Latin | Brazil Vinyl 451 Items

LP | 2020 | EU | Original (Far Out)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-08-05

João Donato need no presentation his one of the of tropical groove masters from all eras. Albums like A Bad Donato, Quem é Quem or Lugar Comum from his 1970's Works are legendary. This one is a homage to that era and João Donato returning to his Tropical Jazz Funk Groove original style. It is known that good albums generate good shows, but in the case of this album, we can do the opposite. "Donato Elétrico" began to take shape following a show performed by the artist in 2014, at Sesc Pinheiros (São Paulo, Brazil). On that occasion, the musician released the emblematic album "Quem é Quem" on stage, after a delay of more than 40 years. For this late release, Donato invited young musicians from São Paulo, with whom he had already been working on the idea of a new project, and who helped him recreate the original atmosphere of "Quem é Quem", full of grooves, whose essence was in the João's electric piano.

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Jneiro Jarel

After A Thousand Years

21,99 €*

Paz E Futebol 3 Compiled By Junior Santos

Release: 2020 / EU – Original

Genre: Hip Hop, Organic Grooves

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180g vinyl edition. Recorded between New York, New Orleans, Miami and Costa Rica, After A Thousand Years features legendary multi-instrumentalist Bill Summers, famed for his work with Herbie Hancock, Quincy Jones and Eddie Henderson. The album also features Malawian-American guitarist Masauko Chipembere who has worked with the likes of RZA from Wu-Tang Clan and Ladybug Mecca from Digable Planets.

“Banana Peel is exactly what we need now. Visionary Jneiro Jerel at his finest channelling healing sounds and rhythms from Mother Earth. A much-anticipated lens through Jneiro’s third eye. Thank you!” King Britt

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Jazzanova presents

LP | 2020 | EU | Original (Sonar Kollektiv)

20,99 €*

12" | 2020 | EU | Original (Orfeo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The time has come again: Another edition of the much-loved and highly praised by critics from all around the globe compilation «Paz E Futebol» will be released on Sonar Kollektiv. After 2006 and 2016 this is already the third sequel of this terrific series of light-footed Brazilian gems and other rarities transporting the Brazilian feel for the ball musically.

Two times Jazzanova took care of the collection, now Junior Santos is responsible for digging up the tunes. The Brazilian drummer and producer is a true expert when it comes to Brazilian music. He already caught the attention of Jazzanova’s Jürgen von Knoblauch with the 2014 released compilation «Brazilian Disco Boogie Sounds (1978-1982)» on Favorite Recordings. Together the two diggers selected eight songs that fit simply perfectly. Due to licensing reasons, the digital compilation features 2 additional songs. Chico de Abreu and an unreleased track by Beto Luiz called "Uma Canção Que Fale” chosen by Juergen von Knoblauch.. Although the contributions originate from three different decades (1979 - 1992) they all have the discoid and boogiesque vibe in common mainly to come alive in productions from Maranhão, Rio and Bahia.

The release is accompanied by extensive liner notes by Junior Santos (in Portuguese and English). Just now in the colder and greyer season this compilation is great fun and radiates so much joy like only Brazilian music can.

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Jaime Roos

Siempre Son Las Cuatro

LP | 2020 | EU | Original (Orfeo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Candombe fusion, art rock and psychedelia with punk attitude. With a unique mix of music roots and cosmopolitan sounds Jaime Roos would become one of the most successful and significant artists of Uruguayan music. Siempre son las cuatro, his fourth album, recorded in 1982 in Montevideo after a long stay in Europe, was the work that started to build Roos’ artistic personality and the first step towards mass appeal in his country. A psychedelic album with dark and somber tones but also full of groove and punk defiance, that is quintessentially Uruguayan. 500 copies. 140 gramms vinyl, Poster included

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Jaime Roos

Mediocampo

LP | 2024 | Original (Universal)

Release: 2020 / EU – Original

Genre: Organic Grooves

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New Wave and Afrofuturism With a unique mix of music roots and cosmopolitan sounds Jaime Roos would become one of the most successful and significant artists of Uruguayan music. Released in 1984, Mediocampo absorbs the new wave trend in a unique way, blending the sounds of synths and electric guitars with Afro drums and Latin rhythms. The songs jump from candombe to rock, from ballad to murga roots, from pop to experimental music. The album paved Roos’ path to stardom in Uruguay and is considered nowadays as one of his most substantial works. 500 copies. 140 gramms vinyl, 12 page booklet included!

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Jack Savoretti

Miss Italia

Release: 2024 / Original

Genre: Organic Grooves

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Azul Max Graef, Contours & Glenn Astro Remixes

Ivan "Mamao" Conti

12" | 2017 | EU | Original (Far Out)

12,34 €* 12,99 € -5%

12" | 2017 | EU | Original (Far Out)

Release: 2017 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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The release comes on 180g vinyl. For the second 12” of the series we’ve enlisted two of the most on-fire producers in Germany: Max Graef and Glenn Astro, along with one of the UK’s brightest ascendant producers. Back fighting, kicking and beating as strong as or perhaps even stronger than ever before, Ivan ‘Mamao’ Conti is releasing a brand new solo album next year. Now fitted with a new iron hip- thanks to the immense generosity of his fan base who crowdfunded the operation – the Azymuth drummer still remains one of the greatest and outright funkiest drummers alive anywhere in the universe as he enters this new bionic era. As people of earth are not yet quite ready to hear the explosively ethereal cosmic samba of his new album just yet, we’re easing into it with a series of appropriately propulsive percussive jazz-headed remixes. For the second 12” of the series we’ve enlisted two of the most on-fire producers in Germany: Max Graef and Glenn Astro, along with one of the UK’s brightest ascendant producers.

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Ivan Conti

Azul

15,99 €*

Agua Blue Transparent Vinyl Edition

Release: 2017 / EU – Original

Genre: Organic Grooves

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For the second 12” of the series Far Out has enlisted two of the most on-fire producers in Germany: Max Graef and Glenn Astro, along with one of the UK’s brightest ascendant producers.

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Inti-Illimani

LP | 2023 | EU | Original (The Saifam Group)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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LP | 2023 | EU | Original (Olindo)

Insolito Universo

Ese Puerto Existe

25,99 €*

10" | 2023 | US | Original (Nublu)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Ese puerto existe' is the sophomore album by Venezuelan folk trio, Insólito UniVerso, a psychedelic dream towards sound and its powers of communication. On it, the band explore the diverse geography, rhythms and traditions of their home country of Venezuela, through their own distinctive sound. Featuring additional vocals by Stereolab co-founder and solo artist Lætitia Sadier, and mixed by Meridian Brothers mastermind, Elbis Álvarez and Heliocentrics co-founder and producer, Malcolm Catto. On their debut album, ‘La Candela del Río’ (to be reissued Very soon), the band created a magical Latin American sound of their very own, leading to critical acclaim from the likes of Songlines, Bandcamp, The Wire and many more; as well as a nomination for Best Group at the Songlines Awards in 2020

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Ilhan Ersahin

Your Head You Know

27,99 €*

LP | 2016 | EU | Original (World Circuit)

Release: 2023 / US – Original

Genre: Organic Grooves

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"On their first album as a trio, these jazz-rooted musicians create a luxurious atmosphere drawing from funk, krautrock, and noirish electronica." Andy Cush / Pitchfork "this is project is sick. Love the tunes, you definitely capture a hypnotic fusion of like smoking hash in a dangerous alley in Tangier, but also a very trippy laid back and louche LA cool.” Jeff Weiss With drummer Kenny Wollesen (Tom Waits, John Zorn, Norah Jones) and Dave Harrington (of electronic duo Darkside) guitar/bass/electronics, New York-based Swedish/Turkish saxophonist, composer, club-label owner Ilhan Ersahin captures the vibe of impromptu, cross-pollinating, and heavily grooving late-night jam sessions at Nublu, his “East Village Club where everything goes” (New York Times). The telepathy and intuition that flows between these three musicians is one that has developed over many years of playing together in different combinations, and on a permanent regular basis at NYC's Nublu, searching and creating together in the moment. What they have come up with has evolved steadily over that time and its current form can be heard to brilliant effect on their debut album “Invite Your Eye” (2022). The exploratory instrumental space-jazz these gentlemen purvey has many antecedents and influences but perhaps it's best not to cite names and instead let the music speak for itself.

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Ibrahim Ferrer

Mi Sueno

Release: 2016 / EU – Original

Genre: Organic Grooves

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As Coisas Simples Da Vida

Hyldon

LP | 2016 | EU | Reissue (Polysom)

35,99 €*

Release: 2016 / EU – Reissue

Genre: Organic Grooves

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LP | 2019 | EU | Original (Polysom)

Humberto Gessinger

Nao Vejo A Hora

25,99 €* 39,99 € -35%

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Altercat)

Horacio "Chivo" Borraro

Blues Para Un Cosmonauta

24,99 €*

7" | 2011 | UK | Original (Mr Bongo)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Fans of Coltrane will certainly dig this historical 1970s spiritual jazz album from Argentina which left an everlasting imprint in the local jazz scene. From the eerie “Blues para un cosmonauta” —which could easily fit in the Twin Peaks soundtrack—, to the majestic “Líneas Torcidas” or the mid-tempo groove of “Mi amigo Tarzán”, new landscapes in jazz are explored without hiding, at moments, the musicians’ bebop pedigree. Venturing into uncharted dimensions, the album breaks with traditionalism and combines jazz and new electronic instruments into a contemporary concept that is both cosmic and sensual, a sound where timbre and space play a crucial role. Here, no track sounds like the other. The charismatic, multifaceted saxophone player Horacio “Chivo” Borraro is joined here most notably by Fernando Gelbard —who pioneered electronic keyboards and analog synths in Argentina, playing here Fender Rhodes and Minimoog— and Brazilian musician Stenio Mendes —who plays the 12-string craviola and contributes two tracks. Jorge González on bass and Néstor Astarita on drums —both part of Gato Barbieri‘s rhythm section in the early 60s— and Chino Rossi —responsible for much of the unusual percussion and special effects that give the album its unprejudiced aura— complete the line-up of Blues para un Cosmonauta.

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Hollie Cook

Body Beat

12,99 €*

Release: 2011 / UK – Original

Genre: Organic Grooves

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Ceres Entropicos Edicion Especial

Hit La Rosa

LP | 2024 | EU | Original (Rey Record)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Hermeto Pascoal & Grupo Vice Versa

Viajando Com O Som Green Vinyl Edition

LP | 2017 | EU | Reissue (Far Out)

Hoy Como Ayer Colored Vinyl Edition

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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One per customer only.

Coloured Vinyl LP (Green). Hermeto's lost 1976 masterpiece pressed on a (very) limited edition green vinyl.

Recorded in just two days in 1976, at Rogério Duprat's Vice Versa Studios, São Paulo, Viajando Com O Som featured Zé Eduardo Nazario (drums), Zeca Assumpção (bass) and Lelo Nazario (electric piano), as well as saxophonists Mauro Senise, Raul Mascarenhas and Nivaldo Ornelas, guitarist Toninho Horta and vocalist Aleuda Chaves.

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Hermanos Gutiérrez

LP | 2019 | EU | Reissue

LP | 2020 | EU | Original

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Two brothers, two guitars, two distinct identities, who become one soul when they compose music. Stephan and Alejandro, are the Hermanos Gutierrez, an instrumental music band with an unmistakable genre that is rooted in Western and Latin American sound. Born from an Ecuadorian mother and a Swiss father they grew up being forged by both cultures, bridging between two worlds, both of which are home.

Their mix of identities, that constant search across different countries clearly emerges in their songs. Their music takes the audience on an intimate journey through time evoking remote spaces. A magical sound that touches the heart, that sparks passion and nostalgia. An open invitation to a constant dialogue of melodies and instruments.

Playing together since their early childhood, a profound musical and interpersonal symbiosis ties the two brothers. If one of them has a melody, the other one completes it with harmony. There is a deep understanding between the two of them, without any need for words.

Active as a band since 2015, they have recorded four albums: “8 Años” (2017), “El Camino De Mi Alma” (2018), “Hoy Como Ayer” (2019), and the newly released LP “Hijos Del Sol” (Children Of The Sun). A body of work that has been inspired by their journey through the vast natural landscapes of Mexico, the silence of the desert, the sun, and their love for this country that made them feel “like going home”, as they affirm. Out came a soundtrack of the sceneries they’ve been exploring.

