Latin | Brazil Vinyl 254 Items

Tampo is a mystic sextet from somewhere out of the hustle and bustle of the busy Helsinki scene. They operate on a level of their own, performing latin jazz inspired by cumbia and mambo. This 7" single release by We Jazz Records features two high calibre cuts, "Keumgang" and "Tampomambo", making this one a solid choice for all lovers of psychedelic music with character.

This new 7-inch by S-tone Inc., that includes two brand new tracks, confirms Stefano Tirone’s 20-year old collaboration with Brazilian songwriter Toco. “Try My Love” is a fluid, relaxed and dreamy funk song that blends soul jazz with a ‘70s downtempo drumming groove. “Odoya”, featuring Toco on vocals, is a bit more faster composition, that would perfectly fit as a soundtrack of a typical Italian police movie from the same decade! Simply fantastic!

Stefano Tirone is an eclectic artist, open to a wide range of different music genres. This new 7-inch, that includes two brand new tracks, confirms his 20-year old collaboration with Brazilian songwriter Toco. Working on these songs for Stefano was like going back to the years when he used to listen to Acid Jazz music, especially to the records produced by the Mizell brothers. Their influence here is obvious from the first notes: the funk in “Try My Love” is not as high-fueled as in James Brown’s songs but, as the legendary brothers taught us, by blending a hint of soul jazz with the ‘70s downtempo drumming groove, we get a fluid brew, relaxed and dreamy. This is exactly what “Try My Love” is about. “Odoya”, featuring Toco on vocals, is a bit more faster composition, that would perfectly fit as a soundtrack of a typical Italian police movie from the same decade! Simply fantastic! - - - Stefano Tirone è un artista eclettico e aperto a una vasta gamma di generi musicali. Questo suo nuovo 45 giri, che contiene due nuove tracce, conferma la sua ventennale collaborazione con il cantautore brasiliano Toco. Lavorare a queste canzoni è stato per Stefano come volgere lo sguardo agli anni in cui era solito ascoltare dischi della scena Acid Jazz, specialmente quelli prodotti dai fratelli Mizell. La loro influenza è evidente sin dalle prime note: il funk di “Try My Love” non è carico di energia come quello di James Brown ma, come i leggendari fratelli ci hanno insegnato, dall’unione di un pizzico di soul jazz con il groove di batteria ‘downtempo’ tipico degli anni ‘70 otteniamo una miscela fluida, rilassata e sognante. Esattamente ciò che si respira in “Try My Love”. “Odoya”, brano che vede la partecipazione di Toco alla voce, è una composizione dal ritmo leggermente più sostenuto, perfetta come colonna sonora di un tipico ‘poliziottesco’ italiano! Eccezionale!

"When Greg Caz and Deano Sounds teamed up to create The Brasileiro Treasure Box Of Funk & Soul they created a collection of vintage Brazilian music that stretches across the scope of funk, soul, and psychedelic. Co-compiler and Brazilian music aficionado, Greg Caz says: “Without necessarily having a central theme
other than funky nuggets from the first half of the 70s, we believe this compilation displays its own particular
sense of logic, and that these songs ultimately all sound fantastic together. Regardless of one’s familiarity, or lack thereof, with artists like Antonio Carlos & Jocafi, Os Incríveis, Toni Tornado or Celia, the material on these 45s speaks its own truth and justifies their inclusion here. Many of these were originally available as singles, while others were taken from albums, but all are guaranteed to find their way into many
DJ boxes and playlists.”

"When Greg Caz and Deano Sounds teamed up to create The Brasileiro Treasure Box Of Funk & Soul they created a collection of vintage Brazilian music that stretches across the scope of funk, soul, and psychedelic. Co-compiler and Brazilian music aficionado, Greg Caz says: “Without necessarily having a central theme
other than funky nuggets from the first half of the 70s, we believe this compilation displays its own particular
sense of logic, and that these songs ultimately all sound fantastic together. Regardless of one’s familiarity, or lack thereof, with artists like Antonio Carlos & Jocafi, Os Incríveis, Toni Tornado or Celia, the material on these 45s speaks its own truth and justifies their inclusion here. Many of these were originally available as singles, while others were taken from albums, but all are guaranteed to find their way into many
DJ boxes and playlists.”

The stunning 45s from this set will now be available for individual sale. The series kicks off with Toni Tornado’s 1972 single Bochechuda b/w Aposta as well as a split 45 with the out and out rocker from Antônio Carlos & Jocafi (Quem Vem Lá) on the A-Side and the groove laden “Paz E Amor” from Os Incriveis on the B-Side."

