Latin | Brazil Vinyl 352 Items

"Na Rua, na Chuva, na Fazenda" is a classic of Brazilian music, released by Hyldon in 1975, one of the 20 best sellers of that year, it marks the debut of the singer and composer from Bahia, it is a seminal work of Brazilian soul, reflecting the musical effervescence of the 1970s and the influence of the black power movement in the country alongside Tim Maia and Cassiano. Born in Salvador and passionate about music from an early age, the singer developed his music in the 60s alongside dance bands in Rio de Janeiro and even recorded with some of them. Hyldon was influenced by the mix of rhythms that permeated the city, from MPB to soul and funk. He worked as a support guitarist for artists such as Wilson Simonal, Os Diagonais (Banda de Cassiano) and Tim Maia. He composed and produced several artists with Odair Joé and Erasmo Carlos. The title of the album, "Na Rua, na Chuva, na Fazenda", is also the title of its most iconic track, but the album has other successes such as: "As Dores do Mundo", "Vamos Passear De Bicicleta", "Meu Patuá", among others. The album is an ode to simple and pure love. This song became a romantic anthem, and its soft melody combined with Hyldon's sweet and soulful voice captivated the audience.

Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from

Alan Kwan, the Hong Kong-born guitarist, recorded his debut acoustic quartet album ‘Petrichor’ in 2018, which is now finally being released on clear-colored vinyl. After winning Taiwan's Golden Melody Award—often referred to as the Taiwanese Grammy—Kwan has also performed with Japanese jazz legends like Kazumi Watanabe and Masaki Hayashi, marking him as a rising star in the Asian jazz scene. This album was recorded in New York after Kwan graduated from the University of North Texas, just before returning to Hong Kong.

The title ‘Petrichor’ refers to the unique scent produced when rain interacts with dry soil, symbolizing Kwan's emotions at the time of recording in the U.S. and releasing it in Hong Kong. The album features top-tier musicians from the New York jazz scene, including bassist Linda Oh, who toured with the Pat Metheny Trio, and the exceptional modern jazz drummer Johnathan Blake.

Brazilian singer/songwriter/multi-instrumentalist Antonio Loureiro's debut album, originally released in 2010, is now available on vinyl for the first time! Antonio Loureiro, who was establishing himself as an up-and-coming young composer in the state of Minas Gerais by winning the Premio Bdmg Instrumental, a competition for prominent composers, released his debut album "Antonio Loureiro" in 2010 with full anticipation. The music seamlessly blends influences from Brazilian jazz predecessors such as Egberto Gismonti and Hermeto Pascoal, Brazil's rich musical heritage from popular music to folklore to the "Clube da Esquina," as well as progressive rock, jazz, and electronica. Antonio has released six records so far, and in addition to his own work, he has produced and supported various artists, and outside of Brazil he has performed with artists such as Kurt Rosenwinkel, Miho Hazama, Qururi, Hakushi Hasegawa, and many others.

The Minyo Crusaders' 2017 debut album “Echoes of Japan” LP will be back in stock on vinyl! Purists beware, as these ten Japanese musicians have decided to give a cumbia, reggae, salsa, ethiopian groove and afro-funk twist to min'yo, an ancestral Japanese folk song genre of which they were all fans before they met. Their debut album, the eminently exotic (even zany) Echoes Of Japan, features ten tracks from the min'yo repertoire sung in the grand tradition of the style, to the sound of Afro-Latino brass and percussion. A delightful example of successful fusion, however unlikely it may seem.

Prodigy child Marisol a.k.a. Pepa Flores was born Josefa Flores González in

Málaga, 1948. She was discovered in 1959 and started a successful solo career

that took her to win the Best Child Actress prize of the Mostra de Venezia in

1960s. She did many movies for Spanish directors, also for actor/director Mel

Ferrer in Hollywood and did also T.V. work.

Parallel to her cinema and television career Marisol produced an impressive collection

of records. This double LP set collects some of her most famous hits, spreading

through a variety of styles that go from traditional Spanish flamenco flavoured tunes to

ye-yé beat to more sophisticated pop productions, including songs written by famed

Spanish composers/conductors such as Augusto Algueró and Manuel Alejandro,

Spanish pop stars Juan y Junior and Los Brincos or jazz legend and ubiquitous

arranger / producer Juan Carlos Calderón.