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Hermanos Gutiérrez

Hijos Del Sol

8 Años Blue Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Hermanos Gutiérrez

LP | 2017 | EU | Reissue

Helio Matheus / Hélio Matheus

Release: 2017 / EU – Reissue

Genre: Organic Grooves

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Mais Kriola / Maita

7" | 2018 | EU | Original (Mr Bongo)

Deixa Rodar / To Parado Na Tua

Release: 2018 / EU – Original

Genre: Organic Grooves

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‘Mais Kriola’ first appeared on Brazilian Beats Brooklyn compilation put together by Greg Caz and Sean Marquand for us in 2006. It’s a lovely laid back mid tempo boogie/soul/fusion jam. Originally appeared on Matheus self-titled LP from 1975.
‘Maita’ is a wonderful piece of warm, upbeat MPB from Doris Monteiro. Originally appeared on her ‘Agora’ LP from 1976, released by Odeon.

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Hanna / Almir Ricardi

Release: 2016 / UK – Original

Genre: Organic Grooves

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Yakanhiko / Yakanhiko Feat.Keiichi Sokabe

Halfby

7" | 2024 | JP | Original (Niw!)

20,99 €*

Release: 2024 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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The much-talked-about cover of Yoshitaka Minami's "Yakanhikou" is now available on 7inch release! From Yoshitaka Minami's 70's urban pop sound masterpiece album "south OF THE Border", for which Ryuichi Sakamoto wrote all the songs, Halfby has produced a superb cover of the famous song "Yakanhikou", which has a brilliant Brazilian essence of samba and bossa nova, with Keiichi Sokabe on guest vocals.

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Straight From The Decks Volume 3 HHV x Guts Exclusive Yellow Vinyl Edition

2LP | 2023 | EU | Original (Heavenly Sweetness)

Release: 2023 / EU – Original

Genre: Organic Grooves

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This Edition is limited to 500 copies and shared with Guts. 350 are available via HHV and 150 via Guts.

"All DJs have their own way of building their set. Some pick records entirely on the spur of the moment and trust their instincts, others write down a precise list on a piece of paper and never stray from it; the set is a kitchen where the DJ is the Chef. It doesn't matter how it’s done, as long as it's done properly and enjoyed by everyone, that's what matters the most.

I think I'm combining these two methods when building my set, except that instead of a meal, I'm talking about a story. A story that crosses styles, countries, atmospheres, and that I tell in a different way every night. With, however, a method that I respect.

Between the new stuff I get from the labels, the stuff that friends and fans send me, and what I dig myself, I have enough to make a different set from A to Z, every night! However, before these treats can delight the dancefloor, each of them has to go through a quite precise process.

The first step is to digitalize my tracks in high quality. I can play several dates in a week, so carrying boxes of records to places that are sometimes far apart is out of the question. The WAV format has become my best friend. With it, I can edit some tracks, cut parts or lengthen others. Sometimes, an interminable intro is not necessary, while a furious break needs to repeat itself a bit longer.

Then, the second step consists in classifying the tracks by genre and origin. A real library is thus created where each title has its own place. Accessible (almost) without searching. I know all too well the experience of getting lost in one's own collection, trying to read the spines, pulling out a record halfway from its shelf only to put it back in it immediately. No, that's not the one... where did I put that other one then?...

From these folders I then draw the titles which will be part of the third stage: the selection for the DJ set. Nothing is set in stone, tracks come and go on a regular basis. I have year-round squatters as well as residents passing through for a few weeks. Or days. It is from there that I begin to elaborate the story that I will be telling for three or four hours.

The beginning of the set is always the same. Welcoming the dancers gently. Letting them take their marks with a musical apéritif of tracks at 80/90 BPM, something that many DJs don’t do or no longer do.

The end is always the same. Parting with the dancers gently. Letting them go down peacefully. Their evening with me is over, but it is perhaps another one, more intimate, that will be starting for them.

In between these two moments, it’s all about the story itself, with its cumbia, reggae, hip hop, lusophone music, funk, soul-jazz twists... A rich story which tells itself in the mood of the moment and back on the dance floor. Depending on the general atmosphere, the rise in musical power can start after an hour and thirty minutes of preliminaries, or it can happen only after 45 minutes. The climax is reached with the Afro-house part, a furious passage that makes overexcited music from Zimbabwe and punk music from South Africa confront each other along a total experimentation with tracks so disturbing that they put the dancers' legs out of sync. This represents a moment of rupture in the narrative, its only purpose being to help reconnect with the dance floor as soon as it is over and to re-launch the story with even greater interest.

Those who have already come to see my DJ set know this: each of my stories is unique.

I hope you’ll enjoy the one I’m telling you in this third volume.

Pura Vida

Guts"

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Straight From The Decks Volume 3 Black Vinyl Edition

2LP | 2023 | EU | Original (Heavenly Sweetness)

Release: 2023 / EU – Original

Genre: Organic Grooves

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All DJs have their own way of building their set. Some pick records entirely on the spur of the moment and trust their instincts, others write down a precise list on a piece of paper and never stray from it; the set is a kitchen where the DJ is the Chef. It doesn't matter how it’s done, as long as it's done properly and enjoyed by everyone, that's what matters the most.

I think I'm combining these two methods when building my set, except that instead of a meal, I'm talking about a story. A story that crosses styles, countries, atmospheres, and that I tell in a different way every night. With, however, a method that I respect.

Between the new stuff I get from the labels, the stuff that friends and fans send me, and what I dig myself, I have enough to make a different set from A to Z, every night! However, before these treats can delight the dancefloor, each of them has to go through a quite precise process.

The first step is to digitalize my tracks in high quality. I can play several dates in a week, so carrying boxes of records to places that are sometimes far apart is out of the question. The WAV format has become my best friend. With it, I can edit some tracks, cut parts or lengthen others. Sometimes, an interminable intro is not necessary, while a furious break needs to repeat itself a bit longer.

Then, the second step consists in classifying the tracks by genre and origin. A real library is thus created where each title has its own place. Accessible (almost) without searching. I know all too well the experience of getting lost in one's own collection, trying to read the spines, pulling out a record halfway from its shelf only to put it back in it immediately. No, that's not the one... where did I put that other one then?...

From these folders I then draw the titles which will be part of the third stage: the selection for the DJ set. Nothing is set in stone, tracks come and go on a regular basis. I have year-round squatters as well as residents passing through for a few weeks. Or days. It is from there that I begin to elaborate the story that I will be telling for three or four hours.

The beginning of the set is always the same. Welcoming the dancers gently. Letting them take their marks with a musical aperitif of tracks at 80/90 BPM, something that many DJs don’t do or no longer do.

The end is always the same. Parting with the dancers gently. Letting them go down peacefully. Their evening with me is over, but it is perhaps another one, more intimate, that will be starting for them.

In between these two moments, it’s all about the story itself, with its cumbia, reggae, hip hop, lusophone music, funk, soul-jazz twists... A rich story which tells itself in the mood of the moment and back on the dance floor. Depending on the general atmosphere, the rise in musical power can start after an hour and thirty minutes of preliminaries, or it can happen only after 45 minutes. The climax is reached with the Afro-house part, a furious passage that makes overexcited music from Zimbabwe and punk music from South Africa confront each other along a total experimentation with tracks so disturbing that they put the dancers' legs out of sync. This represents a moment of rupture in the narrative, its only purpose being to help reconnect with the dance floor as soon as it is over and to re-launch the story with even greater interest.

Those who have already come to see my DJ set know this: each of my stories is unique.

I hope you’ll enjoy the one I’m telling you in this third volume.

Pura Vida

Guts

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2LP | 2019 | EU | Original (Heavenly Sweetness)

Philantropiques

Release: 2019 / EU – Original

Genre: Organic Grooves

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BRAND NEW ALBUM BY GUTS! YEAH!

“Early last year Guts told mehe wanted to go back to basics and make another MPC/samples based LP. Then, when he instead submitted a full live band album on which he’d worked with Cyril Atef, one of the craziest drummers I know, plus also Ben Abarbanel Wolf, who has worked wonders for Ebo Taylor andPat Thomas, you can imagine my excitement.”-Franck Descollonges, Heavenly Sweetness French national, Ibiza resident and intrepid beach digger Guts, has readied here something very special indeed. Now five albums deep into his recording career, he’s built a loyal fanbase and following from his early days as a beatmaker. Guts’ initial spirit of sampling, sequencing and programming still remains but it has now morphed into something of a full-on musical opus. His journey started with 2007 debut “Le Bienheureux”released on Nightmares On Waximprint Wax On, that led up to2016’s “Eternal”, which was his first endeavour into making an album with a full band, The Pura Vida Band. Having toured extensively with the band in support of the album and playing festivals like Glastonbury, Secret Garden, Green Man andShambala,it was during these shows that something really embedded in him about ideas of how music could be made from a more collective point of view. So now having worked through this stack of ideas, he bestowed this new full length player, ‘Philantropiques’,which marks something radically different from his previous outputs.
‘Philantropiques’is an experimental yet sunny outing, comprising longer tracks that open up into carefully considered arrangements. A tropical afrobeat LP if you like. One strong theme that runs throughout is the vibrations of the Southern Hemisphere, somewhere Guts has been so well associated with over the years. His compilation series, “Beach Diggin”,now in its fifth volume, brings together highly sought after rarities, lovingly curated with long time friend, collaborator and visual artist, Mambo. To help him realize this new musical plan, Guts set up a brand new live band featuring Kenny Rubyon bass, Christiane Prince on drums, Cyril Atef on percussion, alongside Adelaide Songeons and Ben Ababarbanel Wolf on the horns. This was the musical base, around which all the other elements were to be composed by a whole host of other musicians, MCs, vocalists and creatives. Ideas developed were live brass, flutes and even a vibraphone! Once Guts was thick in the musical jungle of creation, intrigued guests come by the studio to see what he was cooking and lend a hand; saxophistJowee Omicil, guitaristLameck Macaba, Djeuhdjoah and Lieutenant Nicholson, storytellerPat Kalla, Brazilian legendPinduca, vocalistsNazaré Perera &Catia Wernec, and also French jazz virtuoso pianist, Mario Canonge. Be it poems, musical solos, a touch of humor, or travel tales between Brazil, the Caribbean islands and Africa, all these artists feature on this LP in some capacity or other. The recording sessions flowed fluently with Guts holding it down at the controls.Afro trance, Brazilian jazz funk and frantic percussion areall explored over this 13 track offering. Lead singles ‘Kenke Corner’ and ‘Mucagiami’step effortlessly between the dancefloor to ballad, the latter featuring a stunning vocal performance from Angolan vocalist, ‘Vum Vum’.With stopovers in Haiti, the Caribbean, Africa and the Amazon, Guts has gone far and wide enlisting various people to present you his new album --he is one true ‘Philantropiques’.

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Estrellas Remixes EP Black Vinyl Edition

2x12" | 2024 | EU | Original (Heavenly Sweetness)

LP | 2019 | EU | Original (World Circuit)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Limited to 1000 copies worldwide, only available with GUTS and HHV.

In 2022, Guts brought together his musical family for his ‘Estrellas’ album. An ambitious project that brought together musicians from: Franc, Cuba and various African countries. For a journey that was as rich artistically as it was humanly. The list of superlatives was almost endless, "Formidable", "incredible", "unforgettable" and "magical" all thrown into the pot, during these magical moments in the Dakar studio. From the seventeen tracks heard on the original album, three have been entrusted to the expert and inventive hands of four producers, who have come up with new interpretations bringing Africa and the Caribbean together for a modern dancefloor.

‘Por Que Ou Ka Fe Sa’ (Poirier Remix)

From his studio in Montreal, Canadian Poirier has opted for a strong groove and relentless bass drum to keep out intruders, putting vocalists David Walters and Brenda Navarrete in a rhythmic cocoon. Accompanied in a slightly moody bassline that adds some driving muscle to the track. The hooky guitar line eventually gives way to the saxophone that emerges from the mix to parade around the front line. The original electric piano is replaced by a synth pad that loops and spins driving the track to its conclusion.

