Jazz | Fusion 185 Items

Limited edition for Record Store Day 2018!

Django Deluxe´s unique music combines the traditional Gypsy-Swing of Django Reinhardt with more modern forms of jazz to dazzling effect. Swing however, pulses through it's veins, expressing their collective passion and esteem for Django – the greatest European Gypsy-Jazz legend of all time. At the same time however, they're four young men, living and creating music in the contemporary world of R & B and Hip-Hop. As Django Deluxe, they produce a timeless, vibrant, emotional music, which flows in the inimitable style of European Sinti-Swing, but with American Jazz infused into it. 7" single version featrues the track "Stina" only.

The boys are back with the new album IV, their most impressive and
highly anticipated project yet. IV continues their forward thinking
progression, sounding something like a jam session in space between
Can, John Coltrane, Herbie Hancock's Headhunters, Weather Report,
Arthur Russell & MF DOOM.

For his next release on Soundway Records, Los Angeles-based Dexter Story hooks up with long time friend and compatriot of music, the saxophonist, jazz composer, producer and band-leader Kamasi Washington. A fierce, rumbling electro Ethio-Funk groove provides the platform for an intense and powerful interplay between Washington on tenor sax and Todd Simon on trumpet. An instrumental cover version of Tilahun Gessesse's 1970s cut of the same name, it's Story's homage to the oppressed Oromo people of Southern Ethiopia. Backed on the flip by the one cut from Story's 'Wondem' long-player that did not make it to vinyl when the LP version was cut, Nia Andrew's sublime and atmospheric collaboration on Eastern Prayer will keep all those happy who grumbled at it's exclusion from wax first time around. This is a record that no lover of Ethio-Jazz, Afro-Beat or Funk should be excused for not owning.

Cuban percussionist Santamaria was one of the first to take the latin sound to the dancefloor, when his take on Herbie Hancock’s ‘Watermelon Man’ went to #10 in the Pop and R&B charts. It’s follow-up,‘Yeh Yeh!’ (featuring vocal interjections from La Lupe) went to #1 in the UK when Georgie Fame recorded it with the addition of lyrics written by Jon Hendricks. ‘Get The Money’ is a mod favourite proto-boogaloo.

HHV Exclusive Translucent Pink Vinyl Edition.
Note: INCOMPLETE!
Side A&B only!
Record is close to VG+.

Slightly warped vinyl, but still enjoyable

180 gram vinyl.
Includes original inner sleeve.

Includes booklet.

Limited edition for Record Store Day 2016!

5 CD in cardboard box.

CD comes in a soft case, instead of the original crystal case. All booklets included.

Re-mixed and re-mastered at Gondwana's home from home, 80 Hertz studios in Manchester and reissued here due to popular demand, ON THE GO appears here in an extended format that adds three new tracks alongside the original album and appears on vinyl for the first time.

Limited edition for Black Friday RSD 2016!

God knows how Micha Acher manages to be part of so many different projects at once: Besides playing and recording with Alien Ensemble, he also plays tuba in the band Millipede, contributes trumpet parts to the "Landlergschwistern" and the "Hochzeitskapelle" oh, and then there's also this other indie band he's been working with – a certain group called The Notwist.

Soul Safari's "Township Jive & Kwela Jazz 1940-1960" celebrates the 3rd year of the Soul Safari blog with this great compilation of South African Jive & Kwela 78's .

Still in shrink, but opened, with hype sticker

The second album from WAH, the collaborative effort led by guitarist Simon Henneman (Diminished Men) and drummer Gregg Keplinger (master drummer and Charles Gocher's doppelganger). WAH have created a modern masterpiece of modal, spiritual and free expression. Coming off like a late, classic RVG session for Impulse, Travellers Station is snarled with the force of a pummeling rock band by two artful leaders of Seattle's underground jazz scene. Travellers Station boasts ten musicians including bassists Luke Bergman and Carmen Rothwell, vibraphonists Bob Rees and Jacques Willis, horn players Ray Larson and Neil Welch, vocalist Katie Jacobson, and percussionist and co-producer Dave Abramson. The breathtaking energy of WAH's legendary NW performances is captured here with razor sharp production that finds room for fiery free jazz, psychedelic drone, big belting rhythms, and cosmic anthems. Fans of the classic era of '68-'78 (Strata-East/Human Arts/Sonny Sharrock/private/spiritual/BYG/loft) jazz scenes in America and France will dig immensely.

Cover is very close to NM. Paper scuffs. 180gr vinyl.