Since her child star days, Marisol evolved both as an artist and as a civil rights

defender through the years until she retired from public life in the 1980s. This collection

is a small representation of her works from her earliest recordings in 1962 through

some of her more mature productions.

The release comes in a gatefold cover.

The release comes on 180g vinyl. 3 of Brazil's most important artists of the past 10 years team up in this Tribalistas project – a genre-blurring set of tracks that recalls similar efforts of the Tropicalista generation,updated to reflect the styles of the 3 artists involved, with some nice complicated production touches from Monte herself. Titles include "Carnavalia", "La De Longe", "O Amor E Feio", "Passe Em Casa", "Velha Infancia", and "Ja Sei Namorar".

You don't have to travel halfway around the world to find top-class Brazilian and Caribbean grooves; some of the finest bossa nova, samba, mambo and calypso recordings were made in sunny Italy, still perfect for dancing and lounging today. From the legendary Italian soundtrack archive of CAM Sugar comes a compilation that as it has never been heard before: “Tropicale”, tropical rhythms and irresistible catchy tunes from films of Italian cinema’s golden era, composed by masters such as Ennio Morricone, Piero Piccioni, Bruno Nicolai, Armando Trovajoli and many others. 26 remastered tracks, 8 of which are previously unreleased, 2LP in an elegantly designed gatefold sleeve.

For the first time on vinyl, MELINGO’s 2000 album Ufa! takes listeners on a captivating journey through the gritty streets of Buenos Aires. The album captures the essence of the urban landscape and the stories of an array of characters, including Jack The Ripper, Count Dracula, dealers, hustlers, trans love, and much more. Ufa! delves much deeper than its predecessor, Tangos Bajos, as it solidifies Melingo's collaboration with tango lyricists Luís Alposta and Enrique Cadícamo across ten tracks. Melingo's partnership with the iconic tango poet Enrique Cadícamo becomes profoundly significant when he sets to music Cadícamo's poem 'Siga Cochero,' written at the age of 19 in 1929. This particular composition gains newfound relevance and preservation thanks to Melingo's intimate collaboration with Don Enrique. The album also features renditions of beloved songs such as the Uruguayan Alfredo ZITARROSA's 'El Violin De Becho,' a chamamé, 'Las Flores Del Paraguay,' and the enchanting lullaby 'Sin Luna,' all exquisitely mastered by Myles BOISEN."

A sublime expedition from Brazil to the sky, “Modo Avião” (Airplane Mode) sees São Paulo based trio Caixa Cubo jet further forth from the lineage of Brazilian instrumental music.

Following in the footsteps of heroes like Azymuth, Antonio Adolfo, Cesar Mariano and Marcos Resende, with the tried and tested trifecta of synthesizers, bass and drums, Caixa Cubo have carved out their own idiosyncratic ideal of golden-era Brazilian jazz-funk and samba-jazz.

Encapsulating the vitality and experimentalism synonymous with Sao Paulo’s musical history, Caixa Cubo playfully straddle the elegant and the surreal, with masterful songwriting and the consummate musicianship of longtime friends and bandmates Henrique Gomide (keyboards) Noa Stroeter (bass) João Fideles (drums).

Caixa Cubo have been playing together for over 14 years - and that’s ‘playing’ in the truest sense of the word. As bassist Noa Stroeter explains:

“A story, a joke, images, invented words, people we met on tour, places, fictitious or not, have always been part of our creative process. And they are precious materials beyond the musical work itself. This dynamic has stayed with us to this day, and for me it is the characteristic that guarantees that no matter what, we will have fun working.”

Presenting a contemporary reimagining of Brazilian grooves from the 1970s, Modo Avião marks an evolution for Caixa Cubo’s music which delves deeper into the tradition of Brazilian instrumental music, while continuing to develop its rhythmic and harmonic possibilities. Utilising an extensive understanding of Brazilian music history and Brazilian rhythm in particular, the group explore the seemingly endless possibilities of fusing carnaval marches, frevo and Baião, with jazz, MPB and funk.

Recent Caixa Cubo releases include 2023’s “Agora”, which featured guest vocalists including Xênia França and Zé Leônidas; and 2020’s "Angela," which was hailed by BBC 6 Music, Gilles Peterson, and Bandcamp as one of the best albums of the year.

