Jazz | Fusion 12553 Items

LP | 1982 | EU (Black Saint)

Release: 2020 / EU – Original

Genre: Organic Grooves

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After a 5-year long hiatus, cinematic music heroes The Dining Rooms are back with one of their most complete and innovative release ever, the 8th one made in collaboration with Schema Records.

This is probably one of the most interesting albums from the Milanese duo, that still carries the classic Dining Rooms trademark, but also sounds very contemporary and fresh.

Includes collaborations with Sean Martin, Georgeanne Kalweit, Lola Kola, Beatrice Velasco Moreno and Rahma Hafsi on vocals.

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John Carter Octet

Dauwhe

19,99 €*

LP | 1983 | JP | Original (Atlantic)

Release: 1982 / EU

Genre: Organic Grooves

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Originally released in 1982, "Dawhe" is the first chapter in John Carter's "Roots and Folklore" saga. A five parts epic journey through the African American heritage conceived by the great clarinetist-composer and performed by a stellar line-up featuring Carter himself, Bobby Bradford - cornet, James Newton - flute, Charles Owens - soprano sax, oboe, clarinet, Red Callender - tuba, Roberto Miranda - bass, William Jeffrey - drums and Luis Peralta - percussion. This is a highly integrated form of Jazz based on the processing of different musical forms and related topics. From the ancient African mythology through the Blues experience towards the open land of Creative Jazz. A strong musical and cultural statement from one of the greatest West Coast modern Jazz composers.
Highly recommended for open-eared listeners - Scott Yanow - All Music Guide

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The Manhattan Transfer

Bodies And Souls

2LP | 1978 | JP | Original (Warner Bros.)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing with OBI and insert.. Vinyl close to VG+

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George Benson

Weekend In L.A.

Down On The Street = ダウン・オン・ザ・ストリート

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese pressing without OBI! Copy is close to NM!

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Shakatak = Shakatak

LP | 1984 | JP | Original (Polydor)

LP | 1976 | JP | Original (MCA)

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese pressing.

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Glenn Miller

The Glenn Miller Story

LP | 1982 | JP | Original (Polydor)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Shakatak

Invitations

10,99 €*

Billie Holiday Sings The Blues

Release: 1982 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy.
OBI not included.
Includes original insert.

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Billie Holiday

LP | 1973 | US | Reissue (Pickwick)

Release: 1973 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G

LP | 1982 | JP | Original (Polydor)

Shakatak

Invitations

12,99 €*

LP | 1982 | JP | Original (Elektra)

Release: 1982 / JP – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: Near Mint, Cover: VG+

No obi. With insert

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Grover Washington, Jr.

The Best Is Yet To Come

Larry Elgart And His Manhattan Swing Orchestra

Release: 1982 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with OBI and insert!

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Hooked On Swing

LP | 1982 | JP | Original (K-Tel)

6,99 €*

LP | 1980 | JP | Original (A&M)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Herb Alpert

Beyond

4,99 €*

LP | 1984 | US | Original (CBS)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with obi.

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Claude Bolling Trio

Jazz À La Française

8,99 €*

LP | 1984 | JP | Original (Capitol)

Release: 1984 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side 1.
Small writing on back cover.

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Earl Klugh

Wishful Thinking

LP | 1980 | JP | Original (A&M)

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

Original Japanese pressing with OBI

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Chuck Mangione

Magic

LP | 1977 | JP | Reissue (A&M)

Release: 1980 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

Includes OBI and insert.
Back cover with minor foxing.

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Chuck Mangione

Feels So Good

LP | 1981 | JP | Original (A&M)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. 1979 reissue

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Herb Alpert

Magic Man

LP | 1980 | JP | Original (JVC)

Release: 1981 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original Japanese pressing.

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Dave Grusin

Mountain Dance

LP | 1979 | JP | Original (Atlantic)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing with OBI.

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The Manhattan Transfer

Extensions

6,99 €*

LP | 2019 | US | Original (Now-Again)

Release: 1979 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG

No obi.

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Lloyd Miller

Oriental Jazz

LP | 1983 | JP | Original (JVC)

Release: 2019 / US – Original

Genre: Organic Grooves

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Born in 1938, and raised in Glendale, California, Lloyd Miller has had one of the most unusual careers in all of jazz. By age 12 he had declared an
intent to make his living as a jazz musician, and by high school he had already begun to experiment, shunning swing music's mechanical perfection,
and chafing at his parents’ desire for him to nurture his talents with formal training. This tumultous relationship with his parents would eventually
lead to a stint in a psychatric hospital, before reuniting with them in moving to Iran, his father having accepted a job working for the Shah.
Stops in Hong Kong, Japan and Pakistan on the way to Iran deepened Miller's connection to other cultures he’d first felt while listening to old world
music compilations. He felt a definite calm and peace, an immense respect from everyone towards everyone else, and immersed himself in other
cultures and languages immediately. Miller spent a year in Iran with his family, picking up Farsi after a few short months, and steadily gaining more
and more of an appreciation for how deep the roots of Persian art run. However, still committed to his decision forge a career in jazz, Lloyd left Tehran
in 1958 to head to Europe to see if he could make a living from jazz music.
Miller kicked around the continent, first in Germany, then in Switzerland, Sweden and Brussels. He collaborated and performed alongside 60s jazz
legend Jef Gilson, and experimented with exotic instrumentation before returning to America to resume his studies at Brigham Young University in
Utah. In the years following his stint with Gilson, Miller had become more and more disillusioned with both modern music and modern society, which
had ashewed jazz for rock music, which he detested. In Miller’s conception, for a music to have value it had to have a deep connection to a tradition,
specifically connecting jazz to African lore. To Miller, something like “Tuareg African music is blues, just with no chord changes.”
Oriental Jazz was recorded, compiled and self-released in 1968 while Miller was studying at Brigham Young. The record, originally pressed in
a quantity of 300 copies, sought to combine a cool, modal style with the exotic arrays of instruments and styles that Miller had picked up during
his travels. Miller included songs he’d cut with Gilson in his Parisian studio years before, and a solo piano piece that he recorded in one of the
school’s practice rooms. Despite Lloyd’s professed aversion to modernity, there nevertheless is something strikingly new sounding about this
music, which fits together in startling juxtapositions. Traces of Bill Evans, Stan Getz and Jimmy Giuffre rub shoulders with Persian santur, Arab oud
and Turkish saz music.
Copies of Oriental Jazz languished in Miller's home for years after numerous failed bids for record contracts, before finally ending up in the hands of
record collectors decades later. After its release however, he would find a second life after returning to Iran, doing field recordings, and eventually
hosting a weekly television show that programmed both American jazz and the best traditional Persian musicians he could find. It was not to last
however, as he abruptly abandoned the country to return to the US in the late 1970s, predicting the arrival of the Islamic Revolution.