‘Por Que Ou Ka Fe Sa’ (David Walters Remix)

Before recording this track, David Walters and Brenda Navarette didn't even know each other. So in the magic of the moment that brought them together is a genuine and sincere artistic bond. It is no longer Guts but David who is at the musical helm, and before they too can savour the connection between the two artists, the dancers will have to pass through an overheated corridor where a Caribbean rhythm resonates with percussion. Digital and woodwind swirl and clash until the vocal encounter with the artists. It's a moment of respite that's as suspended as it is life-saving, because the exit is also via the famous corridor.

‘San Lazaro’ (Bosq Remix)

On Bosq’s mix, he’s opted to maintain things focused on the dancefloor, keeping the percussion persistent for the unleashed bodies of the dancers to smile. It's once again the walking bass line rises to the forefront of the groove, softening the shocks of the relentless kick drum. Roberto Valdes's timeless piano has disappeared, while guitars float and add to the atmosphere. The track is no longer awash in cigar smoke. Under Akemis's powerful vocals the low ceiling has disappeared, and the open roof is more a brass-lit spectacle. That doesn't make things any less overheated though, this one is sweaty until the end.

‘Medewui’ (Captain Planet Remix)

Captain Planet brings the dancer’s attention to the Afrobeat flavored jam that rocked the original, highlighting the Pat Kalla & Assane Mboup duet. Despite the track remaining mid tempo, laying back is no longer the order of the day as this mix really develops. The drums are more present jolting along with the organ in the first half. Once all the storytellers have taken their microphones, the rhythmic beats are doubled and the track is carried towards a frenzy of Afro-Latin dancing. Fired up by the brass and percussion, it’s this almost switch up that takes hold of the second part of the tune, with some righteous authority and relentless piano and trumpet.

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Guilllermo Portabales

El Carretero

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Far Out)

Grupo Um

Starting Point

Kumbia De La Rober / Quetzali

Release: 2023 / EU – Original

Genre: Organic Grooves

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In 1975, under the oppressive air of military dictatorship in Brazil, brothers Lelo and Zé Eduardo Nazario invited bassist Zeca Assumpção to join their musical experiments in a basement under Sao Paulo’s Teodoro Sampaio Street. As teenagers, the trio had already been playing together in Hermeto Pascoal’s Grupo, alongside guitarist Toninho Horta and saxophonist Nivaldo Ornelas, and it was while working together under Hermeto’s direction that the Paulista rhythm section (as they were then known) began to realise their own potential.

With many nightclubs and venues closed in the mid-70s and government censors dictating the output of radio, TV and art galleries, many Brazilian artists fled during the years of dictatorship. But underground, Grupo Um were fusing avant garde ideals with contemporary jazz and Afro Brazilian rhythm; making phenomenally free and expressive music - in stark contrast to the sterile, conservative conditions being imposed above ground.

Just like Hermeto Pascoal’s Viajando Com O Som from the following year, Starting Point was recorded over two days at Vice-Versa Studios, by revered engineer Renato Viola. The studio was one of the best in Sao Paulo and musicians communicated with engineers through cameras and a monitor, allowing the group complete immersion in the process. They also made use of the studio’s hemispherical tiled room, which served as an acoustic reverberation chamber.

The album begins with Zé Eduardo Nazario’s thunderous drum solo on “Porão da Teodoro”, before clearing the clouds with the lone Berimbau which opens “Onze Por Oito”. Built around a hypnotic electric bass line, heady Fender Rhodes improvisations, and more rip-roaring drums, it’s a rapturous, electrifying freak-jam in 11/8.

Like some invertebrate deep-sea curiosity, the free-form “Organica” is made up of Lelo Nazario’s playfully eerie prepared piano, with Zé Eduardo’s percussion flurries darting around Assumpçao’s double bass. The equally non-conformist, percussion-only piece “Jardim Candida” features many of Zé Eduardo’s home-made instruments, including a long saw blade played with vibraphone sticks and violin bow. While working with Hermeto, Zé Eduardo famously built his own all-in-one percussion set-up known as the “Barraca de Percussão” (Percussion Tent) - the first of its kind in Brazil, which he would also use on Hermeto Pascoal’s Viajando Com O Som and throughout his career.

“Suite Orquidea Negra'' (Black Orchid Suite) was written by Lelo Nazario as the score for an imaginary movie - the story of a rare, black orchid which produced a substance meant to cure all diseases, but which had mysteriously disappeared from the laboratory… “As a screenplay it’s not very good” reflects Lelo in jest, “but the music ended up being very interesting, the way its parts are chained to one another carries a little of the mystery I imagined for the movie.”

The album closes with the triumphant “Cortejo dos Reis Negros” (Procession of Black Kings) - a groovy variation on the Maracatu rhythm, with a two-note bassline underpinning piano improvisations, exultant wordless vocals, cuicas, slide-whistles and a very special guest appearance from Zé’s dog Bolinha.

Starting Point was to mark the inception of one of Brazil’s most daring instrumental groups. Their debut now sits in the lofty echelon of otherworldly 70s Brazilian music, alongside the likes of Marcos Resende & Index’s self-titled debut, Cesar Mariano & Cia’s Sao Paulo Brasil, Azymuth’s debut and indeed Hermeto Pascoal’s Viajando Com O Som. But just like all of those titles, which were either shelved or largely ignored at the time, Grupo Um - so radically ahead of their time - struggled to find a label to release their debut album. So Lelo kept the tapes safe in his archives, which is where they sat for almost half a century. Finally, almost fifty years later, this mesmerising piece of history is here, and it was only the beginning...

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Grupo Jejeje

7" | 2023 | JP | Original (Okra Brand)

18,99 €*

12" | 2024 | EU | Original (Markotaz)

Release: 2023 / JP – Original

Genre: Organic Grooves

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Trippy, dark and mysterious. A new development of the popular Mexican Sonidero style cumbia by the hottest cyber cumbia unit of the moment! The cover is a reversible sleeve by Ryohei Kazumi, the genius of Entertainment. This is part 1 of a two-part work, and the two pieces will be placed side by side to complete a single picture.

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Grèn Sémé

Maloya Gazé EP

19,99 €*

Don't You Want Me Baby / Mi Lamento

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Reunion's major musical genre, Maloya, becomes "gazé" (crazy) through the sounds composed by Grèn Sémé for this new EP. A gassed maloya that combines direct inspiration from the purest line of this traditional réunionese music with the highly contemporary evolution that is the Grèn Sémé group's signature. Composed during the studio sessions for their latest album, "Zamroza", the first three tracks on this new EP reveal the sunny side of the Creole band. You can taste their love of lyrics and their thirst for discovery. And the right mix of compositions. Inspired by the tradition of the greatest song/percussion pieces in the island's history, Grèn Sémé offers three anthems that lend themselves perfectly to the remix exercise.

Deluxe bonus: the 3 Remixes of Voilaaa + La Dame + Guiss Guiss Bou bess Voilaaa and the fabulous Bruno Patchworks take on "Siko" to create a Cape Verdean ballroom hit. funana with its heady melodies, it's ultra danceable! La Dame, producer and DJ from Belgium, remixes the eponymous track into an effective batida for the dancefloor, DJs and dancers alike.

Guiss Guiss Bou Bess take remixing a step further, adding Senegalese sabars and the vocals of group leader Mara Seck to Carlo de Sacco's Alkol.

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Gitkin

7" | 2024 | UK | Original (Wonderwheel)

LP | 2023 | EU | Original (Private)

Release: 2024 / UK – Original

Genre: Organic Grooves

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In anticipation of Gitkin's upcoming album in October, Wonderwheel drops a cheeky little 7" with two Latin covers from the man himself. The A-Side finds an instrumental Cumbia cover of the eternal 80s classic by The Human League. Leading with the guitar for the verses, the song chugs along nicely with a faithful interpretation of the original with Simon Moushabeck's accordion leading the chorus. On the flip, Gitkin covers Peru's infamous Grupo Celeste's 1975 classic "Mi Lamento" with friend and collaborator Gabe Case on vocals. Keeping with the Tropical Andean sound of the original, Gitkin's funky, wah wah guitars drive the track set over uptempo, cumbia inspired drums while Case's melodic vocals float on top. Two fun, happy tunes to light up dancefloors this summer!

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Gerhard Heinz

The Joy Of Flying

35,99 €*

12" | 2015 | EU | Original (Schema)

Release: 2023 / EU – Original

Genre: Organic Grooves, Soundtracks

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The Joy Of Flying (German title ?Silvia im Reich der Wollust?) is a porn soundtrack from 1977 which doesn?t have a parachute. It going directly into heaven without return. Similar situation as with the prices on the Discogs of the 1978 Hongkong compilation soundtrack featuring some songs of this movie, the prices are astronomical? Finest Comic, Disco, Bossa, Ambient album by legendary Gerhard Heinz from 1977. Reminding over long passages of classics like Richard Schneider ? Dreamlike Land or Wolfgang Maus ? Children Of The Universe, both produced also in 1977. Official first time ever full LP album soundtrack release.First pressing with 2 foldout bonus posters

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Gerardo Frisina

Olympia EP

Release: 2015 / EU – Original

Genre: Organic Grooves

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2LP | 2023 | EU | Original (Schema)

Gerardo Frisina

Joyful Sound

Geniva Cassiano / Dom Salvador

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Heralded by the “Soul Drum” 12” EP (scep507, 2022), Gerardo Frisina’s new double record “Joyful Sound” represents another step forward on his ongoing travel towards new musical paths. Joyful sounds narrate a journey made of wisely distilled notes, bright and sometimes mysterious atmospheres, harmonies that wander through shadows, silences, and lights. A chameleonic Gerardo enchants with every release, mixing jazz, Latin, Afro-Cuban sounds, oriental fragrances, electronic beats, tribal percussions, funky variations and, to summarize, elegant symphonic arrangements with refined mastery. “Joyful Sound” once again sees the participation of the late Enzo Frassi (double bass), Fabrizio Bernasconi (piano, Rhodes), Gendrickson Mena (trumpet, piano), Alfonso Deidda (sax, flute) and Ernesto Lopez (drums, percussion), with the addition of Piero Perelli on drums and Giovanni Guerretti on piano, Hammond and Rhodes. This new record, carefully orchestrated and produced by Gerardo, required over a year of intense work, however it is worth every second of its 75 minutes of music. As the great Charles Mingus once said, “Play it in the key of your soul”. Without a doubt, Gerardo always gives his soul in full!

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Ela Mandou / Uma Vida

Release: 2016 / UK – Original

Genre: Organic Grooves

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Cumbia Cienaguera (Jacques Renault) / Chevere (Jacques Renault Edit)

Genesis / Sangre Joven

7" | 2023 | EU | Original (Mushroom Pillow)

12" | 2023 | UK | Original (Lovemonk)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Jacques Renault draws inspiration from the rich heritage of Latin Underground music, Renault embraces the vibrant rhythms, soulful melodies, and irresistible beats to create a captivating soundscape that bridges the gap between eras. He weaves together a collection of handpicked Latin Underground Classics, each chosen for its historical significance and cultural impact. With great respect for the original compositions, Renault breathes new life into these hidden gems, preserving their authenticity while crafting alluring edits that speak to contemporary audience

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Gecko Turner

Somebody From Badajoz

LP | 2018 | EU | Original (Vampisoul)

Release: 2023 / UK – Original

Genre: Organic Grooves

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With his new album, Gecko Turner confirms that he is a standout artist in the global groove scene, a must for the outernational sounds aficionados.

Somebody From Badajoz is the fifth studio album in his much lauded discography and his first in seven years, eagerly anticipated by both his fans and himself: "this business of dedicating yourself to music and making songs... it's a long game."

With the release of his first two, remarkable, albums, Guapapasea! (2003) and Chandalismo Ilustrado (2006), Gecko started cultivating what one astute journalist defined as Afro-maduran soul—the "maduran" bit referencing Extremadura, a region in central-western Spain.

Badajoz, Gecko's birthplace, is the biggest city in the area, on the border with Portugal, by the Guadiana River. It is a place that oozes history, where there is constant movement at the border, and people's character is friendly and open-minded with foreign habits.

Gecko's Afro-maduran soul isbuilt on Afro-American music and drenched in Brazilian, African, Latin American and Jamaican sounds. There are also echoes of a youth marked in equal parts by our man's admiration for the Beatles and the flamenco that could be heard everywhere in Badajoz in the seventies. It makes for a singular sound and a musical language of its own—spicy, succulent, full of nuances, but with a very personal flavour.