On this great compilation you’ll find 16 early vocal & jazzy tunes from the Golden Age of Jive & Kwela in South Africa. All released originally on fragile shellac discs only, which is a very delicate material but the music survived thanks to the archives of ILAM. A truly great source of South African music is being preserved here for new generations, to inspire young and hopeful musicians and singers from all over the world. These treasures of musical genius were recorded in the glory years of Jive and Kwela, the years 1940-1965.
On side A it is not very difficult to recognize the similarities to American popular music like R&B and small combo close harmony singing. But most of all notice that typical South African swing, that Jive, that incredible smooth form of African Jazz on side B; Kwela!

The rarest and most treasured finds are collected here, some with the original spoken intros, ‘sketches’ as these were called. Characteristic conversations between the musicians, often in a humoristic slang, always extremely funny. The record is pressed to 180gram vinyl.

Filed neatly and undisturbed within the micro-genre of 1970s Italian artsploitation, amongst
films soundtracks such as Girl With The Crystal Plumage, A Quiet Place In The Country and
House With The Laughing Windows, this obscure library LP is one of the few fully formed
concept albums from the recently reappraised discography of Rome’s most versatile and
adventurous female production music composer Daniela Casa. Once destined for a shelf life
within the storage rooms of defunct TV studios and educational facilities Daniela’s previously
strictly commercially unavailable music has in recent years been given new focus at the
hands of open-minded disc detectives and sonic salvage hunters earning Casa’s distinctive
feminine take on experimental instrumental mood and movie compositions a place next to
her widely respected masculine counterparts such as Alessandro Alessandroni, AR Luciani,
Pierro Umiliani, Morricone and Nicolai.
Sharing tight studio space and strict syndication schedules with all of the aforementioned
artists (under commission from Romano Di Bari’s fervently independent Flipper music factory)
Daniela Casa embraced a liberating wind change in affordable music technology which opened
doors for uninhabited solo compositions in home studios taking advantage of communal
recording consoles and domestic synthesisers which nurtured a lesser-documented creative
family tree (or rather secret society) and paved the way for individualistic projects from the
likes of Magnetic System’s Fabio Frizzi and Goblin’s Claudio Simonetti. Here, on this repress
of the impossibly rare, one-time subscription-only album, Arte Moderna, we find Daniela at
her versatile best creating a wide thematic suite (based on paintings and sculptures in an
abstract art gallery) for which she would deploy mostly organic and acoustic instruments
to construct a set of unorthodox compositions straddling avant garde, free jazz and Giallo
tension (with some brief moments of brooding electronics and italian pop).
Veering from her stylistic pop interests (which clearly included a fondness for the music of
Black Sabbath and Led Zeppelin) Daniela Casa’s Arte Moderna saw her adopt a less era
specific approach combining neo-classical elements and piano improvisations akin to the
likes of France’s Francois Tusques or Burton Greene, or America’s Mal Waldron without
compromising her strong narrative personality for this unique abstracted picture music.
Unintentionally but profoundly political in her prolific existence Daniela Casa’s contribution
to a predominantly male industry earned her a small clutch of inspired idiosyncratic Italian
female bedfellows such as Nora Orlandi, Giullia De Muittis (aka Kema), Fiorella Fratini, Emma
De Angelis and Maria Teresa Luciani, who, with faceless anti-celebrity as its essence, never
benefitted the wider critical focus that much of this music now duly commands on the
collectors circuit.
Finders Keepers Records, in continued collaboration with the Di Barri company, with the
Casa/Ducros family blessing, are now proud to shine new light on this sonic sculptures and
provide a fresh context where educated music listeners are ready to fill the gaps between
Delia Derbyshire, Ennio Morricone, Suzanne Ciani and Harry Partch and patronise a very
welcome considered alternative to the recent rise in popularity of Italian Giallo soundtracks
from a seldom savoured feminine creative vantage point. Daniela’s musical paintings can
now be unveiled to the public for the first time, with Modern Art sounding as contemporary
as it did when it was recorded forty years ago. The gallery is now open for limited sittings,
discerning ears and open minds.

You may probably remember the name of Howard Wales due to his association with The Grateful Dead's Jerry Garcia, but besides those important collaborations Wales has also produced some highly interesting solo material. Among it, one of the best jazz funk / psych fussion albums ever: Rendezvous With The Sun. Wales had played backing artists such as Ronnie Hawkins, Lonnie Mack, James Brown or The Four Tops as a session musician before becoming a member of psychedelic blues combo AB Shky, who moved from Milwaukee to the San Francisco Bay Area. He then explored the worlds that span somewhere between psychedelia and funk when forming part of Shades Of Joy, the band that recorded Alejandro Jodorowsky's Music Of El Topo LP in 1970. That same year he joined forces with Jerry Garcia and released the acclaimed Hooteroll? album.

