Latin | Brazil Vinyl 336 Items

This new 7-inch by S-tone Inc., that includes two brand new tracks, confirms Stefano Tirone’s 20-year old collaboration with Brazilian songwriter Toco. “Try My Love” is a fluid, relaxed and dreamy funk song that blends soul jazz with a ‘70s downtempo drumming groove. “Odoya”, featuring Toco on vocals, is a bit more faster composition, that would perfectly fit as a soundtrack of a typical Italian police movie from the same decade! Simply fantastic!

Stefano Tirone is an eclectic artist, open to a wide range of different music genres. This new 7-inch, that includes two brand new tracks, confirms his 20-year old collaboration with Brazilian songwriter Toco. Working on these songs for Stefano was like going back to the years when he used to listen to Acid Jazz music, especially to the records produced by the Mizell brothers. Their influence here is obvious from the first notes: the funk in “Try My Love” is not as high-fueled as in James Brown’s songs but, as the legendary brothers taught us, by blending a hint of soul jazz with the ‘70s downtempo drumming groove, we get a fluid brew, relaxed and dreamy. This is exactly what “Try My Love” is about. “Odoya”, featuring Toco on vocals, is a bit more faster composition, that would perfectly fit as a soundtrack of a typical Italian police movie from the same decade! Simply fantastic! - - - Stefano Tirone è un artista eclettico e aperto a una vasta gamma di generi musicali. Questo suo nuovo 45 giri, che contiene due nuove tracce, conferma la sua ventennale collaborazione con il cantautore brasiliano Toco. Lavorare a queste canzoni è stato per Stefano come volgere lo sguardo agli anni in cui era solito ascoltare dischi della scena Acid Jazz, specialmente quelli prodotti dai fratelli Mizell. La loro influenza è evidente sin dalle prime note: il funk di “Try My Love” non è carico di energia come quello di James Brown ma, come i leggendari fratelli ci hanno insegnato, dall’unione di un pizzico di soul jazz con il groove di batteria ‘downtempo’ tipico degli anni ‘70 otteniamo una miscela fluida, rilassata e sognante. Esattamente ciò che si respira in “Try My Love”. “Odoya”, brano che vede la partecipazione di Toco alla voce, è una composizione dal ritmo leggermente più sostenuto, perfetta come colonna sonora di un tipico ‘poliziottesco’ italiano! Eccezionale!

Famous catalan singer, producer and media personality Miqui Puig puts his own spin on these covers by two of the biggest spanish bands from the 80’s: ‘Cien Gaviotas’ by Duncan Dhu and ‘Resurrección’ by El Último De La Fila. This single is part of the collection of 7” celebrating the 15th anniversary of the label Buenritmo Records.

One for the heads! A rare female vocal double header, starting with Dalila's 1968 gem 'Canto Chorando' originally released on a sort after 'compacto' 45 on Copacabana.
On the flip – a Copacabana 7” release in the form of Neyde Alexandre’s 1971 song ‘Perplexidade', with a fantastic break intro, horn stabs and lush vocals. One of our favourite Brazil 45’s.

Mastered and cut at 45rpm for high quality and loud sound, these 7"s are packaged in lovingly produced Brazil45 sleeves. Dancefloor essentials for all DJs and collectors!

The Peguins keep moving forward into their soul and pop new direction with this four track EP sung in catalan, their native language. These songs deal with our relationship to love and death, the two main threads that will define our existence.

From Costa Rica, Los Cuchillos, a garage punk band that have their path already well defined in the garage punk scene. This is their first ep on Groovie Records, not the last for shure. This tracks are super killers and really shows what the band came for... Limited to 300 copies. 100 of them coloured.