The album opens with the Nigerian talking drums of Twenty-twenty Vision, (neo) soul in a magical falsetto, carried by a sumptuous orchestral arrangement with a cinematic flavour: "I'd been thinking about doing something called 'Twenty-twenty Vision' for some time, making a play on words with the vision we have of the world after the year 2020 and the medical expression, which, in ophthalmological terms, means 'normal or complete vision.' Beyond that particular song, I think that's the mood of the album: a look at society in the twenties of the 21st century and the feelings and demons it produces."

It's followed by De Balde, a very special song born from a posthumously discovered lyric by the great writer Carlos Lencero, a regular collaborator of Camarón, Pata Negra, and Remedios Amaya, and also from Badajoz. While conceived as a fandango, Gecko has moulded it into his sound in such a seamless way it now seems as if the words could only have been written to be embraced by the percussion, brass, and backing vocals heard on the album. It's the only lyric on Somebody From Badajoz not written by Turner, still it sits rather comfortably with the rest, sharing the same emotivity and sensitivity, as well as the trademark humour and irony.

Other tracks see more protagonism for the rhythm.The beat-driven Ain't No Fun Preachin' to the Choir features Gecko's vocals walking the thin line between singing and talking over a phenomenal afro-disco-funk-infused trailblazer. In Am I Sad? it's impossible to not bob your head to the queen of Papatosina's mongrel rhythm, as close to the banks of the Guadiana river as it is to the shores of the Mississippi. Qué Siesta Tan Buena, He Babeao Y To! is an ode to the snooze in true Afro-Maduran fashion. And in Come And Try, the Caribbean influence is evident—lovers' rock that invites you to dance in good company.

In these songs, and throughout the album, for that matter, the musicians accompanying Gecko, who himself plays many of the instruments as well, shine brightly. All hailing from Extremadura, Javi Mojave (percussion), Álvaro Fdez 'Dr. Robelto' (bass), and Rafa Prieto (guitar) have been carrying him with delicate forcefulness since he started out as a solo artist. At the same time, the wonderful and essential voices of Deborah Ayo, Astrid Jones, Fani Ela Nsue, and Miriam Solís give the album a sunny variety of colours. And there are many more—a sensational group of musicians contributes dazzling harmonic bursts to many of the songs. The palette of sounds is very diverse and rich in textures and nuances, including, for example, the ngoni, bells, and various repurposed kitchen utensils.

The groove is always around, moving between the magical border sound of Everybody Knows Somebody From Badajoz and Little Dose, the silky soul of The Sibariteo Appreciation Society, and the exultant celebration of End Of The World (which surprisingly sees Gecko turning to the occasional use of autotune), a piece that could be used for the final credits of a Monty Python film and, in fact, closes the album.

Gecko Turner has done it again with Somebody From Badajoz, looking to the future without losing sight of the roots. In times of upheaval all over the globe, when people are looking for purity, he delivers a formidable piece of work: risky, optimistic in spite of everything, and with a decidedly bastard sound. Let's rejoice.

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Garotas Suecas

Futuro Do Preterito

16,19 €* 17,99 € -10%

LP | 2024 | EU | Original (Space Echo)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Sao Paulo's Garotas Suecas keep evolving their sound on their awaited third album
"Futuro do Pretérito". These 12 new tracks form a mesmerizing take on Brazilian
60s/70s soul, pop and funk which sounds fresh and of today while dealing with a
wide range of issues from politics and sentimental troubles to tropical fruits.
DESCRIPTION On their third album, "Futuro do pretérito", Garotas Suecas begin
a new phase as a four-piece where the four musicians also share the lead vocals:
Irina Bertolucci (vocals, keyboards), Tomaz Paoliello (vocals, guitar), Fernando
Perdido (vocals, bass) and Nico Paoliello (vocals, drums). The album deals with a
wide range of issues, from thorny political matters to sentimental troubles and
even tropical fruits. "The songs were developed during 2016 in our new horizontal
line-up: four singers, four musicians, four songwriters. We started recording in
early 2017, at Freak studio. It's the first time that both the production and the
mixing has been done by the band. The records comes completely from within
ourselves, it's less referential and more organic. We chose our own formula rather
than any established formulas," states Tomaz Paoliello. "Futuro de Pretérito"
features guest musicians such as long-time collaborator percussionist Matheus
Prado (Projeto Coisa Fina), saxophonist Filipe Nader (Música de Selvagem, Trupe
Chá de Boldo), guitar players Marcelo Vogelaar (Holger) and Marcelo Lemos
(Vruumm, Projeto Coisa Fina) and keyboardist Andre Bruni (Mel Azul, Cupin). The
artwork is by illustrator and designer Walter Rego.

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Galathea

Sacred Love

LP | 2019 | EU | Original (Soundway)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Two years after the release of his first self-titled album, DJ producer Massimo Napoli aka Galathea presents the new 'Sacred Love', in which he once again avails himself of the collaboration of his friend producer and bass player Salvo Dub, as well as a combo of respected musicians: singer Kadi Koulibaly - originally from Burkina Faso - already featured on the first album, Giulia La Rosa, author of the lyrics and performer of the title track, pianist Mario Pappalardo, percussionist Sergio Spitaleri and drummer Luciano Cantone. 'Sacred Love' is definitely a more mature, intense and profound journey than the previous album of the same name, which enhances the magical dreamlike and spiritual atmospheres of a certain African culture. The album guides the listener along a path of multi-ethnic contaminations: "Divinité", "Ouaga" and "Koloko", well interpreted by Kadi, touch on the sacredness and mysticism of the African continent and blend well with the Spiritual Jazz sounds that have evolved in the West. "Divinité", through the spoken word of French poet Diego Hernandez, tackles the themes of faith, life and the relationship with one's 'self', with references to French chanson productions, in which Kadi's spiritual song, at times 'Saharan', intersects and expands into cosmic space. The title track, the first single from the album, also released on 7" (45rpm) in two versions, is an Afro-American gospel with a typically afrobeat rhythm, vaguely reminiscent of Nina Simone's 'See-Line Woman'. North Africa is represented by "Equator", while we climb further north into the middle of the Mediterranean Sea with "Medican Blues", to land in Stromboli with the Deep Jazz of "Ginostra", whose title recalls the village of the marvellous island in the Aeolian archipelago. Then we have the Cuban track "Caminito", a sort of Cha-Cha with a romantic piano melody (à la Chucho Valdez) well performed by maestro Mario Pappalardo; and then again "Eos", strongly Balearic with a Brazilian mood; "Impression", a dreamy journey of impact; "Sirens", already present on the first album and here reworked in a new Spiritual-Ambient version produced by Agosta. "Sacred Love" is thus an original and musically borderless album, which expands a certain African sacred culture and naturally blends Afrobeat, Jazz and Blues atmospheres with the Balearic sounds of Mediterranean culture. Enjoy listening!

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Gabriele Poso

Batik

17,99 €*

2LP | 2018 | EU | Original (BBE)

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Future Afro-Latin jazz house from Italian master percussionist, multi-instrumentalist and composer Gabriele Poso. The entirely self-produced album features guest vocalists Nailah Porter, Nina Rodriguez, Quetzal Guerrero & Sofia Rollo.

Following a long-term collaborative partnership with Osunlade / Yoruba Records, as well as albums on BBE and Agogo Records, on 'Batik' Poso further develops and matures his sound - exploring his extensive roots in Afro-Cuban percussion, while delving into the realms of jazz and soulful house.

With mixing by renowned Spanish DJ and producer Kiko Navarro, the lead single “Africa Linda” is an up tempo live take on Latin house, featuring American-born soul singer Quetzal Guerrero on vocals.

Much of the album features Poso on not only vocals but many of the instruments - including percussion, guitar and kalimba. A true multi-instrumentalist, Poso found a particular affinity for percussion at a young age, studying in Puerto Rico and Cuba.

In 2008, Poso released his first solo album entitled “From The Genuine World”, produced for Osunlade’s label, Yoruba Records. He went on to release another 3 albums, with labels including BBE Music - garnering acclaim from reviewers and selectors including Gilles Peterson, as well as awards including “Roots Of Soul” winning Best Jazz Independent Production in 2012 (Germany).

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Gabriele Poso

Awakening

27,99 €*

LP | 2023 | EU | Original (Gabriele Deiana Music)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Making his BBE debut in 2017 with compilation
album ‘The Languages Of Tambores’,
described by The Vinyl Factory as “ancestral,
evocative and visceral”, Italian multiinstrumentalist
Gabriele Poso returns to the
label with his new LP ‘Awakening’. Since his
debut album ‘From The Genuine World’,
released in 2008 on Osunlade’s Yoruba
Records, Gabriele has amassed an impressive
catalogue of solo work and guest appearances,
not to mention a hectic schedule of live
performances. Perhaps Gabriele’s most rounded
work to date; ‘Awakening’ captures an artist in
full bloom, examining a crossroads between
creative and personal paths.
“The birth of my eldest son Viktor caused me to
question my career in music and explore other,
more ‘secure’ options, but thanks to my wife I
quickly realised that to be different from your
neighbor doesn’t make you wrong. After all, in
this life, does anyone really have any security?
So actually Viktor and my family have become
my super power: they teach me to believe in
myself more then I ever did before. This album
is all about that realization; that Awakening.”
Encompassing Afro-latin, jazz, soul and dance
music elements, glued together by Poso’s
distinctive layered live percussion sounds,
‘Awakening’ is peppered with guest
performances and production touches from a
talented series of friends. As Gabriele puts it “I
like to surround my music with the people I love
and want to spend my time with.” A deeply
rooted and spiritual project, a few of the tracks
featured on ‘Awakening’ will be familiar to those
lucky enough to catch Gabriele Poso on tour
over the last 12 months; not least his reimagining
of the Roy Ayers classic ‘Everybody
Loves The Sunshine’. From the stunning cover
art by Elvira Gerardi which features Gabriele’s
first born son Viktor, to the special music
contained within, this album’s message is clear;
although as Gabriele succinctly points out: when
we talk about love, ‘words never work.’

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Gabriele Deiana

Georgina's Rumba

18,99 €*

LP | 2023 | EU | Original (Stones Throw)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Georgina's Rumba is a magnum opus in the field of latin music in the broadest sense. Gabriele Deiana Sardinian guitarist, composer, arranger, producer and lyricist brings together 36 musicians for this work, including the winners of the Latin Grammy 2021 Alain Perez and Ivan "Melon" Lewis. 15 Cubans, 12 Spanish gypsies, 5 Spanish and 3 Venezuelans give life to a musical biographical journey that ranges from latin jazz to bolero, salsa, flamenco-jazz, tropical, nordic argentine style, son montuno and modern flamenco. The record also features former members of the Paco de Lucia sextet including Jorge Pardo and Carles Benavent. The best of the best of each genre. The vinyl format is gatefold and contains a 6 pages insert 30cm x 30cm with photos and the history of the album.

A true and fascinating novel in that began in 1992. The cover is a hand-painted watercolor by the illustrator Gianluigi Concas and contains an encrypted rebus that can be solved by reading the novel in the insert.

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Gabriel Da Rosa

E O Que A Casa Oferece

Release: 2023 / EU – Original

Genre: Organic Grooves

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Fruko Power Vol.1: Rarities & Deep Album Cuts 1974

Fruko y sus Tesos

Release: 2023 / EU – Original

Genre: Organic Grooves

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Twenty rarities and deep cuts from the early years of Fruko y Sus Tesos on legendary label Discos Fuentes. A collection of powerful Colombian salsa dura for the serious collector, DJ and dancer, but also enjoyable for those just discovering Fruko for the first time.2LP including an insert with photos and liner notes by DJ Bongohead (of Peace & Rhythm).The two-volume collection FRUKO POWER is not an homage, career overview, greatest hits or 'best of' collection showcasing the evolution of Fruko (Julio Ernesto Estrada Rincón), the Renaissance Man of Colombian tropical music. Instead, this compilation series shines a light on a lesser-known side of the bassist and band leader's work during the early 1970s with Fruko y Sus Tesos, reissuing in physical form many of his rare or hard to find salsa 45s as well as a few deep album cuts from the first half decade of his career, assembled in chronological order.There are interesting cover versions as well as originals, some of which never appeared on an LP. All of Fruko's classic vocalists are represented, from early collaborators Humberto "Huango" Muriel and Edulfamid "Píper Pimienta" Díaz to golden-era stars Joe Arroyo and Wilson "Saoko" Manyoma.FRUKO POWER is less for the newcomer and more for the serious salsa collector, DJ and dancer who may have a few of the maestro's albums or hits but wants to dig deeper and have all these obscure rarities in one place. However, it also serves as an excellent compendium of powerful Latin dance tracks by Fruko y Sus Tesos that have stood the test of time, so even those who do not know much of his work will be sure to feel the power of Fruko.

