Jazz | Fusion 124 Items

There are few Australian originals in jazz, though vibraphonist AlanLee surely ranks alongside the best. Australian jazz is and always will be an interpretation of the American art form, but throughout his long career Leehas ploughed his furrow undaunted, 'What I want is the fire! Whether it's John Coltrane's Blues Minor from Africa Brass or Backwater Blues by Leadbelly, I want the emotion, the gut wrenching pain, the cry from within!

Recorded at Electric Lady Studios in February 1978 and issued on the CTI label in 1979, "Big Blues" finds flugelhornist Art Farmer and guitarist Jim Hall pairing up for one of their first sessions together since their collaborations in the mid-60s and they literally don't miss a beat. The unique quintet project is rounded out by Mike Mainieri (vibraphone), Michael Moore (bass) and Steve Gadd (drums) and the results are as relaxed as they are lyrical.
The rich 4-track affair opens with a textured take on Benny Golson’s “Whisper Not” and then waltzes through Thad Jones' “A Child Is Born” before running down Jim Hall's own cool/bop title cut "Big Blues" and concluding with a first-rate jazz adaptation of Maurice Ravel's classical standard "Pavane For A Dead Princess."
Now this classic recording gets ORG Music’s audiophile treatment with this 180gram double LP 45 rpm reissue, mastered from the original analog tapes by Bernie Grundman Mastering and pressed at Pallas Group in Germany. Each copy of this limited edition release of 1500 copies will be individually numbered with a gold foil-stamp.

Includes a bonus track.

John Cassavetes’ directorial debut Shadows was a largely improvised film set in the bohemian jazz scene of 1950s New York; often referred to as the first truly independent film of American cinema, it featured a brief disjointed soundtrack improvised by Charles Mingus and his saxophonist Shafi Hadi, with various percussionists slotting in, including Phineas Newborn Jr. Gloriously messy, reportedly unfinished and referred to with scorn by Mingus, the Shadows soundtrack sketches ultimately yielded the great ‘Nostalgia In Times Square’ ‘Alice’s Wonderland’ and ‘Self-Portrait In Three Colours,’ all included here – astounding!

180g vinyl including two bonus tracks!

180gram vinyl

A fascinating album by American sax player Chris Potter and his Underground Orchestra.

Piaf is a legend who lived a life straight from a Hollywood movie, enduring hardships and acclaim in equal measure, her music is testament to a spectacular life. Never has an artist embodied the material they performed as much as Edith Piaf; enjoy her legacy in this definitive 2LP set.

Edition on 180-gram vinyl, limited to 240 copies. 'Sluimer' (Slumber) is a collaboration between Dirk Serries, Martina Verhoeven, René Aquarius and Otto Kokke.

180g vinyl / limited pressing of 500!

180g vinyl including one bonus track!

Celebrating 40 years since its first release, Johnny Hammond’s “Gears” is given the deluxe treatment on vinyl with the addition of six previously unreleased tracks and a brand new transfer from the original masters.

Recognised as one of the finest jazz funk albums of all time, “Gears” was produced by the Mizell brothers and stands alongside their work with Donald Byrd at the pinnacle of their careers.

Tracks such as ‘Shifting Gears’ and ‘Los Conquistadores Chocolatés’ have been club classics almost since the album was released. Hip hop and house producers have regularly used it as a source for samples.

The bonus cuts shine a light on the Mizell’s production process and show the strength of the material from which the released masters were culled.

Hotly anticipated by club and radio, Gilles Peterson is championing this on BBC Six Music, and we expect further support from others.

The Epic is a 172-minute, three-volume set that includes a 32-piece orchestra, a 20-person choir, and 17 songs overlaid with a compositional score written by Washington.

3LP with download code.

The Epic is a 172-minute, three-volume set that includes a 32-piece orchestra, a 20-person choir, and 17 songs overlaid with a compositional score written by Washington.

Ken Vandermark, reeds. Christof Kurzmann, electronics [loopp], Jasper Stadhouders, bass. Tim Daisy, drums.
One of the "main" groups of saxophonist extraordinaire. Ken Vandermark!
New album, new bassist; and even more energetic. Made to Break's live performances amazed audiences all over Europe and North America, which will continue this fall, accompanied by their new record "Before The Code". Quartet instrumentation constituting the basis for improvisation of unprecedented flexibility and immediacy, making Made to Break a unique act in the world of free jazz. Recorded by Christoph Amann, on November 11th, 2014, at Amann Studios, Vienna. Mixed by Christoph Amann, Christof Kurzmann and Ken Vandermark. Mastered by Christoph Amann.

Reissue of Makaya McCraven"s modern classic, International Anthem debut "In The Moment" (2015) One venue, 28 shows and 48 hours of live, improvised music. These are the ingredients for Chicago-based drumme Makaya McCraven"s album In the Moment. However, McCraven, as the producer he also is, has not just thrown some random sounds together. Instead, he has carefully culled, cut and remixed the music into a coherent whole and 19 complex and catchy compositions emerge from his hands.

