Latin | Brazil Vinyl 366 Items

Quero Ver Você Dançar is a collaboration between Rome-based DJ/producer The Rebel, Portuguese DJ/producer Dedy Dread, and Brazilian jazz singer Keila Abeid. Other musicians playing on the track – including Neney Santos (percussions), Marco Ravallese (keys), and Fab Samperi (flute) – masterly contribute to its soulful favela vibes. Housed in a single jacket with beautiful artwork by Roman illustrator Federica Fruhwirth, the 12- inch single also features a super groovy remix by Mo’Horizons whi ch, wi t h i t s powe r ful combination of bossa and drum’n’bass rhythms, makes this release a must for tropical-music aficionados. Also available on all major digital outlets, with two additional remixes by young Brazilian producers Afterclapp and Brasila Strut.

Created in 2006, Setenta, the Latin Soul Band spreads a unique mix over the world scene. For their fifth album Materia Negra, the Paris-based band returns to its roots: hard Latin funk with plenty of Afro-Latin percussion upfront in the mix contrasted with accents of lush vocal harmony and warm, breezy melody. But at its core, there is something essentially darker, rougher and funkier than their previous releases, especially in the guitar and synth work, bluesy minor key arrangements, and lyrical content. It’s essentially a heavier feel with this record, influenced no doubt on the negative side by the current dark times being experienced across the globe due to the pandemic, subsequent economic downturn and the lack of effective government leadership and global solidarity to deal with the crisis. On the positive tip, the inspiring Black Lives Matter movement and international protests against oppressive governments, systemic racism, corporate greed, global warming and environmental exploitation no doubt have something to do with the serious feel of Materia Negra as well. Another crucial aspect to this newfound toughness is what band member and Latin Big Note founder and director Osman Jr. states is the group’s desire to address DJs and dancers who appreciate the rawest songs from Setenta’s previous productions. The desire is to leave their mark on the decks and dance floors of the planet with a genre that “we defend by taking the torch extended by our mentors such as Joe Bataan: Latin Funk!” Setenta’s sound has always been soulful, with plenty of tropical Caribbean roots, but this time there is an even stronger Afro-centric theme and gritty psychedelic R&B angle, clothed in galactic, outer-space trappings, bringing to mind another forerunner, Mandrill, as well as the Afro-Futurist mothership vibe of Parliament-Funkadelic.

A limited edition 7” release by Francisco Aguabella, both tracks taken from the rare Hard Hitting album released 1970 on EPSILON records. These two have never been on 7” before, includes wonderful re-production cover of the original sleeve.

One per customer only!

The fourth release of Selva Discos is one that has been bursting audiences into flames for a good while. Barbatuques, a well-known Brazilian group of body percussionists, adapted "Baianá" back in 2005 (first released on the "O Seguinte É Esse" album) and since then it became a staple of their concerts, getting crazy reactions from the children to the elder, being featured on soundtracks and sampled by trap duo Tropkillaz.

From the underground scene of Bogota, the capital of Colombia, the Meridian Brothers, a project of Eblis Alvarez, a prodigy who is also well known as a guitarist for LOS Piranas and Ondatropica, makes its debut at Okra!! The band is releasing four dance floor-oriented tracks on two 7-inch discs from their new album "cumbia Siglo XXI," which is a departure from the acoustic chamber Latin pop of their previous album and is a fully cumbia-oriented electronic sound in the Meridian Brothers' style that they have been experimenting with for more than 15 years.

This is what the world has been waiting for! Romperayo's new 45 is a hybrid Latin dance sound directly descended from the Discos Fuentes that colored Colombia in the 70s~80s. A tremendous temptation to the joy of shaking your body! Cumbia, salsa, funk, disco, rock, Soukous, zouk... The groove, which is a mixture of all kinds of things, is carried over to the present day by Romperayo, a project by Pedro Ojeda, a genius drummer representing the underground scene in Bogota.

The long-awaited second floor-oriented 7" from the masterpiece album "cumbia Siglo Xxi", chosen as the best of the year 2020 by numerous music media and record stores! Strange, poppy and groovy, these are the two coupled tracks that are the Meridian Brothers! The unique mastering, which differs from Lp/cd, was done by Frankie Merritt of The Carvery UK, a leading mastering and cutting company in tropical music and responsible for SOUNDWAY's series of works.

