Jazz | Fusion 13709 Items

LP | 2022 | EU | Original (Jazzland)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Since 1983 the Ozric Tentacles have woven psychedelic audio-tapestries that capture the almost dangerous musical diversity of the free festival scene, blending acid rock with dub, reggae, ethnic world music and electronic, jazzy experimentation.

Ed Wynne, founding member and leader of the outfit, now presents a new project. A long term admirer and friend of Gre Vanderloo, better known from his project Gracerooms, the two have now teamed up to record Tumbling Through The Floativerse.

“I’ve always enjoyed the synth orientated musical worlds he creates with his project ‘Gracerooms’” says Ed of his new collaborator. “Shortly before lockdown 2020, whilst making the early stages of the recent Ozrics album Space for the Earth, we decided to try and make some tunes together. Gre came over from Holland where he lives, to the Blue Bubble Studio here in Fife and we started recording pretty much straight away. We ended up with about six definite starting points, which then developed and unfolded into a harmonic realm we referred to as ‘The Floativerse’… A place where you might escape gravity for a moment”.

Featuring guest appearances from Gracerooms bassist, Paul Klaessen and longterm Ozrics synth player Silas Neptune, the entire album was recorded at Ozrics head quarters; Blue Bubble Studios, engineered and produced by Ed Wynne and mastered by Adam Goodlet. Mind-bending artwork comes courtesy of Valerie Fangman.

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Maridalen

Bortenfor

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Earmusic)

Robben Ford & Bill Evans

The Sun Room

You Who Are Leaving To Nirvana

Release: 2022 / EU – Original

Genre: Organic Grooves

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Ford and Evans have often shared the stage and recorded together over the years and so it’s no surprise that they are joining forces again. During the promotion of the album “Purple House”, Ford spoke enthusiastically about the forthcoming tour in Japan, together with Evans.

“Having worked with many musicians in many different configurations and styles, I can say freely that this group of players has great chemistry and ability to navigate uncharted waters, which is what allows for real improvisation”, Robben Ford says. “Making this recording, playing with these guys, has been one of my favorite experiences in a long, musical life”.

Only a few weeks after the tour, the two were in the recording studio, accompanied by a first-class rhythm section: Keith Carlock (currently on the drums with Steely Dan) and James Genus, the wonderful bass player who among so many played with Lee Konitz, Michael Brecker, Branford Marsalis, and Chick Corea.

Bill Evans enthuses about the recording process: “Rarely, but every now and then, like-minded musicians get together to create something that transcends musical boundaries yet can reach a wider audience. To me, the music we created on ´the SUN Room´ is timeless. I love blues, jazz, soul, funk and this CD has all of it, performed at the highest level. I couldn't be happier with this recording. The vibe was so great during this recording process that it was just a joy to be a part of. Well done, guys. Let's do it again!”.

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Midori Takada

LP | 2022 | EU | Original (WRWTFWW)

Cutting Branches For A Temporary Shelter

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Wrwtfww Records and MEG Museum (Geneva) are ecstatic to announce a new full length album by celebrated Japanese percussionist Midori Takada (Through The Looking Glass), in collaboration with Buddhist monks belonging to the Samgha group of the Shingon school of Koya-san, led by Reverend Syuukoh Ikawa. You Who Are Leaving To Nirvana is available on half speed mastered vinyl LP, housed in a 350gsm sleeve, with OBI, and liner notes, as well as on digipack CD.

Recorded at The Premises Studio (London) and in Tokyo in 2019,You Who are Leaving to Nirvana is a majestic work combining a suite of six Buddhist liturgical chants and a musical creation by Midori Takada. The Buddhist chants come from three types of repertoires: shomyo ("Teisan", "Unga-Bai", "Sange", "Taiyo"), but also goeika ("Kannon-Daiji") and mantra ("Hannya-Singyo").

After supervising the recording of the Buddhist chants, Midori Takada added her own compositions, with subtle layers of percussion and the melodies of her beloved marimba, giving full life to the sacred texts.

Reverend Syuukoh Ikawa explains: "Shomyo is a form of declamation of sacred esoteric texts, inherited over many generations. The power of words goes far beyond their mere pronunciation. I think there is something that words alone cannot really convey. If I recite prayers in a musical way, the feeling transmitted will be even stronger than if I say it normally, in everyday language. I think that the musicality of a work carries a hidden power that cannot be expressed in words alone. The setting of the music has an additional power for you and for those around you who listen to it. The words of a song are not just words set to music. They carry an additional hidden power that cannot be expressed in any other way. Listening to Midori Takada's musical performance, the words truly seem to come alive."

Original recordings of the Buddhist chants are held in the International Archives of Folk Music (iafm) at the MEG Museum in Geneva. The album sleeve features an artwork by famed Japanese sculptor Katsura Funakoshi selected by Midori Takada. You Who Are Leaving To Nirvana is released in conjunction with Midori Takada's Cutting Branches For A Temporary Shelter, also available on LP and CD on Wrwtfww Records.

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Midori Takada

LP | 2022 | EU | Original (WRWTFWW)

LP | 1968 | EU | Reissue (Holy Basil)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Wrwtfww Records and MEG Museum (Geneva) are honored to present the first new solo album by renowned Japanese percussionist Midori Takada (Through The Looking Glass) in 23 years, Cutting Branches From A Temporary Shelter, available on vinyl LP, housed in a 350gsm sleeve, with OBI, and liner notes, as well as on digipack CD.

Recorded in a live setting and played with instruments conserved in the collections of the MEG Museum, Cutting Branches For A Temporary Shelter is Midori Takada’s very own rendition of "Nhemamusasa", a traditional work emblematic of the musical repertoire for mbira of the Shona of Zimbabwe, well known worldwide, thanks notably to its version by Paul F. Berliner included on the famed 1973 album The Soul of Mbira.

The choice of this title by Midori Takada evokes the links between traditional African and contemporary music which are the foundation of this work, and it also translates the resolutely multicultural vision of the artist.

Midori Takada explains: "African music is remarkable for its polyrhythms. Not only are there simultaneously several rhythmic motifs, sometimes as many as ten, but furthermore it may be that the part played by each musician has its own starting point and its own pace, all combining to form a cycle. All the cycles progress at the same time according to a single metrical structure which functions as a reference point, but which is not played by any one person from beginning to end. The structure emerges out of the multi-level parts, all different. With the Shona, the musical system is based on the polymelody: one performs simultaneously several melodic lines which are superimposed, each having its own rhythmic organization. It is truly captivating. In Western classical music, one four-beat rhythm induces some precise temporal framework and regular reference points, which come on the strong beats 1 and 3. But in the logic of the Shona musical system, and in other African music, the melody can begin in the very middle of the cycle and be continued up to some other place in an autonomous manner, as if it had its own personality. It’s very rich."

The album comes with in-depth liner notes that include an interview by Midori Takada, a point of view by Zimbabwean scholar, musician and activist Forward Mazuruse, and background information on the project by Isabel Garcia Gomez and Madeleine Leclair from MEG Museum. The sleeve features an artwork by celebrated Zimbabwean painter Portia Zvavahera. Part of the budget for the album was donated to Forward Mazuruse’s Music For Development Foundation whose aim is to identify, nurture, and record young but underprivileged musicians in Zimbabwe.

The album is released in conjunction with Midori Takada and Shomyo of Koya-san's You Who Are Leaving To Nirvana, also available on LP and CD on Wrwtfww Records.

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Piero Umiliani

Preistoria

Sinfonia No 1 Red Vinyl Edtion

Release: 1968 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Originally released in 1968 as part of the "Serie Sonorizzazioni" series on Piero Umiliani's iconic Omicron label, "Preistoria" is the perfect example of a library music collection perfectly tailored to a theme. Through the use of orchestral accompaniment, jazzy arrangements, and tribal experimentation thrown in for good measure, the legendary Italian composer brings you back to the stone age, creating and ominous and primitive landscape, rich of caveman-style drums and deep bass lines. This extremely sought after gem is now available on vinyl for the first time since its original release, officially licensed by Piero Umiliani's family and available as a limited edition pressing of 500 copies.

