Jazz | Fusion 170 Items

180gram vinyl

Rare recordings from the NDR Jazz Archive!

Re-recordings of Artemiev's soundtracks to the classic 1970s Tarkovsky film. Recorded in Moscow 1989-90.

+ 4 Bonustracks

Another great comp on the Late Night Tales imprint feat. Rahsaan Roland Kirk, Koushik, Gravediggaz, Madvillain, Fairport Convention!

Sonorama is proud to release a legendary and sought after soul jazz LP that will send shivers down your spine. 77-year-old singer & pianist Freddy Cole, youngest brother of Nat "King" Cole and uncle of Natalie Cole, is a truly unique interpreter with an impressive career from 1952 until 2010. This very rare and privately pressed LP was recorded back in 1976 and finally gets its first remastered 1:1 reissue with original cover artwork (First Shot label), including such greats as "Wild Is Love", "Brother Where Are You" and "Live For Life".

180g vinyl / limited pressing of 500!

2022 repress of 2010’s GAF & The Love Supreme Arkestra’s debut album - another tour de force from this multi faceted band, showcasing its surprising chameleonic ease of play with multi references to space rock, free jazz and the raw German sound of the early 70's. Electric mantras meet hazy synthesizers and gaseous guitar drones float weightlessly into the cosmos. If Carl Sagan had a chance to listen to pieces such as “Shine” or the sublime “Decata na sunceto”, he would surely turn into their unconditional fan. Recorded, mixed and mastered by Jorge Lozano in 2009 at Gallinero Studio ( Los Realejos, Tenerife) Artwork: Felipe González Cabezas Originally released by Foehn Records in 2010

This might be the Gil Scott-Heron track next to 'The Bottle' that lights up dancefloors everywhere. Now reissued on a handy 45!

2 undeniable classics on one handy donut!

Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

Mexican Singer/Songwriter Graciela Maria has been singing since she was a little kid. Having livied in Mexico City for many years, she was part of the mexican electronic music scene and made music with local producers signal deluxe.

In 2009 she met berlin based producer Robot Koch in New York at his show at Coco66 in Brooklyn.
They started making music together and Grace was featured on Robot's album “Death Star Droid” as well as on the Ep “Listen To Them Fade”. 2009 marked the beginning of a journey both musically and geographically for Graciela, as she moved from Mexico City to Berlin and started playing shows wolrdwide with Robot Koch.
They played everywhere from the Sonar Festival in Barcelona to some obscure art festivals in Bulgaria and Tunesia.

With Many Places, Graciela Maria's stunning debut album, she steps into the light as more than just a featured vocalist on Koch's electronica and dubstep driven compositions: Her own music breathes the vibe of classic singer/songwriters like Tim Buckley and Elliot Smith, with the music and the production being even more organic and live sounding than on the previous Koch tracks. The songwriting took place all over the world, as Graciela traveled and lived in many places recently, accompanied by her little notebook and her digital camera, which she uses to record song ideas on all the time. The topics she deals with are both surreal and personal and leave it up to the listener to be interpretated.

Producer Robot Koch teamed up with friend and fellow musician Sneaky (Fingathing / Ninja Tune) to create this organic and retro futuristic sounding album, that incorporates Double Bass, Live Drums, Cello and other String instruments and well as a subtle touch of cutting edge electronic production which Robot Koch is know for. The track "Many Places" features a string arrangement by Fiora Cutler.

Graciela Maria is an artist to watch out for in the future as she proves to create timeless pieces of music that are appealing to Indie/pop listeners and lover's of electronic music alike.

After two solid albums, both of which earned Grammy nominations, Gregory Porter made his Blue Note debut with "Liquid Spirit" in 2013.

The strength of "Liquid Spirit" lies in Porter's songs, based upon personal experiences with a relatable and emotional immediacy. Even more, his hooky melodies penetrate instantly.



Hailed by public and critics alike, "Liquid Spirit" won the Grammy Award for Best Jazz Vocal Album in 2014. Platinum in the UK and Germany, gold in France, the Netherlands and Austria, the album has sold over a million copies worldwide.

