Jazz | Fusion 831 Items

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | US | Original (Impulse)

Ted Poor

You Already Know

37,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Edition)

Tineke Postma

Freya

23,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Musik Produktion Schwarzwald)

Malia

The Garden Of Eve

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Finest - Somewhere Over The Rainbow

Judy Garland

LP | 2020 | EU | Original (ZYX)

17,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Consouling Sounds)

Jozef Van Wissem

Ex Mortis

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tony Allen & Hugh Masekela

Rejoice

LP | 2020 | EU | Original (World Circuit)

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Amirtha Kidambi Elder Ones

Holy Science

LP | 2020 | UK | Original (Jazzman)

26,99 €*

LP | 2020 | EU | Original (W.E.R.F.)

Release: 2020 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

First released on digital formats back in 2016, and here now given a richly deserved full vinyl release, ‘Holy Science’, the debut outing from Amirtha Kidambi and her New York based quartet The Elder Ones, is a work of dazzling singularity. Delicately yet unashamedly divulging its complex network of influences at every turn, ‘Holy Science’ simultaneously disperses of boundary and limitation, emerging as an album steeped in tradition yet located firmly in the futuristic present.

Amirtha Kidambi, the Elder Ones’ leader, composer and vocalist, was a child of South Indian heritage, and she grew up immersed in the tradition of devotional singing, joining in with free-form, improvised Bhajans on regular Sundays. She began simultaneously accompanying her voice with the harmonium from the age of three. These formative experiences continued to instruct and merge with her ongoing musical explorations as she went on to study Classical music, all the while ingesting the Punk, R&B and Rap that surrounded her. A particularly significant discovery was that of free and avant jazz, and in particular the music of Alice and John Coltrane, in whom Kidambi found clear echoes and parallels with those Bhajans and Ragas of her earliest musical awakenings.

All these influences collide on ‘Holy Science’, at times as explosive blasts of sky-opening thunder, at others as moments of soothing, meditative bliss. These holy bursts are enacted by Kidambi’s assembled musicians and are given permission to explore the science of spiritual alchemy, plundering their individual and collective soul for the sake of musical expression, and all of the unpredictable and profound revelations such an approach might yield.

‘Holy Science’ is a work underpinned by traditions, be they the Bhajan spirituals, or the Jazz and Classical avant gardes, that are in their own manner, archetypal. But perhaps most importantly, all of these forms contain an inbuilt capacity for discovery and progression. Amirtha Kidambi’s musical pathway has been defined by a studied determination to occupy this specific space, the unbounded realm of improvisation and exploration, summoning the acquired instruments of experience, knowledge, culture and tradition to unlock secrets of the past, present and future. The most cherished music is often remarked upon as having a timeless quality – ancient, modern and futuristic, all at once. And so it is with ‘Holy Science’.

Go to Item

Commander Spoon

Spooning

20,99 €*

Sings And Plays With Len Mercer And His Orchestra Angel Eyes

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Brussellians of Commander Spoon interlace their eclectic wealth of influences into an energetic jazz sound, respectfully demolishing walls between jazz, hip hop, rock and electronica.

Go to Item

Chet Baker

LP | 2020 | IT | Original (Cinevox)

LP | 2020 | EU | Original (La Sape)

Release: 2020 / IT – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The lyricism of Chet Baker cannot be doubted because Chet in his musical expressions remains as singer and musicians essentially romantic. He fits beautifully into a context created around him and for him, a context that finds in the sonority of his trumpet or in the opacity of his voice a leading element, dominator and at the same time attractive and fascinating.

The songs on this record are aimed to everyone: jazz fans and those who are not very familiar with jazz. For music arrangers Ezio Leoni and Giulio Libano the work ground with Chet has been smoothed out: there was no need to build beyond the measure, it was important to expand, enhance, galvanize what Chet wanted to express. They have alternated lyrical songs with more stringent and alive tracks. With the continuous alternation of times, expressions and atmospheres they made sure to avoid any monotony.

The orchestra that recorded the album was consisted of 16 violins, 4 violas, 4 cellos, a flute, a bass clarinet, an oboe, a French horn, a harp which matched with Glauco Massetti's alto sax, Fausto Papetti's baritone sax, Mario Pezzotta's trombone, Gianni Basso's tenor sax, Franco Cerri's double bass, Gene Victory's drums. An imposing orchestra that was able to mix perfectly and alternate purely jazzy instruments with strings during the performances.

The repertoire included in the album ranges a lot: from well-known motifs such as 'Angel Eyes', 'When I Fall In Love' or 'I Should Care', to others less known but very pleasant tracks as 'The Song Is You' or
'Forgetful'. Other tracks lend themselves perfectly to a wider orchestration such as 'Autumn In New York', 'Violets for Your Fur' or 'Deep in A Dream'. Another theme was treated with a thrifty intervention of the strings, almost a crown of the whole performance, represented by the recording 'Street of Dreams'. In the last track Good-bye of Side A Chet expresses an exceptional sadness in a very valid and unusual way.

The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. recording
studio.The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. studio

Go to Item

Horatio Luna

Yes Doctor

22,99 €*

All Rise Limited Deluxe Hardcoverbook Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Henry Hicks AKA Horatio Luna is a Melbourne based improviser, composer, bassist and producer.
A founding member of hip-hop/soul community "30/70 collective", he is an active member of the Australian beatz, jazz and soul music scene.
After parting with 30/70 in 2019, Horatio featured on the Gilles Petersons Brownswood compilation 'Sunnyside Up', released a 12" 'Print It, Run It, Send It', Remixed Moodyman approved Jitwams music and focused his sights on working and collaborating with the younger generation of players in Melbourne, serving as the musical director on 'downundaground' and joining Antiphon among many other groups.

Go to Item

Gregory Porter

CD+Book | 2020 | EU | Original (Blue Note)

26,99 €*

All Rise Limited Digisleeve Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

CD sized hardback book with 32 pages and glued-in wallet for CD on inside back page

Go to Item

Gregory Porter

CD | 2020 | EU | Original (Blue Note)

13,99 €*

2LP | 2020 | EU | Original (Earmusic)

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is the limited Digisleeve edition that contains 13 tracks.

Go to Item

Al Di Meola

Across The Universe

32,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

It Is What It Is Clear Vinyl Edition

Thundercat

LP | 2020 | UK | Original (Brainfeeder)

36,99 €*

It Is What It Is Red Vinyl Edition

Release: 2020 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The album, produced by Flying Lotus and Thundercat, features musical contributions from Ty Dolla $ign, Childish Gambino, Lil B, Kamasi Washington, Steve Lacy, Steve Arrington, BADBADNOTGOOD, Louis Cole and Zack Fox.

“It Is What It Is” follows his game-changing third album “Drunk” (2017). That record completed his transition from virtuoso bassist to bonafide star and cemented his reputation as a unique voice that transcends genre. “This album is about love, loss, life and the ups and downs that come with that,” Bruner says about “It Is What It Is”. “It’s a bit tongue-in-cheek, but at different points in life you come across places that you don’t necessarily understand… some things just aren’t meant to be understood.”

