Jazz | Fusion 13011 Items

The Architecture Of Oppression Part 1 Red Splattered Vinyl Edition

Release: 1975 / EU – Reissue

Genre: Organic Grooves

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To write these few lines, we spoke to saxophonist François Jeanneau, an old friend of Jacques Thollot who also played on several of his albums, including the “Watch Devil Go” which interests us here. He told us a story which, according to him, sums up the personality of Thollot. A noted studio had reserved three days for a Thollot recording session. The first morning was devoted to sound checks and putting some order in the score sheets which Jacques would hand out in a somewhat anarchic manner. Then everyone went for lunch. When the musicians returned to the studio, Thollot had disappeared. He wasn’t seen again for the three days. When he reappeared, he had already forgotten why he had left, The music of Jacques Thollot is in the image of its’ author: it takes you somewhere, suddenly escapes and disappears, returning in an unexpected place as if nothing had happened.

Four years after a first album on the Futura label in 1971, Jacques Thollot returned, this time on the Palm label of Jef Gilson, still with just as much surrealist poetry in his jazz. In thirty-five minutes and a few seconds, the French composer and drummer, who had been on the scene since he was thirteen, established himself as a link between Arnold Schoenberg and Don Cherry. Resistant to any imposed framework and always excessive, Thollot allows himself to do anything and everything: suspended time of an extraordinary delicacy, a stealthy explosion of the brass section, hallucinatory improvisation of the synthesisers, tight writing, teetering on the classical, and in the middle of all that, a hit; the title-track - that Madlib would one day end up hearing and sampling.

“Watch Devil Go” was in the right place in the Palm catalogue, which welcomed the cream of the French avant-garde in the 70s. But it is also the story of a long friendship between two men. Jacques Thollot and Jef Gilson had known and respected one another for a long time. Though barely sixteen years old, Thollot was already on drums on the first albums by Gilson starting in 1963 and would play in his big band (alongside François Jeanneau once again), ‘Europamerica’, until the end of the 70s.

In a career lasting half a century and centred on freedom Jacques Thollot played with the most important experimental musicians (Don Cherry, Sonny Sharrock, Michel Roques, Barney Wilen, Steve Lacy, François Tusques, Michel Portal, Jac Berrocal, Noël Akchoté...) and they all heard in him a pulsation coming from another world. (Jérôme "Kalcha" Simonneau)

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The Brkn Record

LP | 2021 | EU | Original (Mr Bongo)

23,74 €* 24,99 € -5%

Richie Cole & Boots Randolph

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Brkn Record is a new project led and produced by Jake Ferguson, the co-founder and bass player for the UK’s foundational deep jazz outfit the Heliocentrics. With fellow Heliocentrics co-founder and legendary drummer Malcolm Catto, Ferguson has been a regular collaborator with globally recognised artists including Archie Shepp, Mulatu Astatke, Melvin Van Peebles, Orlando Julius and many others. The Architecture of Oppression Part 1 represents Ferguson’s debut as a bandleader and orchestrator, and manifests as a committed and soulful response to ongoing and systemic anti-black racism, social oppression and state violence both at home in London and across the globe. Combining poetry, testimony and song with rich and cinematic backdrops, Ferguson has produced a sui generis sound that conjures flavours of Arthur Verocai, Ennio Morricone, classic library productions, Madlib-style deep-jazz beat science, and psychedelic soul. With bandmate Malcolm Catto on drums, Ferguson draws on their long years of collaborative experience in the Heliocentrics to build an album of striking texture and depth. But the album does not only reflect Ferguson’s full-spectrum musical prowess, experience and vision. It is equally a manifestation of his longstanding and high-profile work as a frontline activist for racial justice and social equity in London and beyond. Alongside Malcom Catto, contributors to the album are drawn from the intersecting worlds of community activism, cultural education, politics and music, and include singer and political activist Jermain Jackman, Zara MacFarlane; Chicagoan activist, poet and singer Ugochi Nwaogwugwu; Lee Jasper, longstanding worker for racial justice and former advisor on equalities to the Mayor of London; acclaimed performance poet Dylema; Hackney community leader Janette Collins MBE and Leroy Logan MBE, founder and former chair of the Black Police Association, and the subject of Steve McQueen’s Small Axe episode ‘Red, White and Blue’. The Architecture of Oppression Part 1 is a singular and urgent chronicle of the black British experience, an upful expression of Pan-African creative unity and community solidarity, and a militant and unbending missive from the frontline in the great tradition of The Impressions’ This Is My Country, Irreversible Entanglements Who Sent You?, Max Roach’s We Insist - Freedom Now Suite, or Linton Kwesi Johnson’s Bass Culture. A broken record repeats itself, and never plays through – the music is interrupted or trapped in a cycle by damage to the grooves. But The Brkn Record is a work of healing and protection, and a chance to let the full story be heard – all the way to the end, no skips.

