Jazz | Fusion 240 Items

Exclusively remastered.
180g audiophile vinyl pressing.

180gram vinyl

Opportunity: In April 2013 the pre-eminent free-jazz saxophone player of our times, Ivo Perelman, comes down to the Stone, John Zorn's experimental music club on Manhattan's Lower East Side, to hear the drummer play with Slobber Pup, a thunderously intense band featuring Morris on distortion-laced guitar, Trevor Dunn on electric bass and Jamie Saft on keyboards.

After two solid albums, both of which earned Grammy nominations, Gregory Porter made his Blue Note debut with "Liquid Spirit" in 2013.

The strength of "Liquid Spirit" lies in Porter's songs, based upon personal experiences with a relatable and emotional immediacy. Even more, his hooky melodies penetrate instantly.



Hailed by public and critics alike, "Liquid Spirit" won the Grammy Award for Best Jazz Vocal Album in 2014. Platinum in the UK and Germany, gold in France, the Netherlands and Austria, the album has sold over a million copies worldwide.

“Porter makes the transition between genres with apparently effortless ease—he's a singer and a songwriter at the top of his game and 'Liquid Spirit' is an inspiration.” – All About Jazz, 2013

“Gregory Porter’s largely self-penned major label debut is an artful and free-spirited blend of love songs, social commentary and reflections on life.” Financial Times, 2013



Marking the 10th anniversary of the album, Blue Note presents a special vinyl edition bringing together the original album on 2LP and a disc of bonus tracks and remixes, with 5 tracks available on vinyl for the first time.



Gregory Porter: vocals / Albert Crawford Jr.: piano / Glenn Patscha: organ, piano / Aaron James: bass / Emanuel Harrold: drums / Yosuke Sato: alto saxophone / Tivon Pennicott: tenor saxophone / Curtis Taylor: trumpet

Long awaited re-issue of The Necks 2011 masterpiece. Always different, here the Necks resolutely layer polyrhythmic material to form seething blocks of sound - in two long pieces, one more stripped back to the live trio, the other featuring multiple strata of swirling Hammonds, noise-guitar and electronics. Their 16th release still resonates on its own.

close to NM. Limited edition promo copy.

"Before he developed into a star composer and arranger, Tom Scott was an ambitious 19 year-old saxophonist looking for his big break in 1967. The opportunity came when legendary jazz label Impulse paired Scott with 9-piece vocal group The California Dreamers and allowed the young musician to take the helm as a band leader, with The Honeysuckle Breeze as the spectacular result. Out of print on vinyl since last reissued in 2018, the album features Scott leading a stellar lineup of sessions players-Bill Plummer (sitar), Glen Campbell (guitar) and Carol Kaye (bass) among them- through warm, smooth versions of songs by The Beatles (She’s Leaving Home), Donovan (Mellow Yellow), Joan Baez (North) and Jefferson Airplane (Today), which many will recognize from its sampling in the Pete Rock & CL Smooth classic T.R.O.Y."

limited 180 gram pressing

Limited edition for Record Store Day 2013!

Why you'll love it...
Monk was dealing with a bevy of health problems at the time, so it’s perhaps understandable that the show in Paris was like a capstone or Greatest Hits. But thanks to Monk’s indelible ability to make everything emotional and poignant, his ace band and a bonus appearance from Philly Joe Jones, the set has an enchanting electricity. It captured Monk swinging through his greatest works and adding flourishes that sent the crowd into multiple tizzies. Listen as he takes on his standards and remakes them for their moment.

First Word Records is incredibly proud to bring you an exclusive vinyl-only re-issue of Takuya Kuroda's highly-sought after album 'Rising Son'.

'Rising Son' was first released on the seminal Blue Note Records imprint 10 years ago in 2014, with Takuya being the first Japanese artist to sign to the label. The record received widespread critical acclaim, hitting No.1 on Japan's jazz charts at the time, with original copies now fetching hundreds of pounds on Discogs and the like. There has long been high demand for a re-press of this album, and we're very pleased to say it's finally here, a decade on.

The re-issue is to be released via London-based Worldwide Award-winning label First Word Records, who coincidentally celebrate their 20th year running in 2024. First Word released Takuya's highly-revered previous two albums, 'Fly Moon Die Soon' (2020) and 'Midnight Crisp' (2022).

For those that don't know, Takuya Kuroda is a Kobe-born, Brooklyn-based trumpeter and musician, who was also a longtime player for Akoya Afrobeat as well as DJ Premier's Badder band. Initially playing on the Japanese circuit with his trombonist brother, Takuya went on to relocate to New York City, where he has largely remained to this day, becoming a prominent player in the jazz scene there.

