Latin | Brazil Vinyl 291 Items

The 1974 debut album Ojinga’s Own and single Basa Bongo/Black Pepper by Guyanese Afro-Folk band The Yoruba Singers has been remastered for vinyl and digital. The Yoruba Singers formed in Georgetown, Guyana in 1971. Despite their name they were not from Nigeria, but identified strongly with the area from which so many of the African diaspora in Guyana and neighbouring regions were originally descended. The group started adapting Guyanese traditional folk music as well as writing their own - blending a mixture of protest, social commentary, blues, and genres inspired by the times. Beginning with about 12 people sharing vocal duties, most of the early repertoire was inspired by folk songs that started life on plantations or in religious settings accompanied by a few sparse musical instruments. Integral to the Yoruba Singers’ sound are echoes of Obeah traditions which are very closely related to the Santería religion of Cuba and the Orisha and Shango traditions of Trinidad and Tobago. Calypso and steelband culture from nearby Trinidad and Tobago was to some extent part of the musical DNA of the group, but they were naturally also influenced by the massive volume of rocksteady and roots-reggae coming from Jamaica.

Here it comes the first tropical Uluru! The A side sees an instant classic from uprising french producer Yeahman! Produced in 2016, this jewel sees the light for the first time on a 7” and featured some “badman” lyrics on a crispy cumbia beat. On the b side we welcome to the label Austrian trio Restless Leg Syndrome with a classic cumbia re-work called Hornrace. Pull up guaranteed! Pressed on high quality black and turquoise vinyl (38 gr.) Edition of 500, coming with “hand stamped” paper sleeves.

Here it comes the first tropical Uluru! The A side sees an instant classic from uprising french producer Yeahman! Produced in 2016, this jewel sees the light for the first time on a 7” and featured some “badman” lyrics on a crispy cumbia beat. On the b side we welcome to the label Austrian trio Restless Leg Syndrome with a classic cumbia re-work called Hornrace. Pull up guaranteed! Pressed on high quality black and turquoise vinyl (38 gr.) Edition of 500, coming with “hand stamped” paper sleeves.

The heaviest, rarest, best Fuzz-Funk-Psych 45s from Brazil. Contains full booklet with liner notes in English and Portuguese plus photos by Brazilian vinyl archaeologist Joel Jones.

Wilfred Trevor Woodley aka Woods (1934 - 2010) is certainly one of the best kept secrets in Caribbean jazz. A pianist composer from Point Fortin, Trinidad & Tobago, Woods was a fascinating man who lived an incredible life traveling to more than 70 countries. Even though he composed hundreds of songs he had never released an official album. Woods was a man who lived a fearless life. Even when faced with life's adversities he dealt with them with such courage and calmness that all who knew him could only remember him with admiration and respect. In july 1990 he was involved in an accident where a truck crushed one os his legs. facing the doctors, he replied with aplomb: "As long as I can play the pinao, everything is fine". This EP is the first project of a series to pay a tribute to his legend and to keep his music alive.

Mastered and cut at 45rpm for high quality and loud sound, these 7"s are packaged in lovingly produced Brazil45 sleeves. Dancefloor essentials for all DJs and collectors!

More samba-jazz and brazilian flavors on part 24 of Mr Bongos 45 series focusing on Brazil!

A wild and funky collection of Afro grooves that was ahead of its time in 1977 and has become a collector's item in recent years, especially due to the growing international interest in Colombian picó sound system culture. Fruko and his studio bands Wganda Kenya and Kammpala Grupo treat us to a diverse set of African and Caribbean styles, laced with crazy synths, psychedelic guitar and infectious pan-African polyrhythms.First time reissue. 180g vinyl. By the time Discos Fuentes released the album "Wganda Kenya Kammpala Grupo" in 1977, Wganda Kenya's discography was expanding with many 45 singles and appearances in various artists collections. The group's 1975 debut record "Africa 5.000" was a full length LP in the U.S. and a various artists compilation in Colombia, which was followed by the self-titled long player the following year. However, Kammpala Grupo, which shared the album's title and was credited to three songs on the record, had never appeared before, yet was basically the same studio group as Wganda Kenya. Most likely the creation of this short-lived studio band was just a ploy by the label to make it seem like there were more groups playing the type of exotic afro tracks favored by the picotero DJs of Colombia's Caribbean coast (especially in Barranquilla and Cartagena).The record kicks off with the joyful 'El Gallo Africano' which features exquisite interplay between Sepúlveda's highlife style guitar and an authentic-sounding African style saxophone, perhaps played by Carlos Piña. In reality it was 'Go Call Police Chief' by prolific Nigerian highlife guitarist Chief Oliver Sunday Akanite, aka Oliver De Coque. Next up is Kammpala Grupo's 'La Yuca Rayá' ('Grated Yuca'), written by Isaac Villanueva in a style he termed son haitiano which sounds much more like Zimbabwe Shona mbira music. Wganda Kenya's 'Caimito' (star apple, a type of tropical fruit), on the other hand, is actually a cover of a relatively well-known Haitian merengue song.Kammpala Grupo then takes us from the...