Go to Item

Thundercat

LP | 2020 | UK | Original (Brainfeeder)

LP | 2020 | EU | Original (Decca)

Release: 2020 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Melt Yourself Down

100 & Yes

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

8: Kindred Spirits - Live From Lobero

Charles Lloyd

2LP+DVD | 2020 | EU | Original (Blue Note)

29,99 €*

Carla Bley / Andy Sheppard / Steve Swallow

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Charles Lloyd has played the 150-year-old adobe theater in downtown Santa Barbara more often than any other venue, and more often than any other performer. Knowing that Marian Anderson sang there on February 14, 1940 makes it a sacred space for him. In the concert film you can see him bobbing with pleasure beneath his pointy, indigo knit cap, curly white hair, and long goatee. He beams at his neighbors, places the palms of his hands together and pulls them against his black sweater and golden tenor saxophone in the traditional Buddhist greeting. “I always get nervous before I go on,” Lloyd confesses, “but once I get on, Dorothy [Darr] has to come and drag me off. It seems that once I’m on stage I get met by the spirits. I enter the now. Sometimes Prez and Bird will stop by and say, ‘Hi, Charles.’”

A birthday is a door between the past and the future, and this concert reflected that truth. Representing the future were 34-year-old pianist Gerald Clayton, who performs regularly with Lloyd, and 31-year-old guitarist Julian Lage, who had performed with him when he was 12-years-old. Representing the past was 74-year-old organist and fellow Memphis native Booker T. Jones, who had never played with Lloyd at all. This was a one-of-a-kind line-up for a one-of-a-kind ritual.

“I’ve known Julian since he was 12,” Lloyd says. “He’s from the Healdsburg area, and Jessica Felix, who runs the jazz festival there, asked if Julian could play with us during the festival in 2000. Billy Higgins and John Abercrombie were in the group. I knew she wouldn’t ask if he didn’t have something special, so we let him play, and he had something; he had big ears. We’re all seekers in life; we all get the rays of the sun, but some get a stronger dose. A lot of young geniuses flame out and no one remembers their names. But so far, Julian’s balanced: grounded but at the same time ecstatic. Even though he’s the future, he knows the past.”

“Gerald was often back stage when I was touring with the New Quartet. In 2013 when Jason’s other duties became overwhelming, I decided to try out Gerald. His father and uncle are great musicians,” Lloyd says, referring to bassist John and saxophonist Jeff of the Clayton Brothers, “so he comes from something deep. You can hear it when he plays.”

Jones was still in junior high when Lloyd was graduating from high school, so they didn’t know each other when they were both growing up in Memphis. But they both shared the city’s rich cultural heritage, and when they ran into each other at the 2014 Monterey Jazz Festival, they promised to play together at some point. This birthday party was the perfect excuse.

“Memphis was such a rich environment,” Lloyd recalls. “It was like New York City, only with biscuits and gravy. There was an intelligentsia that inspired me to always be a learner. New York was 1300 miles away, and Chicago 450 miles away, but we were on the river, so musicians were always coming through. These out-of-town guys would play the Peabody Hotel and then they’d come over to the joints in our neighborhood to play with us, and we’d put a hurt on them. We didn’t tap dance or do anything for the man. We had our own culture and we knew it was inspired. We knew nothing of the lamb tongues and the gold mines, and I’m so thankful; we were doing it for the music.”

Don Was first made his name as co-leader and bassist of the 1980s funk-rock band Was (Not Was) and went on to produce albums for the Rolling Stones, Bob Dylan, Brian Wilson, Bonnie Raitt, Lucinda Williams, Jason Moran and many more. In 2012, he became president of Blue Note Records and immediately set out to bring his hero Lloyd to the label. By 2015, he had succeeded in his quest and a magnificent series of albums has followed: Wild Man Dance, I Long To See You, Passin’ Thru, and Vanished Gardens.

Harland anchors every project that Lloyd pursues these days—Sangam, the Marvels, the New Quartet—and Rogers is present in every group but the bass-less Sangam. “Eric and Reuben put a magic carpet under me,” Lloyd exclaims, “and I can travel wherever I want to go. They want to be there, and they know that to be there they have to spread their wings in any situation. When we take that journey together; that’s communal living at its highest. Music is not for sleepwalking; it’s for wakefulness. Reuben and Eric understand. My music dances on a lot of shores, and they have the ability to be in the now with all of it.”

The Lobero set list docked at many of those shores. The evening began with the title track from Lloyd’s first album for Atlantic Records, 1966’s Dream Weaver. This infectious reverie begins with breathy exhalations and ends the same way 20 minutes later, but in between, Lloyd’s tenor saxophone attacks the theme with an increasingly edgy fearlessness—and Lage and Clayton follow his example.

“‘Dream Weaver’ is sacred ground to me,” Lloyd says. “That record was fresh and crazily beautiful. It has withstood the passage of the ages. I started playing it again and found new ways of expressing the truth. There are some notes on the saxophone I didn’t have as a young man. They aren’t on the horn; they’re in between the cracks. I’m not denying the young Charles, but as my character becomes whole, the music gets better.” If that tune reached back to the beginnings of Lloyd’s career, the next three came from his much-lauded resurgence in the 1990s through the 2010s on ECM. “Requiem,” which first appeared on 1992’s Notes from Big Sur, used patient tempos and pointillist solos by the tenor saxophone, piano, guitar and acoustic bass to create a mood that fits the title.

The Mexican folk song “La Llorona” from 2010’s Mirror (and 2016’s I Long To See You) opens with a piano solo that slowly builds from quiet to majestic and closes with a tenor solo that manages to always reference the melody as it’s sprinting through the octaves. That segues into “Part 5, Ruminations” from 2017’s Passin’ Thru, which begins with a meditative, free-floating consideration of the harmony before cohering into a more definite theme that inspires a stabbing guitar solo, a classically flavored piano solo, a rumbling drum solo and a low-register tenor saxophone solo.

The second set found Clayton sitting out until the encores. Rogers switched from acoustic to electric bass, and Was sat in for two numbers on acoustic bass. Jones contributed two compositions: the premiere of his birthday card “Song for Charles,” and his 1962 hit as leader of Booker T. & the MGs, “Green Onions.” Two Lloyd compositions from the 1960s, “Island Blues” and “Sombrero Sam,” joined the old hymn “Abide with Me” and the American folk tune “Shenandoah.” For the encore, Clayton rejoined the band to play Lloyd’s “Forest Flower” and Billy Preston’s 1974 hit single, “You Are So Beautiful.”

Go to Item

Life Goes On

LP | 2020 | EU | Original (ECM)

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2020 | EU | Original (Six Nine)

Byron Jamez

Time Machine

LP | 2020 | EU | Original (BBE Music)

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Soul/Disco/Funk single here for the first time ever on vinyl! The independent UK label Six Nine Records Ltd, based in Newcastle upon Tyne, proudly presents Byron Jamez who now makes his debut on the label! Born and raised in Detroit, Michigan, Mr. Jamez has been living and breathing soul music all his life (his mother was an active musician already during the 1970s). Byron Jamez is a multi-talented man; an artist in the music business, an established actor and a master of advanced media skills. What we cherish the most right now is his pillow clenching voice and fantastic music, which definitely make this world much more beautiful. This release contains the brand new and stunning groover “Let’s Get Together” backed with the stepper-esque “Time Machine” on the flipside. Definitely not to be missed as it is a limited UK press with small hole and full colour printed picture cover!