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Fruko y sus Tesos

El Violento

LP | 2020 | US | Original (Stones Throw)

Release: 2023 / EU – Original

Genre: Organic Grooves

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An undeservedly obscure Fruko album from 1973, full to the brim with unrelentingly hard and heavy salsa bangers that never let up (hence the title, "The Violent One"). The record is a pleasing mix of originals and covers and contains the anthems 'Tronco seco', sung by Wilson Saoko, and 'Nadando', a hit for Joe Arroyo. But there's a whole lot more, including hot holiday tunes and the stomping descarga 'Salsa Na' Ma'. This album is "all killer and no filler", designed to set the dance floor ablaze! Details:The 1973 album "El Violento" was the fifth full-length salsa LP led by Julio Ernesto Estrada Rincón, aka Fruko, and the second credited to Fruko Y Sus Tesos. Though it did not contain hits like 'A la memoria del muerto' or 'El Preso', it's a collector's item today in places like the US, Europe and Japan, perhaps precisely because it is obscure yet full to the brim with unrelentingly hard and heavy salsa bangers that never let up from start to finish (hence the title, which translates as "The Violent One"). A mix of originals and interesting covers, the LP is "all killer and no filler", purposely designed to set the dance floor ablaze. It features Fruko's two main vocalists that took over from the first pair of Humberto "Huango" Muriel and "Píper Pimienta" Díaz, namely the beloved duo of Alvaro "Joe" Arroyo and Wilson "Saoko" Manyoma. Los Tesos were a talented "wild bunch" who listened to their fearless leader, with Fruko holding down the bottom end on electric bass, Hernán Gutiérrez in the piano chair, the Villegas brothers on hand percussion (Jesús tickling the bongos and Fernando slapping the congas), augmented by Rafael Benítez on timbales and an ace horn section of Freddy Ferrer and Gonzálo Gómez (trombones) and Jorge Gaviria and Salvador Pasos (trumpets). While "El Violento" may not be as well known as some Fruko records, it certainly deserves a new look and should be assessed on its own merits as a very powerful, confident entry in the historical evolution of Colombi...

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Frankie Reyes

Originalitos

18,99 €*

Presents Les Editions Populaires

Release: 2020 / US – Original

Genre: Organic Grooves

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Original compositions by Gabriel Reyes-Whittaker created with an analogue Oberheim synthesizer, a Midi sequencer, and an effects unit.

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Franco Luambo Makiadi

2LP | 2023 | EU | Original (Planet Ilunga)

7" | 2018 | UK | Original (Dynamite Cuts)

Release: 2023 / EU – Original

Genre: Organic Grooves

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After the anniversary edition about the illustrious Ngoma label, Planet Ilunga moves forward in time with its upcoming release. With the new series 'Les éditeurs congolais' Planet Ilunga aims to honour and highlight the phonographic and entrepreneurial work of the first Congolese record label bosses. We kick off with a compilation of one of the most significant labels, Les Editions Populaires, founded by Franco Luambo Makiadi.

'Indépendance Cha Cha' was an historic song, not only because it immortalized Congo’s independence in its lyrics, but also because it was the first single published by a Congolese-owned record label. Joseph Kabasele’s label Surboum African Jazz indeed paved the way for several Congolese musicians to become record publishers. It resulted in the 1960s in a plethora of newly found Kinshasa-based record labels, run by the biggest musicians of the time.

Les Editions Populaires was founded by Franco in 1968 after he first co-founded with Vicky Longomba the labels Epanza Makita (+/- 117 singles) and Boma Bango (+/- 50 singles) and after starting his first short-lived label Likembe (+/- 5 singles). It ran until 1982 and was mostly dedicated to the output of OK Jazz (later TPOK Jazz).

This compilation brings together an original selection of 16 tracks from the first three years of Les Editions Populaires. They are a showcase of the sound Franco had envisioned for his band. The focus was less on cha-cha-cha and Spanish lyrics, but on lingering rumba and bolero ballads in Lingala, tradition-rooted songs in Kikongo, Kimongo and even Yoruba, collaborations with Ngoma artists Camille Feruzi and Manuel d’Oliveira and not to forget solid tributes to American funk, which were showing that the OK Jazz musicians had an open-minded view on music and were capable of excelling in many genres.

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Francisco Aguabella

Desire / Casa Fuerte

16,99 €*

Mademoiselle / Tenas Song

Release: 2018 / UK – Original

Genre: Organic Grooves

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A limited edition 7” release by Francisco Aguabella, both tracks taken from the rare Hard Hitting album released 1970 on EPSILON records. These two have never been on 7” before, includes wonderful re-production cover of the original sleeve.

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Foxy

7" | 2018 | UK | Original (Dynamite Cuts)

LP | 2019 | EU | Original (Le Label)

Release: 2018 / UK – Original

Genre: Organic Grooves

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A limited edition 7” release by FOXY, both tracks taken from the “GET IT ON” LP. Again DYANMITE CUTS give you never been on 7” release. Including a wonderful re-production of the original sleeve.

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Flavia Coelho

Dna

21,84 €* 22,99 € -5%

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Perlas & Conchas)

Femina

Perlas & Conchas

17,99 €*

12" | 2018 | EU | Original (Atangana)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Fémina channels blissed out, harmony-soaked soul music with a purpose. Lyrically poignant with hip hop and Latin influences, 'Perlas & Conchas' is the group's third album proper and unlike previous long players, is primarily an electronic statement, recorded and produced by British producer and musician Quantic - the first ever creation at his Selva Studios in New York – and features Iggy Pop.
Made up of Clara Miglioli and the two Trucco sisters, Sofia and Clara, the group’s roots are in San Martín de los Andes in the Patagonian mountains, where they grew up together sharing a love of ‘90s hip-hop imported from the US – as well as the occasional Spanish-speaking rapper from Mexico or Spain. They took a musical side-step when Clara Trucco joined, and began drawing more from vocal harmonies and playing live instruments - a process that led them toward their unique style: a combination of soul, hip-hop and traditional Latin American music.
The title “Perlas & Conchas” translates to 'Pearls and Shells', a reference to the process through which a pearl is created: a speck of dirt, encased in a shell, turned into an object of wonder. They want to do the same thing with their music: to take dark, difficult situations and turn them into positivity.

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Fedia Laguerre

Divizion

20,99 €*

LP | 2023 | US | Original (Electric Cowbell)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Founded in 2018 by DJ and producer Deni-Shain – the man behind acclaimed compilations Space Echo and Pop Makossa -, Atangana Records is the logical follow-up to more than 20 years of travels, constantly on the lookout for new artists and music around the world. As a “tropicalist globetrotter”, in this new project Deni-Shain, in partnership with Thomas Vicente, co-owner of the French restaurant “Le Verre Volé”, aims to dig, reproduce & transmit cross-cultural music, usually unreachable and/or less known by the public.
The goal is simple: share the love of music and to rediscover the pleasure of voicings, percussions and sadly forgotten harmonies, whether you find yourself in a jam packed club or the intimacy of your home.
Atangana’s first releases will be looking at the Caribbean’s Islands, especially into Haiti with the reissue – highly expected by various diggers – of the acclaimed single « Divizion » by singer Fedia Laguerre. Originally released in 1981, this first 12" comes with a remix by Voilaaa and an instrumental cut exclusively based on the additional work by the French afro-collective.

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Fachada

Cidade Da Selva

LP | 2017 | US | Original (Now-Again)

Release: 2023 / US – Original

Genre: Organic Grooves

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There are a million stories in a naked city. Fachada tells 16 of these stories instrumentally on their second full-length album, Cidade Da Selva. After departing the secret world of Mundos Secretos. Fachada sets new tones on Cidade Da Selva, delving deeper into the Afro-Noir diaspora, re-interpreting soul, funk, Afrobeat, Brazilian (mpb), and deep jazz. Each tune is a vignette—all together examining and submerging into a journey of retrospection through multicultural and site-specific sounds, evoking visions and the spirit of a time and place in a mysterious jungle city on the margins of imagination and magic.

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Fabiano Do Nascimento

Tempo Dos Mestres

LP | 2023 | US | Original (Now-Again)

Release: 2017 / US – Original

Genre: Organic Grooves

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Tempo dos Mestres (Time of the Masters) is the second album from the tireless, young Brazilian guitarist Fabiano Do Nascimento.
It finds its roots in the depths of the Amazon rainforest, passed down through generations of Native Brazilians, and is imbibed by
the Afro-Brazilian culture that arose after Portuguese colonization. This blend is not new in Brazil, and is represented musically by
great Brazilian musicians both known and celebrated - the guitarist Baden Powell and catalyst Hermeto Pascoal, both direct
influences on Do Nascimento - and less exposed, like the experimentalist Carioca, one of Do Nascimento’s mentors, and the
Brazilian psychedelic pioneer Lula Cortes, whose album Paebiru rewrote Brazilian rock’s history in 1975.
It is the third Brazilian album released on Now-Again, following Seu Jorge and Almaz and Do Nascimento’s debut Dança dos
Tempos. Do Nascimento's is joined on Tempo dos Mestres by his long time percussionist, Ricardo "Tiki" Pasillas on trap drums
and percussion, and Sam Gendel on saxophone and flute. Vocals are performed by Thalma de Freitas and Carla Hasset.
These tracks were recorded live in the studio with no overdubs, straight to 2” analog-tape, and only sparingly mastered to focus
on the subtleties of the performances. Do Nascimento’s fans include legendary percussionist Airto Moreira, who recorded Dança
dos Tempos and can be found playing live with Do Nascimento. "He’s Brazilian but (his mind is) from a place in Brazil that is not
common.” Moreira states. “Fortunately, we still have some musicians who like to play music and who like to touch the instrument
and who like that energy!”
Do Nascimento takes his music, and his place in Brazil’s lineage, seriously, and he often travels the vast country, spending time in
the rainforest, living life as it was lived in the distant past, while studying with still living masters as he searches for new directions
of the path trod by the geniuses whose influence abounds in contemporary music, but whose names are still unfamiliar.
“Being a musician - feeling, studying, experiencing, living music -this comes first, right?” Do Nascimento questions. “ Second,
we hope that the depths of knowledge in the music from the masters before us can be shared more, each time, to the younger
generations coming.” In Tempo dos Mestres Do Nascimento answers himself with a beautiful entry into the evolving language of
timeless Brazilian music.

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Fabiano Do Nascimento

Lendas

25,99 €*

LP | 2015 | US | Reissue (Now-Again)

Release: 2023 / US – Original

Genre: Organic Grooves

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Lendas is the Brazilian guitarist Fabiano do Nascimento’s fifth album for Now-Again Records. Like his previous albums Prelúdio and Ykytu, Lendas features do Nascimento’s compositions, this time with orchestral arrangements by Vittor Santos and also special participation by Arthur Verocai. Vittor Santos is a composer, arranger, trombonist and music producer from Rio de Janeiro, who has worked in Brazilian music for over thirty years. Do Nascimento and Santos met in Rio in 2017 during the recording of Do Nascimento’s hero, and 70s and 80s Brasilian guitar catalyst Carioca Freitas album Aquarelas. The two bonded over a mutual appreciation for Do Nascimento’s uncle Lúcio and the Bossa Nova star Leny Andrade, both of whom largely influenced Do Nascimento’s musical foundation. In Santos, Do Nascimento found an arranger who was sensitive enough in his orchestrations that he could create an orchestral dialogue between stacks of strings and Do Nascimento’s plaintive plucking. It was only natural to invite the highest regarded, now legendary, 1970s Brasilian arranger, Arthur Verocai, to contribute. Verocai, who had worked with Do Nascimento on his forays in Los Angeles, was pleased to participate. In this way, the circle of old and new, so crucial in Do Nascimento’s work, comes together and flows outwards. “Lendas” translates from Portuguese as "legends,” but the literal translation itself doesn’t describe this album. With Lendas, Do Nascimento recalls memories from places that no longer exist; from fever dreams in the Amazon; from parts of the world we might never see or engage, but can imagine through music. Fabiano Do Nascimento’s Brazilian guitar meets a full orchestra arranged by Vittor Santos and with special participation by Arthur Verocai and his string quartet. Lush yet lively, standing alongside Jorge Ben’s work with Verocai, and Tom Jobim and Baden Powell’s work with Vinicius de Moraes.