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Pekka Pohjola

LP | 1990 | EU | Reissue (Svart)

LP+10" | 2022 | EU | Original (Solidude)

Release: 1990 / EU – Reissue

Genre: Organic Grooves

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During his long career that took him from riding the Finnish prog rock wave with Wigwam to the heavy jazz rock heights of the 1990s, Pekka Pohjola tried his hand in many things. Sinfonia no 1 was his only foray into the world of classical music. Inspired by Sibelius’ 5th Symphony, Pohjola created this unforgettable piece of Nordic classical together with the Avanti Orchestra in 1989.

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Bestiaal

Het Deert

LP | 2022 | US | Original (Impatience)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Bestiaal's jazz can be quite potent. Originality and willfulness have always been core values for jazz musicians, but here they are natural components of a strikingly stubborn character.

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Tarotplane

Light Self All Others

Antonio Castrignano: Babilonia

Release: 2022 / US – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Tarotplane offers up a new portal of possibility, entitled Light Self All Others, on the Impatience label. An unshackled mind melt of amorphous Berlin School electronics, glistening guitar tones, snatches of disembodied voices and rumblings of percussive melody, Light Self All Others is an invitation to introspection, turning Tarotplane’s sky seeking kosmiche towards a resonant, contemplative core. Drifting between dreams, the record is infused with an emotional ambiguity that veers from foreboding to catharsis via pointed sonics of often unplaceable origin.

Light Self All Others emerged from a wealth of material collected over the period from 2019-2021. In a self-described “haphazard” process, Tarotplane throws down hundreds of loops, riffs and samples, intuitively collaging disparate nuggets into form which the self-taught guitarist can riff over. Following some heavy-handed post processing, the emergent sound is too busy to be strictly ambient, too zonked to be considered rock, instead resting on a modern psychedelic perch of it’s own somewhere in between.

Light Self All Others seamlessly cycles through ten tracks over the course, each piece constituting a beguiling, valuable piece of a vibrant whole/hole. From opener Pedestrian To Freeze Frame’s gently pulsing pads and soaring lead lines a feeling resembling optimism emerges, while Supermarket Tropicals could be a call to prayer from a utopian future, or equally hold music at the local ketamine clinic. A Fraught Parallel’s hazy urgency seems to foreshadow an imminent demise, cryptic effected samples attempting to get a warning through but thwarted by an engulfing hum and swooping guitar, and Portals Of Possibility’s ritualistic drone is anchored to a gently beating morse code rhythm while the thunder cracks and threatens to capsize the ship. Album closer Paradise Adjacent scrambles the signal one last time, a slo-mo showdown from a sci-fi saloon. With acoustic guitar, an idealist monologue and some fx pedals it closes the curtain with the kind of lonely, disorienting cosmic koan it’ll take a lifetime to answer.

Light Self All Others offers Tarotplane’s most complete work, a thrilling, expanding head trip from a parallel future.

Tarotplane is PJ Dorsey, from Baltimore, Maryland. He’s previously released records on 12th Isle, Lullabies For Insomniacs, Noir Age and VG+.

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Antonio Castrignano

LP | 2022 | EU | Original (Q-Rious Music)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Quin Kirchner & Rob Clearfield

Concentric Orbits

LP | 2022 | US | Original (Astral Spirits)

Petter Eldh, Koma Saxo & Sofia Jernberg

Release: 2022 / US – Original

Genre: Organic Grooves

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Happy to announce the latest from Chicago-based percussionist Quin Kirchner, this time in an intimate duo setting with France-based pianist Rob Clearfield. Concentric Orbits is Clearfield & Kirchner's gorgeous debut recording as a duo, although they have a long history of playing together over the years in Chicago. You will likely remember Clearfield from his standout playing on Kirchner's The Shadows and The Light (2020, Astral Spirits), and here on Concentric Orbits he takes a bit more of the foreground on the piano with Kirchner's solid, driving support moving the proceedings along. The two sidelong tracks offer different sides of the duo; "Orbit 1" dives in with a insistent and repetitive left piano groove that eventually unfolds into a splattering of free improv that subsides. Cymbals, bells and more from Kirchner lead us through the second half of the track, with Clearfield continuing variations on the original ostinato through to the ending. "Orbit 2" jumps out immediately with a percussive attack complimented by Clearfield's prepared piano that mirrors the percussive sounds without overpowering. Kirchner's groove rides powerfully through the majority of the track, with some truly stirring playing from Clearfield on the second half.

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Koma West Black Vinyl Edition

LP | 2022 | EU | Original (We Jazz)

Pursuit Of Ends Mustard Vinyl Edition

Release: 2022 / EU – Original

Genre: Organic Grooves

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Petter Eldh's explosive ensemble Koma Saxo continues their adventures with a new album "Koma West", out on We Jazz Records. The album sees Koma Saxo expand on their previous sound with the addition of vocalist Sofia Jernberg and a strong cast of featured artists, including cellist Lucy Railton, violinist Maria Reich, pianist Kit Downes and accordionist Kiki Eldh (Petter's mom!). The hard-hitting key quintet remains, including Eldh on bass and assorted instruments, Christian Lillinger on drums, plus saxophonists Otis Sandsjö (of Y-otis), Jonas Kullhammar and Mikko Innanen bringing the Saxo to the Koma operation.

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High Pulp

LP | 2022 | EU | Original (Anti)

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 1976 | JP | Original (Epic)

Jeff Beck

Wired

LP | 2018 | EU | Original (Hubro)

Release: 1976 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing.

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Moskus

Mirakler

LP | 2021 | EU | Original (Columbia)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Moskus could be the perfect 21st century piano, bass and drums trio. Rather than fetishising about the acoustic purity of their sound, the virtuosity of their instrumental technique, or the integrity of their compositional structures, Anja Lauvdal (keys), Fredrik Luhr Deitrichson (double bass) and Hans Hulbækmo (drums/percussion) seem to improvise on ideas more than themes or tunes, and to change direction quickly and effectively as they go, abandoning one thought for another with a refreshing lack of fuss.You can even imagine, instead of musical notation and dots on staves, a series of pictograms, obscure mathematical graphics or spidery Venn diagrams forming and reforming in the air as they play, the ideas rising up to bounce off the ceiling or escape out the window to be reprocessed in another context, perhaps by another group. Similarly, the music can appear as notes or sketches towards something rather than the thing itself, for in the Moskus universe there may be no such thing as a finished product, as everything remains permanently in flux and subject to further adaption and change. Even as it is articulated, a thought or musical phrase is already being reconsidered or evolving into something else. This is contingent music, hyper-alert to nuance and environment, changing like temperature or the weather just as the dynamic of the trio shifts its emphasis when roles are exchanged or the lead swapped from one player to another.Moskus is also a piano trio that is often happy to function without a piano. On 'Mirakler', Anja Lauvdal's frequent use of Yamaha or Korg keyboards summons up the ghost-voicings of an electronic past, from echoes of Sun Ra's Solavox to Vangelis's early-digital Fairlight and Kraftwerk's analogue synths, as if curating a museum of bygone sounds to illustrate our nostalgia for the future. Previously, Lauvdal, who plays both upright and grand pianos on 'Mirakle' as well as keyboards and Hammond organ, has spoken about how Moskus feel "more equality as a trio without a grand pian...

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Tony Bennett & Lady Gaga

Love For Sale

Trondheim Jazz Prchestra & Ole Morten Vagan

Release: 2021 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink but opened. Original inner sleeve with seam split!
Record has some scuffs!

