Jazz | Fusion 1060 Items

LP | 1966 | EU | Reissue (Blue Note)

Release: 1964 / DE – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Der Saxophonist Sam Rivers hatte sich schon sehr früh in seiner Karriere durch bemerkenswerte Originalität ausgezeichnet. Nach einem kurzen Intermezzo im zweiten großen Quintett von Miles Davis, spielte Rivers im Dezember 1964 für Blue Note sein Debütalbum “Fuchsia Swing Song” ein. Das Repertoire bestand aus sechs Kompositionen von Rivers, die zwar fest im Post-Bop und Blues wurzelten, aber die avantgardistischen Tendenzen des Saxophonisten auch nicht leugnen konnten. Das Highlight des Albums ist die atemberaubende Ballade “Beatrice”, die später sogar von den Tenor-Giganten Joe Henderson und Stan Getz aufgegriffen und interpretiert wurde.

BLUE NOTE CLASSIC VINYL EDITION: Stereo, komplett analog von Kevin Gray von den Originalbändern gemastert, Optimal-Pressung (180 g), wattierte Innenhülle.

Go to Item

Cecil Taylor

Unit Structures

Release: 1966 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1962 | EU | Reissue (Blue Note)

Dexter Gordon

Go!

Release: 1962 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1960 | EU | Reissue (Blue Note)

Tina Brooks

True Blue

Somethin' Else Blue Note 85 Collection Blue Vinyl Edition

Release: 1960 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The only one of tenor saxophonist Tina Brooks’ albums as a leader to be released during his too-brief lifetime, 1960’s True Blue is a hard bop masterpiece featuring Brooks’ distinctive compositions performed by an exceptional quintet with Freddie Hubbard on trumpet, Duke Jordan on piano, Sam Jones on bass, and Art Taylor on drums.

Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

Go to Item

Cannonball Adderly

LP | 1964 | WW | Reissue (Blue Note)

Night Lights Acoustic Sound Edition

Release: 1964 / WW – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-12

“Is that what you wanted, Alfred?” we hear in Miles Davis’ unmistakable rasp at the end of “One for Daddy-O,” making it clear that the legendary (and assertive) trumpeter was not just playing the role of sideman on Somethin’ Else, the sole Blue Note album by Cannonball Adderley. The alto saxophonist was a memb¬er of Davis’ band at the time and the depth of their musical camaraderie lifts this session up to rarefied heights throughout, from the breathtaking performance of “Autumn Leaves” that opens the album to the thrilling call-and-response theme of the title track. Pianist Hank Jones, bassist Sam Jones, and drummer Art Blakey round out the quintet on this timeless classic.

Go to Item

Gerry Mulligan

LP | 1963 | EU | Reissue (Verve)

Taru Tone Poet Vinyl Edition

Release: 1963 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The album "Night Lights" by American jazz saxophonist Gerry Mulligan was released in 1963, at the height of the bossa nova boom of the early 1960s. Laid-back rhythms and lyrical compositions leave room for improvisations and charming arrangements of signature solos by his fellow musicians - in addition to three original compositions, there are relaxed versions of Chopin's "Prelude in E Minor" and the Brazilian anthem "Morning of the Carnival" from Luiz Bonfa's "Black Orpheus".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

Go to Item

Lee Morgan

LP | 1968 | Reissue (Blue Note)

The Sidewinder Blue Note 85 Collection Blue Vinyl Edition

Release: 1968 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-08-02

Lee Morgan’s 1968 album "Taru" found the trumpeter at a crossroads exploring a variety of styles from modal jazz and post-bop to beautiful balladry and funky boogaloos. The band here is notable for the elevating presence of guitarist George Benson and the addition of tenor saxophonist Bennie Maupin.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a Gatefold Sleeve with deluxe tip-on jacket.

Go to Item

Lee Morgan

LP | 1964 | WW | Reissue (Blue Note)

Yakhal’ Inkomo HHV Summer Of Jazz Exclusive Orange Vinyl Edition

Release: 1964 / WW – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-12

Nobody had expected the extraordinary success of this album and its funky title track. When Blue Note released trumpeter Lee Morgan's “The Sidewinder” in 1964, the label “only” pressed 4,000 copies, but they were completely sold out within three days. The instrumental album reached number 25 in the pop charts and number 10 in the rhythm'n'blues charts, while the soul-jazzy title track, which was shortened for that, was also successful as a single. The album, recorded with tenor saxophonist Joe Henderson, pianist Barry Harris, bassist Bob Cranshaw and drummer Billy Higgins, is now a classic album that should be in every jazz collection.

Go to Item

Mankunku Quartet

LP | 1968 | UK | Reissue (Mr Bongo)

Medina Tone Poet Vinyl Edition

Release: 1968 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited edition of 200 copies for the 2023 Summer of Jazz campaign, focused on South-African jazz. Only available at HHV.

The Mankunku Quartet's 1968 album 'Yakhal' Inkomo’ clocks in at just over 30 minutes of jazz perfection. This compact, and to-the-point, album would sit comfortably in amongst some of the best works in the catalogues of any of the quintessential jazz labels such as Blue Note, Prestige and Impulse. 'Yakhal' Inkomo’, however, was originally released on the South African record label World Record Co., which resulted in it becoming an elusive and sought-after piece for jazz collectors. First press copies sometimes fetch as much as £1,000 on the collectors' market. It has been long regarded as one of the finest South African jazz albums and DJ / broadcaster Gilles Peterson cemented this when he included it in his "best of genre" focussed radio show, 'The 20 - South African Jazz'. Tenor saxophonist Winston "Mankunku" Ngozi recorded the session on 23rd July 1968 at the Manley van Niekerk Studios, in Johannesburg. It was recorded by Dave Challen and produced by Ray Nkwe. The session is built up of two original works by Mankunku on the A-side, 'Yakhal' Inkomo' & 'Dedication (To Daddy Trane and Brother Shorter)', and on the B-side, the Horace Silver composition 'Doodlin', and a John Coltrane number 'Bessie's Blues'. What is striking is how the Mankunku-penned compositions not only hold their own next to Silver and Coltrane but they are, arguably, the better tracks on the record - a testament to the beautiful writing and playing of Mankunku. 'Yakhal' Inkomo' features the great musicians; Agrippa Magwaza on bass, drummer Early Mabuza, and pianist Lionel Pillay. Pillay was of Indian descent, making this a mixed-race group, thus the very recording of the album was an act of resistance as it broke the apartheid restrictions of the time. The title of 'Yakhal’ Inkomo' means “the bellow of the bull”, the Black audience would have understood this as coded community symbolism and an act of protest but it escaped the attention of the white government. For this edition, we have enlisted the services of Abbey Road Studios mastering, and lacquer-cutting engineer Miles Showell to cut a special half-speed master from the audio taken off the original master tapes. Miles has previously worked on our Arthur Verocai, Marcos Valle and Ian Carr re-issues, and once again we are blown away by the richness and clarity of Miles' work. We have also presented it as a replica copy using the cover artwork and labels from the primary World Record Co. original version. On the sleeve notes, Ray Nkwe the producer and the President of the Jazz Appreciation Society of South Africa writes "This is the LP that every jazz fan has been waiting for" and Ray was not wrong, it's a stone-cold timeless jazz classic.