Soul Jazz Records’ new album features the truly intense, hypnotic and fascinating Vodou drums of Haiti, a stunning collection of trance-like rhythms and beats traditionally used to induce spirit possession in the Vodou religion.
Soul Jazz Records first journeyed to Haiti in 1996 to record a series of three albums about Haitian Vodou music and culture. One of these, ‘Voodoo Drums’, featuring the drum rhythms used to bring about spirit possession, struck a striking chord with listeners and amazingly went on to become one of their best-selling albums.
"I haven't heard anything quite like this; the rhythms are very deeply orchestrated yet it also sounds like improvisation. There are tonalities and textures coming from this album like I've never heard. A great album by Soul Jazz, very well recorded. Some of the sounds I have no idea how they are getting them! This album is bending my ear and setting off the dancing devils in my soul!! Unreal!" Guardian
In 2016 Soul Jazz Records returned to Haiti once more to record a new second volume of the same intense Vodou drumming. Recorded in the capital of Port-au-Prince, Haiti, some 20 years after their first visit, this album also features the very same musicians, the Drummers of the Société Absolument Guinin.

Jorge Ben is surely one of the world’s greatest all-round musical artists. He is internationally renowned and vastly influential as a vocalist, musician, performer and phenomenal songwriter. Famed for penning ‘Taj Mahal’, which was the source for Rod Stewart’s ‘Do You Think I’m Sexy?’, and also ‘Mas Que Nada’, one of Brazil’s most iconic anthems, Jorge Ben is a powerful musical force. A simple glance at his impressive back catalogue reveals a master of his craft, with a depth and quality that is seldom paralleled.

For 'Tudo Ben' we take a side-step, focusing on Jorge Ben’s songs that have been performed by other artists. Complied by Mr Bongo, Greg Caz and Sean Marquand, this collection features the Brazilian legends Elza Soares, Claudette Soares, and Wilson Simonal, alongside prodigious artists such as Marijô, Os Brazoes, and Doris Monteiro to name but a few. The selection covers a wide range of genres including samba, bossa nova, MPB and batacuda workouts. Many of the songs featured have become staples in Mr Bongo DJ sets over the years and are some of our most loved classics. As with many of history’s great songwriters, Jorge Ben’s songs transcend genres and styles, they can be covered and reinterpreted, yet the quality of the writing holds up to the standard of the original.

In the dark days of the mid to late 2000s when the end of vinyl seemed inevitable, Mr Bongo released 'Tudo Ben' on CD only. Years later, we finally get to put this right and present it for the first time on vinyl with alternative artwork by Mr Krum.

Glorious Various Artist on the beloved Legofunk Records. Moving sensations for an always pleasant vibe!

From the rare and obscure to the unknown, producer Tee Cardaci mines eleven genre-spanning gems from the waning days of Brazil's military dictatorship, recorded by a new emerging class of artists operating outside of the major label system. Sonhos Secretos, or Secret Dreams in English, alludes to the quiet aspirations of those that made these independent and privately released seven-inches as well as to the fact that many of these records have long remained essentially a secret. It's also, to some extent, a reference to a certain dream-like quality that permeates this collection. These songs contain elements of jazz, soul, folk, prog, baroque rock and shimmering pop (housed under the blanket term Música Popular Brasileira, or Brazilian Popular Music). This unique compilation, presented by reissue specialists Org Music and online audio journal Aquarium Drunkard, includes a fold-out insert with artist interviews and additional liner notes by Brazilian music scholar Allen Thayer.

From the rare and obscure to the unknown, producer Tee Cardaci mines eleven genre-spanning gems from the waning days of Brazil's military dictatorship, recorded by a new emerging class of artists operating outside of the major label system. Sonhos Secretos, or Secret Dreams in English, alludes to the quiet aspirations of those that made these independent and privately released seven-inches as well as to the fact that many of these records have long remained essentially a secret. It's also, to some extent, a reference to a certain dream-like quality that permeates this collection. These songs contain elements of jazz, soul, folk, prog, baroque rock and shimmering pop (housed under the blanket term Música Popular Brasileira, or Brazilian Popular Music). This unique compilation, presented by reissue specialists Org Music and online audio journal Aquarium Drunkard, includes a fold-out insert with artist interviews and additional liner notes by Brazilian music scholar Allen Thayer.