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Plastic Wave

2LP | 2022 | EU | Original (Odin)

LP | 2019 | US | Reissue (Blue Note)

Release: 2022 / EU – Original

Genre: Organic Grooves

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Plastic Wave comes as the sequel to 2018's celebrated "Happy Endlings", where Ole Morten Vågan, one of the most sought-after bass players in Norway, collaborated with the unpredictable and creative Trondheim Jazz Orchestra, comprised of a sort of "who's who" in Norwegian jazz. Where "Happy Endlings" took the listener on a 72-minute-long ride on the edge of their seat through a myriad of innovation, chock, and surprises, "Plastic Wave" sees TJO & Vågan take their mischievous end time antics from the previous album to the next phase, in some sorts a musical excavation of the next evolutionary step - and the sequel is no less than 12 minutes longer. Titles such as Food Chain Reaction and Critical Mass Distraction are given extra momentum by Flu Hartberg ?s cover art, again a trusty companion for the music. Having been recorded halfway through 2020, the music on "Plastic Wave" plays well against this unprecedented backdrop, the music on "Plastic Wave" plays well against this unprecedented backdrop, and elements like a sudden cameo by poet Frode Grytten places the music even further into the context of our time.

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Herbie Hancock

Takin' Off

LP | 1981 | EU | Reissue (Petit Cherie)

Release: 2019 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

Sealed copy!

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Dewey Jeffries

This Is For You

LP | 2022 | US | Original (Sub Pop)

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Dewey Jeffries was a renowned jazz pianist for 40 years in the Greater Cleveland area as well as cities throughout the United States and Canada. He frequently played with jazz giants such as Miles Davis, Benny Carter. Dewey Jeffries was appeared in the early 70s when he released some singles and then in 1981 he released "This Is For You" an incredible piece of rare modern soul funk. For Motown and Daptone sounds extimators.

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Charlie Gabriel

89 Gold Vinyl Edition

Bravo Pravo Yellow Vinyl Edition

Release: 2022 / US – Original

Genre: Organic Grooves

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Limited-edition first pressing on translucent gold vinyl. Sub Pop debut by Preservation Hall Jazz Band member and 89-year-old clarinet and saxophone legend Charlie Gabriel from New Orleans, Louisiana. This is Charlie's first album as a bandleader. He has played with Lionel Hampton, Charles Mingus, Cab Calloway drummer J.C. Heard, Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more. "I've been playing since I was 11 years old," says Charlie Gabriel, the most senior member of the legendary Preservation Hall Band, "I never did anything in my life but play music. I've been blessed with that gift that God gave me, and I've tried to nurse it the best way I knew how." While he's faced plenty of challenges nursing that gift for more than 78 years, none likely rank with last winter's passing of his brother and last living sibling, Leonard, lost to Covid-19. For the first time ever, Gabriel put down his horn, filling his days and weeks instead with dark reflection, a stubborn despondency broken now and then by regular chess matches in the studio kitchen of Hall leader Ben Jaffe, working overtime to bring his friend some light. One such afternoon also included Joshua Starkman, sitting off in a corner playing his guitar and half-watching the chess from a distance. When Charlie returned the next day, he brought his saxophone. "I was just inspired to try it, to play again. It had been a long time, and a guitar makes me feel free. I do love the sound of a piano, but it takes up a lot of a space, keeps me kind of boxed in." That day was to be the first session for 89, almost entirely the work of Gabriel, Jaffe and Starkman, recorded mostly right there, in the kitchen, by Matt Aguiluz. Charlie Gabriel's first professional gig dates to 1943, sitting in for his father in New Orleans' Eureka Brass Band. As a teenager living in Detroit, Charlie played with Lionel Hampton, whose band then included a young Charles Mingus, later spending nine years with a group led by Cab Calloway drummer J.C. Heard. While he's also fronted a bebop quintet, played and/or toured with Ella Fitzgerald, Tony Bennet, Aretha Franklin and many more, this is the first time his name appears on the front of a record, as a bandleader. Since 2006, Gabriel has been a member of the Preservation Hall Jazz Band, featuring prominently on That's It, So It Is, and Tuba to Cuba. 89 was different, and not simply due to a smaller ensemble. "We had no particular plan, or any particular insight on what we were gonna do. But we were enjoying what we were doing, jamming, having a musical conversation," Charlie says, further musing, "Musical conversations cancel out complications." 89 includes six standards and three newer pieces on which Gabriel is a writer: "Yellow Moon," "The Darker It Gets" and "I Get Jealous." The record also marks Charlie's return to his first instrument, clarinet, on many of the tracks. "The clarinet is the mother of the saxophone," he says. "I started playing clarinet early in life, and this [taught me] the saxophone." Finally, 89 includes three tracks of Charlie singing. "I always sung, but it wasn't my forte to become a singer," he says. "The truth is, people often develop a real relationship with a song once they hear the words. Sometimes I enjoy singing them."

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Patty Pravo

LP | 1970 | EU | Reissue (Rca Label)

Release: 1970 / EU – Reissue

Genre: Organic Grooves

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Nikos Giousef, Irene Tiniakou, George Katsanos

Adagios From The Underground

2LP | 2020 | EU | Original (Underflow)

Release: 2020 / EU – Original

Genre: Organic Grooves, Electronic & Dance, Classical Music

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"In the Understage area of the Alexandra Trianti Hall, the musical saw in the hands of Nikos Giousef, and accompanied by piano, samplers and analog synthesizers, is transformed into a voice. ‘An otherworldly child’s voice’, ‘a Siren’s voice’ or ‘a castrato voice’, as it has been described, it easily climbs to tonic heights that the human voice can only reach with great effort." The pieces chosen for the program reflect this criterion, with works such as the aria “Erbarme Dich, Mein Gott” from the oratorio of J. S. Bach's “St Matthew Passion”, “Ave Maria” from Franz Schubert's “Ellens Gesang Iii”, H. Purcell's “Music for a while” as well as choral works like “Lacrimosa” from W. A. Mozart's Requiem and the First part (Grave) from G. B. Pergolesi's “Stabat Mater”. S. Rachmaninov's “Vocalise” is also a very interesting choice for musical saw, a song without lyrics as it is. The program also includes two works by greek composers, Ioannis Planiteros's “Ina ti”, written in the 17th century and still performed nowadays by local choirs in Zakynthos, and “ The Trawler” from Nikos Skalkotas's popular ballet “The Sea”, as a tribute to the great composer on the occasion of the 70th anniversary of his death. George Katsanos, in three ambient tracks of the album, is really traveling us in the mysterious amazing music world of "Adagios from the Underground". Nikos Giousef soprano and baritone musical saw Irene Tiniakou piano George Katsanos Moog synthesizer, music box, kalimba, effects

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LP | 2020 | AU | Original (The Roundtable)

Pyramid Pieces 2

LP | 1973 | JP | Reissue (Verve)

Release: 2020 / AU – Original

Genre: Organic Grooves

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Following the critical acclaim of the 2020 compilation Pyramid Pieces, The Roundtable return with a second offering of modernist jazz from Australia. Another vital document further examining the nation’s jazz scene during the late 1960s and 70s. A fertile period that witnessed the birth of an in-dependent movement and the development of a distinct Australian jazz sound. While continuing to focus on the modal forms explored in Volume 1, this second edition shifts direction slightly, this time also surveying other post-bop modes representative of the scene including soul jazz, avant-garde ballet music and Eric Dolphy-inspired free jazz.

Again featuring tracks from the esteemed independent imprints Jazznote and 44 Records, the col-lection also offers never before published pieces from less obvious Australian jazz groups. Compo-sitions by internationally renowned musicians including Bob Bertles (Nucleus/Neil Ardley), Bruce Cale (The Spontaneous Music Ensemble/Prince Lasha) and Allan Zavod (Frank Zappa) alongside pillars of the local scene, Charlie Munro and Ted Vining plus the lesser-known yet formidable free jazz unit ‘Out To Lunch’. Pyramid Pieces 2 is another timely insight into the evolution of the in-credible yet obscured Australian modern jazz movement.

• A compilation of Australian modern jazz. 1969-1980

• Rare modal, soul-jazz and free jazz from artists including The Charlie Munro Trio, Bob Bertles Moontrane, The Bruce Cale Quintet and The Ted Vining Trio.

• Tip-on sleeve featuring artwork from renowned Australian modernist painter James Meldrum.