Go to Item

Bobby Hutcherson

LP | 1969 | Reissue (Blue Note)

Release: 1969 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-08-02

Bobby Hutcherson’s cutting-edge 1969 session "Medina" found the vibraphonist with a remarkable band featuring Harold Land on tenor saxophone & flute, Stanley Cowell on piano, Reggie Johnson on bass, and Joe Chambers on drums. The set presents original compositions by Hutcherson, Cowell, and Chambers.
BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a single sleeve with deluxe tip-on jacket.

Go to Item

Dreams Black Vinyl Edition

LP | 1968 | EU | Reissue (Skye)

LP | 1964 | US | Reissue (Mr Bongo)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Arrangements by Gary McFarland Recorded at Western Recording, Los Angeles
August 6th, 7th and 9th, 1968

Go to Item

Tenorio Jr.

Embalo

22,99 €*

LP | 1964 | EU | Reissue (Rearward)

Release: 1964 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Master jazz pianist Tenorio Jr aka Francisco Tenório Júnior only recorded this one album, 'Embalo', originally released on RGE in 1964. Rumour has it that he was arrested and thrown in jail (and possibly even murdered) while on tour with Toquinho and Vinicius de Moraes in Argentina in 1976. He has not been seen since...
Soon after the disappearance of Tenorio Jr. filmmaker Rogerio Lima produced a short film entitled "Balada para Tenorio," which chronicles the disappearance with interviews with family and friends.
Júnior played on Gal Costa’s classic song ’Pontos De Luz’, as sampled by Kaytranada on Lite Spots.
This classic album has long been on our list to reissue and we are delighted to be able to present it at last with replica original artwork. As regularly played by the likes of Gilles Peterson, Floating Points and co.

Go to Item

Sahib Shihab

Summer Dawm 2024 Repress

22,79 €* 23,99 € -5%

LP | 1961 | JP | Reissue (Teichiku)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sahib, besides being an undisputed leader and releasing records for prestigious European and American labels, was one of the key members of the prestigious Kenny Clarke Francy Boland Big Band.

Go to Item

Hideo Shiraki

In Fiesta

Release: 1961 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1961 | US | Reissue (Craft)

Hampton Hawes

For Real

37,99 €*

Release: 1961 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Guitar Forms Acoustic Sounds

Kenny Burrell

Total Eclipse Tone Poet Vinyl Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kenny Burrell's album "Guitar Forms" stands as Burrell’s definitive musical statement. It was nominated for three Grammys in 1965, is considered one of the true masterpieces in the Verve catalog. This is partly due to the outstanding performance of the guitarist himself, of course, but also to the unforgettable arrangements that Gil Evans wrote for five of the album's nine tracks. According to AllMusic, these were in no way inferior to the brilliant arrangements that Evans had made for Miles Davis classics such as "Birth Of The Cool", "Porgy And Bess" and "Sketches Of Spain".

Verve Acoustic Sounds Series: mastered fully analogue from the original tapes by Ryan K. Smith at Sterling Sound, QPR pressing (180 g), firm tip-on gatefold (Stoughton Printing), padded inner sleeve, Gatefold Sleeve.

Go to Item

Bobby Hutcherson

LP | 1968 | Reissue (Blue Note)

The Futuristic Sounds Of Sun Ra

Release: 1968 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bobby Hutcherson’s 1968 album "Total Eclipse" was the vibraphonist’s first recording to feature saxophonist Harold Land who would become a key collaborator for years to come. Rounding out the band were pianist Chick Corea, bassist Reggie Johnson, and drummer Joe Chambers on this impassioned and probing 1968 set of post-bop.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe gatefold tip-on jacket.

Go to Item

Sun Ra

LP | 1962 | US | Reissue (Craft)

Release: 1962 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lee Morgan

The Sidewinder

Release: 1964 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dexter Gordon & Slide Hampton

A Day In Copenhagen Black Friday Record Store Day 2023 Sky Blue Vinyl Edition

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

Blues & Roots Atlantic 75 Series

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Quantity: 1000
Release type: RSD Limited Run / Regional Focus Release

With his big, warm, round-toned sound, sophisticated phrasing, and hip quotes, Dexter Gordon was one of the major forces on the tenor saxophone from the mid-1940s until his death in 1990. Gordon was cited by both Sonny Rollins and John Coltrane as a major influence on their playing and is acknowledged as a jazz icon.

The popularity of mainstream jazz was on the decline in the States during the 1960s. The Vietnam war and racial turmoil were in high gear, and many of the music’s top-flight musicians, including Gordon, migrated to Europe in order both to escape and to make a living playing jazz. Gordon eventually settled in Copenhagen, Denmark. During this period, he usually played and recorded backed by a piano trio, but this 1969 recording is different. The usual quartet has been expanded with some of those premiere jazz ‘refugees’, each a major voice on his instrument, assembled for the session.

One of the great modern jazz trombonists, Slide Hampton, is also a composer/arranger of note. The album was a collaborative venture between Gordon and Hampton, and three of the compositions and all the arrangements on the album are his. The classy Jamaican trumpeter Dizzy Reese completes the front line. The rhythm section includes two jazz giants who were Gordon’s constant companions at Copenhagen’s famous Club Montmartre, fellow American expatriate pianist Kenny Drew and the great Danish bassist N-H Örsted-Peterson. The Gordon/Drew pairing is one of the classic horn-/piano matchups in jazz, and has often been compared with the Miles Davis/Red Garland and John Coltrane/McCoy Tyner pairings. Art Taylor, who “helped define the sound of modern drumming”, was brought in from Paris to complete the all-star rhythm section.

Go to Item

Charles Mingus

2LP | 1960 | US | Reissue (Analogue Productions Atlantic 75 Series)

75,99 €*

Iron Man Black Friday Record Store Day 2023 Gold & Black Marbled Vinyl Edition

Release: 1960 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g 2LP 45rpm

Go to Item

Eric Dolphy

LP | 1968 | EU | Reissue (Culture Factory)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Quantity: 2200
Release type: RSD Exclusive Release
Iron Man (aka the Eric Dolphy Record), originally released in 1968, is known as an extraordinarily complex and challenging recording. A jazz multi-instrumentalist who gained prominence in the 1960s, Dolphy extended the vocabulary and boundaries of the alto saxophone and was among the earliest significant jazz flute soloists. Vinyl for the album ALL MUSIC calls “ESSENTIAL” has been long out of print and unavailable. This deluxe package for RSD Black Friday includes an OBI side strip, single album jacket, original album art work, printed inner sleeve, original record labels and specialty color vinyl.