Music With Soul returns with another genre-defying instant classic, expanding the limits of the Tropical Dance music universe.
Staying true to the label's essence, founder Alex Figueira places a high bet with this new release, introducing a brand new breed of traditional “Hindoestan” (Indian diaspora in Surinam) music and Cumbia. Taking the music of underground Surinam musician and empresario A. Bechan for an explorative excursion into the depths of the Colombian caribbean coast, this explosive combination raises the bar unquestionably. Equally weird, groovy and trippy, this 45 will turn any party upside down, regardless of any factors. The only problem you will encounter is what to play after. The solution is right on the other side. Just flip the record and give them the Instrumental version, featuring electric guitar, an alternative percussion set up and the beloved classic Juno-60 synthesizer in the leading role for another 4 minutes of dancefloor catharsis.

Betino's Records proudly presents its third release: an EP by the very sharp collective The Big Hustle. The band founded in 2014 by bass player and composer Sébastien Levanneur, brings together 70's old school funk with the hippest actual sound with influences spanning from Steely Dan to Snarky Puppy, from Mandrill to Lettuce and from Herbie Hancock (Manchild era) to Soulive. With mighty horn players, a rock and funky rhythm section, and percussions added to it, The Big Hustle’s music has a very large variety of sound landscapes. Still, the music never loses the groove and always stays close to the funk.
The A side opens with "Afrorever", a tribute to African culture and music. The guest of honor on this song is legendary Malian musician Cheick Tidiane Seck, longtime partner of Salif Keita, and collaborator of Joe Zawinul, Carlos Santana and Damon Albarn to name a few. After Cheick’s introduction, the songs jumps into a typical afrobeat vibe featuring a tight and powerful horn section, suddenly breaks into an electro funk groove and ends in a furious percussive party.
Second track on the A side is "Faure is the Magic Number". It is dedicated to Thomas Faure (co-composer of the track) and François Faure (both featured on this song on tenor sax and keyboards respectively). This piece displays the band’s ability to blend jazz-funk groove with a heavy hip-hop beat. Kind of DJ Premier meets Steely Dan.
The B side starts with "Afrorever (Sun's Up Mix)". Through this mix, one can acknowledge instantly Olivier Portal's touch. From the very first chords, he conveys us into his realm blending warm and melancholy keyboards with an old school deep-house rhythm pattern.
The fourth track is called “1, 2, 1, 2”. It is a purely improvised moment in the studio while the band was sound checking before recording with special guest rapper Raashan Ahmad. Nicolas Gueguen had the good idea to press the R button and what you hear is basically what happened afterwards.
Enjoy!

Mi Conga es de Akokan is built on the Conga de los Hoyos rhythms from Santiago de Cuba. Saxophones and trombones alternate with vocals imploring the listener to dance over intensely syncopated percussion, leading to a melodic flight by the masterful trumpeter Reinaldo "Molote" Melian. The horns re-enter, and the Orquesta takes off to soaring heights of rhythmic intensity and sophistication. La Guajira is a slow country rhythm told by the tres guitar and percussion onto which horns and strings add slinking, narcotized harmonies. Pepito tells a sensual tale of romance with a girl from the country (la guajira), which slowly builds in intensity over soneos, coros and mambos until all parts interlock in a lugubrious climax.

This limited edition 7" collects three unreleased tracks from the recording sessions from Los Mambo Jambo's third album, Jambology: ‘Cayo Diablo’, ‘El Último Shimmy’ i ‘Experiment In Honk’. It was published on June 20th to support the campaign 'Salvemos Las Tiendas De Discos' (Save The Record Stores) promoted by Record Store Day Spain.

The release comes on 180g vinyl. For the second 12” of the series we’ve enlisted two of the most on-fire producers in Germany: Max Graef and Glenn Astro, along with one of the UK’s brightest ascendant producers. Back fighting, kicking and beating as strong as or perhaps even stronger than ever before, Ivan ‘Mamao’ Conti is releasing a brand new solo album next year. Now fitted with a new iron hip- thanks to the immense generosity of his fan base who crowdfunded the operation – the Azymuth drummer still remains one of the greatest and outright funkiest drummers alive anywhere in the universe as he enters this new bionic era. As people of earth are not yet quite ready to hear the explosively ethereal cosmic samba of his new album just yet, we’re easing into it with a series of appropriately propulsive percussive jazz-headed remixes. For the second 12” of the series we’ve enlisted two of the most on-fire producers in Germany: Max Graef and Glenn Astro, along with one of the UK’s brightest ascendant producers.

For number 90 in the Brazil45 series, we share a couple of lesser-known discoveries that have become recent favourites here at Bongo HQ.

