Latin | Brazil Vinyl 385 Items

This new 7-inch by S-tone Inc., that includes two brand new tracks, confirms Stefano Tirone’s 20-year old collaboration with Brazilian songwriter Toco. “Try My Love” is a fluid, relaxed and dreamy funk song that blends soul jazz with a ‘70s downtempo drumming groove. “Odoya”, featuring Toco on vocals, is a bit more faster composition, that would perfectly fit as a soundtrack of a typical Italian police movie from the same decade! Simply fantastic!

Stefano Tirone is an eclectic artist, open to a wide range of different music genres. This new 7-inch, that includes two brand new tracks, confirms his 20-year old collaboration with Brazilian songwriter Toco. Working on these songs for Stefano was like going back to the years when he used to listen to Acid Jazz music, especially to the records produced by the Mizell brothers. Their influence here is obvious from the first notes: the funk in “Try My Love” is not as high-fueled as in James Brown’s songs but, as the legendary brothers taught us, by blending a hint of soul jazz with the ‘70s downtempo drumming groove, we get a fluid brew, relaxed and dreamy. This is exactly what “Try My Love” is about. “Odoya”, featuring Toco on vocals, is a bit more faster composition, that would perfectly fit as a soundtrack of a typical Italian police movie from the same decade! Simply fantastic! - - - Stefano Tirone è un artista eclettico e aperto a una vasta gamma di generi musicali. Questo suo nuovo 45 giri, che contiene due nuove tracce, conferma la sua ventennale collaborazione con il cantautore brasiliano Toco. Lavorare a queste canzoni è stato per Stefano come volgere lo sguardo agli anni in cui era solito ascoltare dischi della scena Acid Jazz, specialmente quelli prodotti dai fratelli Mizell. La loro influenza è evidente sin dalle prime note: il funk di “Try My Love” non è carico di energia come quello di James Brown ma, come i leggendari fratelli ci hanno insegnato, dall’unione di un pizzico di soul jazz con il groove di batteria ‘downtempo’ tipico degli anni ‘70 otteniamo una miscela fluida, rilassata e sognante. Esattamente ciò che si respira in “Try My Love”. “Odoya”, brano che vede la partecipazione di Toco alla voce, è una composizione dal ritmo leggermente più sostenuto, perfetta come colonna sonora di un tipico ‘poliziottesco’ italiano! Eccezionale!

Brazilian mid tempo boogie double header. We’ve been playing these two out for the last couple of years and they are firm favourites.
‘E Novamente Mas Que Nada’ is the opening track from Reseda’s 1979 album on Som Livre. An ultra catchy vocal hook, boogie guitars and synths lead into a piano and cuica breakdown and horns to finish. One of the finest in the genre in our opinion.
‘Ginga’ is taken from Robson Jorge & Lincoln Olivetti’s self-titled masterpiece, reissued on Mr Bongo. Arguably the most immediate and club friendly track from the album, it always turns heads. Another premium example of Brazilian boogie from the masters of the sound and producers for the likes of Rita Lee, Erasmo Carlos, Don Beto, Marcos Valle, Tim Maia, Gilberto Gil, Gal Costa, Sandra Sa, Painel de Controle and many more.

This is what the world has been waiting for! Romperayo's new 45 is a hybrid Latin dance sound directly descended from the Discos Fuentes that colored Colombia in the 70s~80s. A tremendous temptation to the joy of shaking your body! Cumbia, salsa, funk, disco, rock, Soukous, zouk... The groove, which is a mixture of all kinds of things, is carried over to the present day by Romperayo, a project by Pedro Ojeda, a genius drummer representing the underground scene in Bogota.

Second elease on newly minted Souk Records (Discrepant), coming swiftly after the mind blowing Palestinian beat LP Muqata'a Inkanakuntu (SOUK01). For the second release we chose someone who is already part of our Discrepant family - the Colombian tropical masters Romperayo aka Pedro Ojeda.