Go to Item

LP | 1965 | DE | Reissue (Impulse)

A Love Supreme

Release: 1965 / DE – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nina Simone

I Put A Spell On You

Blues A-Plenty Acoustic Sounds

Release: 1965 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g

Go to Item

Johnny Hodges

LP | 1960 | Reissue (Verve)

Release: 1960 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1967 | UK | Reissue (Be With)

Al Hirt

Soul In The Horn

LP | 1963 | Reissue (Blue Note)

Release: 1967 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Yes, *that* Al Hirt record. Featuring the godlike "Harlem Hendoo", looped unforgettably by De La Soul for the legendary Buhloone Mind State cut, "Ego Trippin' (Part Two)"!

Al Hirt's infamous Soul In The Horn is inextricably tangled up in crate-digger lore. Originally released in 1967, the album has been in heavy, heavy demand for over 30 years, entirely down to the majestic soul-jazz fire of "Harlem Hendoo". And it's a song so good, so vital, so timeless, that it will always tower above everything else in its proximity. This one track alone is worth the price of admission - even if the cost of entry were $100 or even $1000.

However, it would be an error to dismiss this record as merely a one tracker, loaded as it is with dope samples for adventurous beat makers. Certainly the funkiest Al Hirt record, it definitely lives up to the "soul" in the title. Thanks to composer Paul Griffin and arranger Teacho Wiltshire, Hirt got uncharacteristically free and groovy throughout. It comes on more like an obscure KPM library funk record than the easy listening Al was notorious for.

A Louisiana trumpeter and band leader who made Allen Toussaint’s “Java” famous, Al Hirt was also known for TV themes, Dixieland, Swing and being a minority owner of the New Orleans Saints. Unlike every other Al Hirt record - and despite most "diggers" claiming otherwise - this here gem is genuinely hard to come across "in the wild". Normally, you can't give Al Hirt records away, except this particular one, which raises pulses in the crate digging community to life-threatening levels. For every owner claiming to have found their copy for a dollar, there's scores more claiming to have *never* unearthed one in the field. So, paradoxically, you can consider this the most tricky-to-pull "thrift store record", ever. This is why we're finally making it available for everyone, not just those with endless hours to spend scouring the global goodwills!

Soul In The Horn represented an expressive detour into authentic soul-jazz for Al Hirt. Throughout, we're struck by a fierce, fiery energy that's otherwise absent from his typically easy listening work. Without question, the slinky, magical "Harlem Hendoo" is the standout, here. It's also the reason why the record is so scarce and commands awe among crate diggers, sounding like something from an obscure and deeply revered spiritual jazz record. As is often the case, the true genius of the song is tricky to do justice to; it's like a minor miracle of songwriting and performance that simply swooned down from the heavens on the back of horns, bells and harpsichord. It's one of the sweetest musical compositions ever recorded inside a studio - it's only failing is that it's just too short. Sampled brilliantly by De La Soul, it has also been used by The Roots for "Stay Cool" and Nightmares On Wax for "Damn".

The rest of the record makes for a mighty fine listen. From the opening cover of Booker T. & The MG's "Honey Pot", to the propulsive, ultra-funky "Mess Around", it's nothing but a good time. Given its title, the elegant stepper "Calypsoul" sounds exactly as you'd hope whilst the melancholic, wistful "Long Gone" hurts so good. Truly, this is just dying to be looped up, Al's muted playing capturing a soulful longing only horns can often achieve. The bluesy, slo-mo swing of "Sweetlips" oscillates between cool disaffection and swelling pride whilst the graceful, low-key funky "Girl" closes out the A-Side in the fine style. Ushering in the B-Side, the brief but brilliant strut of "Love Ya' Baby" shines brightly before the skipping funky-jazz of true highlight "Sunday-Goin' To Meetin' Time" demands both your attention and your dancing shoes. The mellifluous piano-funk of bass and horn-drenched "Snap Back" serves as the sumptuous prelude to "Harlem Hendoo"'s main character energy before the irrepressible, upbeat R&B of "Ludwig" closes out this quite remarkable album. An album deserving of a place in every serious record collection.

The audio for Soul In The Horn has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The original sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue. This is after-hours music. Let it speak for itself. Listen. Listen to the soul in Al Hirt's horn.

Go to Item

Donald Byrd

A New Perspective

Release: 1963 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1969 | US | Reissue (Craft)

Joe Henderson

Power To The People

Release: 1969 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-12

LP | 1966 | DE | Reissue (Blue Note)

Joe Henderson

Mode For Joe

Release: 1966 / DE – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1968 | EU | Reissue (Mad About)

Paulo Moura Hepteto

Mensagem

LP | 1967 | US | Reissue (Nature Sounds)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

One of the greatest musicians in the history of Brazilian music. Conductor, composer, arranger, band leader and, without a doubt, one of Brazil's most brilliant sax and flute players.

In 68, Paulo Moura brought together a notable group from the country's jazz and instrumental music to record the album "Mensagem". He walked between African rhythm and American and European avant-garde, transforming the Brazilian soul.

Licensed by Halina Grynberg

Go to Item

Roy Ayers

Stoned Soul Picnic

Speak No Evil Blue Vinyl Edition

Release: 1967 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In the late 1960s, vibraphonist Roy Ayers was among the top young talents in jazz, thriving during a remarkable era for the genre. While Ayers would later become a jazz-funk pioneer and delve heavily into R&B fusions, his third album Stoned Soul Picnic is a masterful showcase of soul-jazz grooves. Produced by Herbie Mann, Stoned Soul Picnic features a memorable Laura Nyro-penned title track, along with an exceptional lineup of musicians, including Gary Bartz, Hubert Laws, Ron Carter, Herbie Hancock, and Grady Tate. Originally released in 1968, this early Roy Ayers classic is now receiving an official reissue via Nature Sounds.

Go to Item

Wayne Shorter

LP | 1969 | EU | Reissue (Le Très Jazz Club)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-08-09

1964 was one of the most momentous years in the musical life of Wayne Shorter. Early in the year the saxophonist was still a member of Art Blakey & The Jazz Messengers, appearing on classic Blue Note albums like Free for All and Indestructible. Shorter made his own auspicious label debut that spring with Night Dreamer and quickly recorded the impressive follow-up JuJu. That summer he joined the Miles Davis Quintet, cementing a line-up that would become one of the seminal bands in jazz history. And when Shorter entered Van Gelder Studio with Freddie Hubbard, Herbie Hancock, Ron Carter, and Elvin Jones on Christmas Eve 1964 they created a masterpiece with Speak No Evil, a transcendent set of six Shorter originals including the swinging title track, “Witch Hunt,” and sublime ballad “Infant Eyes.”