Exotica, ye-yé cumbia, guaracha infused twist, rock'n roll mambo, Spanish rumba, boogaloo beat, tropical garage and other unexpected bastard genres are featured in this festive compilation of bizarre hits taken from the glorious catalog of records released during the 60s and 70s on the Peruvian label Discos MAG. Some clearly unite genres, others are projects with creative names, but all are bold musical initiatives that got and will always get people onto the dance floor. "Sabroso Go Go" brings together fourteen musical mixes created in the recording studios of Manuel Antonio Guerrero (MAG), in which music directors combine rhythm with alchemy in a quest to find the philosopher's stone of the dance. Exotica, ye-yé cumbia, guaracha infused twist, rock'n roll mambo, Spanish rumba, boogaloo beat, tropical garage and other unexpected bastard genres are featured in this festive compilation. Although this compilation begins in 1957, experiments like this (some more memorable than others) were not new in Peru. The songs on this album were however much more successful hybrids. Some clearly unite genres, others are projects with creative names, but all are bold musical initiatives that got and will always get people onto the dance.

The album that you now enjoy has been compiled by El Palmas & El Drágon Criollo an begins with the theme that every afternoon, starting at 6 O´clock, all the youth of Caracas waited anxiously: “Introduction Theme” by Los Supersónicos was the wake-up call to introduce the charge of surfing that that later it would explode in El Club Musical.

And from the same group, another of their greatest hits is included, such as “Rosas Rojas para una Dama Triste”.

The Dangers were in charge of entertaining many youth parties in Venezuelan society. Their great success was “Congratulations”, an obscure Ricky Nelson song, of which they made an excellent cover. And to demonstrate the great influence of the British group The Shadows - present in all the youth bands of the time - here they shine with their recreation of the song “González” The Blonders were by far the possessors of the purest and most crystalline sound among the surf groups in Venezuela. A bold and highly imaginative arrangement of the classic “Lamento Borincano” is enough to justify its inclusion in this compilation.

And although The Impala came to have the most aggressive and rock-and-roll sound, here they show another facet of their music with the songs “Triste” and “Desafinado”.

From the archives of the legendary BELTER and DISCOPHON labels, essential to understand the birth of the Catalan Rumba and Flamenco-Pop genre in Spain, we’ve selected 14 dance-friendly tracks taken from overlooked LPs and 45s.
This is the real gipsy–funk sound, full of screaming flamenco vocals, funk drums, electric guitars, wah–wah, organ, electric bass, exotic percussions, soulish horns, latin and even oriental touches...
Featuring folkloric ye-yé singers, gipsy princes, teen rumba stars and groovy rumba–pop bands: DOLORES VARGAS “La Terremoto”, CHANGO, ROSA MORENA, RUMBA 3, EL PRÍNCIPE GITANO, EL NOI...

The second volume of this amazing series with classic tunes from Caribbean music that became great successes of salsa. Compiled by Pablo Yglesias aka DJ Bongohead.

You know that long hot days are fast approaching when it is Brazilian music that you crave. Thankfully the Scruniversal has got us covered with a second release that is as scorching as the first. It pairs MPB, samba and Latin flair with hard-edged hip-hop and funk stylings across a pair of tunes from Scruscru, each one a different collaboration. The first is alongside Tony Lavrutz and has gorgeous vocals and organic percussion paired with cut-up beats and jazzy keys that will ignite any floor on 'Rave Du Brazil.' It is Los Protos's jazz funk groover 'Primavera' that gets the good vibes going on the flip.

For their first multi-artist compilation, Music From Memory take us on a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic and Contemporary Music From Brazil, 1978-1992 is a double LP that explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers. As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerising tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders.

The product of extensive research, this compilation is a unique introduction to this visionary music and features many fresh discoveries in a country well trodden by record diggers. It gathers tracks from obscure albums that have for too long been neglected by even the most avid collectors of Brazilian music. It includes now highly sought after music by Andréa Daltro, Maria Rita, and Fernando Falcão, as well as unknown gems like those of Cinema, Carlinhos Santos, and Anno Luz. This is an essential release that reveals a broader spectrum of Brazilian music, striking a unique sonic signature that is full of innovation, experimentation, and beauty.