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Eric Gale

Island Breeze

LP | 1978 | JP | Original (Warner Bros.)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert!

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Larry Carlton

Col Nolan & The Soul Syndicate

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original Japanese pressing with OBI! tiny wear

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Whatever It's Worth

LP | 2019 | EU | Original (Pacific Theatre Encore)

Col Nolan & The Soul Syndicate

Release: 2019 / EU – Original

Genre: Organic Grooves

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Australian Soul Jazz holy grail from 1968! Debut album release on Pacific Theatre Encore, the reissue label started by Melbourne's contemporary funk / soul lynchpin Lance Ferguson (The Bamboos, Menagerie, Lanu, ex Cookin' On 3 Burners). Vinyl includes download card and liner notes insert, CD in digipak and booklet.
Lead by Australia's own rival to Jimmy Smith and Jimmy Witherspoon, the '68 line up of Col Nolan & The Soul Syndicate would prove to be an Australian jazz super-group, consisting of John Sangster on drums / percussion (whose own late '60s Festival albums are highly collectable), John Allan on bass, Col Loughnan on sax and Jimmy Doyle on guitar (the latter two were also in mid Oz '70s jazz-rock giants, Ayers Rock). Early '70s Soul Syndicate recordings have become highly sought by collectors, but this album is their rarest, with collectors paying sizable amounts on the rare occasion a copy appears.
The album was recorded in Sydney while they were the house band at the legendary Kings Cross nightclub, Whiskey A Go Go, during it's swinging sixties heyday. The city's best jazz players would play there and at surrounding clubs seven nights a week into the early hours, entertaining both high society and visiting American G.I.s on R&R, a far cry from the area's current lock out law enduced coma.
Their residency would allow them to break in new material night after night, much of it recorded on this album. The album is lead by some cracking originals written by Nolan, Loughnan and Sangster including the two Mod dancefloor burners, "Shades Of McSoul", the title track and the breakbeat monster "Rivera Mountain". But their versions of popular soings of the time are more like re-inventions, such as the drum heavy, low slung take on Bobbie Gentry's "Ode To Billie Joe" and a superlative rendition of Jimmy Webb's "By The Time I Get To Phoenix", which builds to a frantic, swirling psychedelic crescendo to close the album.
"Pacific Theatre Encore will be reissuing music from across the globe, but it was important to me for the first release to shine a light on the important legacy of our own scene" says Ferguson, who meticulously restored the audio himself, which was then remastered.

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Shades Of Mcsoul / Whatever It's Worth

7" | 2019 | EU | Original (Pacific Theatre Encore)

11,99 €*

Live At The Jazz Mill 1954, Volume 2 Gold Vinyl Edition

Release: 2019 / EU – Original

Genre: Organic Grooves

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Australian Soul Jazz holy grail from 1968! Limited to 300 copies w/wide. Debut release on Pacific Theatre Encore, the reissue label started by Melbourne's contemporary funk / soul lynchpin Australian Lance Ferguson (The Bamboos, Menagerie, Lanu, ex Cookin' On 3 Burners). Two high energy Mod burners, both originals taken from the forthcoming album 'Whatever It's Worth'.
Lead by Australia's own rival to Jimmy Smith and Jimmy Witherspoon, the '68 line up of Col Nolan & The Soul Syndicate would prove to be an Australian jazz super-group, consisting of John Sangster on drums / percussion (whose own late '60s Festival albums are highly collectable), John Allan on bass, Col Loughnan on sax and Jimmy Doyle on guitar (the latter two were also in mid Oz '70s jazz-rock giants, Ayers Rock).
"Pacific Theatre Encore will be reissuing music from across the globe, but it was important to me for the first release to shine a light on the important legacy of our own scene" says Ferguson, who meticulously restored the audio himself, which was then remastered.

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Barney Kessel

LP | 2019 | US | Original (Modern Harmonic)

23,79 €* 27,99 € -15%

LP | 1981 | JP | Original (MCA)

Release: 2019 / US – Original

Genre: Organic Grooves

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More unearthed tape from a jazz icon! Thanks to a 21-year-old with a tape machine, we can all experience the majesty of guitar legend Barney Kessel! This second volume of Jazz Mill recordings shows Barney firmly at the top of his game!

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Spyro Gyra

Freetime

13,99 €*

The Greg Mathieson Project

Release: 1981 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

OBI not included.
Includes original insert.

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Baked Potato Super Live!