Go to Item

Larry Rose Band

Jupiter Effect

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | US | Original (Unseen Worlds)

Leo Takami

Felis Catus & Silence

Release: 2020 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | US | Original (ORG Music)

Art Ensemble Of Chicago

The Spiritual

36,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Mr Jones Tone Poet Vinyl Edition

Elvin Jones

LP | 2020 | DE | Original (Blue Note)

37,99 €*

Release: 2020 / DE – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2020 | EU | Original (Blue Note)

Brian Blade

Brian Blade Fellowship

48,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Diapositive Black Vinyl Edition

Massimo Guantini

LP | 2020 | EU | Original (Loneos)

CD | 2020 | US | Original (International Anthem)

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Beside the telluric year in pop music and culture, 1977 was still ranked as the future for Italian leftfield composers. Published by roman imprint Gemelli and credited to the elusive Massimo Guantini (none else than influential jazz player and composer Sandro Brugnolini), Diapositive is a fully cinematic journey in the realm of sci-fi and cool jazz. Fully produced at famous roman Emmequattro Studios (home of many fascinating recordings by piano player Enrico Pieranunzi) the album is deeply rooted in the coolness of italian libraries, showing up such an incredible music craftsmanship. Fully adorned by a vibrant rhythm section, an acoustic piano, a clavinet, a Fender Rhodes and a proper ‘acid jazz’ guitar-playing, this album will lift your mind and soul for good.

Go to Item

Jeff Parker

Suite For Max Brown

Jazz On Vinyl Volume III - Modern Energy Jazz

Release: 2020 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"I'm always looking for ways to be surprised," says composer and multi instrumentalist Jeff Parker as he explains the process, and the thinking, behind his new album Suite for Max Brown, released via a new partnership between International Anthem and Nonesuch Records.
"If I sit down at the piano or with my guitar, with staff paper and a pencil, I'm eventually going to fall into writing patterns, into things I already know. So, when I make music, that's what I'm trying to get away from-the things that I know." Despite its musical departures, in presentation Suite for Max Brown is an informal companion piece to The New Breed, Parker's debut release on International Anthem, which was honored as one of the "Best Albums of 2016" by New York Times, Observer, and Los Angeles Times.
"I made The New Breed based off these old sample-based compositions and mixed them with improvising," Parker says. "That's in a nutshell how I make a lot of my music; it's a combination of sampling, editing, retriggering audio, and recording it, moving it around and trying to make it into something cohesive... With Max Brown, it's evolved." Though Parker collaborates with a coterie of musicians under the group name The New Breed, theirs is by no means a conventional "band" relationship.
Parker is very much a solo artist on Suite for Max Brown. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams-warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.

Go to Item

V.A.

LP | 2019 | EU | Original (Jazz On Vinyl)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Trost)

16-17

Phantom Limb

Snekkestad / Fernandez / Guy

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Massive industrial noise and free jazz blasts_ 16-17 returning with new material after 25 years. Founded 1983 in Basel by saxophonist Alex Buess and former drummer Knut Remond, they have been shaping the forefront of a new sound area. Playing an abrasive distorted mix of dub, hardcore and free jazz that lead to a meeting of likeminded heavy heads that temporally took part in the band e.g. Kevin Martin (The Bug, Techno Animal) or G.C. Green (Godflesh). After marking their presence and extensive European tours, the band officially split up in 2000. The basis of the new LP Phantom Limb was recorded in 1995 by a new line-up with Alex Buess, Damian Bennett (Techno Animal) and Michael Wertmüller (Full Blast, Nohome, Alboth) additionally expanded by vocalist and writer Eugene S. Robinson (Oxbow) and Kasia Meow. New Line upAlex Buess: Saxes & Bassclarinet, Electronics, VoiceDamian Bennett: BassMichael Wertmüller: DrumsEugene S. Robinson: Voice, LyricsRoger Graf: E-Guitar, Dobro, VoiceKasia Meow: VoiceDaniel Buess: Drums

Go to Item

The Swifted Traveler

LP | 2020 | EU | Original (Trost)

LP | 2020 | EU | Original (Label Bleu)

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

An exciting international trio initiated by Scandinavian improv saxophonist Torben Snekkestad, flanked by two esteemed international capacities in the field of free improvised music - the Spanish pianist Agustí Fernández and the British double bass player Barry Guy. The music they create together is situated somewhere between free improvisation, free jazz, and contemporary classical music and executed with lightning fast interaction and explorative innovative sounds and textures. Line-up :Torben Snekkestad: tenor & soprano sax, trumpet and clarinetAgusti Fernández: pianoBarry Guy: double bas Recorded at "LOFT" in Cologne, June 2018 by Stefan DeistlerMixed and Mastered by John Fomsgaard at KarmacrewProduced by Torben SnekkestadExecutive Producer: Konstantin DrobilCover design: Lasse Marhaug

Go to Item

Ji Dru

Western

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2019 | UK | Original (Honest Jon's)

Company

Trios

Thelonious Monk & Sonny Rollins

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

A typically eclectic collection of guests joined Derek Bailey for Company Week in 1983: saxophonists Evan Parker and Peter Brötzmann; cellist Ernst Reijseger, mainstay of Dutch new jazz (ICP Orchestra, Clusone Trio); American wind virtuoso J.D.Parran, veteran of the Black Artists’ Group and Anthony Davis and Anthony Braxton ensembles.
The French bassist Joëlle Léandre is equally at home playing free or performing works by Cage and Scelsi, while Vinko Globokar is an acclaimed composer as well as a trombonist of monstrous virtuosity.

British electronics pioneer Hugh Davies served time alongside Globokar with Karlheinz Stockhausen. Percussionist Jamie Muir was with Davies on the very first (Music Improvisation) Company outing in 1970, before a brief stint with King Crimson.

Is there an ideal number of musicians for free improvisation? Bailey once described playing solo as a “second-rate activity” – though he did it spectacularly well – while at the other end of the spectrum, large improvising ensembles can descend into an unwieldy racket.

Three may be a crowd for some, but for Pythagoras it was the perfect number, and trios work surprisingly well in improvised music. Sometimes one instrument takes centre stage, like Parker’s circular-breathing soprano at the beginning of Five, but knowing when to lie low, as he does in the brief austere Three, is just as crucial to the success of the whole. Muir makes sure he doesn’t get in the way of Globokar and Parran’s leisurely exchanges on Four, but the trombonist is all over the place on One, with Léandre racing up and down her bass and Davies all spikes, squeaks and squiggles.

