basso
Quartetto Moderno
Quetchy Alma / Cafe
Quiet Ones Featuring Sérgio Pererê
Quincy Jones
Quintessence
Radio Tarifa
Raffaella Carra
Rainer Trüby
Ralfi Pagan
Raul Monsalve Y Los Forajidos
Ray And His Court
Ray Barretto
Ray Lopez & The Juniors
Rebel, The, Dedy Dread, Keila Abeid, Mo Horizons
Rebles
Renata Lu
Renato Gama
Ricardo Marrero & The Group
Ricardo Richaid
Ricaurte Arias Y Su Conjunto & Orquesta Pacho Galan
Rita Lee
Rita Lee & Tutti Frutti / Pete Dunaway
Ritmos Tropicosmos
Robson Jorge & Lincoln Olivetti
Rocky Marsiano
Rodrigo Y Gabriela
Roger King Mozian
Roman Andren
Romano Mussolini
Romperayo
Ronald Mesquita
Ronaldo Reseda / Robson Jorge E Lincoln Olivetti
Ronie & Central Do Brasil
Ronie & Central Do Brasil / Wal Sant'ana
Rosa Maria
Rosalia De Souza
Rubel
S-Tone Inc.
Sabrina Malheiros
Samjazz / Abilio Manoel
Sandra De Sa / Equipe Radio Cidade
Sandra Sa
Sangre Joven
Satanique Samba Trio
Sebastiao Tapajos Dos Santos, Pedro
Secos & Molhados
Serginho Meriti
Sérgio Mendes
Sérgio Mendes & Brasil '66
Sessa
Setenta
Seu Jorge
Shadow
Sheba
Silva
Sivuca
Skymark
Sola
Solat
Solo Moderna
Som Imaginario
Sonia Santos
Sonora Casino
Sonora Mazuren
Soul Jazz Records presents
Soyuz
Stan Getz & Joao Gilberto
Stella
Stretch & Bobbito
Supergombo
Susobrino
Synchro Rhythmic Eclectic Language
Syndicate
Taigura / Marisa Rossi
Tak Shindo
Talbot Brothers Of Bermuda
Tamba 4
Tampo
Terror / Cactus & Orquestra Pacifico Tropical
The Big Hustle
The Bongo Hop
The Ipanemas
The Kevin Fingier Collective
The Latin Souls
The Mauskovic Dance Band
The Nitty Gritty Sextet
The Penguins
The Sérgio Mendes Trio
The Springs Band
The Young Ones Of Guyana
Tim Maia
Tito Puente
Tito Puente & Celia Cruz
Tito Puente & His Orchestra
Toco
Tom Ze
Toni Tornado
Toni Tornado / Som Tres
Toni Tornadon / Zeca Do Trombone
Tony Allen
Toots Thielemans
Torbjörn Langborn & The Feel Life Orchestra
Traffic Sound
Trio Mocoto
Trio Mocoto / Tenorio Jr. / Jorge Autouri
Trish Toledo
Tropicalia
TT Syndicate
Unknown Artist
V.A.
Valeria
Victor Assis Brasil
Viejas Raices
Vinicius De Moraes
Waaju
Waldir Calmon
Waltel Branco
Walter Gavitt Ferguson
Werther
Wganda Kenya
Willie Colón
Willie Colon / Hector Lavoe
Willie Rosario And His Orchestra
Wilson Simonal
Wilson Simonal / Osmar Milito
Wilson Simonal / Trio Mocoto
Winter & Triptides
Woods
World Psychedelic Funk Classics
Yeahman / Restless Leg Syndrome
Yma Sumac
Yoruba Singers
Ze Carlos
Zito Righi E Seu Conjunto
Close
Label
Label
180g
180g X Disk Union
2 Headed Deer
20th Century Masterworks
Ace
Achilisound
Acid Jazz
Act Of Sedition
Adarce
Agogo
Akuphone
Alegre
Altercat
Analog Africa
Ansonia
Apollo Sound
Artificial Instinct
ATA
Atangana
ATO
Audio Fidelity
Aya
B-Otherside
Bánfora
Bang
Barbes
Batov
BBE
Be With
Beat Generation
Beau Monde
Beaumonde
BeauMonde
Besser-Samstag
Betino's
Beyond Space And Time
Bigamo
Black Sweat
Blue Elan
Born Bad
Bou-Ga-Louw
Brownswood
Buenritmo
Buh
Buyú
Calar Music
CAM SUGAR
Candid
Candonga
Catalyst
Charly
Chinese Man
Claremont 56
Club Internacional
Coco
Columbia
Comet
Comets Coming
Compost
Cosmic Disco Machine
Cosmic Romance
Covadia
Cracki
Craft
Cree
CuBop
Cultura Italiana Musicale
Culture Factory
Cultures Of Soul
Cumbia Chicharra
Daptone
Day Dreamer
DBQP
Diamond West
Dig This Way
Disasters By Choice
Discmedi
Discodelic
Discos Abya Yala
Discos Elgozo
Discos Fantástico!
Discos Horoscopo
Discos Mas
Discos Monterey
Discos Quilombo
Discos Resaca
Discotheque Tropicale
Discrepant
Disk Union
Disques Messagers
Doghouse & Bone
Dol
Doxy
DSB Discos
Dub Store
Dune Castle
Duophonic Super 45s
Dynamite Cuts
Early Sound
Eck Echo
Econo Jam
El Clan
El Gran Combo
El Palmas Music
El Tigre
Electric Cowbell
Elemental Music
Ellas Rugen
Elpalmas Music
Emotional Rescue
Endless Happiness
Epic
Epic International
Explorations
Far Out
Fat Beats
Fatiado Discos
Fatiado Discos & Psico Bs
Favorite
Figure & Ground / Sonorama
Fly By Night Music
Forma
Four Flies' DJ's Choice
Frederiksberg
Fun In The Church
Funk Night
Future Rootz
Future Shock
Gabriele Deiana Music
Galletas Calientes
Get On Down
Gladys Palmera
Glossy Mistakes
Gmo The Label
Goma Gringa
Goutte D'or
Green Cookie
Groovie
Grosso
Grosso!
Gutifunk
Gutifunk & Achilisound
Halfshell
Have A Nice Day
Heavenly Sweetness
Holy Basil
Honest Jon's
Honeypie
Hot Casa
Hot Mule / Secousse
Humble
Ici Bientot
Iconic Artists Group
Imaginaria
In The Woods
Intermusic
Invisible City Editions
Irma
Jackpot
Jakarta
Jalapeno
Jamwax
Jazz & Milk
Jazz Is Dead
Jazz Samba
Jazz Shinsekai
Jazzaggression
Jazzman
Just What The World Needs
JZ
Kapp
Karu Production
Kaxambu
Kelly Ocean
Klimt
Komos
KPM Music Ltd.
Ktba
Kumbia Boruka
Kythibong
La Scimmia
Lamastrock
Late Night Tales
Latin Big Note
Le Label
Left Ear
Legacy
Legofunk
Les Disques Bongo Joe
Les Disques Du Crochet
Lex
Life Goes On
Lilith
Lion Productions
Liquidator
Litoral
Little Butterfly
Llorona
Lovemonk
Luaka Bop
Lugar Alto
Lusofonia Record Club
Maaula
Mad About
Madlib Invazion
Madmua
Magic Of Vinyl
Mainstream
Mais Um Discos
Mambo Negro
Mar & Sol
Markotaz
Matasuna
Mercury
Mexican Summer
Milestone
Mio International
Miss You
Mocambo
Mochilla
Mokomizik
Mondo Groove
Moton
Mr Bongo
Mule Musiq
Mundo Melhor
Munster
Mushroom Pillow
Music Development
Music From Memory
Music On Vinyl
Music Take Me Up
Music With Soul
Musica Macondo
Must Have / Membran
Nacional
Naive
Naked Lunch
Names You Can Trust
New Continent
New Dawn
New Jazz
Newentun / Kultural Grooves
Niw!
Noannaos
Notes On A Journey
Now-Again
Nublu
Numero Group
OAR
Okra Brand
Olindo
On High
Onda Boa
Optimo Music Selva Discos
Orfeo
ORG
Orginal Gravity
Original Gravity
Outre-National
P-Vine
Pa Flipe
Pardonnez-Nous
Pdu Music & Production Sa
Penny
Perlas & Conchas
Pharaway Sounds
Phca
Piry Reis
Poeira Music
Polen
Polysom
Polysom (Brazil)
Pony Canyon
Poppydisc
Prado
Private
Project: Mooncircle / HHV
Psychic Hotline
Pura Vida Sounds
Quiet Storm Kobe
Radio Martiko
Rare And Or Interesting
RCA
Rearward
Rebel Up
Rebirth On Wax
Reel People Music
Return To Analog
Rey Record
Ritmo Del Barrio
Rocafort
Rockymarsiano
Rubyworks
Sabia
Sabura
Schema
Scruniversal
Seasick
Second
Secousse
Selva Discos
Seroma
Shellac Disc
Six Degrees
Sleazy
Sociedad
Somatória Do Barulho
Sommor
Sonar Kollektiv
Sonor Music Editions
Sony
Souk
Soul Jazz
Sounds And Colors
Sounds Of Subterrania
Soundway
Sowing
Space Echo
Speakers Corner
Speed
Staubgold
Steady Beat
Sticky Buttons
Stones Throw
Strut
Super-Sonic Jazz
Survival Research
Thank You
The Saifam Group
Think!
Third Man
Time Capsule
Time Is The Enemy
Tower
Trad Vibe
Trading Places
Tropical Diaspora
Ubatuqui
Ubiquity
Uluru
Unchantable
Underdog
Universal
Uprising Music
Vampisoul
Venus
Vinilisssimo
Vinyl Lovers
Wagram
Warner
Warner Music International
Warner Music Italy
We Jazz
Week-End
Wonderwheel
World Circuit
World Psychedelic Funk Classics
Worldwax
Z Production
Zouk
ZYX Music
ZZK
Close
Pressing
Pressing
Original
Reissue
Close
Country
Country
DE
EU
JP
UK
US
Other Countries
Close
Year
Year
2024
2023
2022
2021
2020
2019
2018
2017
2016
2015
2014
2013
2012
2011
2010
2009
2008
2007
2006
2005
2004
2002
2000
1998
1997
1996
1995
1994
1992
1990
1989
1988
1987
1986
1985
1984
1983
1982
1981
1980
1979
1978
1977
1976
1975
1974
1973
1972
1971
1970
1969
1968
1967
1966
1965
1964
1963
1962
1961
1960
1959
1958
1957
1956
1954
Close
Price
Price
5 – 10 €
10 – 15 €
15 – 30 €
30 – 50 €
50 – 100 €
Close
Sale
Sale
No Sale Items
All Sale Items
Up to 30%
30 – 50%
Close
New In Stock
New In Stock
2 Days
5 Days
7 Days
14 Days
30 Days
60 Days
90 Days
180 Days
365 Days
Close
Back In Stock
Back In Stock
1 Day
2 Days
5 Days
7 Days
14 Days
30 Days
60 Days
90 Days
180 Days
365 Days
Close
Availability
Availability
Stocked Items Only
Close
Preorder
Preorder
Preorder Only
No Preorder
Close
Preorder expected in
Preorder expected in
Next month
Penultimate month
Close
Reset all Filters Vinyl No Used Vinyl
1
...
3 4 5
...
12
1
...
4
...
12
1
...
4
...
12
Jenny And The Mexicats - Fiesta Ancestral
Jenny And The Mexicats
Fiesta Ancestral
LP | 2022 | EU | Original (Gmo The Label)
22,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Die nach der Veröffentlichung der CD Ende 2019 für die Folgejahre geplante „Fiesta Ancestral“-Tour durch Latein- und Nordamerika sowie Europa konnte aus bekannten Gründen nie stattfinden, nun werden die Konzerte nachgeholt, in 2023 auch in Deutschland.
Die Album-Songs „Sonido de tu Voz“, „Bailando con las Farolas (feat. El Kanka)“, „La Cumbia del Vino“ und „Si una Vez“ haben sich unterdessen zu veritablen Streaming- und Radio-Hits entwickelt.

Die Vinyl-Version des Albums erscheint nun mit den ebenfalls erstmals auf Vinyl erhältlichen Bonus-Tracks „Sin tus Estrellas“, „La Bruja“, das mexikanische Traditional in der ganz speziellen Mexicats-Version, und als absolute Neuveröffentlichung die englische Version des Hits „Labios.“

„Labios“ findet sich auch im Soundtrack des neuen Films von Erfolgsregisseurs Sönke Wortmann. „Der Nachname“ kommt am 20.10.22 in die Kinos, ist eine Art Fortsetzung des sehr erfolgreichen Wortmann-Films „Der Vorname“ und mit Christoph Maria Herbst, Caroline Peters, Justus von Dohnányi, Florian David Fitz. Janina Uhse und Iris Berben hervorragend besetzt.
Sonido Verde De Moyobamba - Sonido Verde De Moyobamba Colored Vinyl Edition
Sonido Verde De Moyobamba
Sonido Verde De Moyobamba Colored Vinyl Edition
LP | 2022 | EU | Original (Analog Africa)
32,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Formed in 1980 by guitar prodigy Leonardo Vela Rodriguez, Sonido Verde de Moyobamba created some of the hardest, craziest Cumbia to emerge from the Peruvian jungle. With distorted, surf-addled guitar facing off against lysergic organ and hyperactive tropical rhythms, Sonido Verde conjured the organic sound of the dense forests surrounding their hometown while riding their dance-party grooves to dizzying psychedelic peaks.

Compiled by Analog Africa, Sonido Verde de Moyobamba presents eight ultra-rare tracks of guitar and organ madness drawn from the band’s five albums recorded for Discos Universal between 1981 and 1987. Pressed on Sun Yellow colored vinyl, housed in a screen-printed jacket and strictly limited to 2000 copies, Sonido Verde is a definitive trip into the heart of the jungle.
Os Carbonos / Sandra De Sa - Pássaro Selvagem / Palco Azul
Os Carbonos / Sandra De Sa
Pássaro Selvagem / Palco Azul
7" | 2022 | UK | Original (Mr Bongo)
12,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Number 94 in the Brazil45 series is one for the Brazilian boogie lovers out there.

The vocal and instrumental group Os Carbonos from São Paulo had a long career that straddled the 60s, 70s and 80s. 'Pássaro Selvagem' is taken from the latter years of their career. Its a bass driven, boogie-funk groove (with a bassline not too dissimilar to Queen 'Another One Bites The Dust') that is Brazilian boogie at its finest. Taken from the B-side to a 7" campacto released in 1981 on Copacabana records, its proven to be a favourite of Luke Una and we foresee it becoming a staple in your DJ box for years to come too.