Abelardo Carbono aka "The Godfather of Champeta" meets Abelardo Carbono x Quantic!! A miraculous encounter between a Colombian music - alternative Latin legend and a neo-tropical music innovator who inherits his aspirations. A shocking collaboration between Abelardo Carbono, who was "rediscovered" during the tropical music revival and has become loved by DJs around the world as the "Godfather of Champeta," and Eblis Alvarez, aka the Meridian Brothers, who gained even greater recognition with "cumbia Siglo Xxi"! Produced/recorded by Will Holland aka Quantic and Lucas Silva, supervisor of "Palenque Palenque" (Soundway), "Machuca" (Analog Africa), etc.

It's often a good sign when one of your favorite musicians steps out from beyond the studio walls and past the stage lights to fulfill their own inspired and creative intent. And Caíto Sánchez is not just a favorite musician, but as his lengthy resume as a sideman shows, he's also one of your favorite musicians' favorite musicians, constantly working without fanfare as an essential ingredient in a larger music feast. Sánchez earned his stripes in the 2000s and beyond as a key session player and an integral touring band member, a quiet standout even among many oversized personalities. A dedicated drummer born in Panama and living in New York, Sánchez is quite capable of keeping time for legends like Charles Bradley, Lee Fields, and Brian Jackson, as well as supporting eclectic outfits like the live groups of Quantic, Chico Mann and Midnight Magic. For all the players who have shared a stage or studio with him it comes as no real surprise, and frankly as a long overdue development, that such a unique artistic force is finally stepping into the spotlight.
With this debut single we get a glimpse into Sánchez's creative and artistic personal space, more precisely a multi-instrumental discipline of not only drums, but also bass, guitar and lead voice. It's an intensely intimate recording debut, a fantastic studio concoction born from the heart of its creator, and later fostered and mixed down by the talented hands of Nyct and Daptone veteran Victor Axelrod. The defining result on this initial 7-inch offering are two heavy psychedelic and moody nuggets of rock enespañol, a decidedly new wave of sounds and style that are quite capable of shining on their own.

Impossible Rare 1968 Album By An Enigmatic And Uncredited Studio Group That Brought Together Some Of The Best Artists Of Mag (Melcochita, Coco Lagos, Rafael Rios Of Los Guajiros_) Under The Direction Of Manuel Antonio Guerrero, Owner Of The Peruvian Label.The Record Comprises Cumbias And Guarachas Across 9 Songs And 3 Instrumental Tracks, Most Of Them Previously Recorded By Other Peruvian Artists Such As Los Destellos, Pedro Miguel Y Sus Maracaibos Or Melcochita Y Su Conjunto. Reissued For The First Time. -Details:Cuban And Colombian Rhythms Form "Tropical Guitars" (Mag, 1968), The First Lp Of The Silvestre Montez Y Sus Guantanameros Orchestra, A Group Whose Conductor And Members, Despite Their Name, Have No Direct Relationship With Any Caribbean Country, And Whose Conception Illustrates Us About The Particular Way In Which The Peruvian Record Company Mag Was Managed.Manuel Antonio Guerrero (Founder And Owner Of Mag) Made Significant Profits With The First Albums Published, Mostly Focused On Música Criolla. He Soon Encouraged His Friend Lucho Macedo, Director Of Lima's Favorite Sonora, To Record The Main Hits Of Sonora Matancera, Reinterpretations With Innovative Arrangements That Exceeded Market Demands. Thus, They Continued To Repeat The Formula Of Releasing Songs "In The Style Of", And Soon They Published Hits Of Tango, Cuplé, Pasodobles, Ecuadorian, Argentine And Paraguayan Music, Reinterpreted By Local Musicians.Tropical Music Records Were Always The Label's Favourites, Especially Because Guerrero Knew Cuban Music Well Due To His Visits To The Island When He Was Young. In Addition, The Record Company Had An In-House Orchestra, Called Mag All Stars, Always Ready To Experiment And Improvise On New Recordings. Stars Such As Joe Di Roma, Coco Lagos, Mario Allison And Pablo Villanueva "Melcochita", Among Others, Were At Some Point Part Of This Orchestra, Which Had Different Line-Ups, Who Accompanied, With The Same Skills, Singers Of New Wave, Huayno, Rock, Boleros Or International...