Go to Item

Terumasa Quintet Hino

Hi-Nology

Waltz For Debby Opaque Baby Pink Vinyl Editin

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-12

Terumasa Hino is undoubtedly one of the most famous Japanese jazzmen. Learning the trumpet at the age of 9, he began his career as a professional musician by playing in the orchestra of an US Army base, before joining Hideo Shiraki"s Quintet and then forming his own band in 1964. On Hi-Nology we find his brother Motohiko Hino on drums, Hiroma Suzuki on electric piano, Kumitsu Inaba on electric bass and Takeru Muraoka ontenor sax. The inspiration from the "electric period" of Miles Davis (notably Miles In The Sky released in 1968) is felt and is even accepted, since the opening piece is entitled "Like Miles". Coincidentally, Hi-Nology was recorded on July 31, 1969, the day after the release of In a Silent Way and has nothing to envy of this great record by Miles Davis.

Go to Item

Bill Evans Trio

LP | 1962 | EU | Reissue (Dol)

15,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1965 | EU | Reissue (Blue Note)

Herbie Hancock

Maiden Voyage

24,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Horace Silver

Song For My Father

Release: 1964 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1960 | EU | Reissue (Jazz Workshop)

Blue Mitchell

Blue's Moods

Release: 1960 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1968 | EU | Reissue (Skye)

Bacchanal

LP | 1965 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1968 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Labeled “the Nureyev of the guitar” by jazz critic Leonard Feather, Gabor Szabo was at his creative peak at the end of the 60s, when he recorded his masterpiece “Bacchanal”. Szabo’s 60s quintet, featuring guitarist Jimmy Stewart, is on top
form here with another of his unique collections of both jazz and pop hits. His restrained use of feedback at just the right moments shows Szabo was willing to open up to new sounds yet he keeps a tight grip on his signature sound throughout these eight cuts.

Go to Item

Miles Davis

My Funny Valentine

49,99 €*

Release: 1965 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Out There 200g Vinyl Edition

Eric Dolphy

LP | 1961 | US | Reissue (Analogue Productions)

55,99 €*

Rocks The House Blue Vinyl Edition

Release: 1961 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In 1960, the free jazz pioneered by Ornette Coleman, Cecil Taylor, Horace Tapscott and a very few others was rejected by many musicians and most listeners. For the visionary saxophonist, clarinetist and flutist Eric Dolphy, it was simply new music fed by the mainstream, a logical extension of the jazz tradition. In "Far Cry" without leaving form behind, he incorporated the spirit of adventure and abandon with which free jazz at its best infused freshness into jazz. Recording with a pianoless quartet that used Ron Carter’s cello as the other melody instrument, Dolphy worked from chord patterns developed within structures that depart from ordinary 32-bar jazz and popular song forms. He used 30-bar, 35-bar and 18-bar structures, but he also observed standard practice with 12-bar blues, “Serene”. Dolphy’s speech-like improvisations and Carter’s bowed or plucked cello solos soar over the impeccable and responsive accompaniments of bassist George Duvivier and drummer Roy Haynes.

Go to Item

Etta James

LP | 1963 | US | Reissue (Jackpot)

31,99 €*

The Quest Limited Ojc. Series

Release: 1963 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Best known for the lush 1961 rendition of the ballad “At Last”– a slow-dance staple at wedding celebrations everywhere,she is also celebrated for having recorded one of the bestlive albums of all time, “Rocks the House.” Recorded in 1963at the New Era Club in Nashville, James is captured at her performance peak. The foundation for her reputation as a fiery no-holds-barred performer was firmly established in this recording.

Blues, soul, jazz, R&B, and rock vocalist Etta James, needs no introduction. An icon from early rock’n’roll’s pantheon of divas, she has inspired 5 decades of listeners and fellow artists with her vocal stylings. From Janis Joplin to Beyonce, her expressive and guttural style has been imitated but never quite matched.

Jackpot Records is honored to release this momentous record on stellar blue vinyl, with the original album artwork and including 3 bonus tracks which have only ever been released previously on CD. Her powerful version of “Something’s Got a Hold on Me” will shake you. Her impassioned version of “All I Could Do Is Cry,” will break you.

Go to Item

Mal Waldron

LP | 1961 | Reissue (Concord)

Release: 1961 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-09-27

Silver's Serenade Tone Poet Vinyl Edition

Horace Silver

LP | 1963 | EU | Reissue (Blue Note)

Intensity Limited Contemporary Records

Release: 1963 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Silver’s Serenade" was the last album Horace Silver made with his celebrated Quintet with Blue Mitchell, Junior Cook, Gene Taylor and Roy Brooks. These five Silver tunes epitomize his compositional style: captivating melodies, sophisticated harmonies and intricate rhythms with an unerring sense of swing.

BLUE NOTE TONE POET EDITION: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.

Go to Item

Art Pepper

LP | 1963 | Reissue (Craft)

Release: 1963 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-10-11

Cannonball Adderley / Bill Evans

Know What I Mean Original Jazz Classic Series

LP | 1961 | Reissue (Concord)

Release: 1961 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1963 | EU | Reissue (Honeypie)

Krzysztof Komeda

Ballet Etudes

24,99 €*

Wayne Shorter Featuring Lee Morgan, Reginald Workman And Elvin Jones

Release: 1963 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recorded at the 1962 Jazz Jamboree festival in Warsaw and originally released in 1963 on Danish Metronome label, here's a true gem from one of the most important figures in Polish music and a founding father of European Jazz. "Ballet Etudes" was one of the three full LPs released during Komeda' short lifetime. His fluent modern jazz conception was a perfect synthesis between the American influence and the European harmonic complexity, a unique kind of marriage colored by a clear Slavic lyricism. For many years considered a rare collector item "Callet Etudes" comes back to life as a major statement in East-European music history.” Allan Botschinsky - trumpet, Jan Wróblewski - tenor sax, Krzysztof Komeda - piano, Roman Dylag - bass, Rune Carlsson drums.

Go to Item

Night Dreamer

LP | 1964 | EU (Blue Note)

LP | 1961 | US | Reissue (Candid)

Release: 1964 / EU

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Wayne Shorter stepped out as a Blue Note artist on his masterful 1964 label debut Night Dreamer, a sublime set that signalled the arrival of one of the most important saxophonists and composers in jazz history. Timeless Shorter compositions are given transcendent performances by a quintet with Lee Morgan, McCoy Tyner, Reggie Workman, and Elvin Jones.

Blue Note Classic Vinyl Edition: Stereo, mastered from a digital source by Kevin Gray, manufactured at Optimal (180 g), padded inner sleeves.