The original album featured several Roy Ayers covers, including the all-time classic 'Everybody Loves The Sunshine', and this 2024 pressing also includes a brand new remix of the track from keys player & producer, Joe Armon-Jones. Joe is hugely-acclaimed in his own right as a solo artist, as well as his recent collaborations with Mala (who has a track named after him on this very project, as Takuya was influenced heavily by his 2012 Brownswood album 'Mala in Cuba'), and as an integral member of the legendary Ezra Collective, winners of the 2023 Mercury Music Prize in the UK.

Flitting between the genres of jazz fusion, soul, r&b, hip hop and afrobeat, the album was predominantly produced by a previous Takuya collaborator, vocalist José James, while also featuring phenomenal accompaniment from Nate Smith (drums), Solomon Dorsey (bass), Corey King (trombone) and Kris Bowers (keys).

In the words of José James, "no one sounds like Takuya. His tone, warmth and most of all his storytelling have inspired me for years. His writing is soulful, modern, and effortlessly bridges the gap between jazz and soul, and between history and tomorrow."

Previous reviews and accolades for Takuya's third album 'Rising Son' include AllMusic's Best of 2014, NPR Music, Jazz Weekly, Leo Weekly, All About Jazz, Icon, Relix, Pop Matters, Jay Z's Life + Times, Wbgo, Upscale, The Revivalist, East Bay Express and The Jazz Line, to name just a few.

Yeah, this is the 1st real album by Matthew Tavares (Keys), Chester Hansen (Bass) & Alex Sowinski (Drums).

Record Store Day 2021 Release. Extensive booklet with rare fotos / first re-pressing after the 2014 release / Limited 180g Gatefold Vinyl, new remastered

Horizontal Structures is palpably a more open, more expressive album than the previous studio recording, Vertical Ascent. There is more contrast, more light and shade. St Hilaire and Muellbauer add fresh drama and swing to the intimate tonal and rhythmic interactions of the core grouping.

Indigos is a seminal Jazz album by big band superstar Duke Ellington, originally released in 1958. Ellington chose a set of easy listening ballads to be performed by his ace Big Band, putting less emphasis on the uptempo and danceable Swing the group was revered for. A timeless classic!

180g vinyl.

More great music from the RGE plus another jaw-dropping roll call of vocalists including Common, Patrick Stump, Brandy, Jill Scott, Dwele, Marsha Ambrosius, Anthony Hamilton, Faith Evans, Norah Jones, Snoop Dogg, Lupe Fiasco, Luke James, Emeli Sandé, Lalah Hathaway, and Malcolm-Jamal Warner (Yes! Theo from the Cosby Family!).

Prelude to Heart is a Lotus is a 1968 BBC Jazz in Britain recording now released for the first time. Pianist and composer Michael Garrick was 35 years old and together with close associates - saxophonist Don Rendell and trumpeter Ian Carr - was defining innovative new directions in British jazz. Prelude to Heart is a Lotus is the precursor to the Argo Records Heart is a Lotus studio album which was released two years later, and this remarkable music shines a new light on an extraordinary period of creativity in Garrick’s long career.

Another great comp on the Late Night Tales imprint feat. Rahsaan Roland Kirk, Koushik, Gravediggaz, Madvillain, Fairport Convention!

With a crunching sound that is as teeth-chatteringly heavy as metal icons like Slayer and Megadeth or ferocious grindcore groups like Napalm Death and Brutal Truth, yet is imbued with the freedom principle of such avant garde jazz icons as saxophonists Marshall Allen, Albert Ayler and Peter Brotzman, the formidable instrumental power trio from Scotland known as Free Nelson Mandoom Jazz debuts on the London-based RareNoise label with a provocative double EP that will confound jazz critics as it challenges the thrashmetalgrindcore community.

Jointly named for the late South African freedom fighter Nelson Mandela and the genre of fuzz-bass-inflected heavy-duty improvisation dubbed oomjazz', this renegade trio of bassist Colin Stewart, drummer Paul Archibald and alto saxophonist Rebecca Sneddon rattles the very grey matter of your brain on their imposing Shape of Doomjazz to Come/Saxophone Giganticus.

The album includes 12 new recordings made especially for the film and soundtrack plus an existing recording by Dave Van Ronk. Also featured is a never-before-released version of Bob Dylan performing his song “Farewell,” which was recorded during the sessions for his album The Times They Are A-Changin' and is available exclusively on this soundtrack.

Collected is a definitive journey through the vast work of Morricone, stopping by landmark spaghetti westerns like A Fistful Of Dollars, For A Few Dollars More, The Good The Bad & The Ugly, Once Upon A Time In America and most recently, Quentin Tarantino's Django Unchained.

180g audiophile vinyl in gatefold sleeve.