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The Oscar Peterson Trio

We Get Requests

Nina Simone And Her Friends 2021 Stereo Remaster

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with OBI and insert. Vinyl closer to NM. Cover with foxing on the back

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Nina Simone

LP | 1959 | EU | Reissue (BMG Rights Management)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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After The Night The Day Will Surely Come

Kyle Shepherd

LP | 2021 | UK | Original (Matsuli)

LP | 2018 | NO | Reissue (Hubro)

Release: 2021 / UK – Original

Genre: Organic Grooves

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Multi award-winning composer Shepherd’s seventh album and first on vinyl, with sleeve notes from Percy Mabandu.

- Compositions explored on this long-awaited release include new articulations of well-liked familiar melodies like ‘For Keith’, ‘Desert Monk’, ‘Sweet Zim Suite’ and ‘Cry of the Lonely’, along with improvised pieces ‘Zikr’, and ‘Desert Monk’.

- Mastered and cut for vinyl by Frank Merritt at The Carvery with heavyweight 180g vinyl pressed at Pallas in Germany.

“Shepherd embodies much of South Africa’s piano tradition with visionary clarity. More than his own ingenuity, he holds up an appreciation of the richness of a shared musical inheritance. This must be underscored by an understanding that all pianists, in fact all artists of real commitment, have a wish to be distinctive, along with a real rootedness. The selection of tunes treated here, shores this up about Shepherd. It also points to a deeper, loftier revelation: jazz, and creativity as the ultimate articulations of human hope.” Percy Mabandu, from sleeve notes

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Skydive Trio

Sun Sparkle

Release: 2018 / NO – Reissue

Genre: Organic Grooves

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LP | 2021 | EU | Original (Music On Vinyl)

Hans Dulfer

El Saxofon

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 1972 | EU | Reissue (Holy Basil)

Underground Mood

LP | 2021 | EU | Original (Mushroom Hour Half Hour)

Release: 1972 / EU – Reissue

Genre: Organic Grooves

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First launched in 1971, Flirt Records was one of the many notable production music imprints distributed by Flipper Music, iconic publishing company founded by Romani Di Bari in 1968 and house to some of the best Italian library music. Back in 1972 the label released this compilation entitled "Underground Mood" featuring music composed by Emma De Angelis, Roberto Conrado, Luigi Lopez as well as Amedeo Minghi, whose anthemic "Lustful" track went on to be sampled by Justin Timberlake in 2013. An incredible 12-tracks collection of guitar driven jazz-funk tinted with fuzzy psychedelic rock vibes, making it one of the most interesting and sought-after releases of the Flirt Records catalog. Now available on vinyl for the first time since its original release as a limited edition of 500 copies.

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On Our Own Clock

To Feel Embraced Turquoise Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Pre-pandemic, there was a plan. The plan was for musicians from South Africa and Senegal to travel to London’s influential Total Refreshment Centre to make an album with musical kindred spirits in the UK. Like so many plans, it had to be adapted.

In the first heatwave summer of Covid, groups of heavy-hitting musicians met for a day of intense recording in their home cities then sent the music to their compadres across the oceans. They returned to the studio a month later to respond to the music they’d been sent. The result is ‘On Our Own Clock’, a sonic testament to trenchant and collaborative creativity which digs into layers of South African jazz, traditional Senegalese instrumental music and London’s rich diaspora-informed musicality. Individually these are powerful strands of music. Collectively, they are super-sized.

‘On Our Own Clock’ contains interludes titled ‘How To Make Art In A Pandemic’. The phrase became a byword and a prayer to keep the process going across the multiple hurdles that presented themselves: people getting Covid; the fear and fury that proliferates in the twin pandemics of Covid and racism; the practicalities of making music across two continents. It builds on another phrase, in the spirit of evolution and improvisation: two words used in the foreword to Toni Morrison’s novel Jazz in which she describes the ‘unreasonable optimism’ of musicians. Making this album was unreasonably optimistic even before the pandemic. To have created a deeply-rooted and warm-hearted gem like this is extraordinary.

Album highlights among the phenomenal 11 tracks include singles ‘Dune Dance’, which steps and hustles around a gorgeous groove that was written in Joburg and reflected back by the London players. ‘Ngikhetile’ (an isiZulu word which translates as ‘I Have Chosen’) fuses playing from across continents in an incrementally intense salutation to powerful optimism. ‘Be The Light’ draws deep from the endless well of feeling that the Senegalese kora provides, and builds up and outwards from a sweet-yet-solid bedrock and Grandmaster Cap’s vocals. Like he says:

If you are the light, you are the path. To all the bright motherfuckers out there, keep shining.

The release is a collaboration between South African label Mushroom Hour Half Hour and Total Refreshment Centre recordings. It comprises the single album with artwork by Senegalese designer Djib Anton; a fanzine which documents the process and will be included with the vinyl; and an experimental film made by South African filmmakers Nhlanhla Masondo and Tseliso Monaheng. It imagines a far-future post-pandemic world and also includes artist interviews, session footage and the inevitable Zoom recordings.

One day, the musicians will play together in person. But for now, On Our Own Clock is inspiration, dispersed positivity and eleven incredible pieces of musical togetherness.

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Sparkle Division

LP | 2020 | EU | Reissue (Temporary Residence)

Sinne Eeg & Thomas Fonnesbaek

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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A Vibrant Electronic Fusion Of Lounge, Jazz, And Disco Is Maybe Not The First (Or Fifth) Thing You Would Expect To Hear From One Of The World's Most Renowned Modern Composers And Ambient Tape Loop Pioneers, But Upon First Listen, It Makes So Much Sense That One Wonders Why It Didn't Happen Sooner.After Years Of Producing And Mentoring Slews Of Young Artists In 1990s Williamsburg, Brooklyn, William Basinski Moved To Los Angeles. There He Hired A Young Studio Assistant, Preston Wendel, Who Eventually Introduced His Own Works To The Curious Composer. That Spawned A Creative Partnership That Inspired Wendel To Persuade Basinski To Haul Out His Saxophone. Five Years Later, Sparkle Division Has Arrived With Their Enchanting Debut Album, To Feel Embraced. Produced By Sparkle Division At Basinski's Musex International In Los Angeles, The Duo Were Joined By A Few Notable Friends: Mrs. Leonora Russo (Who Basinski Affectionately Calls "The True Sicilian Sparkle Division, My Brooklyn Mom, The Queen Of Williamsburg") Offers Her Sparkling Voice To "Queenie Got Her Blues"; Fabled Free-Jazz Icon And Genuine Bodhisattva, The Late Henry Grimes, Contributed Upright Bass And Violin To The Aptly-Named "Oh Henry!" ("Lotta Babies Gonna Be Born From This One," Henry And Margaret Davis Grimes Playfully Declared); And London Vocalist Xeli Grana Offers Her Ethereal Voice To The Album's Meditative Title Track.Conceived And Nearly Completed In 2016, The Increasing Environmental And Political Infernos Gave Basinski And Wendel Cold Feet About Unleashing A Record Intended To Be Fun, Loving, And Prone To Bouts Of Euphoria. But As Basinski Exclaimed, "Well, Damn It, If The Time Ain't Right Now, It Never Will Be! Let's Do This!"

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Staying In Touch

LP | 2021 | EU | Original (Stunt)

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Storyville)

Dexter Gordon

Montmartre 1964

Release: 2021 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | EU | Original (Gearbox)

Binker And Moses

Escape The Flames

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Reissue (Gearbox)

Abdullah Ibrahim

Balance

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Abstractions Of Reality Past And Incredible Feathe

Binker Golding

LP | 2019 | EU | Reissue (Gearbox)

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Picture In Three Colours Black Vinyl Edition

Eero Koivistoinen

LP | 1984 | EU | Reissue (Svart)

LP | 2021 | US | Original (Holy Basil)

Release: 1984 / EU – Reissue

Genre: Organic Grooves

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Deluxe vinyl reissue!

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Modern Sound Quartet

Floreama

Die Reaktion The Last Jazz Volume 2

Release: 2021 / US – Original

Genre: Organic Grooves

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Following the work previously made on "Cocktail Bar" and "Erbe Selvatiche", Modern Sound Quartet release their third full-length "Floreama" in 1977, this time focusing their work around the world of flowers. The twelve tracks on this recording boast the highest form of Italian jazz-funk vibes, with some rock, disco and spacey moods thrown in for good measure. Each flower sets the track in a different mood and brings the listener in a different dimension, alternating upbeat funky moments to some more mellow atmospheres. Now available on vinyl for the first time since its original release as a limited edition of 500 copies.