The B-side comes from one of our all-time favourite artists, the mighty Sandra Sa. Sandra is a wonderful vocalist, her intense and recognisable style is one of THE voices of the Brazilian boogie golden era. Check out her classic album 'Vale Tudo' (mrblp230) on Mr Bongo for further proof of her credentials here. 'Palco Azul' is also taken off a 7" single from 1981 and is a feel-good dancefloor groover with punchy brass stabs, warm keys and uplifting chord changes. It contains all the right elements that we have come to associate with that knockout late 70s / early 80s Brazilian sound.
Al Valdez Y Su Conjunto - Gozando!!
Al Valdez Y Su Conjunto
Gozando!!
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
One of the 'holy grails' of 1960s Cuban music was not recorded, produced or released in Havana or New York; in fact it was made in Lima, Peru under interesting if somewhat unexpected circumstances.Pianist Alfredo "Alfredito" Valdés Jr. (May 31, 1941, Havana - January 23, 2016, New York), one of the most important figures in Latin music, came from an illustrious musical family in Cuba. In 1956, he emigrated to New York with his family, making him one of the forerunners of Cuban-based salsa music in the US.Three years later at age 18 Alfredito joined Arsenio Rodríguez and his conjunto; then in 1961 Ray Barretto recruited him for his Charanga La Moderna. Alfredito kept himself very busy, studying music and literature during the day and playing at night with the bands of Tito Puente and Machito as well as Arsenio and Barretto. He was a quick reader and writer of music and displayed an impressive versatility and level of skill on the piano.It was precisely these qualities, combined with random chance, that saw Alfredito become substitute pianist for Machito and His Afro-Cubans for a tour that would take him to Colombia and Peru for a number of engagements in the winter of 1964 and into the new year. While in Lima, several problems arose with the Argentine businessman and tour promoter Mauricio Támara who took the Machito gang to the Peruvian capital but forfeited their pay and left them stranded and penniless to fend for themselves in December of 1964. Machito's brother-in-law and musical director Mario Bauzá had to travel to New York to get money for the return of the entire company; meantime the rest of the musicians had not even enough to eat. They ended up being stranded for a total of 3 months.It is from this embarrassing and depressing turn of events that the enterprising Alfredito Valdés Jr. was able to spin musical gold in his newfound Peruvian home. Saying to his band mates, "I am not going to starve here," Alfredito began searching the streets of Lima for record labels. Thankfully...
Jimmy Salcedo Y Su Onda Tres - El Mundo De Jimmy Salcedo Y Su Onda Tres
Jimmy Salcedo Y Su Onda Tres
El Mundo De Jimmy Salcedo Y Su Onda Tres
LP | 2022 | EU | Original (Vampisoul)
26,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Many music fans will remember Jimmy Salcedo due to his wonderful work as arranger and producer with the duo Elia and Elizabeth in the early 70s. Their delicate songwriting acquired, after his treatment, a special Tropical aroma that even included the funk influences received by Salcedo at that time. He released with his band, La Onda Tres, a few LPs and singles that had a limited distribution, mainly in Colombia only. This anthology comprises a selection of songs that celebrate Salcedo's sound signature: a base of coastal funk with vocals and melodic bubblegum-bomb arrangements and hints of light psychedelia. Many of the compiled songs became popular radio hits in Colombia that Jimmy Salcedo and La Onda Tres recorded and arranged at the Zeida studios in Medellín.These recordings include Latin-jazz tracks ('Mira') with stunning percussion solos, songs recorded under a heavy Caribbean-soul influence ('¡Qué linda es Colombia!' and 'Lo mismo de siempre') 'Maranguango', an irresistible mix of Afrolatin percussion and catchy Tropical harmonies spiced up with moog keyboard sounds, fuzz and wah wah guitars and even touches of hammond, in a psychedelic funk style, an exhilarating moog driven instrumental with a heavy Afro-funk rhythm ('Moogambo') and revisited Latin classics ('Moliendo Café').Jimmy Salcedo's big popularity in Colombia is due however to his long career as TV presenter at 'El Show de Jimmy', running for over 20 years, where he would also perform with his band and act as a comedian. His life was tragically cut short and died in 1992, when he was only 48, due to health issues. This compilation celebrates his superb musical legacy and makes most of these songs available again for the first time.
Ray Pérez Y Perucho Torcat - They Do It
Ray Pérez Y Perucho Torcat
They Do It
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
One of pianist Ray Pérez's rarest releases and his first on his own label Pyraphon, "They Do It" (1971) was also his final collaboration with Perucho Torcat, a talented sonero who died tragically young in NYC the following year.The record sports an impressively diverse array of rhythms and genres, including the popular Cuban, Puerto Rican and New York sounds that the young Venezuelan salsa groups excelled in at the time (guaguancó, bolero son, son montuno and Latin soul / boogaloo). Other Caribbean modes like calypso (the coast of Venezuela is very near Trinidad and Tobago), pambiche (a slow form of Dominican merengue developed for tourists), and even traditional Venezuelan merengue (a completely different rhythm from the Dominican genre of the same name) appear on the album.Full of classic dance floor burners, the album has been lovingly restored, mastered from the original tapes, fully licensed, with its original artwork intact, preserving the legacy of this great Venezuelan music for today's generation of salsa dura lovers everywhere.The LP is highly collectible and is now being reissued by Vampisoul for the first time.
Mita Y Su Monte Adentro - Arecibo
Mita Y Su Monte Adentro
Arecibo
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
From a young age, La Perla, Callao-born guitarist Oswaldo "Mita" Barreto was a fan of Cuban artists like Celina y Reutilio and Los Compadres, whose records were a staple in the port city homes. He soon learned to distinguish the sound of the Cuban tres on these records (the chordophone from rural areas of Cuba). At the age of 18, he had already mastered the instrument, although he had never seen a Cuban musician play one live until that point.At the beginning of 1969 (according to the record company's archives), his fame led him to record his first 45 RPM singles for the MAG label, which were compiled in an LP by the end of the year entitled "Arecibo", after a song dedicated to the Puerto Rican city of the same name. For these recordings he was accompanied by a group of musician friends, all linked to the tropical music scene in Callao, Peru.The album opens with two Cuban guarachas from the 1950s: 'Mango mangüé' by El Gran Fellove, whose compositions were popularized across the Americas thanks to the voice of Celia Cruz and the Sonora Matancera; and 'El yoyo' by Antonio Sánchez Reyes, another international hit performed by Cortijo y su Combo. Both songs were recorded by Mita in May 1969.The album also includes four songs from the repertoire of Puerto Rican musician Joe Cuba: 'Arecibo', 'No coman cuento', 'Oriza Oco' and 'Con mi mambo', where Mita replaced the sound of the vibraphone with the Cuban tres, an innovation that gave the group its distinctive sound.Three songs by Oswaldo Barreto "Mita" were also included on the album: the memorable 'Mita descarga', the incredibly fast 'Descarga en botella y güiro' ("del Perú a Puerto Rico cantamos") and the intimate 'No aguanto más', all with inspired plucking by the tres player from La Perla.The release of the LP at the end of 1969, established Mita's career, and he continued to record on MAG and other labels in the following years, although he never released another album. First time reissue.
The Latin Brothers - El Picotero
The Latin Brothers
El Picotero
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Heavy-duty Colombian salsa group The Latin Brothers were formed in 1974 by the Discos Fuentes A&R team as a sibling band of Fruko Y Sus Tesos in order to provide the local market with a trombone-heavy ensemble in the mode of the popular Nuyorican Willie Colón orchestra.The band was led by Julio "Fruko" Estrada on bass, featuring basically the same musicians as Los Tesos, minus the trumpets and highlighting the cutthroat trombone work of Gustavo "La Pantera" García. At the time Fruko's Tesos were going through a transition and his talented former lead vocalist, Píper Pimienta, left to sing lead in The Latin Brothers while Joe Arroyo and Wilson "Saoko" Manyoma took over vocal duties in Los Tesos."El Picotero" was The Latin Brothers' debut album and remains to this day a favorite of salsa dura fans the world over. The album established The Latin Brothers as a bona fide contender in the crowded field of trombone-centric salsa bands taking over the airwaves and dance floors around Latin America. With this bold and brassy record TheLatin Brothers would inspire future Colombian salsa orchestras as well as helping establish Medellín as a center of salsa almost as famous as Cali.The song selection on the album also spotlights where the band is coming from as a salsa manifesto of sorts, lyrically covering various topics such as paying homage to the people, patron saints and music of Puerto Rico and Cuba, as well as praising the DJs (picoteros) and radio hosts (locutores) who play the guaguancó rhythm of salsa, and of course the typical themes of problems with women and heavy partying that come with most male-centric Latin dance tunes of the era.This lovingly restored reissue adds the Píper Pimienta penned 'Echa pa' lante camará' as a great bonus track with its heavy dance rhythms and oddball Mellotron solo.
La Fanfaria Del Capitan - Magias De Hoy
La Fanfaria Del Capitan
Magias De Hoy
LP | 2022 | EU | Original (Tropical Diaspora)
15,99 €* 19,99 € -20%
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Conjunto Ingenieria - Conjunto Ingenieria
Conjunto Ingenieria
Conjunto Ingenieria
LP | 2022 | EU | Original (Elpalmas Music)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
As the 1950s drew to a close a group of students at Caracas’ Universidad Central de Venezuela caught the tropical music bug and decided to form an orchestra. With the majority of the students coming from the engineering faculty, they were duly christened Conjunto Ingeniería (The Engineering Group) and from the offset, they were ahead of the game. Tropical music, or música bailable (danceable music), was slowly making its way to Venezuela, but Conjunto Ingeniería had a secret weapon as one of their fellow students was studying in New York and every July he’d return with the latest Latin big band sounds: Tito Puente, Machito, they heard it first. And they wasted no time in making a name for themselves: nine young male musicians playing the hippest sounds around, they were the obvious band to play high-society quinceañeras (15th birthday celebrations to mark a “girl’s journey into womanhood”), which their original bass player, Juan Marquez, says they did at least 80 times in their heyday, as well as playing countless times at the university, on TV, at weddings, and at carnival, where on one occasion they accompanied Celia Cruz. “We played on all the TV channels”, says Marquez, “we were the first group to play at the launch party for ‘salsa’, a term that was established by the [Venezuelan] announcer Phidias Danilo Escalona… in Barquisimeto we were considered the best orchestra”, he remembers. On record their eclecticism and musical chops belied their age. In 1961 they released their self-titled debut album, which tackled mambo, guaracha, cha-cha-cha and charanga, veering from the Les Baxter-esque exotica of “Mambo Silbando” with its kitsch whistling, through the horn-and-percussion heavy stomp of “La Bola” (complete with bolero bridge) and on to “Amorcito”, their cover of The Diamond’s “Little Darlin’”, which was arguably the first rock ‘n’ roll song recorded in Venezuela. They followed it up with Aqui Esta El Conjunto Ingenieria, their second album in 1962, in which they showed once more that rock could easily sit next to Latin on tracks like “Mambo Rock”. Their last album, Boogaloo Con Ingenieria, arrived in 1967, and made clear the influence of New York in their sound, with the group adopting the boogaloo of Pete Rodriguez, Tito Puente and Ricardo Ray. Tracks like “Dame Boogaloo” and “La Boa” were the epitome of this, but they also took that sound into new places, as on the staccato groove of “Intermission Riff” which left plenty of space for the musicians to flex their muscles, or on the ominous “Aefo” with its unsettling vocals and dramatic Henry Mancini-esque melody. Conjunto Ingeniería came to an end at the beginning of the 70s, by which time many of their original members had left after graduating, but there can be no doubt they had made their mark. Though their recording output was nowhere near as prolific as their contemporaries Billo’s Caracas Boys or Los Melódicos, if you were turning on the TV, going to carnival or, especially, attending a quinceañera, in Caracas in the 1960s, then you would no doubt of come across Conjunto Ingeniería and their rock ‘n’roll-embellished New York-meets-Venezuela big band sound. On this compilation, simply titled Conjunto Ingeniería, El Palmas Music have cherrypicked a glorious selection of tracks from across the group’s career, capturing all the creativity and youthful excitement that made them one of the first titans of Venezuela’s tropical music history.
Lachinos - Costa Brava
Lachinos
Costa Brava
12" | 2022 | EU | Original (Goutte D'or)
18,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
It's been 5 years since Nicolas Cubillos started his musical odyssey with his band Lachinos. In 2020 they released their first EP America Lachina with the label Goutte d'Or Records. Through these four songs full of lysergic magic, they offer an ode to Latin American music that was danced at home. In the fall of 2022, Lachinos will release his second EP entitled Costa Brava, still on Goutte d'Or Records. This record, which mixes surf rock, merengue, cha cha cha and cumbia with Japanese tints, is a sincere exploration through their colorful and festive universe. With the added bonus of two brilliant remixes by Voilaaa and Matias Aguayo Currently, the group is composed of important actors of the avant-garde music scene in Peru and Colombia: Ernesto Velarde (Moldes, Juan Wauters) on drums, Santiago Jimenez (Mamíferos, Las Migrañas) on keyboards and vocals, John Socha (Romperayo, Nkumba System, the Caribbean Makina) on bass.
Pucho And His Latin Soul Brothers - Super Freak Black Friday Record Store Day 2022 Edition
Pucho And His Latin Soul Brothers
Super Freak Black Friday Record Store Day 2022 Edition
LP | 2022 | EU | Original (CuBop)
29,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Limited Edition for Record Store Day 2022.
Paul Fathy / Corail' - Funky Baby Love / Karukera C'est Comme Ça
Paul Fathy / Corail'
Funky Baby Love / Karukera C'est Comme Ça
7" | 2022 | EU | Original (Favorite)
13,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Favorite Recordings proudly present a new series of 7" reissues with a simple concept: each side dedicated to one French funky track coming with its original artwork. You just have to flip it! Starting with "Funky Baby Love" by Paul Fathy, it could not get funkier! The French boogie track originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3, is your perfect tool for the dancefloor. It brings together all the ingredients of a great production with irresistible disco strings, a catchy chorus supported by beautiful backing vocals and its final climax will bring the dancers to a point of no return. On the other side, you get an exclusive reissue of West-Indies band Corail', with their song "Karukera C'est Comme Ça" taken from their eponymous album. This under-the-radar, zouky and funky track will surprise every listener with its appealing arrangement and lyrics: "Ça va danser / Sur l'île aux oiseaux". Soon, you won't be able to get it out of your head. The bass is groovin', the rhythmic guitar is infectious and digital keyboards are on point: we're pretty much sure this one will become sooner or later a banger of its own.
The Guantanamo Boys - Latin Guateque Remixes
The Guantanamo Boys
Latin Guateque Remixes
10" | 2022 | EU | Original (Gladys Palmera)
22,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Reissue of one of the lesser known titles of the legendary catalog of the New York label SMC (Spanish Music Center). Highly sought after among Latin music collectors, ideal for DJs specializing in Latin soul, boogaloo, salsa, Latin music, psychedelic sounds and exotic music.

It includes on the A side the theme Let’s dance The Bugalu (actually Boogaloo), featured in the New York dances of the late 60s, which demonstrates its validity; and Aprende mi Tumbao, a boogaloo-rock that begins as a guajira, Cuban rhythm perfect for intensity changes in discos and clubs. *These tracks are the ones included in our previous release of Guantanamo Boys which was instantly sold out*

And on the side B two remixes of Aprende mi Tumbao in charge of the best DJs today. The first is made by Andy Grey (resident DJ of Gladys Palmera) & Desi Calatayud (producer and sound designer); and the second, by Tiraya (selector, producer and percussionist).
Maluma - 11:11
Maluma
11:11
2LP | 2022 | EU | Original (Epic International)
26,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Machito - Afro-Cuban In New York
Machito
Afro-Cuban In New York
LP | 2022 | EU | Original (Naked Lunch)
12,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First Naked Lunch release dedicated to the Afro-Cuban golden age. Machito was a seminal figure in the New York Afro-Cuban scene of the post World War II era, vastly responsible to deliver this new genre of music to happy-feet crowds populating the ballrooms of the time - in fact essentially creating the so-called Cubpop and contributing to the large adoption of Salsa as a new kind of dance for the American audience. An unmissable collection for the lovers of the truly vintage Afro Cuban sound.
Nichollas Mariano - Não Adianta Nada / Dita Cuja Colored Vinyl Edition
Nichollas Mariano
Não Adianta Nada / Dita Cuja Colored Vinyl Edition
7" | 2022 | EU | Original (Groovie)
13,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Raul Monsalve Y Los Forajidos - Calipso Time / Deo E' Mono
Raul Monsalve Y Los Forajidos
Calipso Time / Deo E' Mono
10" | 2022 | EU | Original (Super-Sonic Jazz)
16,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Commissioned for Fela Day in Amsterdam Paradiso Noord, Raul Monsalve y Los Forajidos celebrates the legacy of the father of Afrobeat, Fela Anikolapu Kuti, with this new 10’’ vinyl on Super Sonic Jazz Records, where Nigerians rhythms travel the Atlantic ocean to meet Venezuelan Calipso , sangueos, and more.

First in Venezuela, Monsalve played with a number of bands before forming the first incarnation of his Forajidos band. A move to Paris, via London, led to opportunities to share stages with a vast array of musical giants, not least of all the legendary Nigerian saxophonist Orlando Julius, as well as the Heliocentrics, Venezuelan master percussionist Orlando Poleo and members of Fela Kuti’s legendary bands, Afrika 70 and Egypt 80.

“Calipso Time” is none other than a cover of Fela’s Koola Lobitos’ “Highlife Time. Taking the original track to the region of El Callao in Venezuela, where the population from Trinidad & Tobago and other islands in the Caribbean settled themselves at the end of the 19th century when they started to work in mineral exploitation. As a result, this region of Venezuela has a particular language, mixing English and Spanish elements, and of course the celebration of the Carnival and the birth of Venezuelan calipso . Side B brings the Afrobeat madness of “Deo e’ Mono”, the very first track Monsalve did for the project back in the day. As Raul says “I just took the opportunity to celebrate Fela’s anniversary by recording this track as I dreamed it should sound when I was starting the project, learning Afrobeat only through records” . For this Monsalve called Chief Uduh Essiet, the original percussionist of the Egypt 80 and with the Forajidos’ Mario Orsinet on drums the rhythm section was without doubt cooking immediately. As on their last record, “Bichos” on Olindo Records, these two tracks are full of psychedelia, rough electronics, powerful vocals and tons of traditional Venezuelan percussion.
Soyuz - Force Of The Wind Black Vinyl Edition
Soyuz
Force Of The Wind Black Vinyl Edition
LP | 2022 | UK | Original (Mr Bongo)
22,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Some records just stop you in your tracks. They resonate with you and feel instantly familiar like an old friend, even on the first listen. Soyuz's third album ‘Force of the Wind’ is one of those records. It holds all the trademarks, beauty, and eccentricities of classic Brazilian recordings, from the 60s and 70s, that we have come to love. Think artists such as Milton Nascimento, Lô Borges, Burnier e Cartier, Arthur Verocai et al. But this record wasn’t made in Brazil and is in fact a brand-new release. Soyuz (which translates as 'union') is a creative collective from Minsk, Belarus, led by composer, arranger, and singer, Alex Chumak, multi-instrumentalist, Mikita Arlou, and drummer, Anton Nemahai. Soyuz's previous albums explored and reimagined the legacy of jazz-oriented, non-English-language pop music of the 20th century. For their third album, there is a stronger focus, and it is influenced by 70s Música popular Brasileira and building bridges from it to present-day Belarus. Alex notes that from the moment he first encountered Brazilian music, he found in it a kind of concentrated emotion that felt as if it were familiar to him from his childhood. This non-verbal emotion and connection between the listener and musician echoes in the music, regardless of understanding of the language the album is recorded in. ‘Force of the Wind’ includes songs sung in Russian and Portuguese as well as instrumental compositions. Its musical palette is both acoustic and electroacoustic: rich warm Rhodes piano, soaring string arrangements, and a controlled drum swagger sounding both relaxed yet super tight. Alongside Alex's sublime vocals, that grace the majority of the tracks, the album features guest performances by multi-talented musician and vocalist Kate NV and rising Brazilian star, Sessa. Alex also recently arranged a number of tracks on Sessa's highly praised 2022 album 'Estrela Acesa'. On the album, the trio is joined by a cast of friends; NY-based musician of Turkish origin percussionist, Cem Mısırlıoğlu, classically trained composer, Simon Hanes, who aided with string arrangements and conducting the string players, Netherlands-based Brazilian multi-instrumentalist, Gabriel Milliet, on flutes. With the collaboration of these friends Soyuz have created nine songs/suites that are subtle and plenitude and like the best albums, leave you aching for more. ‘Force of the Wind’ is an enigma, Brazilian yet not Brazilian, vintage yet still contemporary, out of sync with modern culture yet completely relevant and necessary.
Bastido - Alba
Bastido
Alba
12" | 2022 | EU | Original (Besser-Samstag)
16,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Alba is a concept album regarding the morning hours of Barcelona. It's a music grown love letter to the city that is the chosen home of Bastido. Packed with influences from all around the globe but with a jazzy hip-hop heart beat. This Latin-Buena-Vista like record shines bright and will magically lift your mood. Top notch production meets analogue warmth.