Go to Item

Max Roach

We Insist (Mono)

East Broadway Run Down Acoustic Sounds

Release: 1961 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-19

An avant-garde masterpiece, a vocal-instrumental suite, a work of collective improvisation, directly addressing the racial and political issues of it’s day, We Insist! Max Roach’s Freedom Now Suite is one of the most important artistic statements of Civil Rights Movement and one of the most groundbreaking jazz albums of all time. Max Roach was already almost a decade into his career as one of the most influential jazz drummers and composers when he teamed up with lyricist Oscar Brown Jr. to collaborate on a piece they planned to perform at the centennial of the Emancipation Proclamation in 1963. Recorded just months after the February 1960 Greensboro sit-ins, the album stands as an early musical testament to the burgeoning rage, anger and passion that would take the Civil Rights Movement from its early victory in Montgomery in 1955 into a future that would dramatically alter race relations in the United States.

The second release from the newly launched New York City based jazz label Candid Records, and produced by label co-founder, famed music critic and social activist, Nat Hentoff, the album is a bold statement, focused on civil injustices in black history ranging from slavery to contemporary racial prejudices, and featuring some of the finest jazz musicians ever, including Abbey Lincoln, Coleman Hawkins, Eric Dolphy, Booker Little, and Michael Babatunde Olatunji.

The five movements of the work are organized as a historical progression through African-American history, a shape similar to the one in Duke Ellington’s Black, Brown and Beige. The Freedom Now Suite moves from slavery to Emancipation Day to the contemporary civil-rights struggle and African independence.

The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances.

Go to Item

Picture
Coming Soon

Sonny Rollins

LP | 1966 | EU | Reissue (Impulse)

Release: 1966 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-08-16

LP | 1969 | EU | Reissue (Elemental)

Pharoah Sanders

Jewels Of Thought

At The Renaissance Limitedcontemporary Records

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-05

Jewels of Thought is an album by the American jazz saxophonist Pharoah Sanders. It was recorded at Plaza Sound Studios in New York City on October 20, 1969, and was released on Impulse! Records in the same year.

Go to Item

Ben Webster

LP | 1960 | Reissue (Craft)

Release: 1960 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-09-13

LP | 1967 | EU | Reissue (Music On Vinyl)

Duke Ellington

Far East Suite

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-12

Chicken Fat Verve By Request Edition

Mel Brown

LP | 1967 | EU | Reissue (Impulse)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1960 | EU | Reissue (Jazz Workshop)

Booker Ervin

Cookin'

LP | 1969 | EU | Reissue (Decca)

Release: 1960 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Originally issued as Savoy Records MG 12154

The Booker Ervin Quintet Booker Ervin (tenor sax), Richard Williams (trumpet), Horace Parlan (piano), George Tucker (bass), Dannie Richmond (drums). Recorded at Medallion Studios, Newark, New Jersey, on November 26, 1960

Sound engineer: Paul Cady Cover art: Lee Jack Morton Liner notes & recording supervision by Tom Wilson Album preparation: Herman Lubinsky

Go to Item

The New Jazz Orchestra

Le Dejeuner Sur L'herbe

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A deep dive into the one of most collectable jazz catalogues in the world, a selection of some of the rarest and most sought-after recordings from the 60s and 70s, a time when British jazz began to find its own identity. Drawn from the iconic labels of Decca, Deram, Argo, EMI Columbia/Lansdowne Series, Fontana, Mercury, & Philips. If one were asked to pick an album that represented the best of British jazz in the 1960s, Le Déjeuner Sur l’Herbe by the New Jazz Orchestra would be a serious contender. Recorded in September 1968, it draws together many of the key streams that had developed in British jazz in the preceding years, and also presages much of what was to come. Notwithstanding the line-up, which includes some of the very best British jazz musicians directed by an inventive and ingenious leader in Neil Ardley, the session features pieces written by the most distinctive jazz composers active in Britain at that time alongside idiosyncratic interpretations of works by John Coltrane and Miles Davis. And it’s all captured beautifully by engineer Howard Barrow and producer Tony Reeves and it features a stella cast of some of the greatest musicians, not just from that era or genre but beyond; Jack Bruce, who would become one of the founding members of Cream, Barbara Thompson, Ian Carr, Michael Gibbs, Dave Gelly, Dick Heckstall-Smith and Jon Hiseman, who went on to form one of the greatest jazz/progressive/rock bands – Colosseum.

Go to Item

A Love Supreme (Acoustic Sounds)

LP | 1965 | UK | Reissue (Verve)

56,99 €*

Release: 1965 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1962 | EU | Reissue (Blue Note)

Dexter Gordon

A Swingin' Affair

Release: 1962 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1968 | UK | Reissue (Speakers Corner)

Yusef Lateef

The Blue Yusef Lateef

LP | 1963 | UK | Reissue (Pure Pleasure)

Release: 1968 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"The Blue Yusef Lateef" - Yusef Lateef (ts, fl, perc, voc); Sonny Red (as); Blue Mitchell (tp); Kenny Burrell (g); Hugh Lawson (p); Buddy Lucas (hca); Cecil McBee, Bob Cranshaw (b); Roy Brooks (dr); strings and vocal group

Yusuf Lateef was a leading representative of world music, long before world music was known as such in the jazz, pop and rock community. He integrated all kinds of oriental instruments in his jazz music, such as the koto, bamboo flute and tambura and also – as in this case – in his blues compositions. His saxophone playing is also flawless too and full of wonderful textures, hard and impulsive at one moment, cool and exotic at the next.
On this album Lateef explores, in a painterly way, the border areas of the blues, in all their various guises and addresses both eastern and western cultures. "Juba Juba" begins with a drumbeat on a slave ship, the tempo builds up slowly and agonizingly, and is only penetrated by Lateef’s plaintive flute and background voices singing »freedom, freedom, freedom«. After such a gloomy beginning the classical blues number "Like It Is" comes over like a breath of fresh air, with its superb string quartet as the foundation. The R&B contributions on the other tracks testify to Lateef’s skilled excursions into the realm of the blues, while the truly adventurous tracks such as "Back Home" and the mystic, Chinese odyssey "Moon Cup" weave a magical net of sheer pleasure. "The Blue Yusef Lateef" is in every possible way absolutely breathtaking. It is a milestone as a jazz album. As a blues album it is quite unique. But as a musical work of art it is a glorious and genial masterpiece.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com.
All royalties and mechanical rights have been paid.

Recording: April 1968 in RCA Studios, New York City by Ray Hall
Production: Joel Dorn

Go to Item

Thelonious Monk

Criss-Cross

35,99 €*

Release: 1963 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1967 | EU | Reissue (Speakers Corner)

Freddie Hubbard

Backlash

LP | 1969 | DE | Reissue (Universal)

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled "Backlash", is still until today the best of the bunch.
Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is "Little Sunflower". The sound colouring of the flute harmonizes particularly well with Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber
Production: Arif Mardin

Go to Item

Frank Zappa

Hot Rats

Pastel Blues Back To Black Edition

Release: 1969 / DE – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

„Hot Rats“, originally released 1969, is Zappa’s second album. It‘s considered to be one of the first Jazzrock albums ever and mostly contains instrumental compositions except from one track.