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Helge Schneider

2LP | 2021 | EU | Original (Railroad Tracks)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Utopic Cities: Progressive Jazz In Belgium 1968-1979 Black Vinyl Edition

2LP | 2021 | EU | Original (Sdban)

LP | 1979 | EU | Reissue (Edition Hawara)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Standard version on black vinyl. 2LP in gatefold sleeve with liner notes.Utopic Cities is an eclectic selection of forward-thinking jazz from the Belgian underground, including the left-field fusion of Marc Moulin's Placebo, Koen De Bruyne, Solis Lacus and more.

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Robert Ponger

LP | 2021 | EU | Original (Music From Memory)

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Robert Ponger is perhaps best known as the producer for Austria’s biggest pop sensation Falco. His unparalleled production skills are on full display in the iconic hit single “Der Kommissar”, and he is also the main man behind Falco’s legendary early albums “Einzelhaft” and “Junge Römer”. But Ponger deserves at least as much credit for his solo recordings. The most sought-after of these is Ponger’s 1979 self-titled LP, which Edition Hawara is honoured to re-issue. The album contains twelve disco-inspired pieces that are unabashedly playful, but also signal serious musical knowledge and finesse. Recorded in the vicinity of Mistelbach, a village even locals struggle to find on a map, Ponger’s LP breathes the vibe of Studio 54 – with the little special extra that only Mistelbach can add. A true Austrian classic.

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The Zenmenn

Enter The Zenmenn

LP | 2021 | EU | Original (ESP Disk)

Release: 2021 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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Returning with another debut album for 2021, Music From Memory are delighted to introduce a new band, The Zenmenn, with their first ever release ‘Enter The Zenmenn’. Whilst little about the band is made known, their work is described by writer Winton Rousseauas an “experiment in harmonic convergence emerging from a deep respect for cosmic symmetry and a resistance to the prevailing Zeitgeist.” ‘Enter The Zenmenn’ sounds as old as it sounds new, as organic as it is electric, as harmonic as it is rhythmic, and the album’s fusion of different palettes, colours, tempos, instruments and sources offer a harmonious balance and unity that already feels like the perfect soundtrack to a better world. In a time of what they see as spiritual neglect, it offers a “human kind of stillness” through the “dualistic fusions of complexity and simplicity, mystery and clarity and East and West”. Mfm054 will be released in LP and digital format, comes with artwork by Bráulio Amado, and is expected to be out on April 12th 2021.

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Henry Grimes

The Call

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 1971 | UK | Reissue (Musica Infinita)

Gerry Weil

The Message

The Fellowship Transparent Sky Blue Vinyl Edition

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Olindo Records is proud to launch sister label Música Infinita, with its inaugural release, ‘The Message’ by Gerry Weil - a forgotten cornerstone of Venezuelan jazz, greatly influenced by ‘Bitches Brew’ era Miles, Hendrix, Tower of Power and fusion of jazz and rock. ‘The Message’ is packed with raw funk grooves, big band horns, and Gerry’s gravelly Waitsian vocals. Remastered with love by Frank Merritt at The Carvery, this edition of just 500 copies features brand new artwork and an extensive interview with Gerry. In 1969 Miles Davis put the world on notice with “Bitches Brew”; a bold statement that broke every pre-conceived notion people had about jazz and music in general up to that point. Taking this as inspiration, Gerry Weil decided to emulate Miles in 1971, but on Caribbean soil, gathering a dream team of 15 Venezuelan musicians, most of which went on to become renowned bandleaders in their own right, to record an avant-garde album that would later turn into a coveted item amongst record collectors. The album opens with “The Joy Within Yourself”, showcasing Gerry’s dexterous organ playing within seconds, accompanied by stunning horn arrangements, a bluesy vocal by Weil himself and a killer electric guitar solo by Vinicio Ludovic (Luisito Quintero / Arturo Sandoval). Continuing with “The Bull’s Problem”, the LP settles into a jazz funk groove with a nasty rhodes and bass combination alongside a heavy drums and congas exchange between Alberto Naranjo (Los Kenya / El Trabuco Venezolano) and Freddy Roldán (Grupo Mango / Alfredito Linares). Side A closes with title track “The Message”, a sort of funky anthem or mantra that describes Gerry Weil’s attitude towards life. Its lyrics describe the way “squares” reacted against hippies in the 70s when “all we want to give you is a little bit of love”. On side B, “Johnny’s Bag” kicks off proceedings on a spiritual tone. This time Gerry’s on acoustic piano, accompanied yet again by a beautiful, but equally powerful horn section featuring a who’s who of Venezuelan jazzmen, such as Benjamin Brea on alto, Victor Cuica on tenor, Rodrigo Barboza on trombone and Luis Arias on trumpet. “What Is A Man” begins with a vocal duo between Vinicio Ludovic and Gerry before settling into a funky groove underpinned by Michael Berti’s (Aldemaro Romero y su Onda Nueva / Jayme Marques) booming bassline. The album closes with “Little Man”. A meditative, yet grooving piece that could easily be found on any of the best Blue Note albums from that same time period. The interplay between Gerry on keys, Berti on bass and Naranjo on drums is simply stunning and provides a perfect ending for the album. Arriving in Venezuela from Austria as a 17 year old in 1957, Gerry has become one of the most influential musicians his adopted country has ever seen. His compositions are now part of the repertoire of Venezuelan jazz standards, but perhaps more importantly, Gerry’s career in music education has seen him impart his music theory and piano teachings to at least three generations of musicians. Still active at the age of 81, Gerry is a living legend and a true testament to perseverance through music.

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Joseph Shabason

LP | 2021 | US | Original (Western Vinyl)

LP | 1980 | EU | Reissue (Glossy Mistakes)

Release: 2021 / US – Original

Genre: Organic Grooves

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Across eight tracks that mesh spacious, jazz-laced composition with fourth-world and adult-contemporary tonality, Toronto saxophonist Joseph Shabason sketches an auditory map of the transcendence, unity, conditioning, and eventual renunciation of his upbringing in an Islamic and Jewish dual-faith household. The resulting album The Fellowship bears the name of the insular Islamic community Shabason's traditionally Jewish parents belonged to from a time before he was even born; a mental and spiritual push-pull which continued shaping, even controlling, his outlook well into his adulthood. As a listening experience The Fellowship follows a chronological arc that spans three generations covering his parents' early lives, his own spiritual and physical adolescence, and his subsequent struggle to eschew the problematic habituations of such a conflicted past. On The Fellowship, as on prior albums that bear his name, Joseph Shabason does what only the best instrumental music makers can: tell a story with emotional clarity that conveys even the subtlest of feelings, all without singing a single word. As wordless as ever-- with as complex a theme as ever-- this album may be his most emotionally articulate yet. Most importantly, those lost in the woods of repression and self-doubt that organized religion can be at its worst now have The Fellowship to help guide them into a softer light. R.I.Y.L. Brian Eno, Jon Hassell, Beverly Glenn-Copeland, Laraaji, Robert Rich, Harold Budd

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Stu Cisco

Amanita

DJ Kicks Black Vinyl Edition

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally released in 1980, ‘Amanita’ is an early approach of Canadian artist Sherine Cisco, formerly known as Stu Cisco, to the limitless world of synthesizers in music, through ambient, progressive rock and drone noise. A unique combination of ambient, progressive rock and even drone noises and space-age that converged in ‘Amanita’, her first full album and a piece of music history. This LP marks a milestone in the investigation, experimentation and evolution of musical instruments, where the Mini Moog demonstrated its versatility and creative potential, opening Sherine a path of limitless possibilities.