With a touch of Bailey’s dry humour, two of these seven recordings aren’t trios at all: Trio Minus One is his duo with Reijseger, running the gamut from crazed polyrhythmic strumming (imagine Reinhardt and Grappelli playing Schoenberg and Nancarrow simultaneously) to what must be the fastest cello pizzicati ever recorded. And on the closing ecstatic nonet, Brötzmann and trumpeter John Corbett prove that more cooks don’t necessarily spoil the broth but sure as hell can spice it up.

Go to Item

Brillant Corners Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Round About Midnight Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

John Coltrane

Ole Blue Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Somethin' Else Blue Vinyl Edition

Cannonball Adderley

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Tape | 2019 | CA | Original (Inner Ocean)

Carsten Rubeling

Volk // People

We're New Again - A Reimagining By Makaya McCraven

Release: 2019 / CA – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

imited to 100 copies.

Carsten Rubeling - trombone, keyboards
Andre Wickenheiser - trumpet, flugelhorn
Steve Fletcher - keyboards
Steve Shepard - bass, synth bass
Colin Adhikary - drums

Composed/Arranged/Produced by Carsten Rubeling
Co-produced by Sean Nimmons-Patterson
Recorded by Patrick Palardy at Public Lunch Studios
Mixed by Trey Mills at Unbound by Sound
Inner Ocean Records © 2019

Trombonist and Composer, Carsten Rubeling features his debut album on Inner Ocean Records. A powerful and fluid blend of jazz, soul, hip-hop and electronic music, skillfully navigating between traditional and modern influences on a distinctive sonic path.

Rubeling wrote and produced VOLK//PEOPLE with a vision to mix acoustic and electronic palettes in a way that never obscures its human feel. He weaves a fabric of hard-hitting drums, soulful improvisations and warm synthetics with the vibes of a live, instrumental mix tape.

Originally from Rocky Mountain House, Alberta, Carsten Rubeling is one of Canada's most active and dynamic trombonists and composers, highly in demand playing a wide array of music from jazz and classical music to hip hop, salsa and everything between.

Carsten completed his Masters Degree in Jazz Performance at the City University of New York where he studied with Michael Philip Mossman, Antonio Hart and Michael Dease. He earned his Undergraduate degree in Jazz Studies from Humber College in Toronto where he played alongside some of the Canada's best jazz musicians including Pat LaBarbera, Alastair Kay, and John MacLeod.

Go to Item

Gil Scott-Heron

CD | 2020 | UK | Original (XL)

13,99 €*

LP | 2019 | EU | Original (Altercat)

Release: 2020 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

To mark the tenth anniversary of the release of I’m New Here , the thirteenth - and last - studio album from the legendary US musician, poet and author Gil Scott-Heron, XL Recordings will release a unique reinterpretation of the album by acclaimed US jazz musician Makaya McCraven. Titled We’re New Again , the album will be released on 7th February 2020; exactly a decade after the release of Scott-Heron’s original Richard Russell-produced recording. It’s set to follow in the footsteps of Jamie xx’s highly acclaimed 2011 remix album We’re New Here and will be McCraven’s first release of 2020, following the huge global acclaim heaped upon his 2018 album Universal Beings . One of the most vital new voices in modern jazz, McCraven is described by the New York Times as a "Chicago-based drummer, producer and beat maker, [who] has quietly become one of the best arguments for jazz’s vitality".

Go to Item

Afrodyssey Orchestra

Under The Sun

La Recette De L'amour Fou

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Greece is maybe not the first country that comes to mind when you think of Afrojazz. Afrodyssey Orchestra unexpectedly hit the scene some time ago after the release of In the Land of Aou Tila, their debut album — while that first album was going to the hands of the few lucky ones who managed to discover the band back then, Afrodyssey Orchestra were already booking more studio time in order to start working on further recordings. Three years later, we’re proud to present you Under the Sun, with seven new compositions that reflect the logical evolution the band has experienced during this time, including some fine-tuning in their line-up. A melange of African polyrhythms, jazz, a scent of the Balkans and a fling with Afrobeat that holds hands with their beginnings — all this devised through the prism of the vast Greek musical universe.

Go to Item

Serge Gainsbourg

LP | 2019 | EU (Primitiv Sounds)

16,99 €* 19,99 € -15%

Release: 2019 / EU

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Jean-Claude of Amalgamation Of Soundz

If Music Presents You Need This: A Jounrey Into Deep Jazz Volume 3

3x12" | 2019 | UK | Original (BBE Music)

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2020 | EU | Original (Motor Entertainment)

Moka Efti Orchestra

Erstausgabe

30,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Love Each Other / L.O.V.E.

Leon Thomas

7" | 2019 | UK | Original (Soul Brother)

12,74 €* 14,99 € -15%

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2020 | EU | Original (Eskapaden Musik)

Sepalot Quartet

NOWNEXT

CD | 2020 | EU | Original (Record Kicks)

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The second offering by SEPALOT QUARTET presents itself as a loosely layered fusion album incorporating the best of jazz, indie and electronics - constantly infused by SEPALOT's HipHop roots. On A NEW CYCLE, the quartets first release, they had to limit themselves to delivering versions of SEPALOTS already released discography, a trial run they stated then. But the concept blossomed and with this album it came to fruition. The work on NOWNEXT provided a solid foundation for self-discovery on a grand scale. NOWNEXT is an unambiguous, contemporary album with international format, that draws its rich repertoire from the musical background of its diverse members (Sepalot, Angela Aux, Fabian Füss, Matthias Lindermayr). Memories, associations and visions are awakened and poured into a musical form.

Go to Item

Calibro 35

Momentum

Imagine Giving Up Black Vinyl Edition

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Italian cult combo CALIBRO 35 release their highly anticipated 7th studio album “DECADE” on January 24th 2020. “Momentum” follows “DECADE” their previous studio album released in 2018 that has marked 10 years of Calibro 35 and it stands out as a new starting point for the project. In the last 10 years Calibro 35 have dug the golden age of soundtracks and they’ve been to the future with “S.P.A.C.E.”, “Momentum”, as the band stated: "represents a look at nowadays and a reflection about making music right in the time that we’re living”.
Inspired by the work of artists such as Tortoise, Jagajazzist, Dj Shadow, Budos Band, Stelvio Cipriani, Ennio Morricone, Sandro Brugnolini, White Noise, Comet is Coming, JPEGMafia and DJ Signify, compare to the previous Calibro 35’s full lengths on the 10 tracks that make up the new album band’s instruments and sounds have increased in number and complexity as the reality around has it too. The music palette is further extended by incorporating even more synths and electronic sounds, but keeping everything true and 100% real, with all the instruments played live and with no presets or programming. The two featurings on the album serve the cause as well. On the first single “Stan Lee” they’ve collaborated with rapper, producer and songwriter Illa J a former member of super group Slum Village and younger brother of the late legendary hip hop producer and rapper J Dilla. On “Black Moon”, the Milan combo provided the groove for London-based artist MEI. "If Decade was the sum of everything that the band had felt in the previous ten years" Calibro 35 says "Momentum is the prequel of what you will hear in the next ten".