Caixa Cubo have performed at Jazzahead! in 2022 (Germany), Jazz à Vienne (France), Riverboat Jazz Festival (Denmark), Breda Jazz Festival (Netherlands), Blue Note São Paulo (Brazil) and Jazzkeller Frankfurt (Germany)

In The Woods Records will be releasing on 45rpm DJ vinyl all the Tito Puente and his Orchestra tracks from the compact disc ‘Salsa Salsa’. The vinyl was pressed by The Vinyl Factory on The Famous EMI 1400’s - ‘The Beatles Presses’. Up until now these recordings were very rare and hard to find audiophile recordings, rare and hard to find no more! This is the first DJ 45rpm Vinyl release of these recordings. Liner notes on inner sleeve in English, Spanish and Japanese. In Tito’s words... ‘Salsa Pure!’

The fourth release from Jazz Is Dead records features Azymuth, one of the bands in Brazilian history, redefining Popular Brazilian Music. Having released almost 20 albums in their career, Azymuth proves to be a consistent source for an innovative mix of jazz, pop, MPB, and electronic music.

Composed and produced by Adrian Younge & Ali Shaheed Muhammad and recorded in the Linear Labs analog studio.

An overview of the legendary Afrocuban conguero, Chano Pozo, who changed Latin music and jazz forever. Featuring: Chano Pozo, Xavier Cugat, Miguelito Valdes, Machito, Tito Rodriguez, Orquesta Casino de la Playa, Orquesta Hermanos Palau, Dizzie Gillespie, James Moody, Cuarteto Caney, Arsenio Rodríguez... Some tracks have been remastered and restored and some are presented on vinyl after many years. Nice graphic design. 300g cardboard. Format and selection designed for DJs, collectors and general public. Limited edition to 500 copies. Complete liner notes (Spanish/English) by collector and DJ, Pablo "Bongohead" Yglesias.

Earl of Lemon Wave Vinyl.Latin Grammy-nominated and Brazilian Music Awards-winning artist Rogê hasbecome a pivotal figure in the resurgence of Música Popular Brasileira (MPB).With a rich career spanning over two decades, Rogê has released seven soloalbums that have solidified his place in the contemporary Brazilian musicscene. In March 2023, he released his U.S. debut album "CURYMAN" underDiamond West Records. Produced by Thomas Brenneck of the Budos Band_who has worked with artists like Lady Gaga, Beyoncé, Jay-Z, and AmyWinehouse_the album is a celebration of samba infused with messages ofresilience and redemption. "CURYMAN" not only marked the launch ofBrenneck's new label but also reflected Rogê's deep belief in the power ofmusic to inspire hope and perseverance.As Rogê looks to the future, he is gearing up to release "CURYMAN II" inNovember 2024. Building on the success of his U.S. debut, this upcomingalbum promises to deliver even more vibrant samba rhythms and thoughtprovokinglyrics. Exciting new singles are set to drop in the lead-up to thealbum's release, offering fans a preview of what's to come. As Rogê continuesto evolve his sound and push the boundaries of Brazilian music, he remainsdedicated to spreading the rich cultural heritage of Brazil to audiences aroundthe world.

Central, “the closest salsa band to the club scene,” releases its long-awaited full-length album on analog LP!! Two of Central's biggest hit singles, DJAVAN's classic “Samurai” and Stevie Wonder's “Pastime Paradise,” have been a hit with DJs and core listeners all over the world. The long-awaited full-length album will be released in November! The album features their own original songs in various languages (Spanish, English, Japanese, etc.), as well as the album title track “Flor De Roble,” an excellent original instrumental song, and the full versions of the two hit singles that were previously released! Dance to the hot Tokyo Latin Soul of Central, celebrating the band's 25th anniversary!!

"Espontaneamente se Tenta: Aventuras Sonoras de Djalma Corrêa is an album of deeply exploratory pieces by legendary percussionist and composer Djalma Corrêa. This double-LP set features previously unreleased recordings that cover a wide range of sonic experiments, revealing an unknown side of the prolific and groundbreaking Brazilian artist. Most of the tracks on this album were digitized for the first time – directly from the original tapes – and were compiled in collaboration with Corrêa just before he passed.

The result is a wild and unsettling collage that shows us just how original and intense Corrêa could be: from the unorthodox electroacoustic piece Evolução (Para Fita e Filme), which channels ancestral African inspirations to create a sonic cosmogonical narrative, to the proto-mixtape Exemplo de Sintetizadores, in which he transitions from transcendental drones to astral cha-cha-chas.