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Special Request

2LP | 2021 | EU | Original (!K7)

Mathias Modica Presents Kraut Jazz Futurism Volume 2

Release: 2021 / EU – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Special Request continues his impeccable run of form with a typically fervent entry into the DJ-Kicks mix series. His adventurous 25 track mix takes in personal favourites, new school classics and of course a selection of his own brand new and exclusive edits, dubs and reworks next to some overlooked gems. Leeds based Paul Woolford dares to go where few others do. He can do face-melting underground bangers, peak time piano anthems, ambient cinematics or chart climbing crossover hits. What unites his work as Special Request across labels like Houndstooth and R&S, though, is precision engineering, but never at the expense of real, raw emotion and visceral impact. He is an artist who very much pours his heart into everything he does, and has been on such a prolific run in recent years that it has been impossible to keep abreast of all his many projects. Even in this mix, he hints at yet more new sides and sounds. As always with Special Request, this is an emotional, full spirited ride through the musical mind of one of the most accomplished artists of the day.

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Mathias Modica

2LP | 2021 | EU | Original (Kryptox)

LP | 1985 | EU | Reissue (Ici Bientot)

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Kraut Jazz Futurism compilation shows what's cookin' in the new German Jazz scene. Young German bands and a few of the international musicians working in Berlin now. Fresh artists that combine Jazz, Krautrock, Afro, Hip Hop and Electronica in a new way. The first volume of the compilation came out last year and was described by The Wire as "... a re-drawn map of underground Berlin. Refreshingly new, eccentric, badassed and sometimes funny." This 2nd part goes further. Similar to Gilles Peterson's "We Out Here" compilation, where he shows mainly the new hip english Jazz artists, on Kraut Jazz Futurism, Kryptox records head honcho Mathias "Kapote" Modica puts together what's hot in the new club jazz scene in Germany. And there is a lot cookin' in Berlin right now. Kraut Jazz Futurism comes out on Kryptox. Sublabel of Gomma & Toy Tonics records.

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Nyssa Musique

Comme Au Moulin

LP | 1977 | JP | Original (Warner)

Release: 1985 / EU – Reissue

Genre: Organic Grooves

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After NEF's album in 2019, Ici Bientôt is happy to present today the reissue of Comme Au Moulin by Nyssa Musique. Paris 1985... ‘Extra-European’ Traditions meet Jazz and Minimal Music. An unusual array of instruments turn music into a dialogue. For a unique record ... vivid, full of texture, somewhere between Midori Takada, Don Cherry and Jon Hassell. Beginning of the eighties, 5 musicians rehearse in a contemporary dance class hall, upstairs from the ‘’New Morning", renowned Music venue in Paris. Nyssa Musique is born. Passionate for a long time about traditional music, like those of the Middle East, India and East Asia, but also about African traditions, they throw a bridge between Jazz and ‘Extra-European’ traditions, resulting in what would be called "Spiritual Jazz" today, a little bit in the style of Don Cherry's Organic Music or Pharoah Sanders. With the notable difference, however, that their creations are strongly infused by contemporary classical and repetitive music, notably Steve Reich's work with whom they share a great interest for the traditional cultures of Southeast Asia, particularly Indonesia and its gamelans. In the original group we have Armand Amar, Ballet Music composer and John Boswell. Both specialists of traditional hand percussion which they had been studying for a long time in India and the Middle East, they are also very fond of synthesizers. Three other talented musicians quickly join them: Jean-François Roger, percussionist, marimba and vibraphone specialist, Henri Tournier, multi-flutist and Renaud Garcia-Fons, double bass player, who has a passion for the Middle East and has developed a virtuosic play of the bow, reminding that of Cecil Mc Bee. Each of them enriches the ensemble with their personality, originality and musical generosity. The rehearsal hall is rapidly invaded by the phenomenal instrumentarium put together by Armand Amar. A great opportunity for the musicians, for the dancers, to have access to an endless choice of instruments, offering infinite possibilities for mixing different colors and timbres. Their sense for being a group and their great capacity for improvising culminates, in 1985, in the composition of their first and only album Comme au Moulin (« As by the windmill"), testimony of years of creating without hidden agenda. Authentic, free and vibrant, still today, this album has no real equivalent. Even though it recalls the Fourth World current by its combination of traditional instruments with a subtle use of synthesizers, Comme au moulin gives more space to improvisation. It may also recall those of Midori Takada, less the New Age esthetics. An album that should delight as well lovers of "Love Supreme" by John Coltrane, of "Vernal Equinox" by Jon Hassell, as those of Moondog, an artist who, like them, invented a music based on the use of untypical percussions, at the confluence of 'Extra-European' traditions, Jazz and Classical, all together complex and hypnotic.

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Michael Franks

Sleeping Gypsy

Bob James / David Sanborn

Release: 1977 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

OBI is missing. With insert. close to NM.

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Double Vision

LP | 1986 | JP | Original (Warner)

Lon Moshe & Southern Freedom Arkestra

Release: 1986 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, with insert

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Love Is Where The Spirit Lies Black Vinyl Edition

2LP | 2020 | EU | Original (Strut)

Barney Wilen & Tete Montoliu

Release: 2020 / EU – Original

Genre: Organic Grooves

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Strut present the first ever international reissue of one of the most sought-after albums from the Black Fire catalogue, Lon Moshe & Southern Freedom Arkestra's life-affirming 'Love Is Where The Spirit Lies' from 1977. This first international reissue of the album features new sleeve notes including interviews and commentary by Lon Moshe, Plunky Branch and band members with original illustrated artwork by Mary E. Greer. Audio was remastered from original tapes by The Carvery. "Lon was creating his own path in his music life at this time," remembers Black Fire's Plunky Branch. "We had met in San Francisco and he had become an original member of JuJu during the early '70s. He then wanted to pursue his own music, primarily in jazz; he was an avant-gardist and loved Tribe, Strata-East and Sun Ra." For his Love Is Where The Spirit Lies album, Moshe drew from musicians within the Black Fire stable. Oneness Of Juju's Jackie Eka-Ete sang and helped to write songs and members of Southern Energy Ensemble contributed, including their bandleader Marvin Daniels. "The band name, Southern Freedom Arkestra, was a proud declaration that this music was from the U.S. South," continues Branch.

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Grenoble '88 Black Friday Record Store Day 2020 Release

LP | 2020 | EU | Original (Elemental)

Colour Splatter Viny Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

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Black Friday Record Store Day 2020 Release. RSD Exclusive. Limitation: 1000 copies. Elemental Music presents a never-before-heard complete concert which constitutes the only recorded testimony of the reunion of two jazz giants: French tenor and soprano saxophonist Barney Wilen and Spanish pianist Tete Montoliu. All tracks from this concert, which took place in Grenoble, France on February 12, 1988 are previously unreleased and boast excellent sound quality. The group is completed by the Italian bassist Riccardo del Fra (who frequently played and recorded with Chet Baker) and Chicago drummer Aaron Scott (who the year following this Grenoble concert would start a 14-year association and tenure with pianist McCoy Tyner as part of the McCoy Tyner Trio, winning three Grammy Awards and performing worldwide). This release includes specially prepared liner notes as well as never before published photos from the actual performance.

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Pete Josef

LP | 2020 | EU | Original (Sonar Kollektiv)

2LP | 2020 | Original (Lewis)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Limited edition repress of the debut album by Pete Josef from 2015. A heartfelt, genre-bending combination of jazz, soul, pop, and electro, UK singer, songwriter and multi-instrumentalist Pete Josef releases his debut album "Colour".