Go to Item

Nina Simone

34,99 €*

Kenny Burrell & Coleman Hawkins

Release: 1965 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This 180g reissue comes with a download code.

Go to Item

Bluesy Burrell 200g Vinyl Edition

LP | 1963 | US | Reissue (Analogue Productions)

55,99 €*

Release: 1963 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This session is a model of the emotionally intense ballad programs featured on Prestige's Moodsville subsidiary. The great Kenny Burrell receives a major assist from saxophone patriarch Coleman Hawkins (who is in exemplary early-Sixties form), Hawkins' rhythm section of the time (made up exclusively of natives of Burrell's hometown Detroit) and conga drummer Ray Barretto. The choice of material and variety of settings are inspired, with Burrell heard solo on "No More", over just bass and drums on "Guilty", in two different settings and on three titles by the full sextet. Each soloist is fully engaged throughout, with things shifting into even higher gear when Burrell and Hawkins converse on "Montono Blues" and "I Thought About You".

Go to Item

LP | 1961 | EU | Reissue (Waxtime)

My Favorite Things

18,99 €*

Release: 1961 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Plays The Blues 180g Vinyl Edition

LP | 1962 | EU | Reissue (Dol)

15,99 €*

Release: 1962 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1965 | EU | Reissue (Music On Vinyl)

Stan Getz Quartet

Getz Au Go Go

LP | 1963 | EU | Reissue (RCA)

Release: 1965 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Although the name Stan Getz (tenor sax) was initially synonymous with the West Coast cool scene during the mid-to-late 1950s, he likewise became a key component in the Bossa Nova craze of the early 1960s. Getz Au Go Go (1965) is Stan Getz in his prime, recorded with perhaps one of the best quartets of his career, featuring Bossa Nova singer Astrud Gilberto.

180g vinyl.

Go to Item

Paul Desmond

Take ten

Release: 1963 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Art Blakey And The Jazz Messengers With Barney Wilen

Les Liaisons Dangereuses 1960

LP | 1960 | EU | Reissue (Decca)

LP | 1965 | EU | Reissue (Elemental)

Release: 1960 / EU – Reissue

Genre: Organic Grooves, Soundtracks

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Art Blakey and the Jazz Messengers with Barney Wilen provide an essential jazz soundtrack to an extended ‘surprise party’ scene in director Roger Vadim’s 'Les liaisons dangereuses'. Originally released on the Fontana label, Blakey’s lively hard-bop and latin originals were used specifically as night club and party music in the film and his ‘No Problem’ became a classic with Blakey’s band in full flight. Decca France present the original soundtrack recording on 180gm vinyl in a deluxe gatefold tip-on jacket with English translation of the original liner notes, and a photo from the film of Gérard Philippe and Jeanne Moreau. Included is a 2pp insert with additional notes by recording producer Marcel Romano from 1988.

Go to Item

Wynton Kelly

Smokin' At The Half Note

Kenny Burrell & John Coltrane

Release: 1965 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An American jazz critic once said that Wes Montgomery was the "best thing that could happen to a guitar." Grand words, one might say quickly racking one's brains to come up with other great names. But after only a few minutes of listening to this live recording made in 1965 at the Half Note in New York, you will forget your brain-storming and concentrate on the unfused performance of this brilliant guitarist and the superb Wynton Kelly Trio. The music which gets down to the nitty-gritty, is always cool and straight with no fuss or frills getting in the way; the message comes over clearly--and it makes the blood surge through one's veins! This legendary session was recorded at a New York nightclub. It captures Montgomery at the height of his improvisational powers. Many consider it the best performance on record by one of the most inventive guitarists in jazz history.

Go to Item

Kenny Burrell & John Coltrane (Original Jazz Classics Series)

LP | 1963 | EU | Reissue (Craft)

59,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1967 | EU | Reissue (Endless Happiness)

Herbie Mann

Glory Of Love

Life Time Tone Poet Vinyl Edition

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Flutist Herbie Mann is backed by a large rhythm section and a small horn section on this Creed Taylor-produced A&M set (which has been reissued on CD). Actually the most interesting aspect of the R&B-oriented date (which includes such songs as “Hold on, I’m Comin’,” “House of the Risin’ Sun” and “Unchain My Heart”) is that the up-and-coming flutist Hubert Laws is matched with Mann on several tracks.

Go to Item

Anthony Williams

Oscar Peterson Trio with Milt Jackson

Release: 1964 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Der frühreife und begnadete Schlagzeuger und Komponist Tony Williams war bereits Mitglied des Miles Davis Quintet und wirkte an zahlreichen bahnbrechenden Blue-Note-Aufnahmen mit, darunter Herbie Hancock "Empyrean Isles", Eric Dolphy "Out To Lunch", Andrew Hill "Point Of Departure", Jackie McLean "One Step Beyond" und Grachan Moncur III "Evolution", als er im August 1964 sein eigenes abenteuerliches Debütalbum "Life Time" aufnahm, als er gerade einmal 18 Jahre alt war.

Williams hatte nicht die Absicht, auf seiner Jungfernfahrt als Leader auf Nummer sicher zu gehen und machte sich daran, seinen kompromisslosen Ausdruck auf diesem Programm mit innovativen Originalkompositionen zu dokumentieren. Seite 1 präsentiert die ausgedehnte zweisätzige Suite "2 Pieces of One", bei der der Schlagzeuger von dem Tenorsaxophonisten Sam Rivers und den Bassisten Gary Peacock und Richard Davis unterstützt wird. Seite 2 beginnt mit dem fröhlichen "Tomorrow Afternoon", bei dem Williams, Rivers und Peacock mitwirken. Auf dem frei improvisierten "Memory", bei dem Herbie Hancock am Klavier und Bobby Hutcherson am Vibraphon mitwirken, spielt Williams verschiedene Perkussionsinstrumente, und das nachdenkliche Klavier-Bass-Duett "Barb's Song to the Wizard", das von Hancock und Ron Carter gespielt wird und das Album abschließt, ist ganz auf ihn zugeschnitten.

Diese Stereo Tone Poet Vinyl Edition wurde von Joe Harley produziert, von Kevin Gray (Cohearent Audio) von den originalen analogen Masterbändern gemastert, bei Record Technology Inc. (RTI) auf 180g Vinyl gepresst und in einer luxuriösen Gatefold-Tip-on-Hülle verpackt.