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Yakety Madness!

LP | 1983 | US | Original (Palo Alto)

5,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1984 | JP | Original (Atlantic)

The Manhattan Transfer

Bop Doo-Wopp

LP | 1976 | JP | Reissue (RCA)

Release: 1984 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Still in shrink but opened. Tiny corner wear. Japanese pressing. With OBI.

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Phil Woods

The New Phil Woods Album

LP | 1978 | JP | Original (ABC)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Japanese pressing. With insert. Vinyl is close to NM. 1981 reissue.

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Joe Sample

Rainbow Seeker

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Lee Ritenour & His Gentle Thoughts

Lee Ritenour

LP | 1977 | JP | Reissue (JVC)

11,99 €*

LP | 1980 | JP | Original (Windham Hill)

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. 1983 reissue.

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George Winston

Autumn

LP | 2020 | EU | Original (Dos)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI.

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Jordman

Jazz Pa Nysvenska

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2019 | EU | Original (Wewantsounds)

V.A.

This Is Mainstream

33,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Modern Jazz Dance Classics

V.A.

2LP | 2019 | EU | Original (Staubgold)

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Musik Produktion Schwarzwald)

George Duke

Liberated Fantasies

LP | 1979 | JP | Original (Yamaha)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2018!

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Session II

LP | 2013 | US | Original (Legacy)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy! Japanese pressing. close to NM

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Miles Davis

'Round About Midnight

33,99 €*

3LP | 2017 | Original (Columbia)

Release: 2013 / US – Original

Genre: Organic Grooves

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Limited edition for Record Store Day 2013!

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Bob Dylan

Triplicate

34,99 €*

Release: 2017 / Original

Genre: Organic Grooves, Rock & Indie, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 2022 | EU | Original (Sony Music)

Napoli Centrale

Mattanza

Release: 2022 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

12" | 2020 | US | Original (Muabgnils Incorporated)

Terry Slingbaum

Slingbaum One

16,99 €*

LP | 2012 | UK | Original (Tin Angel)

Release: 2020 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM.

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Little Annie, Baby Dee

State Of Grace

Sings The Cole Porter Song Book

Release: 2012 / UK – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Dedication and signature from Little Annie on front cover.

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Ella Fitzgerald

2LP | 2019 | Reissue (Verve)

34,99 €*

Release: 2019 / Reissue

Genre: Organic Grooves, Soundtracks

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Piano Improvisations Vol. 1

Chick Corea

LP | 1972 | JP | Original (Polydor)

LP | 1982 | JP | Original (A&M)

Release: 1972 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

No Obi, with insert. Cover has foxing.

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Herb Alpert

Greatest Hits

LP | 1982 | JP | Original (Pablo)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing, comes with Obi and inserts.

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Count Basie 6

Kansas City

16,99 €*

LP | 1973 | JP | Original (CTI)

Release: 1982 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

No Obi, with insert. Cover has light foxing.

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Eumir Deodato

Prelude

LP | 1980 | JP | Reissue (CBS/Sony)

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with insert. Record is close to NM.

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The J.J. Johnson Quintet

Dial J.J. 5

J.J. Johnson And Kai Winding

Release: 1980 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, no insert. Record has light foxing.

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Jay And Kai

LP | 1979 | JP | Original (CBS/Sony)

LP | 1956 | JP | Reissue (Debut)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

No Obi, with insert. Cover has light foxing.

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The Quintet

Jazz At Massey Hall

The Noble Art Of Teddy Wilson

Release: 1956 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. 1976 reissue. With OBI.

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Teddy Wilson

LP | 1976 | JP | Original (Metronome)

LP | 1976 | JP | Reissue (Mercury)

Release: 1976 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI.

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Teddy Wilson

My Ideal

12,99 €*

LP | 1974 | JP | Original (Columbia)

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. 1976 reissue. With OBI.

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Terry Herman Trio

Blue Aranjuez

LP | 1968 | JP | Reissue (ESP Disk)

Release: 1974 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. With OBI.

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Bud Powell

Paris, 1961

LP | 1975 | JP | Original (Overseas)

Release: 1968 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. Japanese pressing. 1975 reissue.