“Porter makes the transition between genres with apparently effortless ease—he's a singer and a songwriter at the top of his game and 'Liquid Spirit' is an inspiration.” – All About Jazz, 2013

“Gregory Porter’s largely self-penned major label debut is an artful and free-spirited blend of love songs, social commentary and reflections on life.” Financial Times, 2013



Marking the 10th anniversary of the album, Blue Note presents a special vinyl edition bringing together the original album on 2LP and a disc of bonus tracks and remixes, with 5 tracks available on vinyl for the first time.



Gregory Porter: vocals / Albert Crawford Jr.: piano / Glenn Patscha: organ, piano / Aaron James: bass / Emanuel Harrold: drums / Yosuke Sato: alto saxophone / Tivon Pennicott: tenor saxophone / Curtis Taylor: trumpet

Now specially edited for the first time for discerning Northern, Modern and Jazz dancefloors on THE only format that matters for DJs and collectors alike, grab your copy now with an exclusive edit of Gregory’s signature song “1960 What?”

Opportunity: In April 2013 the pre-eminent free-jazz saxophone player of our times, Ivo Perelman, comes down to the Stone, John Zorn's experimental music club on Manhattan's Lower East Side, to hear the drummer play with Slobber Pup, a thunderously intense band featuring Morris on distortion-laced guitar, Trevor Dunn on electric bass and Jamie Saft on keyboards.

Record Store Day 2021 Release.

Third repress 500 copies only.

This highly sought-after classic has now returned for a third re-run, showcasing the talents of young Estonian trumpeter Jaan Kuuman

and his esteemed instrumental ensemble. Recorded in the early to mid-seventies this compilation features a masterful blend of tight jazz-funk rhythms,

infused with a dramatic flair and irresistible hooks that will leave listeners yearning for more. Stock fly fast on this one.

A collection of previously unreleased recordings, rehearsals, demos and alternate takes from the personal archive of the brilliant French jazz innovator Jef Gilson. Tip!

Back to back versions, old to the new!

This album is not about presenting Jukka Eskola as a virtuoso trumpet soloist but it's more an album about good music, melodies and atmosphere.

never released before!

Strut repress a classic from 2010, The Heliocentrics’ groundbreaking studio collaboration with Lloyd Miller, ‘(OST)’.
Recorded following their award-winning collaboration with Ethio jazz pioneer, Mulatu Astatke (Mojo magazine Top 50 of the year 2009, Sunday Times World Music Album of the year), pioneering UK collective The Heliocentrics resurfaced with another fascinating jazz enigma, ethno-musicologist, jazz maestro and multi-instrumentalist, Lloyd Miller.
Learning various instruments and immersing himself in New Orleans jazz through his father, a professional clarinet player, Lloyd Miller first trained himself in the styles of George Lewis and Jimmy Giuffre and cut his first Dixieland jazz 78 rpm record in 1950. During the late ‘50s, his father landed a job in Iran and Miller began to develop a lifelong interest in Persian and Eastern music forms, learning to play a vast array of traditional ethnic instruments from across Asia and the Middle East.
He toured Europe heavily, basing himself in Switzerland, Belgium, Sweden, Germany (where he played with Eddie Harris and Don Ellis) and, most famously, in Paris where he worked with leftfield bandleader Jef Gilson, a phenomenon in French jazz during the early ‘60s. Miller returned to the Middle East during the ‘70s, landing his own TV show on NIRTV in Tehran under the name Kurosh Ali Khan. His show became a national fixture and ran for seven years. More recently, his mid-‘60s album ‘Oriental Jazz’ has become a collector’s favourite.
Emerging from an acoustic jazz session in 2007 set up by Jazzman, the Heliocentrics collaboration was recorded at the band’s Quatermass Studios in East London during January and February 2010, a fresh, freeform mix of Eastern arrangements, jazz and angular psychedelics. The recordings involved a number of ethnic instruments that Miller played and studied throughout his career including the oud, Phonofiddle, Indian santur, Chinese shawm and wooden flute.
Lloyd Miller & The Heliocentrics’ ‘(OST)’ will be repressed on its original 2LP format, 1000 copies only.
LLOYD MILLER & THE HELIOCENTRICS – (OST)
Tracklisting