The Vinyl comes with a bonus track and extended Versions for each track.
Guts - Estrellas Black Vinyl Edition
Guts
Estrellas Black Vinyl Edition
3LP | 2022 | EU | Original (Pura Vida Sounds)
34,99 €*
Release: 2022 / EU – Original
Genre: Hip Hop, Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Without a pandemic, you’d now be listening to an album wholly recorded in Cuba with local musicians. Back in 2020, everything was organised, so that in May 2021 we could get started. Yet, the sanitary measures proved to be a fierce adversary, so rather than giving up entirely we decamped to Dakar in October the same year – a compromise that ended up being a positive event in itself.
Cuba has a long African history. Under mass enslavement and the Transatlantic trade, Africans were forced from their homelands, against their will, taking their music along with them. Merging throughout the centuries, taking on European influences, led to the birth of a distinctive Afro-Cuban musical tradition. Highly percussive, brass-based, simmering, full of danceable rhythms. The spirit etched into thousands of recordings, forever turning towards Africa. The departure point here is not to keep things the same. Rather, a return to the source enacts a loop – much the same as those providing the foundations for hip-hop beats.
The flame when it’s re-lit illuminates everything. Thanks to the Senegalese musicians in Dakar, the Cubans who crossed the Atlantic to join us and my usual family of musicians, this music – a cross-section of covers and original compositions - exists as a homage to Afro-Cuban music. Made in Africa, in Senegal. Three worlds, three languages, three colours. Recorded over 17 days, non-stop, germinating the seed born in Cuba at the end of 2020 so that the most beautiful fruits might be cultivated in Dakar, 2022.
When the world doesn’t seem big enough, we look up to the sky where even the blackness is lit up, where those I loved who are now gone shine as stars, shining as brightly as all the others. Each time I think I’m not going to make it; I recall the star of my mother. Then the path becomes clear.
Pandemic, visa problems, cultural clashes, bank transfers that didn’t go through, a fractured foot – this project sometimes felt like a series of accumulated challenges. The only thing linking us, a shared love for the music, each of us invoking our personal star and all that we have overcome.
In this way, the music is born as a call to our stars.
Ike Quebec - Bossa Nova Soul Samba Clear Vinyl Edtion
Ike Quebec
Bossa Nova Soul Samba Clear Vinyl Edtion
LP | 2022 | EU | Original (Sowing)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Limited Clear Vinyl edition, 500 copies! "Bossa Nova Soul Samba" came as Ike Quebec's best contribution to the fruitful marriage between Jazz and Brazilian music. Recorded in 1962 and released on Blue Note in the same year. this was Quebec's final recording before his death in January 1963. A beautiful studio session dominated by Quebec's tenor sax warm tone and the light and gentle groove provided by Kenny Burrell - guitar, Wendell Marshall - bass, Willie Bobo - drums and Garvin Masseaux - chekere.
Insolito Universo - Ese Puerto Existe
Insolito Universo
Ese Puerto Existe
7" | 2022 | UK | Original (Olindo)
12,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Of “Ese puerto existe”, lead vocalist, composer and cuatro player, Maria Fernanda, tells us “this song takes us to the coast, on that beach where the star and the grain of sand are tracing that vertical and infinite line of the present. Perhaps it is the mouth of the flame of the river reaching the sea. Perhaps a look of a bird in migration.”

“Ese puerto existe” takes its name from the first collection of poems by the Peruvian poet, Blanca Varela, who wrote, "On this coast I am the one who wakes up / among the foliage with brown wings”. The song is in the rhythm of the Gaita Tambora, from the Afro-Venezuelan tradition of the southern shores of Lake Maracaibo.

“Ese puerto existe” is mixed Malcolm Catto at Quatermass Sound Lab. Mastered and cut by Frank Merritt at The Carvery, London House sleeve art & logo by Gaurab Thakali
V.A. - The Afrosound Of Colombia Volume 3
V.A.
The Afrosound Of Colombia Volume 3
2LP | 2022 | EU | Original (Vampisoul)
44,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Third volume in our series of Afro-Latin sounds from the golden period of the seminal Discos Fuentes label in Colombia.An outstanding selection of 26 hard-to find-tracks, many reissued for the first time, covering a wide array of Afro-rooted genres, with an stronger focus on the music's folkloric origins than in previous volumes, comprising recordings by the likes of Michi Sarmiento, Wganda Kenya, The Latin Brothers, Los Corraleros De Majagual, Peregoyo_It's been a few years, but Vampisoul is back with the next installment of Colombian tropical bangers from the deep vaults of Discos Fuentes.The term Afrosound denotes an always exciting, sometimes surprising soundtrack chronicling the embrace, development, dissemination, and commercialization of the country's rich Afro-Coastal musical heritage over more than four decades. It is the proud sound of African-rooted culture translated, transformed, and transmitted throughthe commercial enterprise of Discos Fuentes, and this third collection offers an even more diverse and chronologically wide-ranging array of tracks than the previous two volumes, with an even stronger focus on the music's folkloric origins.The unifying factor this time is the same: African roots or influences and the period of experimentation, self-expression, upheaval, rebellion, and rebirth in the industry, nurtured by the label and its stable of musicians, song-writers, producers, and engineers.Although this volume does not list Fruko Y Sus Tesos in the track-by-track credits, the presence of Julio Ernesto Estrada Rincón can be felt throughout, with the first half setting the stage for his artistic birth, schooling and eventual emergence at the label, and the second half featuring bands that he was an integral part of or had a hand in creating, producing, and composing for. And with that said, we dedicate this collection to Fruko: long may he reign as The King of Afrosound.This incredible stream of black gold adorned and enriched the public airways of Cali, Buen...
Los Dementes - Manicomio A Locha
Los Dementes
Manicomio A Locha
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This album marks the debut recording for Venezuela's Velvet label by pianist Ray Pérez and his trombone-led salsa band Los Dementes. Heavy dance numbers and the distinctive vocals of Perucho Torcat make this historic 1967 rarity a sought-after collector's item.Now the LP has been lovingly restored, mastered from the original tapes, with its original artwork intact, preserving the legacy of Los Dementes for today's generation of salsa lovers everywhere.First time reissue.Salsa pianist, vocalist, composer and arranger Ray Pérez, acquired his nickname "Loco" by being a free, independent spirit, an innovator and iconoclast who was initially branded as "crazy" for the freshness and audacity of his sound.Amazingly, he is not that well known in the US, where he spent some time in the late 1960s and salsa was king during the 1970s. Yet he was quite popular in his home country from the beginning, especially amongst the working class of Caracas and Maracaibo, who adopted Cuban music played by New York Puerto Ricans as their own and called it "salsa" years before the term was employed by US labels like Fania as a marketing tool. Pérez is revered in Venezuela, as well as in Mexico and Colombia, and his storied career, which spans seven decades and thousands of concerts, has yielded more than 35 albums recorded by his various bands, including Los Dementes, Los Kenya, and Los Calvos, all of which are collector's items today.At the start of 1967 Pérez debuted Los Dementes, with vocalists Claudio Zerpa and Perucho Torcat backed by an ace band featuring only trombones in the brass section. Titled "¡Alerta mundo! Llegaron los 'The Crazy Men'" the record was released on the small Venezuelan label Prodansa. Soon after, Prodansa folded and Los Dementes were left without representation or much compensation for their efforts, being paid only in records.In the end of February of that year, Pérez returned to Caracas from a stint in Maracaibo in order to finish his first LP with the well-established and...
Alfredo Linares - El Pito
Alfredo Linares
El Pito
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
First time reissue! The very first LP released by Lima pianist Alfredo Linares under his own name is brimming with tropical hits from the mid-sixties ncluding a Frank Sinatra classic) and was aimed to bring listeners up to date with the tropical sound developments in the States, to which Linares added touches of jazz."El Pito" comprises guarachas, guaguancós, jazzy descargas and, obviously, contagious boogaloos, including an outstanding version of the J. Sabater anthem.By the time he recorded his version of 'El Pito' in 1966, Alfredo was already an accomplished musician. He studied music in parallel to his schooling, attending the Conservatoire in the afternoons and soon went on to lead Alfredito Linares y su Salsa All Stars, a continuation of the orchestra founded by his father.In 1966 the song 'El Pito' became a hit in the United States, which is why Distribuidora Peruana Sudamericana, associated with MAG, released the single as well as Joe de Cuba's sextet LP. MAG's next step was to suggest Alfredo Linares record the song, which he did in August 1966, with lead vocals by Raul Ducós Domínguez from Chalaco and backing vocals by Tony de Cuba, Benny del Solar and Rolo Bernal. The lyrics include references to the effects of marijuana that Ducós improvised during the recording in just one take. Charlie Palomares plays the vibraphone, accompanied by "Negro" Santos on bass and "Cheverin" Miguel Villanueva on the bongos. It is one of the few songs on the album where there are no trumpets.'Strangers in the Night' topped the Billboard charts in 1966, which was a powerful reason for Manuel Guerrero to suggest including the song. This cover version features brass instruments and the participation of Peruvian crooner Lalo Bisbal.The first of the two guarachas on the album, 'Qué mala fue esa mujer' is a composition by Chivirico Dávila, a mythical and globetrotting tropical singer who lived in Lima at different times. While the Peruvian singer Benny del Solar is the lead vocalist on the secon...
Cumbiamuffin - Cumbiamuffin Splatter Vinyl Edition
Cumbiamuffin
Cumbiamuffin Splatter Vinyl Edition
LP | 2022 | EU | Original (Sounds And Colors)
29,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Infectious, hypnotic tropical grooves with a ragga kick from Australia’s premier

cumbia orchestra. If you like Ondatrópica, Frente Cumbiero, Ska Cubano and

Lucho Bermúdez, you’ll love Cumbiamuffin.

It was only a matter of time before cumbia hit Australia. After humbly coming to life on

Colombia’s Caribbean coast, this rhythm—and everything it represents: its multiethnicity,

its danceable pulse, its resilience—snaked its way up the mountains to reach

Colombia’s urban capitals, Bogotá and Medellín, who transmitted the signal to Mexico,

Peru, Argentina... Cumbia travelled, and wherever it landed it took hold; Charles Mingus

got his fill in the 70s, Mexicans brought it across the US border in the 80s, Joe

Strummer couldn’t get enough of it in the 90s; and wherever it landed, it has shown its

flexibility, its ability to adapt to new environments.

Cumbiamuffin are the perfect example of what happens when cumbia arrives in a

completely different continent. Since forming in 2010, they have become Australia’s

premier large format cumbia orchestra, offering a twist on the genre that no one saw

coming. They take their inspiration from cumbia’s brass band traditions, when the genre

was adopted by orchestras in the 1940s, the start of its golden age, but they do not stop

there. They also look further afield, to the big bands of Mexico and Peru, and even to

the Caribbean, which is how their name came about. Cumbiamuffin represents the

contraction of two musical styles that the group seamlessly bring together in one big,

vibrant, joyous experience: cumbia and raggamuffin reggae. This is a group that can

inject even more life into a bona fide Colombian classic like Lucho Bermudez’s

“Salsipuedes,” take a Greek club version of a Mexican banda track written by an

Argentine accordionist and come up with the cohesively international “Ritmo de

Sinaloa,” and then there’s that unmistakable ragga skank all over “La Promesa,” with

“La Cabezona” being an instrumental descarga that has no right to rumble so low,

designed with dance halls and sound systems in mind.

Armed with the collective energy of two authentic Colombian vocalists, a seriously

massive brass section, heavy bass, funky guitar, salsa piano and equally authentic

percussion, the 15-piece band combines elements of reggae, dancehall and roots from

the Colombian Caribbean in a deft mix that is both retro and futuristic, authentically

traditional and yet also experimental. Put together by a collective of Colombian and

Australian musicians, the project has the common vision of introducing the purest

sounds of the golden era of orchestrated cumbia to Australian audiences, but with a little

something more added to the formula to keep things fresh.

Having triumphantly conquered their home country’s competitive music scene with sold

out shows at numerous festivals and well-known venues all over Down Under,

Cumbiamuffin are poised to break out to a global audience with their debut self-titled LP.
Cumbiamuffin - Cumbiamuffin Black Vinyl Edition
Cumbiamuffin
Cumbiamuffin Black Vinyl Edition
LP | 2022 | EU | Original (Sounds And Colors)
27,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Infectious, hypnotic tropical grooves with a ragga kick from Australia’s premier

cumbia orchestra. If you like Ondatrópica, Frente Cumbiero, Ska Cubano and

Lucho Bermúdez, you’ll love Cumbiamuffin.

It was only a matter of time before cumbia hit Australia. After humbly coming to life on

Colombia’s Caribbean coast, this rhythm—and everything it represents: its multiethnicity,

its danceable pulse, its resilience—snaked its way up the mountains to reach

Colombia’s urban capitals, Bogotá and Medellín, who transmitted the signal to Mexico,

Peru, Argentina... Cumbia travelled, and wherever it landed it took hold; Charles Mingus

got his fill in the 70s, Mexicans brought it across the US border in the 80s, Joe

Strummer couldn’t get enough of it in the 90s; and wherever it landed, it has shown its

flexibility, its ability to adapt to new environments.

Cumbiamuffin are the perfect example of what happens when cumbia arrives in a

completely different continent. Since forming in 2010, they have become Australia’s

premier large format cumbia orchestra, offering a twist on the genre that no one saw

coming. They take their inspiration from cumbia’s brass band traditions, when the genre

was adopted by orchestras in the 1940s, the start of its golden age, but they do not stop

there. They also look further afield, to the big bands of Mexico and Peru, and even to

the Caribbean, which is how their name came about. Cumbiamuffin represents the

contraction of two musical styles that the group seamlessly bring together in one big,

vibrant, joyous experience: cumbia and raggamuffin reggae. This is a group that can

inject even more life into a bona fide Colombian classic like Lucho Bermudez’s

“Salsipuedes,” take a Greek club version of a Mexican banda track written by an

Argentine accordionist and come up with the cohesively international “Ritmo de

Sinaloa,” and then there’s that unmistakable ragga skank all over “La Promesa,” with

“La Cabezona” being an instrumental descarga that has no right to rumble so low,

designed with dance halls and sound systems in mind.

Armed with the collective energy of two authentic Colombian vocalists, a seriously

massive brass section, heavy bass, funky guitar, salsa piano and equally authentic

percussion, the 15-piece band combines elements of reggae, dancehall and roots from

the Colombian Caribbean in a deft mix that is both retro and futuristic, authentically

traditional and yet also experimental. Put together by a collective of Colombian and

Australian musicians, the project has the common vision of introducing the purest

sounds of the golden era of orchestrated cumbia to Australian audiences, but with a little

something more added to the formula to keep things fresh.

Having triumphantly conquered their home country’s competitive music scene with sold

out shows at numerous festivals and well-known venues all over Down Under,

Cumbiamuffin are poised to break out to a global audience with their debut self-titled LP.
Ray Perez Y El Grupo Casabe - Ray Perez Y El Grupo Casabe
Ray Perez Y El Grupo Casabe
Ray Perez Y El Grupo Casabe
LP+7" | 2022 | EU | Original (Elpalmas Music)
29,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Grupo Casabe can lay claim to being Ray Pérez’s last great group. Fresh from the successes of Los Dementes and Los Kenya, Pérez was at the forefront of salsa in the mid-70s, and still experimenting with música bailable and all the danceable hornblazing styles that were beginning to be known collectively as salsa. The finest tracks of this short-lived combo, active from 1974 until 1975, are now being celebrated by El Palmas Music on a new compilation simply titled Ray Pérez y El Grupo Casabe. Pérez was bandleader for an astonishing number of groups, which was partly due to his in-demand status, with each move to a new label meaning he needed a new band name. Such was the case with Ray Pérez y El Grupo Casabe, formed when CBS came calling. Their line-up built on his previous groups, with both a drum kit and percussion for additional power, with Pérez himself belting out those trusty piano montuños, however there was one significant change, with Pérez using saxophones for the first time, alongside his usual brass section of trumpets and trombones. With him for the ride were vocalists including Rodrigo Perdomo (brother of “El Negrito Calavén”, from Pérez’s earlier group, Los Calvos) and Rafael Morillo. The compilation begins with “María Antonia”, the first 7” Grupo Casabe released in 1974. Instantly, it’s clear why Pérez is so loved in salsa circles, for this is salsa of the highest order, the focus switching between piano, vocals and brass effortlessly, while the drums restlessly inject the song with energy; then there’s the breakdown, Rodrigo Perdomo stretching his vocals to a rasp and throwing the brass into an extended passage; suddenly, they stop and Ray, El Loco as he was affectionately known, lets loose with a piano solo that’s elegant in its efficiency, before the band return for one more trip round the salsateca. 1974 and 1975 were important years in the trajectory of salsa. It was this period when salsa became a collective name for urban orchestras playing Latin music styles like son, guaganco, mambo, cha-cha-cha and rumba. Though undoubtedly salsa – Ray was a “rey de salseros” after all – there is so much nuance in the music. “Campesino Nuestro” is a slow-building rural son, taking the Cuban countryside to the dancefloor; “Santa” and “Oye Nena” are twisting guaguancos, the former possessing one of Perdomo’s finest vocal performances, and the latter the finest showcase for the band, with percussion, brass and piano on fire. “La Reina”, a danzón, show that the band can do the slow numbers too, and then there’s “Sábado En La Tarde”, Perez’s take on surf with a melody seemingly taken from the finest Steve McQueen crime caper. There are few that come close to Ray Pérez for musical inventiveness and a sheer ability to keep dance floors moving. If Ray had been born and raised in New York then no doubt he’d be regarded as one of salsa’s pioneers. He’s had to work harder for his reputation, but there can be no doubt, he deserves to be one of the greats, and his work with Grupo Casabe is even more proof.
V.A. - OST Rumba Rules
V.A.
OST Rumba Rules
LP | 2022 | EU | Original (Secousse)
26,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The official soundtrack of the 2021 Rumba Rules, New genealogies documentary movie by Congolese artist Sammy Baloji and Quebec filmmaker David Nadeau-Bernatchez. A deep dive into Kinshasa’s vibrant Rumba scene, including remastered classics by Brigade Sarbati, Werrason, Papa Wemba, Franco & le Tout Puissant O.K. Jazz Rumba Rules, New genealogies is about contemporary rumba in Kinshasa, but this music has deep historical roots nevertheless. Born in the interstices of the colonial world and thriving during the three decades of the Mobutu era in Zaïre, Congolese rumba has been iconic and popular all over Africa for decades. The roots of Rumba are even deeper, and the many paths it evokes trigger the imagination. The story goes that this music came with the migration of the ‘Kumba’ drum and dance in previous centuries, African slaves having carried it all around the Americas and giving birth to Cuban ’Rumba’, Colombian ‘Kumbia’ and many others. With its varied rhythms, guitars and horns, through LPs and radio stations, Rumba came back to (re)conquer Africa throughout the 20th century, paving the way for new practices. One could say this music is a sort of palimpsest, a memory in itself of Atlantic migrations and histories. Rumba is nowadays discussed all around the world, igniting many debates among the Congolese diaspora. Being the constant talk of the town sometimes overloads public debate, and many people get tired of this broken record. Thus, over the last decade, enterprising producers have worked hard to promote Kinshasa’s musical diversity and tried to emulate new sounds to reach worldwide attention. But Kin’ locals and urban dwellers will not be fooled : new shoots cannot hide the forest. Despite some difficulties to innovate, despite the pastoralist sermons and the diaspora fighters pushing for concert cancelations, rumba is still at the core of the Congo today. Talented artists such as Fally Ipupa, Ferré Gola, Brigade Sarbati and others are leading the fifth generation, and the religious world has also proven to be a nurturing environment for the cultural and economic dynamism of this music. Focusing on the music of Brigade Sarbati and his Orchestra, this record offers a deep dive into Kinshasa’s rumba scene. Halfway between professional studios and Zoom H4 field recordings, the rumba herein is about today’s youth : dense, full of energy and breakdowns, insights and name-dropping. The cavacha rhythm, the solo and bass guitar’s playing style, the singing style and numerous dedications all resonate with the history of Rumba. In an era where digital sound is taking over, it is interesting to highlight the instrumental and live performance compositions of this music. Digital technology is indeed used during the recording and mixing phases, but Congolese rumba still relies strongly on instrumental playing. There is all that but also, many other things to hear on this record… It’s time to let it be. A big thanks to Étienne Tron for making it possible: it is on his initiative and through his patience that this album is in your hands today. (David Nadeau-Bernatchez, december 2021)
Alabê Ketujazz - Kan
Alabê Ketujazz
Kan
LP | 2022 | UK | Original (Poeira Music)
25,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Candonble rhythms meets Jazz

Alabê Ketujazz was founded in 2012 by french percussioinist/composer Antoine Olivier and brazilian saxophonist/composter Glaucus Linx.