Compiled by John Gómez and featuring extensive liner notes, Outro Tempo showcases this overlooked corner in Brazil’s rich music history for the first time.

Curating and ordering the tracks for a Mr Bongo Record Club is always special. You’re reminded of the feelings you had when sitting at home with a cassette player on pause trying to compile the perfect mixtape to impress the latest object of your affection, or that friend with whom you share a musical kinship and spark off each other’s latest discoveries. Hearing old tracks for the first time or diving into the most upfront selections keeps the fires burning and passions alight.

Here, for volume six, we present recent finds and treasured classics from Brazil, Sweden, the USA, South Africa, Portugal, Japan, Trinidad and Tobago, and Canada. We have included selections by the Brazilian rising star Dora Morelenbaum as well as from heritage-Brazilian musicians and vocalists Haréton Salvanini, Copa 7, and Mirna. There’s also the wonderful Brazilian-not-Brazilian take of 'Ye Me Le' by Hazel Scott And The Braza Brasil, plus sublime gospel from the New York Community Choir. We’ve picked disco and soul rarities by General Lee and Ash Soul, Inc., and for the first time on vinyl, an incredible psych-pop song by the illustrious Matthew Tavares. There are cuts from some of our favourite contemporary Swedish musicians, Sven Wunder and Dina Ögon too.

This compilation is packed full of gems that are plucked from differing times and spaces, but somehow all gel together beautifully. We hope you love them too.

Curating and ordering the tracks for a Mr Bongo Record Club is always special. You’re reminded of the feelings you had when sitting at home with a cassette player on pause trying to compile the perfect mixtape to impress the latest object of your affection, or that friend with whom you share a musical kinship and spark off each other’s latest discoveries. Hearing old tracks for the first time or diving into the most upfront selections keeps the fires burning and passions alight.

Here, for volume six, we present recent finds and treasured classics from Brazil, Sweden, the USA, South Africa, Portugal, Japan, Trinidad and Tobago, and Canada. We have included selections by the Brazilian rising star Dora Morelenbaum as well as from heritage-Brazilian musicians and vocalists Haréton Salvanini, Copa 7, and Mirna. There’s also the wonderful Brazilian-not-Brazilian take of 'Ye Me Le' by Hazel Scott And The Braza Brasil, plus sublime gospel from the New York Community Choir. We’ve picked disco and soul rarities by General Lee and Ash Soul, Inc., and for the first time on vinyl, an incredible psych-pop song by the illustrious Matthew Tavares. There are cuts from some of our favourite contemporary Swedish musicians, Sven Wunder and Dina Ögon too.

This compilation is packed full of gems that are plucked from differing times and spaces, but somehow all gel together beautifully. We hope you love them too.

The first instalment in our new ‘Mr Bongo Record Club’ compilation series – a
selection of favourites, recent discoveries and sought after obscurities, which
form the basis of our DJ sets and our radio show of the same name. Including
cuts by Claudia, Cortex, Dave Pike Set, Fruko, Neno Exporta Som, Connie
Laverne, Barbosa and more.
The original concept for ‘Mr Bongo Record Club’ was a radio show that allowed
us to air our treasured record collections, recorded and broadcast once a
month. We wanted to create an outlet free from any genre or BPM restrictions,
not constrained by the need to beat-mix every record, a space where we could
play latest finds alongside favourites. The only self-imposed rule being that
it had to be played from vinyl.
We have always DJ’d across-the-board, but playing in an eclectic way hasn’t
always been easy. Recently DJ’s such as MCDE, Floating Points, Nick The Record,
Leon Vynehall, Four Tet, Jeremy Underground, Antal (Rush Hour), Sassy J and
Young Marco – to name a few – have opened things up with very diverse sets to
younger audiences; Brazilian samba-rock, next to modern soul, highlife, disco,
boogie, jazz, house, techno and beyond.
We’re seeing a rare groove like sensibility. A shift towards the attitude of
legendary club nights hosted by the likes of Mr Scruff and Gilles Peterson,
where you could hear house, hip hop, Turkish funk, boogie, jazz, dub and Latin
back to back. At the same time it isn't a nostalgic or retro movement, people
have a progressive attitude and a thirst for new-old music. It is a vibrant and
exciting time – we are proud to be a part of it.

More Afro-Cuban Roots Of Boogaloo' - The third release in the series that collects music by Latin bands that were based in New York between the '40s and '60s, expanded with recordings done in Cuba by orquestas or conjuntos such as Félix Chappotín, José Curbelo or La Playa Sextet, all of whom had a big influence on the Latinos in New York.