"Full Moon Wizard” by Massive Suits Quartet (MSQ) is a personal journey by it’s creator Grégoire Marty (aka Dandy Teru) delving into his love of original movie soundtracks and various composers. Crafting a sonic and aural odyssey for a
movie that exists only in his mind and imagination. Tip!

Matana Roberts is one of the most acclaimed, socio-politically conscious and aesthetically intrepid avant-jazz practitioners of the 21st century. Following the critical accolades that the first two Coin Coin chapters have thus far received, the past year has been marked by further career-defining recognition for her body of iconoclastic work: Roberts was a recipient of both the Herb Alpert Award in the Arts and the Daisy Duke Impact Award in 2014.

Roberts has long employed the phrase “panoramic sound quilting” to describe the process surrounding her Coin Coin work. The third chapter in her Coin Coin series finds Roberts implementing this metaphor most explicitly, constructing a sound art tapestry from field recordings, loop and effects pedals, and spoken word recitations, alongside her saxophone and singing voices. Coin Coin Chapter Three: river run thee could arguably be considered first and foremost a vocal work, and notwithstanding its experimental and esoteric structure, a deeply narrative work as well.

Limited edition, celebrating 15 years of Gondwanan records!

Over the course of five albums, Manchester based trumpeter, composer, arranger and band-leader Matthew Halsall has carved out a niche for himself on the UK music scene as one of it's brightest talents. His languid, soulful music has won friends from Jamie Cullum and Gilles Peterson to Jazz FM and Mojo as well as an ever-growing international following. His new album Into Forever, puts the spotlight on Halsall the composer, arranger and producer. Halsall draws on a diverse range of influences from Alice Coltrane, Dorothy Ashby, Phil Cohran and Leon Thomas to the more contemporary sounds of The Cinematic Orchestra, Max Richter and Nils Frahm to deliver his most complete recording to date. Into Forever features renowned Manchester based soul poet Josephine Oniyama and rising star vocalist Bryony Jarman-Pinto (Werkha) as well as regular collaborators, flautist Lisa Mallett, harpist Rachael Gladwin, koto player Keiko Kitamura, pianist Taz Modi, bassist Gavin Barras and drummer Luke Flowers (The Cinematic Orchestra) and two percussionists Sam Bell and Chris Cruiks. The result is arguably Halsall's finest record, asublime melding of stripped back soulful funk and deep, minimalist, spiritual jazz, that will take you on a journey deep into forever!

Limited edition, celebrating 15 years of Gondwanan records!

180 gram 45rpm audiophile vinyl, limited & numbered!

Horizontal Structures is palpably a more open, more expressive album than the previous studio recording, Vertical Ascent. There is more contrast, more light and shade. St Hilaire and Muellbauer add fresh drama and swing to the intimate tonal and rhythmic interactions of the core grouping.

A Single Woman is an album from 1993 by singer, pianist, and songwriter Nina Simone. It was her last album. In 1993, A Single Woman was placed 3th in the Top Jazz Albums. A Single Woman was never released on vinyl, until now.

180g vinyl.

180g 1LP Gatefold Sleeve

Raphael Rogiński’s Plays John Coltrane and Langston Hughes is an expanded reissue of his 2015 album, previously unreleased on vinyl and long out of print on CD. It has only grown in stature over the years, for Rogiński’s solo guitar interpretations – or reimaginings – of John Coltrane, which draw on the guitarist's unique and immediately recognizable style, rooted in jazz, blues and global folk idioms. Part of a series called Populista, the album was originally released by Warsaw imprint Bôłt Records. Curator Michał Libera describes the series as “dedicated to mis- or over-interpretation of existing music”. Rogiński’s Plays John Coltrane and Langston Hughes fits perfectly into the concept, given the distance that the guitarist travels from the original form of Coltrane’s compositions, although, as Libera notes, it was “simply handed to me as a finished work”. Approaching Coltrane’s singular, spirited music with a perspective formed outside the jazz tradition, Rogiński slowed the songs down, extracting polyphonic tensions, and striving for an intimacy and mysticism that transcends genre. The way the music turned out struck the guitarist as a revelation. “Suddenly these songs became full of glowing moving pictures, with a melancholy, but also with something like promise,” he says. Rogiński says, “At that time, I lived in an apartment with the branches of a fig tree growing into it. I sat in 35-degree heat under its leaves, on the carpet, and discovered the polyphony of this music. I met a broken person on the street around this time. She moved in with me for a few days, a victim of an ultra-religious family from which she had escaped. She slept on the couch recovering, and I started playing. As if for her. I had to breathe light into her life and I did what I do best, and that is how this music came into being.”