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Max Roach Quintet

Award-Winning Drummer

LP | 1968 | JP | Original (CBS/Sony)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

slight stains. Japanese pressing. OBI is missing

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Andy Williams

Honey

7,99 €*

LP | 1960 | JP | Reissue (CBS/Sony)

Release: 1968 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG, Cover: VG+

Japanese pressing. Still in shrink but opened with OBI

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Teddy Wilson

And Then They Wrote

13,99 €*

Art Tatum Solo Masterpieces

Release: 1960 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing. 1979 reissue.

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Art Tatum

LP | 1983 | JP | Original (MCA)

Chikara Ueda & The Power Station

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

tiny wear. Japanese pressing. slight discolouration. OBI is missing

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Super Fusion For Super Boy

12" | 1980 | JP | Original (Denon)

LP | 1977 | JP | Original (CBS/Sony)

Release: 1980 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. promo Japanese pressing.

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Bud Powell

A Portrait Of Thelonious

Stéphane Grappelli - Joe Venuti

Release: 1977 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without Obi.

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Venupelli Blues

LP | 1973 | JP | Original (BYG)

6,99 €*

Release: 1973 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Sérgio Mendes & Brasil '77

País Tropical

LP | 1971 | JP | Original (A&M)

Stereo Laboratory, Vol. 9 - Big Band

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. close to NM

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Quincy Jones

LP | 1975 | JP | Original (A&M)

2LP | 1970 | JP | Original (Odeon)

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. with OBI.

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Franck Pourcel

All About Franck Pourcel

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1973 | JP | Reissue (Mercury)

Cozy Cole / Red Norvo

All Star Sessions

Jeux Interdits / Paul Mauriat Best 20

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. 1978 reissue. close to NM

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Paul Mauriat

LP | 1970 | JP | Original (Philips)

12,99 €*

Release: 1970 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

The Fourth Dimension In Sound

Shorty Rogers

LP | 1962 | JP | Original (Warner Bros.)

49,99 €*

2LP | 2018 | EU | Original (RCA)

Release: 1962 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Red vinyl. Japanese pressing.

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Nina Simone

Sunday Morning Classics

LP | 1975 | JP | Original (Polydor)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Their first album in 15 years!

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James Last

La Malaguena

13,99 €*

Live At The Olympia In Paris

Release: 1975 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. close to NM.

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Liza Minnelli

LP | 1976 | JP | Reissue (A&M)

11,99 €*

Release: 1976 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1974 | JP | Original (Philips)

Paul Mauriat

Papillon

7,99 €*

Frank Chacksfield & His Orchestra

Release: 1974 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: Near Mint

Japanese pressing. OBI is missing.

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Ebb Tide

LP | 1965 | JP | Original (London)

Release: 1965 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1977 | JP | Reissue (MCA)

The Hi-Lo's

I Presume

6,99 €*

The Hi-Lo's With The Marty Paich Dek-Tette

Release: 1977 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with inserts.

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And All That Jazz

LP | 1975 | JP | Reissue (CBS/Sony)

LP | 1979 | JP | Original (Musik Produktion Schwarzwald)

Release: 1975 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese white label promo.

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The Hi-Lo's

Back Again

6,99 €*

Recital Vol. 2 / Enregistrement Public A Sogetsu-Hall

Release: 1979 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

No Obi, with inserts. Overall close to NM.

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Juliette Greco

LP | 1982 | JP | Original (Philips)

LP | 1970 | JP | Original (A&M)

Release: 1982 / JP – Original

Genre: Organic Grooves, Rock & Indie, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. Promo copy. With OBI and insert.

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Burt Bacharach

Golden Prize

June Christy, Stan Kenton

Release: 1970 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. close to NM

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Duet

LP | 1955 | JP | Reissue (Capitol)

LP | 1957 | JP | Reissue (Fantasy)

Release: 1955 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese reissue. OBI is missing.

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Charlie Parker

Bird On 52nd Street

36,99 €*

LP | 1983 | JP | Original (Mercury)

Release: 1957 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. 1976 reissue. OBI is missing.

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Helen Merrill

Collection

Lee Wiley With Eddie Condon And His All-Stars

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

close to NM. With insert. OBI is missing. Japanese pressing.

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Lee Wiley 1944-45

LP | 1984 | JP | Original (Baybridge)

All About Sam The Man Taylor

Release: 1984 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI and insert.

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Sam Taylor

2LP | 1968 | JP | Original (Decca)

LP | 1956 | JP | Reissue (Epic)

Release: 1968 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI.

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Ray Bryant Trio

33,99 €*

The Phil Woods Quartet With Gene Quill

Release: 1956 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. 1973 reissue.