LP | 1982 | JP | Original (CBS/Sony)

LP | 1979 | JP | Reissue (MCA)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

Original Japanese pressing without OBI! Copy is close to NM!

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Joe Sample

Carmel

12,99 €*

LP | 1984 | JP | Original (Elektra)

Release: 1979 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Original Japanese pressing with OBI!

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Grover Washington, Jr.

Inside Moves

The Golden Sword (Torero Impressions In Jazz)

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing with OBI!
Still shrink wrapped but opened.
Includes original insert.

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Gerald Wilson Orchestra

LP | 1966 | US | Original (Pacific Jazz)

16,99 €*

Release: 1966 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

The Trio : Live From Chicago

The Oscar Peterson Trio

LP | 1961 | US | Original (Verve)

Release: 1961 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

LP | 1976 | US | Original (Columbia)

John Blair

Southern Love

6,99 €*

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

3LP | 2019 | UK | Original (Honest Jon's)

Company

Epiphanies VII-XIII

30,99 €*

2LP | 2019 | UK | Original (Honest Jon's)

Release: 2019 / UK – Original

Genre: Organic Grooves

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More buried treasure from Company Week 1982: seven previously unissued Epiphanies by lineups involving Derek Bailey, Ursula Oppens, Julie Tippetts, Keith Tippett, Philipp Wachsmann, Fred Frith, George Lewis, Anne LeBaron, Motoharu Yoshizawa and Akio Suzuki.

Fred Frith is a stellar improviser — 1974’s Guitar Solos is still a seminal album of free improv — and he has three opportunities here to showcase his considerable talents. Eleventh is a tour de force of extended technique, with George Lewis working slowly but surely through a variety of trombone mouthpieces, while Frith’s guitar, strummed, bowed or prepared, could be a theremin, a koto, a mouse trapped inside a grandfather clock or a lion cub inside a shoebox. Bookending the album, on Seventh he swaps Webernian shards with Lewis and harpist Anne LeBaron and on Thirteenth, with pianist Keith Tippett, he condenses a whole lifetime of musical exploration into a mere twelve minutes. When it’s over both musicians are so amazed they burst out laughing.

Elsewhere, on Eighth, Wachsmann reveals his understated mastery of both his violin and the electronics he’s devised to extend its range, and pianist Ursula Oppens proves she’s as adept as conjuring forth magic from inside her instrument as she is at the keyboard. Major and minor triads too!

Ninth is spikier, with Lewis quacking, spitting and wheezing like a flock of geese let loose in a fairground, while Derek Bailey and Motoharu Yoshisawa patiently explore the outer limits of acoustic guitar and double bass. Bailey and Lewis team up again on Twelfth to take on Oppens — and everybody wins. Voice is more to the fore on Tenth, with Julie Tippetts’ coloratura and flute and Akio Suzuki’s analapos and spring gong flying high, while LeBaron, Wachsmann and Yoshizawa weave intricate webs of pizzicati, spiccati and glissandi beneath.

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Company

Epiphanies I-VI

LP | 1973 | UK | Reissue (Souffle Continu)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Derek Bailey’s guests for Company Week at London’s ICA in July 1982 were contemporary classical pianist Ursula Oppens, folk/jazz singer-turned-improviser Julie Tippetts and her partner pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, and from Japan free jazz bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

Altogether they performed the stunning extended improvisation Epiphany.
In different, more intimate lineups they detonated numerous Epiphanies.

Here, to start, Yoshizawa and Oppens (both on the keyboard and inside her piano) bounce ideas off each other like ping-pong balls.
Then Tippetts, Wachsmann and Bailey do extraterrestrial cubist flamenco; and Lewis and Frith rumble at everyone magnificently.
Tippett and Oppens kaleidoscope the entire history of the piano into just over fifteen minutes (Fourth and Fifth) with added seasoning from LeBaron and Wachsmann.
To close, Akio Suzuki — despite once describing himself as “pursuing listening as a practice” — makes one hell of a racket with his self-made instruments: a flute, a spring gong and his analapos (two single-lidded cylinders attached by a long steel coil, which he can manipulate and strike, besides vocalising into the tube). Yoshizawa and Bailey give him a real run for his money, and it all builds to an ecstatic, swirling, grinding climax, with Suzuki whooping and hollering wildly.

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Perception

Mestari

LP | 1973 | UK | Reissue (Souffle Continu)

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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“To finally become oneself: that was the lesson, in the 1960-1970s, that European musicians attracted to improvisation had learned from American free-jazz. Following this idea, the musicians of Perception, whilst individually accompanying Mal Waldron, Slide Hampton, Johnny Griffin or Hank Mobley when they played in Paris, decided early on to break free from what was going on across the Atlantic and seek their own authenticity.

When Mestari, their third and final album, came out, Yochk'O Seffer, Siegfried Kessler, Didier Levallet and Jean-My Truong had four years of questing and originality behind them developing their own individual language. A language in which the spontaneity of the improvisations did not exclude influences taken from European folk or classical traditions.

Balanced, ethereal and structured, Mestari was a return to the original core quartet (the previous album included numerous guest musicians). It opens infinite perspectives and is totally in phase with what was being produced in France at the same time by Cohelmec Ensemble and the Dharma Quintet.”

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Perception

Perception & Friends

Masahiko Satoh & Sabu Toyozumi

Release: 1973 / UK – Reissue

Genre: Organic Grooves

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“After their first album which came out in 1971 on Futura Records, Perception wanted to rapidly record a second, but Gérard Terronès did not want to produce another, especially so soon after the first. Therefore, the only solution was to produce it themselves. It is thus completely logical that it came out on the label of the Association for the Development of Improvised Music (A.D.M.I.) created by Didier Levallet with the aim of promoting creative music ( and, on this subject, it was this same label which also produced the excellent Inter Fréquences by the Free Jazz Workshop).