Together, Glaucus and Antoine creatd orignal musica and textures inspired from the rhythms and the rituals, where the saxofone assumes the part of the Orixás telling their story through musical movements.
This artistic approach oponed many esthetic possibilities, transforming the raw material of the rituals in a new music format, essentially brazilian, where the spontaneous creativity of Jazz meets the traditional rhythms of the Ketu Nation: Alabê Ketujazz
Sam Redmore - Universal Vibrations
Sam Redmore
Universal Vibrations
LP | 2022 | US | Original (Jalapeno)
26,99 €*
Release: 2022 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Having established himself first as a DJ and then as a remixer, Sam Redmore is now very much making himself known as an original producer of quality global grooves that can light up any dancefloor, carnival or party.

After garnering early support for his remixes from the likes of Gilles Peterson, Quantic, Nightmares On Wax, The Nextmen, Lauren Laverne, Danny Krivit and Craig Charles, Sam has built a name for crafting soul-drenched remixes of the classics, with his army of fans eagerly awaiting every new re-work.

Signing to Jalapeno Records for his debut album of original material, Sam has kept the eclectic tastes of all his fans satisfied with a series of very different singles showcasing the wide range of styles he is known for - all picking up rave reviews and a very wide spread of radio support including Radio 1 / 6 Music / Radio 2 / Jazz FM / Worldwide FM in the UK as well as hitting Number 1 most added on US college radio charts (world).

The single Nagu in particular has become a mainstay on daytime 6 Music but each successive release has been finding new fans. From his killer cumbia covers (Tears / Just Be Good To Me) through to the afro-house exuberance of One More Time and leading neatly up to Just Can't Wait, an extremely soulful disco house floorfiller, this is an album with broad appeal both in the UK and overseas.

In the meantime, Sam has been honing his live shows throughout 2022, with festival bookers keen for a piece of the action. Boomtown, Wilderness, Green Man, Kendal Calling and a whole host of others have seen what the punters at Mostly Jazz, Funk & Soul Festival saw last summer, when Sam debuted his live show on the main stage of a key festival on the Saturday afternoon. Anyone who was there and saw the audacious 12-piece live ensemble playing their first show knew they were seeing something special.
Colorado - Colorado / Para Ti
Colorado
Colorado / Para Ti
7" | 2022 | EU | Original (Matasuna)
12,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Stella - Détends-Toi
Stella
Détends-Toi
LP | 2022 | EU | Original (Cosmic Romance)
18,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Détends-Toi is the debut EP of the parisian-born, berlin-based singer & DJ Stella Zekri. Produced and co-written by Ed Longo, Détends-Toi is a sunny collection of four original songs, one dub version and one special cover, heavily influenced by zouk, boogie and the sound of the mid-80s French underground. Coming to you in advance of summer ‘22 the record marks also the first release of Berlin label Cosmic Romance.
Azymuth - Jazz Carnival
Azymuth
Jazz Carnival
12" | 2022 | EU (Milestone)
13,99 €*
Release: 2022 / EU
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Brazilian Boys / Rubinho E Mauro Assumpcao - Super Herois / Tudo Ai
Brazilian Boys / Rubinho E Mauro Assumpcao
Super Herois / Tudo Ai
7" | 2022 | UK | Original (Mr Bongo)
12,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Sometimes the best things take time to come into fruition, and here we are, ready to finally unleash Brazil45 number 88 - the missing 7"! Featuring two Mr Bongo favourites that we have been longing to share with the world.

First up is a lesser-known Brazilian Boys track titled 'Super Herois’. This slightly trippy and quirky funk-rock groove is taken off an obscure 7" on CID records and was originally released in 1975. 'Super Herois' is super catchy, addictive and a guaranteed complete earworm. It’s a muti genre, crossover nugget that will branch scenes and tick all sorts of boxes.

On the flip is the driving, jazz-rock-samba dancefloor joint 'Tudo Ai’, a cut taken from Rubinho E Mauro Assumpção's highly sought after 1972 album 'Perfeitamente, Justamente Quando Cheguei’. Originally released on Tapecar Records, this short in stature track packs a real punch!
Happy Dog Project - Treat
Happy Dog Project
Treat
LP | 2022 | EU | Original (Green Cookie)
19,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Ana Y Jamie - Diri A Mi Gente
Ana Y Jamie
Diri A Mi Gente
LP | 2022 | EU | Original (Munster)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
"Diré a mi gente" is a 1969 Colombian pop classic with one foot in protest song and the other in acid rock, harsh sounding but also current and sincere. The rawness of the lyrics, the simple and dynamic electrified instrumentation and the contrast with the sweetness and innocence of the adolescent vocals make it reminiscent of Nadaism via Pablus Gallinazo, the bittersweet tenderness of Elia y Elizabeth and the post Los Yetis duet of Norman y Darío.First time vinyl reissue. Liner notes by Mexican DJ and collector Carlos Icaza aka Tropicaza (Dublab / Worldwide FM)."Diré a mi gente" is an essential Colombian album that connects the new generations that grew up after the fall of the socialist block. It's a classic with one foot in protest song and the other in acid rock, harsh sounding but also current, raw and sincere. It's reminiscent of Nadaism via Pablus Gallinazo, the bittersweet tenderness of Elia y Elizabeth and the post Yetis duet of Norman y Darío.It was recorded by the brothers Ana y Jaime Valencia and originally released in 1969 on the local label Discos 15. The messages it conveys are still fresh and the blend of superb songs, arrangements and the candor of the duo's performance proves the relevance and importance of re-listening to this album in an increasingly nihilistic and depoliticized world. The teenage voices enhance the truthfulness and power of conviction of the classic songs of Alí Primera and Daniel Viglietti. The endearing song 'Cuántos momentos', originally recorded by Iván Darío López from Los Yetis-Norman y Darío, stands out on the album. 'Es largo el camino', with more stark lyrics by Nelson Osorio backed by Astudillo's screeching guitar, sends shivers down your spine."Diré a mi gente" reaffirms that the transformative power of music is still there, latent, waiting to be unleashed. Even though the road traveled to get there is sometimes long.
Alceu Valenca - Molhado De Suor
Alceu Valenca
Molhado De Suor
LP | 2022 | EU | Original (Vampisoul)
16,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Sought-after Brazilian classic originally released in 1974, "Molhado De Suor" is the first solo effort by Alceu Valença, mixing traditional northeastern Brazilian music and rhythms with folk rock and psychedelia. Aided by Lula Cortes and Geraldo Azevedo, Valença's rich vocals combine with driving guitar work, moody arrangements and unusual trips.Reissued again after years unavailable.DESCRIPTIONIn the early '70s tropicalia was going strong, a challenge to both the music establishment and the state. Música Popular Brasileira (or MPB) was firmly established. Up in the northeastern corner of Brazil, centered in Recife, was another exciting strain of Brazilian culture called Udigrudi."Molhado De Suor" is the first solo effort by Alceu Valença, mixing traditional northeastern Brazilian music and rhythms with folk rock and psychedelia. Aided by Lula Cortes and Geraldo Azevedo, Valença's rich vocals combine with driving guitar work, moody arrangements and unusual trips, successfully integrating the sounds of his native region, Pernambuco.Valença followed its release with many albums, the latest from this year, each one establishing him more.
Karamanduka Y Melcochita - Acabo Con Lima Huyo Pa Nueva York
Karamanduka Y Melcochita
Acabo Con Lima Huyo Pa Nueva York
LP | 2022 | EU | Original (Vampisoul)
26,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This mega-rare 1969 album pays tribute to the Bronx and Brooklyn neighborhoods where young Latinos had invented the boogaloo a few years earlier. This record highlights the quality of Peruvian boogaloo and the talent of musicians such as pianist Otto de Rojas and percussionist Coco Lagos.First time reissue.In the mid-sixties, when young Latino musicians in New York fused Afro-Cuban rhythms with rock, soul and jazz, they had no idea that their boogaloo bang bang would reverberate just as strong and loud in a distant South American country.From 1955, La Sonora Macedo, took Cuban music to every corner of Peru, backed the leading musicians of the Peruvian tropical universe, such as Ñiko Estrada, Joe di Roma, the double bass player Pepe Hernández, and the trumpet players Tito Chicoma and Charlie Palomares. All diehard fans of Cuban music, always alert to any new artist arriving from the island.In the early sixties, light rock, doo-wop, ballads, Italian songs and bossa nova paraded across Lima's stages, making performances by Cuban bands, previously so frequent, a thing of the past. Moreover, the unanimous success of the Beatles from 1964 onwards, gave the impression that music from the English-speaking world would dominate the rest of the decade.But this was not the case. In large part because of Manuel Guerrero's good relations with U.S Latino labels, such as Alegre Records, which released the initial recordings by Johnny Pacheco and Charlie Palmieri, allowing listeners in Lima to follow the development of the salsa movement almost from the beginning.MAG was undoubtedly the best representative of these new sounds. In 1969, the LP "Acabo con Lima, huyo pa' Nueva York" was released on this label, a project which brought together three figures from Lima's show business world: Manuel Antonio Guerrero, owner and founder of MAG, who wasn't shy of joining in on the chorus and percussion during recordings, Pablo Villanueva "Melcochita", a multifaceted artist from a talented musical family...
Mario Allison Y Su Combo - The Boogashake / Descargando
Mario Allison Y Su Combo
The Boogashake / Descargando
7" | 2022 | EU | Original (Vampisoul)
15,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Two insanely funky dancefloor bangers recorded in the late '60s in Peru by the long time Coco Lagos associate and top percussionist Mario Allison. Astonishingly hard-to-find boogaloo and descarga tunes from the vaults of MAG records.First time reissue on 7" vinyl.Peruvian artist Mario Allison was born into a family of musicians. One of his brothers was part of groups like Los Golden Boys, others were percussionists and singers. His North American ancestry familiarized him with the use of English from an early age.He met Coco Lagos through a mutual friend, César González, and the three of them soon became regulars at the recording sessions taking place at MAG studios. The connection between them was formidable to the point of coordinating without the need for prior rehearsals.Mario Allison was a self-taught timbalero and his performances are said to have been full of energy and passion. At concerts it was not uncommon for female audiences to react by screaming and freaking out every time Allison performed a solo.After years working at MAG's studio as session player, in the late '60s he was offered the opportunity of recording his own stuff under his name. Mario Allison then worked on a repertoire focused on boogaloo, descarga and, mainly, pompo.This single comprises two insanely funky dancefloor bangers recorded in that period; hard-to-find boogaloo and descarga tunes from the vaults of MAG records.First time reissue on 7" vinyl.
Los Cotopla Boyz - Mamarron Volume 1 Blue Vinyl Edition
Los Cotopla Boyz
Mamarron Volume 1 Blue Vinyl Edition
LP | 2022 | EU | Original (Aya)
26,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The newest psychedelic space ranger Cumbia band from Bogotá's infamous DIY scene have been sent to earth to save the party! Los Cotopla Boyz make the walls sweat, they set fire to your feet on the dance floor. It all started in Bogotá, which you might say is the tropicanibal venue par excellence, a place that has brought life to acts like Frente Cumbiero, Los Meridian Brothers, Romperayo, Chúpame el dedo, Dub de Gaita, Los Pirañas, Onda trópica and León Pardo, among other eccentricities that have taken the world and stand out not only for their virtuosity but also the connection that lives between that salvaging of traditional folklore and lysergic futurism that expands hypnotically around the world. From this musical hotbed that emerged in the second decade of the new millennium, there is now a new generation to continue the tropicanibal scene, with groups such as La Sonora Mazurén, La Tromba Bacalao, Los Yoryis, El Conjunto Media Luna and, of course, Los Cotopla Boyz, a five-piece that formed in Bogotá in 2018 but inhabit a post-pandemic dystopian multiverse where their mission is to save the party. So their live performances have that illusion of frantic Power Rangers singing about their adventures, as if these were epic chants, except instead of heroic feats they sing with humor about their everyday lives. Mamarron, Vol. 1 consists of seven millennial cannon shots inspired by Los Mirlos, Los Hechizeros Band, Anan, Wendy Sulca, La Sonora Cordobesa, Bad Bunny, Yandel and Los Corraleros de Majagual.The tracks were laid down on their debut record that saw the light in 2020 in the middle of the pandemic and are now re-released in 2022 by ZZK Records imprint AYA records and being pressed on vinyl. The vinyl album also will include the bonus track "El Peruanito" remixed by Colombian producer Santiago Navas. Los Cotopla Boyz are a sweaty, schizophrenic cumbia experience that has been witnessed by emerging Bogotá clubs like Matik-Matik, Boogaloop, El Chamán, Tejo Turmequé, Videoclub and the festival Herm...
Los Corraleros de Majagual - Ésta Es Salsa!
Los Corraleros de Majagual
Ésta Es Salsa!
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
"Ésta sí es salsa!" is one of the most sought-after records in the impressive catalog of the Discos Fuentes tropical all-star group Los Corraleros de Majagual.The record is high on collectors' want lists for many reasons: excellent sound quality, diverse and highly danceable repertoire infusing its grooves, and the inclusion of the Cuban genres of descarga and charanga. The album includes outstanding cover versions of '60s New York salsa but featuring the unusual sound of the accordion and the heavy bass playing of Julio Estrada.First time reissue."Ésta sí es salsa!" is one of the most sought-after records in the impressive catalog of the Discos Fuentes tropical all-star group Los Corraleros de Majagual. It was released in 1970, nine years after the band was first conceived by Alfredo Gutiérrez, Calixto Ochoa and label boss Don Antonio Fuentes as an orchestra to play mostly typical folkloric Colombian genres like porro, cumbia and paseo and the occasional guaracha or pachanga, but with a fully orchestrated big band sound that combined the accordion with a complete rhythm and brass section.The record is high on collectors' want lists for many reasons, not least of which is its excellent sound quality and the diverse repertoire infusing its grooves, ranging from expected coastal tropical Colombian rhythms like paseaíto, paseo and pasebol (all related to cumbia and vallenato), to more exotic modes like sonsonete, casatschok, and the Cuban genres of descarga and charanga.There was never any doubt with the label's intentions of introducing this "new" genre of salsa on this LP, albeit as seen through the lens of Colombian musicians only recently converted to the movement, and indeed, the title unequivocally proclaims: "¡Ésta sí es salsa!" ("This is definitely salsa!"). The proof is in the fascinating (and long) cover versions of Nuyorican artists from the burgeoning Big Apple salsa scene that are the centerpiece of the album. Two massive dance tracks on the record are 'Ocho días' and 'Am...
Los Guapos Sensibles - Baila Mi Pregon
Los Guapos Sensibles
Baila Mi Pregon
7" | 2022 | US | Original (Discos Mas)
15,99 €*
Release: 2022 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Los Guapos Sensibles are back with their first release in over 3 years! The new record delivers a Cuban Son turned sonidero banger on the A-side and a unique cumbia version of Santo and Johnny’s “Sleepwalk” on the flip. This release is destined to find a place in the crates of DJs and the homes of collectors before long.
Cristian De Moret - Supernova
Cristian De Moret
Supernova
2LP | 2022 | EU | Original (Gutifunk)
30,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
But... who the hell is Cristian de Moret? Passion, groove, rehearsal, feeling, funk, loop, desire, error, lysergy, digitalism, Andalusia, stroboscopy, heat, frying, heel, atmosphere. The words will not order themselves. Neither does the music. Once the 20th century was over, we all waited for this moment. The moment in which shoots of new species different from everything emerged from the roots of flamenco. A new tradition. New textures, flavors and colors.

New ways of understanding creativity. Without equating it to contemporary phenomena because we would create a conjectural and aesthetic problem. Without the conceptual imbalance of picaresque art, also very contemporary and Spanish. Breaking the bottle of essences so that flamenco imbues the technology and skill of a virtuoso multi-instrumentalist. The new paradigm. A single human is already capable of recreating the entire scene and that triggers risk and creativity. Just listen to this album. Supernova is a step towards the future of flamenco. Our commitment to pressing it on vinyl is just the desire to preserve this legacy for future generations. A new cornerstone for a new flamenco world where orthodoxy and heterodoxy take new paths linked by synthetic currents of digital fluids. The answer to the initial question. Cristian is a discovery, he does not cause indifference. This is the first step for him when he is already on the second. The future is in his hands, keeps twisting it please.
Dorival Caymmi - Brazilian Classics
Dorival Caymmi
Brazilian Classics
LP | 2022 | EU | Original (Naked Lunch)
12,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Dorival Caymmi was a Brazilian singer, songwriter, actor, and painter active for more than 70 years beginning in 1933. He contributed to the birth of Brazil's bossa nova movement, and several of his samba pieces, such as "Samba da Minha Terra", "Doralice" and "Saudade da Bahia", have become staples of música popular brasileira. Equally notable are his ballads celebrating the fishermen and women of Bahia, including "Promessa de Pescador", "O Que É Que a Baiana Tem?", and "Milagre". Caymmi composed about 100 songs in his lifetime, and many of his works are now considered to be Brazilian classics. Both Brazilian and non-Brazilian musicians have covered his songs. Ben Ratliff of The New York Times wrote that Caymmi was "perhaps second only to Antônio Carlos Jobim in 'establishing a songbook of [the 20th] century's Brazilian identity. This anthology is truly a majestic entry into his own influential lifetime.
Romperayo - Asi No Se Puede Muchaches
Romperayo
Asi No Se Puede Muchaches
LP | 2022 | EU | Original (Souk)
21,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Romperayo is back, with a brand new tropical 9 track album full of tropical riddims and humid Caribbean jams.

After two long sold out albums, Romperayo (Discrepant, 2015) and Que Jué? (Souk, 2019), Pedro Ojeda’s unique update on classic Colombian music returns for a full long player of future tropical instrumental tunes, heavy on the drum grooves mixed with slow, languid experimental interludes.

This is 21st century Colombian popular music taken to the next level by one of the most singular figures currently active on the Colombian scene. Romperayo’s, aka Pedro Ojeda (Los Pirañas, Chupame el Dedo) solo project uses his irreverent drumming techniques and filters them through a lens of new school psychedelia, historical sampling and acid synth solos.