EXCITING LATIN SOUNDS COMPILED BY GLADYS PALMERA

We introduce to you “Loca Ilusion: Exciting Latin Sounds Compiled By Gladys Palmera”, a unique compilation for its quality, selection, sound and taste.

You will hardly find another compilation album like this one, where the best of Gladys Palmera’s Colection is found and with the personal touch of Gladys herself, Alejandra Fierro Eleta.

Here you will find different versions of well-known songs, surprising displays of vocal mastery, crazy jam sessions to immediately dance to, instrumentals full of virtuosity, gatherings of great music stars unnoticed until now and rare songs by artists who can only be found in Gladys Palmera´s archive.

Gladys Palmera herself has spent hours and hours searching, listening to, choosing, selecting and refining each piece of music for all of us to enjoy. These are recordings from the 60s and 70s made in different cities in Latin America and with styles ranging from the most traditional Antillean folklore to mixes and combinations with jazz, swing, twist, exotic and bossa nova.

“Loca Ilusion: Exciting Latin Sounds Compiled by Glady Palmera” is a production of Discos Gladys Palmera and a small sample of what is considered the best and biggest Afrolatin collection in the world.

Latin Freestyle was a dizzying, passionate, ultra-modern music. It was the aural equivalent of a can of thirst-quenching Quatro or a Spanish Harlem dance-off, and it became the electronically constructed bridge between disco and house.

Freestyle grew out of the electro sound of the early 80s, combined clean staccato rhythms with morse code synth hooks, and topped them off with emotive, usually female, frequently Latina vocals. There was plenty more going on besides: proto-house piano lines, Cuban percussion, high emotion and synth hooks to die for.

Put together and annotated by Bob Stanley (who also compiled the acclaimed “The Daisy Age” and “Fell From The Sun”), “Latin Freestyle” is the first compilation to cover the whole gamut of Freestyle from its early 80s breakthrough to its early 90s revival. So many classics… Lisa Lisa made the UK top ten with the 808 joy of ‘I Wonder If I Take You Home’. Stacey Q’s cosmically great ‘Two Of Hearts’ came out in 1986, while 1987 saw the likes of Company B’s ‘Fascinated’ and Exposé’s ‘Point Of No Return’ become huge UK club hits.

Today, Freestyle is a scene with a solid collector’s market, and rarities like Janelle’s ‘Don’t Be Shy’ sell for hundreds of dollars. It’s a classic summer soundtrack, finally condensed in one Ace Records compilation – “Latin Freestyle”.

Ten years after our initial survey of Afro-Latin accented rhythm & blues from the mid-century, Jazzman proudly presents a fourth installment, packed with as many musical surprises as the first. With music plucked from an era spanning the late 1940s into the early 60s, Jukebox Mambo IV highlights yet again the unparalleled musical creativity of the post war era, and shows how the infusion of afro-latin rhythms was key to these revolutions.

Lovingly and painstakingly researched and curated, the album boasts 23 tracks, many previously uncompiled, touching on jazz, blues, doo wop, calypso, rock & roll, gospel and more. Featuring individual track notes for every song along with some never seen before photographs of the artists, Jukebox Mambo Vol IV maintains the same high production values of each previous volume, and indeed the wider Jazzman catalogue.

Following the huge success of the first volume (three pressings!) in 2009, the long-awaited 'Cajun/Zydeco Vol. 2' is finally here! The long wait was not due to a lack of inspiration, but rather to the creator's diligent research, and as such this awesome second volume has taken five years to come together. The result is a rich compilation of rare gems, some of which had never been pressed onto vinyl since their original release! The LP represents a trip into the South of Louisiana, where this music -a blend of worlds and traditions- took shape at the beginning of the 20th century. It's a selection of tracks from the past, featuring local legends (Nathan Abshire) and unknown craftsmen (Jimmy Peters), who all, in their own way, have left their indelible mark. Waltz, two-step, one-step, blues, the record pays tribute to the unique blend of European dances with African rhythms. Each track has been weighed up for its historical as well as for its musical interest. A combination of melodeon and, for the Zydeco side, button accordion, triangle, rub board and fiddles. This LP comes with sleeve notes and a magnificent poster from one of the masters of Cajun fiddle, Dennis McGhee. Presented in a silk screened cover and limited to 1.000 copies.