To mark the new beginning and come full circle, the recordings took place under the expert hands of usual suspect Tommaso Colliva, in the same studio where Calibro released their self titled debut album twelve years ago.
Been sampled by Dr. Dre on his Compton album and Jay-Z, Love Child & Damon Albarn CALIBRO 35 enjoys a worldwide reputation as one of the coolest independent band around. During their ten years career they shared stages worldwide with the likes of Roy Ayers, Muse, Sun Ra Arkestra, Sharon Jones, Thundercat, Headhunters and as unique musicians they've collaborated with, amongst others PJ Harvey, Mike Patton, John Parish and Stewart Copeland and Nic Cester (The Jet). Described by Rolling Stone magazine's as "the most fascinating, retro-maniac and genuine thing, that happened to Italy in the last years", Calibro 35 now count on a number of aficionados worldwide which includes VIP’s fans such as Dj Food (Ninja Tune), Mr Scruff and Huey Morgan (Fun Lovin’ Criminals) among others.

Go to Item

Jonah Parzen-Johnson

LP | 2020 | UK | Original (We Jazz)

16,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nicola Conte & Gianluca Petrella

People Need People

LP | 2020 | EU | Original (Schema)

Col Nolan & The Soul Syndicate

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The circle is now complete: after three EP's in a row released under this project, Nicola Conte and Gianluca Petrella have finally joined forces to finalize a full-length record. From Africa to Detroit, from jazz to electronica, an endless voyage with one of the most sophisticated and ambitious albums of the international club scene.

Go to Item

Shades Of Mcsoul / Whatever It's Worth

7" | 2019 | EU | Original (Pacific Theatre Encore)

11,99 €*

3LP | 2019 | UK | Original (Honest Jon's)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Australian Soul Jazz holy grail from 1968! Limited to 300 copies w/wide. Debut release on Pacific Theatre Encore, the reissue label started by Melbourne's contemporary funk / soul lynchpin Australian Lance Ferguson (The Bamboos, Menagerie, Lanu, ex Cookin' On 3 Burners). Two high energy Mod burners, both originals taken from the forthcoming album 'Whatever It's Worth'.
Lead by Australia's own rival to Jimmy Smith and Jimmy Witherspoon, the '68 line up of Col Nolan & The Soul Syndicate would prove to be an Australian jazz super-group, consisting of John Sangster on drums / percussion (whose own late '60s Festival albums are highly collectable), John Allan on bass, Col Loughnan on sax and Jimmy Doyle on guitar (the latter two were also in mid Oz '70s jazz-rock giants, Ayers Rock).
"Pacific Theatre Encore will be reissuing music from across the globe, but it was important to me for the first release to shine a light on the important legacy of our own scene" says Ferguson, who meticulously restored the audio himself, which was then remastered.

Go to Item

Company

Epiphanies VII-XIII

30,99 €*

2LP | 2019 | UK | Original (Honest Jon's)

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

More buried treasure from Company Week 1982: seven previously unissued Epiphanies by lineups involving Derek Bailey, Ursula Oppens, Julie Tippetts, Keith Tippett, Philipp Wachsmann, Fred Frith, George Lewis, Anne LeBaron, Motoharu Yoshizawa and Akio Suzuki.

Fred Frith is a stellar improviser — 1974’s Guitar Solos is still a seminal album of free improv — and he has three opportunities here to showcase his considerable talents. Eleventh is a tour de force of extended technique, with George Lewis working slowly but surely through a variety of trombone mouthpieces, while Frith’s guitar, strummed, bowed or prepared, could be a theremin, a koto, a mouse trapped inside a grandfather clock or a lion cub inside a shoebox. Bookending the album, on Seventh he swaps Webernian shards with Lewis and harpist Anne LeBaron and on Thirteenth, with pianist Keith Tippett, he condenses a whole lifetime of musical exploration into a mere twelve minutes. When it’s over both musicians are so amazed they burst out laughing.

Elsewhere, on Eighth, Wachsmann reveals his understated mastery of both his violin and the electronics he’s devised to extend its range, and pianist Ursula Oppens proves she’s as adept as conjuring forth magic from inside her instrument as she is at the keyboard. Major and minor triads too!

Ninth is spikier, with Lewis quacking, spitting and wheezing like a flock of geese let loose in a fairground, while Derek Bailey and Motoharu Yoshisawa patiently explore the outer limits of acoustic guitar and double bass. Bailey and Lewis team up again on Twelfth to take on Oppens — and everybody wins. Voice is more to the fore on Tenth, with Julie Tippetts’ coloratura and flute and Akio Suzuki’s analapos and spring gong flying high, while LeBaron, Wachsmann and Yoshizawa weave intricate webs of pizzicati, spiccati and glissandi beneath.

Go to Item

Company

Epiphanies I-VI

Masahiko Satoh & Sabu Toyozumi

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Derek Bailey’s guests for Company Week at London’s ICA in July 1982 were contemporary classical pianist Ursula Oppens, folk/jazz singer-turned-improviser Julie Tippetts and her partner pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, and from Japan free jazz bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

Altogether they performed the stunning extended improvisation Epiphany.
In different, more intimate lineups they detonated numerous Epiphanies.

Here, to start, Yoshizawa and Oppens (both on the keyboard and inside her piano) bounce ideas off each other like ping-pong balls.
Then Tippetts, Wachsmann and Bailey do extraterrestrial cubist flamenco; and Lewis and Frith rumble at everyone magnificently.
Tippett and Oppens kaleidoscope the entire history of the piano into just over fifteen minutes (Fourth and Fifth) with added seasoning from LeBaron and Wachsmann.
To close, Akio Suzuki — despite once describing himself as “pursuing listening as a practice” — makes one hell of a racket with his self-made instruments: a flute, a spring gong and his analapos (two single-lidded cylinders attached by a long steel coil, which he can manipulate and strike, besides vocalising into the tube). Yoshizawa and Bailey give him a real run for his money, and it all builds to an ecstatic, swirling, grinding climax, with Suzuki whooping and hollering wildly.

Go to Item

The Aiki

LP | 2019 | EU | Original (NoBusiness)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Bones - Ziv Taubenfeld & Shay Hazan & Nir Sabag

Reptiles

LP | 2019 | EU | Original (NoBusiness)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Best Of Gabor Szabo Red Vinyl Edition

Gabor Szabo

LP | 2019 | US | Original (Modern Harmonic)

LP | 2019 | EU | Original (Verve)

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Exotic jazz guitar mastery! Gabor Szabo's singular style and authentic sound is on full display across a set of originals and choice covers highlighted by unusual instrumentation and ingenious arrangements. From the sitar-starring adaptation of 'Paint It Black' to the Latin rhythms and bossa nova beats, Szabo's savvy jazz guitar innovations shine throughout.

Go to Item

V.A.

Hanukkah / +

22,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2019 | US | Original (Mathematics)

Ghost Horse

Trojan

29,99 €*

LP | 2019 | EU | Original (Super Sonic Jazz)

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sprouting from a rich humus of Latin and African polyrhythms, GHOST HORSE creates a fusion of free jazz, hip hop, blues & loop music. The result is fascinating but quietly menacing, pulsing & breathing with the visceral force of nature reclaiming abandoned structures. Full Color Poster insert!
Generic Gatefold Cover.

