Latin | Brazil Vinyl 447 Items

‘Barumba’ is an uptempo funk-jazz monster with heavy drums and piano right from the off. Soaring horns add to the drama. Originally released on his self titled LP on CBS Brazil in 1974. ‘Morre o burro, Fica o Homem’ is the third Osmar Milito track to feature in our Brazil 45’s series. A classic samba-rock track; funk drums fills and punchy horns underpin the MPB vocals, building in tempo slightly over the track. The song was originally written by Jorge Ben. Taken from his expensive and hard to find ‘Nem Paletó, Nem Gravata’ LP released on ATCO Brazil in 1973.

Never been released on a 7” before!

Oakland's own Ritmos Tropicosmos follow up their excellent debut single with another pair of cumbia groovers. Since their first release, ELI Reyes and Lesli Rodriguez have joined the lineup and are featured on vocals in this latest offering of bass heavy Bay Area psychedelic cumbia!

Mumbia Y SUS Candelosos is a Tokyo-based cumbia band led by percussionist Mutsumi Kobayashi, who has played with Minyo Crusaders and other groups. Following their debut album "Hokkori Time/Cumbia Ducha", which marked the beginning of a new chapter in the Japanese tropical music scene, part 2 of the Tokyo Cumbia Trilogy is now available on 10"/45rpm! The center label artwork is a gorgeous collaboration between Mutsumi Kobayashi himself for the illustrations, Mateo Rivano for the logo, and Katsumi Tanaka of the Minyo Crusaders for the total design.

Coltrane, Shorter, Hubbard, Davis & Perkins from a Latin perspective! The Mantecas represent one of the finest concentrations of experience and talent in Latin and Jazz music ever to be based in the UK. A pure uplifting Latin Jazz music celebration. Not-to-be-missed!! Recorded at different locations in London during 2022/23. Mixed at Abbey Road Studios in March 2023. The Mantecas (formerly known as "Manteca") is an eight piece, London-based, Latin Jazz, Soul and Boogaloo band well known for creating a party mood at festivals and gigs everywhere they go, from Glastonbury, Ealing Festival and Tropical Pressure Festival to The 606 Club and The Jazz Café in London. They have a particular ability for bridging the culture gap with any audience getting all crowds up hitting the dance floor in a jive. The Mantecas will blow your mind with a mesmerising mix of salsa, Cumbia, Funk, Latin jazz and Boogaloo. For this new release album, the band is exploring the legacy of some of the Jazz giants through a Latin lens, reworking timeless pieces by Coltrane, Shorter, Davis, Hubbard and Perkins, giving them the infusion of Latin rhythms while remaining true to the Jazz language. The band is made up of some of the best musicians in the Latin, Jazz and Pop scenes in London: Trypl Horns: Paul Booth (Incognito/Brand New Heavies), Trevor Mires (Jamiroquai/Incognito), Ryan Quigley (Gregory Porter/Beverly Knight) Dave Oliver: Keys (Lisa Stansfield/Snowboy) Satin Singh: Percussion (Jazz Jamaica/Roberto Pla/Pucho and the Latin Brothers) Javier Fioramonti: Bass and arrangements, MD (Alex Wilson/Jack Costanzo/Joe Bataan/Salsa Celtica) Flavio Correa: Vocals (Omar Puente/New Regency Orchestra) Will Fry: Percussion (Tom Misch, Tony Allen) Rob Luft: Guitar (Dave O'Higgins, Byron Wallen) "Expect loads of hard-hitting salsa, exploding drums and outrageously funky boogaloo". Time Out * "Ripping new Latin Jazz band from the finest musicians of London". Fact Magazine * "One of the best Latin Jazz-funk bands working the scene today". The Jazz Café,

EXCITING LATIN SOUNDS COMPILED BY GLADYS PALMERA

We introduce to you “Loca Ilusion: Exciting Latin Sounds Compiled By Gladys Palmera”, a unique compilation for its quality, selection, sound and taste.

You will hardly find another compilation album like this one, where the best of Gladys Palmera’s Colection is found and with the personal touch of Gladys herself, Alejandra Fierro Eleta.

Here you will find different versions of well-known songs, surprising displays of vocal mastery, crazy jam sessions to immediately dance to, instrumentals full of virtuosity, gatherings of great music stars unnoticed until now and rare songs by artists who can only be found in Gladys Palmera´s archive.

Gladys Palmera herself has spent hours and hours searching, listening to, choosing, selecting and refining each piece of music for all of us to enjoy. These are recordings from the 60s and 70s made in different cities in Latin America and with styles ranging from the most traditional Antillean folklore to mixes and combinations with jazz, swing, twist, exotic and bossa nova.