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Fabiano Do Nascimento

Danca Dos Tempos

LP | 2024 | EU | Original (2 Headed Deer)

Release: 2015 / US – Reissue

Genre: Organic Grooves

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Folkloric Brasilian/Afro-Brasilian music taken into the future. Featuring Airto Moreira. Dança dos Tempos is the debut album from thrilling, young Brazilian guitarist Fabiano do
Nascimento, and it features legendary percussionist Airto Moreira in his first album project in
over ten years. Dança dos Tempos follows folkloric Brazilian music as experienced through the
mind and able fingers of an expansive musician, not yet thirty years old, and combines the
heady ‘60s and ‘70s experimentalism of Hermeto Pascoal and Baden Powell with the childlike
elegance of music played and passed down by native Brazilians for generations. It is the
second Brazilian album released on Now-Again, following Seu Jorge and Almaz.
Moreira, the bandleader, songwriter and producer who recorded a bevy of titles under his own
name, with his wife Flora Purim, and whose resume contains the names of - seriously - every
musician worth mentioning from America or Brazil from the past 50 years - plays percussion on
the album and is joined by do Nascimento's long time drummer, Ricardo "Tiki" Pasillas on trap
drums. Do Nascimento and Kana Shimanuki handle vocals on what is otherwise an airy instrumental
album that allows the guitarist's virtuosity to shine through originals, folkloric Brazilian
songs, and select covers by the likes of Pascoal and Powell, both formative influences on the
guitarist.
These duets show the camaraderie that two master Brazilian musicians - of two different
generations, but of the same spirit - share with comrades of ages past as they imagine music
for the years to come. These tracks were recorded live in the studio with no overdubs, straight
to 2” analog-tape, and only sparingly mastered to focus on the subtleties of the performances.

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Exposicao Popular

Guerrinha

20,39 €* 23,99 € -15%

Esperar Pra Ver / Que Bandeira

Release: 2024 / EU – Original

Genre: Organic Grooves

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“Exposição Popular” is the new album from Rio de Janeiro based producer and composer Guerrinha, sonically orbits 80´s new wave & fusion jazz, imagine a lost ECM gem, layered in low-fi subterranean exoticism, that somehow conjures the soundtracks of Angelo Badalamenti. Here we find Guerrinha loosened up, the rhythm spilling out, playfully impossible to grasp as it floats over space-age ambient synth and organ work that takes references from Pat Metheny, John Scofield and Rita Lee. “The last LP, "Cidade Grande" was all about acceptance of the big city as a monolith, but here I wanted to focus on the exposition of the intimate as the most logical, obvious choice. Hence the name "Exposição Popular" (in english "Popular Exhibition"), which is wordplay, as all exhibitions should be inherently popular since they're all out about exhibiting yourself to everyone, but because of the nature of the art, it becomes the opposite of the "popular", it becomes niche.” - Guerrinha

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Evinha

LP | 2023 | EU | Original (Ellas Rugen)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Brazilian funk-soul at it’s finest. Both tracks taken from the increasing more expensive and sought after ‘Cartão Postal’ LP, originally released on Odeon Brazil from 1971.

Both tracks are heavy on the drums, bass and horns, with Evinha’s lead to top them off. ‘Esperar Pra Ver’ is a mid tempo funk soul jam, and ‘Que Bandeira’ moves between funk/soul and bossa/MPB grooves.

‘Que Bandeira’ was released on a 7” EP, featuring tracks from ’Cartão Postal’ LP, on Odeon under the artist name ‘Eva’, in 1972… Ridiculously expensive now, as you have no doubt come to expect – so, released here for your affordable pleasure!

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Estelita Del Llano

Sensual

Honky Chateau 50th Anniversary Edition Limited

Release: 2023 / EU – Original

Genre: Organic Grooves

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"Sensual", Estelita Del Llano's debut album, is one of the greatest gems of Venezuelan bolero. The backing of the Porfi Jiménez Orchestra and his arrangements made "Sensual" one of the most successful albums of its time. The selection of the twelve songs on the album was also a success. Although the years of the bolero's greatest splendor seemed to have passed, the bolero continued to spread throughout Latin America. Rediscovering "Sensual" almost 60 years after its release and listening to it on the same magnificent vinyl format that Estelita Del Llano used to launch her solo career - which continues to this day - is a pleasure for the original audience and a revelation for new ones all over the world. By 1963, great Latin American artists such as Lucho Gatica, Felipe Pirela, Bienvenido Granda, Leo Marini, Benny Moré, Tito Rodríguez, Toña La Negra, Blanca Rosa Gil and the so-called queen of boleros, Olga Guillot, had enriched the musical landscape, giving personality to the bolero. That year, in the midst of a new panorama, a bolero star was born from the depths of Venezuelan radio: Estelita Del Llano. "Sensual", her debut album, is one of the greatest gems of the genre, with arrangements and orchestration by Porfi Jiménez. The backing of the Porfi Jiménez Orchestra and his arrangements made "Sensual" one of the most successful albums of its time. The selection of the twelve songs on the album was also a success. Although the years of the bolero's greatest splendor seemed to have passed, the bolero continued to spread throughout Latin America. The great success of "Sensual" lay in the arrangements and the choice of boleros with elements of the cha-cha-cha, another genre that was enjoying great popularity.

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Elton John

2LP | 2023 | EU | Original (Mercury)

38,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2016 | UK | Original (Mr Bongo)

Eloah

Os Orixas

Elizeth Cardoso / Elza Soares

Release: 2016 / UK – Original

Genre: Organic Grooves

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‘Os Orixas’ is rich in layered percussion, horns and guitars. Singer Eloah’s lead vocals are reminiscent of the likes of Ellen McIlwaine, Elza Soares and Joyce. Samba, funk, folk, jazz and MPB over ijexa and African grooves, that combine beautifully across the moods. Os Orixas refers to one of the manifestations of the ’supreme God’ in the Yoruba faith.

The songs were written by Luis Berimbau, assisted by Ildásio Tavares. Berimbau was a very influential multi instrumentalist, poet, writer and composer from Bahia, Brazil. He produced the wonderful folk/psychedelic rock group Perfume Azul Do Sol’s ‘Nascimento’ LP amongst many others.

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Eu Bebo Sim / Deixa A Nega Gingar

7" | 2015 | UK | Original (Mr Bongo)

El Gran Combo De Puerto Rico

Release: 2015 / UK – Original

Genre: Organic Grooves

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'Eu Bebo Sim' is a samba-rock master class from Elizeth Cardoso originally released on Copacabana in 1973, as featured on her Disco de Ouro in 1974. Another find at Tony’s Hits in Sao Paulo.
She released around 40 albums during her career, most of which appeared under the name Elizete Cardoso.

Elza, Queen of Samba, is one of the most prolific, successful and well-known Brazilian artists of all time.

In 'Deixa A Nega Gingar' she delivers a top 10 Mr Bongo HQ favourite - Bossa nova underpinned with a Montuno-esque piano line, backed with percussion and horns that would rival Tito.
This 7” cut sounds particularly enormous on a sound system.

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De Trulla Con El Combo

LP | 2023 | US | Original (El Gran Combo)

35,14 €* 36,99 € -5%

Release: 2023 / US – Original

Genre: Organic Grooves

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El Clan Antillano

LP | 2019 | US | Original (Disk Union)

Release: 2023 / EU – Original

Genre: Organic Grooves

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El Clan Antillano was an obscure, short-lived salsa group started in 1975 by singer Jacky "El Caballo" Carazo, originally from Cartagena, and radio host / song composer Mike Char, from Barranquilla. The band was active only until 1977, with a mere two albums to its name. Carazo and Char, "los amigos costeños" (friends from the Caribbean coastal area) created El Clan Antillano, backed by astudio orchestra comprised mostly of Fruko Y Sus Tesos band members, as a fresh start after the previous group Carazo had been had become inactive. The record has been remastered from the original tapes, with an additional three bonus cuts taken from two rare 45 singles, including the sought after track 'Alma'. First time reissue. 180g Vinyl. While the ephemeral El Clan Antillano may not be as well known as the groups it's related to, namely El Afrocombo and Fruko Y Sus Tesos, it certainly deserves credit as a worthy participant in the historical evolution of salsa colombiana.

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Edson Natale

Nina Maika

27,54 €* 28,99 € -5%

Tava Mais Nao Tava / Bobeira

Release: 2019 / US – Original

Genre: Organic Grooves

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Long time awaited and first time reissue on Vinyl / Limited initial press only - No repress / For fans of Clube da Esquina, Outro Tempo (Music From Memory), ECM label / Most important Brazilian album as post-Clube da Esquina which combined landscape of Brazilian folklore with extraordinary music such as Egberto Gismonti using acoustic instrumentals and synthesizers.

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Edson Frederico

7" | 2019 | EU | Original (Epic)

Release: 2016 / UK – Original

Genre: Organic Grooves

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Edson Frederico double featuring tracks from his sought after and VERY pricey ‘Edson Frederico E A Transa’ LP.

‘Tava Mas Nao Tava’ is a psychedelic boogie-samba fusion with 4/4 drums and traditional rhythms alternating throughout.

‘Bobeira’ is a jazzy samba-MPB workout, with bubbling rhodes, layered backing vocals, horns, percussion and whistles.

Previously unreleased on 7”.

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Eddie Palmieri

Spirit Of Love

12,99 €*

LP | 2018 | EU | Original (Must Have / Membran)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Two sun shine soaked, Latin infused Eddie Palmieri joints from the 1978 album Lucumi, Macumba, Voodoo get the official, remastered reissue treatment – with original copies of the 7” trading hands for upwards of £60.
Born in New York to Puerto Rican parents, multi Grammy award winner Palmieri is a stratospheric salsa master. And for the Lucumi, Macumba, Voodoo LP he assembled a powerhouse, 30 strong jazz orchestra, featuring the likes of Dom um Romao, Steve Khan, Lew Soloff, Jon Faddis, Hiram Bullock and Palmieri’s brother Charlie.
In an era dominated by disco, ‘Spirit Of Love’ took to the dancefloor, drawing on the glamour and magnetism of the late ‘70s. Palmieri’s distinctive style still weaves its way through though, melding Afro-Caribbean rhythms with modern jazz. ‘Spirit Of Love’ is full to the brim with striking vocals, cow bells and big horn sections, blended with psychedelic guitars that riff off against clavinet touches and expressive Montunos melodies. Spirit of the salsa, for the disco dancer!
On the flip ‘Lucumi, Macumba, Voodoo’ is a masterpiece of Latin fusion, with Palmieri’s unique arrangements squeezing that Puerto Rican flavour out of every added instrument. Trumpet blasts and sax solos marry with woops and whistles and Latin chants. Couple that with sensuous piano melodies and irresistible percussive elements and it’s a recipe of Caribbean spice that’ll liven up any record collection.

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Ed Motta

Criterion Of The Senses

Release: 2018 / EU – Original

Genre: Organic Grooves

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La Mujer Serpiente / Selam

Earthtones

7" | 2024 | UK | Original (Wonderwheel)

12,99 €*

Nada Escrito Pink Vinyl Edition

Release: 2024 / UK – Original

Genre: Organic Grooves

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Limited edition 7" vinyl of "La Mujer Serpiente" on the A side and "Selam (Bass Mix)" on the B side.
La Mujer Serpiente/Cumbia Serpiente is the 1st single from Earthtones' upcoming LP on Wonderwheel. This collaboration with longtime friend & co-producer, Oliwa, features vocal delivery and heartbreakingly beautiful songwriting by Colombian Canadian artist/singer, Lido Pimienta. Behind the live cumbia rhythms, bass synths, analog keys, 808 drums & guitars, the vision of this track is one of upliftment of womxn and femmes everywhere.