The first Latin soul collection featuring a mix of chart-topping hits and deeper cuts from the crown jewel of the mambo era Tico Records, celebrating the iconic imprint’s 75th Anniversary. The 2-lp set includes 26 tracks from trailblazers Tito Puente, Ray Barretto, Joe Cuba, Celia Cruz, Eddie Palmieri, La Lupe, Willie Bobo and more. New liner notes by DJ Dean Rudland that tell the story of the New York City label that launched the careers of some of the most revered names in Latin music.

The popularity of Brazilian music from the 60s, 70s and 80s has experienced quite the renaissance; artists such as Gal Costa, Gilberto Gil, Arthur Verocai, Joyce et al, have become household names to an international audience passionate about global sounds. However, even for die-hard fans and collectors of Brazilian music of the past, discovering contemporary Brazilian artists is not always easy, nor accessible. But, if you know where to look, you will see that there is a resurgence well underway that can be epitomised by an exciting new wave of Brazilian artists beginning to break through and gather momentum overseas. It’s with thanks to Sound and Colours, a website devoted to promoting Latin American music and culture, that we can help shine a light on one particular collective, bursting with creativity and camaraderie.

‘Hidden Waters: Strange and Sublime Sounds of Rio de Janeiro’ is compiled by Joe Osborne (founder of specialist Brazilian music platform Brazilian Wax) and Russ Slater (editor at large of Sounds and Colours). Focusing solely on the 'Rio Scene', rather than taking on the mammoth task of tackling Brazil as a whole, this collection presents 20-plus ground-breaking artists selected from Rio’s resurgent music scene. By presenting a snapshot into the pulse of the city and the vibrant musicians that live in it, ‘Hidden Waters’ collates tracks from a wide spectrum of musical genres from the avant-garde edge to bossa nova, samba, Candomblé, lo-fi rock, jazz and funk.

‘Hidden Waters’ showcases musicians such as iconic Rio mainstays Negro Leo & Ava Rocha, Brazilian jazz upstart Antônio Neves, critically lauded Avant-pop trailblazer Thiago Nassif, breakthrough artists Ana Frango Elétrico and Letrux, lo-fi psych rocker Lê Almeida, plus the Latin Grammy-winning Bala Desejo who are set to explode onto the world stage. The music featured on ‘Hidden Waters’ is unequivocally Brazilian, swelling with samba, bossa nova, funk, and jazz. But it’s within the album's blend; from sunny psychedelia to dusky synth-pop via experimental electronics, that marks the compilation as the sound of modern, multicultural Rio.

This comprehensive compilation comes with album artwork designed by Rio music’s leading album artwork designer, Caio Paiva. It features essays by professor and music critic Bernardo Oliveira and music journalist Leonardo Lichote, plus extensive notes on each track by the artists themselves.

Rough, tough, tumping, bumping soundboy breakbeat from the Caribbean coast of Colombia.

Forty brand new buckaroos, tooled and primed by Jeanpi Perreo, Edwin Producciones and DJ Ander — all from local sound-systems — careering guarapo-style out of punches of vintage Nigerian highlife, waka and co, by legends like Steven Amechi, Sagbeni Aragbada and Cardinal Rex Jim Lawson.

Edited and mastered by CGB at D&M for maximum oomph and worries, and presented in a gatefold sleeve with cool and deadly varnishing. Plus a full-size booklet detailing the fascinating history of this music, seamed into the strange, tentacular byways of hand-to-hand vinyl distribution, record collecting and musical connoisseurship, and the soundclash traditions of the region, suffused with the politics and culture of the Black Atlantic, stretching back to the 1950s.

El Salvador, the last frontier... the psychedelic revolution also reached this small country from Central America in the 60s, resulting in the formation of many teen garage bands. Until now, little was known about this amazing local music scene that took place in the late 60s and early 70s... a true musical revolution. Due to the lack of resources, musicians often had to build their own fuzz and effects pedals and in studio recordings, primitive tape experimentation and echo were often used... the result was a very unique sound, 100% raw & wild. Hear tremendous fuzzed-out covers of Doors, Blue Cheer, Country Joe & The Fish or Alan Bown along with cool self-penned songs. All tracks taken from very hard to find 45s, most of them unknown outside of El Salvador until now. Feat: Kiriaps, Los Saltos, San Miguel, Los Vikings, Los Rebeldes, Los Junior’s, Los Intocables… Includes color insert with detailed liner notes in English/Spanish and cool photos.