First up we head to the north of Brazil with funky Forró / boogie hybrid monster, 'Vendedor De Mangaios' by Josan. Originally released in 1981 on the album 'Rio De Renovações’ on Copacabana Records. This addictive dancefloor gem is still relatively under the radar, but it has become a firm favourite at Bristol's Worm Disco Club parties and amongst the DJ's and collectors of Brazil's underground dance music scene.

Taken from the illustrious singer Bartô Galeno's self-titled 1977 album on Tapecar Records, 'Vou Tirar Você Daqui' is an unusual one. Not easily pigeon-holed, the song sits somewhere between MPB / funk and rock, yet isn't really any of them. Backed with a big orchestrated sound and tripped-out synths, the track has a truly unique feel.

We hope you dig these finds. Another testament to the diversity and depth of Brazil's rich musical heritage.

If you order additional products from our site they will be sent out with 'brz45087', so please place a separate order for those. A: Lafayette – Sol De Verão / B: Marissa Rossi - Quem Vem Lá For Brz45087 we present a split release comprised of two tried-and-tested favourites from the Mr Bongo record bag. Rio-born pianist and organist Lafayette’s career started in the mid-60s and saw him become a prominent member of the Brazilian musical movement entitled 'Jovem Guarda’. For his inclusion on this selection in the Brazil45 series we move things along a few years to 1982 and the Brazilian boogie gem 'Sol De Verão'. Taken from his album 'Edição Especial’ and originally released on Copacabana Records, 'Sol De Verão' was written by Jorginho Gomes from one of Brazil's greatest bands Os Novos Baianos. It's a superb slice of 80s boogie/funk brilliance with a super catchy ear-worm of a vocal - definitely one for the dancers! For the flip, we include an absolute monster from the fantastic Marisa Rossi, who we featured previously on number 38 in the Brazil45 series. 'Quem Vem Lá’ is a heavy driving Samba Rock / MPB groove track with female and male call and response vocals. Originally released on a very rare and exclusive 7" also on Copacabana Records, but this time in 1971. Marisa would go on to work with the legendary Arthur Verocai in the 1980s. Two very different slices and styles of Brazilian music, but both absolute gems.

If you order additional products from our site they will be sent out with 'Toni Tornado - 'Sou Negro' / Zeca Do Trombone 'Coluna Do Meio'', so please place a separate order for those. For volume 86 in the Brazil45 series, we return with a pair of stellar 1970s Brazilian-Funk / Black Rio nuggets by two of the greats of the genre, Toni Tornado & Zeca Do Trombone. 'Sou Negro' (I'm Black) is taken from Toni Tornado's (aka Antônio Viana Gomes) sought after 1970 four-track compacto EP on Odeon Records. Already having had some experience in show business as a dancer in the 1960s, Toni started his musical career in 1970 and adopted the stage name 'Toni Tornado'. The influence of James Brown flowed through his music, with Toni becoming one of the first Brazilian artists (alongside Tim Maia) to introduce the soul and funk sound into Brazilian music. Together with other contemporary musicians and bands such as Banda Black Rio, Gerson King Combo and Cassiano, this new sound led to DJ's throwing soul parties. This unique Brazilian take on soul and funk (and later on disco) became coined as 'Black Rio'. A movement that celebrated pride in its Black identity and consciousness. Zeca Do Trombone has an impressive repertoire which has seen him releasing a handful of solo albums and working with some of the greats of Brazilian music, such as Tim Maia, Ivan Lins, Joyce, and Luis Vagner. The track 'Coluna Do Meio' is taken from his 1976 collaboration project 'Zé Do Trombone E Roberto Sax' with saxophonist Roberto Sax, which additionally features the heavyweight Wilson das Neves on percussion. This catchy Wah-Wah guitar-led dancer has become a favourite with DJ's over the years and will continue to be championed for years to come.

Our much in-demand series of classic Brazilian 45s are back! Featuring a vibrant new design, we’ve curated yet more wants-list regulars and unearthed fresh finds from Brazil that are destined to become collector’s items in their own right. Number 80 in our Brazil.45 series, aptly sees a double-sider focusing on the awesome 80's recordings by one of the giants of Brazilian music, Jorge Ben. First up is the addictive, building groove of 'Curumin Chama Cunhãtã Que Eu Vou Contar (Todo Dia Era Dia De Índio)’. Taken from the 'Dádiva' album from 1981, and originally released on Som Livre Records. A homage to the indigenous people and tribes of Brazil. The flip features one of Jorge's most beloved Brazilian-Boogie joints, 'Rio Babilônia’, which celebrates life in Rio, partying, the beach, and the city’s iconic monuments. The song was originally released on a compacto and taken from the 'Dádiva' album from 1983, it features arrangements by the late-great, Lincoln Olivetti.

