Latin | Brazil Vinyl 780 Items

7" | 2021 | EU | Original (Mr Bongo)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Follow-up album to cult-classic debut, Mantra Moderne.

‘Melodi’ is the second album from captivating duo Kit Sebastian (aka Kit Martin and Merve Erdem). Those familiar with the band's cult classic 2019 debut record 'Mantra Moderne' will instantly recognise their unique sound that blurs boundaries of world music, jazz and psychedelia. Not to be content replicating the same album, sonically the feel of ‘Melodi’ is a maturation. It is more diverse and provides glimpses into many different worlds from the Italian Riviera to the mountains of the Caucasus, the beaches of Bahia to the city streets of Istanbul and Paris. This joyous merging of soundscapes evokes a borderless planet with music as an international language, belonging everywhere and nowhere.

‘Melodi’ is imbued with Kit Sebastian's love of vintage records and world cinema, but it is not a retro homage. It celebrates its influences but is very much a modern record, being simultaneously brand new and retro. This is a credit to the duo's craft as musicians and songwriters, presenting their influences as a circular interaction between the present and the past rather than a linear one.

The music was written during the first UK lockdown and recorded that summer, a time of opening up that only briefly existed. In a world with a slower pace than before the Covid crisis, the band were able to spend more time experimenting in the studio. The album’s range of instrumentation has expanded from the previous record to include zithers, harpsichords, congas, bongos, bulbul tarang, and a mock-up choir on top of the synthesizers, balalaikas, organs, and saxophones. Session musicians and friends were also booked to introduce trumpet and string sections giving the album an added depth and orchestral texture. Despite the added complexity, the album was recorded using the same techniques employed for the previous album with various tape machines, bouncing back between cassette and ¼” tape for practicality and sonic abstraction. To pierce through this abstraction, the vocals are intentionally more expressive. Merve took cues from the Turkish singers of her youth, adding a slightly more melancholic, darker and more reflective style than 'Mantra Moderne’. Rooted in observations from everyday life, they speak often about the worlds and thoughts that arise from the end of the night.

Like with many of the best albums, the record seems over all too soon and has you instantly wanting to play it again. On each listen you decide on a track that you think is your favourite from the album only for it to be replaced with a different one on the next listen. The songs and production have hidden depths that seem to evolve and morph the more you devour them. Moments of pure pop, moments to fall in love, moments to contemplate. This journey is rich in musical vitamins and nourishment, but like all the best things still leaves you wanting more.

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Grupo Natureza

Pode Acreditar

Trujillo, Peru 1971 - 1974

Release: 2021 / EU – Original

Genre: Organic Grooves

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This is certainly both a mysterious one and an elusive one! Who were Grupo Natureza (Nature Group), and why is this release such a rarity?

'Pode Acreditar' was pressed on Som Livre Records in 1981 and it is believed very few copies were released into the commercial market. Those familiar with the productions of Lincoln Olivetti and Robson Jorge will no doubt recognise their hallmark sound here and that this single is 'probably' the work of the pair or one member at least. They were a regular in-house production team at Som Livre at the time, and there is a definite resemblance to Adriana's song 'Sei la Amor' from 1978 which Lincoln Olivetti was involved in.

Very little information is available about this release. A tantalising comment by Brazilian collector ‘bargainvinyl1’ on the original release’s Discogs page suggests 'Pode Acreditar' was a reaction to the Baby Consuelo and Pepeu Gomes pro-marijuana song 'O Mal é o Que Sai da Boca do Homem’, which caused controversy with Brazil's governing military dictatorship at the time. Though condemning marijuana's use, the word "baseado" (joint) is mentioned in the song, and this could be the reason behind the release being pulled by the heads of Som Livre and consequently it becoming one of the rarest releases on the label.

Whilst its backstory is not crystal clear, it is an undeniable sun-drenched, laid-back boogie groove with AOR touches by the clandestine group. Pure 80s Rio-vibes, super-catchy and an earworm that sticks with you throughout the day.

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Manzanita Y Su Conjunto

LP | 2021 | Original (Analog Africa)

29,99 €*

Sol De Verao / Quem Vem La

Release: 2021 / Original

Genre: Organic Grooves, Rock & Indie

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I was in Lima, hanging out with collector-extraordinaire Victor Zela, who had spent the previous few years pouring his passion for Peruvian Cumbia into the blog „la cumbia de mis viejos“, a trove of incredible music. But after the birth of his first child, his priorities shifted and he decided to part with some of his rarest LPs. I was one of the lucky few given an early chance to examine his treasures, and when I picked up the album Manzaneando com Manzanita, Victor said: “Take it! its one of the best LPs ever recorded in Perú … easily in the top five”. That was all the encouragement I needed … two years later many of the songs from that masterpiece have made it onto Manzanita y su Conjunto, a compilation of electrifying Cumbia sides from Manzanita’s golden era.

Berardo Hernández – better known as Manzanita – first surfaced during the psychedelic Cumbia craze. At the head of the scene were the magnificent Los Destellos, whose leader, Enrique Delgado, was such a six-string wizard that other guitarists found it impossible to escape his shadow. But when Manzanita arrived, his electric criollo style sent shockwaves through Lima’s music scene and posed a serious threat to Delgado’s dominance as king of the Peruvian guitar.

Manzanita had come to Lima from the coastal city of Trujillo, five hundred miles up the coast – a place where Spanish, African and indigenous populations had been living and making music together for centuries – and came of age at a time when the first wave of psychedelic rock from the US and UK was starting to sweep the airwaves. But the sounds of Cream and Hendrix disappeared from the radio just as quickly in 1968 when Juan Velasco seized control of the country in a military coup. The new regime, which favoured local traditions over cultural ‘imports’ from the north, was a blessing in disguise for the Peruvian music scene.

Record labels flourished as new bands, raised on a hybrid diet of electric guitars and Cuban rhythms, rushed in to fill the vacuum created by the lack of imported rock. A new genre, known as Peruvian cumbia, was born and Manzanita quickly became one of its most original voices.

Starting in 1969, Manzanita y su Conjunto released a steady stream of singles that used Cuban guaracha rhythms as the foundation for dazzling electric guitar lines. After countless 45s and several years on the touring circuit, the band signed to Virrey, an important Peruvian label, and recorded two LPs acknowledged as masterpieces among aficionados of tropical music. Most of the songs on Analog Africa’s new compilation Manzanita y su Conjunto are drawn from those legendary sessions of 1973 and 74.

Although he scored a few more hits in the later 70s, his dissatisfaction with the music industry caused him to withdraw from the scene for several years; and when he finally retired for good, the golden age of Peruvian cumbia was a distant memory. But when Manzanita was at the top of his game he had few equals. Victor Zela was right: this is some of the best music ever recorded in Perú.

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Lafayette / Marisa Rossi

7" | 2021 | EU | Original (Mr Bongo)

Sebastiao Tapajos Dos Santos, Pedro

Release: 2021 / EU – Original

Genre: Organic Grooves

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If you order additional products from our site they will be sent out with 'brz45087', so please place a separate order for those. A: Lafayette – Sol De Verão / B: Marissa Rossi - Quem Vem Lá For Brz45087 we present a split release comprised of two tried-and-tested favourites from the Mr Bongo record bag. Rio-born pianist and organist Lafayette’s career started in the mid-60s and saw him become a prominent member of the Brazilian musical movement entitled 'Jovem Guarda’. For his inclusion on this selection in the Brazil45 series we move things along a few years to 1982 and the Brazilian boogie gem 'Sol De Verão'. Taken from his album 'Edição Especial’ and originally released on Copacabana Records, 'Sol De Verão' was written by Jorginho Gomes from one of Brazil's greatest bands Os Novos Baianos. It's a superb slice of 80s boogie/funk brilliance with a super catchy ear-worm of a vocal - definitely one for the dancers! For the flip, we include an absolute monster from the fantastic Marisa Rossi, who we featured previously on number 38 in the Brazil45 series. 'Quem Vem Lá’ is a heavy driving Samba Rock / MPB groove track with female and male call and response vocals. Originally released on a very rare and exclusive 7" also on Copacabana Records, but this time in 1971. Marisa would go on to work with the legendary Arthur Verocai in the 1980s. Two very different slices and styles of Brazilian music, but both absolute gems.

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Volume 1

26,99 €*

7" | 2021 | UK | Original (Mr Bongo)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Recorded And Originally Released Only In Argentina In 1972, The Album Shows An Exquisite And Delicatedialogue Between The Guitar Of Sebastiao Tapajos And The Percussion Provided By Pedro Dos Santos That Generates Ambiences Of Unusual Beauty And Depth.It Is A Necessary Addition To The Much-Hailed Pedro Dos Santos Album "Krishnanda" In The Collection Of Anyone With An Interest In The Most Adventurous Sounds Of Brazil And Also An Essential Work In The Discography Of Sebastiao Tapajos.Includes The Killer Afro-Samba 'Mungangá' And The Hypnotic Groover 'Sorongaio'.Info:The Ion Studios, Located In The Buenos Aires Neighborhood Of Balvanera, Have Been The Usual Setting For Recordings By Argentine Artists As Popular As Les Luthiers Or Charly García. In The Early 1970s They Also Hosted Brazilian Guitarist Sebastiao Tapajos For Several Sessions Accompanied By Other Musicians Such As Arnaldo Henriques, Marianazareth Or Pedro "Sorongo" Dos Santos. Two Albums Would Be Published In The Argentine Record Label Trova Of The Recordings Along With The Latter.Following The Success Of Our Recent Reissue Of Several Recordings From These Sessions ("Vol. 2" Vampi 212 And "Tudo É Moda" Vampi 45073) We Are Now Happy To Present This "Vol. 1". The Connection Between The Delicate Guitar Of Tapajos And The Surprising Experimental Percussion Of Pedro Dos Santos, Based On Unusual Objects Such As Spoons, Deodorant Containers Or Matchboxes, Creates Extraordinary Beauty Throughout The 12 Songs On The Album. The Sound Of The Flute Is Another Of The Ingredients Present In Several Of The Songs And, Although His Actual Involvement Is Not Confirmed On The Sleeve Credits Of The Album, Everything Seems To Indicate That Danilo Caymmi Was The Musician Invited To Accompany The Tapajos-Dos Santos Duo.Since Its First Release In 1972, This Album Has Been Highly Sought After By All Tapajos Fans, Both Inside And Outside Brazil, Becoming A Title Hard To Get Hold Of Due To The Fact That It Was Initially Only Published In Argent...

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Luli Lucinha

Flor Lilás

Release: 2021 / UK – Original

Genre: Organic Grooves

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Morro Do Barraco Sem Água / Retrato Da Vida

Lemos

7" | 2021 | UK | Original (Mr Bongo)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Afrosound

La Danza De Los Mirlos

Toni Tornadon / Zeca Do Trombone

Release: 2021 / EU – Original

Genre: Organic Grooves

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Afrosound's Mission Was To Emulate The Guitar-Heavy Tropical Sounds Emanating From Perú And Ecuador At The Time. To Add To The Hippie Vibe, There Were Plenty Of Whacky Improvised Vocal Asides (Called 'Inspiraciones'), Plus Custom Fuzz, Wah-Wah, Flange And Echo Effects Boxes For The Guitar And Keyboards. A Barrage Of Odd Sounding Synths, Drum Machines And Other Electronic Flourishes Were Also Sprinkled In To Spice Up The Proceedings. The Dozen Tracks On Afrosound's Debut Long Play Make For A Surprisingly Diverse Palette From Which These Colombian Musicians Painted Their Daring Portrait Of Peruvian Cumbia, Returning The Favor In Bold Colors That Still Resonate Almost 50 Years Later. "La Danza De Los Mirlos" Kicks Off With Most Famous Afrosound Hit Of All, 'Caliventura', A Genius Blend Of Funk And Cumbia. Aside From The Cumbia Amazónica Title Tune, There Are Several Other Covers Including Three Popular Songs By Nelson Y Sus Estrellas, Plus Radically Reimagined Versions Of Various Colombian Costeño Classics Published By Fuentes. Mario "Pachanga" Provides A Sad But Still Groove-Oriented Christmas Son Montuno / Cumbia Hybrid While Fruko Brings Us The Bomba-Funk Ditty 'El Chorrillo' And The Rocking Cumbia Andina Gem 'Cabeza De Chorlito' Where Sepúlveda Channels Enrique Delgado. Fruko Collaborator Hernán "Hercovalle" Colorado Vallejo Rounds Things Out With The Melancholic Psychedelic Cumbia 'Esperando Por Ti', Proving That Every Tropical Party Has To Have Its Down Side As Well. The Record Was Also Released In The Us, Ecuador, Perú, Panamá, Mexico And Venezuela, And Probably Had An Influence Of Its Own, At Least In South America. The Cover Of This Lovingly Restored Reissue Features The Artwork For The Peruvian Edition, Which Was Licensed And Issued By Lima's El Virrey Label In 1974. The Original Fuentes Artwork, With A Far More Outrageous "Cheesecake" Image, Can Be Seen On The Back Cover.