Neno Exporta Som’s super-rare compacto 'Deixa A Tristeza’ from 1971, has been high on the want-lists of Brazilian record collectors and DJs for years. This was intensified, along with a wider cult-following, following Floating Points dropping the gem on his amazing 'BBC Radio 1 Essential Mix’ back in 2015. Mr Bongo included 'Deixa A Tristeza’ on our Record Club Vol 1 compilation. Following that came many requests to release it back on its original ‘compacto’ 7” format. So finally, here it is for all to enjoy.
By sheer coincidence, also released in 1971 on Copacabana Records is Agnaldo Rayol's ‘Sumaúma’. A fairly un-known record which has the potential to become an underground classic. This epic track has a psyche break-beat drum and bass groove intro - just asking to be sampled! Along with lush string and horn arrangements and a soaring female/male vocal duet. This beauty has been a firm favourite in the Bongo office since we came across it and hopefully you dig it as much as we do.

‘Mais Kriola’ first appeared on Brazilian Beats Brooklyn compilation put together by Greg Caz and Sean Marquand for us in 2006. It’s a lovely laid back mid tempo boogie/soul/fusion jam. Originally appeared on Matheus self-titled LP from 1975.
‘Maita’ is a wonderful piece of warm, upbeat MPB from Doris Monteiro. Originally appeared on her ‘Agora’ LP from 1976, released by Odeon.

Sivuca’s legendary Brazilian cover of the Bill Withers classic ‘Ain’t No Sunshine’ was a big hit on the Rare Groove scene and still sounds amazing today.
We’ve also included his amazing cover of Edu Lobo’s ‘Ponteio’ on the flip – both where originally released on Sivuca's self titled album from 1973 on Vanguard.

Brazilian funk double header. ‘As Sementes’ is a mid tempo, funk-soul head nodder laden with percussion and soaring vocals and strings. Originally released in 1974 on Odeon. Major released one album and a handful of ‘compactos’ on Odeon and Som Livre.
‘Dando Fora’ is a mid-tempo samba-funk gem – a firm favourite for David in his DJ sets. Taken from their Edição Extra No. 2 LP released on Copacabana in 1972.

‘Nãnã Imborô’ is a deep rootsy samba masterpiece that may have influenced Jorge Ben’s ‘Mas Que Nada. The song appears on the much-revered and highly influential ‘Tam... Tam... Tam…!’ LP originally released way back in 1958.
Gilles Peterson spent many years trying to track down an original and recently reinterpreted it with remixed and reworks.
Wróblewski Jazz Quintet’s version from 1960’s Poland is a wonderful mellow, atmospheric jazz version. A soaring main brass line with vibes and drums bubbling underneath. Originally released on a 4-track EP, we thought it needed a full side!

‘A Paraiba Não É Chicago’ is a smasher from the very first beat! Golden era Brazilian boogie by Marcos Valle from 1981, with a brilliantly hooky chorus section. Originally released on his ‘Vontade De Rever Voce’ LP.
‘Não Quero Mais’ is VERY reminiscent of The Doobie Brothers ‘Long Train Running’, delivered in a Brazilian style – vintage disco-boogie vibes but with a more soulful chorus section. Originally appeared on Don Beto’s ‘Nossa Imaginação’ LP from 1978.

2 more brazilian dancefloor fillers, never before released on 45!

Rare and sought after tracks previously unreleased as singles or only available on quieter LP pressings. Finding these tracks in good condition is extremely difficult, as anyone who has searched for them in record stores online or even in Brazil will know.

Jorge Ben is a name that any lover of Brazilian music will be very familiar with. He is widely regarded as the James Brown of Brazilian music and is famed for writing the Brazilian anthem ‘Mas Que Nada'. For the duet ‘Carolina, Carol Bela' he teamed up with the singer and guitarist Toquinho. Toquinho is best known for his collaborations, as composer and performer, with bossa nova poet Vinicius de Moraes.

'Carolina, Carol Bela' featured on the album Toquinho by Toquinho. It was originally released in 1970 on the small independent Brazilian label, RGE. The song was sampled by DJ Marky and XRS for their Drum & Bass track ‘lk’ (V Recordings, 2002). This went on to be a huge chart hit across the world, and a number one hit in the UK.