As the album was entirely created from A to Z by Perception, they decided on a more ambitious project, exploring a wider palette of colours by augmenting the original quartet with additional instruments. So, it was with numerous guests including Teddy Lasry, Jean-Charles Capon, Kent Carter and Jean-François Jenny-Clark, that Perception developed still further the apparently contradictory directions which were their specificity. This is further highlighted by the fact that Siegfried Kessler, largely absent on this recording, is temporarily replaced by Manuel Villaroel, a pianist from Chile with a completely different temperament (and, by-the-by, already the name behind the superb Terremoto with the Matchi-oul Septet).

Contrary to the first album, which seems in comparison much more compact and united this second (and second-to last, not counting the live recordings), with the many different options proposed, would seem to predict the different directions that musicians from Perception would subsequently take. One track, by Yochk'O Seffer, who had already been part of Magma two years previously, looks forward to the more structured Neffesh Music, whilst, in the opposite direction, another track, by Didier Levallet, is more evocative of the future arrangements on Swing Strings System. It is, to sum up, a nice paradox that all these different elements, from tightly written pieces to wild improvisation, work so well together and are one the key attributes of a group free like few others.”

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The Aiki

LP | 2019 | EU | Original (NoBusiness)

18,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Bones - Ziv Taubenfeld & Shay Hazan & Nir Sabag

Reptiles

LP | 2019 | EU | Original (NoBusiness)

18,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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2LP | 2017 | UK | Original (Honest Jon's)

Hypnotic Brass Ensemble

Book Of Sound

The Best Of Gabor Szabo Red Vinyl Edition

Release: 2017 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Close to NM.

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Gabor Szabo

LP | 2019 | US | Original (Modern Harmonic)

28,99 €*

LP | 2019 | UK | Original (Cache Cache)

Release: 2019 / US – Original

Genre: Organic Grooves

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Exotic jazz guitar mastery! Gabor Szabo's singular style and authentic sound is on full display across a set of originals and choice covers highlighted by unusual instrumentation and ingenious arrangements. From the sitar-starring adaptation of 'Paint It Black' to the Latin rhythms and bossa nova beats, Szabo's savvy jazz guitar innovations shine throughout.

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Biting Tongues

Live It

LP | 2019 | EU | Original (Impulse!)

Release: 2019 / UK – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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Essential misplaced DIY tape adds jagged jigsaw piece to Manc punk funk
legacy.

The “difficult second album” by Biting Tongues originally released on a
minuscule cassette run by The Buzzcocks’ vanity label.

Live It is a welcome misplaced release and an essential addition to Finders
Keepers’ Cache Cache catalogue. Biting Tongues make wise heads!

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John Coltrane

Blue World

20,99 €*

LP | 2019 | EU | Original (Verve)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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V.A.

Hanukkah / +

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 1970 | US | Original (Cadet)

Ramsey Lewis

The Best Of Ramsey Lewis

LP | 1978 | US | Original (Fantasy)

Release: 1970 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US Original.

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Stanley Turrentine

What About You!

7,19 €* 7,99 € -10%

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

2LP | 2019 | US | Original (Mathematics)

Ghost Horse

Trojan

29,99 €*

Groovin' At Smalls' Paradise Volume 1

Release: 2019 / US – Original

Genre: Organic Grooves

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Sprouting from a rich humus of Latin and African polyrhythms, GHOST HORSE creates a fusion of free jazz, hip hop, blues & loop music. The result is fascinating but quietly menacing, pulsing & breathing with the visceral force of nature reclaiming abandoned structures. Full Color Poster insert!
Generic Gatefold Cover.

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Jimmy Smith

LP | 2019 | EU | Original (Blue Note)

15,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Super Sonic Jazz)

Greyheads

Homes

21,99 €*

2LP | 2019 | US | Original (International Anthem)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Hailing from one of the world’s most famous harbours, Rotterdam, a true multicultural melting-pot, the music by 6-piece band called the Greyheads mirrors the daily life of this busy city. They approach jazz from a hip-hop point of view, or hip-hop from a jazz point of view, always carefully adding a perfect dose of other influences (all the members are heavily influenced by artists like Miles Davis, J Dilla, Herbie Hancock and Robert Glasper) with an exciting, groovy and vibrant tone.

After having self-released their debut EP "GREYHEADS × KYTOPIA" in 2017, they recently finished recording "HOMES", their first full length album.

Led by drummer Nello Biasini, this truly international band of like minded musicians was formed in 2016 and have since been busy creating their own, fresh and unique sound. Whether an intimate jazz club or the main stage of a big festival, they are all about creating a feel-good groovy vibe using live rlectronics, drum 'n bass, jazz, hip hop and pop fused together.

GreyHeads performed at NN North Sea Jazz 2019 and several other festivals such as So What's Next Festival, Jazz Delft Festival, Cutting Edge, ProJazz, Big Rivers Festival, as well as opening for the bands Moonchild and Knower.

'Homes' is a journey through space and time, travelling in opposite but jointed paths that lead to the places we call home. The concept of the record is to carry the listener to experience what every place and time can in any way, represent home, characterized by different atmospheres, sounds, images and sensations.