This cool release
compiles some of the best tunes in Creole boogaloo. The charm
of the restored sound of these old 7-inches is only matched by
the ardor of the interpretations. Like no music genre ever
before, boogaloo brought together African Americans and
Latinos, who already attended the same parties, but danced to
different tunes. Indeed, boogaloo overtook the West Indies with
amplified keyboards and electrified guitars, and this new wave
knocked out hierarchy and habits.

Finally, and thanks to the hard work of the fine folks at Inamu (Instituto Nacional de la Música de Argentina) and the amazing selection job of Nekro (Fun People & Boom Boom Kid), we're proud to present "The Crazy World of Music Hall vol 3", the third of a 3 volume set of mind blowing lp's compiling the finest of the 60's and 70's cuts output from the legendary Argentinian label Music Hall. This final volume presents tracks from both decades with a great selection of hot sounds ranging from pure unaltered wild Rock'n[Roll to Psychedelia, Latin sounds, visceral Hard Rock, Soul or Funk. Can't miss this final installment, the cherry on top of an amazing set!

Originally released in 1995 and compiled by David Byrne of Talking Heads. Now the first time on vinyl.

Although it is hard to explain why, it's unmistakeable that music's potence only parallels that of the fauna as one moves closer to the equatorial latitudes of this planet. Cachapas is a HANDy effort at exploring the dance-floor oriented sounds of the eastern Caribbean triangle formed amongst Colombia, Venezuela and the Dominican Republic where rhythms and percussions have clearly taken new life forms in the production methods of Caribbean studios during the 90s. Taking the American ideas of “House” music and adulterating it in the most pleasantly bombastic ways, some producers have shown that Latin house not only exists outside of the US but it flourishes in the most amazing and unimaginable ways. A collection of 3 edits that celebrate Spanish speaking south Caribbean 90's house based productions re-edited and re-mixed in less orthodox manners. For promotional purposes only.

Surprise!! This is number 7 of this 6 x 45s collection !!

With this new releases you will be able to complete your complete series, but be careful that you will not be able to fit it into the mosaic!

Do not hesitate as this new release in a limited edition of 500 copies will make you enjoy the sounds to the fullest.

TT Syndicate steps forward big time into the direction of early '60s rhythm'n'blues, with the addition of a solid stash of early soul.

Tropicantesimo is a music ritual extended over time and a celebration of sound and dance. It all started 10 years ago at the Fanfulla club in Rome. Nothing more than a party that over the years has transformed into a collective listening experience out of time and space. Meanwhile the collective animated by DJ Hugo Sanchez, Lola Kola, Rocco Bartucci, Gabor and Egeeno moved to a new club called Pescheria, and opened up to spontaneous live jams and collaborations with musicians and DJs from various backgrounds. Rhythms are incessant while the BPM is slow and hypnotic. Voices flow between songs, messages and pure sound, while music is an organism which produces energy. The fruit of all this lives through extensive production work based on recordings collected over the years. "Tropicantesimo Session 1" is the first of a series of three EPs presented as anticipations of the Tropicantesimo Gitania album release. This first EP contains three songs recorded and mixed at Pescheria, laboratory and home of Tropicantesimo. "Don’t Bla Bla Bla" is an anathema and an explicit manifesto about the need for uncompromised sounds and joy in life. When the music kick in, the usual blah blah blah becomes disturbance, as Lola Kola and Egeeno clearly sing. This is a spontaneous live session, an usual practice that generates the Tropicantesimo sound flow. "Samba e Amore" is a cover of a Chico Buarque and Ennio Morricone's song, written in the late 1960s during Buarque exile in Rome. Here the song has been processed by the Tropicantesimo sound machine with Gabor and Lola Kola claiming for freedom and self-determination in life. "Samba and Love" belongs to the Tropicalist music classic repertoire, a great inspiration for the Tropicantesimo sound and vision. "Luna Jamming" is the result of another kind of experiment. Here the DJ culture is hybridized with the improvised live performance, a meeting that can generate unpredictable encounters. Lola Kola and Egeeno bring Loredana Bertè and Bob Marley together for an unprecedented classic Reggae duet on a contemporary techno dub beat. Needless to add that such a combination of elements generates new visions and reaffirms important values such as sharing and getting together.

3 more brazilian choice cuts, issued on 7" wax for the 1st time.