While the compilation might seem disjointed at first listen, it is in fact the most accurate translation or representation of his central concept: spontaneous music. Djalma's relationship with sound was always guided by his fearless approach to listening, and by his audacious and dynamic interaction with both musicians and equipment, which enabled him to work across a wide array of genres: from jazz to completely abstract music, always through a personal DIY ethic.

Corrêa developed a strong bond with experimentalist and inventor Walter Smetak, with whom he shared a studio during his formative years at Universidade Federal da Bahia. Suite Contagotas, featured in this collection, is no less than a sonic materialization of that bond: an experiment revolving around dripping water and its randomness – a tentative exploration of the ideas and possibilities envisioned by Smetak for his audacious, albeit unrealized, Estúdio OVO.

Djalma, however, is best known for his studio work in historical albums, including many by Caetano Veloso, Gilberto Gil and Jorge Ben, and for his own polyrhythmic opus Baiafro. The last track is an early recording called Bossa 2000 dC, first performed by Djalma at the 1964 Nós, Por Exemplo concert, an event which is often cited as marking the beginning of the Tropicalia movement. At the time, he was the only artist in the lineup using electronic devices to create sounds, e.g. medical oscillators and contact mics to augment his percussive palette.

The artwork is an amalgamation of material found in the Djalma Corrêa Archive (currently managed by his son Caetano Corrêa) and other material created during the period in which the record was being put together. The intention is to guide the listeners through this possibly tempestuous soundscape, giving them additional resources so that they may draw their own meanings and make their own sense of this extremely immersive and original experience – which is like nothing we've ever heard before."

For their first multi-artist compilation, Music From Memory take us on a trip to the heart of the Amazon rainforest. Outro Tempo: Electronic and Contemporary Music From Brazil, 1978-1992 is a double LP that explores the outer reaches of Brazilian music, where indigenous rhythms mix with synthesizers and where MPB mingles with drum computers. As Brazil faced the last years of its military dictatorship and transition to democracy, a generation of forward-thinking musicians developed an alternative vision of Brazilian music and culture. They embraced traditionally shunned electronic production methods and infused their music with elements of ambient, jazz-fusion, and minimalism. At the same time they referenced the musical forms and spirituality of indigenous tribes from the Amazon. The music they produced was a complex and mesmerising tapestry that vividly evoked Brazilian landscapes and simultaneously reached out to the world beyond its borders.

The product of extensive research, this compilation is a unique introduction to this visionary music and features many fresh discoveries in a country well trodden by record diggers. It gathers tracks from obscure albums that have for too long been neglected by even the most avid collectors of Brazilian music. It includes now highly sought after music by Andréa Daltro, Maria Rita, and Fernando Falcão, as well as unknown gems like those of Cinema, Carlinhos Santos, and Anno Luz. This is an essential release that reveals a broader spectrum of Brazilian music, striking a unique sonic signature that is full of innovation, experimentation, and beauty.

Compiled by John Gómez and featuring extensive liner notes, Outro Tempo showcases this overlooked corner in Brazil’s rich music history for the first time.

“During the pandemic, I was hearing drums all the time,” says Carolina Oliveros, who leads the New York-based group Bulla en el Barrio. “Not only bullerengues, but also tamboritos panamanians, solomas – like panamanian styles – also I’ve been listening to salve, which is a rhythm from Dominican Republic. I always want to try to create a bullerengue that sounds more traditional but also sounds like me with my own influences.” Since 2015, Bulla en el Barrio has been envisioned as a collective and a study group of the traditional rueda de bullerengue – dance music originating from the Caribbean coast of Colombia that transmits ancient African rhythms and knowledge. Oliveros and Bulla co-founder Camilo Rodriguez – both in NY tropical futurism band Combo Chimbita – first experimented with writing their own bullerengue during their monthly residencies at Barbès in Brooklyn, culminating in two singles released by Names You Can Trust in 2017. Thanks to these recordings, these two Bulla en el Barrio compositions are now sung in music festivals and ruedas all over Bullerengue territory. They now present eight original songs recorded live to tape, preserving and documenting the participative and rough vibes of the ruedas and performances. “We’ve been playing together since 2015,” says Rodriguez. “The group is a space to study, connect, to learn, so this record captures a moment where we were – taking a picture of a process. This was just what was happening at that time. It was a way to document what we were doing and our process of learning, documenting bullerengue.”