Go to Item

Very Tall Acoustic Sounds

LP | 1961 | EU | Reissue (Verve)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Milford Graves / Don Pullen

Nommo

LP | 1967 | US | Reissue (Superior Viaduct)

Release: 1967 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

In April 1966, the duo of Graves and pianist Don Pullen played at Yale University. As John Corbett writes in the liner notes, "This performance was something of a turning point for Graves. Until then he had been working in other people's bands or collective ensembles. He was phenomenally busy. In 1965 alone, he recorded with Nyaq (two LPs), Giuseppi Logan Quartet, Paul Bley Quintet and Lowell Davidson Trio, and he made his first recording released under his own name, Percussion Ensemble. Every one of these is important in its own way, but none of them quite anticipate how radical was the music that he and Pullen would unleash that evening in New Haven." Originally released on the artists' own Self-Reliance Program label, this legendary one-night performance would be split into two volumes: In Concert At Yale University and Nommo. While rooted in African rhythms, Graves' music has its own sense of time. As the drummer stated in a 1966 DownBeat interview, "Time was always there, and the time I see is not the same as what man says time is. It works by impulsion."

Go to Item

LP | 1964 | DE | Reissue (Impulse)

Crescent

Release: 1964 / DE – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A Love Supreme Uhqr Limited Edition Box Set

LP Box | 1964 | US | Reissue (Analogue Productions)

201,99 €*

LP | 1968 | EU | Reissue (Music On Vinyl)

Release: 1964 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

John Coltrane Quartet — A Love Supreme Analogue Productions' Uhqr, the pinnacle of high-quality vinyl! 45 RPM Ultra High Quality Record release. Limited to 10,000 copies. Mastered from the original tape by Ryan K. Smith at Sterling Sound Pressed at Quality Record Pressings using Clarity Vinyl® Includes a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home

Audiophile reviews rave about saxophone master John Coltrane's immortal Impulse! records, A Love Supreme (1964) and Ballads (1963). In fact, jazz critics have lauded A Love Supreme as Coltrane's most important recording. The rave reviews which appeared in the magazines Downbeat, Jazz Hot, Jazz Podium and Swing-journal reflected this: critics all over the world, in America, Europe and Japan recognized that Coltrane's deep religious belief had influenced both his approach to life and his music-making.

You're about to experience A Love Supreme at its peak of vinyl perfection — in Uhqr format on Clarity Vinyl, with the added bonus of a double 45 RPM cut by Ryan K. Smith at Sterling Sound. Ryan's cut has his characteristic clarity and transparency all set against Quality Record Pressing's usual noiseless backgrounds on 200-gram flawless records. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product.

For this 45 RPM 2LP edition you'll also receive a 12" x 12" 12-page booklet featuring liner notes by Ashley Kahn and images from the Coltrane home.

The original master tape is available but it's not in the best shape. This LP was cut from a flat tape copy made by Rudy Van Gelder and used for cutting in the UK in April of 1965. Of course, the original recording was in December '64, so only a handful of months later. This tape was discovered at Abbey Road and had been untouched between 1965 and 2002. So while the original tape is available and while we would always opt for the original whenever we can, in this case this copy was the better choice as the tape has incurred less overall wear and sounds much better than the original.

A Love Supreme was Coltrane's pinnacle studio outing that at once compiled all of his innovations from his past, spoke of his current deep spirituality, and also gave a glimpse into the next two and a half years (sadly, those would be his last). Recorded at the end of 1964, Trane's classic quartet of Elvin Jones, McCoy Tyner, and Jimmy Garrison stepped in and created one of the most thought-provoking albums of their relationship.

The album not only enabled Coltrane to express himself with great intensity but also lent him the necessary inner peace to conceive a work of almost 40 minutes in length and to lead his quartet along the same path as himself.

Go to Item

Thelonious Monk

Monk's Blues

Release: 1968 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-12

Nobuo Hara Meets Hozan Yamamoto

New Jazz In Japan

LP | 1968 | EU | Reissue (Le Très Jazz Club)

Jazz Portrait Of Frank Sinatra Verve By Request

Release: 1968 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-08-23

Nobuo "Hara", whose real name is Nobuo Tsukahara, is a Japanese saxophonist who became known in 1951 with his big band, the Sharp & Flats. Together they recorded more than a hundred album during their career. Hozan Yamamoto is, for his part, a Shakuhachi player, a traditional Japanese flute, enjoying such recognition in his country that he was awarded a Living National Treasure in 2002. The first record bringing together the two musicians is a live recorded in 1967 during the Newport Jazz Festival. It was a year later, in 1968, that New Jazz in Japan, their first studio recording, was released. Accompanied by the ower of the Sharps & Flats, Nobuo Hara"s tenor sax and Hozan Yamamoto"s shakuhachi respond subtly to give this record, which had not been reissued since 1971, a completely unique style.

Go to Item

Oscar Peterson

LP | 1961 | Reissue (Verve)

Elvin Jones & Richard Davis

Release: 1961 / Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-12

Oscar Peterson's Frank Sinatra tribute features his trio with bassist Ray Brown & drummer Ed Thigpen. The renditions are all under four minutes and are highlighted by "Come Dance with Me," "Just in Time," "I Get a Kick Out of You," and "How About You?" This is one of Oscar Peterson's most essential dates—swinging and enjoyable.

VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Single Sleeve

Go to Item

Heavy Sounds Verve By Request Edition

LP | 1968 | WW | Reissue (Verve)

LP | 1969 | EU | Reissue (Endless Happiness)

Release: 1968 / WW – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-08-09

Not macht erfinderisch! Das Album “Heavy Sounds” war eigentlich als Trio-Session mit dem Gitarristen Larry Coryell geplant gewesen. Als dieser aber kurzfristig erkrankte und nicht im Studio auftauchte, spielten Schlagzeuger Elvin Jones und Bassist Richard Davis ad hoc eine fast zwölfminütige Duo-Version von “Summertime” ein. Die restlichen Nummern nahm das Gespann einen Tag später mit Verstärkung des Saxofonisten Frank Foster und des Pianisten Billy Green auf, wobei Elvin Jones in “Elvin’s Guitar Blues” höchstpersönlich den Gitarrenpart übernahm. Es sollte seine einzige Aufnahme als Gitarrist bleiben.

Verve BY Request Serie: remastert, audiophiles 180-Gramm-Vinyl von Third Man Pressing/Detroit, Gatefold Sleeve.

Go to Item

The Orient Express

22,99 €*

Turkish Delight Clear Vinyl Edtion

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-12

The Orient Express' sole LP from 1969 stands today as an early experiment in world fusion - and a pretty successful one at that, at least artistically. Guitarist Guy Duris is a Frenchman who became enamored with the oud, a classical Arabian guitar. Belgian Bruno Giet is a bass player with a rock background. Iranian Farshid Golesorkhi is an award-winning percussionist in the Persian tradition. As a trio, they only left 35 minutes for posterity, but these minutes are filled with interesting ideas and kitschy songs, all originals.