Highlightsaustin-Based Future-Cumbia Group Money Chicha Presents A Fascinating Exploration Of The Nexus Of Peru's Legendary Fuzzed-Out Early Chicha Sound And The Band's Unique Application Of Chicha-Influenced Sounds To Their Own Original Compositions.The Result Is A Fascinating Temporal Exploration Of Two Stunning Faces Of Tropical Psychedelia Converging.The Album Features Legendary Peruvian Guitarist/Composer Jose Luis Carballo (Chacalon/La Nueva Crema) And Colombian-American Vocalist Kiko Villamizar As Well As Nemegata Frontman Victor Cruz On Percussion.Description"Chicha Summit" Is The Newest Album By Austin-Based Future-Cumbia Group Money Chicha. The Album Features Legendary Peruvian Guitarist/Composer Jose Luis Carballo (Chacalon/La Nueva Crema) And Colombian-American Vocalist Kiko Villamizar As Well As Nemegata Frontman Victor Cruz On Percussion. The Album Explores The Nexus Of Peru's Legendary Fuzzed-Out Early Chicha Sound And Money Chicha's Unique Application Of Chicha-Influenced Sounds To Their Own Original Compositions. The Result Is A Fascinating Temporal Exploration Of Two Stunning Faces Of Tropical Psychedelia Converging.The Album Itself Is Divided Between Two Sessions, Each Representing A Different Side Of The "Chicha Summit" Mountain. Side A Was Recorded During A Long Weekend In Which Jose Carballo And Money Chicha Convened For A Rehearsal, Recording Session, Workshop, And Concert. The Event Was Captured Altogether In A Single Room By Money Chicha Guitarist Beto Martinez At His Lechouse Music Studio In Buda Texas And Recorded Directly To Tape Via His Vintage Tascam 388. Subsequent Sessions Were Recorded By Greg Gonzalez At His Own The Electric Basecamp Studio And Vocalist Kiko Villamizar's Wepa Estudios To Capture Additional Percussion, Vocals, And Overdubs. The Result Is A Tribute To The Highly Influential And Much-Beloved Music Of Peru Performed With Jose Carballo, One Of The Genre's Greatest Performers And Composers And The Man Responsible For Introducing His Trad...

The best kept secret of the new album by El Dragón Criollo, the jewel in the crown, a song that, like the best of Latin music, comes with dynamite, gasoline and candela for the dance floor as well as reflective and sensitive with the reality of our countries, especially Colombia, where the oppressed are getting worse and worse and those from above always fall on their feet. But let's not forget that dance is catharsis and a good song is the key that opens our senses. "Sentencia " plays this wonderful role, not in vain has it been the last song on the album to be finished with this objective clearly in mind and verified before the release and, gentlemen, the dance floor does not lie. People get lost in this pure fantasy. "Sentencia " goes beyond the ordinary, it is the product of the countless styles that Paulo Olarte has perfected throughout his career as a producer, at a sound and musical level, it has innumerable elements that have influenced his entire personal life and that, without a doubt, comes to shake us with its extreme flavor. "La Número Uno" Dedicated to love and the dancefloor, hot as the earth, a song with the intention of transmitting the most authentic vibes of affection with movement and party. “La Número Uno” arises from El Dragón Criollo’s love for the four women in his heart. At the same time, it does not skimp on fanning the heat of the track. An arsenal of classic elements of champeta and Panamanian reggae from the 90s. The presence of the classic Casio Sk-5 and samples that you will recognize instantly if you are a connoisseur of this real sound, the kind that ignites the rumba in the neighborhood. It is a dedicated theme to fill the energy track while dedicating it to your number one.

Sérgio Dias, the only remaining original member, led the band until its dissolution in 1978. During this time, they released one more studio album, a live album and an EP. Two unreleased albums were released many years later, the aforementioned O A e o Z and Tecnicolor recorded in 1970 and released in 2000. Here’s a brilliant performance of the band just before they disbanded embracing a more solid prog-rock vibe

Surprise!! This is number 7 of this 6 x 45s collection !!

With this new releases you will be able to complete your complete series, but be careful that you will not be able to fit it into the mosaic!

Do not hesitate as this new release in a limited edition of 500 copies will make you enjoy the sounds to the fullest.

TT Syndicate steps forward big time into the direction of early '60s rhythm'n'blues, with the addition of a solid stash of early soul.

This cool release
compiles some of the best tunes in Creole boogaloo. The charm
of the restored sound of these old 7-inches is only matched by
the ardor of the interpretations. Like no music genre ever
before, boogaloo brought together African Americans and
Latinos, who already attended the same parties, but danced to
different tunes. Indeed, boogaloo overtook the West Indies with
amplified keyboards and electrified guitars, and this new wave
knocked out hierarchy and habits.