As then, calypso carries the swing. There are four more Lord Kitchener songs — in consideration of his wife leaving him for a GI, cricket umpires, a fling onboard an ocean-liner and West Indian poultry — besides a hot mambo cash-in, cross-bred under his supervision, and an uproarious, teasing Ghanaian tribute to him in Fanti by London visitors The Quavers.
Other calypsos range compellingly from the devaluation of the pound through jiu jitsu, big rubbery instruments, football fans, heavyweight champ Joe Louis and the sexual allure of English women police. The Mighty Terror contributes the woe-begotten, cautionary tale of his beloved Patricia's change of heart: 'I cannot believe, not for one moment / She gone with Millicent... / You may think I am jocular / But this really happened in Manchester / I felt so ashamed, my friends laughed at me / I had to take a train for London city.'
Ambrose Campbell is back, with six more shots of prodigal, limber, melancholic, visionary West African highlife. Also the Rolling Stones' favourite Ginger Johnson, with a percussive Latin scorcher; and Mona Baptiste, with some wonderful, soulful exotica.
Jamaican mento makes its first entry in the series, with a brace by Tony Johnson: a drily witty drinking-song, and a love-letter to Marilyn Monroe. Also finally getting some dues, the path-breaking Latin-African-jazz experiments of Ghanaian drummer and percussionist Buddy Pipp, with spine-tingling playing by the great Jamaican saxophonist Joe Harriott.
Expert jazz idioms course sophisticatedly through all the selections, which include a straight-up, South London version of Duke Jordan's Jordhu, something from Dizzy Reece's soundtrack — brokered by Kenneth Tynan — to the British crime film Nowhere To Go, and a trio of magnificently hybrid, hard-swinging instrumentals led in turn by master-guitarist Fitzroy Coleman, Kitch's innovative arranger Rupert Nurse, and trumpeter Shake Keane — named after Shakespeare because of his love of poetry — from St. Vincent.

As then, calypso carries the swing. There are four more Lord Kitchener songs — in consideration of his wife leaving him for a GI, cricket umpires, a fling onboard an ocean-liner and West Indian poultry — besides a hot mambo cash-in, cross-bred under his supervision, and an uproarious, teasing Ghanaian tribute to him in Fanti by London visitors The Quavers.
Other calypsos range compellingly from the devaluation of the pound through jiu jitsu, big rubbery instruments, football fans, heavyweight champ Joe Louis and the sexual allure of English women police. The Mighty Terror contributes the woe-begotten, cautionary tale of his beloved Patricia's change of heart: 'I cannot believe, not for one moment / She gone with Millicent... / You may think I am jocular / But this really happened in Manchester / I felt so ashamed, my friends laughed at me / I had to take a train for London city.'
Ambrose Campbell is back, with six more shots of prodigal, limber, melancholic, visionary West African highlife. Also the Rolling Stones' favourite Ginger Johnson, with a percussive Latin scorcher; and Mona Baptiste, with some wonderful, soulful exotica.
Jamaican mento makes its first entry in the series, with a brace by Tony Johnson: a drily witty drinking-song, and a love-letter to Marilyn Monroe. Also finally getting some dues, the path-breaking Latin-African-jazz experiments of Ghanaian drummer and percussionist Buddy Pipp, with spine-tingling playing by the great Jamaican saxophonist Joe Harriott.
Expert jazz idioms course sophisticatedly through all the selections, which include a straight-up, South London version of Duke Jordan's Jordhu, something from Dizzy Reece's soundtrack — brokered by Kenneth Tynan — to the British crime film Nowhere To Go, and a trio of magnificently hybrid, hard-swinging instrumentals led in turn by master-guitarist Fitzroy Coleman, Kitch's innovative arranger Rupert Nurse, and trumpeter Shake Keane — named after Shakespeare because of his love of poetry — from St. Vincent.

"The Branches" album is a reflection of a world, where human feelings and natural powers are bound together. Everything is correlated in this world. There is no alive-dead distinction. The season change depends just on state of mind. Every move, every wind breath, every sound brings an information, opened for everyone who believes and ready to accept it, who hears and knows how to listen.

“Keeping a Record of It” is the follow-up to Lonnie Holley’s debut album, “Just Before Music.” Guest performers include Cole Alexander from the Black Lips, Bradford Cox from Deerhunter, and visual artist Lillian Blades. “Lonnie Holley sings with an intense, emotional voice and unleashes lyrics without consistent meter or rhyme over gossamer keyboard lines that hang in the ether. His music is a blues nebula, splotched with riffy word jazz that shares in some rappers’ collagist aesthetics as well as the runaway passion of a gospel preacher enlivened by the Spirit.”