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Junius Paul

Ism

Harry Edison / Hot Lips Page / Roy Eldridge

Release: 2019 / US – Original

Genre: Organic Grooves

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Ism opens audaciously with the spiritual mic-check "You Are Free To Choose," a track that features bassist Junius Paul alongside Vincent Davis (drums), Justin Dillard (piano), and Corey Wilkes (horns). This is by no accident. In many ways, "You Are Free To Choose" captures the spirit of Junius Paul's artistic roots. Corey, Justin, and Vincent were among the multigenerational cadre of Chicago musicians present when Junius chose to follow his own path of creative discovery at the storied Velvet Lounge on the South Side of the city in 2002. Though he began learning his craft playing in church, Junius's creative voice really developed during jam sessions at clubs like The Velvet alongside members of the AACM. It was iron sharpening iron, the most natural form of knowledge transfer. He explained The Velvet's vibe in 2018: "It's like in Africa.... If you had this society of diviners or medicine people, or you know, sages... The Velvet stuff is not secret; but there are certain aspects of it... if you weren't there, you weren't there." The Velvet Lounge closed in 2010. But, of course, the spirit of the Velvet Lounge is not dead. "Tune No. 6," recorded live at the Co-Prosperity Sphere in Chicago, is a sweet interlude here to remind us that jazz is alive, bristling with what's yet to come.

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Sweets, Lips & Lots Of Jazz

LP | 1976 | US | Original (Xanadu)

5,99 €*

LP | 1981 | US | Original (Columbia)

Release: 1976 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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The Heath Brothers

Expressions Of Life

18,99 €*

LP | 2014 | US | Reissue (Blue Note)

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Sticker on cover. Original US pressing. Original inner sleeve.

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Lee Morgan

The Sidewinder

42,99 €*

LP | 2016 | FI | Original (Herakles)

Release: 2014 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

US reissue from 2014. Vinyl closer to NM

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Jimi Tenor

Saxentric

3" Record A Charlie Brown Christmas Blind Box Record Store Day Black Friday 2019 Edition

Release: 2016 / FI – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record is close to NM!

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Vince Guaraldi

3" | 2019 | Original (Sun)

11,99 €*

Louis Armstrong & His All-Stars

Release: 2019 / Original

Genre: Organic Grooves

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Blindbox set of Vince Guaraldi - 'A Charlie Brown Christmas'

What is a Blind Box?
A Blind Box is a Box or in this case a sleeve with a surprising content, because you don't know which song you will get. It's only one of the four mentioned songs, in any case.

- Christmas is here
- Hark, the Herald angels sing
- Linus & lucy
- Skating

The score for the classic half-hour Christmas TV special "a Charlie Brown Christmas" is a beautiful piece of festive magic. So magic in fact, that it was voted into the Grammy Hall of Fame.

Attention!
Runs only with 3" Record Player Crosley RSD3 Turntable. (HHV ID: 646800)

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Live In 1956 (Allentown, Pa) Black Friday Record Store Day 2019 Edition

LP | 2019 | US | Original (Atlantic)

Johnny Griffin / Eddie 'Lockjaw' Davis Quintet

Release: 2019 / US – Original

Genre: Organic Grooves

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Limitation: 1000. RSD Limited Run. Unearthed for the first time after the discovery of a “mystery" tape reel, Louis Armstrong's performance in Allentown, PA on November 24, 1956 is one for the history books. Armstrong is joined by his All-Stars, including Trummy Young, Edmund Hall, Billy Kyle, and Velma Middleton. Available for the first time in any format, the historic concert audio has been mastered from the original analog tape and pressed on color vinyl for this limited edition release, exclusively for RSD Black Friday.

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Ow! Live At The Penthouse Black Friday Record Store Day 2019 Edition

2LP | 2019 | US | Original (Reel To Real)

61,99 €*

Nervous From The Fall Black Friday Record Store Day 2019 Edition

Release: 2019 / US – Original

Genre: Organic Grooves

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RSD Exclusive. Official release of the previously unissued live recordings of the Johnny Griffin-Eddie “Lockjaw” Davis Quintet, featuring Horace Parlan, Buddy Catlett and Art Taylor, from 1962. Released in partnership with the estates of Johnny Griffin and Eddie “Lockjaw” Davis. Deluxe limited-edition 180 gm LP, mastered by Bernie Grundman Mastering. Remastered audio transferred directly from the original 350 10” tapes at 7 ½ IPS. Includes extensive booklet with rare photos; essays by journalist Ted Panken, pianist Michael Weiss, co-producer Zev Feldman and Corry Weeds, plus interviews with drum icon Kenny Washington, saxophone colossus James Carter and more!

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Benmont Tench

7" | 2019 | US | Original (Thinkindie)

12,99 €*

2LP | 1982 | UK | Reissue (Honest Jon's)

Release: 2019 / US – Original

Genre: Organic Grooves

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Limitation: 400 copies worlwide. RSD limited run. Two covers from Benmont Tench, Live from Rockwood Music Hall in NYC

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Company

Epiphany

Homecoming - Live At The Village Vanguard

Release: 1982 / UK – Reissue

Genre: Organic Grooves

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Offcial info: Epiphany \ i-ˈpi-fə-nē \ (1) a manifestation of the essential nature of something (usually sudden) (2) an intuitive grasp of reality through something (usually simple and striking) (3) an illuminating discovery or disclosure.
All three definitions apply perfectly to this span of music recorded at London’s ICA in July 1982. It’s a miracle of group interaction, wonderfully paced, moving steadily between moments of mounting intensity and tension. The passage about halfway through — when Derek Bailey’s harmonics ring out above a sheen of inside piano tremolos and shimmering electronics, topped off by Julie Tippetts’ soaring vocalese — is simply sublime. After which it’s fun to try and tell the two pianists apart. Are those runs Ursula Oppens, with her formidable technique honed from years performing some of the twentieth century’s most difficult notated new music, or are those Keith Tippett’s crunchy jazz zigzags? Are those intriguing twangs from one of Akio Suzuki’s invented instruments or could they be Fred Frith’s or Phil Wachsmann’s electronics? Bah, who cares?