“Loca Ilusion: Exciting Latin Sounds Compiled by Glady Palmera” is a production of Discos Gladys Palmera and a small sample of what is considered the best and biggest Afrolatin collection in the world.

La Sonora Mazuren is the latest addition to the already rich indie-tropical scene out of Bogotá, Colombia. Deeply rooted in the popular sounds and rhythms of South America, the group draws from cumbia, chicha, guaracha, champeta and other styles mostly from Ecuador, Colombia and Peru.

Far from being revivalists or folklorists, the group combines synthesizers and electric guitars with accordion and percussion to create a style indebted to early pioneers such as Polibio Mayorga or Bogota’s own Eblis Alvarez, of Meridian Brothers fame, who also produced their new album. The result is a psychedelic feast reminiscent of the golden years of tropicalia.

Grupo Rebolu has been a mainstay in the extensive Colombian community of New York City for well over a decade, bringing the quintessential sounds of their home country to countless live shows and events throughout the five boroughs. Musically steeped in the folkloric traditions of the Afro-Caribbean discourse, the band has consistently combined first class musicianship with the echoes of their upbringing. Throughout their four self-produced albums, they have incorporated some of Colombia's most cherished traditions —gaita,cumbia, andbullerenguebeing just a few of the disciplines that Rebolu has infused with the modern songwriting and compositions of band leader Ronald Polo. As a natural step in the band's continued musical evolution, Rebolu has connected with Names You Can Trust for a one-off recording to deliver two original songs and productions that seamlessly fit the preferred format and the label's catalog, while further incorporating the group's sound into the wider NY musical spectrum. Whether it's champeta gone disco, or bullerengue gone reggae, this handy double-sided single packs a fresh take on the roots and traditions of Rebolu's musical lineage.

From the rare and obscure to the unknown, producer Tee Cardaci mines eleven genre-spanning gems from the waning days of Brazil's military dictatorship, recorded by a new emerging class of artists operating outside of the major label system. Sonhos Secretos, or Secret Dreams in English, alludes to the quiet aspirations of those that made these independent and privately released seven-inches as well as to the fact that many of these records have long remained essentially a secret. It's also, to some extent, a reference to a certain dream-like quality that permeates this collection. These songs contain elements of jazz, soul, folk, prog, baroque rock and shimmering pop (housed under the blanket term Música Popular Brasileira, or Brazilian Popular Music). This unique compilation, presented by reissue specialists Org Music and online audio journal Aquarium Drunkard, includes a fold-out insert with artist interviews and additional liner notes by Brazilian music scholar Allen Thayer.

Nil's (Jazz) Ensemble, the band fronted by jazz musician, arranger and composer Nilo Espinosa, jumped on the bandwagon of recording covers of international hits under the name Sangre Joven. This 1975 single is loaded with tropical infused funky and disco sounds: 'Zamba, Zamba' is a true-to-the-original version of Elkin & Nelson's 1974 chartbuster; classic balearic vibes! 'Lindo Caballito', on the flipside, is a boogaloo dance floor number with an extra Latin rock and jazzy descarga touch. Once resettled in Lima, Peru, in 1974 after spending some time playing in a jazz quintet in Berlin, sax player Nilo Espinosa would put together the Nil's Jazz Ensemble, a top-notch array of local talent. They recorded one single album (1976) that remains not only as one of the grails for collectors of Latin-American jazz but also as an outstanding piece of music on its own. Most of the line up of the ensemble were also part of Sangre Joven, a side project to release covers of international disco and funk hits for Discos MAG. A full album and a single were released under that moniker in 1975. 'Zamba Zamba' is a true-to-the-original cover version of the song 'Samba Samba' by Colombian brothers Elkin & Nelson, who moved to Spain in the 70s and recorded a couple of albums with the famous singer Juan Pardo on the production duties. Classic balearic vibes! 'Lindo Caballito', on the flipside, is an uptempo Latin track for the dance floor that had been previously recorded by Enrique Lynch and Grupo Ecuación. It includes elements of descarga and boogaloo but with a funky rock twist.

Pellegrino & Zodyaco, with their new single 'Malìa', continue the aesthetic and sonic journey of the project led by the Neapolitan producer, with a mixture of Neapolitan disco-funk and fusion steeped in Latin flavour that already explored the innermost corners of the soul with 'Quimere'. This new work captures the frenzy and vibrant character of Naples, with its rarefied atmospheres and infectious groove that evoke the beating heart of the city and take us on a journey through the wonder of life in search of the Mediterranean essence. The 'Malìa' is enchanting, it’s that mysterious force that hides deep inside, transforming itself into a vortex of emotions through the fusion of involving rhythms and reflections on inner battles, on the importance of finding the 'light' to overcome conflicts and difficulties that hinder the ability to choose, a dreamlike mirage that opens a window on human vulnerability, a hymn to authenticity, to self-acceptance.