Mumbia Y SUS Candelosos is a Tokyo-based cumbia band led by percussionist Mutsumi Kobayashi, who has played with Minyo Crusaders and other groups. Following their debut album "Hokkori Time/Cumbia Ducha", which marked the beginning of a new chapter in the Japanese tropical music scene, part 2 of the Tokyo Cumbia Trilogy is now available on 10"/45rpm! The center label artwork is a gorgeous collaboration between Mutsumi Kobayashi himself for the illustrations, Mateo Rivano for the logo, and Katsumi Tanaka of the Minyo Crusaders for the total design.

A new world of accordion music pioneered by the Meridian Brothers, who lead the tropical music scene with their unique approach to Colombian musical heritage and twisted pop sensibility, andCONJUNTO Media Luna, who revive the charm of authentic cumbia sabanera in the present! Despite the simplicity and minimalism of the live instrumentation, the collaboration "paz EN LA Tierra", released in 2021, has no hint of the conventional acoustic music mood, but is instead a collection of songs with the rhythmic intensity of house and techno. Two of the tracks have been further edited, mixed, and mastered to be released as exclusive 7" versions.

Pellegrino & Zodyaco, with their new single 'Malìa', continue the aesthetic and sonic journey of the project led by the Neapolitan producer, with a mixture of Neapolitan disco-funk and fusion steeped in Latin flavour that already explored the innermost corners of the soul with 'Quimere'. This new work captures the frenzy and vibrant character of Naples, with its rarefied atmospheres and infectious groove that evoke the beating heart of the city and take us on a journey through the wonder of life in search of the Mediterranean essence. The 'Malìa' is enchanting, it’s that mysterious force that hides deep inside, transforming itself into a vortex of emotions through the fusion of involving rhythms and reflections on inner battles, on the importance of finding the 'light' to overcome conflicts and difficulties that hinder the ability to choose, a dreamlike mirage that opens a window on human vulnerability, a hymn to authenticity, to self-acceptance.

The celebration of dance in the Caribbean Escapade version is also an exhortation to escape from everyday life; it takes us into a sonic imagery that plays with the Neapolitan musical tradition and the freshness of Caribbean and Latin sounds. This summer single becomes an ode to the vital energy of dance music: there is no more time for hesitation, one must let oneself be carried away by the enthralling embrace of 'Malìa', like a call to awareness and the search for authenticity in life. Malìa becomes the guiding thread, the mystery that urges us to go beyond the confines of everyday life, to explore and celebrate the complexity of existence.

Future Rootz has collaborated with Canal Sounds and Egrem to release two funky Afro-Cuban tracks recorded in 1973 by Los Caneyes. This is the first musical project of Juan Pablo Torres, one of Cuba’s most influential musical innovators, and this is the first time that these tracks have been released on vinyl. The discs are in a 7" format.

Acting and singing prodigy child Marisol is one of the greatest stars in Spain ever. She was incredibly big in her country, and her popularity soon reached other lands, some as far away as Japan where she issued some records and even recorded one of her hits in Japanese. Germany was another country that saw a market for a German-sung 45, as was Italy with a couple of rare Italian-sung tunes released. Marisol also sang in English, and even Chinese-as you willhear on the songs compiled on this LP, which features some of her non-Spanish sung sides alonside with very rare performances from TV appearances on vinyl for the first time ever! The selection is completed by tunes based on rhythms from the world and a couple of other favourites from her more classic repertoire.

Discos Más has managed to squeak one more stellar release across the finish line for 2021 with Grupo MAJEZZA's most popular dance floor inferno, "La Chica Pikosita" backed with the equally blazing bhangra tinged "Cumbia de los Puchikas" on the flip. Vinyl only DJs and sonideros of the world will finally have access to these cumbias released here for the first time on wax.

Original compositions by Gabriel Reyes-Whittaker created with an analogue Oberheim synthesizer, a Midi sequencer, and an effects unit.

Bigamo come with another nugget which crossed the path of Frank Wiedemann’s way. Modern tropicalia soundtrack coproduced by Red Axes. It totally has this Honest Jon’s vibe.

A great samba release, pressed on 10-inch wax and featuring a.o. Betty Reilly & Les Baxter, Dircinha Batista, Noriel Viela, Barney Kessel and Silva & Gade.

Limited edition for Record Store Day 2016!