Go to Item

Greyheads

Homes

2LP | 2019 | EU | Original (Universal)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hailing from one of the world’s most famous harbours, Rotterdam, a true multicultural melting-pot, the music by 6-piece band called the Greyheads mirrors the daily life of this busy city. They approach jazz from a hip-hop point of view, or hip-hop from a jazz point of view, always carefully adding a perfect dose of other influences (all the members are heavily influenced by artists like Miles Davis, J Dilla, Herbie Hancock and Robert Glasper) with an exciting, groovy and vibrant tone.

After having self-released their debut EP "GREYHEADS × KYTOPIA" in 2017, they recently finished recording "HOMES", their first full length album.

Led by drummer Nello Biasini, this truly international band of like minded musicians was formed in 2016 and have since been busy creating their own, fresh and unique sound. Whether an intimate jazz club or the main stage of a big festival, they are all about creating a feel-good groovy vibe using live rlectronics, drum 'n bass, jazz, hip hop and pop fused together.

GreyHeads performed at NN North Sea Jazz 2019 and several other festivals such as So What's Next Festival, Jazz Delft Festival, Cutting Edge, ProJazz, Big Rivers Festival, as well as opening for the bands Moonchild and Knower.

'Homes' is a journey through space and time, travelling in opposite but jointed paths that lead to the places we call home. The concept of the record is to carry the listener to experience what every place and time can in any way, represent home, characterized by different atmospheres, sounds, images and sensations.

Go to Item

Wieder, Gansch & Paul

Menage A Trois

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

2LP | 2019 | US | Original (International Anthem)

Junius Paul

Ism

3" Record A Charlie Brown Christmas Blind Box Record Store Day Black Friday 2019 Edition

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Ism opens audaciously with the spiritual mic-check "You Are Free To Choose," a track that features bassist Junius Paul alongside Vincent Davis (drums), Justin Dillard (piano), and Corey Wilkes (horns). This is by no accident. In many ways, "You Are Free To Choose" captures the spirit of Junius Paul's artistic roots. Corey, Justin, and Vincent were among the multigenerational cadre of Chicago musicians present when Junius chose to follow his own path of creative discovery at the storied Velvet Lounge on the South Side of the city in 2002. Though he began learning his craft playing in church, Junius's creative voice really developed during jam sessions at clubs like The Velvet alongside members of the AACM. It was iron sharpening iron, the most natural form of knowledge transfer. He explained The Velvet's vibe in 2018: "It's like in Africa.... If you had this society of diviners or medicine people, or you know, sages... The Velvet stuff is not secret; but there are certain aspects of it... if you weren't there, you weren't there." The Velvet Lounge closed in 2010. But, of course, the spirit of the Velvet Lounge is not dead. "Tune No. 6," recorded live at the Co-Prosperity Sphere in Chicago, is a sweet interlude here to remind us that jazz is alive, bristling with what's yet to come.

Go to Item

Vince Guaraldi

3" | 2019 | Original (Sun)

11,99 €*

Louis Armstrong & His All-Stars

Release: 2019 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Blindbox set of Vince Guaraldi - 'A Charlie Brown Christmas'

What is a Blind Box?
A Blind Box is a Box or in this case a sleeve with a surprising content, because you don't know which song you will get. It's only one of the four mentioned songs, in any case.

- Christmas is here
- Hark, the Herald angels sing
- Linus & lucy
- Skating

The score for the classic half-hour Christmas TV special "a Charlie Brown Christmas" is a beautiful piece of festive magic. So magic in fact, that it was voted into the Grammy Hall of Fame.

Attention!
Runs only with 3" Record Player Crosley RSD3 Turntable. (HHV ID: 646800)

Go to Item

Live In 1956 (Allentown, Pa) Black Friday Record Store Day 2019 Edition

LP | 2019 | US | Original (Atlantic)

34,99 €*

Johnny Griffin / Eddie 'Lockjaw' Davis Quintet

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limitation: 1000. RSD Limited Run. Unearthed for the first time after the discovery of a “mystery" tape reel, Louis Armstrong's performance in Allentown, PA on November 24, 1956 is one for the history books. Armstrong is joined by his All-Stars, including Trummy Young, Edmund Hall, Billy Kyle, and Velma Middleton. Available for the first time in any format, the historic concert audio has been mastered from the original analog tape and pressed on color vinyl for this limited edition release, exclusively for RSD Black Friday.

Go to Item

Ow! Live At The Penthouse Black Friday Record Store Day 2019 Edition

2LP | 2019 | US | Original (Reel To Real)

60,99 €*

Indent Black Friday Record Store Day 2019 Edition

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

RSD Exclusive. Official release of the previously unissued live recordings of the Johnny Griffin-Eddie “Lockjaw” Davis Quintet, featuring Horace Parlan, Buddy Catlett and Art Taylor, from 1962. Released in partnership with the estates of Johnny Griffin and Eddie “Lockjaw” Davis. Deluxe limited-edition 180 gm LP, mastered by Bernie Grundman Mastering. Remastered audio transferred directly from the original 350 10” tapes at 7 ½ IPS. Includes extensive booklet with rare photos; essays by journalist Ted Panken, pianist Michael Weiss, co-producer Zev Feldman and Corry Weeds, plus interviews with drum icon Kenny Washington, saxophone colossus James Carter and more!

Go to Item

Cecil Taylor

LP | 2019 | US | Original (Atlantic)

37,99 €*

Nervous From The Fall Black Friday Record Store Day 2019 Edition

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

RSD Exclusive. Limitation: 2000. Indent, a live solo album by Cecil Taylor, was recorded in Ohio in March 1973. It was originally released on Taylor's own Unit Core label, subsequently more widely released on the Freedom label, and has received critical praise, including a 4/5 star review from the Rolling Stone Jazz Record Guide. Previously out of print for decades, the phenomenal work is finally coming back to vinyl with an audiophile-grade pressing from Pallas Group. The album was remastered for vinyl at Infrasonic Mastering. This white color vinyl pressing is exclusively available for RSD Black Friday.

Go to Item

Benmont Tench

7" | 2019 | US | Original (Thinkindie)

12,99 €*

Nils Landgren & Jan Lundgren

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limitation: 400 copies worlwide. RSD limited run. Two covers from Benmont Tench, Live from Rockwood Music Hall in NYC

Go to Item

Kristallen

LP | 2019 | EU | Original (Act Music)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 2019 | EU | Original (Lobster Theremin)

Maruwa

On My Mind EP

LP | 2019 | US | Original (Pure Pleasure)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Coloured Vinyl repress!

Put on your ravin’ shoes, Maruwa navigates a wild ride through dreamy trance, broken-beats, breezy edits, traversing through big room bangers for heady nights in the club.