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Sou Negro / Coluna Do Meio

7" | 2021 | UK | Original (Mr Bongo)

LP | 2021 | EU | Original (Far Out)

Release: 2021 / UK – Original

Genre: Organic Grooves

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If you order additional products from our site they will be sent out with 'Toni Tornado - 'Sou Negro' / Zeca Do Trombone 'Coluna Do Meio'', so please place a separate order for those. For volume 86 in the Brazil45 series, we return with a pair of stellar 1970s Brazilian-Funk / Black Rio nuggets by two of the greats of the genre, Toni Tornado & Zeca Do Trombone. 'Sou Negro' (I'm Black) is taken from Toni Tornado's (aka Antônio Viana Gomes) sought after 1970 four-track compacto EP on Odeon Records. Already having had some experience in show business as a dancer in the 1960s, Toni started his musical career in 1970 and adopted the stage name 'Toni Tornado'. The influence of James Brown flowed through his music, with Toni becoming one of the first Brazilian artists (alongside Tim Maia) to introduce the soul and funk sound into Brazilian music. Together with other contemporary musicians and bands such as Banda Black Rio, Gerson King Combo and Cassiano, this new sound led to DJ's throwing soul parties. This unique Brazilian take on soul and funk (and later on disco) became coined as 'Black Rio'. A movement that celebrated pride in its Black identity and consciousness. Zeca Do Trombone has an impressive repertoire which has seen him releasing a handful of solo albums and working with some of the greats of Brazilian music, such as Tim Maia, Ivan Lins, Joyce, and Luis Vagner. The track 'Coluna Do Meio' is taken from his 1976 collaboration project 'Zé Do Trombone E Roberto Sax' with saxophonist Roberto Sax, which additionally features the heavyweight Wilson das Neves on percussion. This catchy Wah-Wah guitar-led dancer has become a favourite with DJ's over the years and will continue to be championed for years to come.

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Francisco Mora Catlett

Mora! II

LP | 2021 | EU | Original (Far Out)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Two Vinyl LPs (sold separately) From the Sun Ra & Carl Craig collaborator Francisco Mora Catlett, Far Out Recordings is delighted to present Mora!, and for the first time ever on vinyl Mora! II. A pan-American melting pot of hypnotic afro-cuban rhythms, frenetic batucadas and fiery sambas, Mora I & II are holy grails of latin jazz, masterminded by an unsung hero of the genre.

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Francisco Mora Catlett

Mora! I

Release: 2021 / EU – Original

Genre: Organic Grooves

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Alfredo Linares

Mi Nuevo Ritmo

A Buenaventura Con Julian Y Su Combo Sabor

Release: 2021 / EU – Original

Genre: Organic Grooves

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This Highly Collectible Lp From 1974 Is A Nonstop Salsa Dura Party Album From Start To Finish, Comparable With Any Of New York's Finest Like Ray Barretto And Willie Colón From The Same Era, But With Its Own Unique Sound And Joyful Vibe. Includes The Anthems 'Mi Nuevo Ritmo' And 'Alma Y Sentimiento/ Soul And Feeling' Recorded At Different Sessions In Colombia And Peru. Presented In Its Original Artwork And Pressed On 180g Vinyl. The Highly Collectible Lp Alfredo Linares Y Su Salsa Star "Mi Nuevo Ritmo" (1974) Is A Nonstop Salsa Dura Party Album From Start To Finish, Comparable With Any Of New York's Finest Like Ray Barretto And Willie Colón From The Same Era, But With Its Own Unique Swinging Sound And Bright, Crisp, Joyful Vibe. There Are Plenty Of Straight Up Cuban-Roots Based Salsa Tunes, Plus Some Latin Jazz And Latin Soul And A Bolero. Trumpets, Hand Claps, Loud Cowbell, And Vigorous Vocals All Make For A Great Listen And An Even Better Dance Experience. As The Track 'La Música Brava' Proclaims, "Yo No Quiero Que Pare La Música Brava!" (I Don't Want The Badass Music To Stop!). The Record Is Actually A Patchwork Of Different Recording Sessions Made In Peru And Colombia, Featuring Differing Studio Sound And Musician Lineups. Linares Had Just Returned To His Adopted Home Of Medellín From A Period Spent In Peru And Was Looking For A Record Deal. He Had Brought Master Tapes With Four Songs Recorded In Lima And Was Shopping Them Around In The Hopes Of Securing An Album Contract. Linares Also Cut Some Colombian Sessions Which Feature Roy "Tayrona" Betancourt As Well As Henry Castro And Enrique Fabián. Unfortunately, Neither Discos Fuentes Nor Sonolux Or Codiscos Were Interested. At That Time, Vinyl For Making Records Was Scarce And Over-Priced Due To The Petroleum Crisis And Hence The Labels Were Reluctant To Try Out A New Artist. "There Was Nothing To Be Done. The Only Company That Had Vinyl Stock Was Ins. So I Did The Business With Them Even Though They Didn't Have A Known Name In...

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Julian Y Su Combo Sabor

Soul Jazz Records presents

Release: 2021 / EU – Original

Genre: Organic Grooves

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Highlights"A Buenaventura" Is Surely One Of Julian Y Su Combo's Best Albums, A Sought-After Collector's Record That Is Also Popular With Tropical DJs. We Have Added Two Bonus Tracks From 1976, 'Salsa Y Bembé' And 'Colorin Colorao' That Were Originally A 45 Single, Resulting A Winning Combination Of Familiar And Obscure Tunes Of Rich Sonic Variety. Presented In Its Original Artwork And Pressed On 180g Vinyl. Recommended By DJ Bongohead Of Peace & Rhythm Descriptionduring A 20-Year Period Julián Y Su Combo Released 8 Lps On Almost As Many Different Companies And "A Buenaventura" Was Their Only Record With Medellín-Based Label Indústria Fonográfica Metrópoli (Later Reissued By Ins On Their Fabuloso Imprint As "Descarga Salsa Y Boogaloo"). Julián Angulo Described The Combo's Sound As Afroantillano, Combining Cuban, New Y Ork Latin, And Puerto Rican Elements With Colombia's Own Tropical Costeño Traditions. The Group's Swinging, Jazzy Arrangements Were Distinguished By Angulo's Prominent Rhythm Guitar, A Hot Rhythm Section, And The Potent Brass Lineup Of Two Saxophones And A Trumpet (Much Like Cortijo Y Su Combo) But With The Occasional Addition Of A Clarinet Or Flute (For Extra Cuban Flavor). Singer José Arboleda Lends An Earthy, Joyful Afro-Colombian Sound To The Vocals And The Entire Unit Is Held Together By A Combination Of His Fantastic Voice And Super-Tight, Swinging Ensemble Playing With The Occasional Expert Instrumental Solo At Just The Right Interval. "A Buenaventura" Is A Sought-After Collector's Record That Is Popular With DJs Not Only For The Power ('Salsa Brava' All The Way) And Diversity Of Its Sound (With Hot Dance Genres That Range From Guaracha, Son Montuno And Guaguancó To Boogaloo And Descarga, As Well As Cumbia And Currulao) But Also For How Well It Was Arranged, Engineered And Recorded, Making It Both A Pleasurable Listening Experience And A Dance Floor Killer. Though The Credits Do Not List A Year, Most Likely It Was Released In The Late 1960s Or Early 1970s...

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Cuba: Music And Revolution 1975-85 (Compiled By Gilles Peterson & Stuart Baker)

3LP | 2021 | UK | Original (Soul Jazz)

35,14 €* 36,99 € -5%

12" | 2021 | EU | Original (Goutte D'or)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Cuba: Music and Revolution: Culture Clash in Havana: Experiments in Latin Music 1975-85 Vol. 1 is a new album compiled by Gilles Peterson and Stuart Baker (Soul Jazz Records) that explores the many new styles that emerged in Cuba in the 1970s as Jazz, Funk, Brazilian Tropicalia and even Disco mixed together with Latin and Salsa on the island as Cuban artists experimented with new musical forms created in the unique socialist state. The music on this album features legendary Cuban groups such as Irakere, Los Van Van and Pablo Milanés as well as a host of lesser known artists such as the radical Grupo De Experimentación, Juan Pablo Torres and Algo Nuevo, Grupo Monumental and Orquesta Ritmo Oriental, groups whose names remain largely unknown outside of Cuba owing to the now 60-year old US trade embargo which remains in place today and which prevents trade with Cuba - and thus most Cuban records were only ever available in Cuba or in ex-Soviet Union states. The music on this album reflects the most cutting-edge of Cuban groups that were recording in Cuba in the 1970s and 1980s - who were all searching for a new Cuban identity and new musical forms that reflected both the Afro-Cuban cultural heritage of a nation that gave birth to Latin music - and its new position as a socialist state. Most of the music featured on this album has never been heard outside of Cuba. Cuba: Music and Revolution is the third book that Gilles Peterson and Stuart Baker have collaborated on together and follows on from their two earlier critically acclaimed books, Freedom, Rhythm and Sound (Revolutionary Jazz Music in the 1960s and 1970s) and Bossa Nova and the Rise of Brazilian Music in the 1960s, both of which also had related album releases on Soul Jazz Records.

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Lachinos

America Lachina

Rebel, The, Dedy Dread, Keila Abeid, Mo Horizons

Release: 2021 / EU – Original

Genre: Organic Grooves

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In a world governed by stereotypes, Lachinos break down the boundaries between people and gender. It is impossible to clearly distinguish the origin, roots and cultures that are specific to each of its members. An association that turns out to be as unexpected as it is effective on their first EP America Lachina, out on Goutte d’Or, a sub-label of french team Cracki Records. America Lachina is also and above all an ode to Latin American music. One travels to the rhythms of merengue, cha cha cha, cumbia or even Brazilian surf, always with a musical commitment to rock accents.

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Quero Ver Voce Dancar

12" | 2020 | EU | Original (Four Flies' DJ's Choice)

7" | 2020 | EU | Original (Notes On A Journey)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Quero Ver Você Dançar is a collaboration between Rome-based DJ/producer The Rebel, Portuguese DJ/producer Dedy Dread, and Brazilian jazz singer Keila Abeid. Other musicians playing on the track – including Neney Santos (percussions), Marco Ravallese (keys), and Fab Samperi (flute) – masterly contribute to its soulful favela vibes. Housed in a single jacket with beautiful artwork by Roman illustrator Federica Fruhwirth, the 12- inch single also features a super groovy remix by Mo’Horizons whi ch, wi t h i t s powe r ful combination of bossa and drum’n’bass rhythms, makes this release a must for tropical-music aficionados. Also available on all major digital outlets, with two additional remixes by young Brazilian producers Afterclapp and Brasila Strut.

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Valeria

Pe Na Estrada

Release: 2020 / EU – Original

Genre: Organic Grooves

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Paz E Futebol 3 Compiled By Junior Santos

Jazzanova presents

LP | 2020 | EU | Original (Sonar Kollektiv)

Adrian Younge & Ali Shaheed Muhammad

Release: 2020 / EU – Original

Genre: Organic Grooves

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The time has come again: Another edition of the much-loved and highly praised by critics from all around the globe compilation «Paz E Futebol» will be released on Sonar Kollektiv. After 2006 and 2016 this is already the third sequel of this terrific series of light-footed Brazilian gems and other rarities transporting the Brazilian feel for the ball musically.

Two times Jazzanova took care of the collection, now Junior Santos is responsible for digging up the tunes. The Brazilian drummer and producer is a true expert when it comes to Brazilian music. He already caught the attention of Jazzanova’s Jürgen von Knoblauch with the 2014 released compilation «Brazilian Disco Boogie Sounds (1978-1982)» on Favorite Recordings. Together the two diggers selected eight songs that fit simply perfectly. Due to licensing reasons, the digital compilation features 2 additional songs. Chico de Abreu and an unreleased track by Beto Luiz called "Uma Canção Que Fale” chosen by Juergen von Knoblauch.. Although the contributions originate from three different decades (1979 - 1992) they all have the discoid and boogiesque vibe in common mainly to come alive in productions from Maranhão, Rio and Bahia.