Rendezvous With The Sun was released on Costal Records in 1976 and contained ten splendid jazz funk psych fussion songs, the mixture of different styles Wales is so good at. The musicians that contributed in the recording sessions where basically the same that had accompanied him and Jerry Garcia on the Hooteroll Band in 1972: Jim Vincent on guitar, Tom Donlinger on drums and of course Wales on keyboards, augmented by Pete Escovido on percussion and congas, Doug Killmer, Peter Marshall and Roger "Jelly Roll" Troy on bass, Bill Champlin on guitar, Pat Gleason on synth and seven horn players, including Martin Fierro, Jock Ellis, Chuck Bennet, Jane Woodworth and three members of Frank Zappa's Petit Wazoo ensemble: Gary Barone, Mike Altschul and Sal Marquez.

Part 2 of the title track was once compiled in a split single (Bruno Spoerri's 'Les Électroniciens' was on flipside) on Jazzman Records.

First ever vinyl reissue, with remastered sound and an insert with notes. Comes with a bonus 7" EP that features the two tracks from the mega rare, sought after Wales Costal Records single plus two previously unreleased gems. Limited to only 500 copies!

A fresh project from the Nilamaye crew — crossing currulao, art-rock and jazz.

First ever vinyl LP reissue of one of the best easy listening / jazz / groovy albums from Germany. Conceived and recorded in 1965 as (sort of) the soundtrack for advertising-designer, artist and photographer Charles Wilp photo sessions, it was composed by classical trained musician Siegfried Ulbrich, credited here under one of his pseudonym Marvin Martin. The album is a fantastic sequence of jazzy easy listening sounds, sometimes spiced with the actual sound of Wilp and his models speaking through the session, completed with female wordless vocals here and there and some electronic gimmicks - used with maximum care. Peter Thomas spoke favourably of these recordings, noting influences from A.C. Jobim, Frank Sinatra and Claus Ogermann. This LP was never commercialised in shops, but instead produced specifically for 16 organisations for whom Wilp had worked for, and copies of it were given away to employees and customers of those companies.

As a curiousity, Charles Wilp did the earliest photos of Nico when she started modelling in Germany, and also did the fabulous photos of 1960s punk legends The Monks when they were established in Germany.

It is splendid from beginning to end, top class groovy / easy listening sounds for your cocktail parties and night dancing and comes in a gorgeous gatefold sleeve reproducing the original artwork.

180g vinyl / limited pressing of 500!

Raised on opposite sides of the Atlantic, these two artists have combined their talents to compose “Lost Myself.” This musical voyage blends New York hard-bop aesthetics and Reggae-inspired elements with the jazz of today for a fresh spin on jazz classics and original compositions.

Vocalist Shola Adisa-Farrar, a native of Oakland, California, was born into a family of artists and intellectuals. Shola began singing at the age of eight, influenced by her Jamaican upbringing and the soul and jazz classics that played in her home. At a young age, Shola garnered attention for her distinct raspy voice, which enabled her to perform a variety of musical styles as well as secure radio spots as a voice-over artist. After living in New York City for eight years where she earned a Bachelors degree in Music, she is now an established resident in Paris. Shola spends her time travelling internationally to perform and developing her musical style. This album is her exploration into Jazz.

Florian Pellissier, Parisian pianist and composer, is known for the authenticity and hard-bop style he brings to his music. A graduate of The New School for Jazz and Contemporary Music, Florian has spearheaded his own quintet along with the release of two successful albums: Le diable et son train (2012) and Biches Bleues (2014). Florian has also contributed his musical talent, which includes his command of the “Rhodes,” to jazz and funk projects such as Setenta, Camarao Orkestra, Chevere Que Son, Cotonete and GUTS.

During Shola’s year-long residence as a performer for Le Reservoir’s Sunday Jazz brunch, Hot Casa Records’ DJ duo introduced Shola to Florian, sensing the two artists would musically compliment each other. In July 2013, their musical collaboration began. Bonding over their love of jazz autobiographies, swapping music, and improvising together, a studio collaboration was born in the hidden basement of Colorblind Studio on Paris’s Left Bank.

The result is eight spiritually-tinged jazz tracks recorded live on analog equipment to maintain the “traditional” quality of the music, from sultry introspections to rhythmic compositions grounded in intense emotion. Included are jazz classics such as Feeling Good and I Have A Dream, a tribute to the music of Herbie Hancock that has influenced Florian since his formative years in New York, to which Shola penned lyrics.