João Donato is a Brazilian jazz and bossa nova pianist. He has collaborated with many of the greats of Brazilian Music, including Tom Jobim, Astrud Gilberto and Gilberto Gil. He was one of the few Brazilian artists who went over to perform in the States during the bossa nova boom of the late 60’s. The song ‘A Rã’ was originally released on his seminal album Quem é quem, (emi, 1973), an album that is full of great tracks and was considered as one of the 100 best albums of all time by the Rolling Stone magazine.

Rio-born, Joyce Moreno, is one of the greatest Brazilian artists of all time. The voice, the playing, the writing, they all combine to make her a true allrounder. She possesses the ability to transport, captivate and transcend listeners. With a career that has spanned more than 30 albums and over 50 years, she continues to record and tour the world.

‘Aldeia de Ogum’ is one of her most well-known songs. With a joyfully jazzy arrangement, building Latin percussion, Brazilian flute and tropical atmosphere, this full-bodied samba smash became an anthem amongst London’s DJs and dancers in the Acid Jazz days. A favourite of Patrick Forge and Gilles Peterson, it was regularly spun at their legendary Dingwalls sessions.

Originally featured on her sought after Feminina LP from 1980, it also appears on our 'Essential' Joyce compilation from 1997. The original pressing of this Brazil 45 was the first time the track had been released on 7".

A fellow Rio native, Rosinha was a highly acclaimed composer, arranger and guitarist who played with legends including Baden Powell, Sérgio Mendes and Sivuca.

Here we present her stunning cover of the Gershwin classic, ‘Summertime’. Rosinha’s elegant, instrumental interpretation showcases her majestic guitar playing, and what a player she was! Backed with beautifully arranged, emotion-drenched strings, this track is guaranteed to stir your soul.

'Summertime' is taken from her 1975 RCA LP entitled Um Violão Em Primeiro Plano. The original pressing of this Brazil45 was the first time the track had been released on 7".

Remastered with refreshed artwork.

The release comes on 180g vinyl. For the second 12” of the series we’ve enlisted two of the most on-fire producers in Germany: Max Graef and Glenn Astro, along with one of the UK’s brightest ascendant producers. Back fighting, kicking and beating as strong as or perhaps even stronger than ever before, Ivan ‘Mamao’ Conti is releasing a brand new solo album next year. Now fitted with a new iron hip- thanks to the immense generosity of his fan base who crowdfunded the operation – the Azymuth drummer still remains one of the greatest and outright funkiest drummers alive anywhere in the universe as he enters this new bionic era. As people of earth are not yet quite ready to hear the explosively ethereal cosmic samba of his new album just yet, we’re easing into it with a series of appropriately propulsive percussive jazz-headed remixes. For the second 12” of the series we’ve enlisted two of the most on-fire producers in Germany: Max Graef and Glenn Astro, along with one of the UK’s brightest ascendant producers.

Betino's Records proudly presents its third release: an EP by the very sharp collective The Big Hustle. The band founded in 2014 by bass player and composer Sébastien Levanneur, brings together 70's old school funk with the hippest actual sound with influences spanning from Steely Dan to Snarky Puppy, from Mandrill to Lettuce and from Herbie Hancock (Manchild era) to Soulive. With mighty horn players, a rock and funky rhythm section, and percussions added to it, The Big Hustle’s music has a very large variety of sound landscapes. Still, the music never loses the groove and always stays close to the funk.
The A side opens with "Afrorever", a tribute to African culture and music. The guest of honor on this song is legendary Malian musician Cheick Tidiane Seck, longtime partner of Salif Keita, and collaborator of Joe Zawinul, Carlos Santana and Damon Albarn to name a few. After Cheick’s introduction, the songs jumps into a typical afrobeat vibe featuring a tight and powerful horn section, suddenly breaks into an electro funk groove and ends in a furious percussive party.
Second track on the A side is "Faure is the Magic Number". It is dedicated to Thomas Faure (co-composer of the track) and François Faure (both featured on this song on tenor sax and keyboards respectively). This piece displays the band’s ability to blend jazz-funk groove with a heavy hip-hop beat. Kind of DJ Premier meets Steely Dan.
The B side starts with "Afrorever (Sun's Up Mix)". Through this mix, one can acknowledge instantly Olivier Portal's touch. From the very first chords, he conveys us into his realm blending warm and melancholy keyboards with an old school deep-house rhythm pattern.
The fourth track is called “1, 2, 1, 2”. It is a purely improvised moment in the studio while the band was sound checking before recording with special guest rapper Raashan Ahmad. Nicolas Gueguen had the good idea to press the R button and what you hear is basically what happened afterwards.
Enjoy!