The release is accompanied by extensive liner notes by Junior Santos (in Portuguese and English). Just now in the colder and greyer season this compilation is great fun and radiates so much joy like only Brazilian music can.

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Azymuth

2LP | 2020 | US | Original (Jazz Is Dead)

35,99 €*

2LP | 2020 | EU | Original (Rubyworks)

Release: 2020 / US – Original

Genre: Organic Grooves

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The fourth release from Jazz Is Dead records features Azymuth, one of the bands in Brazilian history, redefining Popular Brazilian Music. Having released almost 20 albums in their career, Azymuth proves to be a consistent source for an innovative mix of jazz, pop, MPB, and electronic music.

Composed and produced by Adrian Younge & Ali Shaheed Muhammad and recorded in the Linear Labs analog studio.

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Rodrigo Y Gabriela

Mettavolution Live

31,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Olindo)

Waaju

Grown

12" | 2020 | EU | Original (Secousse)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Pulsing Afro-Latin roots and UK jazz combine on Grown, the latest album by London-based quintet Waaju, released via Olindo Records. Fusing dexterous hand-percussion, hypnotic guitar riffs and soaring melodies, Waaju connect a wide range of traditional musics percolating at different corners of the global soundscape yet with a distinctly of-the-moment and British jazz flavour. Led by drummer and percussionist Ben Brown (Alfa Mist, Dizraeli, Ashley Henry), and comprising members across the UK’s extensive music scene including, percussionist Ernesto Marichales (Jordan Rakei, Sigala), guitarist Tal Janes (Nubiyan Twist, Bahla), Sam Rapley (Fabled, Maria Chiara Argiro) and Joe Downard (China Moses, Judi Jackson), Waaju’s unique and divergent sound connects the dots between the likes of Beth Carvalho, Oscar D’Leon, Alain Peters and Los Muñequitos de Matanzas, Waaju formed as a means of exploring music’s hidden connections, from trance-inducing Moroccan gnawa to Caribbean carnival music, and embracing them to reflect the different layers of London’s own musical culture. It was the band’s love for Mali’s folk music – and Ali Farka Touré’s stylistic prowess in particular – that first set the project in motion. London’s Jazz Cafe invited Waaju to reinterpret classic tracks from Farka Touré’s catalogue to sold-out audiences in 2018 and 2019. According to Brown: “Ali’s one of the best. He has such a unique sound. His playing is so gnarly. His spirit and attitude are things I always think of when making music.” Waaju (meaning ‘to urge, inspire or influence to take action’ in Bambara) blend Latin polyrhythms, psychedelic Malian blues licks and dancefloor-oriented UK jazz arrangements. Following the group’s 2018 self-titled debut LP, Grown represents Waaju at their most distinctive and refined. The record begins with Moleman, a reminder of the craft and intricacy of composition Waaju has become known for. Gritty, clattering metal defines its sonic makeup, whilst gently hinting at influences such as dancehall and jungle. Listening Glasses follows and it’s clear why this is the album’s lead single – its Afrobeat-like energy and joyful interplay between guitar and tenor sax lies somewhere between Tony Allen’s grooves, chimurenga guitar and Headhunters’ funk. Joe Downard’s skulking bass frequencies take centre stage as heavy dub grooves almost tear themselves apart on late night jam Rollando. Time’s Got a Hold was co-written by Waaju and Jordan Rakei for a live show together in November 2018. Kicking off side B, this version features guest vocalist Will Heard and some rhythmical triplets, evocative of 1970’s sega from La Reunion. Pulling back the tempo and dimming the lights, cavernous percussion fills each corner of the room on the sparse yet purposeful Wassoulou, whilst the title and final track shows off the many dynamic sides of the outfit’s far-reaching sound, with its expansive harmonies and explosive climax spanning influences as wide as Yoruba Andabo to Hendrix, signing off an exciting and energetic second LP from Waaju, at their most commanding.

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Orchestre Les Mangelepa

Nyako Konya

LP | 2020 | EU | Original (Vampisoul)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Nairobi, Kenya, 1978. In the Phonogram Ltd. music studio, the popular Congolese Rumba band Les Mangelepa is finishing a session. Things are going well: they have recorded all the music they planned and still have an hour to kill before giving back the studio keys. How about improvising one last song on the spot?
And this is how “Nyako Konya” was born. An incredible 9 minutes hypnotic jam, that’ll eventually become one of their biggest tunes, earning them a Gold record and international acclaim throughout Africa.
Meticulously restored and remastered by French engineer Nicolas Thelliez, the original version is featured here together with remixes by three talented producers: French House/Disco producer extraordinaire Yuksek and his wall of sound skills, Netherlands’ Afro lovers and world famous studio maverick Umoja delivering a space dub Lee Scratch Perry style, and last but not least, the trademarked syncopated stabs from Brooklyn’s Uproot Andy.

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Los Afroins

Goza La Sala

2LP | 2020 | EU | Original (Heavenly Sweetness)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The aptly named Goza La Salsa (Enjoy Salsa) is the second album by Los Afroins, the flagship salsa band of the obscure but beloved INS label (Industria Nacional Del Sonido Ltda., Medellín, Colombia). The combo's repertoire focused mostly on cover versions hit tunes from New York, Cuba and Puerto Rico, both classic and contemporary, but for this record, their sophomore outing from 1975, their arrangements got tighter and there are more original compositions, which makes for a satisfying evolution in both style and content. Pianist Agustín "El Conde" Martínez, who would later work with Joe Arroyo and Juan Piña, led the group and did some arranging, with studio session production by INS artistic director Alfredo "Sabor" Linares. The vocals were handled by a pair of fresh-faced singers, Lucho Puerto Rico and Roy "Tayrona" Betancourt, who would later go on to fame in the 1980s, the former with his own Lucho Puerto Rico Y Su Conjunto Sonero and Conjunto Son Del Barrio (both in collaboration with Alfredo Linares), and the latter with Willie Salcedo, Reales Brass De Colombia, and Los Caribes. Additional arrangements were by Luis Felipe Basto of Los Black Stars and Luis E Mosquera, while the rest of the band was made up of INS related studio musicians. Goza La Salsa is just as hard to find as their first record and contains 10 bright and sassy salsa dura treasures that light up the dance floor with their incessant rhythms, syncopated trumpets and trombone and buoyant melodies. There are smoking covers of hits by Panama's Bush y sus Magníficos ('Salsa Al Pindin') and Bronx timbalero Orlando Marín and His Orchestra ('Está De Bala') as well as updated renditions of old Cuban chestnuts 'La Masacre' (written by Joseíto Fernández of 'Guantanamera' fame, and a hit for Cuarteto Caney) and 'Matusa' (originally titled 'Macusa', composed by Francisco Repilado aka Compay Segundo and made famous by Duo Los Compadres). This time around there are six excellent originals with the hottest pair being Lucho Puerto Rico's theme s...

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David Walters

Soleil Kreyol

Release: 2020 / EU – Original

Genre: Organic Grooves

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Quiet Ones Featuring Sérgio Pererê

Matamba / A Gil Cang Dub

7" | 2019 | UK | Original (Humble)

LP | 2019 | EU | Original (Soundway)

Release: 2019 / UK – Original

Genre: Organic Grooves

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"Created by Marc Brown and Chris Franck, this track marks the first release from their forthcoming album. You may know them from their Smoke City days or from Marc's KV5 releases and Chris as Da Lata.
This limited release seven inch represents a rebirth of the Humble label, an imprint Marc began in the 90's through the broken beat specialists Goya distribution.

The track is a mid tempo electronic Afro-Brazilian song which features the vocals of Sérgio Pererê, an artist hailing from Belo Horizonte, Brasil. The vocals were recorded in Brasil and the link was forged through Chris's Brasilian music connections.

The B side sees London based Reggae supremo Gil Cang dub out the rhythm in a heavy manner, Gil is in house producer at Tuff Scout and long time Mannaseh collaborator."

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Gabriele Poso

Batik

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Future Afro-Latin jazz house from Italian master percussionist, multi-instrumentalist and composer Gabriele Poso. The entirely self-produced album features guest vocalists Nailah Porter, Nina Rodriguez, Quetzal Guerrero & Sofia Rollo.

Following a long-term collaborative partnership with Osunlade / Yoruba Records, as well as albums on BBE and Agogo Records, on 'Batik' Poso further develops and matures his sound - exploring his extensive roots in Afro-Cuban percussion, while delving into the realms of jazz and soulful house.

With mixing by renowned Spanish DJ and producer Kiko Navarro, the lead single “Africa Linda” is an up tempo live take on Latin house, featuring American-born soul singer Quetzal Guerrero on vocals.

Much of the album features Poso on not only vocals but many of the instruments - including percussion, guitar and kalimba. A true multi-instrumentalist, Poso found a particular affinity for percussion at a young age, studying in Puerto Rico and Cuba.

In 2008, Poso released his first solo album entitled “From The Genuine World”, produced for Osunlade’s label, Yoruba Records. He went on to release another 3 albums, with labels including BBE Music - garnering acclaim from reviewers and selectors including Gilles Peterson, as well as awards including “Roots Of Soul” winning Best Jazz Independent Production in 2012 (Germany).

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Body Beat: Soca-Dub And Electronic Calypso (1979-98)

3LP | 2019 | EU | Original (Soundway)

LP | 2019 | EU | Original (Le Label)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Body Beat: Soca-Dub and Electronic Calypso (1979-98) comprises 17 obscure Soca B-side versions, dubs, instrumentals and edits as well as vocal tracks influenced by disco, boogie, house-music, soul and the more conscious lyrics of roots reggae. This compilation traces the soca genre from its explosion in the late 1970s right up to the period just before contemporary soca became established around the end of the 1990s.

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Flavia Coelho

Dna

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (BBE)

Lumingu Puati (Zorro)

Mosese

26,99 €*

LP | 2019 | EU | Original (Mr Bongo)

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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In the late Congolese musician Lumingu Zorro, protégé of Kinshasa’s legendary 60s band leader Dr Nico, recorded Mosese, his only pre-2000 solo album, for the Tabansi label- and this is it.CHAMPETA STORM WARNING! The first-ever reissue of one of West Africa’s best-kept rumba-soukous secrets- as well as being one of the most in-demand titles on Colombia’s booming Champeta sound system scene, where a rare record is protected as fiercely as on the Northern Soul or Jamaican sound system scenes, the label scratched off, the record hidden from view when not on the turntable.Possibly one of the strongest and most consistent Congo dancefloor albums ever recorded perfectly balanced between voices, horns, guitars and percussion.Which is why original copies of this all-time rumba rarity almost never reach the open market, being traded between Colombia’s champeta picoteros (sound system selectors) instead.In Kinshasa they say ‘Miziki ezelaki eleng ndeko’- ‘Sweet music, brother!’. Roger that

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Kit Sebastian

Mantra Moderne

Try My Love / Odoya Feat. Toco

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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'Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.

The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.

The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.

Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

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S-Tone Inc.

7" | 2019 | EU | Original (Schema)

9,99 €*

Gerardo Frisina Meets Toco

Release: 2019 / EU – Original

Genre: Organic Grooves

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This new 7-inch by S-tone Inc., that includes two brand new tracks, confirms Stefano Tirone’s 20-year old collaboration with Brazilian songwriter Toco. “Try My Love” is a fluid, relaxed and dreamy funk song that blends soul jazz with a ‘70s downtempo drumming groove. “Odoya”, featuring Toco on vocals, is a bit more faster composition, that would perfectly fit as a soundtrack of a typical Italian police movie from the same decade! Simply fantastic!