For those of you who haven't had the pleasure of seeing Koko-Jean and The Tonics featuring Dani Nel·lo, you are in for a treat! For the first time they join forces with this debut single to pay tribute to one of the greatest 60s rhythm and blues icon, Little Milton. 3 elegant yet greasy tunes that are sure to explode in your ear and make your body swing and shake. pop in this new single and let it roll!!

Neno Exporta Som’s super-rare compacto 'Deixa A Tristeza’ from 1971, has been high on the want-lists of Brazilian record collectors and DJs for years. This was intensified, along with a wider cult-following, following Floating Points dropping the gem on his amazing 'BBC Radio 1 Essential Mix’ back in 2015. Mr Bongo included 'Deixa A Tristeza’ on our Record Club Vol 1 compilation. Following that came many requests to release it back on its original ‘compacto’ 7” format. So finally, here it is for all to enjoy.
By sheer coincidence, also released in 1971 on Copacabana Records is Agnaldo Rayol's ‘Sumaúma’. A fairly un-known record which has the potential to become an underground classic. This epic track has a psyche break-beat drum and bass groove intro - just asking to be sampled! Along with lush string and horn arrangements and a soaring female/male vocal duet. This beauty has been a firm favourite in the Bongo office since we came across it and hopefully you dig it as much as we do.

"Created by Marc Brown and Chris Franck, this track marks the first release from their forthcoming album. You may know them from their Smoke City days or from Marc's KV5 releases and Chris as Da Lata.
This limited release seven inch represents a rebirth of the Humble label, an imprint Marc began in the 90's through the broken beat specialists Goya distribution.

The track is a mid tempo electronic Afro-Brazilian song which features the vocals of Sérgio Pererê, an artist hailing from Belo Horizonte, Brasil. The vocals were recorded in Brasil and the link was forged through Chris's Brasilian music connections.

The B side sees London based Reggae supremo Gil Cang dub out the rhythm in a heavy manner, Gil is in house producer at Tuff Scout and long time Mannaseh collaborator."

Double sider of uptempo vintage MPB samba jazz from Carlos Sodré, originally released as a 33rpm ‘compacto’ 7” single on Copacabana in 1965.

‘Mais Kriola’ first appeared on Brazilian Beats Brooklyn compilation put together by Greg Caz and Sean Marquand for us in 2006. It’s a lovely laid back mid tempo boogie/soul/fusion jam. Originally appeared on Matheus self-titled LP from 1975.
‘Maita’ is a wonderful piece of warm, upbeat MPB from Doris Monteiro. Originally appeared on her ‘Agora’ LP from 1976, released by Odeon.

One for the heads! A rare female vocal double header, starting with Dalila's 1968 gem 'Canto Chorando' originally released on a sort after 'compacto' 45 on Copacabana.
On the flip – a Copacabana 7” release in the form of Neyde Alexandre’s 1971 song ‘Perplexidade', with a fantastic break intro, horn stabs and lush vocals. One of our favourite Brazil 45’s.

Brazilian mid tempo boogie double header. We’ve been playing these two out for the last couple of years and they are firm favourites.
‘E Novamente Mas Que Nada’ is the opening track from Reseda’s 1979 album on Som Livre. An ultra catchy vocal hook, boogie guitars and synths lead into a piano and cuica breakdown and horns to finish. One of the finest in the genre in our opinion.
‘Ginga’ is taken from Robson Jorge & Lincoln Olivetti’s self-titled masterpiece, reissued on Mr Bongo. Arguably the most immediate and club friendly track from the album, it always turns heads. Another premium example of Brazilian boogie from the masters of the sound and producers for the likes of Rita Lee, Erasmo Carlos, Don Beto, Marcos Valle, Tim Maia, Gilberto Gil, Gal Costa, Sandra Sa, Painel de Controle and many more.

‘Sinal Vermelho’ – midtempo psyche-funk workout tough on the drums. Brilliant vocal from Marilene. Taken from 1973 compacto 7” released on Copacabana.
‘Verão Vermelho’ is taken from Nonato Buzar’s 1970 LP ‘Temas De Novelas’, a collection of songs he wrote for Brazilian soap operas. The song features Pedro Santos on percussion.

‘O Bofe’ is the title track from the soundtrack to a Brazilian soap opera of
the same name, released on Som Livre in 1972. All music on the soundtrack was
written by brothers Roberto and Erasmo Carlos.
Catchy whistles and MPB vocals over a samba rock groove. Previously unreleased
on 7”.
‘Cho Chua’ is a capoeira-samba groover by Brasil Ritmo, who we know very little
about…

‘Barumba’ is an uptempo funk-jazz monster with heavy drums and piano right from the off. Soaring horns add to the drama. Originally released on his self titled LP on CBS Brazil in 1974. ‘Morre o burro, Fica o Homem’ is the third Osmar Milito track to feature in our Brazil 45’s series. A classic samba-rock track; funk drums fills and punchy horns underpin the MPB vocals, building in tempo slightly over the track. The song was originally written by Jorge Ben. Taken from his expensive and hard to find ‘Nem Paletó, Nem Gravata’ LP released on ATCO Brazil in 1973.