Limited to 200 copies, HHV Exclusive, red vinyl.
Heroes Of Limbo rework two hip-hop staples with stunning afrobeat arrangements. Eric B. & Rakim's 'Don't Sweat The Technique' and Pete Rock & C.L. Smooth's 'They Reminisce Over You (T.R.O.Y.)' are stripped to their instrumental essence with polyrhythmic drums and percussions, powered up by a massive big band brass section and going bonkers altogether. A sure shot double-sided winner for all DJs that want to leave their crowd guessing whether they're taken to the streets of New York or to the Shrine in Lagos, Nigeria.

Sometimes the best things take time to come into fruition, and here we are, ready to finally unleash Brazil45 number 88 - the missing 7"! Featuring two Mr Bongo favourites that we have been longing to share with the world.

First up is a lesser-known Brazilian Boys track titled 'Super Herois’. This slightly trippy and quirky funk-rock groove is taken off an obscure 7" on CID records and was originally released in 1975. 'Super Herois' is super catchy, addictive and a guaranteed complete earworm. It’s a muti genre, crossover nugget that will branch scenes and tick all sorts of boxes.

On the flip is the driving, jazz-rock-samba dancefloor joint 'Tudo Ai’, a cut taken from Rubinho E Mauro Assumpção's highly sought after 1972 album 'Perfeitamente, Justamente Quando Cheguei’. Originally released on Tapecar Records, this short in stature track packs a real punch!

Number 94 in the Brazil45 series is one for the Brazilian boogie lovers out there.

The vocal and instrumental group Os Carbonos from São Paulo had a long career that straddled the 60s, 70s and 80s. 'Pássaro Selvagem' is taken from the latter years of their career. Its a bass driven, boogie-funk groove (with a bassline not too dissimilar to Queen 'Another One Bites The Dust') that is Brazilian boogie at its finest. Taken from the B-side to a 7" campacto released in 1981 on Copacabana records, its proven to be a favourite of Luke Una and we foresee it becoming a staple in your DJ box for years to come too.

The B-side comes from one of our all-time favourite artists, the mighty Sandra Sa. Sandra is a wonderful vocalist, her intense and recognisable style is one of THE voices of the Brazilian boogie golden era. Check out her classic album 'Vale Tudo' (mrblp230) on Mr Bongo for further proof of her credentials here. 'Palco Azul' is also taken off a 7" single from 1981 and is a feel-good dancefloor groover with punchy brass stabs, warm keys and uplifting chord changes. It contains all the right elements that we have come to associate with that knockout late 70s / early 80s Brazilian sound.

Club Internacional dig deep to launch their new global reissue series in style with two long lost cuts from Rio-based label Top Tape. First up is Jose da Silva aka Zeca Do Trombone. A massively respected instrumentalist, he has worked his trade over the years with many of Brazil's leading artists such as Tim Maia, Milton Nascimento, Elizeth Cardoso, Beth Carvalo, Martino Da Vila, Gonzaguinha and Carlos Dafe amongst others. He also produced a very much sought after LP in 1976 alongside Roberto Sax which was finally re-released this year on Mad About Records. Tema Do Brisa dates from a few years later in 1978 and is Zeca's only solo 45 single. Never released on digital and never reissued on vinyl before, it is with great pleasure that Club Internacional re-launch this psychedelic jazz and heavily funk influenced gem with its still stunningly fresh sounding drum patterns to a new generation of listeners.

Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.
The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.
The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.
Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

Since 2019 the collective of Parisian partygoers, Pardonnez-Nous, have decided to launch their own label. Just like their parties, their goal is to shine a light on dancing music.
Constantly looking for new tracks to enlighten the dancefloors, their outings are in line with the vision of deejaying defended by its founders. Finding forgotten pieces that are the geneses of dance music and mixing them with more contemporary sounds. Re-editions, edits, remixes or original productions the label doesn’t just stick to one style but aspires to represent all the music of partying!
Mexico, Peru, Surinam, and of course Sweden: in 1986, musicians from around the world responded to the Swedish composer, arranger and multi-instrumentalist Torbjörn Langborn’s invitation. His idea was to bring together the two groups he played with: a jazz quintet, and his salsa ensemble.
The cocktail was explosive: after several days recording at the Humlan studio in Stockholm, Torbjörn Langborn & the Feel Life Orchestra produced an eponymous album, combining, in Langborn’s words, “disco and funk with congas and Batá percussions.” The B side was a three-part gem nearly seven minutes long titled “Feel Life”, where he gives free rein to his talent as a jazz pianist. Thirty years later, we asked the famous remixer Dimitri from Paris to express is talent to produce a new version of this classic music track. "Pardonnez-nous", here it is.

Two sun shine soaked, Latin infused Eddie Palmieri joints from the 1978 album Lucumi, Macumba, Voodoo get the official, remastered reissue treatment – with original copies of the 7” trading hands for upwards of £60.
Born in New York to Puerto Rican parents, multi Grammy award winner Palmieri is a stratospheric salsa master. And for the Lucumi, Macumba, Voodoo LP he assembled a powerhouse, 30 strong jazz orchestra, featuring the likes of Dom um Romao, Steve Khan, Lew Soloff, Jon Faddis, Hiram Bullock and Palmieri’s brother Charlie.
In an era dominated by disco, ‘Spirit Of Love’ took to the dancefloor, drawing on the glamour and magnetism of the late ‘70s. Palmieri’s distinctive style still weaves its way through though, melding Afro-Caribbean rhythms with modern jazz. ‘Spirit Of Love’ is full to the brim with striking vocals, cow bells and big horn sections, blended with psychedelic guitars that riff off against clavinet touches and expressive Montunos melodies. Spirit of the salsa, for the disco dancer!
On the flip ‘Lucumi, Macumba, Voodoo’ is a masterpiece of Latin fusion, with Palmieri’s unique arrangements squeezing that Puerto Rican flavour out of every added instrument. Trumpet blasts and sax solos marry with woops and whistles and Latin chants. Couple that with sensuous piano melodies and irresistible percussive elements and it’s a recipe of Caribbean spice that’ll liven up any record collection.

Following the success of the Retro-Zouk mixtapes series (4 volumes / 15k plays on Soundcloud), Secousse Radio proudly presents its first official vinyl reissue of a long lost Zouk banger.
Originally released in 1993-1994, those two tracks have been road-tested in various clubs and parties for months and the feedback is clear: it’s dancefloor devastation business.
Their author is Jules Henri Malaki, an established and self-produced artist from Guadeloupe, a French overseas island in the Southern Caribbean Sea.
As the popularity of Zouk music keeps growing every day in Europe, America and Asia, just whisper the name “Makiyaj” to any of the best DJs from the current tropical diggers scene and watch their eyes scintillate… This secret weapon shall not remain secret very long.

Since the release of his 2 first albums on Favorite Recordings, Lucas Arruda has quickly established himself as one of the most talented young artist and composer from Brazil. His music is filled with fusion style, mixing influences and elements from his Latin musical background, with his genuine admiration for Jazz, Soul and Funk music.