The celebration of dance in the Caribbean Escapade version is also an exhortation to escape from everyday life; it takes us into a sonic imagery that plays with the Neapolitan musical tradition and the freshness of Caribbean and Latin sounds. This summer single becomes an ode to the vital energy of dance music: there is no more time for hesitation, one must let oneself be carried away by the enthralling embrace of 'Malìa', like a call to awareness and the search for authenticity in life. Malìa becomes the guiding thread, the mystery that urges us to go beyond the confines of everyday life, to explore and celebrate the complexity of existence.

The concept behind the debut album by Neapolitan producer Paolo Petrella, (also known for Fratelli Malibu, SuperMegaFuckinMachine, and Nu Genea's live band bass player) is both straightforward and unparalleled. It involves re-imagining Renato Carosone's iconic hits infused with the vibrant essence of Cumbia. An original and fresh perspective of the history of Napoli, re-thinking traditions while blending cultures, like an imaginary colony of South Americans living in Napoli’s fishermen neighborhood of Santa Lucia. Cumbia Luciana sounds like the manifestation of a dream, as the poem on the liner notes recites: “It's 3pm in the afternoon, the sea is calm and there are some clouds in the sky from time to time the sounds of mopeds can be heard in the street. A boy is in his bedroom and out of boredom keeps time by tapping his fingers on the bed frame. He leaves the house for a walk keeping the sea on his side. Rumor has it that ten days ago immigrants arrived from Peru, the boy walks and listens it's Sunday, day of celebration, it's 3.30pm the boy walks and listens he is interrupted by a whole new sound, never heard before from a window of a ground floor house men are playing, the boy stands under that window for a while"

Wilfred Trevor Woodley aka Woods (1934 - 2010) is certainly one of the best kept secrets in Caribbean jazz. A pianist composer from Point Fortin, Trinidad & Tobago, Woods was a fascinating man who lived an incredible life traveling to more than 70 countries. Even though he composed hundreds of songs he had never released an official album. Woods was a man who lived a fearless life. Even when faced with life's adversities he dealt with them with such courage and calmness that all who knew him could only remember him with admiration and respect. In july 1990 he was involved in an accident where a truck crushed one os his legs. facing the doctors, he replied with aplomb: "As long as I can play the pinao, everything is fine". This EP is the first project of a series to pay a tribute to his legend and to keep his music alive.

El Palmas Music to release a new compilation of songs by the famous Venezuelan singer and percussionist Tabaco.

Tabaco Quintana is, without a doubt, one of the great masters of Venezuelan salsa. Born in Caracas in 1943, he was tall and very skinny, which earned him the nickname ‘Tabaco’. A shoeshine boy and street hawker, at the age of 18 he fell in love with the Caracas nightlife and spent his days listening to the rehearsals of a musical group that he ended up joining, thanks to the intervention of his friend Elio Pacheco. That group was called Sexteto Juventud.

Tabaco passed through almost every musical position within the band until he became a singer. It was the resemblance of his voice to Ismael Rivera and his skills as an interpreter that earned him a permanent position in the band.

After leaving the group in 1973, he created his own sextet, Tabaco y Su Sexteto, and later formed Tabaco y sus Metales, two groups that achieved international recognition, and became staples of the Venezuelan music scene ‘til the mid-80s. Throughout, and despite his fame, Tabaco was always clear that music had a social role to play, and would often sing in Venezuelan prisons. Sadly, he died young, on May 30, 1995, due to a lung condition. The public overflowed the streets to accompany him to his last dance.

This compilation of Tabaco’s songs, simply titled Tabaco and compiled by El Dragón Criollo and El Palmas, is an attempt to shine a light on this musical icon, and to show his versatility, vocal ability and unparalleled knowledge of musical rhythms.

Primarily known for his voice - which isn’t surprising considering his vocal nuances and the different registers he is able to reach - it can be said that he was also no slouch when it came to mixing up the rhythms. On this compilation there is a strong influence of African music (“San Juan Guarincongo”, “Imolle”) and jazz - just listen to the unforgettable beginning of “Arrollando”.

Percussion, piano and wind instruments are high in the mix, but it’s the masterful voice of Tabaco that adapts effortlessly to the requirements of the melody and the lyrics, riding each groove masterfully. The lyrics also show the great social sensitivity of the Venezuelan maestro: “Una Sola Bandera” and “Cuando Llora el Indio” are two great examples of salsa’s power in denouncing social injustice, and Tabaco’s commitment to that ethos.

Tabaco is unmissable, a heady journey into the essence of salsa and the rhythms of the Caribbean.