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Leron Thomas

More Elevator Music

Rob Mazurek & Exploding Star Orchestra

Release: 2020 / Original

Genre: Organic Grooves

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Genre: Jazz / Funk / Alternative / Hip-Hop. "Leron Thomas Isn't Making It Easy On Himself. His Self-Produced Records Are Hard To Sum Up - And That's The Point". Ny Times // 'More Elevator Music' Is Twelve Tracks Of Jazz-Edged Hip-Hop And Reassuring Curiosity Reaching From The Fuzziest Depths Of Its Backpack, With Iggy Pop, Malik Crumpler, Florian Pellissier, Kenny Ruby, Tibo Brandalise And Greg F Providing Assists. After Opening Act 'Corporate', Bbc 6 Music's Shaun Keaveny Would Laud Next Single 'Blind' As "A Bass Groove Masterclass". Jazz Trumpeter, Composer, Vocalist, Multi-Instrumentalist, Provocateur And, "Masterful Genre-Bender", Leron Thomas, A New York Transplant From Houston, Was Once Upon A Time In His Own Words "Just Your Run Of The Mill Jazz Musician Realizing That I Didn't Vibrate Well On The Nyc Jazz Scene". His Credentials That Have Put Him In His Own Lane, Make A Mockery Of Such Self-Deprecation. Charles Tolliver - Thomas' One-Time Trumpet Teacher In College - Is But One Scene Great He Has Performed With. Broadly Speaking He Can Name Bilal, 88 Keys, Dennis Ferrer, Lauryn Hill (As Part Of Her Touring Band) And Zara Mcfarlane As Further Conspirators Of Note. His Performance Critiqued By The Ny Times As "Intelligent, Casual, A Little Nuts And Completely Entertaining", Thomas Has Featured On Gilles Peterson's Vanguard 'Brownswood Bubblers' Compilation Series, And His 2015 Release 'Cliquish' Was Shortlisted By Peterson At The Worldwide Awards In The Best Album Category, Described As A "Brilliant Lp That Really Breaks The Mould". Prolifically Off The Radar And Realigning His Style Inspired By The Likes Of Frank Zappa, David Bowie, George Clinton, James Brown, Wayne Shorter, Miles Davis, Herbie Nichols And Frankie Beverly, Thomas' Most Recent Position At The Wheel Of Reinvention Was As A Vital Cog Behind Iggy Pop's 'Free' Album Of 2019 ("A Liberating Collection That Unshackles The Star From His Past" - Nme). Those In The Know Also Relish His Supplying Of Fresh, Ambiguous Angles For The Bbc...

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Dimensional Stardust Black Vinyl Edition

LP | 2020 | US | Original (International Anthem)

Release: 2020 / US – Original

Genre: Organic Grooves

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2LP | 2020 | Original (Sonar Kollektiv)

Pete Josef

I Rise With The Birds

Release: 2020 / Original

Genre: Organic Grooves

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LP | 2020 | UK | Original (Acid Jazz)

Nimbus Sextet

Dreams Fulfilled

Release: 2020 / UK – Original

Genre: Organic Grooves

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Jazz Daredevil's The Soundtrack Collection

Jon Benjamin

LP | 2020 | US | Original (Sub Pop)

Release: 2020 / US – Original

Genre: Organic Grooves

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Barney Wilen / Alain Jean-Marie

Montreal Duets

LP | 2020 | US | Original (Anagram Music)

Release: 2020 / US – Original

Genre: Organic Grooves

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Bonjintan (Sakata / O'rourke / Di Domenico/ Yamamoto)

Dental Kafka

2LP | 2020 | EU | Original (Trost)

The Piccolo - Tender Plays Tubby

Release: 2020 / EU – Original

Genre: Organic Grooves

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Jim O'Rourke (of Gastr del Sol and Sonic Youth fame) plays a lot with Japanese Free jazz legend Akira Sakata in various formations. Together with Italian composer and pianist di Domenico and the drummer Yamamoto they form this powerful band.Their second release combines contemporary Avantgarde and Free Jazz in a beautiful way. Akira Sakata - sax, clarinet, voiceJim O'Rourke - double bassGiovanni Di Domenico - piano, hohner pianetTatsuhisa Yamamoto - drumsRecorded at Hoshi to Niji studio 30th June 2018Recorded by Jim O'RourkeTracklistingA-1. Ape Huci Kamuy (12:15)B-2. Dental Kafka (16:53)C-3. Koro Koro Donguri 2 (15:58)D-4. Bonjin (10:45)

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Tenderlonious

LP | 2020 | UK | Original (Jazz Detective)

LP | 2014 | US | Reissue (Blue Note)

Release: 2020 / UK – Original

Genre: Organic Grooves

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22a founder, producer and multi-instrumentalist, Tenderlonious, head's up this incredibly special release for Jazz Detective Records, paying homage to the British jazz legend Tubby Hayes. A chance sequence of events lead to Tenderlonious, getting his hands on Tubby Hayes' Piccolo, resulting in this outstanding re-interpretation of four classic Tubby Hayes tracks. Features some of London's finest jazz musicians, with the hope; to introduce a whole new generation of jazz fans to a true great of British jazz.

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Herbie Hancock

Maiden Voyage

Schlingerland / Dynamische Schwingungen

Release: 2014 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

US reissue from 2014. Still in shrink, but opened, with hype sticker. Vinyl closer to NM

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Sven-Ake Johansson

LP | 2020 | EU | Original (Cien Fuegos / Cargo)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Amirtha Kidambi Elder Ones

Holy Science

LP | 2020 | UK | Original (Jazzman)

All Rise Limited Deluxe Hardcoverbook Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

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First released on digital formats back in 2016, and here now given a richly deserved full vinyl release, ‘Holy Science’, the debut outing from Amirtha Kidambi and her New York based quartet The Elder Ones, is a work of dazzling singularity. Delicately yet unashamedly divulging its complex network of influences at every turn, ‘Holy Science’ simultaneously disperses of boundary and limitation, emerging as an album steeped in tradition yet located firmly in the futuristic present.

Amirtha Kidambi, the Elder Ones’ leader, composer and vocalist, was a child of South Indian heritage, and she grew up immersed in the tradition of devotional singing, joining in with free-form, improvised Bhajans on regular Sundays. She began simultaneously accompanying her voice with the harmonium from the age of three. These formative experiences continued to instruct and merge with her ongoing musical explorations as she went on to study Classical music, all the while ingesting the Punk, R&B and Rap that surrounded her. A particularly significant discovery was that of free and avant jazz, and in particular the music of Alice and John Coltrane, in whom Kidambi found clear echoes and parallels with those Bhajans and Ragas of her earliest musical awakenings.

All these influences collide on ‘Holy Science’, at times as explosive blasts of sky-opening thunder, at others as moments of soothing, meditative bliss. These holy bursts are enacted by Kidambi’s assembled musicians and are given permission to explore the science of spiritual alchemy, plundering their individual and collective soul for the sake of musical expression, and all of the unpredictable and profound revelations such an approach might yield.

‘Holy Science’ is a work underpinned by traditions, be they the Bhajan spirituals, or the Jazz and Classical avant gardes, that are in their own manner, archetypal. But perhaps most importantly, all of these forms contain an inbuilt capacity for discovery and progression. Amirtha Kidambi’s musical pathway has been defined by a studied determination to occupy this specific space, the unbounded realm of improvisation and exploration, summoning the acquired instruments of experience, knowledge, culture and tradition to unlock secrets of the past, present and future. The most cherished music is often remarked upon as having a timeless quality – ancient, modern and futuristic, all at once. And so it is with ‘Holy Science’.

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Gregory Porter

CD+Book | 2020 | EU | Original (Blue Note)

Release: 2020 / EU – Original

Genre: Organic Grooves

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CD sized hardback book with 32 pages and glued-in wallet for CD on inside back page

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Musax Background Music Library Volume 1

LP | 2020 | EU | Original (Farfalla)

LP | 1981 | JP | Original (Eastworld)

Release: 2020 / EU – Original

Genre: Organic Grooves

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For this first volume of Musax Background Music Library, Farfalla Records continues exploring the maze of the french library music through one of its most discreet and prolific representatives: Jacky Giordano and one of his many projects, the Musax label. Farfalla Records carefully selected this tracklisting among LPs recorded between 1978 and 1979 of which the originals became particularly sought after by the collectors. Jacky Giordano who appears under his aliases Joachim Sherylee and José Pharos, is surrounded by qualified and renowned musicians such as Jean-Pierre Decerf, Jean-Claude Pierric, Serge Planchon, Patrick Petitbon, Gérard Gesina, Jean-Charles Capon, Daniel Humair and also a band composed of members from the legendary Crazy Horse cabaret, namely Pedro Perea, Claude Brisset, Bruno Bompard, Jean-Claude Guselli, Claude Thirifays, Vincent Momplet and Joseph Gatineau. This selection mixing explosive jazz-funk, lascivious jazz and electronic music more spacey or experimental, which could also be the soundtrack for a TV show, a porn movie or a car chase between cops and gangsters in the bad neighbourhoods of Paris. A fascinating slice of the French music scene of the late 70 is brought to life before our very eyes. (Erwann Pacaud)

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Freddie Hubbard

Mistral

LP | 2019 | US | Original (Now-Again)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Comes with OBI and insert. Record looks unplayed.