In spring 2015, it was also not surprising to find Lucas Arruda back with a new LP called SOLAR, receiving great supports and feedbacks from international media and tastemakers. One of the highlight of the album was the song “Melt the Night”, on which Lucas asked legendary producer Leon Ware for his help, reminding his collaborations in the 80s with Marcos Valle, when they perfectly merged together the sophisticated Boogie and AOR touch from California, with the blazing sense of rhythm from Brazil.

Today, Lucas Arruda and Favorite Recordings proudly present a brand new single, announcing the release of Lucas’ third efforts later this year. This new opus is pursuing the music direction set with SOLAR, mixing touch of Blue-Eyed-Soul, Pop, Soul and Brazilian styles together, and influenced by the path of legendary Brazilian producer Lincoln Olivetti, who recorded some of the biggest stars of Brazilian music (Marcos Valle, Jorge Ben, Tim Maia…).

In Lucas words: “These two tracks represent the whole spirit of the new album. In this record I really wanted to honor Robson Jorge & Lincoln Olivetti. They are the main influence on this record. We recorded the basic tracks for the album in the same studio that Lincoln Olivetti did his last works. So, this was very important to capture the true essence of Brazilian Funk/AOR tradition. Hope you guys enjoy it!”

Exactly three years ago, "Matasuna Records" released a hot Latin 45 feat. two songs by the Venezuelan band "Phirpo y sus Caribes", led by musician, arranger and conductor "Porfi Jiménez". Now, fortunately, two more tracks from the band's only album, "Parrilla Caliente", are being reissued on vinyl by Matasuna - and for the first time, on a 7-inch! The original pressing of the 1972 album on "Philips" is a rare and valuable collector's item. Officially licensed by the family of the late musician. Don't miss this gem! "Y Esa Pava Que?" on the A-side of the single is an explosive Latin funk joint written by Porfi Jiménez. An irresistible groover, opulently and densely orchestrated with virtuoso musicians showing off their musicality. Heavy drums, powerful horns, funky & slightly psychedelic keys & guitars are the basic ingredients, enriched with solo parts and vocal interludes. A real treat! The B-side features "Pa' Los Rumbero", a cover version of the song by New York Latin maestro "Tito Puente". In 1972, Puente recorded a great new version of his original 1955 composition. Phirpo y sus Caribes used this new version as the basis for their cover, compressing the Puente song to about two and a half minutes. The result is an energetic and upbeat song that proves that Porfi Jiménez and his bandmates were among the continent's finest musicians. Vamos que la rumba ya va empezar!

Artist info
"Porfi Jiménez", whose real name was "Porfirio Jiménez Núñez", was born in 1928 in Hato Mayor del Rey in the "Dominican Republic". He began his musical training at the early age of 9. After studying at the Municipal Academy of Music he became a member of an orchestra at the radio station "Voz Dominicana". Its director "Enrico Cabiatti" introduced him to the art of arranging.
Due to the Trujillo dictatorship, he left the country in 1954 and went to "Venezuela", where the young musician became famous as a trumpeter and played in the most important groups of the time. The quality of his original arrangements opened the doors of the most famous record companies of the time in Venezuela. Porfi also became one of the most outstanding composers and arrangers of those years, rebuilding Cuban "José Pagé's" Cuban label "Velvet" in Venezuela and working for all the label's national and international singers.
At the end of the 50's until the beginning of the 60's, he worked in orchestras of various TV stations in the Venezuelan capital Caracas. In 1963, Jiménez founded his own orchestra, which became known as one of the most important musical groups in Venezuela throughout Latin America.
In the 70's, musical transformations resulted from the emergence of new musical styles & rhythms. Porfi Jimenez, as a contemporary artist and passionate jazzman, began to incorporate new musical elements into his songs that distanced him from the prevailing commercial style. This resulted in the album "Parrilla Caliente", which was released as the band "Phirpo y sus Caribes" and remained the band's only album. The production, practically unknown, allowed him to experiment and express his artistic creativity, distancing himself from the traditional style of his dance orchestra.
Salsa music and its orchestras lost importance in the 80s and were displaced by new music. However, another Caribbean rhythm filled the gap: the "Merengue", which triggered an international boom. Porfi also embarked on this path, releasing an album that immediately catapulted him back to fame. It was a period in which he received numerous awards, such as two gold and one platinum disc.
Shortly before his death, on June 9th 2010, Porfi Jiménez managed to realize his lifelong dream: the formation of his jazz big band, with which he performed at numerous festivals in Caracas. With it, he left an important musical legacy, with several original compositions and arrangements of the most prominent names in jazz history. In 2007, Porfi Jiménez was honored by the "United Nations" as one of the most outstanding musicians of the continent.