Stefano Tirone is an eclectic artist, open to a wide range of different music genres. This new 7-inch, that includes two brand new tracks, confirms his 20-year old collaboration with Brazilian songwriter Toco. Working on these songs for Stefano was like going back to the years when he used to listen to Acid Jazz music, especially to the records produced by the Mizell brothers. Their influence here is obvious from the first notes: the funk in “Try My Love” is not as high-fueled as in James Brown’s songs but, as the legendary brothers taught us, by blending a hint of soul jazz with the ‘70s downtempo drumming groove, we get a fluid brew, relaxed and dreamy. This is exactly what “Try My Love” is about. “Odoya”, featuring Toco on vocals, is a bit more faster composition, that would perfectly fit as a soundtrack of a typical Italian police movie from the same decade! Simply fantastic! - - - Stefano Tirone è un artista eclettico e aperto a una vasta gamma di generi musicali. Questo suo nuovo 45 giri, che contiene due nuove tracce, conferma la sua ventennale collaborazione con il cantautore brasiliano Toco. Lavorare a queste canzoni è stato per Stefano come volgere lo sguardo agli anni in cui era solito ascoltare dischi della scena Acid Jazz, specialmente quelli prodotti dai fratelli Mizell. La loro influenza è evidente sin dalle prime note: il funk di “Try My Love” non è carico di energia come quello di James Brown ma, come i leggendari fratelli ci hanno insegnato, dall’unione di un pizzico di soul jazz con il groove di batteria ‘downtempo’ tipico degli anni ‘70 otteniamo una miscela fluida, rilassata e sognante. Esattamente ciò che si respira in “Try My Love”. “Odoya”, brano che vede la partecipazione di Toco alla voce, è una composizione dal ritmo leggermente più sostenuto, perfetta come colonna sonora di un tipico ‘poliziottesco’ italiano! Eccezionale!

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Gerardo Frisina

12" | 2019 | EU | Original (Schema)

Ricaurte Arias Y Su Conjunto & Orquesta Pacho Galan

Release: 2019 / EU – Original

Genre: Organic Grooves

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“Frisina meets Toco” is the result of the artistic union of two main Schema Records’ characters, Gerardo Frisina and Toco, spontaneously born from many listening sessions of Brazilian music LP’s. The music contained in this 12” record stands in the middle between Rio and Bahia, merging together the Brazilian rhythmic culture and groove (Toco) with the modern sound of clubbing latin jazz (Frisina), and it’s also enriched by the presence of the young pianist and composer Vitor Araújo and his peculiar signature style, particularly apparent in the instrumental version of the song “Craque”.

Schema Records’ musician and producer Gerardo Frisina has certainly got the ability to play his own distinctive style without being repetitive, and this record is no exception. His skills in working with strong percussive and tribal elements have now delivered us this brand new collaboration with Schema songwriter Toco, the result of various artistic meetings in our offices, spontaneously born from many listening sessions of Brazilian music LP’s. The music contained in this 12” record stands in the middle between Rio and Bahia, merging together the Brazilian rhythmic culture and groove (Toco) with the modern sound of clubbing latin jazz (Frisina); the most observant will surely recognize a strong link in its cover artwork with the legendary 1965 LP “Em Forma!” by Bossa Três. “Frisina meets Toco” is also enriched by the presence of the young pianist and composer Vitor Araújo, whose signature style is especially noticeable in the instrumental version of the song “Craque”, which suddenly breaks in the middle and showcases a piano solo section that will leave you breathless! Another impressive effort from two of the most creative and revered Schema Records artists! - - - Gerardo Frisina, musicista e produttore di punta della Schema Records, ha senza dubbio la capacità di infondere il proprio personalissimo stile nelle sue opere, senza per questo risultare ripetitivo o ridondante, e questa release non fa eccezione. Le sue capacità nel manipolare elementi fortemente percussivi e tribali hanno dato vita a questa nuova collaborazione con il cantautore Toco, anch’egli di casa presso Schema Records: un lavoro nato spontaneamente da diversi incontri tra i due, e da svariati ascolti di LP di musica brasiliana. La musica contenuta in questo 12” è geograficamente a cavallo tra Rio e Bahia, e miscela la cultura del ritmo e del groove brasiliano (Toco) con il sound moderno del latin jazz da club (Frisina); l’interlocutore più attento saprà inoltre riconoscere un forte legame visuale con il leggendario LP “Em Forma!” dei Bossa Três. “Frisina meets Toco” è inoltre impreziosito dalla presenza del giovane pianista e compositore Vitor Araújo, il cui inconfondibile stile è particolarmente in evidenza nella versione strumentale del brano “Craque”, che si interrompe improvvisamente a metà per lasciare spazio a un assolo di piano che vi lascerà senza fiato! Un altro eccellente lavoro firmato da due tra i più creativi e significativi artisti Schema Records!

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Fiestas / Estambul

7" | 2019 | EU | Original (Radio Martiko)

Oriental Cha Cha / Sirocco (Mambo)

Release: 2019 / EU – Original

Genre: Organic Grooves

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High Quality pressing in vintage silk screen sleeve. Fiestas is an ultra catchy foxtrot by the Colombian clarinet player and ar-ranger Ricaurte Arias.This American-style swing spiced up with a layer of Colombian sauce is an irresistible ear worm that takes the concept of smoothness to another level. Definitely the foxiest of all foxes.

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Roger King Mozian

7" | 2019 | EU | Original (Radio Martiko)

12" | 2019 | EU | Original (Cree)

Release: 2019 / EU – Original

Genre: Organic Grooves

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High Quality pressing in vintage silk screen sleeve. Latin orchestra meets Greek bouzouki!!! A true hybrid musical dream, emerging and blending the sound from the migrant communities of 60’s New York. Greek bouzouki wizard Yannis Tatassopoulos injecthis electrifying playing into the Latin beats of Roger 'King' Mozian. Together these dukes of sound generate a tornado! Non-conventional and ultra refined crossover madness from the Space-Age. Mambo Gi-tano!

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Brother Resistance

Tonite Is De Night

Hot Katz Splatter Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Out of the social unrest and revolutionary times of the early 1970s a new musical art form emerged on the streets of Port of Spain, Trinidad & Tobago. A group of young guys started to combine poetry with drumming and created the musical art form that is known today as Rapso.
Poets known as much for their fiery verses as they were for leading protests were at the vanguard of the 1970s Black Power revolution. There was a new consciousness building in the Trinidad and Tobago arts scene. The two most influential characters were Cheryl Byron and Lancelot Layne.
Lutalo ‘Brother Resistance’ Masimba and others would play basketball during the day and come back out at night, ‘liming’ and playing drums. Other people from the block would join with instruments and Brother Resistance would perform his poetry on the rhythms. The prestigious boys school that Resistance attended refused to acknowledge his attempts at creating verses that reflected the rhythm of the Trinidad and Tobago creole. ''They said it wasn't poetry. They didn't want to put it in the school magazine.''
Resistance and his friends toyed with other words to describe their style. They came up with 'rapsody' but one night during a show in Santa Cruz somebody in the audience shouted out ''How you could rap so!'' And the rest is history.
They recorded their first album ‘Bustin Out’ in 1980. More albums followed and they started to work as producers. In 1986 the band performed at ‘Caribbean Focus’ festival in London and toured the U.K. which helped to lift their reputation internationally. The same year Brother Resistance decided to produce his first solo album and went to England to record ‘Rapso Take Over’. This album contains the highly acclaimed tracks Ring De Bell, Dancing Shoes Rapso and Star Wars Rapso. An unreleased take of Wars In Rapso is featured on this Cree Records 12''.
The band wasn’t too impressed with the ‘English’ production and they decided to record a new version of the song. Junior Wharwood recorded the guitar tracks. Resistance came up with the idea of Tonight Is De Night. The more or less improvised song became a big carnival hit in Trinidad and he went to perform it live with bands like Sound Revolution, Shandileer and Charlie’s Roots.
At the time, these tracks received little airplay in Trinidad and Tobago, but they're undeniable hits that continue to be in demand dancefloor bangers. For this 12'' we have selected four of Brother Resistance's most in demand tracks. Long live Kaiso – Rapso take over!

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Baja Frequencia

LP | 2019 | EU | Original (Chinese Man)

23,99 €*

Release: 2019 / EU – Original

Genre: Hip Hop, Organic Grooves, Reggae & Dancehall

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2LP | 2019 | EU | Original (Heavenly Sweetness)

Guts

Philantropiques

29,99 €*

12" | 2019 | EU | Original (Hot Mule / Secousse)

Release: 2019 / EU – Original

Genre: Organic Grooves

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BRAND NEW ALBUM BY GUTS! YEAH!

“Early last year Guts told mehe wanted to go back to basics and make another MPC/samples based LP. Then, when he instead submitted a full live band album on which he’d worked with Cyril Atef, one of the craziest drummers I know, plus also Ben Abarbanel Wolf, who has worked wonders for Ebo Taylor andPat Thomas, you can imagine my excitement.”-Franck Descollonges, Heavenly Sweetness French national, Ibiza resident and intrepid beach digger Guts, has readied here something very special indeed. Now five albums deep into his recording career, he’s built a loyal fanbase and following from his early days as a beatmaker. Guts’ initial spirit of sampling, sequencing and programming still remains but it has now morphed into something of a full-on musical opus. His journey started with 2007 debut “Le Bienheureux”released on Nightmares On Waximprint Wax On, that led up to2016’s “Eternal”, which was his first endeavour into making an album with a full band, The Pura Vida Band. Having toured extensively with the band in support of the album and playing festivals like Glastonbury, Secret Garden, Green Man andShambala,it was during these shows that something really embedded in him about ideas of how music could be made from a more collective point of view. So now having worked through this stack of ideas, he bestowed this new full length player, ‘Philantropiques’,which marks something radically different from his previous outputs.
‘Philantropiques’is an experimental yet sunny outing, comprising longer tracks that open up into carefully considered arrangements. A tropical afrobeat LP if you like. One strong theme that runs throughout is the vibrations of the Southern Hemisphere, somewhere Guts has been so well associated with over the years. His compilation series, “Beach Diggin”,now in its fifth volume, brings together highly sought after rarities, lovingly curated with long time friend, collaborator and visual artist, Mambo. To help him realize this new musical plan, Guts set up a brand new live band featuring Kenny Rubyon bass, Christiane Prince on drums, Cyril Atef on percussion, alongside Adelaide Songeons and Ben Ababarbanel Wolf on the horns. This was the musical base, around which all the other elements were to be composed by a whole host of other musicians, MCs, vocalists and creatives. Ideas developed were live brass, flutes and even a vibraphone! Once Guts was thick in the musical jungle of creation, intrigued guests come by the studio to see what he was cooking and lend a hand; saxophistJowee Omicil, guitaristLameck Macaba, Djeuhdjoah and Lieutenant Nicholson, storytellerPat Kalla, Brazilian legendPinduca, vocalistsNazaré Perera &Catia Wernec, and also French jazz virtuoso pianist, Mario Canonge. Be it poems, musical solos, a touch of humor, or travel tales between Brazil, the Caribbean islands and Africa, all these artists feature on this LP in some capacity or other. The recording sessions flowed fluently with Guts holding it down at the controls.Afro trance, Brazilian jazz funk and frantic percussion areall explored over this 13 track offering. Lead singles ‘Kenke Corner’ and ‘Mucagiami’step effortlessly between the dancefloor to ballad, the latter featuring a stunning vocal performance from Angolan vocalist, ‘Vum Vum’.With stopovers in Haiti, the Caribbean, Africa and the Amazon, Guts has gone far and wide enlisting various people to present you his new album --he is one true ‘Philantropiques’.

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Max Rambhojan

LP | 2019 | EU | Original (X-Ray Production)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Guadeloupe 1986. The football World Cup has all the Islanders' eyes riveted to their TV sets. At every half time breaks, local TV channel RFO broadcasts a music video on repeat: ‘’Tou’t Jou Pa Min’m". Max Rambhojan, the local singer responsible for this monster tune, has arrived.
In the video, he effortlessly sings and kickstarts a joyous street party with his band, Show Man, his dancers, kids, friends, family and what seems like the whole neighbourhood. The song will gain cult status from then on, cementing the power of the 'Zouk Chiré' sound, a high tempo version of Zouk, highly influenced by Guadeloupe's Carnival mass drum bands. Max self-releases his first solo album on vinyl in 1985, enrolling some of the best musicians the scene has to offer: his band leader King Klero, Guy Jacquet of les Vikings de la Guadeloupe fame on production duties, Ramon Pyrmée on synths, Claude Vamur, Meliza… In 1992 a new solo album follows. By then the artists have familiarized themselves with computers and the sound has gone full-on digital. In that album Max records an updated version of his “Tou’t Jou Pa Min’m” anthem to great effect.
Reducing Max Rambhojan to a zouk artist would be a mistake. He’s first and foremost a master of Gwo-Ka, a musical practice born during the transatlantic slave trade and performed by all ethnic and religious groups of Guadeloupe. It has never ceased to exist and has become a major part of the Island folk music culture. Max Rambhojan was schooled as a kid by Gwo-Ka pioneer Guy Conquette, and quickly joined the backing band of another legend, Ti-Sélès. That sound is the root of his particular style, especially vibrant on two tracks in his repertoire: “Cecilia” and “On Jou Matin”, both featured on this release's b-side. A touch of Spiritual Jazz is also palpable, allowing a magical vibe to spread, giving birth to some of the deepest music from this era.
In 2019, Max still performs Gwo-Ka every week-end in Guadeloupe and also hosts a show on local radio Media Tropical, 88.1FM. Secousse and Hot Mule are proud to present those 4 lost gems on wax and digital, carefully restored and remastered.