If you order additional products from our site they will be sent out with 'Toni Tornado - 'Sou Negro' / Zeca Do Trombone 'Coluna Do Meio'', so please place a separate order for those. For volume 86 in the Brazil45 series, we return with a pair of stellar 1970s Brazilian-Funk / Black Rio nuggets by two of the greats of the genre, Toni Tornado & Zeca Do Trombone. 'Sou Negro' (I'm Black) is taken from Toni Tornado's (aka Antônio Viana Gomes) sought after 1970 four-track compacto EP on Odeon Records. Already having had some experience in show business as a dancer in the 1960s, Toni started his musical career in 1970 and adopted the stage name 'Toni Tornado'. The influence of James Brown flowed through his music, with Toni becoming one of the first Brazilian artists (alongside Tim Maia) to introduce the soul and funk sound into Brazilian music. Together with other contemporary musicians and bands such as Banda Black Rio, Gerson King Combo and Cassiano, this new sound led to DJ's throwing soul parties. This unique Brazilian take on soul and funk (and later on disco) became coined as 'Black Rio'. A movement that celebrated pride in its Black identity and consciousness. Zeca Do Trombone has an impressive repertoire which has seen him releasing a handful of solo albums and working with some of the greats of Brazilian music, such as Tim Maia, Ivan Lins, Joyce, and Luis Vagner. The track 'Coluna Do Meio' is taken from his 1976 collaboration project 'Zé Do Trombone E Roberto Sax' with saxophonist Roberto Sax, which additionally features the heavyweight Wilson das Neves on percussion. This catchy Wah-Wah guitar-led dancer has become a favourite with DJ's over the years and will continue to be championed for years to come.

2 more brazilian dancefloor fillers, never before released on 45!

"When Greg Caz and Deano Sounds teamed up to create The Brasileiro Treasure Box Of Funk & Soul they created a collection of vintage Brazilian music that stretches across the scope of funk, soul, and psychedelic. Co-compiler and Brazilian music aficionado, Greg Caz says: “Without necessarily having a central theme
other than funky nuggets from the first half of the 70s, we believe this compilation displays its own particular
sense of logic, and that these songs ultimately all sound fantastic together. Regardless of one’s familiarity, or lack thereof, with artists like Antonio Carlos & Jocafi, Os Incríveis, Toni Tornado or Celia, the material on these 45s speaks its own truth and justifies their inclusion here. Many of these were originally available as singles, while others were taken from albums, but all are guaranteed to find their way into many
DJ boxes and playlists.”

“Leão Leonardo” and “Guajiru”, here gathered in an exclusive 7-inch record, represent the first two steps in a journey that will lead to the Spring 2024 release of the new album by Toco, a Brazilian singer-songwriter with a unique sensibility and taste. “Leão Leonardo” is a very heartfelt and engaging song that constitutes a homage to a childhood friend, a tribute to a deep and everlasting bond, as well as a return to a place very dear to Toco: the Guarapiranga water reservoir near São Paulo in Brazil; it is mainly inspired by two great samba jazz masters, Jorge Ben and João Donato. “Guajiru”, a classic sambarock track inspired by Orlandivo’s swing and Jorge Ben’s sensuality, explores the more romantic side of Toco’s multifaceted style and tells of a fleeting summer love in northeastern Brazil, where the indigenous fishing village of Guajiru, on the coast of the state of Ceará, is located. As the whole new album, both “Leão Leonardo” and “Guajiru” have been recorded at Schema Records’ Blue Spirit studios and produced by Stefano “S-Tone Inc.” Tirone, who skillfully captured the spirit of these tracks and elaborated the essence and energy of their songwriting. Both of them see Toco’s alluring voice masterfully surrounded by an ensemble of exceptional musicians: Donatinho (keyboards), Tuca Milan (percussion), Ramiro Levy (guitars), Edu Hebling (bass), Mauro Martins (drums), Priscila Ribas (vocals), Gianluca Petrella (trombone), Mirco Rubegni (trumpet) and Marquinho Baboo (percussion). This 45rpm is therefore a tasty appetiser for an album that we expect to be unique, just like Toco’s style!

A Espetacular Charanga do França is Sao Paulo's most hyped carnival collective and brass band led by Thiago França - best known as a founding member of Afro-punk explorers Metá Metá. The collective combines retro horns with cumbia, baile funk, jazz and features Brazilian vocal legends such as Lucas Santtana, Tulipa + Jucara Marcal.

Rocafort Records celebrates its 10th anniversary with an alternate cover repress of one of the labels most celebrated releases.
Recorded in 1967 and lost for almost 50 years until its discovery and release in 2015, The Nitty Gritty Sextet album features the best musicians from the 60's NY Latin scene: Jimmy Sabater, Louie Ramirez, Tito Puente, Charlie Palmieri, Willie Torres…. and has often been described as one of the best boogaloo era albums.
Limited edition vinyl release!