Anilza Pinho de Carvalho, better known by her stage name Anilza Leoni was a Brazilian actress, singer, former ballerina and painter.

Balumba is uptempo samba jazz at it’s finest. Originally appeared on a very obscure 7” on Copacobana in 1967 entitled ‘Enfarte Musical / Festa Do Balamba’, and was included by Nicola Conte on his Viagem Vol. 4 compilation.

Sambalanço Trio were formed by Cesar Camargo Mariano, Humberto Clayber and Airto Moreira in 1960’s Sao Paulo. The group released some of the most important records of the period and in the genre of samba-jazz.

When the group split in 1965 Airto formed Quarteto Novo with Hermeto Pascoal, and Cesar Mariano went on form Som Tres.

Sam Blues is a Mr Bongo HQ favourite - uptempo bossa jazz fusion, taken from their self-titled LP originally released on Audio Fidelity (Brazil) in 1964.

'Eu Bebo Sim' is a samba-rock master class from Elizeth Cardoso originally released on Copacabana in 1973, as featured on her Disco de Ouro in 1974. Another find at Tony’s Hits in Sao Paulo.
She released around 40 albums during her career, most of which appeared under the name Elizete Cardoso.

Elza, Queen of Samba, is one of the most prolific, successful and well-known Brazilian artists of all time.

In 'Deixa A Nega Gingar' she delivers a top 10 Mr Bongo HQ favourite - Bossa nova underpinned with a Montuno-esque piano line, backed with percussion and horns that would rival Tito.
This 7” cut sounds particularly enormous on a sound system.

More samba-jazz and brazilian flavors on part 24 of Mr Bongos 45 series focusing on Brazil!

Never been released on a 7” before!

We’ve taken a selection of the most in-demand and asked-for titles in our Brazil 45’s catalogue and given them a loving remaster and repress. The late composer, arranger, musician and record producer Nonato Buzar is a lesser-known great outside of Brazil. His legacy leaves behind a rich body of recordings, working with some of the cream of the Brazilian ‘60s and ‘70s music scene, including Evinha, Elis Regina, Wilson Das Neves as well as reggae legend Jimmy Cliff. The awesome organ driven dancer ‘Cafuá’, with its zesty horns and sun-soaked vocal tones, is taken from Nonato & Seu Conjunto’s 1975 'O Som E O Balanço De Nonato’ album on Som records.

Most famed for his ultra rare 1973 track 'Lotus 72 D’, which Mr Bongo reissued in 2019, José Roberto aka Zé Roberto’s other 7 inch from the following year, also held a gem within its B side grooves. 'Crioula Multicolorida’, though not as scarce as ‘Lotus 72 D', is still a super hard record to track down and is equally as great. This anthemic ‘samba rock’ pearler, with its amazing breakdown and strutting groove, has long been a favourite amongst Brazilian DJs and collectors. The track also featured on the influential ‘Via Brazil’ compilation series and 'Brazilian Beats Brooklyn' collection on Mr Bongo.

We’ve taken a selection of the most in-demand and asked-for titles in our Brazil 45’s catalogue and given them a loving remaster and repress.

Highlighted here, the joyous family flavours of Trio Ternura and a samba-funk masterclass from Eliana Pittman, cut loud and proud on either side of a seven inch.

First, we have the uptempo funk-soul sounds of ‘Vou Morar No Teu Sorriso’ courtesy of sibling group, Trio Ternura - taken from their self-titled 1971 LP. Comprised of sisters Jussara, Jurema and their brother Robson, this track is a real favourite of ours and a regular spin in our DJ sets. Tight drums, breaks and percussion lay the foundation for those jubilant vocals, funk-powered organs, punchy horns and grooving bass to transport you to sandier shores.

On the B side, a slice of dancefloor samba-funk-MPB radiance from Eliana Pittman with ‘Quem Vai Querer’. Originally released in 1977 on RCA, the rolling samba groove, layered percussion and lovely lead vocal from Eliana build into a carnival-flavoured chorus to lift even the lowest of moods.

Mr Bongo’s Brazil 45’s series serves up another pair of Brazilian classics in the form of Rita Lee & Tutti Frutti ‘Agora É Moda’ and Pete Dunaway ‘Supermarket’.