With his sound obsessions clearly present over all of his work (and this record), Pedro effortless mixes the old school with the new with an avant-garde collage approach to composition, never forgetting his academic studies on Latin American drumming styles. The result expands the frontiers of Colombian tropical music and provides a new, multicultural dialogue whilst using many of the rhythms and melodies of the Colombian historical repertoire to a new generation. The Colombian Caribbean coast sonido never sounded so fresh!
Ozomatli - Marching On
Ozomatli
Marching On
LP | 2022 | EU | Original (Blue Elan)
26,99 €*
Release: 2022 / EU – Original
Genre: Hip Hop, Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Circa 2022, Ozo's new songs, stronger-thanever brotherhood and the potent emotional impetus behind Marching On further cements the legacy begun with the band's 1998 self-titled debut. With musician/producer David Garza (Fiona Apple, Sparta) producing in Bpre-pandemic 2020 at El Paso's Sonic Ranch, Ozo were honored with esteemed musical guests who contributed to the 11-song album including B-Real (Cypress Hill), Guatemalan singer-songwriter Gaby Moreno, J.J. FAD (of "Supersonic" Fame) and Lisa Lisa (Lisa Lisa & Cult Jam.)
DJ Tudo E Sua Gente De Todo Lugar - Pancada Motor - Transformacao E Cura
DJ Tudo E Sua Gente De Todo Lugar
Pancada Motor - Transformacao E Cura
2LP | 2022 | EU | Original (Mundo Melhor)
27,89 €* 30,99 € -10%
Release: 2022 / EU – Original
Genre: Hip Hop, Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
DJ Tudo e sua Gente de Todo Lugar’s 7th album, breed from Brazilian field recordings and made between 2007 and 2019 in trips around the world - Brazil and 11 other countries. It is a project that should have come out in 2013, but the “Pancada Motor - Manifesto da festa” came out ahead, having as a sequel the two volumes of Gaia Music series. By early 2019, the album was finalized. Pancada Motor is a term derived from the Alagoas traditions like the Samba de Matuto, Cambinda, Baianá and Caboclinha, about their cultural make or their rhythms. Here this name has been expanded to other cultures and rhythms of Brazil. Transformation and Cure are urgent needs for humanity and our relation with the planet, we need to transform our relationship with each other and Mother Earth for our healing as a whole. Artists from many countries and different cultures contributed to this work. It is hard to place an order of greatness and importance but certainly the traditional Brazilian groups were the initial inspiration: Matutinhas do Pontal de Coruripe, Cambinda Palmeirense de Porto de Pedras, Maracatu Nação e Rural de Recife, Caceteira do Seu Rindu de São Cristóvão, Terno de Congo 13 de Maio de Goiânia, Reisado São Miguel de Juazeiro de Norte, Carimbó Raízes de Coremar de Salinas and Queen Dona Neta from Maracatu Cruzeiro do Forte do Recife. Equally fundamental is the contribution of Sérgio Ricardo, legend of MPB (Brazilian Popular Music), and Chilean rapper Ana Tijoux that features the track “Terra para todos (Land for all)”. From Belgium, Rolland Van Campenhout, Steven de Bruyn, Bart Maris, Tuur Florizoone and David Bovée. Alan Bryden and Stuart Brown, BigTad and duo Twelfth day Esther and Catriona from Scotland. From Paris, guitarist Stefane Goldman who has participated in several DJ Tudo’s albums. From London, the percussionist Crispin Robinson, Lopa Kotari and Mariana Pinho. From Rio de Janeiro, the keyboardists Sacha Amback and Marcos Lobato. Lu Dlamini from South Africa. American drummer Marque Gilmore, who was recorded in Stockholm, Sweden. From Istanbul the Zas Player Murat Ertel. Rajasthan musicians met unexpectedly at a casual ride in a hotel elevator in Durban, South Africa. Brasília singer Ana Soares. From Ljubljana, Slovenia, accordionist Uros and Beth. From São Paulo, my brothers and sisters in arms: Gente de Todo Lugar - drummer Gustavo Souza, percussionist and singer Rafaella Nepomuceno, guitarist Rafael Martinez, saxophonists Marcelo Monteiro and Filipe Nader and trumpeter Amílcar Rodrigues. Planetary voices in the track “Nietzsche era triste ....” recorded in several countries. Thank you so much for the music and the affection that you put in this work, the result is nine songs and nine seasons linked to life. Knowing and respecting cultures is an eternal path of transformation, that this work reaches each one as a transforming element, especially in this almost inexplicable moment that we live on the planet.
V.A. - Antal Presents Beyond Space & Time Volume 2
V.A.
Antal Presents Beyond Space & Time Volume 2
2LP | 2022 | EU | Original (Beyond Space And Time)
29,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Regular Edition WITHOUT the 7".

Rainbow Disco Club and Rush Hour, a long-standing friendship that transcends continents! House, disco, new wave, Caribbean, rare groove, leftfield.. Antal compiles the second release on "Beyond Space And Time", loaded with personal choice cuts.

Internationally recognised and much-loved festival from Japan, Rainbow Disco Club’s offshoot project "Beyond Space And Time" record label presents their sophomore release! Following the work by DJ Nobu, their second compilation has been compiled by none other than Antal. Also known as the festival's headliner and the man behind Amsterdam record shop/label Rush Hour, all 11 tracks are selected by Antal in a 2 x 12-inch + bonus 7-inch format. From local Dutch newcomers to '80s Japanese cult music, rare grooves to danceable house music, and rare Caribbean soul, this compilation is a portrait of music enthusiast Antal Heitlager’s enormous collection and 30-year DJ career, a work of art that can be enjoyed by all music fans!

An afro electronics track recommended by South African collector DJ Okapi, who co-produced the masterpiece compilation "Pantsula!: Rise Of Electronic Dance Music In South Africa: 1988-90" released in 2017, which brought Kwaito back onto the map. A-1

Improvisation Organic Deep House track by New Zealand’s newcomer. A-2

A rare breezin' boogie by Larry Heard’s alias Trio Zero from 1989. Highly sought after by all collectors as a cult Balearic track. Previously unreleased version. B-1

From the 2015 album by L.A. funk maker DAM-FUNK on the prestigious Stones Throw label. LO-FI beats and synthetic breakdowns that are reminiscent of early Rush Hour works and ‘90s house. B-2

The debut single of Japanese idol unit, Shohjo-Tai. Haruomi Hosono also produced some of their tracks later on in their career. Japanese new wave disco from 1984. C-1

The soundtrack from the Japanese manga "Touring Express". RDC fans will recognize this track from the final hours of the festival. A nostalgic oriental disco from 1985. C-2

80s Silky Mellow Soul by Connecticut jazz vocalist Dianne Mower who also contributed to the re-press of the prestigious Numero Group. D-1

The original version is a masterpiece from 1983 by Zouk singer Jocelyn Mocka of French Guadeloupe. This edit still very much emphasizes an emotional mid-tempo Caribbean soul, nicely reconstructed by Rush Hour's Bonnefooi. D-2

The first 500 copies will include a limited 7-inch bonus disc featuring a Dutch artist.
Modal jazz track from the Han Litz Group led by Han Litz, a jazz flute player representing the local Amsterdam scene. A-1

A freestyle percussion jam track inspired by Brazilian and Klaus Weiss music. Los Calxunxos Tuyos, derived from the band Zuco 103 formed by students of the Rotterdam Conservatory. B-1

A mysterious electronic pop floating, between the dance floor and easy listening by Rush Hour's Kamma. B-2

A total of 11 tracks from all types of genres and generations, a true masterpiece and representation of Rainbow Disco Club’s vision “Beyond Space And Time”. Bringing you the love from Amsterdam to the world!
V.A. - Gladys Palmera Compiled By Andy Grey
V.A.
Gladys Palmera Compiled By Andy Grey
LP | 2022 | EU | Original (Gladys Palmera)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
A musical selection of alternative and modern Latin music with the label Gladys Palmera via Andy Grey. Gladys Palmera compiled by Andy Grey is an energizing mix of Latin rhythms and peripheral sounds. Ten songs which symbolize the strenghts of the new times in the Latin music. A box of tropical sounds linked by Andy Grey, resident DJ of Gladys Palmera and one of the producers that is already glimpsing how the night clubs will be in the future.
V.A. - Liguria Transatlantica / Bossa Figgeu Black Vinyl Edition
V.A.
Liguria Transatlantica / Bossa Figgeu Black Vinyl Edition
LP | 2022 | EU | Original (Time Is The Enemy)
26,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
"South American Jazz & Bossanova flavours from 60s & 70s in Liguria, north west Italy. As you might notice after the first listening, surprisingly, the melody sounds very similar to Brazilian Portuguese and the instrumental tracks have a distinctive touch of South American Jazz. Nonetheless, the sound landscape clearly reflects the Italian libraries of the time. This mingling was possible because at the time of the discoveries of the New World, due to commercial and cultural interconnections, the local Ligurian language was influenced by new stimuli from the new territories and vice-versa. Moreover, since the end of the Nineteenth Century, there has been a strong migration of Italians to South America, similar in numbers to the migration of Italians to North America, but less known because less represented in films or narrative."
Dudu Lima & Joao Bosco - O Ronco Da Cuica / Incompatibilidade De Genios Record Store Day 2022 Vinyl Edition
Dudu Lima & Joao Bosco
O Ronco Da Cuica / Incompatibilidade De Genios Record Store Day 2022 Vinyl Edition
12" | 2022 | EU | Original (Far Out)
23,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Record Store Day Exclusive. For the first time on vinyl! One of the world's best bassists with an MPB legend feat. Azymuth drummer Ivan Conti, percussion master Marcos Suzano & Dudu Viana on piano.
Joyce - Feminina Feat. Mauricio Maestro Record Store Day 2022 Vinyl Edition
Joyce
Feminina Feat. Mauricio Maestro Record Store Day 2022 Vinyl Edition
12" | 2022 | EU | Original (Far Out)
20,79 €* 25,99 € -20%
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Record Store day exclusive. For the first time on vinyl! The fabled extended recording.... from the unreleased 1977 Natureza album produced, arranged, and conducted by Claus Ogerman.
Orquesta Reve - De Habana A Lima Con La Orquesta Revé
Orquesta Reve
De Habana A Lima Con La Orquesta Revé
LP | 2022 | EU | Original (Vampisoul)
26,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
HIGHLIGHTS!Acting as an artistic ambassador for Cuba, the Orquesta Revé made several tours abroad, traveling to Peru in 1971. This extremely scarce LP was recorded for MAG in Lima and comprises mostly Cuban songs -like the outstanding Vicente Rojas' original 'Mi Son Combinado'- and also a rare cover of Jorge Ben's 'Domingas'.Quite an invisible record even for hardcore collectors, and almost impossible to find in any condition, "De Habana a Lima" is now reissued for the first time.More:In 1956, the percussionist and composer from Guantanamo, Elio Revé, founded the orchestra popularly known as La Revé, which in the space of a few years became the Cuban music group par excellence for foreign audiences.Elio, dubbed the father of changüí for his seminal work on this genre, is also considered one of the forerunners of salsa music and his orchestra included musicians of the stature of vocalist Ibrahim Ferrer; pianists Chucho Valdés, César Pedroso and Juan Carlos Alfonso; and bass guitarist Juan Formell, who left the group in 1969 to form Los Van Van.Acting as an artistic ambassador for Cuba, the Orquesta Revé made several tours abroad in the seventies, traveling to countries such as Spain, Belgium and the People's Republic of Angola, and these journeys are well documented on the internet. However, little is known about their trip to Peru in 1971_The local record label MAG quickly signed the Cuban groups that arrived in the Peruvian capital and that the head of the label, Manuel Guerrero, agreed to record. The La Revé LP was followed by a Los Compadres album the following year."De Habana a Lima..." comprises a dozen songs labeled changüis, mostly written by Cuban composers, the exception being the closing track: 'Domingas', an original song by Brazilian artist Jorge Ben. In contrast, the album opens with the distinctly Cuban song 'Guajira guantanamera'.
V.A. - Color De Tropico Volume 3
V.A.
Color De Tropico Volume 3
LP | 2022 | EU | Original (Elpalmas Music)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
El Palmas Music are back with a third instalment of rare Venezuelan sounds from the 60s and 70s, a wild trip through salsa, boogaloo, garage rock, jazz and delinquent pop. Venezuelan music was moving at such a pace through the 60s and 70s that almost as soon as a new craze was born, another was preparing to eclipse it. In barely 10 years, musicians latched on to the sound of the Latin big bands of Cuba, New York and Colombia, turned to the 60s pop and rock ‘n’ roll of England and the US, before heading back to salsa as it took root across Latin American, before forays into jazz, psych rock and Afro-Venezuelan rhythms took hold in the 70s. This fertile musical period, coming at a time when Venezuela was economically abundant and culturally as relevant as any other developed country, has always been the focus of the Color de Trópico series, and continues to be the case on this third instalment, though it should also be noted that the tracks are getting rarer and rarer, indicative of the curatorship of DJ El Palmas and El Drágon Criollo and their constant search for new sounds that reflect Venezuela’s musical treasures at this time. Color de Trópico Vol. 3 starts with Un, Dos, Tres Y ... Fuera’s “Aquella Noche”, a song that’s fully indicative of Venezuela’s coastline with the much-loved Un, Dos, Tres Y ... Fuera giving a llanero rhythm (normally played on a harp and other stringed instruments in its rural incarnation) a fully Afro-Caribbean makeover with pulsating bass and an electric keyboard that teases and energises the groove. It possesses some of that same mid-70s vitality and need to experiment as Grupo Vaquedanus, the band of sax maestro Santiago Baquedano, and their cover of Dave Brubeck’s “Take Five”, here fashioned as “Toma Cinco”. This version strips away all the niceties of the original, turning it in to a psych-fuzz jazz romp with Baquedano’s raspy sax leading the way. Step back 10 years and the energy remains even if the musical terrain was different. Girl group Los Pájaros hit hard with a boogaloo whose instruction is simple enough: “shake it baby, kiss for you, take the rhythm, and do the boogaloo”. Los Pájaros were one of a number of groups who were taking inspiration from the 60s sounds of the US and Britain but repackaging it for Venezuelan youth. Pop stars Geminis 5 were at it too with a fuzzy ballad “Tus 16 Años”, and Junior Squad even injected a bit of San Francisco hippy charm into affairs with their loose adaptation of The Turtles “She’d Rather Be With Me”, retitled as “Siempre Para Ti” and sounding as rough, ready and full of youthful vim as anything made north of Mexico. On the farthest end of the pop spectrum is The Pets with their cult hit “El Entierro de un hombre rico que murió de hambre” (“The Burial of a Rich Man Who Died of Starvation”), a true countercultural anthem that even dips into “The Funeral March” for a minute, and which is much desired by record collectors. Finally, we must mention the salsa ensembles and their big band predecessors, always an important element of any Color de Trópico compilation. On Volume 3, we find one of the earliest salsa groups in Venezuela, Los Megatones De Lucho, who recorded a pachanga, “Yo Se Que Tu”, long before salsa was even a thing. Influenced by Venezuela’s very own Los Dementes and Joe Cuba’s sextet, Principe Y Su Sexteto were one of Venezuela’s most prominent salsa ensembles. On their 1969 track “San De Manique” we get a different vibe altogether, it’s a creeping son with just vocals, bass and congas for its opening minute, before really kicking into action with a twisted guitar line and wild percussion, while always retaining a raw, Afro-Latin feel. Last, but not least by any means, is one of Venezuela’s most beloved salseros, Johnny Sede, who pipes up with a classic salsa, “Guararé”, showing how the style had developed in just a few short years. You could accuse El Palmas and El Dragón Criollo, the curators of this collection, as getting some sort of a sick thrill at throwing such a weird and unwieldy bunch of tracks together, and that may be true, but there is logic too. These are songs full of life and creativity that signalled an era of boundless optimism. Listen to them now, and you’ll find yourself feeling those emotions once again.
Maga Bo - Amor (É Revolução)
Maga Bo
Amor (É Revolução)
2LP | 2022 | UK | Original (Kaxambu)
39,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
"Speaker-bangin' before all else" (xlr8r) with "some of the smartest ears in the game" (Chicago Reader), "few can make a room explode like Maga Bo" (Flavorpill). A purveyor of "international sonic weaponry and rhythm knowledge" (Rough Trade), the Rio de Janeiro-based DJ/producer is a veteran pioneer of global bass music, with 20+ years of dedicated experience searching out unheralded music bumping from speaker-boxes in the world's grittiest corners, from Addis Ababa to Zanzibar.
Simultaneously, Amor (É Revolução), the new album from Maga Bo, is statement of hope through change, a call to arms, a lament, a proclamation of resistance, a shout of resilience, an exuberant yell and a deep therapeutic groove all at once. The result of a multi-decade search for rhythmic common denominators with an Afro-Brazilian-centric focus. It joins raw, natural, acoustic timbres and textures with the grit, weight and power of modern electronic production. It is where heavy dub bass pulsations sync with rhythms coaxed from drums heated over an open flame and ancestral voices rise and fall in call and response.
Recorded in Rio de Janeiro, Salvador, Recife, Arcoverde and Porto Alegre, the album counts amongst many illustrious talents from the Brazlian music scene, long time collaborators, Russo Passapusso and Roberto Barreto of Baianasystem, the legendary singer, BNegão and São Paulo based, Rosângela Macedo. Grupo Bongar and Samba de Coco Raízes de Arcoverde provide backing percussion and vocals. It also brings newer collaborators, from Recife, the amazing voice of Isaar, the fabulous guitarist, Felipe Cordeiro, as well as long-time friends, ex-Digitaldubs, Jeru Banto and Jota 3, the Mestre of Tambors de Olokun, Alexandre Garnizé, on percussion, fellow nomadic electronic roots explorer, Teleseen and the rock solid percussionist from Salvador, Icaro Sá.
Adrian Quesada Of Black Pumas - Boleros Psicodélicos Colored Vinyl Edition
Adrian Quesada Of Black Pumas
Boleros Psicodélicos Colored Vinyl Edition
LP | 2022 | UK | Original (ATO)
25,99 €*
Release: 2022 / UK – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Lucho Bermudez Y Su Orquesta - The Coastal Invasion - Cumbia, Porro, Gaita & Mapale From Colombia's Caribbean Coast (1946-1961)
Lucho Bermudez Y Su Orquesta
The Coastal Invasion - Cumbia, Porro, Gaita & Mapale From Colombia's Caribbean Coast (1946-1961)
2LP | 2022 | EU | Original (Radio Martiko)
34,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The Coastal Invasion’ highlights the golden age of big band cumbia and the maestro who is often seen as Colombia’s most influential composer, Lucho Bermudez. This compilation contains a selection of the music of Lucho Bermúdez y su Orquesta recorded during the years that they lived and worked in Medellín, probably the best work the orchestra ever recorded.
Achilisound Sound System &. Ximenis - Super Soul Gitano
Achilisound Sound System &. Ximenis
Super Soul Gitano
LP | 2022 | EU | Original (Achilisound)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Rumba, Flamenco, Soul, Funk, Jazz, Disco, House,.