Go to Item

Oudi Hrant

LP | 1964 | EU | Reissue (Sowing)

19,99 €*

Wynton Kelly Trio & Wes Montgomery

Release: 1964 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-07-19

Blind musician Hrant Kenkulian (1901-1978), generally known as Oudi Hrant was a master of the oud (fretless lute) who was probably best known for his taksims. He was an Armenian born in Adapazar, a city close to Istanbul which had a large Armenian population before the Genocide of 1915. After WWI, Hrant's family settled in Istanbul. Hrant started out singing in the church choir, but soon moved on to the oud. He made his career in Istanbul, but he toured the US in 1950, and did a world tour in 1963 to Paris, Beirut, Greece, America, and Yerevan, Soviet Armenia. He was a teacher of many Armenian-American oudists including Richard Hagopian. He was the pride of the Armenian people, and many consider him to be the most soulful oudist ever to emerge from Turkey. Released in 1964 on jazz label Prestige the record shows the stunning classical inspiration of the musician.

Go to Item

Smokin' At The Half Note Acoustic Sounds Edition

Release: 1965 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1961 | EU | Reissue (Life Goes On)

Ahmed Abdul-Malik

Sounds Of Africa

13,99 €*

We Insist! Freedom Now Suite

Release: 1961 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sounds of Africa is the fourth album by double bassist and oud player Ahmed Abdul-Malik featuring performances recorded in 1962 (with one track from 1961) and originally released on the New Jazz label. This Early 60's Afro-jazz jam with middle-eastern and latin flavours is one of the first in its genre. The album also features Bilal Abdurahman, Andrew Cyrille and Chief Bey. Seminal!

Go to Item

Max Roach

LP | 1960 | UK | Reissue (Intermusic)

18,99 €*

Release: 1960 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Sorcerer Verve By Request Edition

LP | 1967 | EU | Reissue (Impulse)

36,99 €*

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This 1967 set, recorded live at Boston’s Jazz Workshop, showcases virtuoso guitarist Szabó—a veteran of Chico Hamilton’s and Charles Lloyd’s bands—at the top of his game on a diverse program featuring standards (“What Is This Thing Called Love”) and pop hits (“The Beat Goes On”) as well as the original and psychedelic-tinged jam, “Space.”

Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, gatefold sleeve.

Go to Item

LP | 1969 | EU | Reissue (Ebalunga!)

1969

Detroit Latitude 42° 30' Longitude 83° Record Store Day 2023 Edition

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Szabo declared his independence in 1966, he also proved how seamlessly jazz can blend the Beatles and Bacharach with Latin and Indian styles. The guitarist released a string of albums on Impulse that challenged many assumptions about jazz and stand out today as some of the most radical, yet appealing music of the period. But the times were woefully a-changing. Szabo biographer Károly Libisch considers the year 1969 a “turning point” for the guitarist. The spell Szabo weaved in the press was beginning to wane. The blizzard of coverage he generated in the previous few years began to trickle off. Perhaps the rise of rock – and rock-guitar heroes – tamped down the guitarist’s exotic allure and faddish charm. Then, too, Szabo’s erratic behavior started attracting poor notices and hastened the demise of his storied quintet, featuring guitarist Jimmy Stewart and percussionist Hal Gordon, in late 1968. Now, both Gabor Szabo, the artist and businessman, needed a hit. 1969 was his response to the call of 1969.

The album was released in August 1969, initial reviews were positive. Cash Box raved that Gabor Szabo 1969 “is magnificent music, and an album that deserves great success” while Record World called it “luscious guitaring” that features “lots of contemporary material, which he makes completely his own.” Gabor Szabo 1969 never did find the success it was seeking. But it remains a lovely listening experience that finds the guitarist at his melodic best at an important crossroads in his recording career. “

Go to Item

Yusef Lateef

LP | 1969 | UK | Reissue (Arc Records)

Mr. Natural Tone Poet Vinyl Edition

Release: 1969 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Gilles Peterson has been given the keys to Warner’s impressive Jazz back-catalogue and hand-selected Yusef Lateef’s legendary Detroit Latitude 42° 30' Longitude 83° for Arc Records next release. This is the first time the album has been reissued on vinyl since its originally came out in 1969. The album is Lateef’s nostalgic love-letter to his hometown and one of the rawest works in his catalogue but the record looks forward as well as back. The compositions are laced with the seeds of 70s Jazz Funk that would come to dominate the following decade. Arc Records have given this overlooked piece in Lateef’s oeuvre a bespoke reissue treatment. The audio has been remastered in mono from the original tapes by legendary engineer Bernie Grundman - best known for personally mastering industry landmarks such as Michael Jackson’s “Thriller”, Prince’s “Purple Rain” and Dr. Dre’s “The Chronic” among many others. The artwork, printed on heavy-weight card, is faithful to the original down to the 1960’s-style tip on sleeve and features the original sleeve notes alongside updated liner notes. The record itself is pressed on 180-gram black vinyl. The release is physical only and limited to just 2000 copies."

Go to Item

Stanley Turrentine

Release: 1964 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dance With Death Tone Poet Vinyl Edition

Andrew Hill

LP | 1968 | EU | Reissue (Blue Note)

The Remarkable Carmell Jones Tone Poet Vinyl Edition

Release: 1968 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Andrew Hill’s 1968 album Dance With Death stands as one of the most gratifying though under-recognized sessions of the brilliant pianist’s discography featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins.

Blue Note Tone Poet Edition: Stereo, produced by Joe Harley, mastered by Kevin Gray from the original analogue master tapes, pressed on 180g vinyl at RTI, packaged in a deluxe gatefold tip-on jacket.

Go to Item

Carmell Jones

LP | 1961 | EU | Reissue (Blue Note)

Release: 1961 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

24 Jahre jung war der Trompeter Carmell Jones, als er 1960 von seiner Geburtsstadt Kansas City nach Los Angeles ging. Und schon kurz nach seiner Ankunft erhielt der vielversprechende Youngster, den manche damals mit Clifford Brown verglichen, dort einen Plattenvertrag bei Pacific Jazz. 1961 konnte er für das Label sein phänomenales Debütalbum “The Remarkable Carmell Jones” aufnehmen. Im Zusammenspiel mit Tenorsaxophonist Harold Land, Pianist Frank Strazzeri, Bassist Gary Peacock und Schlagzeuger Leon Pettis präsentierte er auf dem Album eine hochinteressante Mischung aus Cool Jazz und Hardbop.

BLUE NOTE TONE POET EDITION: Stereo, produziert von Joe Harley, komplett analog von Kevin Gray von den Originalbändern gemastert, RTI-Pressung (180g), stabiles Tip-on-Gatefold, wattierte Innenhülle.

Go to Item

Herbie Hancock

Empyrean Isles

Release: 1964 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Stan Getz / Joao Gilberto

Getz / Gilberto

LP | 1964 | EU | Reissue (Verve)

LP | 1967 | EU | Reissue (Verve)

Release: 1964 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Latin Jazz classic that started it all! Mandatory!

Go to Item

Nina Simone

High Priestess Of Soul