There’s plenty of room for the more delicate instruments too, like Anne LeBaron’s harp picking its way gingerly through a pin-cushion of pings and scratches from Bailey and bassist Motoharu Yoshizawa. Of course, some performers are instantly recognisable: Tippetts, as lyrical and flighty on flute as when she sings, Phil Wachsmann, sinuous and sensitive on violin, and trombonist George Lewis, who, as John Zorn once put it, swings his motherfucking ass off.

So many magical moments abound, from the opening dawn chorus of Tippetts’ voice and Frith’s guitar swooping through a rainforest of exquisite piano cascades, to the Zen calm of the closing moments.

Epiphany, indeed.

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Dexter Gordon

2LP | 1977 | US | Original (Columbia)

15,99 €*

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Nils Landgren & Jan Lundgren

Kristallen

LP | 2019 | EU | Original (Act Music)

25,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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12" | 2019 | EU | Original (Lobster Theremin)

Maruwa

On My Mind EP

Charles Tolliver's Music Inc

Release: 2019 / EU – Original

Genre: Organic Grooves

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Coloured Vinyl repress!

Put on your ravin’ shoes, Maruwa navigates a wild ride through dreamy trance, broken-beats, breezy edits, traversing through big room bangers for heady nights in the club.

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Live At The Loosdrecht Jazz Festival

LP | 1972 | UK | Reissue (Strata-East)

51,99 €*

LP | 2019 | US | Original (Pure Pleasure)

Release: 1972 / UK – Reissue

Genre: Organic Grooves

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Re-mastering by: Ray Staff at Air Mastering, Lyndhurst Hall, London

Charles Tolliver began his professional career and simultaneously his recording debut with the saxophone giant Jackie McLean on Blue Note Records in 1964. Since then he has become one of the all-time preeminent trumpeters in Jazz as well as one of its most gifted composer/arranger bandleaders. He is also a Grammy nominated recipient for his Blue Note Records recording "With Love".

With a career that has spanned five decades he has recorded and/or performed with such renowned artists as Roy Haynes, Hank Mobley, Willie Bobo, Horace Silver, McCoy Tyner, Sonny Rollins, Booker Ervin, Gary Bartz, Gerald Wilson Orchestra, Oliver Nelson, Stanley Cowell, Herbie Hancock, Andrew Hill, Louis Hayes, Roy Ayers, Art Blakey & the Jazz Messengers, and owned the trumpet chair with the great Max Roach for some years. https://charlestolliver.com/

This LP is jazz of high energy and high sincerity. Jazz at it's best. One of Tolliver's (and jazz's) masterpieces. It is a live recording from 1972. On another occasion, Tolliver recorded with another quartet with Stanley Cowell on piano, and some critics prefer that quartet. However, this quartet is the equal of that one. I think John Hicks did a masterful job of piano playing here. Hicks equalled Charles in energy. The bass playing of Reggie Workman (who was John Coltrane's bassist) is equally smouldering. Drummer Alvin Queen is a perfect match for the other three.
Passionate Jazz Fan.

Tolliver's music (which holds on to one's attention throughout the live set) has its connections to the bebop tradition but also forges ahead and can be quite passionate. Recommended. By Scott Yanow/AMG Personnel: Roberto Miranda - Bass
Everett Brown Jr. - Drums
Aubrey Hart - Flute
Adele Sebastian - Flute, Vocals
Fundi Legohn (tracks: B1) – French horn
Virjilio Figueroa - Percussion
Linda Hill - Piano, Vocals
Sabir Matteen* - Tenor Saxophone, Clarinet
Jugegr Juan Grey - Vocals

Produced by Tom Albach

Recorded & mixed by Dennis Moody in 1981

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Linda Hill

Lullaby For Linda

LP | 2019 | US | Original (Pure Pleasure)

Release: 2019 / US – Original

Genre: Organic Grooves

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Featuring members of the Arkesta
Re-mastering by Kevin Gray
Produced by Tom Albach
Recorded & mixed by Dennis Moody in 1981
Linda Hill recorded this LP for Nimbus West in 1981 with fellow Arkestra members, including flautist Adele Sebastian. And it’s Sebastian’s vocal duet with Hill on the spiritual jazz epic “Leland’s Song” that opens this stunning LP. Hill’s ensemble also included the serious horn player Sabir Matteen, as well as bassist Roberto Miranda and drummer Everett Brown Jr., who would all go on to record LPs for Nimbus.

The Arkestra first started rehearsing at pianist Linda Hill’s house in the early ‘60s. “In a few months, we’d built up from seven or eight to about 18 cats, musicians started living there,” Tapscott wrote in his autobiography. “People got involved with the Arkestra like it was their life’s work.” Hill took the role seriously, earning her the name of “the Ark’s matriarch” by Tapscott.

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Gary Bias

East 101

LP | 2019 | US | Original (Pure Pleasure)

Release: 2019 / US – Original

Genre: Organic Grooves

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Recorded at City Recorders, 1981
Produced by Tom Albach & Co-produced by Gary Bias
Engineer – Dennis Moody
A beautiful, dreamlike expression of spiritual jazz recorded at a time when the idiom was completely out of vogue, Gary Bias' East 101 remains little known even by cult-classic standards, but its free-flowing approach demands attention from listeners who believe this kind of LP ceased to exist somewhere around the late 1970s. Recorded with a stellar supporting cast including vibist Rickey Kelly, bassist Roberto Miranda, and pianist David Tillman, Bias unspools a suite of deeply soulful and profoundly far-reaching original compositions that vividly evoke the blue skies of the record's Los Angeles origins. His flute and soprano saxophone somehow divine gravitas from weightlessness, creating music that challenges as much as it comforts.