The perfect Brazilian jazz odyssey created by Roman Andren, also known as "Swedish Deodato"!His finest album "Juanita" wasreleasedin 2007which has a presence comparable to the many masterpieces produced by Azymuth and Airto Moreira!P-VINE presented this album as CD in 2008 and it's finally released as an LP with OBI-strip for the first time!

High Quality pressing in vintage silk screen sleeve. Latin orchestra meets Greek bouzouki!!! A true hybrid musical dream, emerging and blending the sound from the migrant communities of 60’s New York. Greek bouzouki wizard Yannis Tatassopoulos injecthis electrifying playing into the Latin beats of Roger 'King' Mozian. Together these dukes of sound generate a tornado! Non-conventional and ultra refined crossover madness from the Space-Age. Mambo Gi-tano!

One of Rio de Janeiro's most exciting singer-songwriters of the last fifteen years is now living in Los Angeles, where he stands on the verge of an overdue American breakthrough. Before the move, Latin Grammy nominee Rogê (pronounced haw-zheh) was the prince of Lapa, the bustling downtown center of Rio's nightlife. Charismatic and scruffy, with a distinctively raspy yet boyish voice, Rogê_born Roger José Cury_gained an avid following for his swinging samba-funk, tinged with Brazilian Soul. His acclaim rose when he cowrote the theme song for the 2016 Olympic Games in Brazil. Lavishly produced by the Budos Band's Thomas Brenneck, a top session guitarist and collaborator with the stars (Lady Gaga, Beyoncé & Jay-Z, Amy Winehouse), Curyman will launch Brenneck's new label, Diamond West.

Originally released in 2012, the second album by the São Paulo-born composer Rodrigo Campos marks a turning point in both lyrical and aesthetic inspiration. “Bahia Fantástica” is the result of the absorption of a then recent influence of soul music (especially Curtis Mayfield) and is in the middle of this path marked by an unlikely geography in the lyrical part (São Mateus, Bahia, Japan) and by an expansion of sound ( from samba to the indefinable, with a passage through black American music).

The album turns ten years old in 2022 and exudes vitality. The soul reference takes on a different aroma when it passes through the filter of the composer and his band – formed by Kiko Dinucci on guitar, Marcelo Cabral on bass, Maurício Fleury on keyboards, Maurício Takara on drums and Thiago França on sax: it has Brazilian sauce, hints of afrobeat and a very particular seasoning. The lyrics bear the artist's mark: they project scenes in the listener's imagination and design the characters and environments with their own style of subjective chronicle. Bahia is both imaginary and intimate in Rodrigo Campos’s music.

On this latest release “Meu Kamba Jazz, Volume Um” (available on vinyl), Rocky Marsiano goes full-circle. It is a return to his jazzy origins, heavily influenced by the afro-latin music he has been working with during the past decade. This album is a clear step into new territory, with a lot of the tracks featuring live drums by the eclectic Alex Figueira, amazing live recordings by Lisbon-based instrumentalists and soulful contributions by his partner-in-music Bruce James.

Back in 2005, his critically acclaimed debut “The Pyramid Sessions” (Loop:Recordings) was a pioneering effort of blending hip-hop beats, jazzy samples and live instrumentation and was the stepping stone for the next couple of releases - all still rooted in jazz. In 2004 he started releasing the Meu Kamba trilogy (3 volumes): a tribute to music from lusophone Africa, first expressed through edits and later becoming totally self-produced. Another two albums dedicated to his Brazilian musical heritage were also released along the way.

Now, the circle is complete: Meu Kamba Jazz is a creative attempt to fuse all of the influences that Marsiano has collected since the very start and was born during 2 years of recording sessions between Amsterdam and Lisbon.