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La Yegros

Suelta

30,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Souk)

Romperayo

Que Jue?

18,99 €*

Joey Pastrana & His Orchestra

Release: 2019 / EU – Original

Genre: Organic Grooves

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Second elease on newly minted Souk Records (Discrepant), coming swiftly after the mind blowing Palestinian beat LP Muqata'a Inkanakuntu (SOUK01). For the second release we chose someone who is already part of our Discrepant family - the Colombian tropical masters Romperayo aka Pedro Ojeda.

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Let's Ball

LP | 2018 | US | Reissue (Get On Down)

Ciumeira / Rasga Teu Verso

Release: 2018 / US – Reissue

Genre: Organic Grooves

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Joey Pastrana had a special gift for singing
songs in both English and Spanish. Along with
other boogaloo luminaries like Pete Rodriguez
and Joe Cuba; Joey Pastrana was responsible
for introducing Latin music to many English
speakers across America. With a wonderful and
talented orchestra, Joey Pastrana paved the
way for the new Latin music fusions that have
come to be known as the Latin boogaloo.
A master of the timbales, Pastrana was also
a brilliant singer known internationally for
his energizing live performances. Honing his
musical skills in his beloved New York City,
Joey was enamored at an early age by the
sights and sounds coming out of Spanish
Harlem during the early sixties. Taking his cue
from the R&B and Jazz that was popular at that
time, Pastrana became a master of rolling
rhythms that shook up hips in dance floors
throughout the world. One of the top artists of
the boogaloo/Latin soul era, Joey Pastrana’s
music is regarded as one the most wonderful
and exquisite examples of the world-famous
New York Latin sound.

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Carlos Sodré

7" | 2018 | UK | Original (Mr Bongo)

Release: 2018 / UK – Original

Genre: Organic Grooves

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Double sider of uptempo vintage MPB samba jazz from Carlos Sodré, originally released as a 33rpm ‘compacto’ 7” single on Copacabana in 1965.

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LP | 2018 | EU | Original (Wagram)

Wanted Bossa Nova

Release: 2018 / EU – Original

Genre: Organic Grooves

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Helio Matheus / Hélio Matheus

Mais Kriola / Maita

7" | 2018 | EU | Original (Mr Bongo)

LP | 2018 | EU | Original (ZZK)

Release: 2018 / EU – Original

Genre: Organic Grooves

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‘Mais Kriola’ first appeared on Brazilian Beats Brooklyn compilation put together by Greg Caz and Sean Marquand for us in 2006. It’s a lovely laid back mid tempo boogie/soul/fusion jam. Originally appeared on Matheus self-titled LP from 1975.
‘Maita’ is a wonderful piece of warm, upbeat MPB from Doris Monteiro. Originally appeared on her ‘Agora’ LP from 1976, released by Odeon.

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King Coya

Tierra De King Coya

12" | 2018 | EU | Original (Soundway)

Release: 2018 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The latest sonic adventure by King Coya, danceable alter ego of Gaby Kerpel (De La Guarda, Fuerza Bruta) a pioneer of Latin American folklore fused with electronic music, is called “Tierra de King Coya” (Land of King Coya) where rhythms such as the wayno and instruments from the Andes like the ronroco and tarka, are digitally intertwined with the ritual of dance and celebration. Like a sorcerer from the future, King Coya creates a map of sound exploration navigating the continent through his digital point of view. For this project he incorporates his own voice and also plays a smattering of live instruments.
Since his debut as King Coya with “Cumbias de Villa Donde” (2009) Gaby has produced remixes for artists such as Amadou & Mariam, Brazilian Girls, Julieta Venegas, Luzmila Carpio, Chancha Via Circuito, Tom Tom Club, Petrona Martinez and Magin Díaz amongst others. As well as forming part of the band Terraplén (2010) produced by Santaolalla and the album “Tira Torito” along the coplera Balvina Ramos.
The journey through the “Land of King Coya” begins with “Te Digo Wayno” a powerful track that highlights the joy of dance, and makes a poetic introduction of the Queen Cholas, a dance trio that performs with him during live shows. A true ceremony of celebration that integrates the audience into a singular immersive experience.
The album features diverse guest singers such as: La Yegros - musical companion from his first shows at Zizek Club and for whom he has produced 3 albums. On the first single “Algo” (Something) a sort of kuduro mutates into and Andean dub. For the song “Tierra de King Coya” a combination of Colombian buyerengue and Argentine carnavalito we find La Walichera’s enchanting voice. Balvina Ramos collaborates on “Pa que yo Te Cure” a remix of the song “Linda Flor” (Tira Torito - 2012). Iara Nara - one of the Queen Cholas - jumps in on the track “Pachamá” with airs of a coplera singer over dancehall beats, reinforcing the main objective of bringing folklore to the dancefloor.
“Como Saber” (How to know) and “Dorremi” invoke his foundational album “Carnavalito”, (Nonesuch Records 2001) instilling a particular energy to this album that aims to represent the journey in which Gaby Kerpel ultimately becomes King Coya. The end of this road comes with “Icaro Llama Planta” alongside Isabel Pinedo Rengifo’s mystical voice, a healer from the Shipibo community (Peru), whos shamanic chants invite the listener to reconnect with the earth and give closure to this festive ceremony.

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The Mauskovic Dance Band

Down In The Basement

Ipan In Xiktli Metztli / Mexico Magico Cosmico / El Ombligo de la Luna

Release: 2018 / EU – Original

Genre: Organic Grooves

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Soundway Records presents the debut EP from The Mauskovic Dance Band – a heady, tropical blend of cumbia, Afro-Caribbean rhythms and space disco, resulting in a vibrant hypnotic groove destined for bustling dancefloors.
The Mauskovic Dance Band is the brainchild of the Amsterdam-based producer and musician, Nicola Mauskovic. A seasoned drummer, he finds himself constantly in demand – as part of Turkish psychedelic outfit Altin Gün, a recent tour with the revival of Zambian legends W.I.T.C.H., and a worldwide tour with psych-pop artist Jacco Gardner, with whom he then went on to form the dance-oriented duo Bruxas (released on Dekmantel). Throughout this hectic schedule Nic still found time to begin studio experiments that would eventually lead to several 7” singles, released on Swiss label Bongo Joe Records in 2017 under the name “The Mauskovic Dance Band”.
Following this, he tapped long-time collaborators Donnie Mauskovic (vocals, keys, effects), Em Nix Mauskovic (guitar, synth, percussion), and Mano Mauskovic (bass) to make the jump from record to stage. Soon they caught the ear of fabled underground Cumbia producer Juan Hundred, who left his home on a Caribbean island to join the band on drums.
With each band member of varying heritage, the group draws inspiration from diverse genres: primarily Afro-Colombian styles such as champeta, palenque, cumbia and the picó soundsystem culture, as well as the Afro-Disco and No-Wave scenes in their current base of Amsterdam. The city’s hotbed of underground producers has also brought an electronic edge to the band, with vintage drum machines and synthesisers effortlessly melding with Afro-Latin rhythms and slick guitar riffs to create a contemporary sound rich with cultural influence.
Having toured extensively through Europe in 2017 as a staple of festival stages and clubs, The Mauskovic Dance Band continues to build exciting momentum – with appearances at Eurosonic Noorderslag 2018 and an extensive tour of the Netherlands coinciding with the launch of the EP.

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Luis Perez

LP | 2017 | EU | Original (Mr Bongo)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Official Mr Bongo reissue. Replica original artwork, including the insert with listening instructions, in Spanish and English. Luis Pérez was born in Mexico City on July 11, 1951. From 1971 onwards he dedicated much of his time to the research of pre-Columbian instrumentation.
This research that allowed him to travel the Mexican territory and study musical traditions of the native peoples of Mexico. He learned directly from the living sources of the music and collected samples of musical instruments and the songs of different native speakers including Maya, Nahuatl, Mazateco, Yoemem, Comcaac, Raramuri, Wixarika and more. His personal collection of native Mexican instruments includes ethnographic instruments still in use by ethnic groups, along with archaeological artifacts some of which are more than 2,000 years old. He continuously utilises these instruments in performances, concerts, lectures, exhibitions and recordings, in a sense, keeping them alive.
Following a decade playing in Mexico City’s psychedelic rock scene, his early solo work was a mixture of sounds derived from his vast array of pre-Hispanic and ethnographic wind and percussions which he managed to blend with electronic devices including tape delay units, electric guitars and synthesisers. During this time, he was given the name ‘Ixoneztli’ (or “one who makes music”) by the legendary ‘curandera’ Pachita and her son Enrique, to whom, like Alejandro Jodorowsky before him, Luis served as assistant.
In 1981, the Mexican government became very interested Pérez work and sponsored the production of what became the first recording of the fusion of native mexican instruments with electronics – entitled ‘Ipan In Xiktli Metztli,’ in the Nahuatl language, or ‘En el Ombligo de la Luna’ in Spanish… ‘In the Navel of the Moon.’ The impact of this recording and subsequent performances among media, ethnomusicologists and audiences alike established Luis Perez ‘Ixoneztli’ as a precursor to a new musical genre followed by a generation of young Mexican musicians – Ethno-Rock, Ethno-Jazz, Ethno-Experimental and the like. ‘El Ombligo de la Luna’ reaches us from deep in the past but it also exists entirely outside of time, as Luis Pérez ‘Ixoneztli’’s offering to the world – the soul of Mexico channeled through the hands of a master musician.
Huge thanks to Carlos Nino for his assistance on this very special project.
Copy adapted from original copy written and supplied by Jesse Peterson (2017), used with thanks. Licensed direct from Luis Pérez.

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Rumbita Buena: Rumba Funk & Flamenco Pop From The 1970s Belter & Discophon Archive

LP | 2017 | EU | Original (Pharaway Sounds)

LP | 2017 | EU | Original (Wagram)

Release: 2017 / EU – Original

Genre: Organic Grooves

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From the archives of the legendary BELTER and DISCOPHON labels, essential to understand the birth of the Catalan Rumba and Flamenco-Pop genre in Spain, we’ve selected 14 dance-friendly tracks taken from overlooked LPs and 45s.
This is the real gipsy–funk sound, full of screaming flamenco vocals, funk drums, electric guitars, wah–wah, organ, electric bass, exotic percussions, soulish horns, latin and even oriental touches...
Featuring folkloric ye-yé singers, gipsy princes, teen rumba stars and groovy rumba–pop bands: DOLORES VARGAS “La Terremoto”, CHANGO, ROSA MORENA, RUMBA 3, EL PRÍNCIPE GITANO, EL NOI...

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Compay Segundo

Un jardinero de amor

Release: 2017 / EU – Original

Genre: Organic Grooves

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Perplexidade / Canto Chorando

Neyde Alexandre / Dalila

Diexa o Morro Cantar / Mas Que Nada

Release: 2017 / EU – Original

Genre: Organic Grooves

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One for the heads! A rare female vocal double header, starting with Dalila's 1968 gem 'Canto Chorando' originally released on a sort after 'compacto' 45 on Copacabana.
On the flip – a Copacabana 7” release in the form of Neyde Alexandre’s 1971 song ‘Perplexidade', with a fantastic break intro, horn stabs and lush vocals. One of our favourite Brazil 45’s.

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Claudia

Ronaldo Reseda / Robson Jorge E Lincoln Olivetti

Release: 2017 / EU – Original

Genre: Organic Grooves

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Supreme MPB/bossa-nova vibes here on both tracks from our leading Brazil 45’s lady, Claudia.
‘Diexa o Morro Cantar’ features on Claudia’s very first 7”, relaeased in 1965 by RGE Brazil.
Claudia’s version ’Mas Que Nada’ is more of a jazzy, folk-funk take on the Ben classic. A relatively recent discovery made during our last trip to Brazil!