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Lloyd Miller

Oriental Jazz

2LP | 2019 | US | Original (Mathematics)

Release: 2019 / US – Original

Genre: Organic Grooves

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Born in 1938, and raised in Glendale, California, Lloyd Miller has had one of the most unusual careers in all of jazz. By age 12 he had declared an
intent to make his living as a jazz musician, and by high school he had already begun to experiment, shunning swing music's mechanical perfection,
and chafing at his parents’ desire for him to nurture his talents with formal training. This tumultous relationship with his parents would eventually
lead to a stint in a psychatric hospital, before reuniting with them in moving to Iran, his father having accepted a job working for the Shah.
Stops in Hong Kong, Japan and Pakistan on the way to Iran deepened Miller's connection to other cultures he’d first felt while listening to old world
music compilations. He felt a definite calm and peace, an immense respect from everyone towards everyone else, and immersed himself in other
cultures and languages immediately. Miller spent a year in Iran with his family, picking up Farsi after a few short months, and steadily gaining more
and more of an appreciation for how deep the roots of Persian art run. However, still committed to his decision forge a career in jazz, Lloyd left Tehran
in 1958 to head to Europe to see if he could make a living from jazz music.
Miller kicked around the continent, first in Germany, then in Switzerland, Sweden and Brussels. He collaborated and performed alongside 60s jazz
legend Jef Gilson, and experimented with exotic instrumentation before returning to America to resume his studies at Brigham Young University in
Utah. In the years following his stint with Gilson, Miller had become more and more disillusioned with both modern music and modern society, which
had ashewed jazz for rock music, which he detested. In Miller’s conception, for a music to have value it had to have a deep connection to a tradition,
specifically connecting jazz to African lore. To Miller, something like “Tuareg African music is blues, just with no chord changes.”
Oriental Jazz was recorded, compiled and self-released in 1968 while Miller was studying at Brigham Young. The record, originally pressed in
a quantity of 300 copies, sought to combine a cool, modal style with the exotic arrays of instruments and styles that Miller had picked up during
his travels. Miller included songs he’d cut with Gilson in his Parisian studio years before, and a solo piano piece that he recorded in one of the
school’s practice rooms. Despite Lloyd’s professed aversion to modernity, there nevertheless is something strikingly new sounding about this
music, which fits together in startling juxtapositions. Traces of Bill Evans, Stan Getz and Jimmy Giuffre rub shoulders with Persian santur, Arab oud
and Turkish saz music.
Copies of Oriental Jazz languished in Miller's home for years after numerous failed bids for record contracts, before finally ending up in the hands of
record collectors decades later. After its release however, he would find a second life after returning to Iran, doing field recordings, and eventually
hosting a weekly television show that programmed both American jazz and the best traditional Persian musicians he could find. It was not to last
however, as he abruptly abandoned the country to return to the US in the late 1970s, predicting the arrival of the Islamic Revolution.

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Ghost Horse

Trojan

26,99 €* 29,99 € -10%

فرقة العقارب & سيف أبو بكر = فرقة العقارب و سيف أبو بكر

Release: 2019 / US – Original

Genre: Organic Grooves

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Sprouting from a rich humus of Latin and African polyrhythms, GHOST HORSE creates a fusion of free jazz, hip hop, blues & loop music. The result is fascinating but quietly menacing, pulsing & breathing with the visceral force of nature reclaiming abandoned structures. Full Color Poster insert!
Generic Gatefold Cover.

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الجاز = Jazz, Jazz, Jazz

LP | 2018 | DE | Reissue (Habibi Funk)

Release: 2018 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP+CD | 2019 | EU | Original (Schnitzel)

Solid Bronze

Fruit Basket

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 1959 | EU | Reissue (Trunk)

Buddy Collette Septet

Polynesia

Pata Pata (Definitive Remastered Edition)

Release: 1959 / EU – Reissue

Genre: Organic Grooves

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The rarest of all exotic LPs, like Eden Ahbez but with extra added death. This bizarre, rarely heard masterpiece brings together jazz, ancient manuscripts and a convicted murderer. Issued originally in 1959 it originates from Pheonix, Arizona. The concept behind the recording was unusual - to brings together two unconnected worlds: the jazz genius of Buddy Collette with the academic oriental studies and translations of A.I Groeg. Little can be found of A.I. Groeg, But before the LP was recorded A.I Groeg had translated several Polynesian and Japanese manuscripts. These form the basis of the dark narrations and lyrics across the album. Sublime vocalist Marni Nixon (the voice of Maria in West Side Story) was brought in for two songs and fledgling actor Robert Sorrels (now a convicted murderer) supplied the strangely unsettling and almost otherworldly narration.

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Miriam Makeba

2LP | 1967 | EU | Reissue (Strut)

Caoimhín Ó Raghallaigh & Thomas Bartlett

Release: 1967 / EU – Reissue

Genre: Organic Grooves

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Includes both the mono and stereo versions of the album!

Strut presents an all-time classic of South African music, the definitive remastered edition of Miriam Makeba's 'Pata Pata', her first album recorded for Reprise in 1966.
The album marked a significant international breakthrough for Makeba. Moving to the US after the anti-apartheid film 'Come Back, Africa' gained international attention and staying there in exile, she quickly built her career in New York during the '60s, mentored by Harry Belafonte. Signing with Reprise after a period with RCA, she returned to one of her older songs: "I wrote 'Pata Pata' back in 1956, back in South Africa", remembered Makeba in her autobiography. "It was a fun little song and I was thinking of a dance that we do at home ("pata" means 'touch" in Zulu and Xhosa)".
The track peaked on the Billboard Hot 100 at no. 12 and the album. Other songs on the album included a version of the traditional Xhosa classic, 'Click Song Number One' ('Qongqothwane'), the atmospheric 'West Wind', later famously covered by her friend Nina Simone, and a version of Tilahun Gessesse's 'Yetentu Tizaleny' which Makeba learned on a trip to Addis to perform for Haile Selassie at the Organisation Of African Unity.

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2LP | 2019 | EU | Original (Real World)

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie, Classical Music

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LP | 2019 | EU | Original (Warner)

Jacob Karlzon

Open Waters

Release: 2019 / EU – Original

Genre: Organic Grooves

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I've Got You Under My Skin

Frank Sinatra

LP | 2019 | EU | Original (BMG)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Elemental Music)

Dexter Gordon

Tokyo 1975

Release: 2018 / EU – Original

Genre: Organic Grooves

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Janusz Zabieglinski and His Swingtet

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Piotr Wylezol

Human Things

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Jan Ptaszyn Wroblewski

Flyin' Lady

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Sun Ship

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Tomasz Stanko

Music 81

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Spisek Szesciu

Complot Of Six

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Zbigniew Namyslowski Quintet

Polish Jazz - Yes!

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Wlodzimierz Nahorny Trio

Heart

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Adam Makowicz

Live Embers

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Kazimierz Jonkisz Quintet

Tiritaka

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Jazz Band Ball Orchestra

Home

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Extra Ball

Go Ahead

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Big Band Katowice

Music For My Friends

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Ewa Bem With Swing Session

Be A Man

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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LP | 2019 | EU | Original (Igloo)

Melanie De Biasio

A Stomach Is Burning

Release: 2019 / EU – Original

Genre: Organic Grooves

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C. Baker / P. Catherine / J.-L. Rassinfosse

Crystal Bells

LP | 2019 | EU | Original (Igloo)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 1977 | EU | Reissue (We Release Jazz)

Ryo Fukui

Mellow Dream