Selam is a vision of peace. This collaboration between producer/DJ Earthtones and Ethiopian musician/vocalist Etsegenet Mekonnen features haunting vocals sung in Amharic.
Analog & semi-modular synths combine with 909 drums and afrobeats percussion by Earthtones, to weave grooves for Etsegenet's depth in songwriting, voice and soul. The main version has a dancehall bassline that calls one to movement, while the dub versions evoke mystery amidst long modulated leads + filtered pads.
Selam enezra ahunim (let us sow peace).
Electronic

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Dorotheo

LP | 2023 | US | Original (Halfshell)

32,29 €* 37,99 € -15%

LP | 2023 | EU | Original (Pdu Music & Production Sa)

Release: 2023 / US – Original

Genre: Organic Grooves

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Nada Escrito is Dorotheo’s third full-length album and a reflection of the band’s evolution through the years. The project’s progressive nature and their psychedelic rock foundation has blossomed to a different sonic direction, reminiscent of hauntology music, echoing the experimental spirit of bands like Broadcast, Stereo Lab or Silver Apples, yet landing ideas from latin-american and middle-eastern music among many other influences with their signature song-writing, channeled by the production hand of Hugo Quezada (Progreso Nacional, Exploded View) and the musical possibilities enabled by the new line-up.

This album is the follow-up to their celebrated Como Es (2021), which was conceived as a duo integrated by front-man, singer and guitarist Benjamín Zárate and Otto Malgesto on drums and vocals. However, the album release tour was performed as a quintet, introducing new songs with the return of co-founder bassist-singer Anton Cerda, the inclusion of Efraín Valadez on synthesizers and the extraordinary Cynthia Estévez adding a second lead vocal persona, spacey keyboards, hypnotic wind instruments and new lyrics. Together, they created Nada Escrito, expanding their music to a completely new form.

“A band with the hauntological cool of Broadcast and Stereolab." – NPR

“Dorotheo es integrado por elementos de antiguas agrupaciones que han decidido abrir un nuevo camino. Bases krautrock se pueden percibir de primera mano, planos llenos de psicodelia y tendencias al shoegaze terminan de forjar su arte, que sin duda corre haciendo transgresiones al tiempo, que nos invita a imaginar escenarios retóricos y ambiguos.” – Rolling Stone

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Domenico Modugno

52,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Dom Salvador / Osmar Milito

Barumba / Morre O Burro, Fica O Homem

7" | 2015 | UK | Original (Mr Bongo)

LP | 2023 | EU | Original (Sabia)

Release: 2015 / UK – Original

Genre: Organic Grooves

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‘Barumba’ is an uptempo funk-jazz monster with heavy drums and piano right from the off. Soaring horns add to the drama. Originally released on his self titled LP on CBS Brazil in 1974. ‘Morre o burro, Fica o Homem’ is the third Osmar Milito track to feature in our Brazil 45’s series. A classic samba-rock track; funk drums fills and punchy horns underpin the MPB vocals, building in tempo slightly over the track. The song was originally written by Jorge Ben. Taken from his expensive and hard to find ‘Nem Paletó, Nem Gravata’ LP released on ATCO Brazil in 1973.

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Dom La Nena

Ela

Release: 2023 / EU – Original

Genre: Organic Grooves

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Espontaneamente Se Tenta: Aventuras Sonoras De DJalma Correa

DJalma Correa

2LP | 2024 | WW | Original

40,99 €*

DJ Tudo, Gente De Todo Lugar, Dona Anecide Toledo

Release: 2024 / WW – Original

Genre: Organic Grooves

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"Espontaneamente se Tenta: Aventuras Sonoras de Djalma Corrêa is an album of deeply exploratory pieces by legendary percussionist and composer Djalma Corrêa. This double-LP set features previously unreleased recordings that cover a wide range of sonic experiments, revealing an unknown side of the prolific and groundbreaking Brazilian artist. Most of the tracks on this album were digitized for the first time – directly from the original tapes – and were compiled in collaboration with Corrêa just before he passed.

The result is a wild and unsettling collage that shows us just how original and intense Corrêa could be: from the unorthodox electroacoustic piece Evolução (Para Fita e Filme), which channels ancestral African inspirations to create a sonic cosmogonical narrative, to the proto-mixtape Exemplo de Sintetizadores, in which he transitions from transcendental drones to astral cha-cha-chas.

While the compilation might seem disjointed at first listen, it is in fact the most accurate translation or representation of his central concept: spontaneous music. Djalma's relationship with sound was always guided by his fearless approach to listening, and by his audacious and dynamic interaction with both musicians and equipment, which enabled him to work across a wide array of genres: from jazz to completely abstract music, always through a personal DIY ethic.

Corrêa developed a strong bond with experimentalist and inventor Walter Smetak, with whom he shared a studio during his formative years at Universidade Federal da Bahia. Suite Contagotas, featured in this collection, is no less than a sonic materialization of that bond: an experiment revolving around dripping water and its randomness – a tentative exploration of the ideas and possibilities envisioned by Smetak for his audacious, albeit unrealized, Estúdio OVO.

Djalma, however, is best known for his studio work in historical albums, including many by Caetano Veloso, Gilberto Gil and Jorge Ben, and for his own polyrhythmic opus Baiafro. The last track is an early recording called Bossa 2000 dC, first performed by Djalma at the 1964 Nós, Por Exemplo concert, an event which is often cited as marking the beginning of the Tropicalia movement. At the time, he was the only artist in the lineup using electronic devices to create sounds, e.g. medical oscillators and contact mics to augment his percussive palette.

The artwork is an amalgamation of material found in the Djalma Corrêa Archive (currently managed by his son Caetano Corrêa) and other material created during the period in which the record was being put together. The intention is to guide the listeners through this possibly tempestuous soundscape, giving them additional resources so that they may draw their own meanings and make their own sense of this extremely immersive and original experience – which is like nothing we've ever heard before."

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Pra Iemanjá

7" | 2016 | EU | Original (Mundo Melhor)

16,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves

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DJ Tudo E Sua Gente De Todo Lugar

Nos Quintais Do Mundo Melhor - Live At Auditório Ibirapuera

2LP | 2012 | EU | Original (Mundo Melhor)

30,99 €*

Release: 2012 / EU – Original

Genre: Organic Grooves

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DJ Tudo E Gente De Todo Lugar

Pancada Motor - Manifesto Da Festa

LP | 2013 | BR | Original (Mundo Melhor)

Discos Resaca Collective & Mariposas Del Alma

Release: 2013 / BR – Original

Genre: Organic Grooves

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Recorded in 2003, 2009, 2012 and 2013 by Alfredo Bello in little communities, beaches, friends' houses and studios.
Edited between 2009 and 2013 by Alfredo Bello in trains, boats, planes, hotels rooms, waiting rooms and other spaces.
Mixed by Maira Martucci at Studio Itamundo and Banzai Studio - São Paulo, Brasil.
Produced by DJ Tudo vs. Mad Professor vs. Dr. Das.

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Y Te Cuento

LP | 2024 | US | Original (Discos Resaca)

Obras Maestras Gold Colored Vinyl Edtion

Release: 2024 / US – Original

Genre: Organic Grooves

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The Discos Reseca Collective is a collective of songwriters and musicians whose sounds are distinctly from the Bay Area: mixing traditional cumbias with hip-hop and oldies, honoring the band members’ roots while providing a solid party soundtrack. Based in the Bay Area (Oakland, East Bay), Mariposas Del Alma are fronted by the Meza-Blanco Sisters. Jasmin, Nathaly, and Marina captivate the audience with their soulful vocals and powerful harmonies. Having grown up in a home with a musician father, and a lineage (Maternal Grandfather) that traces back to the days of the Trios all throughout Latin America—it was only natural that the sisters became the amazing vocalists they are today. "Music by the collective Discos Resaca—Spanish for hangover—leaves listeners feeling anything but zapped. The family of Bay Area musicians specializes in cumbia—the popular, accordion-forward and rhythmically percussive genre of Latin music with variations from Colombia, Peru, Mexico and beyond... Y Te Cuento (And I’ll Tell You) is full of powerful stories, a traditional feature of cumbia. Some songs tell tall tales (“Chupacabra”), others big up their communities throughout the Bay (“Cumbia de San Jose” and “San Juan”) and several tell the history of the area’s cumbia movement (“Movimiento De Cumbia”). The album’s love songs meld boleros, corridos, cumbia and cha-cha with mid-tempo soul, forming a familiar aural history."—KQED

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Diego El Cigala

LP | 2023 | US | Original (Sony)

Release: 2023 / US – Original

Genre: Organic Grooves, Pop

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12" | 2018 | EU | Original (Favorite)

Di Melo

A.E.I.O.U.

Tirate La Chancia / Quiero Yo Cumbia

Release: 2018 / EU – Original

Genre: Organic Grooves

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New single by legendary Brazilian singer DI MELO, 40 years after his classic self-titled Samba-Soul LP. Performed and produced by French brilliant combo COTONETE, this single and collaboration will be followed by a full album early 2019.
Florian Pelissier speaks about the project: “On tour in Brazil with Cotonete, we had a few days off in Sao Paulo and I really hoped to make a collaboration with an important artist or band from the Brazilian funk scene. We had thought of Marcos Valle, Meta Meta or Ed Motta... but Rafaela Prestes our Brazilian "sound ingineer/genious" told me: "I worked for the return of Di Melo in Rio 2 years ago. He rocks, he’s adorable and he lives in Sao Paulo, here’s his number, he would be perfect for Cotonete."
No sooner said than done. I'm a huge fan of Di Melo and had already tried to contact him for Cotonete 6 years ago. The next day, on a Sunday, he arrives at our house with Jo, his wife, and Gabi, his daughter. He takes the guitar in front of us in the kitchen, and gives us a private show of 3 hours… we cried the tears of joy.
He had 400 original songs never recorded, a gold mine. On the same night, we started working the arrangements for 2 days, followed by a rehearsal and two small gigs in Sao Paulo. Immediately after, we recorded in the magical Epsilon B studio. All with the participation of Gabi, his 10-year-old daughter, and future star.
This album is the summary of this moment, of these 5 days of madness spent together between “the best band in the world” and the legend Roberto Di Melo… Simple, beautiful, Brazilian-French, human music…”

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Deuce Eclipse

7" | 2024 | US | Original (Discos Resaca)

LP | 2024 | UK | Original (Brownswood)

Release: 2024 / US – Original

Genre: Organic Grooves

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A collaboration between The Bay/West Coast and Mexico Cumbia Powerhouses! Back again is the OG Deuce Eclipse along with the Discos Resaca crew teamed up with el maestro Robin Revilla of Grupo Maravilla Y Discos El Papi This 45rpm includes “Tírate la Chancla” and “Quiero yo Cumbia” on the flip side, Puro sabor tropical y Cumbia Trap.

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Dayme Arocena

Al-Kemi

Release: 2024 / UK – Original

Genre: Organic Grooves

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2LP | 2020 | EU | Original (Heavenly Sweetness)

David Walters

Soleil Kreyol

25,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Ti Chabine Manze Titine La / Mme. Killio

Cyril Diaz Orchestra

7" | 2016 | EU | Original (Jamwax)

10,99 €*

Release: 2016 / EU – Original

Genre: Organic Grooves

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Limited to 300 copies. West African and Venezuelan inspired dance floor 45 from Cyril Diaz the 1950's Trinidadian bandleader playing the roots music of his Afro-Venezuelan parentage. His father Gordon Diaz migrated to Trinidad sometime in the early 1900's. Throughout the 1950's Cyril Diaz and his big band calypso orchestra toured the Caribbean and South America recording culturally inspired hybrid calypsos with an African and Latin tinge. Showcased here is his fascination with West African shango on "Mme Killio" Mme Killio is a famous beauty contest in Africa, Diaz’s version being recorded by Emory Cook in November 1957.