'Agora É Moda' is a psychedelic, disco-boogie-groove monster brought to our attention by Greg Caz and Sean Marquand aka Brazilian Beats Brooklyn. Originally released on Rita Lee’s 1978 album Babilônia LP on Som Livre, this sublime track is drenched in squelching guitar licks, funk drums and sensuous cosmic vocal flavours.

Lee was the lead singer of Brazilian psychedelic rock band Os Mutantes and a hugely important figure in the Tropicalia movement. She sadly passed away in 2023 but her legacy well and truly lives on, loved both in and out of the music world.

On the flip side, Pete Dunaway’s ‘Supermarket’ is a rare groove/AOR masterpiece with a killer bassline, swaggering guitar and luscious string section layered with a perfectly delivered English vocal.

Pete Dunaway, real name Otavio Cardosa was a singer, composer, arranger and multi-instrumentalist from Sao Paulo, who spent the majority of his time composing for TV themes and library instrumentals.

Remastered with refreshed artwork.

We are excited to welcome Orestes Gomez to the Olindo ranks with his sublime remix for Raúl Monsalve y los Forajidos "Bocón", featuring the distinctive vocals of Luzmira Zerpa, fusing neo soul, jazz and Venezuelan drums.

For number 92 in our Brazil45 series, we delve back to another all-time favourite track, 'Embalo Diferente' by Os Devaneios. This sublime funky Samba joint has always ignited the dancefloor for us. It featured on the band's 1978 album, 'O Conjunto Que Faz Você Vibrar’, which originally saw release on EMI. No crazy hype needed for this one, just a fantastic straight-up, no messing Samba Funk made for dancing.

We only know of four albums by Os Devaneios and for the A-side of this 45, we have selected one of our more recent discoveries with a track entitled 'A Beleza É Você Menina'. Taken from their 1979 album 'Raça Suor E Suingue’ (also originally released on Emi), it was recorded only a couple of years after 'Embalo Diferente’. Whilst it remains in that Samba mold, it has also taken on some of the vibe and characteristics of Soul, Brazilian Boogie and AOR from that late 70s and early 80s period. A feel-good and uplifting record, yet one which simultaneously has a hint of melancholy and is all the more beautiful for it. It's always good to discover a new song by an old favourite, and we hope you grow to love it too.

Club Internacional dig deep to launch their new global reissue series in style with two long lost cuts from Rio-based label Top Tape. First up is Jose da Silva aka Zeca Do Trombone. A massively respected instrumentalist, he has worked his trade over the years with many of Brazil's leading artists such as Tim Maia, Milton Nascimento, Elizeth Cardoso, Beth Carvalo, Martino Da Vila, Gonzaguinha and Carlos Dafe amongst others. He also produced a very much sought after LP in 1976 alongside Roberto Sax which was finally re-released this year on Mad About Records. Tema Do Brisa dates from a few years later in 1978 and is Zeca's only solo 45 single. Never released on digital and never reissued on vinyl before, it is with great pleasure that Club Internacional re-launch this psychedelic jazz and heavily funk influenced gem with its still stunningly fresh sounding drum patterns to a new generation of listeners.

Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.
The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.
The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.
Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

Since 2019 the collective of Parisian partygoers, Pardonnez-Nous, have decided to launch their own label. Just like their parties, their goal is to shine a light on dancing music.
Constantly looking for new tracks to enlighten the dancefloors, their outings are in line with the vision of deejaying defended by its founders. Finding forgotten pieces that are the geneses of dance music and mixing them with more contemporary sounds. Re-editions, edits, remixes or original productions the label doesn’t just stick to one style but aspires to represent all the music of partying!
Mexico, Peru, Surinam, and of course Sweden: in 1986, musicians from around the world responded to the Swedish composer, arranger and multi-instrumentalist Torbjörn Langborn’s invitation. His idea was to bring together the two groups he played with: a jazz quintet, and his salsa ensemble.
The cocktail was explosive: after several days recording at the Humlan studio in Stockholm, Torbjörn Langborn & the Feel Life Orchestra produced an eponymous album, combining, in Langborn’s words, “disco and funk with congas and Batá percussions.” The B side was a three-part gem nearly seven minutes long titled “Feel Life”, where he gives free rein to his talent as a jazz pianist. Thirty years later, we asked the famous remixer Dimitri from Paris to express is talent to produce a new version of this classic music track. "Pardonnez-nous", here it is.