Roberto Laneri's works always convey a clear artistic certainty: a total composer with an eclectic cultural background. In this latest adventure it seems to propose a kind of weird and curious Exotica music; his Mediterranean ragas release glows and shadows, but the music plays more the plateaus of the Maghreb than the Indus Valley. Like a sorcerer piper, the sax shapes alchemy and hypnotic phrasing become: vague dances of camels, ecstatic progressions of an aboriginal vortex or a mystic arabesque tropicalisms. He doesn't neglect his training as a jazz clarinetist, with gentle and smooth orchestral veins that are decidedly retrò and old-style; remembering the dreamlike compositions of Nino Rota for Fellini's movies. There is no lack of esoteric voices from distant islands, Amazonian soundscapes, or rocking Brazilian moods. Laneri filters hidden traces of different traditions, creating unknown geographical syntheses without borders, furious extrapolations of compositional elements and famous themes misrepresentations. A visionary gaze, but also a good dose of ironic plaesure and fairytale humor. Not surprisingly, the original cover-art of Noura Tafeche does nothing but suggest the idea of a tasty psychedelic fruit-salad.

We’d like to touch base on the launch of the vinyl of Voltaje Raizal the first album of the tropical futurist music project Rizomagic, an electronic music duo, that consists of Diego Manrique, director of the avant-garde cumbia orchestra Niño Pueblo, and Edgar Marun, director of the ethno-afrobeat ensemble Dorado Kandua; Two outstanding projects from Bogota's new thriving alternative psychedelic scene. Voltaje Raizal will be released on vinyl by the italian label Disaster by Choice on November 21 supported with a musical video for their song CumbiaAchiampong by the colombian visual artist Martin Sanchez. The sounds of the album are rooted in the Afro-Caribbean musical tradition, in the mixed ancestry that defines Colombian culture, and IDM. The melodic construction of the album takes inspiration from variouscultures, including Indigenous chants from Colombia’s Embera people, the traditional scales from Mali’s Bambara ethnic group, and the Ghanian palm wine guitar interpreted by a Caribbean millo flute. The mix and masterization carried out by Eblis Alvarez ( Meridian Brothers, Pirañas, Chupame el Dedo) and Camilo Manchego offered the final touches that make Voltaje Raizal a fresh proposal to Colombia’s futurist tropical scene. “ Rizomagic set our to recontextualize their sources. It’s no coincidence that their name comes from rhizomatic, the botanically derived term for a subterranean, horizontal network of roots”… File Under: Tropical Futurismo, Eletronic, IDM

Oakland's own Ritmos Tropicosmos follow up their excellent debut single with another pair of cumbia groovers. Since their first release, ELI Reyes and Lesli Rodriguez have joined the lineup and are featured on vocals in this latest offering of bass heavy Bay Area psychedelic cumbia!

Mr Bongo’s Brazil 45’s series serves up another pair of Brazilian classics in the form of Rita Lee & Tutti Frutti ‘Agora É Moda’ and Pete Dunaway ‘Supermarket’.

'Agora É Moda' is a psychedelic, disco-boogie-groove monster brought to our attention by Greg Caz and Sean Marquand aka Brazilian Beats Brooklyn. Originally released on Rita Lee’s 1978 album Babilônia LP on Som Livre, this sublime track is drenched in squelching guitar licks, funk drums and sensuous cosmic vocal flavours.

Lee was the lead singer of Brazilian psychedelic rock band Os Mutantes and a hugely important figure in the Tropicalia movement. She sadly passed away in 2023 but her legacy well and truly lives on, loved both in and out of the music world.

On the flip side, Pete Dunaway’s ‘Supermarket’ is a rare groove/AOR masterpiece with a killer bassline, swaggering guitar and luscious string section layered with a perfectly delivered English vocal.

Pete Dunaway, real name Otavio Cardosa was a singer, composer, arranger and multi-instrumentalist from Sao Paulo, who spent the majority of his time composing for TV themes and library instrumentals.

Remastered with refreshed artwork.

180g LP. On his debut album Travesseiro Feliz (Happy Pillow) Rio de Janeiro based dreamer and new Far Out Recordings signing Ricardo Richaid melds his tropical heritage with his love for psychedelic music, jazz and rock.He also takes inspiration from the many Brazilian greats - Caetano Veloso, Arthur Verocai, Hermeto Pascoal, and Azymuth (to name a few) - who he has worked with as an engineer, assistant and producer, in Rio's former RCA studio, Cia dos Tecnicos.