Although perhaps not a household name like Sergio Mendes, Marcos Valle or Flora Purim, Bororó is considered to be one of the most important and talented Brazilian musicians of his time. Taking his moniker from the indigenous people of his country, who live in the state of Mato Grosso, Bororó steadily built his career for well over a quarter of a century, along the way performing live and in the studio with such legends as Gal Costa, Milton Nascimento and Caetano Veloso.

Favorite Recordings proudly present its new series of 7" reissues with the following concept: each side dedicated to one Funky French track coming with its original artwork. You just have to flip it! On the first side, you'll get the amazing track "Funky Biguine" by West Indies band Crystal. Originally compiled by Charles Maurice on French Disco Boogie Sounds Vol. 2, the original eponymous album still goes for crazy prices. And there's a reason for that: "Funky Biguine" will bring the heat on the dancefloor with its enchanting synth bassline, its West Indies influences and melodious Funk arrangement. Don't miss the synth solo in the end! On the other side, you'll find a reissue of "Looking For You" by J.E.K.Y.S from the island of Réunion. The song has just started and you're already overwhelmed by the strong bassline and the sirens of this French boogie anthem - despite this one has English lyrics. Originally, you'll find it compiled by Charles Maurice on French Disco Boogie Sounds Vol. 3. Expect lovely harmonic progressions and perhaps a more spacey groove, as in these beautiful bridges leading to chorus where the lyrics blend perfectly with the synthesisers line and Fender Rhodes.

Sounds move across the limits of space and time to leave imprinted in the mind an album of memories full of colors and emotions, a travel journal that from the farthest corners of the world burns every kind of distance and returns through warm and strongly evocative sounds the colors, scents, rhythms, the atmospheres of distant lands. The result is a rich and evocative soundscape, where images become sounds and sounds images, where the elements of nature echo voices of different places and cultures, distant in space but deeply similar and intimately connected. Imaginária Records has commissioned the refined experience of Giovanni Santucci and LucaEffeSunset a journey through the sounds of the world, which from the enveloping wave motion of the warm Iberian beaches carry us to the crystalline dripping of waters and voices of the Mexican jungle, crossing Balearic rhythms and Brazilian brilliance, letting ourselves be captured by the persuasive voices and the chasing rhythm of the magical formulas of the masciare, ancient mysterious witches of southern Italy. In this journey, which represents the first stage of a wide-ranging project (a trilogy that will take the shape of new musical experiences gathered around the themes of the places first and then of the return), an exciting centrifugal movement that attracts towards a single center: the beating heart of a single Mother Earth; voices, suggestions, rhythms, emotions from the far/near, in order to confirm, together with Raymond Murray Schafer, that in the end "the whole world is sound".

High Quality pressing in vintage silk screen sleeve. Latin orchestra meets Greek bouzouki!!! A true hybrid musical dream, emerging and blending the sound from the migrant communities of 60’s New York. Greek bouzouki wizard Yannis Tatassopoulos injecthis electrifying playing into the Latin beats of Roger 'King' Mozian. Together these dukes of sound generate a tornado! Non-conventional and ultra refined crossover madness from the Space-Age. Mambo Gi-tano!