Two sun shine soaked, Latin infused Eddie Palmieri joints from the 1978 album Lucumi, Macumba, Voodoo get the official, remastered reissue treatment – with original copies of the 7” trading hands for upwards of £60.
Born in New York to Puerto Rican parents, multi Grammy award winner Palmieri is a stratospheric salsa master. And for the Lucumi, Macumba, Voodoo LP he assembled a powerhouse, 30 strong jazz orchestra, featuring the likes of Dom um Romao, Steve Khan, Lew Soloff, Jon Faddis, Hiram Bullock and Palmieri’s brother Charlie.
In an era dominated by disco, ‘Spirit Of Love’ took to the dancefloor, drawing on the glamour and magnetism of the late ‘70s. Palmieri’s distinctive style still weaves its way through though, melding Afro-Caribbean rhythms with modern jazz. ‘Spirit Of Love’ is full to the brim with striking vocals, cow bells and big horn sections, blended with psychedelic guitars that riff off against clavinet touches and expressive Montunos melodies. Spirit of the salsa, for the disco dancer!
On the flip ‘Lucumi, Macumba, Voodoo’ is a masterpiece of Latin fusion, with Palmieri’s unique arrangements squeezing that Puerto Rican flavour out of every added instrument. Trumpet blasts and sax solos marry with woops and whistles and Latin chants. Couple that with sensuous piano melodies and irresistible percussive elements and it’s a recipe of Caribbean spice that’ll liven up any record collection.

Following the success of the Retro-Zouk mixtapes series (4 volumes / 15k plays on Soundcloud), Secousse Radio proudly presents its first official vinyl reissue of a long lost Zouk banger.
Originally released in 1993-1994, those two tracks have been road-tested in various clubs and parties for months and the feedback is clear: it’s dancefloor devastation business.
Their author is Jules Henri Malaki, an established and self-produced artist from Guadeloupe, a French overseas island in the Southern Caribbean Sea.
As the popularity of Zouk music keeps growing every day in Europe, America and Asia, just whisper the name “Makiyaj” to any of the best DJs from the current tropical diggers scene and watch their eyes scintillate… This secret weapon shall not remain secret very long.

Since the release of his 2 first albums on Favorite Recordings, Lucas Arruda has quickly established himself as one of the most talented young artist and composer from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul and Funk music.

In spring 2015, it was also not surprising to find Lucas Arruda back with a new LP called SOLAR, receiving great supports and feedbacks from international media and tastemakers. One of the highlight of the album was the song “Melt the Night”, on which Lucas asked legendary producer Leon Ware for his help, reminding his collaborations in the 80s with Marcos Valle, when they perfectly merged together the sophisticated Boogie and AOR touch from California, with the blazing sense of rhythm from Brazil.

Today, Lucas Arruda and Favorite Recordings proudly present a brand new single, announcing the release of Lucas’ third efforts later this year. This new opus is pursuing the music direction set with SOLAR, mixing touch of Blue-Eyed-Soul, Pop, Soul and Brazilian styles together, and influenced by the path of legendary Brazilian producer Lincoln Olivetti, who recorded some of the biggest stars of Brazilian music (Marcos Valle, Jorge Ben, Tim Maia…).

In Lucas words: “These two tracks represent the whole spirit of the new album. In this record I really wanted to honor Robson Jorge & Lincoln Olivetti. They are the main influence on this record. We recorded the basic tracks for the album in the same studio that Lincoln Olivetti did his last works. So, this was very important to capture the true essence of Brazilian Funk/AOR tradition. Hope you guys enjoy it!”

Marketed as “workout music" at the time, ‘Estrelar’ was his best-selling record with a total of around 90,000 sales.
‘Alleluia’ is a mid tempo groover, with rich horns, guitar, synth and vocal lines. An end of the night jam if ever there was one.

Composed and arranged collectively, this new opus mixes up Latin, Funk, Pop and Jazz, with the same percussive and strong vocal section, sung in Spanish, English, Creole and Yoruba, (cf. their arrangement of the traditionnal Rezo a Obatala). They also salute the great Camilo Azuquita with a rework of "Guajiro Bacan" (Ramon "Saoco" Perez), which they bring as a pledge of allegiance to the Latin Soul genre.

In a world governed by stereotypes, Lachinos break down the boundaries between people and gender. It is impossible to clearly distinguish the origin, roots and cultures that are specific to each of its members. An association that turns out to be as unexpected as it is effective on their first EP America Lachina, out on Goutte d’Or, a sub-label of french team Cracki Records. America Lachina is also and above all an ode to Latin American music. One travels to the rhythms of merengue, cha cha cha, cumbia or even Brazilian surf, always with a musical commitment to rock accents.

High Quality pressing in vintage silk screen sleeve. Fiestas is an ultra catchy foxtrot by the Colombian clarinet player and ar-ranger Ricaurte Arias.This American-style swing spiced up with a layer of Colombian sauce is an irresistible ear worm that takes the concept of smoothness to another level. Definitely the foxiest of all foxes.