Go to Item

Linda Hill

Lullaby For Linda

31,49 €* 34,99 € -10%

LP | 2019 | US | Original (Pure Pleasure)

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Featuring members of the Arkesta
Re-mastering by Kevin Gray
Produced by Tom Albach
Recorded & mixed by Dennis Moody in 1981
Linda Hill recorded this LP for Nimbus West in 1981 with fellow Arkestra members, including flautist Adele Sebastian. And it’s Sebastian’s vocal duet with Hill on the spiritual jazz epic “Leland’s Song” that opens this stunning LP. Hill’s ensemble also included the serious horn player Sabir Matteen, as well as bassist Roberto Miranda and drummer Everett Brown Jr., who would all go on to record LPs for Nimbus.

The Arkestra first started rehearsing at pianist Linda Hill’s house in the early ‘60s. “In a few months, we’d built up from seven or eight to about 18 cats, musicians started living there,” Tapscott wrote in his autobiography. “People got involved with the Arkestra like it was their life’s work.” Hill took the role seriously, earning her the name of “the Ark’s matriarch” by Tapscott.

Go to Item

Gary Bias

East 101

34,99 €*

LP | 2019 | US | Original (Pure Pleasure)

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Recorded at City Recorders, 1981
Produced by Tom Albach & Co-produced by Gary Bias
Engineer – Dennis Moody
A beautiful, dreamlike expression of spiritual jazz recorded at a time when the idiom was completely out of vogue, Gary Bias' East 101 remains little known even by cult-classic standards, but its free-flowing approach demands attention from listeners who believe this kind of LP ceased to exist somewhere around the late 1970s. Recorded with a stellar supporting cast including vibist Rickey Kelly, bassist Roberto Miranda, and pianist David Tillman, Bias unspools a suite of deeply soulful and profoundly far-reaching original compositions that vividly evoke the blue skies of the record's Los Angeles origins. His flute and soprano saxophone somehow divine gravitas from weightlessness, creating music that challenges as much as it comforts.

Go to Item

Horace Tapscott

Live At Lobero Volume 1

34,99 €*

2LP | 2019 | EU | Original (Golden Wolf)

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Re-mastering by Kevin Gray
Produced by Tom Albach
Recorded & mixed by Dennis Moody Nov. 12,

1981 in the Lobero Theater, Santa Barbara, California

This is a reissue of a now out-of-print album from live trio date by the legendary LA-based pianist, composer and multi-bandleader, Horace Tapscott. Pianist Horace Tapscott is always at his best when he is leading a trio. 'Sketches of Drunken Mary' features some sparkling piano revolving around a most lyrical bass part that is absolutely touching. The piece ends with a long, monstrous drum solo has to be heard to be believed. I recall hearing/seeing the mighty Sonship with John McLaughlin's One Truth band live at Central Park way back in 1979 and being knocked out by his drumming. 'Raisha's New Hip Dance' is a lovely piece that starts with some amazingly powerful and somewhat dark solo piano, with some strong two handed playing going in different directions and then winding down to somber conclusion, then building back up once again. The final piece is called 'Dark Tree' which is a great work that features a colossal, McCoy-like repeating line that is most hypnotic. The trio explodes in waves together, an immensely propulsive circular current at the center of the storm. Roberto Miranda takes an astonishing, fleet-fingered contrabass solo and then Sonship again provides a cosmic gong, cymbals and drum solo. This is a momentous offering from start to finish. It doesn't get any better than this.

Go to Item

The Adam Deitch Quartet

Egyptian Secrets

32,99 €*

Gilbert Artman & Etienne Jaumet

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On the heels of massive successes with his main projects Lettuce and Break Science, celebrated collaborations with jazz guitar luminary John Scofield, and high profile hip-hop production placements with the likes of 50 Cent, Talib Kweli, and Redman, GRAMMY-nominated drummer/producer Adam Deitch finally unveils Egyptian Secrets, the long-awaited debut LP from his Adam Deitch Quartet. A fluid expression of the funkier side of soul-jazz, Deitch and his curated collective hint at the avant-garde, but stay grounded in warm traditions. AD4 adventures through the vibrant forest of late 60’s Verve and Blue Note cool, respectfully mining the essential elements of what makes a great hip-hop break, and then Deitch reimagines them in his own contemporary context.

In December 2013, after a Lettuce show at the Fillmore, Deitch connected with Bay Area organist Wil Blades. They played together for a late night jam at a popular haunt Boom Boom Room in San Francisco, and there was an instant chemistry. Blades had come up in the Chicago blues scene, before relocating to the West Coast. There, he studied and performed with venerable Hammond organ virtuosos Dr. Lonnie Smith and Ronnie Foster, titans of this specific brand of late 60’s/early 70’s B3-bolstered rare groove and jazz funk.

After establishing a rock solid rapport and common goal with Blades, Deitch reached out to his trusty cohorts Ryan Zoidis (saxophones) and Eric Benny Bloom (trumpet), aka The Lettuce Horns. Both players are well versed in the groove-jazz aesthetic with the vocabularies to match; the duo solidified the AD4 lineup and soon the drummer’s long dreamt-of, organ-driven groove quartet was born.
The fledgeling band began by performing exclusively covers, a selection of timeless tunes from Grant Green, Jimmy Smith, Cannonball Adderley and even Michael Jackson, the quartet traversing warm arrangements of familiar classics, songs levitating somewhere between jazz and funk. Firmly ensconced in the rare-groove idiom, AD4 channeled and established a vibe, and then Deitch began to carefully integrate his own masterful compositions to their repertoire; slowly but surely, Egyptian Secrets began to take shape. But not before a superhero would jump into the frey; guitarist and jazz immortal John Scofield, who once tapped a young Deitch to be his co-pilot on his celebrated Uberjam efforts, wanted in on the action. Before long, the prodigious axe-man had contributed to three songs on the LP, and his patented jazz-fusion serenade informs the identity of Egyptian Secrets in subtle, nuanced fashion.

Go to Item

Martis

LP | 2019 | EU | Original (Besides)

LP | 2019 | EU | Original (ECM)

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Nice collaboration between Etienne Jaumet (half of Zombie Zombie, member
of James Holden's Animal Spirits) and Gilbert Artman (french 70's
underground legend, leader of Lard Free and Urban Sax), this LP is what
we call Cosmic-jazz! Progressive tracks with electronics, synth and
saxophones!

Go to Item

Kit Downes

Dreamlife Of Debris

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Geist White Vinyl Edition

Others

LP | 2019 | EU | Original (Cinedelic)

LP | 2019 | EU | Original (Black Sweat)

Release: 2019 / EU – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Formed in 2016, Others is the project of two artists longing for something more experimental in their musical work. Lesli Wood (Cobra Family Picnic) and Daniel Martin Diaz (Trees Speak, Amelia Poe) began these recordings in Wood’s warehouse studio, inviting one guest musician to sit in for each live session. Abstract violinist Vicki Brown, known for her "psychosonic visualizations," is featured throughout the record, along with guest artists Ben Nisbett, Gabriel Sullivan, Julius Schlosburg, Damian Diaz, and Michael Glidewell. This avant-garde project has one foot in the 21 st Century and the other shifting among various eras of the past, sometimes in a dance, sometimes a dirge, of synths and dulcimers. Freed of genre limitations and preconceived patterns, the musicians were encouraged to explore wildly, using the foundation of a ‘broken’ consort of 18th Century chamber music wherein one musician introduces a melody, motif, or sound and the other musicians respond as they see fit. Recording sessions were lit by candlelight and shrouded in incense smoke, establishing the mood for composition, calling to mind, as Diaz describes, a gothic cathedral “filled with early analog synthesizers with vines growing out of them, a living breathing entity of music that transcends time and space.”