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Cuarteto Yemaya

El Tic Tac

Conjunto Raza / The Scepters

Release: 2023 / EU – Original

Genre: Organic Grooves

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This is the quartet's second LP, recorded in 1971, and contains mostly Peruvian songs with a strong Cuban flavor where Pancho Acosta's electric guitar reaches vertiginous heights and is combined with outstanding conga and timbales playing. Extremely rare and hard to find in its original issue, this is the first-time reissue. Remastered from the original tapes.The guitarist Francisco "Pancho" Acosta Angeles (1946) played a significant role in spreading love for Cuban rhythms across Peru, those sunshine beats breaking through the cloudiness that hangs over Lima most of the year, as the city bears a closer resemblance weather wise to London than to Havana. In 1967, after making a name for himself with his six-stringed skill, he made his vinyl debut with Compay Quinto. Shortly after Pancho left Company Quinto, he joined Los Kintos. When Los Kintos disbanded, Pancho Acosta swiftly moved on to his next project for MAG: the Cuarteto Yemayá, formed by tumba drummer and singer Miguel Montoya, bassist Máximo Pecho and timba drummer José Luis Fiallega, all under Pancho's direction and arrangements. The quartet's debut album, "Ecos del Trio Matamoros", was a tribute to the Cuban trio of the title and comprised cover versions as well as a couple of their own songs. This is the quartet's second LP, recorded between July and August 1971. "El Tic Tac" contains mostly Peruvian songs. The foreign versions on the album include the classic 'Compay Gallo', written by Miguel Matamoros; 'Toribio carambola' and 'El Tic Tac', from the repertoire of the Cuban Trio Servando Diaz; and 'Sandunguéate', best known in Celia Cruz's version. 'Oye Mi Son' and 'Oye Mi Guitarra' were composed by the album's lead vocalist, Miguel Montoya. Percussionist Jorge Mariazza (Los Pachas, Manzanita y su Conjunto) co-wrote 'Descarga Yemayá' with Pancho, which features outstanding conga and timbales playing. Pancho also composed tracks on his own: 'Me Voy a Monsefú', 'Mi Provinciana', 'Yo Me Voy de Aquí' and 'Flaca y Fea', th...

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African Dream / The Message

7" | 2024 | EU | Original (Discodelic)

7" | 2020 | EU | Original (Music With Soul)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Discodelic and Groovie Records present two incredible singles / amazing finds of musical archeology. Four recordings made in Panama in the 70s and lost in time, we finally managed to license these Latin Psych Funk gems through Tamayo Records in a deluxe limited edition. These four groups Conjunto Raza, The Meditators, The Scepters and Los Misticos, were groups that barely recorded a single, which were only used for radio stations and forgotten in warehouses, they represent the most underground and forgotten Panama!

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Conjunto Papa Upa

Todo Parao

LP | 2024 | EU | Original (Music With Soul)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Conjunto Papa Upa returns with “Todo Parao” (“Total Shutdown”), another boundary pushing tropical smasher. Bringing you the ultimate (humourous) hymn to the pandemic over an exquisite blend of highly danceable Caribbean rhythms (zouk, cadence, kompás, guaracha) and classic synths. Backed by a deep sea dub on the flip, complete with resplendent cowbell(!), timbales and Wurlitzer solos. Another stepping stone that showcases yet another angle of the unique and radical production style of Alex Figueira. Drop this 45 at your next virtual party and watch everybody leave their computers in a desperate search of a dancing partner. Conjunto Papa Upa is the Afro Caribbean centered solo project of Figueira, backed live bysome of the best musicians from Amsterdam’s Latin and free jazz scenes. Their debut LP was recently released on legendary American indie label Names You Can Trust. Figueira is also known for his percussive work on tropical psych power trio Fumaça Preta or his regular live incursions with Amsterdam’s turkish psych folk powerhouse, Altin Gun. Having spent the whole night working on the melodic structure of the song, Figueira took a break to take advantage of the different time zones and check on his dad in Venezuela, and ask how the pandemic was unfolding there. His answer: “Todo Parao” (“Total Shutdown”). The same two words he had used multiple times before, this time pronounced in a hilarious Rum-infused way, giving Alex an unexpected flush of inspiration in the form of an instant infectious chorus. He excused himself and immediately got locked back in the studio. The result is this incredibly catchy tune, displaying the optimistic approach of a boyfriend to the chaos, uncertainty and worrying of his girlfriend about the pandemic, presenting her with his own lascivious lockdown plan for the two, declaring at a certain moment: “while everyone is lamenting, you and I are going to enjoy”. In the musical side, rhythms from Haiti, Guadaloupe, Martinique, Puerto Rico and Cuba are unscrupulously mixed with the most diverse and strikking elements: strident cowbells that evoke the toughest salsa of 70's New York, harmonized guitars evidencing the inconfesable influence of 80’s heavy metal, a delicate Wurlitzer piano reminiscent of Black America’s greatest Soul ballads, Casio keyboards rescued from a child’s toy cabinet and a whole plethora of half-broken classic Synths, to create an equally irresistible and unclassifiable hybrid. On the flip side, Part 2 opens with a prominent dose of the lead guitar that appeared briefly on the A side, working as a preamble to an instrumentalist frenzy that is not concerned about displaying technique. Its mere intention is to tell you the rest of the story without using words. A few bars into the song, the first gear shifts with a monumental solo given by the least probable of all “soloist” instruments: the cowbell (!). After it, a crispy Timbal crashes the party, making a statement out of its only appearance in the entire recording. Finally, the longed-for turn of the melodious Wurlitzer, who left everybody craving for more on the other side of the record, giving the modest keyboard skills of Figueira an imposing pentatonic virtue.

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Conjunto Papa Upa

Fruta Madura

7" | 2019 | EU | Original (Names You Can Trust)

Release: 2024 / EU – Original

Genre: Organic Grooves

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Imagine a Latin remake of Back to the Future. The mad scientist is Arsenio Rodriguez (the godfather of salsa) and the young student who travels through time with him is Eblis Alvarez (Meridian Brothers). This album can only be described as the perfect soundtrack for that movie that never was.

After the massive buzz generated by his first solo album, Mentallogenic, Alex Figueira got back in the studio to work in a more collective fashion this time, carefully assembling the second album of his largest project to date, Conjunto Papa Upa; a team of 6 musicians, spanning 3 generations of some of the best talent in the Latin and avant-garde scenes.

In an era where tropical music is dominated by purely electronic and rhythmically uniform sounds, the ten songs encompassed in “Fruta Madura” (“Ripe Fruit”) wander through the most diverse tempos, rhythms, and motifs effortlessly. A real breath of fresh air that gracefully incorporates soul, funk, jazz, psychedelia, and electronics into a solid tropical, irresistibly polyrhythmic foundation, without ever succumbing to the many genre clichés.

The distinctive production and catchy songwriting of Figueira shine in a very distinctive light on this second full-length. Living up to his reputation (Miles Cleret, founder of Soundway Records, called him “one of the scene's truly authentic and eccentric producers”), he takes the opportunity to show he’s not afraid to keep walking his own path.

Taking the band for a wild ride through the traditions of Africa, America, and the Caribbean; contrasting them with a ridiculously wide plethora of vintage, contemporary, and futuristic sounds, and pivoting on the exuberant musicality displayed by his musicians; the result leaves no doubt: this album is destined to be considered a future classic of the exciting tropical psychedelic music of the 21st century.

Addressing the most diverse themes in this new collection of songs, things take on a much more mature tone, as the title clearly suggests.

The opening track “El segundo es más sabroso” (“The second one is tastier”) sets the tone in the most assertive way imaginable, with the band boldly declaring, through multiple metaphorical references (laid upon a crazy mix of Dominican merengue, Detroit techno, classic and free jazz, dub, and electro), that the bar will be set higher with this second album.

The remaining compositions touch upon the most diverse subjects, with a fair dose of humor, sarcasm, and postmodern “magic realism”. “El Algoritmo” (The Algorithm) is a parranda-cumbia hybrid (for lack of a specific term) about the omnipresence of technology in our lives. The sophisticated Latin soul of the titling track “Fruta Madura” makes a case for the beauty of the maturity process. Some key philosophical teachings of Marcus Aurelius (the role of causality, the impositions of “the logos” and the importance of self-control) get a twisted cumbia treatment on “Reos del Deseo” (Prisoners of Desire). “No le pongas Coca-Cola” (“Don’t put Coca Cola in it”) shows us the most satirical side of the band, accusing those who mix Coca Cola with Rum of committing "sacrilege", on a powerful base of Dem Bow (the grandfather of Reggaeton), intertwined with touches of soul, salsa, and Cuban comparsa.

"Háblame Claro" (“Talk to me clearly”) is a story of heartbreak that evokes in its first part the spirit of the erotic salsa of the 80s (a subgenre deeply despised by purists), and after an unexpected samba interlude, leads to the hardest salsa of the 70s (a subgenre adored by purists), to end up in the surprising form of pure Afro-Cuban ceremonial music.

“Tu mamá tenía razón” ("Your Mom Was Right") is an attempt to exalt the spirit of the Latin American soap opera in the key of “acid bachata”, to recount a real-life case, witnessed by the band on countless occasions: the partying woman who arrives at the show accompanied by her bitter husband, who obviously does not like to dance. A very cheeky song to talk about the very serious and pertinent topic of female empowerment.

“La misma vaina” (“The same thing”) with its indescribable blend of bantú, candomblé, and Mozambique rhythms with abstract synthesizers, is an ode to adventure in favor of the aversion to taking risks and seeking predictability.

“Amigas picadas” (“Salty friends”) is another humorous song recounting another real-life case witnessed by the band on countless occasions: a love encounter sabotaged by the girlfriend's friends, who all happen to fancy the same guy. A jazzy take on the ancient Dominican rhythm of pambiche (grandfather of merengue), with generous psychedelic touches, resembling the classy late 60s releases of Guadeloupe's legendary producer / label owner Henri Debs.

“Vinimos a hablar” (“We came to talk”) takes sarcasm to the highest level, to ridicule the absurdity (also experienced by the band firsthand) seen in live music venues where people pay a ticket to go and have conversations that could be carried out much better on any bar, where no band is playing. The music alternates between a delicate melody with loose, sparse percussion and a full-on, pumping Angolan semba, with a techno kick drum included; bringing things to an apotheotic grooving finale, where the peculiar swing of Venezuelan calypso from the Callao region is thrown on top of all the precedent elements; closing the album in the most uplifting, “end of the carnival parade” feel.

The artwork is a delicate and impactful oil painting by Colombian artist Kevin Simón Mancera, who has collaborated many times with the label before (“Maracas, tambourines and other hellish things” tape and the Lola’s Dice LP).

What the experts are saying:

“Alex (Figueira) dove into this work with a brutal cohesion between lyrics and synths. Timbre poetry, sound poetry (you name it). And that, superimposed on his always impeccable percussive base, confirms the title of “avant-garde visionary of our beautiful Latin music”". Eblis Alvarez (meridian Brothers) “Papa Upa's infectious quirkiness is a balm against boredom. A mature album, but without an expiration date”. Gladys Palmera

“Here there is a lot of strength, drum, cadence and psychedelia, lost dance rhythms, united in an intercontinental Latin/African/and Caribbean journey, a unique winning combination that we could consider the new “Ritmo Figueira”. Discodelic

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Conjunto Papa Upa

El Secreto Del Metalero

Release: 2019 / EU – Original

Genre: Organic Grooves

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With their 2013 debut single "Vintage Voudou," Conjunto Papa Upa cemented themselves as the torchbearers of a rare breed of Afro-Caribbean psychedelic soul, a clear delineation from the wonderful world of Venezuelan poly rhythms. That original song, named after the short lived but heavily influential Amsterdam brick and mortar record shop that band leader Alex Figueira founded, was a perfect clue into the deep exploration that Papa Upa would begin to take on their musical journey. Like the store itself, known for its solid connection to the musical footprints put down in relatively undiscovered places like Suriname, Curacao, Cabo Verde, Portugal and of course Figueira's native Venezuela, Papa Upa has captured a sound that is entirely unique, a new concoction of influences that at once sound strange, yet totally familiar. Perhaps because Venezuela shared such a rich & diverse mix of sounds from the Atlantic, Caribbean & US, a kindred spirit to their neighboring country, Colombia, an equal in terms of their industry output from the 60's & 70's, yet not nearly as publicized and compiled in recent years. Like many places in the greater Afro-Caribbean nexus, they were musically ahead of their time.

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LP | 2017 | EU | Original (Wagram)

Un jardinero de amor

15,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Warner Music International)

Las Flores De La Vida

Release: 2023 / EU – Original

Genre: Organic Grooves

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2LP | 2023 | EU | Original (Warner Music International)

Duets

38,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Warner Music International)

Calle Salud

Release: 2023 / EU – Original

Genre: Organic Grooves

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7" | 2024 | CZ | Original (Discos Abya Yala)

Combo Chimbita

Margarita

17,99 €*