Sixth record by the Achilifunk Sound System "Super Soul Gitano". Txarly Brown, invents accidental Rumba Jazz Dance. Using as the starting point a collaboration with Jonatan Ximenis, the singer from Arrels de Gràcia, old soul, funk and jazz classics are revisited from the rumba point of view. From Bill Withers to Gino Paoli, everything is thrown on the beater. There are also some original compositions on B side.

The Achilifunk Sound System gives us their best record yet. Lalo López, Jack Chakataga and Txarly Brown have recreated all these classics, with the occasional help from Mr.Freak Ska and Voodoocuts.
V.A. - Brasil Novo
V.A.
Brasil Novo
LP | 2022 | EU | Original (Musica Macondo)
28,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Musica Macondo unearths eight contemporary Afro Brazilian tracks on the compilation Brasil Novo, disseminating the rich and percussive heritage of black Brazil and Samba De Coco. Selected by DJs Tahira (São Paulo) and Tim Garcia (London), the diversity and positivity of Brazil shines, featuring elements of samba, Candomblé, batuques, jazz, folk and beyond, designed with the esoteric dancefloor in mind. UK label Musica Macondo place their focus on contemporary Brazilian and African diaspora on Brasil Novo, an eight track compilation of discovery, snare and tamborim heavy, showcasing both celebrated and unfamiliar artists south of the equator from the cities of Recife, Rio de Janeiro and São Paulo. With the aim of presenting and thus preserving these moments in music - some tracks like Dona Celia's O Bar and Toró Instrumental's Dunas never been released before - DJs and co-curators Tahira (São Paulo) and Tim Garcia (London) dig deep into the troves, avoiding mainstream Brazilian popular music clichés, and also giving a sense of what fuels their dancefloors and radio sets. It was their joint passion for record collecting, Djing and 'the dance' which, not surprisingly, brought these two leading figures within their respective scenes and cities together. The selection also includes tracks by Grupo Bongar, Renata Rosa and women's Afro Bloco, Ilú Obá De Min. DJ Tahira is a massive Brazilian music fan and has been on a research journey for a number of years, dedicated to the preservation and archiving of music made or influenced by black and indigenous Brazilians. Based out of São Paulo he has a particular interest in the history of Samba de Coco, a folkloric musical form that was very popular in, (and probably originated from), the northeast of Brazil, by slaves and indiginous people from working class backgrounds who came together, making a rhythmical mesh of sounds dating back hundreds of years and allowing them to carve a unique cultural identity. Ignored or disregarded as inferior by Brazil's predominantly white faced recording industry, there are few existing original recordings of this music from the twentieth century, relying instead on oral tradition and carnivals like those in Recife or Pernambuco. In recent times, there has been a flux of contemporary proponents who mix Samba de Coco with other contemporary Brazilian musical forms. Brasil Novo features both the roots, and more divergent fusions. Perhaps the best example of the Samba De Coco of old is from Dona Celia Coquista or Dona Celia do Coco as some people called her. She was a singer from Pernambuco who released only one album Nasci Com Dois Dentes in 2007 despite being an enormously important proponent of Samba De Coco for many years. She sadly passed 4 years later in 2011. The track O Bar features a plethora of local and native percussion instruments and a call and answer harmony of uplifting choir, a cacophony of positivity.
V.A. - Ebirac All-Stars
V.A.
Ebirac All-Stars
LP | 2022 | US | Original (Numero Group)
24,99 €*
Release: 2022 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Far from the twin epicenters of New York and Miami, Carlos Ruiz and his Ebirac label were both feeling and generating the aftershocks of the mid-'70s salsa boom. Holed up in their own bustling Puerto Rican community center on Chicago's west side, these third coast salseros plied their trade outside the hot lights, cutting their teeth in city parks, VFW halls, and Holiday Inn rec rooms. Nearly 50 records survive in the wake of orquestas La Justicia, La Solucion, and Tipica Leal '79, the most impassioned, singular moments of which are compiled here.
Grupo Geyser - Singles 1970-1973 Black Vinyl Edition
Grupo Geyser
Singles 1970-1973 Black Vinyl Edition
LP | 2022 | EU | Original (Pharaway Sounds)
23,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
One of the hidden treasures from Venezuela, Grupo Geyser were pioneers in fusing psychedelic rock with Latin & Afro Cuban rhythms.

Here's their first ever vinyl retrospective, including their four singles originally released between 1970-73.

Los Geyser aka Grupo Geyser formed in Caracas, Venezuela, in the mid-60s by brothers Publio and Ebenezer García. Initially influenced by the British and American bands of the time, the band experienced different line-ups and they gradually incorporated Latin / Afro-Cuban influences to their music, along with instruments like bongos, tumbadoras or sax, thanks to musicians like Roberto Monasterios.

Led by Publio García, who was the main songwriter, Grupo Geyser always played their own songs, refusing to do covers. They got to release a few self-produced 45s during 1970-1973 and they were pioneers in not only fusing psychedelic rock with Latin and Afro-Cuban rhythms but also in home-recording and multi-tracking with their song “La Súper Lombriz Atómica”, recorded by brothers Publio and Ebenezer at their home studio playing all the instruments themselves. The band even caught the attention of famous singer Alfredo Sadel, who took them under his wing and received interest from the US market.

This comp includes all their 45 sides: from heavy Latin-psych-fuzz-groove (“Óyeme Guajira”, “Piénsalo Bien”) to freakbeatish psych with Farfisa (“Tú Me Caes Mal”), bluesy acid psych (“Sodoma y Gomorra”) and more.

*Color insert with detailed liner notes by band member Publio Garcia and photos
Toco - Outro Lugar
Toco
Outro Lugar
LP | 2022 | EU | Original (Schema)
23,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Edizioni Ishtar and Schema Records proudly celebrate the 15th anniversary of one of their most successful releases and artists (more than 30 million streams and 300 thousand monthly listeners on Spotify) with the first ever vinyl edition of Toco’s Outro Lugar. Produced by S-Tone Inc., this record includes fanfavourite tracks “Outro Lugar”, “Samba Noir" and most of all “Guarapiranga”, which was chosen for the soundtrack of “Silver Linings Playbook”, a film that awarded Jennifer Lawrence an Academy Award prize as best actress in a leading role in 2013. The strings at the beginning of the title-track have also been sampled by PinkPantheress for her song “Nineteen”, out of her latest album “To Hell With It”. Outro Lugar hasn’t aged a bit during all these years, for various reasons; first of all it benefits from the outstanding contribution of bossa nova pioneer and inspiration source Roberto Menescal, who played guitar in every track. Most of the album was recorded in Rio De Janeiro at Menescal’s studio, with the participation of some of the best ‘carioca’ musicians, especially double-bass player Adriano Giffoni and pianist Adriano Souza. All these elements gave the album exactly the taste requested by the artist and the producer: inspired from the past yet, through thorough attention, aimed at a sound at the same time fresh and modern, slightly electronic, filled with grooves perfectly blending into acoustic instruments. The second part of the recording was carried out in Milan, with some of the best musicians in the Milanese jazz scene. The album also sees the contribution of Rosalia De Souza, singing in several tracks and standing out in “Bom Motivo” especially. French chanteuse Coralie Clément appears in “Contradição”, her own piece here re-interpreted by Toco. Outro Lugar is an album for any kinds of Brazilian music lovers that showed the world what Toco was capable of: a refined and cultured musician, a gifted performer of a warm and smooth voice able to awaken the emotions of the most sensitive listeners.
Sambrasa Trio - Em Som Maior
Sambrasa Trio
Em Som Maior
LP | 2022 | EU | Original (Vampisoul)
16,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
HIGHLIGHTS:1965 samba jazz gem recorded by Humberto Clayber, Hermeto Pascoal and Airto Moreira in the early days of their careers.Includes the killer 'Joao Sem Braço' featuring Hermeto's howling flute and Airto's overwhelming percussion work.This is the only album ever released by this Brazilian all-star group and has remained unavailable for decades. First time vinyl reissue.More:1965 samba jazz gem recorded by Airto Moreira on drums, Humberto Clayber on double bass and Hermeto Pascoal on piano in the early days of their careers. As the original notes state it, the recording session of the album was such a stunning experience for those involved in the studio work: "After going through 'Aleluia' and 'Samba Novo', as a prelude to a sound cataclysm that was transmitted in the tense atmosphere of the studio, they gave us a composition by José Neto Costa (Hermeto's brother), which left everyone amazed.The arrangement created for 'Duas Contas', soft, whispery, subtle, broke the local tension as if on impact. But behold, when they no longer seemed to see the possibility of new surprises, they then performed 'Nem O Mar Sabia' and 'Arrastao', the first revealing totally unknown concepts regarding the trinomial piano-bass-drums. Clayber plays a harmonica and Hermeto unfolds into a flute! On the following tracks, the bassist and pianist would return on the same instruments. The final point of that unsurpassed recital was also a great surprise: 'A Jardineira', a carnival march from 1938! It was the "end"!Let everyone who hears this LP know what a new phase of modern Brazilian popular music is being established in this country! This is the flag, which we will leave planted in the rich and incomparable soil of our art! Its heralds... the boys from Sambrasa!" The album also includes the killer 'Joao Sem Braço' featuring Hermeto's howling flute and Airto's overwhelming percussion work.This is the only album ever released by this Brazilian all-star group and has remained unavailable for...
Flora Purim - If You Will Black Vinyl Edition
Flora Purim
If You Will Black Vinyl Edition
LP | 2022 | Original (Strut)
25,99 €*
Release: 2022 / Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
One of the all-time greats of Brazilian jazz fusion, Flora Purim, returns with her first studio album in over 15 years, 'If You Will', released on Strut. Conceived as a celebration of her music and collaborations, the album explores new compositions alongside fresh versions of Flora's favourite personal songs and positive lyrics from across her varied career. The album is the latest chapter in Flora's long, illustrious and varied career. As well as her celebrated partnership with Airto and her early days with Quarteto Novo, Flora has worked with Stan Getz, Gil Evans, Miriam Makeba, George Duke, Chick Corea (as an original member of Return To Forever), Dizzy Gillespie's United Nation Orchestra, Uruguayan band Opa and many more. Her solo albums on Milestone remain true jazz fusion classics.
Os Sambeatles - Os Sambeatles
Os Sambeatles
Os Sambeatles
LP | 2022 | EU | Original (Vampisoul)
16,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
HIGHLIGHTS Rare 1966 Brazilian album with a jazz/bossa nova take on songs by the Beatles, all served up with plenty of great keyboard work from the legendary Manfredo Fest who would later become member of the Sergio Mendes band.The songs are all played with imaginative scents that really take them from their roots as pop songs and open them up as groovers filled with keyboard improvisations.First time vinyl reissue.DESCRIPTIONRare 1966 Brazilian LP with a jazz/bossa nova take on songs by the Beatles performed by the very talented Manfredo Fest and his trio. It was originally released right after their classic 1965 RGE album and has a very similar jazz-based sound. Manfredo Fest was part of the gathering of Brazilian musicians of the late-'50s who were developing the bossa nova movement, and he made a number of trio recordings in that vein from 1961 to 1966. After emigrating to Minneapolis in 1967, Fest moved to Los Angeles where he served as keyboardist and arranger for Bossa Rio and toured with Sergio Mendes.This recording is all instrumental, strongly jazz-based, with piano as the main solo instrument, soaring over the top of some tight, crackling rhythms! The songs are all played with imaginative scents that really take them from their roots as pop songs and open them up as groovers filled with keyboard improvisations.A nice slice of how the bossa nova sound was evolving in its homeland as well as the international impact the Beatles were having on countries outside of the U.S., England, Japan, and Germany.First time vinyl reissue.
Tony Bizarro - Que Se Faz Da Vida EP
Tony Bizarro
Que Se Faz Da Vida EP
7" | 2022 | EU | Original (Vampisoul)
10,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Classic Brazilian soul funk from 1976 in the same vein as Tim Maia, Jorge Ben or Carlos Dafé's recordings from that period. All four tracks are stunning and feature dramatic vocals, fat drum beats and sophisticated arrangements, following the tradition of the best funk music coming from the States in the '70s. First time reissue.

Tony Bizarro was a Brazilian songwriter, producer and singer who worked with most of the greatest soul and funk artists in Brazil. Boogie and disco music were making headway and soon became popular in the Brazilian market. His own discography comprises just one solo album, released at the peak of his career, a bunch of compactos and some later LPs that did not get any bigger than his best-known hit 'Estou Livre'. This 1976 EP has been a long-time dancefloor weapon for DJs in the same vein as Tim Maia, Jorge Ben or Carlos Dafé's recordings from the same period. All four tracks are stunning! The opening song 'Que Se Faz Da Vida' is a downtempo funk joint with some dramatic vocals by Tony Bizarro, fat drum beats and Isaac-Hayesque wah-wah sounds that could have easily been included in the soundtrack of a blaxploitation movie_ The strings and sophisticated arrangements featured on the flipside elevate this record to the top of the best Brazilian funk ever recorded in the '70s. Very hard to find, especially in good condition, this record now gets a proper reissue for the first time.
Coco Lagos Y Sus Orates - Descargas
Coco Lagos Y Sus Orates
Descargas
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
HIGHLIGHTS:1967 descargas album by Peruvian percussionist Coco Lagos y Sus Orates, featuring Alfredo Linares, Charlie Palomares, Otto de Rojas, Mario Allison_This album was recorded following the success of the descarga sessions released by New York label Alegre Records.It includes a version of Cal Tjader's 'Mamblues' and 'Brava pachanga', an original by the Father of Boogaloo, Joe Cuba, among many other stand-out tracks. Quality official reissue on 180g vinyl after years unavailable. Includes insert with liner notes.Details:1966 was a prolific year for the MAG record label. The microphones were constantly on at the label's studios, recording timeless hits by Los Demonios de Corocochay, Betico Salas, Cholo Berrocal, Mario Allison, Alfredo Linares, Carlos Muñoz and Los Pacharacos, just to mention the most successful ones. The percussion playing by 29-year-old Peruvian Coco Lagos stands out on a number of these recordings.Coco continued his early career, and he played the conga drums for artists who passed through Lima, accompanying Pérez Prado, Oréfiche and Chano Scotty, among others. In the late 50s, he started working as a regular musician in the recently founded record company MAG, alongside musicians such as Ñiko Estrada, Mario Allison, Lucho Macedo...After taking part in numerous recordings, in 1966 the director of the MAG label, Manuel Guerrero, asked him to make a series of recordings for an LP that would be released under the name Coco Lagos y sus Orates. According to Coco's statements to the press, the orchestra included musicians from the label such as pianist Alfredo Linares; vibraphonists Carlos "Charlie" Palomares and Otto de Rojas; timbalero Mario Allison; alto sax player Mario Escobar; Chilean trumpeter Víctor "Duraznito" Durand; double bass player Santiago Colón; and vocalists Benny del Solar, Kiko Fuentes and César Gonzales, as well as other backing singers.On July 21, 1966, the recording kicked off with 'Tumba Coco', a descarga composed by Coco and Manu...
V.A. - Mr Bongo Record Club Volume 5 Black Vinyl Edition
V.A.
Mr Bongo Record Club Volume 5 Black Vinyl Edition
2LP | 2022 | EU | Original (Mr Bongo)
22,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
It's hard to believe we are now up to Volume 5 of our renowned Record Club series. Curating these compilations, where we share our latest musical discoveries and old favourites from the global stage, is always a labour of love. This selection is less dancefloor-driven than our previous volumes, as fewer opportunities for live events drove us to explore other paths and styles in the musical spectrum. But, whether you're DJing for a kitchen or a club, there is still a generous serving of spicy dancefloor magic. For Volume 5, we looked to a broad church - from Brazil to Cuba, Ghana, Jamaica, Japan, Mauritania, South Africa, Sweden, Trinidad and Tobago, the UK, and the US. We pulled songs from the 70s up to the present day and feature a stellar cast of artists. There’s an exclusive track from Sven Wunder which was recorded solely for this compilation. We also have a track from Admin which was released as a private press 7" at the start of 2021 and one we felt was far too good to only be available for the lucky few. You’ll also discover one of our most treasured Gyedu Blay Ambolley productions, a full-force African disco colossus! We hope you will enjoy this selection of seventeen eclectic songs as much as we do.
V.A. - Mr Bongo Record Club Volume 5 Pink Vinyl Edition
V.A.
Mr Bongo Record Club Volume 5 Pink Vinyl Edition
2LP | 2022 | EU | Original (Mr Bongo)
25,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
It's hard to believe we are now up to Volume 5 of our renowned Record Club series. Curating these compilations, where we share our latest musical discoveries and old favourites from the global stage, is always a labour of love. This selection is less dancefloor-driven than our previous volumes, as fewer opportunities for live events drove us to explore other paths and styles in the musical spectrum. But, whether you're DJing for a kitchen or a club, there is still a generous serving of spicy dancefloor magic. For Volume 5, we looked to a broad church - from Brazil to Cuba, Ghana, Jamaica, Japan, Mauritania, South Africa, Sweden, Trinidad and Tobago, the UK, and the US. We pulled songs from the 70s up to the present day and feature a stellar cast of artists. There’s an exclusive track from Sven Wunder which was recorded solely for this compilation. We also have a track from Admin which was released as a private press 7" at the start of 2021 and one we felt was far too good to only be available for the lucky few. You’ll also discover one of our most treasured Gyedu Blay Ambolley productions, a full-force African disco colossus! We hope you will enjoy this selection of seventeen eclectic songs as much as we do.
V.A. - Luke Una Presents E-Soul Cultura
V.A.
Luke Una Presents E-Soul Cultura
2LP | 2022 | EU | Original (Mr Bongo)
23,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
With some of the best DJs and selectors there is a certain mysterious sound or underlying feeling which unites the music they play, regardless of genre, year or tempo. Luke Una is a master of telling a story through music and this compilation is a perfect example of his musical alchemy in action. Featuring tracks from Yusef Lateef, Airto Moreira, Crooked Man, Henri Texier and many more, it is a collection of new, old, rare and under-discovered music from around the world, all united by Luke under the banner of “E-Soul Cultura”.

It’s best described by Luke himself, who writes: “As the 5AM city sleeps and the strobe lights are slowly turned off, we gather on the wrong side of town in a transcendental journey alone together. We are the late night disenfranchised holding on in various after parties, flats, lofts, random kitchens and basements into the outer cosmos with É Soul Cultura. Music from exotic tear jerkers, Afro-spiritual jazz, cosmic Brazilian celestial grooves, machine street soul, dark horses, lost B-sides, £1 bargain-bin bombs, hidden gems, late night Italo dubbing, deep velvet N.Y.C garage, bass buggin sonic futurism, wrong speed 33bpm pitched up +8 new beat, majestic sunset strings, sweet vocals from heaven, no half steppin jazz dancing in outer-space and odd numbers. Yes… magical moments, together, holding on in witness protection suburban cul-de-sacs and Castle Court flats. Cosmic É high, 3000ft above the city getting evangelical to murky, wonky timeless beautiful music. This thing of ours dreaming of better days. Fail we may, sail we must, the sun will come up again.”