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E Novamente Mas Que Nada / Ginga

Sinal Vermelho / Verao Vermelho

Release: 2017 / EU – Original

Genre: Organic Grooves

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Brazilian mid tempo boogie double header. We’ve been playing these two out for the last couple of years and they are firm favourites.
‘E Novamente Mas Que Nada’ is the opening track from Reseda’s 1979 album on Som Livre. An ultra catchy vocal hook, boogie guitars and synths lead into a piano and cuica breakdown and horns to finish. One of the finest in the genre in our opinion.
‘Ginga’ is taken from Robson Jorge & Lincoln Olivetti’s self-titled masterpiece, reissued on Mr Bongo. Arguably the most immediate and club friendly track from the album, it always turns heads. Another premium example of Brazilian boogie from the masters of the sound and producers for the likes of Rita Lee, Erasmo Carlos, Don Beto, Marcos Valle, Tim Maia, Gilberto Gil, Gal Costa, Sandra Sa, Painel de Controle and many more.

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Marilene / Nonato Buzar

Release: 2017 / EU – Original

Genre: Organic Grooves

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‘Sinal Vermelho’ – midtempo psyche-funk workout tough on the drums. Brilliant vocal from Marilene. Taken from 1973 compacto 7” released on Copacabana.
‘Verão Vermelho’ is taken from Nonato Buzar’s 1970 LP ‘Temas De Novelas’, a collection of songs he wrote for Brazilian soap operas. The song features Pedro Santos on percussion.

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Majo / Os Impossiveis

As Sementes / Dando Fora

LP | 2017 | EU | Original (Buyú)

Release: 2017 / EU – Original

Genre: Organic Grooves

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Brazilian funk double header. ‘As Sementes’ is a mid tempo, funk-soul head nodder laden with percussion and soaring vocals and strings. Originally released in 1974 on Odeon. Major released one album and a handful of ‘compactos’ on Odeon and Som Livre.
‘Dando Fora’ is a mid-tempo samba-funk gem – a firm favourite for David in his DJ sets. Taken from their Edição Extra No. 2 LP released on Copacabana in 1972.

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Bahama Soul Club

The Havana Remixes

Release: 2017 / EU – Original

Genre: Organic Grooves

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Jose Prates / Wroblewski Jazz Quintet

Nana Imboro

Release: 2017 / EU – Original

Genre: Organic Grooves

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‘Nãnã Imborô’ is a deep rootsy samba masterpiece that may have influenced Jorge Ben’s ‘Mas Que Nada. The song appears on the much-revered and highly influential ‘Tam... Tam... Tam…!’ LP originally released way back in 1958.
Gilles Peterson spent many years trying to track down an original and recently reinterpreted it with remixed and reworks.
Wróblewski Jazz Quintet’s version from 1960’s Poland is a wonderful mellow, atmospheric jazz version. A soaring main brass line with vibes and drums bubbling underneath. Originally released on a 4-track EP, we thought it needed a full side!

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Outro Tempo: Electronic And Contemporary Music From Brazil 1978-1992

2LP | 2017 | EU | Original (Music From Memory)

33,99 €*

Reina De Todas Las Fiestas

Release: 2017 / EU – Original

Genre: Organic Grooves

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For their first multi-artist compilation, Music From Memory take us on a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic and Contemporary Music From Brazil, 1978-1992 is a double LP that explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers. As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerising tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders.

The product of extensive research, this compilation is a unique introduction to this visionary music and features many fresh discoveries in a country well trodden by record diggers. It gathers tracks from obscure albums that have for too long been neglected by even the most avid collectors of Brazilian music. It includes now highly sought after music by Andréa Daltro, Maria Rita, and Fernando Falcão, as well as unknown gems like those of Cinema, Carlinhos Santos, and Anno Luz. This is an essential release that reveals a broader spectrum of Brazilian music, striking a unique sonic signature that is full of innovation, experimentation, and beauty.

Compiled by John Gómez and featuring extensive liner notes, Outro Tempo showcases this overlooked corner in Brazil’s rich music history for the first time.

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Chico Trujillo

LP | 2015 | EU | Original (Barbes)

Release: 2015 / EU – Original

Genre: Organic Grooves

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Azymuth / Osmar Milito E Quarteto Forma

A Manha / America Latina

7" | 2015 | UK | Original (Mr Bongo)

LP | 2015 | EU | Original (World Circuit)

Release: 2015 / UK – Original

Genre: Organic Grooves

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The b-side wins again! Sampled to fame by Madlib for the mighty Madvillain album!

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Buena Vista Social Club

Lost & Found

Marcos Valle / Toni Tornado

Release: 2015 / EU – Original

Genre: Organic Grooves

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Almost two decades after the release of the original, Grammy winning album, the romance of the Buena Vista Social Club continues with ‘Lost and Found’, a collection of previously unreleased tracks, some recorded at the first legendary sessions in Havana with producer Ry Cooder and others during the extraordinarily rich outpouring of music that followed.

The original Buena Vista Social Club album was recorded for World Circuit Records by Ry Cooder and Nick Gold over seven days in Havana in 1996, bringing together many of the great names of the golden age of Cuban music in the 1950s, several of whom were coaxed out of retirement for the sessions.
The album became a surprise international best-seller and the most successful album in the history of Cuban music selling over 9 million copies.

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Mentira / Me Libertei

7" | 2015 | UK | Original (Mr Bongo)

Release: 2015 / UK – Original

Genre: Organic Grooves

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Never been released on a 7” before!

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Hypnotic Cajun & Obscure Zydeco Volume 2

LP | 2015 | EU | Original (Mo J'Connais)

7" | 2024 | EU | Original (Discos Elgozo)

Release: 2015 / EU – Original

Genre: Organic Grooves

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Following the huge success of the first volume (three pressings!) in 2009, the long-awaited 'Cajun/Zydeco Vol. 2' is finally here! The long wait was not due to a lack of inspiration, but rather to the creator's diligent research, and as such this awesome second volume has taken five years to come together. The result is a rich compilation of rare gems, some of which had never been pressed onto vinyl since their original release! The LP represents a trip into the South of Louisiana, where this music -a blend of worlds and traditions- took shape at the beginning of the 20th century. It's a selection of tracks from the past, featuring local legends (Nathan Abshire) and unknown craftsmen (Jimmy Peters), who all, in their own way, have left their indelible mark. Waltz, two-step, one-step, blues, the record pays tribute to the unique blend of European dances with African rhythms. Each track has been weighed up for its historical as well as for its musical interest. A combination of melodeon and, for the Zydeco side, button accordion, triangle, rub board and fiddles. This LP comes with sleeve notes and a magnificent poster from one of the masters of Cajun fiddle, Dennis McGhee. Presented in a silk screened cover and limited to 1.000 copies.

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Las Raras Del Folclor

La Denuncia

Tirate La Chancia / Quiero Yo Cumbia

Release: 2024 / EU – Original

Genre: Organic Grooves

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discos elgozo is proud to present our second single with two songs by Las Raras Del Folclor, a queer feminist musical project from the Colombian Caribbean, which harnesses the decolonising power of cumbia and drums to heal the community and transgress patriarchal orders. This musical project is part of the LBT Raras no tan Raras Corporation, which was born in 2019 in preparation for Lgbt Pride Day in Barranquilla, Colombia.

Las Raras Del Folclor are feminist, maricas, drummers and caribbean. Their musical proposal is a disruptive political bet, where the lyrics carry a message of respect for the lives and re-existences of sexual and gender diversities, while the drumming and collective chants unite us in the joy of the movement of our diverse bodies. If in the first track, La Denuncia, we find the strength of our ancestral women to confront patriarchal violence, in the second track, La Pajarera, we find the community that welcomes and cares for us.

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Deuce Eclipse

7" | 2024 | US | Original (Discos Resaca)

La Morena Sonidera / La Oaklandesa

Release: 2024 / US – Original

Genre: Organic Grooves

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A collaboration between The Bay/West Coast and Mexico Cumbia Powerhouses! Back again is the OG Deuce Eclipse along with the Discos Resaca crew teamed up with el maestro Robin Revilla of Grupo Maravilla Y Discos El Papi This 45rpm includes “Tírate la Chancla” and “Quiero yo Cumbia” on the flip side, Puro sabor tropical y Cumbia Trap.

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Mariposa Del Alma

7" | 2024 | US | Original (Discos Resaca)

Release: 2024 / US – Original

Genre: Organic Grooves

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The latest Mariposas Del Alma single "La Oaklandesa" a tribute to the Cumbia scene in Oakland/Bay Area. Also features "La Morena Sonidera" with Philthy Dronez & Wilson Posada on vocals y Ivan del Acordeon laying down the melodies. Puro Sabor Sonidero!!

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LP | 2024 | EU | Original (Les Disques Du Crochet)

Mosaïque

LP | 2024 | EU | Original (Music With Soul)

Release: 2024 / EU – Original

Genre: Organic Grooves

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This electric compilation features Sorg who showcases his house inspiration, Zerolex Trio who continues their journey into the world of jazz-infused club music, Kopow who blends kenyan trap with silky beats by collaborating with Killer Bas, and Flow-er who engages in a funk-imbued discussion. As an exclusive combination of unique and exciting artists, Los Cumbabas will fit perfectly in your summer playlist. It's also an opportunity for the label to unveil Pierre Chiffonnier, our flagship project, involving the sweet melodies of the young duo Poligone.

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Conjunto Papa Upa

Fruta Madura

28,99 €*

LP | 2024 | Original (Warner Music Italy)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Imagine a Latin remake of Back to the Future. The mad scientist is Arsenio Rodriguez (the godfather of salsa) and the young student who travels through time with him is Eblis Alvarez (Meridian Brothers). This album can only be described as the perfect soundtrack for that movie that never was.

After the massive buzz generated by his first solo album, Mentallogenic, Alex Figueira got back in the studio to work in a more collective fashion this time, carefully assembling the second album of his largest project to date, Conjunto Papa Upa; a team of 6 musicians, spanning 3 generations of some of the best talent in the Latin and avant-garde scenes.

In an era where tropical music is dominated by purely electronic and rhythmically uniform sounds, the ten songs encompassed in “Fruta Madura” (“Ripe Fruit”) wander through the most diverse tempos, rhythms, and motifs effortlessly. A real breath of fresh air that gracefully incorporates soul, funk, jazz, psychedelia, and electronics into a solid tropical, irresistibly polyrhythmic foundation, without ever succumbing to the many genre clichés.

The distinctive production and catchy songwriting of Figueira shine in a very distinctive light on this second full-length. Living up to his reputation (Miles Cleret, founder of Soundway Records, called him “one of the scene's truly authentic and eccentric producers”), he takes the opportunity to show he’s not afraid to keep walking his own path.

Taking the band for a wild ride through the traditions of Africa, America, and the Caribbean; contrasting them with a ridiculously wide plethora of vintage, contemporary, and futuristic sounds, and pivoting on the exuberant musicality displayed by his musicians; the result leaves no doubt: this album is destined to be considered a future classic of the exciting tropical psychedelic music of the 21st century.

Addressing the most diverse themes in this new collection of songs, things take on a much more mature tone, as the title clearly suggests.

The opening track “El segundo es más sabroso” (“The second one is tastier”) sets the tone in the most assertive way imaginable, with the band boldly declaring, through multiple metaphorical references (laid upon a crazy mix of Dominican merengue, Detroit techno, classic and free jazz, dub, and electro), that the bar will be set higher with this second album.

The remaining compositions touch upon the most diverse subjects, with a fair dose of humor, sarcasm, and postmodern “magic realism”. “El Algoritmo” (The Algorithm) is a parranda-cumbia hybrid (for lack of a specific term) about the omnipresence of technology in our lives. The sophisticated Latin soul of the titling track “Fruta Madura” makes a case for the beauty of the maturity process. Some key philosophical teachings of Marcus Aurelius (the role of causality, the impositions of “the logos” and the importance of self-control) get a twisted cumbia treatment on “Reos del Deseo” (Prisoners of Desire). “No le pongas Coca-Cola” (“Don’t put Coca Cola in it”) shows us the most satirical side of the band, accusing those who mix Coca Cola with Rum of committing "sacrilege", on a powerful base of Dem Bow (the grandfather of Reggaeton), intertwined with touches of soul, salsa, and Cuban comparsa.

"Háblame Claro" (“Talk to me clearly”) is a story of heartbreak that evokes in its first part the spirit of the erotic salsa of the 80s (a subgenre deeply despised by purists), and after an unexpected samba interlude, leads to the hardest salsa of the 70s (a subgenre adored by purists), to end up in the surprising form of pure Afro-Cuban ceremonial music.

“Tu mamá tenía razón” ("Your Mom Was Right") is an attempt to exalt the spirit of the Latin American soap opera in the key of “acid bachata”, to recount a real-life case, witnessed by the band on countless occasions: the partying woman who arrives at the show accompanied by her bitter husband, who obviously does not like to dance. A very cheeky song to talk about the very serious and pertinent topic of female empowerment.