Creole dance music by Shinsuke Fujieda, a flute and saxophone player active in Mumbia y Susu Candelosos and i-dip, leads a group of virtuoso musicians. The sound that responds to the French Caribbean~Zouk revival that has been making waves in the European club scene finally emerges from Tokyo! Shinsuke Fujieda's call has brought together such renowned musicians as Shinichi Tsukamoto (TRIAl Production) and Masaki Nagata (Zainichi Funk) to form the Shinsuke Fujieda Group, which has garnered attention for its groovy, sometimes ceotic, deep and emotional sound that is based on jazz but is distinct from so-called "club jazz. After the release of their magnum opus "informel" in 2021, they have further strengthened their groove intensity and have chosen dance music from the French Caribbean as the theme for their new journey.

Trippy, dark and mysterious. A new development of the popular Mexican Sonidero style cumbia by the hottest cyber cumbia unit of the moment! The cover is a reversible sleeve by Ryohei Kazumi, the genius of Entertainment. This is part 1 of a two-part work, and the two pieces will be placed side by side to complete a single picture.

Debut 7" of a 7-piece Caribbean + Afrobeat + Dub combo led by Frente Cumbiero saxophonist/clarinetist Marco Fajardo! This is a masterpiece that shows how Colombian dance music has cultivated its mellow sound by greedily incorporating Caribbean and African music through the culture of the Pico Sound System, which is popular in the Caribbean Gulf Coast region, especially in the Caribbean city of Barranquilla. The artwork was drawn by Inti-Huayra Guevara Rios from Bogota.

Grupo Rebolu has been a mainstay in the extensive Colombian community of New York City for well over a decade, bringing the quintessential sounds of their home country to countless live shows and events throughout the five boroughs. Musically steeped in the folkloric traditions of the Afro-Caribbean discourse, the band has consistently combined first class musicianship with the echoes of their upbringing. Throughout their four self-produced albums, they have incorporated some of Colombia's most cherished traditions —gaita,cumbia, andbullerenguebeing just a few of the disciplines that Rebolu has infused with the modern songwriting and compositions of band leader Ronald Polo. As a natural step in the band's continued musical evolution, Rebolu has connected with Names You Can Trust for a one-off recording to deliver two original songs and productions that seamlessly fit the preferred format and the label's catalog, while further incorporating the group's sound into the wider NY musical spectrum. Whether it's champeta gone disco, or bullerengue gone reggae, this handy double-sided single packs a fresh take on the roots and traditions of Rebolu's musical lineage.

Georgina's Rumba is a magnum opus in the field of latin music in the broadest sense. Gabriele Deiana Sardinian guitarist, composer, arranger, producer and lyricist brings together 36 musicians for this work, including the winners of the Latin Grammy 2021 Alain Perez and Ivan "Melon" Lewis. 15 Cubans, 12 Spanish gypsies, 5 Spanish and 3 Venezuelans give life to a musical biographical journey that ranges from latin jazz to bolero, salsa, flamenco-jazz, tropical, nordic argentine style, son montuno and modern flamenco. The record also features former members of the Paco de Lucia sextet including Jorge Pardo and Carles Benavent. The best of the best of each genre. The vinyl format is gatefold and contains a 6 pages insert 30cm x 30cm with photos and the history of the album.

A true and fascinating novel in that began in 1992. The cover is a hand-painted watercolor by the illustrator Gianluigi Concas and contains an encrypted rebus that can be solved by reading the novel in the insert.

Roberto Laneri's works always convey a clear artistic certainty: a total composer with an eclectic cultural background. In this latest adventure it seems to propose a kind of weird and curious Exotica music; his Mediterranean ragas release glows and shadows, but the music plays more the plateaus of the Maghreb than the Indus Valley. Like a sorcerer piper, the sax shapes alchemy and hypnotic phrasing become: vague dances of camels, ecstatic progressions of an aboriginal vortex or a mystic arabesque tropicalisms. He doesn't neglect his training as a jazz clarinetist, with gentle and smooth orchestral veins that are decidedly retrò and old-style; remembering the dreamlike compositions of Nino Rota for Fellini's movies. There is no lack of esoteric voices from distant islands, Amazonian soundscapes, or rocking Brazilian moods. Laneri filters hidden traces of different traditions, creating unknown geographical syntheses without borders, furious extrapolations of compositional elements and famous themes misrepresentations. A visionary gaze, but also a good dose of ironic plaesure and fairytale humor. Not surprisingly, the original cover-art of Noura Tafeche does nothing but suggest the idea of a tasty psychedelic fruit-salad.