Beginning his career as an original Sheffield house young blood in the mid 1980s, Luke’s move to Manchester and partnership with Justin Crawford saw the birth of Electric Chair, a cornerstone cult night in the UK underground club scene, and later Electric Elephant, a Croatian festival paying homage to their wild eclecticism from Balearic to Brazilian to E soul, house, disco and techno. Luke’s much loved, long running Homoelectric night and more recently Homobloc sell out festival for 10,000 souls has been at the forefront of Manchester’s Lgbtq cultural landscape.

Luke’s Friday evening show on Worldwide FM has captured imaginations and has already become a cult four hour must-listen monthly journey with fans all over the world. Today Luke remains, as ever, at the forefront of a changing scene, pairing the momentous legacy of Manchester’s 80s and 90s scene with the delivery of what today’s club communities need to get down.
Konkie - Simadan Kologa / Mi Ke Libertat
Konkie
Simadan Kologa / Mi Ke Libertat
7" | 2022 | EU | Original (Kelly Ocean)
15,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Russell 'Konkie' Halmeyer was born and raised on the small island of Curaçao, located 60 kilometers off the coast of Venezuela. Konkie is a percussionist who specializes in the steelpan, a percussion instrument originating from Trinidad and Tobago that is made out of an industrial drum. He started playing at the age of 12. Throughout his career, he has explored the boundaries of the steelpan and associated genres. He has become one of the most innovative pannists in the Caribbean, taking the steel pan out of its context of steel bands, carnival and calypsos. In the 1990s Konkie toured through the States, where he performed frequently, merging steel band sounds with jazz.

In Curaçao, where he is considered the most important pannist of the island, Konkie mainly performs in hotels and at tourist sites. He enjoys performing for these crowds but his true passion and joy lie in arranging deep and melancholic compositions. These two tracks are the result of that joy. "Simadan Kologá" means "the hanging harvest". "Simadan" or “Seú” is the local harvest period on the island. "Kologá" means "hanging" because Konkie used a hanging steel pan for the arrangement. "Mi Ke Libertat" means "I want freedom". Instruments used: steelpan, drum, conch (seashell horn), and chapi, the iron part of a hoe that slaves used to work the fields with.
Toots Thielemans - European Quartet Record Store Day 2022 Purple Vinyl Edition
Toots Thielemans
European Quartet Record Store Day 2022 Purple Vinyl Edition
LP | 2022 | EU | Original (Music On Vinyl)
28,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Limited to 1000 copies.
Luciano Luciani Y Sus Mulatos - Mulata, Vamos A La Salsa Record Store Day 2022 Vinyl Edition
Luciano Luciani Y Sus Mulatos
Mulata, Vamos A La Salsa Record Store Day 2022 Vinyl Edition
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Limited Edition for Record Store Day 2022.
V.A. - Saturno 2000
V.A.
Saturno 2000
2LP | 2022 | Original (Analog Africa)
34,99 €*
Release: 2022 / Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
In 2010, I had asked Eamon Ore-Giron - aka DJ Lengua - if he would be interested in compiling a Latin project for Analog Africa, and if so, if he had a theme in mind. He replied, “Have you ever heard of rebajada?“ The question mark above my head, together with the wall of China, must have been the only other object visible from out of space because Eamon, probably noticing I got paralysed, continued, “Rebajada in Spanish means “to reduce, to lower”. It’s basically Mexican sonideros (sound-system operators) slowing down the beat of a Cumbia to create a much more tangible music to dance to. I’ll send you a mix I made last year and let me know what you think.“ And so he did.

That mix was called Rebajada Mota Mix and I began listening to it on a loop. Although I was not immediately hooked it was intriguing from the get-go, and so I kept listening until magic began unfolding. Slowed down music allows you enough time to hear right through it, revealing itself in ways I had rarely experienced before. Everything became more transparent and I was noticing sounds normally only perceptible by bats. A near psychedelic experience. That mysterious mix included a few Ecuadorian songs by Junior y su Equipo - aka Polibio Mayorga (a cult figure in the sonidero scene), a couple of Mexican tunes, one Colombian, and various Peruvian songs, undoubtedly the driving force behind this project.

The sonidero who brought Peruvian and Ecuadorian music to Mexico was the legendary Pablo Perea from Sonido Arco-Iris, and although his fingerprints are all over the compilation Saturno 2000, this selection of songs in rebajada is exclusive to DJ Lengua. With the exception of a few classics from Polibio Mayorga and La Sampuesana – the queen of all rebajadas – most of these songs were probably never performed as such before, let alone released.

So how did rebajada come to be? In a nutshell; Rebajada started with two families of brothers – the Pereas and the Ortegas – who travelled all over Latin America and returned to Mexico with heavy loads of records which they would sell to the various sonideros always on the lookout for new tunes. Colombian beats especially seemed to fit almost perfectly with the Mexican dance steps – but they were just a bit too fast. As a result some sonideros began experimenting with equipment, and Marco Antonio Cedillo of Sonido Imperial created a revolutionary pitching system that could slow records down to an extent other players could only dream about. And so rebajada was born . . . or so we thought.

At the same time in north of the country, in Monterrey, sonidero Gabriel Dueñez almost got electrocuted by a short circuit that nearly set his record player on fire. As a result the platter started spinning in slow motion for the rest of the party, turning Cumbia into a different affair altogether. The youngsters went crazy for it and started harassing the sonidero with requests to record cassettes for them. Reluctant at first, Dueñez finally began recording a series of pirated cassettes called “Rebajada” which included mainly Colombian cumbia and porro in slow-mo exclusively. Those tapes took the city by storm and turned rebajada into a celebrated and defiant movement of the youth.

Of course it would not be a Mexican urban legend if it didn’t include dramaturgical elements, and so for nearly 30 years, until this day and probably for ever, both cities have been arguing and claiming ownership the creation of rebajada for themselves. But sonidera Joyce Musicolor, who never has time for such trivial arguments, got straight to the point: “Rebajada, and the equipment to perform it, is from here [Mexico City] but it was Monterrey that popularised it.“
Los Calvos - ...Y Que Calvos!
Los Calvos
...Y Que Calvos!
LP | 2022 | EU | Original (Elpalmas Music)
15,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
If the first album from Venezuela’s Los Calvos, despite its greatness, could be considered to have a varied sound, then this second, and lamentably final, album found them creating a signature sound with the musicians given free rein and a stronger push to the dance floor, this is música bailable personified. The drum kit was instrumental to their image and sound; it was an instrumental unusual in salsa at the time. So much so that their own drummer Frank “Pavo” Hernandez had said disparagingly that “salsa with a drum kit is like pasta with avocado”. Kudos then to “Pavo”, along with fellow drummer Alfredo Padilla, who seamlessly integrated the instrument into the line-up, allowing its heavy hits to add energy and power to the group’s sound; just listen to the drum solo in “Suenan Los Cueros” and you will be in no doubt that it was a genius move. Vocal duties throughout are split evenly, five tracks a piece in fact, between Carlos “Carlín” Asicio Rodríguez and Carlos “Calaven” Yanes. It is Calaven who surprises the most, his mischievous delivery and ability to improvise and scat placing him in the higher echelons of vocalists, and not just within salsa. “José”, which is also a showcase for bandleader Ray Perez to free wheel on the piano, is a perfect example of Calaven’s ability to enliven any descarga (jam) with unexpected vocal turns; but then, even on the album’s original single “El Moño De Maria” he shows that with a few variations on the chorus, he can elevate any song. His partner in vocals, Carlín, is no slouch either, leading the driving “Tiene La Razón” with ease and showing that he can get down and dirty on the percussion-heavy “El Tumbeleco”, guiding the song through to its pulsating conclusion. Perez was one of Venezuela’s finest bandleaders, also helming the legendary Los Dementes, Los Kenya and others, and he brings a number of famous friends and allies to the party. Professional lucha fighter turned composer Gustavo “El Chiclayano” Seclén contributes the playful “El Marciano y Yo” (“The Martian and Me”), which allows Calaven plenty of opportunity to improvise, his imitations of intergalactic beings a wonderful thing, with what sounds like the rim of a wine glass being used to create Mars-esque special effects. You can also hear Perucho Torcatt, a regular collaborator of Ray Perez’s in Los Dementes, adding his voice throughout the album. ...Y Que Calvos! is not for the idle, it’s an album which does not allow you to sit down. Powerful, inventive and abundant of rhythm, it’s everything you could want from a salsa album, and a fitting way for Los Calvos to sign off their far-too short career. Perhaps now it will finally get its dues as a lost salsa classic.
V.A. - (El Mundo Es Sonido) The World Is Sound - First: The Trip
V.A.
(El Mundo Es Sonido) The World Is Sound - First: The Trip
12" | 2022 | EU | Original (Imaginaria)
13,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Electronic & Dance
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Sounds move across the limits of space and time to leave imprinted in the mind an album of memories full of colors and emotions, a travel journal that from the farthest corners of the world burns every kind of distance and returns through warm and strongly evocative sounds the colors, scents, rhythms, the atmospheres of distant lands. The result is a rich and evocative soundscape, where images become sounds and sounds images, where the elements of nature echo voices of different places and cultures, distant in space but deeply similar and intimately connected. Imaginária Records has commissioned the refined experience of Giovanni Santucci and LucaEffeSunset a journey through the sounds of the world, which from the enveloping wave motion of the warm Iberian beaches carry us to the crystalline dripping of waters and voices of the Mexican jungle, crossing Balearic rhythms and Brazilian brilliance, letting ourselves be captured by the persuasive voices and the chasing rhythm of the magical formulas of the masciare, ancient mysterious witches of southern Italy. In this journey, which represents the first stage of a wide-ranging project (a trilogy that will take the shape of new musical experiences gathered around the themes of the places first and then of the return), an exciting centrifugal movement that attracts towards a single center: the beating heart of a single Mother Earth; voices, suggestions, rhythms, emotions from the far/near, in order to confirm, together with Raymond Murray Schafer, that in the end "the whole world is sound".
Acid Coco - Camino Al Mar
Acid Coco
Camino Al Mar
LP | 2022 | EU | Original (Elpalmas Music)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
“We are inspired by our own experiences, as well as those of others. The last year was the beginning of a new era for all of us and it has left us with much to analyze and the need to rethink our priorities. There’s been so many changes on this planet: the confinement, the constant looking back at the past, the struggle of many against endless injustices, love, all this leads to the fact that our new songs have very current themes but that also transcend time. They continue the characteristic sound of Acid Coco, with the undeniable influence of the Caribbean.” Acid Coco If we can define folklore as the passing on of traditions from a particular group of people, then there can be no denying that Acid Coco, whether consciously or not, are playing an important role in disseminating the folk culture of Colombia’s Caribbean coast. Throughout their music there are links to tradition: the gaita flute typical of rural cumbia, the effervescent guitar licks that are such a big part of the coast’s Afro-diasporic sounds, the teeth-rattling bass indicative of communities brought up on picó sound systems since the 70s, the unmistakable sound of the marimba wooden xylophone (each note like a rain drop on the jungle canopy), and then there are the lyrics. Tradition should not stand still, and in Andrea’s words we find the oral traditions of the last 30 years: on “Hoy Como Siempre” she sings of the need for women to stick up for themselves, to not fall in love too easily; on “Cara Dura” the sentiment is even stronger, its lyrics picking out a male predator on the dance floor who will not be tolerated; and then there’s “Mundo de Mentira” where vulnerability peaks through, the story of a woman whose life has become a “world of lies” since their lover has left – who can she believe now the one she trusted the most has gone? They are stories that could have spilled out of Cali’s salsatecas, Cartagena’s picós or any club the world over, yet through Paulo’s canny production there is no doubt where we are. Dembow, cumbia, reggaeton, even on the spiky Caribbean folk of final track “Por Las Venas” or chiptune melody of “Aquí y Allá”, there is nowhere we can be other than on Colombia’s Caribbean coast. It’s music that comes from lived experiences, from growing up in Colombia’s clubs and through its violence and daily realities. Culture is being passed forward.
Wganda Kenya - Wganda Kenya
Wganda Kenya
Wganda Kenya
LP | 2022 | EU | Original (Vampisoul)
17,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Wganda Kenya was a group formed by Discos Fuentes under the idea of developing an African and Caribbean sound in order to appeal to the Costeño Colombian market and also inject a little international exoticism into the label. - This 1976 album has become a collector's favorite waiting to be reissued, and it's not hard to understand why since it's full of so many Afro-Funk, Congolese rumba and Caribbean-flavored dance floor burners. - Special edition reissue containing two non-album bonus tracks from the same period that appeared on 45s and various artist compilations, as well as an insert with liner notes. Pressed on 180g vinyl. - First time reissue.More Info!According to Fruko, Wganda Kenya was formed at the request of José María Fuentes in 1974. Fuentes came to Fruko with the proposal to assemble a group with an African and Caribbean sound in order to appeal to the Costeño Colombian market and also inject a little international exoticism into the label.Fuentes wanted to create their own domestic version of the rare (and often unidentified) African and Antillean records played on the Colombian coast in the outdoor picó sound systems in cities like Barranquilla and Cartagena, as well as opening up their markets to international tastes.Fruko was happy to comply, becoming the bandleader and bassist while his pianist from Los Tesos, Luis "Tomate" Mesa, was recruited to play various electronic keyboards. Venezuelan singer Joe Rodríguez was tapped to play drums, Mariano Sepúlveda of Afrosound played guitar, José "Cholo" Gallardo of Los Diplomáticos played saxophone and several Tesos manned the percussion section. Various Fuentes regulars became the vocalists including Jaime Galé, Luis Carlos, and Joe Arroyo.In keeping with the exoticism and façade of foreignness, the vocalists often sang in made-up languages that approximated Indigenous Colombian, Haitian Creole, Papiamento from the Dutch Caribbean or Nigerian Yoruba; at other times they invented Spanish lyrics that mimicked th...
Jennifer Souza - Pacifica Pedra Branca
Jennifer Souza
Pacifica Pedra Branca
LP | 2022 | Original (180g)
25,99 €*
Release: 2022 / Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Multi-talented musician and Moons' singer-songwriter Jennifer Souza presents her second solo album, produced and recorded by Leonardo Marques at his Ilha Do Corvo studio in Belo Horizonte. With a sound palette that moves from Brazilian song to jazz, from melancholic folk to indie rock with multiple and unexpected instrumentation, "Pacífica Pedra Branca" reveals a musical geography that is highly unique to the artist, one of the most exciting names on the Brazilian music scene today. Welcome to a unique and magical world of soft pop, indie rock and folk from beautiful Brazil!

180g heavy vinyl pressing, comes with studio pics, lyrics sheet and English translations. Produced and recorded by Leonardo Marques at the Ilha Do Corvo studios.
V.A. - Brazil 45 Volume 3 Curated By Kenny Dope Record Store Day 2022 Vinyl Edition
V.A.
Brazil 45 Volume 3 Curated By Kenny Dope Record Store Day 2022 Vinyl Edition
5x7" | 2022 | EU | Original (Mr Bongo)
33,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
This special Record Store Day 5 x 45s collection comes packaged in a limited-edition Brazil 45 clamshell collector’s box.

The long-running relationship between Masters At Work and Mr Bongo has been a fruitful affair. Beginning in the 90s, it has included releases such as their seminal 'Brazilian Beat' 12" featuring Liliana, their magnificent rework of Atmosphere’s ‘Dancing In Outer Space’, and their recent hit Surprise Chef remixes 12". The influences of Brazilian music is evident in their DJ sets and productions, take the poly-rhythms of the 'Nervous Track’ as a prime example. We couldn't think of anyone more fitting to curate the third volume in our "Brazil 45 Boxset Curated by" series than one half of the MAW duo, the mighty Kenny Dope.

For his volume of the series, Kenny selected 10 knockout tracks from the golden era of Brazilian music. As you would expect from such a legend, he surpassed the brief of simply compiling the tracks, as he re-edited and remixed a number of his favourites especially for this boxset. Amongst these exclusives is a blazing, heavy psych-funk remix of Antonio Carlos & Jocafi's 'Quem Vem Lá’, and a hip-hop breakbeat bounce woven into Luli Lucinha E O Bando's folky-MPB beauty 'Flor Lilás’. Di Melo and Miguel De Deus are also given the Dopeman remix and edit treatment.

Kenny's selections pull out some forgotten classics and recently overlooked gems, many of which were once top of the want-lists for collectors in the 90s. These include Milton Banana Trio and the irresistible version of 'Berimbao' by Jayme Marques. Along with the Brazilian funk and jazzy-bossa dancefloor-oriented tracks, Kenny has also chosen the leftfield, deeper, trippy psychedelic folk sounds of Papete.