Berlin was live recorded at the ARK Studios Berlin in the summer of 2019 this record is Featuring: Renato Gama (Voice and Gittar) , Ronaldo Gama (Bass), Leo Carvalho (Percursion) along special guests Franck Bidin and Paulo Cedraz.

Renata Lu is a bit of a mystery figure... She only made a few albums in the 1970s and sang backup on many more such Tim Maia and Nonato Buzar but for whatever reasons never seemed to make it into the MPB upper echelons. Debuted solo in 1971 on her self-titled album for Copacabana Records with a heavyweight fusion of US style soul and funk with added Latin percussion. This features Renata Lu singing over a hybrid samba/boogaloo backing track rich in jaunty bass, rasping horns and jazzy electric piano riffs. Rare LP finally reissued on a deluxe edition. One of the landmarks of Funk Carioca.

Grupo Rebolu has been a mainstay in the extensive Colombian community of New York City for well over a decade, bringing the quintessential sounds of their home country to countless live shows and events throughout the five boroughs. Musically steeped in the folkloric traditions of the Afro-Caribbean discourse, the band has consistently combined first class musicianship with the echoes of their upbringing. Throughout their four self-produced albums, they have incorporated some of Colombia's most cherished traditions —gaita,cumbia, andbullerenguebeing just a few of the disciplines that Rebolu has infused with the modern songwriting and compositions of band leader Ronald Polo. As a natural step in the band's continued musical evolution, Rebolu has connected with Names You Can Trust for a one-off recording to deliver two original songs and productions that seamlessly fit the preferred format and the label's catalog, while further incorporating the group's sound into the wider NY musical spectrum. Whether it's champeta gone disco, or bullerengue gone reggae, this handy double-sided single packs a fresh take on the roots and traditions of Rebolu's musical lineage.

The legendary music publisher KPM, famous for its iconic music library catalogue, commissioned a group of musicians in 2018 to write and record an authentic tribute to the early 70’s Latin Soul Boogaloo. Although not intended for commercial release, this vinyl LP is a limited pressing of just 500 copies and features 15 new grooves inspired the greats of the era such as Tito Puente, Ray Barretto and Machito. Ray Lopez and his band recorded the session in the traditional way using the same microphone direct to reel tape. Vamanos!

We are excited to welcome Orestes Gomez to the Olindo ranks with his sublime remix for Raúl Monsalve y los Forajidos "Bocón", featuring the distinctive vocals of Luzmira Zerpa, fusing neo soul, jazz and Venezuelan drums.

From Kobe, Japan. 7" Breaks by Jam Session Band!

This is the second 7" from Quiet Storm Kobe, a band that has been active in the dance culture, including Breakin', by holding outdoor block parties and performing at dance battles in various locations!

With roots in funk, soul, jazz, and hip-hop, the members of Quiet Storm Kobe have been pursuing their own unique groove and have been recognized for their abilities both in Japan and abroad, including an appearance at the Red Bull BC One, the world's premier breakdance battle tournament.

This album, created with the concept of "relaxing your shoulders," is a must-have for DJs and dancers, with a comfortable and natural breakbeat sound of overlapping vibraphone and rose piano. Side B is a slow jazzy hip-hop track featuring raps from LA b-boy/trackmaker/rapper illijahbeats, and is also a must-listen!

A must listen! The record label is full of Breakin' culture, with a trick where a frame-by-frame animation of a B-Boy appears when the record is photographed at 45 RPM.