Go to Item

Cucoma Combo

Preservation Hall Jazz Band

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cucoma Combo. Above all, the new boiling energy of pan-rhythmic music, the awakening dance of joy, the experimental space for ambitious arrangements and free-improvised parts of colorful horns. From Black Africa to South America, we travel on paths of Congolese soukuss and Amazonian carimbò, between accents of Colombian cumbia, kalimba vibes and tribal voices. We find seeded traces of space-funk and afrobeat, with amazing acid keyboards and an enchanting female voice. The power of rhythm and in general the whole project are leaded leaded by Marco Zanotti, a multifaceted drummer and fine poly-percussionist, expert of the African and South American sound universe. With his Classica Orchestra Afrobeat, he proudly took part in outstanding collaborations with Seun Kuti, Sekouba Bambino and Baba Sissoko, as well as a prestigious participation in the Glastonbury Fest.

Go to Item

A Tuba To Cuba

LP | 2019 | US | Original (Sub Pop)

23,99 €*

2LP | 2019 | EU | Original (Constellation)

Release: 2019 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Single-pocket jacket with custom dust sleeve
Includes MP3 coupon

The legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls.
The New York Times said: “This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And, from the LA Times: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.”

Preservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana people gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. That rhythm was the inspiration for ‘Kreyol.’ In fact, ‘Kreyol’ is the Cuban spelling of ‘Creole.’ You can feel that same Creole influence in New Orleans, it’s one of our many shared connections with Cuba.” (The film is available through Amazon Video, iTunes, DirecTV, Google Play, YouTube Movies and more. Check your local service provider for additional listings.)

About Preservation Hall Jazz Band:

At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band recently signed with Sub Pop Records, who are re-releasing the band’s 2013 album That’s It! (over 39,000 copies sold) and 2017’s So It Is on June 28th, with new music to follow.

Go to Item

Land Of Kush

Sand Enigma

26,99 €*

7" | 2019 | UK | Original (Dynamite Cuts)

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Deluxe 2LP 180gram audiophile vinyl includes multiple art inserts and/or poster + digital download coupon.Sam Shalabi's stupendous and genre-defying Land Of Kush orchestra is back with its first album since 2013's The Big Mango (Shalabi's love letter to Cairo, composed during the Arab Spring). The disenchantments of the years since have been devastating, to say the least, and the devastatingly-titled Sand Enigma bristles accordingly - this is Shalabi's most acute and accomplished big-band composition to date, with the orchestra on fire as they stir up a melting pot of Arabic tropes, avant-jazz, modern classical, freaknoise, electronics and sound art. Nadah El Shazly is a featured vocalist on this one."Sam Shalabi's combination of Arabic traditional motifs and instruments with jazz, free improvisation and electronics truly stretch any notion of genre to breaking point." - Brainwashed"Sam Shalabi has raised the bar for modern psychedelic music with the Land of Kush orchestra, utilizing Middle Eastern, jazz, rock, and folkloric sources to weave a seamless montage of styles in a transcendent way that is rarely, if ever, achieved." - Alan Bishop (Sun City Girls / Sublime Frequencies)

Go to Item

Bernie Senensky

Lolito's Theme

Introducing Wayne Shorter

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dynamite cuts gives you a wonderful hard to find Jazz 45, from the Canadian P.M label. Bernie Senensky, a superb piano player, set the pace with this Hard Piano driven jazz groove. With a little treasure on the flips with Beloved Gift, a superb interlude that ends with Heavy bass hip hop vibes

Go to Item

Wayne Shorter

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sonny Rollins

The Sound Of Sonny

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Relaxin'

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Steamin'

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Workin'

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

McCoy Tyner

Inception

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Lee Morgan

Expoobident

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Kenny Burrell

A Night At The Vanguard

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Johnny Griffin

Johnny Griffin Sextet

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Jackie McLean

New Soil

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Herbie Hancock

Takin' Off

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hank Mobley

Soul Station

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Freddie Hubbard

Open Sesame

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Dexter Gordon

Daddy Plays The Horn

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Clifford Brown & Max Roach

Study In Brown

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Art Blakey & The Jazz Messengers

Moanin'

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Music Improvisation Company

1969, 1970

2LP | 2019 | UK | Original (Honest Jon's)

LP | 2019 | EU | Original (Blue Note)

Release: 2019 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"The original concepts of vocal and instrumental music are utterly different. The instrumental impulse is not melody in a 'melodious' sense but an agile movement of the hands which seem to be under the control of a brain centre totally different from that which inspires vocal melody. Altogether, instrumental music, with the exception of rudimentary rhythmic percussion, is as a rule a florid, fast and brilliant display of virtuosity... Quick motion is not merely a means to a musical end but almost an end in itself which always connects with the fingers, the wrists and the whole of the body."

The inclusion of the above passage from Curt Sachs' The Wellsprings of Music with this album, the recording of which predates the Music Improvisation Company's only other release, the eponymous ECM outing, indicates a clear intention to stake out territory for European Free Improvisation markedly different from that of the (American) Free Jazz it sprang from. The African-American heritage that led to jazz was melodious, vocal, field holler / church-inflected, and the Germans and the Dutch never made any secret of their affection for it, but British free improvisers in the late 1960s were looking elsewhere.

Even so, and though the music press made a big deal a while back about the release of a 1965 rehearsal tape by Derek Bailey's earlier Joseph Holbrooke trio (with Gavin Bryars and Tony Oxley), their early efforts were mere tentative steps along a cliff edge wearing a line safely attached to Coltrane, and there's still a faint but distinct aftertaste of jazz in Bailey and Parker's work with the Spontaneous Music Ensemble up to and including 1968's Karyobin. But with the addition of Jamie Muir - the first great free improvising percussionist who didn't start out as a jazz drummer - and Hugh Davies and his electronics from way out leftfield in the avant garde / experimental world, the MIC leapt right off that cliff. As Nina Hagen screamed later, "1968 is over! Future is Now!" These six tracks – tight, electric, pointillistic, brilliant, uncompromising and exhilarating – sound like nothing else that came before. In a word, seminal.

Go to Item

Grant Green

Alive!

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

7" | 2019 | EU | Original (We Jazz)

Mopo

Mopo10

12,99 €*

Lake Colored Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Hard-hitting Finnish trio Mopo celebrates their 10th anniversary with a special digi EP / 7" single on We Jazz Records featuring three new tracks. "A Night In Zetor" and "Jauzaa" show a new side of the beloved group with extended, slowly building sonic narratives. "Die Mopo" is an upbeat, acid-y slice of the trio's more electronic side. The release sees Mopo reach out for new worlds of sound and as such, it presents a fine culmination of the beloved band's ten years of friendship and music.

Go to Item

3TM

LP | 2019 | EU | Original (We Jazz)