As with previous volumes, the selections are very personal and represent the individual sound and taste of the selector digging from the rich tapestry of Brazilian music. Its unique palate and stamp are exactly what you would expect from a Master At Work.
V.A. - Naino, Naino: Spanish Gipsy Soul Funk 1971-1978
V.A.
Naino, Naino: Spanish Gipsy Soul Funk 1971-1978
LP | 2022 | EU | Original (Adarce)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
We are true to the principles of the first "¡Naino!". Flamenco rumba fusion which in the hands of intrepid producers becomes Catalan Rumba under the influence of sounds coming from Cuba and Puerto Rico in the early 1960s, Rumba Pop under the umbrella of the British Invasion and American pop of the late 1960s, and Disco Rumba with the arrival funk and disco from the USA in the mid-1970s. Everything happens thanks to a flourishing record industry located mainly in Barcelona with labels such as Belter, Discophon or Vergara. After the death of the fascist, sanguinary dictator Paquito Franco in November 1975, the international record industry establishes in Madrid through major labels CBS, RCA, and a new fusion led by producer Jose Luis de Carlos and labeled as Gipsy Rock, Caño Roto or, in the Flamenco field, especially in couplets, Flamenco Pop. As Oriol Farràs pointed in the previous volume, rumba moved from tablaos to discotheques, understanding the concept of discotheque at that time with a slightly different meaning and less conditioned style-wise. The selection on offer here complements volume one. Starting with an A side packed with floor fillers, with Peret's "Chavi" as the top example of gypsy funk fusion under production of Josep María Bardagí and Josep "Rabbit Rumba" Cunill, and four examples of the answer to that sound as produced by Jose Luis de Carlos, showing the four cardinal points of this fusion success: Las Grecas, Los Chorbos, El Luis and Chango. De Carlos transforms the sound of Madrid's flamenco artists spicing it with soul, rock, glam, dub, funk, disco and gospel. These five opening tunes alone could feed a whole scholar course on the possibilities of rumba fusion and its incredible dance potential. Back to the record. There are not only examples of Afro-American flavored fusions. Progressive rock and Anglo-American psychedelia of the seventies are also influences represented here. They started a path that would later be known as "rock progresivo andalúz" (Andalusian progressive rock) with a crowded band scene and a hardcore hash impregnated following. But before reaching that point, here are some early efforts on side B. Synth-fueled rumba with Canterbury sound inspired electric guitars. A sound that, as it happened with rumba funk and flamenco pop, also had its moment of glory with the arrival of bands and solo artists such as Triana, Gualberto, Smash, Storm or Medina Azahara, or even the more blues-rock oriented Pata Negra.
V.A. - Flamenco Pop: 14 Flamenco Pop Beat Big Hits 1968-1977
V.A.
Flamenco Pop: 14 Flamenco Pop Beat Big Hits 1968-1977
LP | 2022 | EU | Original (Adarce)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Flamenco Pop. Just like any other label, it is born out of the need to define in two words a series of songs that share a same stimulus. The term was coined in the late sixties on the eponymous record released by Alfonso Santisteban (Madrid, 1943 - Málaga, 2013) & Rafael Ferro "Flamenco Pop" (Sintonía, 1969 / Música para un Guateque Sideral, 2018), an easy listening wonder with a bossa nova edge that takes flamenco elements and melodies to recreate sophisticated instrumental atmospheres. Santisteban had previously produced recordings for Bambino, Lola Flores, La Polaca or Chacho, and was a renowned soundtracks composer. His pop flamenco shows were more an environmental sound that a pop one, but the label "pop" used as a diminutive for "popular" sets a pace for imagination. Santisteban, Adolfo Waitzman (Argentina, 1930 - Madrid, 1998) and Augusto Algueró (Barcelona, 1934 - Torremolinos, 2011) were the triumvirate of arrangers / conductors / producers who defined the genre and took it to the charts of the era. Waitzman, who married stylish singer Encarnita Polo in 1969, took her wife to the top of the charts with the single "Paco, Paco" (rca, 1969) first, and with the LP "Encarnita Polo y Olé" (rca, 1971) two years later–an LP on which he mixed his love for The Beatles' "Sgt. Pepper's Lonely Hearts Club Band" with popular couplets (or "coplas" as we call them in Spain defining a whole genre) written by Quintero-León-Quiroga, Sevilla's very own answer to Holland-Dozier-Holland at that time. He had previously produced some beat and prog-rock outfits like Canarios, Pop-Tops or the legendary UK ex-pat band The End. Last but not least, Algueró, who married the explosive Carmen Sevilla in 1961, who had already attempted to mold his wife's flamenco talent on the "Flamenca Ye-Yé" 45 (Philips, 1965), was also a key character in the era thanks to his many soundtracks, among them the iconic "Tuset Street" (Philips, 1968).

The selection of this compilation has a bit of everything. A pack of exuberant "copla" singers presented as a folkloric mod squad: Carmen Sevilla, Encarnita Polo, Rosa Morena, Dolores Abril, Carmen Flores (Lola Flores' sister), Dolores Vargas "La Terremoto" and La Polaca. To name this line-up back in the seventies in front of a Spanish "macho" was an instant activation of his lust.

Pointing out this idea today is possibly a crime of female objectification. On prosecution we'll have Manolo Escobar, Juanito Valderrama, El Principe Gitano, El Noy, Moncho, Richart and Los Nevada. If someone had told me these names a few years ago I would have bet they all came from a typical sixties Spanish film by Mariano Ozores, but do this: drop the needle, close your eyes, hear their stories – no matter if you know the artist or not – and try to fit it in its time (the 1970s, Franco's Spain, grey colors, austerity), but above all do listen to the music. We should refund your money if at any point you think "wtf?". And if your imagination can't go that far, just look for the clips on the films mentioned below.
Marcos - Saudade (De Mama) Red Vinyl Edition
Marcos
Saudade (De Mama) Red Vinyl Edition
LP | 2022 | EU | Reissue (Comets Coming)
23,99 €*
Release: 2022 / EU – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
When you think you already know everything that has been done in Cape Verdian music during the last 5 decades you’ll get surprised with this one. Saudade, a self released LP from 1984, recorded in a studio in Portugal, with Paulino Vieira in the line up along with other well known CV heroes from the 80’s such as Chibanga on the drums, this is maybe the ultimate discovery of the Cape Verdian funana music. Not much is known about this fantastic record or about the obscure Marcos. The 6 tracks recorded on the LP are pure killer funana, no synthetiser, only keyboards, guitars, drums and bass. Till date only a couple of cópies known exist. First time rissued now on Comets Coming.
Hermeto Pascoal E Grupo - Planetario Da Gavea
Hermeto Pascoal E Grupo
Planetario Da Gavea
2LP | 2022 | EU | Original (Far Out)
32,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Previously unreleased 1981 live recording.

Over forty years since this historic happening, Far Out Recordings is overjoyed to release this magical recording of Hermeto Pascoal e Grupo Live at Planetário Da Gávea, on double vinyl LP, CD and digitally for a February 4th 2022 release.
Los Cuchillos - Noche De Brujas Black Vinyl Edition
Los Cuchillos
Noche De Brujas Black Vinyl Edition
7" | 2022 | EU | Original (Groovie)
11,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
From Costa Rica, Los Cuchillos, a garage punk band that have their path already well defined in the garage punk scene. This is their first ep on Groovie Records, not the last for shure. This tracks are super killers and really shows what the band came for... Limited to 300 copies. 100 of them coloured.
Panal - Panal
Panal
Panal
LP | 2022 | EU | Original (Vampisoul)
26,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Very rare Chilean album that blends folk and rock in a similar way to one of the most successful bands on IRT: Los Jaivas.A roster of very experienced and talented musicians, including some members of Aguaturbia, was recruited for this project and this self-titled album was finally released in 1973.Fierce percussions, stunning guitar riffs and filtered voices create a unique sound across this only album by Panal.First official reissue with remastered sound from the original master tapes.Panal was born following the IRT director's will to put together a group that would blend folk and rock in a similar way to one of the most successful bands in the Chilean label: Los Jaivas. A roster of very experienced and talented musicians was recruited for this project and this self-titled album was finally released in 1973.Fierce percussions, stunning guitar riffs and filtered voices create a unique sound across this only album by Panal. The guitar of Carlos Corales (also founder of Aguaturbia) shows resemblances of Santana's style and Franz Benko's work on the production adds a fresh twist and renewed touch to the featured repertoire.Shortly after the coup, the group disbanded, leaving behind this masterpiece.First official reissue with remastered sound from the original master tapes.
Fachada - Mundo Secretos
Fachada
Mundo Secretos
LP | 2022 | US | Original (Electric Cowbell)
27,99 €*
Release: 2022 / US – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Electric Cowbell is pleased to release FACHADA's debut Mundos Secretos. An album of groove-heavy experimentalism from the diasporic streets of Washington DC. The music is a wildly hybridized meld of instrumental afro-noir, jazz-funk, and neo-psychedelia. Fachada is the musical persona of autodidact visionary artist and DC native, ROB Smith. Mundos Secretos is all original music infused with '70s-era MPB (Música popular brasileira), jazz and the organic sounds and rhythms of Brazil. Tastefully placed sprinkles of synthesizers, keyboards, and electric guitar weave themselves through a mosaic of grooves focused by funk and the sounds of Brazil, swung with influences from across the African diaspora, pushing them all through a mighty cool psych-styled filter.
V.A. - Chicha Popular: Love & Social Political Songs From Peru's Discos Horoscopo 1977-1987
V.A.
Chicha Popular: Love & Social Political Songs From Peru's Discos Horoscopo 1977-1987
2LP | 2022 | EU | Original (Rebel Up)
36,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Deluxe Gatefold Vinyl 2LP, 12 page booklet with liner notes, lyrics in Spanish / English, and rare photographs from that era). This compilation brings together 24 iconic songs from that era, with a focus on the theme of love songs (A + B side) as well as social political songs (C + D side), highlighting the emotions that this music brought to the popular working classes of Lima, nationwide and the diaspora. More than 30 years later, these songs continue to resonate like the mirror of a country that was reborn but this time is looking at itself and its own identity.

From the mid-1960s onwards, there was a unique moment of fusions in Peruvian culture brought about by Andean migration from the countryside to the city which gave rise to adaptations and intercultural mixing. The culture and music they brought created the powerful genre of Andean tropical cumbia, via electric instruments and arrangements along with modern, popular pop sounds, creating a legacy that is alive to this day. Musical revolutions are often born from the people. Peruvian “chicha” cumbia is the music born in the "barrios bajos” (slums), alleys, hills and the peripheries of Lima on the coast and cities on the edge of the Andes mountains in the late 70’s and 80’s. The true new Peruvian sound was not played with folk instruments but with guitars and timbales. In the 60’s and 70’s Peruvian tropical music was characterized by psychedelic hybridity and instrumentals for mass delight, by the mid-70s the appearance of a "class consciousness" and therefore a subaltern narrative. “Chicha” is perhaps the genre that has most emphasized its pride in being proletariat, itinerant, provincial and hardworking.

Founded in Lima by Juan Campos Muñoz, a businessman, dreamer, and also a lover of music, Discos Horóscopo was a label company on the margins of the official Peruvian music industry. Learning the ins and outs of capitalism in the 80’s was hard because it was the decade where the wildest neoliberal policies and the most extreme Maoist sendero luminosa revolt began simultaneously. On Juan Campos’s end, it was the moment to initiate this new venture of Chicha music, which would allow Chicha to emerge symbolically (and then economically) to a new social class composed mostly of migrants, landless peasants, and proletarians without a factory.

Between 1977 and 1987, the Discos Horóscopo label produced the largest wave of Andean tropical cumbia in the world; Chicha, a reference to the fermented alcoholic drink from the Andes. The label was filled with contemporary icons such as Chacalón y La Nueva Crema, Los Shapis, Pintura Roja, Los Ovnis, Grupo Alegría and other groups which today still have a cult status in Peru and beyond. Together they created a unique style with the capacity to talk about both love and uprooting, unemployment, struggle of classes, internal violence and impossible loves.
Elza Soares - Se Acaso Você Chegasse
Elza Soares
Se Acaso Você Chegasse
LP | 2022 | EU | Original (Shellac Disc)
20,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
When in 1960 Elza da Conceição Soares released her debut LP she had already gathered a great experience as a stage artist, having toured Argentina with Mercedes Batista. The big success of her Se acaso você chegasse single was a firm statement of the undeniable quality and unique style of Elza Soares, who brought the scat style of Louis Armstrong to samba. The jazz influence anticipated the phenomenon of bossa-nova, which in the style of Soares was marketed as "a bossa-negra" and is present through the sources of this, her debut LP.

Elza Soares would of course become a widely known international star touring Europe and the U.S. and spreading her career over the last 60 years, scoring numerous chart hits and collecting prestigious awards and having been chosen as "Best Singer Of The Millenium" by the BBC back in 2000.
Isaac Sasson - Canciones De Isaac
Isaac Sasson
Canciones De Isaac
LP | 2022 | EU | Original (Olindo)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves, Rock & Indie
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Olindo Records is proud to present the 7th full length release in its expanding catalogue by Venezuelan singer, songwriter and multi-instrumentalist Isaac Sasson. The intimately titled, ‘Canciones de Isaac’, summons the sounds of the wind, birds, crickets, fallen leaves and the atmosphere of both Caracas by night, and daytime walks through the meadows of the Pyrenees, to create a parallel universe between his home country of Venezuela, and his current place of residence in Barcelona, Spain. Throughout the LP, Isaac’s gentle voice is accompanied by the traditional bandola llanera, charango and cuatro; various percussion and wind instruments; and carefully arranged strings. The 13 songs on the album develop a narrative built around personal stories that touch upon human emotions, family ties and friendships, to craft a collection of sonic postcards that evoke memories, places, travels and moments spent with loved ones during the musician’s journey between two continents. Lead single “La canción de mi abuelo” is an ode to Isaac’s two grandparents, but also to other elders that have greatly influenced Sasson’s life, such as the poet Francisco Massiani and sound archivist Oswaldo Lares. The rhythm is a merengue caraqueño, accompanied by cuatro, acoustic guitar and charango, all played by Isaac, and violin by frequent collaborator María Betania Hernandez. “Manyanet” is a sonic postcard dedicated to the small town of the same name in the Catalan Pyrenees, which inspired Isaac through its landscapes and sounds. It was one of the first songs on the LP to be written and recorded in Barcelona, Spain following the composer's move from Venezuela, and contains a mixture of field recordings captured during his visit, juxtaposed with the sounds of Caracas during a rainy afternoon. Recorded between Caracas and Barcelona the results carry hues of the Venezuelan Caribbean, with hints of the Mediterranean. Mastered and cut by Frank Merritt at The Carvery, the music is beautifully complemented by illustrations from Andreína Vallés, with additional design by Brunella Giannangeli. ‘Canciones de Isaac’ follows Isaac Sasson’s ‘Cantos Campesinos’ EP on Olindo, which included a remix by Hector Plimmer, and was featured on BBC 6 Music with Gideon Coe, The Vinyl Factory, Worldwide FM, Stamp The Wax, and NTS with Patrick Forge, Zakia Sewell and Mafalda.
El Dragon Criollo - Pase Lo Que Pase
El Dragon Criollo
Pase Lo Que Pase
LP | 2022 | EU | Original (Elpalmas Music)
24,99 €*
Release: 2022 / EU – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
"Hope and liberation reign free on an album overflowing with Caribbean cumbia flavours.

On his debut album as El Drágon Crillo, Colombian producer, musician and singer Paulo Olarte Toro finds a meeting place between bouncing Caribbean cadences and dance floor- ready beats that threaten to propel your body into motion.

Pase Lo Que Pase (translating as Whatever Happens, Happens) is one of those albums that threatens to take you some place new, in this case to the Colombian Caribbean some time around the 80s or 90s, when analog synths, punchy drum machines and Afro- Caribbean guitar melodies ruled the roost. The fact it was this era when Olarte Toro was growing up in Colombia should not go unnoticed. Now based in Geneva, Switzerland, it’s like he’s dialing back the years to a more innocent musical time, re-imagining what it was like for those early pioneers of reggaeton (long before it became so commercial) and for the musicians on Colombia’s Caribbean coast augmenting their tropical vinyl sets with rough-and-ready samples and lo-fi drum sounds.

Within this sonic milieu, there is joy at every corner, from the moment opening track “La Número Uno” sets off on its stripped-back champeta rhythm. In its swirling guitar lines, programmed beat (slowed down to cumbia pace) and unrushed vocals it’s impossible not to lose track of time. Scratchy samples that mimic a dog’s bark and a beatific synth that enters the fray late on only add to the summery shimmer. Further twisted guitar lines are to be found on following track “La Brisa”, which was influenced by US West Coast 90s rock a la Jane’s Addiction (spot the reference if you can), while “Líbrame de Todo Mal” finds an unlikely union between reggae, a disarmingly-anthemic 80s synth line and stinging guitar, with the odd klaxon letting you know this is a party you’re at. It’s a fiesta at which you’re never far from cumbia, as on the mesmerizing “Cumbia Fantasia”, but also throughout the album, where cumbia’s rhythm, instrumentation and traditions are continually hinted at. If musically there is much playfulness and a hint of nostalgia, albeit thrust up-to-date thanks to Olarte Toro’s production (lest it be known he has been making electronic music for nigh on 20 years), lyrically there is a heavy heart at play. The title track is a perfect example, as Olarte Toro states:

“’Pase lo que pase’ talks about the situation that Latin America is experiencing at the moment. It’s a situation that, even though it is old, has become more important and has gained much more awareness on the part of the people. It talks about how the new generations are afraid of a situation that is no longer bearable, that people want a change and that they no longer care at what price, they no longer care if the price they have to pay is their life.”

While despairing at the continued inability of Colombia, and Latin America as a whole, to find peace, equality and a sense that the fight is there to be won, Olarte Toro is also hopeful. “Hoy No Moriré”, with a Brazilian influence in its percussion and guitar, is the story of someone who faces social injustice every day and has grown increasingly tired of the struggle, yet in its chorus, “Hoy No Moriré” (“Today, I Will Not Die”) it also shows their resistance and hope for a better time. “Ojos de Bosque”, a duet which likewise has a sprinkle of Brazilian bombast and is unafraid to get close to ‘pop’ terrain, was written when the first pandemic hit. It’s dedicated to Olarte Toro’s daughters, telling of the sadness that came with uncertainty and confinement, but likewise it’s optimistic, looking for inspiration in daily life and showing that you should never lose the desire to continue.

With his arsenal of guitar, bass, analog synths (chiefly Roland Juno-106 and JX-3P), samplers and percussion, not to mention his guiding voice, Olarte Toro has created an album that could only have been made by him, by a Colombian who grew up with Latin rock, reggaeton, cumbia, champeta, etc., and who moved to Europe to become a noted name in underground dance music circles. Since switching to making music wholeheartedly with a Latin tinge a few years ago he has not held back, releasing albums as a member of Acid Coco and Contento, with one from Jaguar to come.

Now, with his first solo album as El Drágon Criollo, we find him at his most playful, joyous and paradoxically realist, summoning a mesmeric sound that represents the Colombian Caribbean’s past, present and future."
Silva - Cinco
Silva
Cinco
LP | 2022 | JP | Original (Think!)
31,99 €*
Release: 2022 / JP – Original
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
The latest release from Silva, a singer/songwriter who has made the leap to become one of Brazil's leading artists, is going to be available on CD and LP!! With its tropical rhythms, elegant arrangements, and pop melodies that you can't get out of your head once you hear them, this is definitely one of the best Brazilian music albums in recent years! He started his career in 2012 as an indie synth-pop home recording artist, but has steadily moved up the ladder, and in recent years has performed with big stars Anitta and Marisa Monti. The singer-songwriter has grown to become one of Brazil's leading figures, and his latest album "cinco", released at the end of 2020, is now available in long-awaited physical format!
Nestor Alvarez - Plata O Plomo
Nestor Alvarez
Plata O Plomo
7" | 2021 | UK | Reissue (Orginal Gravity)
12,99 €*
Release: 2021 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Nestor Alvarez - Midnight In Havana / Kinky Afro Cuban
Nestor Alvarez
Midnight In Havana / Kinky Afro Cuban
7" | 2021 | UK | Reissue (Orginal Gravity)
12,99 €*
Release: 2021 / UK – Reissue
Genre: Organic Grooves
Add to Cart Coming Soon Sold out Currently not available Not Enough Coins
Back To Top
1 2 3 4 5
...
12
1 2 3 4 5
...
12
1
...
3 4 5
...
12