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Horace Tapscott

Live At Lobero Volume 1

LP | 1975 | US | Original (Musik Produktion Schwarzwald)

Release: 2019 / US – Original

Genre: Organic Grooves

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Re-mastering by Kevin Gray
Produced by Tom Albach
Recorded & mixed by Dennis Moody Nov. 12,

1981 in the Lobero Theater, Santa Barbara, California

This is a reissue of a now out-of-print album from live trio date by the legendary LA-based pianist, composer and multi-bandleader, Horace Tapscott. Pianist Horace Tapscott is always at his best when he is leading a trio. 'Sketches of Drunken Mary' features some sparkling piano revolving around a most lyrical bass part that is absolutely touching. The piece ends with a long, monstrous drum solo has to be heard to be believed. I recall hearing/seeing the mighty Sonship with John McLaughlin's One Truth band live at Central Park way back in 1979 and being knocked out by his drumming. 'Raisha's New Hip Dance' is a lovely piece that starts with some amazingly powerful and somewhat dark solo piano, with some strong two handed playing going in different directions and then winding down to somber conclusion, then building back up once again. The final piece is called 'Dark Tree' which is a great work that features a colossal, McCoy-like repeating line that is most hypnotic. The trio explodes in waves together, an immensely propulsive circular current at the center of the storm. Roberto Miranda takes an astonishing, fleet-fingered contrabass solo and then Sonship again provides a cosmic gong, cymbals and drum solo. This is a momentous offering from start to finish. It doesn't get any better than this.

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George Shearing

My Ship

Release: 1975 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1981 | US | Original (Pablo Today)

J.J. Johnson

Concepts In Blue

Release: 1981 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Bob Brookmeyer And Friends

Bob Brookmeyer

LP | 1965 | US | Original (Columbia)

16,99 €*

Gilbert Artman & Etienne Jaumet

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US pressing!

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Martis

LP | 2019 | EU | Original (Besides)

19,99 €*

LP | 1968 | US | Original (Archive Of Folk Music)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Nice collaboration between Etienne Jaumet (half of Zombie Zombie, member
of James Holden's Animal Spirits) and Gilbert Artman (french 70's
underground legend, leader of Lard Free and Urban Sax), this LP is what
we call Cosmic-jazz! Progressive tracks with electronics, synth and
saxophones!

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Charlie Parker

4,99 €*

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G

LP | 1973 | US | Original (Shelter)

Jim Horn

Jim's Horns

5,59 €* 6,99 € -20%

2LP | 2019 | UK | Original (Gondwana)

Release: 1973 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Cover with punch hole.

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Matthew Halsall

Colour Yes

29,99 €*

2LP | 2019 | UK | Original (Gondwana)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Remixed and remastered with bonus material and released on vinyl for the first time.

Deluxe 2LP editions with artwork re-imagined by Ian Anderson of The Designers Republic.

"If I could watch any jazz band in the UK, any, I would choose Matthew Halsall's band, just love what he's been doing over the last few years... It's always high level, spiritual jazz music" Gilles Peterson BBC Radio 1

Matthew Halsall (born September 11, 1983, in Manchester, England) is a Worldwide Award winning and MOBO nominated trumpeter, composer, producer and DJ. Since 2008, Matthew has released seven critically acclaimed studio recordings and has been a key figure in the rise of a new jazz sound in the UK. In addition to his own releases Halsall has collaborated with many DJs and producers, most notably DJ Shadow and Mr. Scruff, and in 2013 Matthew's music was selected by Bonobo for his Late Night Tales compilation. Halsall is also the founder of Gondwana Records, a genre bending independent record label featuring a wealth defining albums by the likes of Portico Quartet, GoGo Penguin, Hania Rani and Mammal Hands. His own rich music draws on the spiritual-jazz of Alice Coltrane and Phaorah Sanders, contemporary electronica and dance music alongside his travels in Japan, the traditional art and music of which, has left a lasting impression on his compositions.

Sending My Love (2008) and Colour Yes (2009) were his first releases and document Halsall's first great bands featuring the likes of flautist Chip Wickham, saxophonist Nat Birchall, harpist Rachael Gladwin, bassist Gavin Barras and drummer Gaz Hughes. Joyful, life-enhancing albums, drawing on UK jazz and spiritual jazz influences but with a decidedly modern bounce, they introduced Halsall's music to the world gathering support from the likes of Gilles Peterson and Jamie Cullum, Mojo, Straight No Chaser and beyond. But Halsall was never completely happy with how the records were presented and as part of Gondwana Records 10th anniversary decided to revisit the recordings, meticulously remixing and remastering them for vinyl and commissioning new artwork from Ian Anderson, one of his favourite designers. These then are the definitive editions of the records. Sending My Love comes complete with the beautiful bonus track This Time, while Colour Yes features the equally striking It's What We Do and Ai.

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Matthew Halsall

Sending My Love

29,99 €*

LP | 1977 | US | Original (Warner Bros.)

Release: 2019 / UK – Original

Genre: Organic Grooves

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David "Fathead" Newman

Front Money

8,99 €*

LP | 2019 | EU | Original (ECM)

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy is close to VG+!

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Kit Downes

Dreamlife Of Debris

25,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 1978 | US | Original (ABC)

John Klemmer

Arabesque

5,99 €*

LP | 1960 | US | Original (RCA Victor)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover with cut-out.