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Phil Talks With Quill

LP | 1959 | JP | Reissue (Epic)

15,99 €*

LP | 2024 | EU | Original (Wicked Wax)

Release: 1959 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

1973 reissue. Japanes pressing. OBI is missing.

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Radiohop

All We Do

21,99 €*

12" | 2001 | US | Original (Streamline)

Release: 2024 / EU – Original

Genre: Organic Grooves

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"Although life is hyper-individualised, you rarely go about it alone. This rings especially for Radiohop, the 4-man band drawing in everything that derives from Jazz. Aptly titled, ‘All We Do’ sees the band culminating each member’s journey through life as a performer and music head, into one entity. It is a collection of various musical feelings; drawn from all of the widely diverse musical environments they are surrounded by. Their early explorations in Hip-Hop laid the foundation Radiohop jetted from. All We Do ventures into Soul, Funk, Jazz, Broken Beat, Brazilian harmony, Fusion and other genres that they see connections with. It engenders a journey through the peaks and troughs of a modern musical spectrum and is an undeniable act of successfully approaching a contemporary Jazz album.

Together, they drew on Jazz as a concept existing outside the walls of formality. In addition to sessions and gigs with like-minded musicians, they explored the Amsterdam nightlife and genre-bending concerts for inspiration. This 3.5-year exploration brought them unconventional writing, producing and performing experiences resulting in All We Do being as much a presentation of the people accompanying them on this exploration, as it is about the journey itself.

Radiohop are constantly surrounded by other musicians and creatives from all different genres, disciplines, and spaces. The album is a celebration of the creative, and the ecosystem they operate in. The band likes to root that in the philosophy of Hip-Hop: spoken word, rap, vocals, lyrics, flute solos, photography, digital art, graphic design, tagging and poetry all congregate on the limited vinyl, as they truly believe art should not see any material boundaries. All We Do appreciates the art and the artist's creative endeavour. Radiohop gladly shares that with others in a holistic creation that is this album."

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Little Annie

Diamonds Made Of Glass

11,99 €*

Release: 2001 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

7" | DE | Original (Somerset)

The Video All-Stars

TV Jazz Themes Folge 1

3,99 €*

Release: DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Berrocal / Epplay / Comelade

Funeste Human Nature

LP | 2024 | EU | Original (Via Parigi)

LP | 2024 | Original (Candid)

Release: 2024 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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"Step into the enigmatic realm of ‘Funest Human Nature’, an audacious collaboration between avant-garde luminaries Jac Berrocal, Pascal Comelade, and Vincent Epplay. In this mesmerizing sonic odyssey, the boundaries of experimental music are shattered as Berrocal's haunting trumpet, Comelade's whimsical piano, and Epplay's immersive soundscapes converge to create a kaleidoscope of textures and emotions. A journey through the depths of the human psyche, where surrealism meets primal instincts and the absurd dances with the profound. The trio's fearless exploration of sound, inviting listeners to unravel the mysteries of the human condition through an eclectic tapestry of sonic experimentation. From the eerie whispers of forgotten dreams to the jubilant cacophony of uninhibited joy, 'Funest Human Nature' is a testament to the boundless possibilities of artistic collaboration. Embrace the unexpected, embrace the sublime, and immerse yourself in the haunting beauty of this extraordinary musical venture." Pascal Comelade, born in Montpellier, France in 1955, is a prolific Catalan musician and composer known for his distinctive blend of minimalism, surrealism, and musical primitivism. He started his music career in the mid-1970s and has since created a unique sound using toy instruments, pianos, and traditional ensembles. Comelade's work is characterized by its eclectic influences, ranging from rock and folk to classical and avant-garde. He has collaborated with various artists, including PJ Harvey and Robert Wyatt. Over the decades, Comelade has built a cult following with his unconventional approach to music and his impressive discography that spans numerous albums and soundtracks. Jac Berrocal, born in 1946 in Saint-Jean d'Angély, France, is a pioneering avant-garde trumpeter and composer known for his fusion of jazz, rock, and experimental music. His career, which began in the early 1970s, is marked by innovative albums like "Musiq Musik" and extensive collaborations with artists from Nurse With Wound to Vince Taylor. Berrocal is celebrated for his theatrical live performances, which often incorporate elements of poetry and drama. His work continues to defy conventional music boundaries, maintaining a cult following and influencing diverse musical genres. Through his distinctive approach, Berrocal has carved out a niche in the avant-garde music scene, continuously exploring the intersections of sound, performance, and art. Vincent Epplay, born in 1964 in France, is an innovative sound artist and musician known for his work in creating immersive audiovisual environments. His artistic approach often involves the manipulation of sound to explore its interaction with space and audience perception. Epplay's works are characterized by a keen interest in the experimental music tradition, incorporating elements of chance and the use of unconventional sound sources. He has collaborated extensively with other artists, including Jac Berrocal and David Fenech, contributing to a dynamic and exploratory sound art scene. Through installations, performances, and recordings, Epplay continually challenges and expands the boundaries of auditory and visual experiences.