First time reissue of “Quiero…” by Peruvian-Cuban singer and composer Króffer Jiménez, leader of Poppy y sus Pirañas, one of the key figures in Peruvian tropical music.Recorded in 1969 but not released until 1972, this album comprises guarachas and cumbias that were ahead of their time, mostly original compositions. Unfortunately the album went almost unnoticed back in the day, becoming a sought-after collector’s item in recent times. Quintets such as Compay Quinto, Pedro Miguel y sus Maracaibos and Los Totos were the stars of the Peruvian tropical scene at that time, winning over listeners with their powerful rhythm section and fast-paced melodies. In contrast, the dozen guarachas and cumbias on "Quiero..." are slower and more relaxed, where the elegant intonation displays Króffer’s Cuban roots, with the Pirañas contributing during the more festive moments. The cumbia 'Mala mujer' and the guarachas 'Amar en el mar' and 'El sortilegio' were ahead of their time, as the singing style adopted would only become fashionable from 1971 onwards. 180g vinyl.

Brazilian music at it's finest! 2x7" set with four beautiful songs from Piry Reis. Disc one is a reissue of his 1975 "Heroi Moderno" and includes the sought after 7inch version of "Cisplatina". The second holds the rare cuts "Reza Brava" & "Céu De Manágua". The project came together with the blessing of Piry Reis himself and is released on the sub-label of Rush Hour recordings, New Dawn - set up for less electronic but equally adventurous releases by artists we love. Artwork by Amsterdam's Sekan with a touch by Megin Hayden.

Pellegrino & Zodyaco, with their new single 'Malìa', continue the aesthetic and sonic journey of the project led by the Neapolitan producer, with a mixture of Neapolitan disco-funk and fusion steeped in Latin flavour that already explored the innermost corners of the soul with 'Quimere'. This new work captures the frenzy and vibrant character of Naples, with its rarefied atmospheres and infectious groove that evoke the beating heart of the city and take us on a journey through the wonder of life in search of the Mediterranean essence. The 'Malìa' is enchanting, it’s that mysterious force that hides deep inside, transforming itself into a vortex of emotions through the fusion of involving rhythms and reflections on inner battles, on the importance of finding the 'light' to overcome conflicts and difficulties that hinder the ability to choose, a dreamlike mirage that opens a window on human vulnerability, a hymn to authenticity, to self-acceptance.

The celebration of dance in the Caribbean Escapade version is also an exhortation to escape from everyday life; it takes us into a sonic imagery that plays with the Neapolitan musical tradition and the freshness of Caribbean and Latin sounds. This summer single becomes an ode to the vital energy of dance music: there is no more time for hesitation, one must let oneself be carried away by the enthralling embrace of 'Malìa', like a call to awareness and the search for authenticity in life. Malìa becomes the guiding thread, the mystery that urges us to go beyond the confines of everyday life, to explore and celebrate the complexity of existence.

“Home studio experimentations in Electronic Jazz from the 80’s/90’s! All instrumentation played by one of Spain’s most cherished singer/songwriters & Dolores member”
Spanish Maestro Pedro Ruy-Blas is a cherished composer and singer in Spain, well known for his part in the seventies fusion band Dolores. Since the age of electronic music making and home studio, Pedro bought the latest equipment and started making his own music. This compilation features a varied selection from his own tapes dating 80’s and 90’s – It’s DIY Electronic Jazz music emphasizing organic textures and utilizing the latest of Midi and sequencing tools, echoing those days of Dolores. Comes with digital download limited to 500 copies.

Currently based in Berlin, Pedro Ricardo has been releasing music for the past eight years under different aliases via labels such as Wolf Music and his own imprint Hear, Sense and Feel. An eclectic DJ and selector, he hosts a radio show on South London’s radio Balamii, guested on Mafalda’s NTS show and can be found playing in clubs across all Europe. Stylistically, Ricardo became entranced with jazz from an early age, while also becoming enamoured with folk music – rooted in his Portugal childhood, now encompassing sounds from Cape Verde, Brazil, and Spain along the way. He intertwines these instrumental influences with field recordings, and electronics, on Soprem Bons Ventos. “The album translates to ‘Good Winds Blow’, shares Ricardo. “This idea of good winds blowing is intertwined with the feeling of missing something, and sadness. On a positive note, there is still an overarching sense that happiness also lies ahead. Soprem Bons Ventos represents an ode to the past, to those who came before me, connecting with my present and imagining the future.”

Record Store Day 2021 Release.