“La misma vaina” (“The same thing”) with its indescribable blend of bantú, candomblé, and Mozambique rhythms with abstract synthesizers, is an ode to adventure in favor of the aversion to taking risks and seeking predictability.

“Amigas picadas” (“Salty friends”) is another humorous song recounting another real-life case witnessed by the band on countless occasions: a love encounter sabotaged by the girlfriend's friends, who all happen to fancy the same guy. A jazzy take on the ancient Dominican rhythm of pambiche (grandfather of merengue), with generous psychedelic touches, resembling the classy late 60s releases of Guadeloupe's legendary producer / label owner Henri Debs.

“Vinimos a hablar” (“We came to talk”) takes sarcasm to the highest level, to ridicule the absurdity (also experienced by the band firsthand) seen in live music venues where people pay a ticket to go and have conversations that could be carried out much better on any bar, where no band is playing. The music alternates between a delicate melody with loose, sparse percussion and a full-on, pumping Angolan semba, with a techno kick drum included; bringing things to an apotheotic grooving finale, where the peculiar swing of Venezuelan calypso from the Callao region is thrown on top of all the precedent elements; closing the album in the most uplifting, “end of the carnival parade” feel.

The artwork is a delicate and impactful oil painting by Colombian artist Kevin Simón Mancera, who has collaborated many times with the label before (“Maracas, tambourines and other hellish things” tape and the Lola’s Dice LP).

What the experts are saying:

“Alex (Figueira) dove into this work with a brutal cohesion between lyrics and synths. Timbre poetry, sound poetry (you name it). And that, superimposed on his always impeccable percussive base, confirms the title of “avant-garde visionary of our beautiful Latin music”". Eblis Alvarez (meridian Brothers) “Papa Upa's infectious quirkiness is a balm against boredom. A mature album, but without an expiration date”. Gladys Palmera

“Here there is a lot of strength, drum, cadence and psychedelia, lost dance rhythms, united in an intercontinental Latin/African/and Caribbean journey, a unique winning combination that we could consider the new “Ritmo Figueira”. Discodelic

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Raffaella Carra

Ballo Ballo

36,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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7" | 2024 | CZ | Original (Discos Abya Yala)

Combo Chimbita

Margarita

Orchestra Mambo International

Release: 2024 / CZ – Original

Genre: Organic Grooves

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Progressive quartet Combo Chimbita debut the first release on their own label with a track that combines their psychedelic tendencies with the rootsy elements of dub reggae filtered through the guacharaca and chicha-influenced guitar of cumbia. "Margarita" and its dub companion "Nene" comprise a sonically lush 7-inch single that represents the latest chapter in the ever-evolving Combo's sound. After a multi-year run that saw them grow from a loose improvisational collective into a compact, electrifying act that held enthralled concert halls in their hands, Combo Chimbita has entered a period of introspection and new experimentation. Turning to a producer who has been a guru of sorts to the Brooklyn scene, in late 2023 they entered the studio of Victor Axelrod, aka Ticklah, to record a couple new compositions. In contrast to the outward boundary-pushing of their last album, these new songs see the group burrowing deeply into their interior roots. "We wanted to make a song returning to cumbia, one of those rhythms that has influenced us," says frontwoman Carolina Oliveros. The added ingredient of Ticklah — a musician and producer heavily steeped in the sonic stew of reggae — overseeing the recording added a distinctive flavor to the session, and gave the group room to "play with the nuances between dub reggae and cumbia," as Oliveros puts it. "I like how the band brought in traditional Colombian elements, but never anything outright derivative," Ticklah says. "Margarita" inhabits a middle ground, an in-between area much like that of Abya Yala, an indigenous name for the isthmus that connects South and Central America and, not coincidentally, the namesake of the group's own newly formed label, of which this single is the first release. The metaphor runs deeper, as the group members' lives are lived between their Colombian heritage and their assumed status as immigrants in New York City (and, given their international fame, further beyond), and deeper still as the themes of displacement and mutable identity are threaded thru Oliveros's lyrics. The ambiguity of time, space, and meaning itself coalesce in the combination of those hair-raising, utterly soulful vocalizations — "what I cannot say by speaking," Oliveros explains — and the hypnotic rhythm born of the unspoken communication between Niño Lento, Prince Of Queens, and Dilemastronauta. The vocal version of "Margarita" is backed by a trademark Ticklah dub version of the cut ("Nene Dub"), awash in analog delays and King Tubby-like punch-ins and drop-outs, shot through with Oliveros's plaintive cries to "not worry" ("no te preocupes").

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Mambo Te Llama

7" | 2024 | UK | Original (ATA)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Midnight In Havana / Kinky Afro Cuban

Nestor Alvarez

7" | 2021 | UK | Reissue (Orginal Gravity)

12,99 €*

Release: 2021 / UK – Reissue

Genre: Organic Grooves

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Yakanhiko / Yakanhiko Feat.Keiichi Sokabe

Halfby

7" | 2024 | JP | Original (Niw!)

LP | 2024 | EU | Reissue (Miss You)

Release: 2024 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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The much-talked-about cover of Yoshitaka Minami's "Yakanhikou" is now available on 7inch release! From Yoshitaka Minami's 70's urban pop sound masterpiece album "south OF THE Border", for which Ryuichi Sakamoto wrote all the songs, Halfby has produced a superb cover of the famous song "Yakanhikou", which has a brilliant Brazilian essence of samba and bossa nova, with Keiichi Sokabe on guest vocals.

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Nilton Castro

Mes Mains

25,64 €* 26,99 € -5%

<Atras/Além> Blue Vinyl Edition

Release: 2024 / EU – Reissue

Genre: Organic Grooves

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A mysterious release, not only for its unique expressive style but also because it isn't even known when it was initially recorded let alone its release date. According to non profit Studio Piccolo owner Vincent Bruley, it could have been recorded during the 70s and eventually released in the early 90s, sometime throughout Nilton Castro's time in Paris making music for contemporary dance classes (often led by his wife). This album was originally intended for accompanying dancers in classes with an emphasis on rhythm and coordination. Given Nilton's background and expertise in percussion, the focal point of this album is to present an array of Afro Brasilian rhythms performed by himself with additional moments of choir, flute and keys/metallophone. Effortless due to Nilton's prowess and unburdened by typical financial pressures (often behind the release of a record), the result feels like charmingly unadulterated and pure expression throughout the entire album. But what really takes the listener to places of unheard-of bliss is “Ondes (Les Vagues)” a track that has plagued the curiosity of diggers and collectors for a while now. With its harmony crescendos elegantly coming and going as per the title, overlayed on Nilton's subtle percussive patterns, an aural landscape of illusory beauty - listening is believing. Remastered and officially re-issued with its original artwork.

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O Terno

2LP | 2019 | US | Reissue (Psychic Hotline)

33,99 €*

Release: 2019 / US – Reissue

Genre: Organic Grooves

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Cumbia Cumbia Cumbia!!! Vol. 2

2LP | 2024 | EU | Original (Vampisoul)

33,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Alvaro S.S. & His Jamming Sessions

Volume 2

LP | 2024 | EU | Original (Liquidator)

Muito A Vontade Limited Edition +4 Bonus Tracks

Release: 2024 / EU – Original

Genre: Organic Grooves, Reggae & Dancehall

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I am Álvaro Sosa, a bassist musician originally from Cd. Nezahualcóyotl, Mexico, where I grew up and which remains my home to this day. Since my childhood, I have felt a great passion for music, exploring various rhythms and genres. However, Latin rhythms have always been a fundamental part of my life, thanks to the influence of my family. Although I didn't admit it at first, I understood that these rhythms were part of my identity and were rooted in my roots. Approximately 10 years ago, the idea of a Jamaican music project arose in my mind, an inspiration that grew up since I discovered these rhythms that I fell in love with. This music fueled my desire to play an instrument, consolidating my dedication to this beautiful profession. However, due to my development as a musician and resource limitations at the time, I was unable to shape the project. My love for Jamaican music persisted, and accepting that I could not replicate its authentic sound, I decided to fuse the Latin rhythms I have known since my childhood, with Jamaican music. This is how the project was born, impregnated with that Latin essence, evident in each song and in the session format that gives me the freedom to collaborate with musicians I admire. The challenge for this year is to bring the project to live stages, an idea that was not initially in my plans, but given the demand of those who appreciate the project, I am willing to make it a reality. The new album follows the same concept as the first, a journey through Latin American Ska with some Reggae and Rocksteady as well, maintaining the essence of The Jamming Sessions. It includes new collaborations, more solid arrangements and an improvement in recording quality, because a work done with love and respect deserves the best. I’m sure that those who enjoyed Vol.1 will fall in love with Vol.2. Featuring 11 flavored songs, this album represents my musical passion evolution.

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Joao Donato

LP | 2024 | Original (Jazz Samba)

18,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Jazz Carnival (Original Full Length Unedited Mix) Record Store Day 2024 Edition

Azymuth

12" | 2024 | UK | Original (Far Out)

Release: 2024 / UK – Original

Genre: Organic Grooves

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Celebrating 30 years of Far Out Recordings, Azymuth’s biggest club track from their groundbreaking 1979 album Light As A Feather is reissued on 12” vinyl, in its full length unedited form.

When it was originally released, Azymuth’s disco fusion worldwide hit “Jazz Carnival” stayed in the UK top twenty for eight straight weeks. It was used as the theme music for national broadcasts in Italy and even made it onto Top Of The Pops in the UK. Since then the track has become a mainstay for disco, house, and eclectic DJs like Kerri Chandler, Floating Points, Four Tet, Mr Scruff, Gilles Peterson, Dan Snaith and Danilo Plessow.

First released in 2012, the 10 minute, original full length unedited mix of Jazz Carnival sold out immediately and has become Azymuth’s most in demand dance weapon to date. On the B side, Ashley Beedle and Yam Who? teamed up to rework Azymuth’s 1979 proto house classic for the 21st century, which made the record even more sought after still.

The vinyl DJs have been nagging us to bring this 12” back for over a decade. So for our 30th anniversary, we thought we’d finally do it!

The 12” vinyl of Jazz Carnival (Original Full Length Unedited Mix) will be available as a limited Record Store Day 2024 vinyl release via Far Out Recordings.

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Salsa Con Estilo - Dance Floor Gems From The Vault

2LP | 2024 | US | Original (Ansonia)

43,69 €* 45,99 € -5%

Release: 2024 / US – Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Jazz Samba)

Joao Gilberto

Desafinado

24,69 €* 25,99 € -5%

Presents Les Editions Populaires

Release: 2024 / EU – Original

Genre: Organic Grooves

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23 Tracks - Limited 180-gram Virgin Vinyl Edition. Born in Bahia, Brazil, singer/song writer Joao Gilberto (1931-2019) was a true legend of bossa nova. While Antonio Carlos Jobim set the standard for the creation of bossa nova in the mid-'50s, with songs like "The Girl From Ipanema" and "Desafinado", it was Gilberto who brilliantly reimagined and, arguably, defined the genre. This edition includes the complete contents of the album Brazil's Brilliant Joao Gilberto, which received a five-star rating from AllMusic, plus several of his greatest hits from his early years. "This vitally important record introduced Joao Gilberto, Antonio Carlos Jobim and thus, bossa nova to the United States in 1961, a year before Stan Getz scored a hit with 'Desafinado'."- AllMusic (Richard S. Ginell), 5 Stars

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Franco Luambo Makiadi

2LP | 2023 | EU | Original (Planet Ilunga)

31,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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After the anniversary edition about the illustrious Ngoma label, Planet Ilunga moves forward in time with its upcoming release. With the new series 'Les éditeurs congolais' Planet Ilunga aims to honour and highlight the phonographic and entrepreneurial work of the first Congolese record label bosses. We kick off with a compilation of one of the most significant labels, Les Editions Populaires, founded by Franco Luambo Makiadi.

'Indépendance Cha Cha' was an historic song, not only because it immortalized Congo’s independence in its lyrics, but also because it was the first single published by a Congolese-owned record label. Joseph Kabasele’s label Surboum African Jazz indeed paved the way for several Congolese musicians to become record publishers. It resulted in the 1960s in a plethora of newly found Kinshasa-based record labels, run by the biggest musicians of the time.