High Quality pressing in vintage silk screen sleeve. Latin orchestra meets Greek bouzouki!!! A true hybrid musical dream, emerging and blending the sound from the migrant communities of 60’s New York. Greek bouzouki wizard Yannis Tatassopoulos injecthis electrifying playing into the Latin beats of Roger 'King' Mozian. Together these dukes of sound generate a tornado! Non-conventional and ultra refined crossover madness from the Space-Age. Mambo Gi-tano!

Names You Can Trust presents the debut release from Netherlands-based group Lola's Dice, an ensemble born and battle-tested by years of punk and hard rock before fusing into its current form, a consolidated tropical-rock rhythm machine. Fueled in equal parts by the group's South American roots in Venezuela and Chile, and the creative freedom of their long-time home in Amsterdam, the band's evolution has resulted in music that is a pure body-moving delight — a fuzzy blend of guitars, synths and musical sabor that is very much rooted in the percussive sounds of Latin America, yet still comfortable in its punk-ethos vandalization of tradition and status quo. Helping to guide the band in this first studio recording is the talented touch of percussion maestro and engineering wiz Alex Figueira (Fumaça Preta, Conjunto Papa Upa) at his Barracão Sounds studio in Amsterdam. The resulting 4-track EP is a perfect match of genre-defying psychedelic madness and Caribbean cool.

The next MOTON release comprises of three tracks carefully selected by Love Vinyl's Jake Holloway.
Jake co-owns the second hand department in the store with The Mighty Zaf. He also is a graphic designer working for one of the world's most prestigious labels Barely Breaking Even/BBE Jake DJs in around London with regular sets at Brilliant Corners, Spiritland, Servant Jazz Quarters and will be playing at The Southern Soul Festival this summer in Montenegro.
When label bosses Dave Jarvis and Diesel asked Jake to choose the tracks for the release he soon got to work and come up with these three under the radar gems...
"Morning Shunt" is a ferocious Afro/Disco/Reggae uptempo dancefloor bomb, hailing from London this fantastic genre crossing tune was ripe for an edit.
"Jaques Theme" is another off-radar Carib-Disco banger which will appeal to both the Disco and Balearic heads.
"The Bandit" with it's tuff breaks and Spanish guitar will also appeal to the Balearic fraternity as well as the B-Boys.
So three tracks, all of which fall into differing genres making this a very different and varied sounding release!

Three major players from the now multi-generational broken beat scene: Henry Wu, Dego (2000black) and IG Culture have assembled for an irresistible late summer bruk-samba trip. Brazilian rhythms have always been foundational influences on the broken-beat and future jazz movements, and this EP continues to explore these connections, a running theme throughout Far Out's 23 year history with Seiji, Mark Pritchard, Afronaught, Domu, Da Lata and Jazzanova being just a few of the names to have contributed to this particular avenue of the label's pantheon of dance music.

For Mancha 'E Plátano, la bomba is a transformative exercise, a way for this group of transplanted young women to teleport to the other side of the Atlantic Ocean, and step into the land of their birth, la isla de encanta, Puerto Rico. Bomba has become a way to be in two places at once for them, a tool of expression in their adopted city of Barcelona, itself a Mediterrean melting pot filled with diverse cultures and countless musical influences. Formed in 2018, the group has been studying and performing the bomba tradition alongside an adoring collective of multi-national musicians and collaborators, strengthening their reverential pride in this uniquely Caribbean cultural tradition. Their debut release was produced and recorded together with Names You Can Trust while in Barcelona at Nación Funk Studios, and contains one original composition, "No Me Da Pena," and one traditional, "Remigio Tombé." This balance of tradition and new growth represents their life and musical movements within the bustling borders of Barcelona. It is also a dedication to all those who are constantly fighting for their own representation and a thank you to those who have accompanied these talented women on their journey thus far, both on and off the island of Puerto Rico.

Newborn french label Raoi Records is proud to release for the first time a remastered and fully licensed compilation of the two sought after records of Joe Sembene: Heart of Africa & Weur Di Dane/Le P’tit Quinquin. Side A is "Heart of Africa" with the songs "Gorelle" & "Autrefois", two timeless and unparalleled afro/electronic tracks. The first song on Side B is "Weur Di Dane", a perfect blend of afro and boogie vibes. The voice of Joe's wife, Josy Sene, stands out all along the track, a pure bliss! This is followed by a cover of a traditional song from the north of France called "Le P'tit Quinquin", but Joe gives it a strong reggae twist in the vain of Serge Gainsbourg’s "Aux Armes Et Cætera"! However, it had little success at the time... After recording these two remarkable and hard-to-find 7 inches at September Records in Lille (Fr), Joe suddenly disappeared… Who knows where Joe Sembene is right now?