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Della Reese

Della

5,99 €*

LP | 1979 | US | Original (ABC)

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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John Klemmer

Brazilia

Release: 1979 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

فرقة العقارب & سيف أبو بكر = فرقة العقارب و سيف أبو بكر

الجاز = Jazz, Jazz, Jazz

LP | 2018 | DE | Reissue (Habibi Funk)

26,99 €*

Release: 2018 / DE – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2018 | UK | Original (Brownswood)

Joe Armon-Jones

Starting Today

33,99 €*

LP | 1986 | US | Original (Warner Bros.)

Release: 2018 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. tiny wear

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Bob James, David Sanborn

Double Vision

Release: 1986 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2019 | EU | Original (Black Sweat)

Cucoma Combo

28,99 €*

Preservation Hall Jazz Band

Release: 2019 / EU – Original

Genre: Organic Grooves

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Cucoma Combo. Above all, the new boiling energy of pan-rhythmic music, the awakening dance of joy, the experimental space for ambitious arrangements and free-improvised parts of colorful horns. From Black Africa to South America, we travel on paths of Congolese soukuss and Amazonian carimbò, between accents of Colombian cumbia, kalimba vibes and tribal voices. We find seeded traces of space-funk and afrobeat, with amazing acid keyboards and an enchanting female voice. The power of rhythm and in general the whole project are leaded leaded by Marco Zanotti, a multifaceted drummer and fine poly-percussionist, expert of the African and South American sound universe. With his Classica Orchestra Afrobeat, he proudly took part in outstanding collaborations with Seun Kuti, Sekouba Bambino and Baba Sissoko, as well as a prestigious participation in the Glastonbury Fest.

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A Tuba To Cuba

LP | 2019 | US | Original (Sub Pop)

23,99 €*

LP | 1962 | US | Reissue (Impulse!)

Release: 2019 / US – Original

Genre: Organic Grooves

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Single-pocket jacket with custom dust sleeve
Includes MP3 coupon

The legendary Preservation Hall Jazz Band present the soundtrack to A Tuba to Cuba, the critically acclaimed documentary directed by T.G. Herrington and Danny Clinch. The film follows Ben Jaffe of New Orleans’ famed Preservation Hall Jazz Band as he seeks to fulfill his late father's dream of retracing their musical roots to the shores of Cuba in search of the indigenous music that gave birth to New Orleans jazz. A Tuba to Cuba celebrates the triumph of the human spirit expressed through the universal language of music and challenges us to resolve to build bridges, not walls.
The New York Times said: “This joyous, wide-ranging account of a New Orleans jazz band's 2015 visit to Cuba is crammed with fascinating facts and toe-tickling tunes.” And, from the LA Times: “Jaunty, at times poetic chats and drop-ins with many Big Easy and Cuban jazz artists, discussion of their music’s African lineage (the Atlantic slave trade factored in), stirring examples of native instrumentation, and pulsating performances combine with colorful, travelogue-type shots (love those old Cuban theaters) and vivid archival footage to create a vibrant and joyous portrait.”

Preservation Hall Jazz Band’s Ben Jaffe said of “Kreyol,” the lead single from the soundtrack: “Every evening in Havana people gather along the waterfront to socialize. I’ve always been taken by the tempo at which people stroll, like New Orleans, there’s a very particular rhythm to their walk. That rhythm was the inspiration for ‘Kreyol.’ In fact, ‘Kreyol’ is the Cuban spelling of ‘Creole.’ You can feel that same Creole influence in New Orleans, it’s one of our many shared connections with Cuba.” (The film is available through Amazon Video, iTunes, DirecTV, Google Play, YouTube Movies and more. Check your local service provider for additional listings.)

About Preservation Hall Jazz Band:

At a moment when musical streams are crossing with unprecedented frequency, it’s crucial to remember that throughout its history, New Orleans has been the point at which sounds and cultures from around the world converge, mingle, and resurface, transformed by the Crescent City’s inimitable spirit and joie de vivre. Nowhere is that idea more vividly embodied than in the Preservation Hall Jazz Band, which has held the torch of New Orleans music aloft for more than 50 years, all the while carrying it enthusiastically forward as a reminder that the history they were founded to preserve is a vibrantly living history. Preservation Hall Jazz Band recently signed with Sub Pop Records, who are re-releasing the band’s 2013 album That’s It! (over 39,000 copies sold) and 2017’s So It Is on June 28th, with new music to follow.

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John Coltrane

Coltrane

36,99 €*

Release: 1962 / US – Reissue

Genre: Organic Grooves

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2LP | 2019 | EU | Original (Constellation)

Land Of Kush

Sand Enigma

26,99 €*

7" | 2019 | UK | Original (Dynamite Cuts)

Release: 2019 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Deluxe 2LP 180gram audiophile vinyl includes multiple art inserts and/or poster + digital download coupon.Sam Shalabi's stupendous and genre-defying Land Of Kush orchestra is back with its first album since 2013's The Big Mango (Shalabi's love letter to Cairo, composed during the Arab Spring). The disenchantments of the years since have been devastating, to say the least, and the devastatingly-titled Sand Enigma bristles accordingly - this is Shalabi's most acute and accomplished big-band composition to date, with the orchestra on fire as they stir up a melting pot of Arabic tropes, avant-jazz, modern classical, freaknoise, electronics and sound art. Nadah El Shazly is a featured vocalist on this one."Sam Shalabi's combination of Arabic traditional motifs and instruments with jazz, free improvisation and electronics truly stretch any notion of genre to breaking point." - Brainwashed"Sam Shalabi has raised the bar for modern psychedelic music with the Land of Kush orchestra, utilizing Middle Eastern, jazz, rock, and folkloric sources to weave a seamless montage of styles in a transcendent way that is rarely, if ever, achieved." - Alan Bishop (Sun City Girls / Sublime Frequencies)

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Bernie Senensky

Lolito's Theme