Les Editions Populaires was founded by Franco in 1968 after he first co-founded with Vicky Longomba the labels Epanza Makita (+/- 117 singles) and Boma Bango (+/- 50 singles) and after starting his first short-lived label Likembe (+/- 5 singles). It ran until 1982 and was mostly dedicated to the output of OK Jazz (later TPOK Jazz).

This compilation brings together an original selection of 16 tracks from the first three years of Les Editions Populaires. They are a showcase of the sound Franco had envisioned for his band. The focus was less on cha-cha-cha and Spanish lyrics, but on lingering rumba and bolero ballads in Lingala, tradition-rooted songs in Kikongo, Kimongo and even Yoruba, collaborations with Ngoma artists Camille Feruzi and Manuel d’Oliveira and not to forget solid tributes to American funk, which were showing that the OK Jazz musicians had an open-minded view on music and were capable of excelling in many genres.

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Brazil 45 Volume 5 Curated By DJ Koco Record Store Day 2024 Edition

5x7" | 2024 | UK | Original (Mr Bongo)

51,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

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Traffic Sound / Black Sugar

La Camita / La Camita 78

7" | 2024 | EU | Original (Vampisoul)

2LP | 2018 | JP | Reissue (P-Vine)

Release: 2024 / EU – Original

Genre: Organic Grooves

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`La Camita' is an incredible Latin funk nugget -recorded in Peru by Traffic Sound and later on by funk pioneers Black Sugar, comprising all the right ingredients to shake dance floors worldwide. Both takes on the song were released on records that today are extremely difficult to find in any condition. In 1971 Traffic Sound recorded 'La Camita' where their Latin influences overpowered the psychedelic prog vibe of their previous records. The song became a local hit and several versions were recorded by different Peruvian artists. On the other side of this single we find Black Sugar, a Peruvian band considered to be a pioneer group in Latin America in mixing funk influences with rock and Latin rhythms. In 1976, following their gig at Coliseo Amauta in Lima, opening the night for the legendary Spanish band Barrabás, they started to show a growing interest in disco music, resulting in some line up changes with members leaving the project due to their lack of interest in the new sound and new ones joining in. Their own take on 'La Camita' was released in 1978 and adds a modern twist to the original song, becoming decades later a winner spin at the most discerning dance floors worldwide. Latin party music in all its glory!

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Minyo Crusaders

Echoes Of Japan

39,59 €* 43,99 € -10%

Yoanson & Karamie / Prof Jah Pinpin 4tet

Release: 2018 / JP – Reissue

Genre: Organic Grooves, Reggae & Dancehall

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The Minyo Crusaders' 2017 debut album “Echoes of Japan” LP will be back in stock on vinyl! Purists beware, as these ten Japanese musicians have decided to give a cumbia, reggae, salsa, ethiopian groove and afro-funk twist to min'yo, an ancestral Japanese folk song genre of which they were all fans before they met. Their debut album, the eminently exotic (even zany) Echoes Of Japan, features ten tracks from the min'yo repertoire sung in the grand tradition of the style, to the sound of Afro-Latino brass and percussion. A delightful example of successful fusion, however unlikely it may seem.

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African Leaders / The Final Bird (Le Temps D'Une Vie)

12" | 2024 | EU | Original (Disques Messagers)

14,99 €*

LP | 2024 | EU | Original (2 Headed Deer)

Release: 2024 / EU – Original

Genre: Organic Grooves

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New Parisian label, Disques Messager, presents its new and second release. As its name suggests, the label has a simple leitmotiv: to place itself among the best messengers for rarities and sought-after gems of the international rare groove. A mission which began like fire last year with a 7inch reissue release including two Brazilian Disco bangers by Cristina Camargo. For this second efforts, the label doesn’t deviate from the artistic and quality path taken, however also making quite a U-turn, this time presenting 2 underrated kind of musical UFO, both from the French scene. Not many info can be found about Yoanson & Karamie, two young artists from the French African diaspora, who randomly met with Nessim Saroussi and his label Ness Music in the late 80s. Nessim himself doesn’t remind much about the 2 guys, except that he quickly offered to produce them, which resulted in their only EP release, Kalimba (1988). Part of this EP, “African Leaders” is a stunning track melting Afro-Tropical percussions, Disco bass, Early-Electro beats and Leftfield vocals in a way that could remind of Doctor L or Arthur Russel productions. On the contrary, Philippe de Lacroix-Herpin (aka Prof Jah Pinpin) has a long musical career started in the mid-70s and became a renowned saxophonist playing and recording for many famous French acts such as Jean-Jacques Goldman, Alain Chamfort, FFF, or even rap band NTM. In 1994, he moved definitely to the Reunion Island where he quickly launched the Prof Jah Pinpin 4tet, in his own words willing to play “free/funk/jazz/rock/tropical” music… Quite a vast and large musical tag, but which immediately make sense when listening to the surprising “The Final Bird” track. Only released as CD in 1996, this instrumental production has indeed a unique sound and flavor mixing all kinds of elements together (even samples of Weather Report). Well as you can understand, words are not the best way to describe these 2 hidden treasures, so we strongly recommend the spinning to make your own view!

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Exposicao Popular

Guerrinha

21,59 €* 23,99 € -10%

LP | 2024 | EU | Original (Munster)

Release: 2024 / EU – Original

Genre: Organic Grooves

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“Exposição Popular” is the new album from Rio de Janeiro based producer and composer Guerrinha, sonically orbits 80´s new wave & fusion jazz, imagine a lost ECM gem, layered in low-fi subterranean exoticism, that somehow conjures the soundtracks of Angelo Badalamenti. Here we find Guerrinha loosened up, the rhythm spilling out, playfully impossible to grasp as it floats over space-age ambient synth and organ work that takes references from Pat Metheny, John Scofield and Rita Lee. “The last LP, "Cidade Grande" was all about acceptance of the big city as a monolith, but here I wanted to focus on the exposition of the intimate as the most logical, obvious choice. Hence the name "Exposição Popular" (in english "Popular Exhibition"), which is wordplay, as all exhibitions should be inherently popular since they're all out about exhibiting yourself to everyone, but because of the nature of the art, it becomes the opposite of the "popular", it becomes niche.” - Guerrinha

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Principe Y Su Sexteto

Salsa De Guaguanco

26,99 €*

Cumbia Del Pichaman / Puya Del Empresario

Release: 2024 / EU – Original

Genre: Organic Grooves

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Hard salsa with rocking tropical electric guitar! Príncipe's 1967 debut album, featuring powerful Afro-Latin rhythms like guaguancó and pachanga played with youthful exuberance and originality. Truly unique sound from the dawn of salsa in Venezuela. Príncipe y Su Sexteto, from Caracas, Venezuela, were early pioneers of "salsa con guitarra eléctrica" (salsa with electric guitar), a subset of the salsa genre where the electric guitar is the main melodic rhythm instrument, often taking the spotlight in place of the piano and brass section. They were the perfect combination arriving at the rightmoment, when salsa spontaneously emerged as a new musical movement coming from working-class youth of the barrios in Caracas. All the compositions are original to the band, and hold up really well more than 50 years later. Though the arrangements and playing are deceptively simple, the effect is both mesmerizing and energizing, like early rock 'n' roll fed through a Caribbean filter. This first time reissue has been remastered directly from the original tapes and licensed from Discomoda. With in-depth liner notes it has also been augmented by three smoking bonus tracks that were never released during Príncipe y Su Sexteto's existence as a band. 180g vinyl.

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Meridian Brothers

Release: 2023 / JP – Original

Genre: Organic Grooves

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From the underground scene of Bogota, the capital of Colombia, the Meridian Brothers, a project of Eblis Alvarez, a prodigy who is also well known as a guitarist for LOS Piranas and Ondatropica, makes its debut at Okra!! The band is releasing four dance floor-oriented tracks on two 7-inch discs from their new album "cumbia Siglo XXI," which is a departure from the acoustic chamber Latin pop of their previous album and is a fully cumbia-oriented electronic sound in the Meridian Brothers' style that they have been experimenting with for more than 15 years.

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Romperayo

Uyuyuis / Sangre Negra

N21 / En Este Mundo Y En Esta Tierra

Release: 2023 / JP – Original

Genre: Organic Grooves

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This is what the world has been waiting for! Romperayo's new 45 is a hybrid Latin dance sound directly descended from the Discos Fuentes that colored Colombia in the 70s~80s. A tremendous temptation to the joy of shaking your body! Cumbia, salsa, funk, disco, rock, Soukous, zouk... The groove, which is a mixture of all kinds of things, is carried over to the present day by Romperayo, a project by Pedro Ojeda, a genius drummer representing the underground scene in Bogota.

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Conjunto Media Luna

LP | 2023 | JP | Original (Okra Brand)

Release: 2023 / JP – Original

Genre: Organic Grooves

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The physical debut of Conjunto Media Luna, a band of the new generation of neo-tropical movement in Bogota, acclaimed by Frente Cumbiero and the Meridian Brothers! Cumbia Sabanera is a traditional cumbia from Montes de Maria, Colombia, where many maestros have been born. Highly recommended for fans of old-school accordion cumbia, such as Andres Landero, who captivated Joe Strummer, and Carmelo Torres, who is enjoying a remarkable reappraisal.

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Frente Cumbiero

Cera Perdida

27,99 €*

Cumbia De La Igualdad / Cumbia Del Relicario

Release: 2023 / JP – Original

Genre: Organic Grooves

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Mario Galeano's flagship project based in Bogota, the capital of Colombia, and well known for his work with the Minyo Crusaders, has released its first new album in 10 years! Ondatropica, Minyo Cumbiero... Frente Cumbielo is the flagship project of Mario Galeano, who has been working on a series of high-profile projects from Bogota, the capital of Colombia, with the keyword "cumbia". After 10 years since "frente Cumbiero Meets MAD Professor", the new album is finally available in physical format! Recorded by the same members as their legendary first Japan gig in 2018. Nine instrumental numbers that combine cumbia, polo, gaita, jazz, electronica, and dub, and the tight, heavy quartet sound that has been developed over two and a half years of touring around the world! The band's guest is the legendary Conjunto Miramar, who has been active in Bogota since the 60's and has left many cumbia classics to the Discos Fuentes. The LP also includes an additional song, "Motines del Tigre", a collaboration with Argentine cumbia band LA Delio Valdez, which was not included on the digital version.

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Meridian Brothers

Meridian Brothers & Conjunto Media Luna

Release: 2023 / JP – Original

Genre: Organic Grooves

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The long-awaited second floor-oriented 7" from the masterpiece album "cumbia Siglo Xxi", chosen as the best of the year 2020 by numerous music media and record stores! Strange, poppy and groovy, these are the two coupled tracks that are the Meridian Brothers! The unique mastering, which differs from Lp/cd, was done by Frankie Merritt of The Carvery UK, a leading mastering and cutting company in tropical music and responsible for SOUNDWAY's series of works.

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Pensando En Mi Morena (Instrumental) / El Profesinalismo Es Importante (7" Edit)

Release: 2023 / JP – Original

Genre: Organic Grooves

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A new world of accordion music pioneered by the Meridian Brothers, who lead the tropical music scene with their unique approach to Colombian musical heritage and twisted pop sensibility, andCONJUNTO Media Luna, who revive the charm of authentic cumbia sabanera in the present! Despite the simplicity and minimalism of the live instrumentation, the collaboration "paz EN LA Tierra", released in 2021, has no hint of the conventional acoustic music mood, but is instead a collection of songs with the rhythmic intensity of house and techno. Two of the tracks have been further edited, mixed, and mastered to be released as exclusive 7" versions.

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Sinsuke Fujieda Group

Mtation / Caravan

18,99 €*

LP | 2023 | EU | Original (B-Otherside)

Release: 2023 / JP – Original

Genre: Organic Grooves

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Creole dance music by Shinsuke Fujieda, a flute and saxophone player active in Mumbia y Susu Candelosos and i-dip, leads a group of virtuoso musicians. The sound that responds to the French Caribbean~Zouk revival that has been making waves in the European club scene finally emerges from Tokyo! Shinsuke Fujieda's call has brought together such renowned musicians as Shinichi Tsukamoto (TRIAl Production) and Masaki Nagata (Zainichi Funk) to form the Shinsuke Fujieda Group, which has garnered attention for its groovy, sometimes ceotic, deep and emotional sound that is based on jazz but is distinct from so-called "club jazz. After the release of their magnum opus "informel" in 2021, they have further strengthened their groove intensity and have chosen dance music from the French Caribbean as the theme for their new journey.

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Mimis Plessas

Plays Philicorda

34,99 €*