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Zacchae'us Paul

Jazz Money

27,99 €*

2LP | 2024 | Original (Blue Note)

Release: 2024 / Original

Genre: Hip Hop, Organic Grooves

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JAZZ MONEY, the debut album from multiinstrumentalist, composer, and producer Zacchae'us Paul is an irreverent, fresh take on "America's classical music" that speaks to the 24 year old artist’s deep-beyond-his-years understanding of Black music and the African diaspora. Paul stretches and bends jazz sounds around the Atlanta hip-hop he grew up with, the gospel sounds and philosophies that have long shaped his music making, and the Caribbean rhythms he learned studying in Puerto Rico. He has created a wholly personal sound that is youthful, and thoughtful all at once.

"When you listen to this album, listen to it again," Paul says. "A lot of the songs have multiple meanings, and I'd love for people to have different perspectives on them." Made with a cast of improvising upstarts and veterans that includes the album's executive producer, Terri Lyne Carrington, fellow Atlanta native and Candid recording artist Morgan Guerin and Paul's fiancée and star vocalist Melanie Charles, Jazz Money is jazz music for this, and future, generations.

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Aaron Parks

Invisible Cinema

38,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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LP | 2024 | EU | Original (Sublime Frequencies)

The Handover

29,99 €*

North Sea Jazz Concert Series - 1979

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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In The Handover, Aly Eissa, Ayman Asfour and Jonas Cambien explore the common and uncommon senses of Egypt's ritual music. It is clear that Aly Eissa's original composition is deeply rooted in Egyptian and Arabic traditions. At the same time, this band is one of the most progressive coming out of Egypt today. This is in big part thanks to Eissa, who has proven time and again to be not only an extremely skillful composer, but also a real visionary, combining tradition with modern experimentation.

A performance by The Handover is typically one stretch without break: a long build-up that lasts for the duration of the concert. Towards the end of the performance, all the tension is released in an exuberant, joyful climax, when wild improvisations are driven forward on top of exciting dance-rhythms from rural Egypt. The Handover elegantly combines the delicacy of classical Arabic music, the raw expressiveness of Egypt's countryside music, and the spontaneity of free improvisation, carefully obliterating the artificial separation between acoustic and electronic instruments. Despite the remarkable absence of any percussion or drums, The Handover is an extremely groovy band, with an ability to slow down and accelerate the tempo in almost telepathic synchronization at exactly the right moments.

Alongside the tight ensemble playing there is plenty of room for individual expression as the oud, synthesizer and violin take turns playing solos on top of repetitive riffs. Throughout the album, native Alexandrian Ayman Asfour plays the violin with breathtaking beauty, while not being afraid to make the violin buzz, squeak and rattle at times. Belgian/Norwegian keyboardist Jonas Cambien makes the synthesizer a melodic instrument in its own right, at times evoking almost classical Maqam, while in other moments it seems like he comes straight out of an Egyptian wedding. The oud forms the backbone in the composition's structure, as Aly Eissa's solos guide the listener from minimalist, meditative drones, to a compelling climax, and back to earth.

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Dexter Gordon

LP | 2024 | Original (Bertus)

Release: 2024 / Original

Genre: Organic Grooves

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LP | 1977 | JP | Original (Warner Bros.)

Michael Franks

Sleeping Gypsy

Sonny Stitt Plays Arrangements From The Pen Of Quincy Jones

Release: 1977 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI. With insert

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Sonny Stitt

LP | 1973 | JP | Reissue (Roulette)

Phil Woods And His European Rhythm Machine

Release: 1973 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

No obi. 1973 Japanese reissue.

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At The Frankfurt Jazz Festival

LP | 1971 | JP | Original (Atlantic)

The Complete Jazz Massey Hall Recordings

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Vinyl is close to NM. Die cut cover.

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V.A.

3LP | 2023 | US | Original (Craft)

105,99 €*

Release: 2023 / US – Original

Genre: Organic Grooves

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Tom Browne / Diplomats Of Soul

Brighter Tomorrow

10" | 2015 | Reissue (Expansion)

Release: 2015 / Reissue

Genre: Organic Grooves

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2LP | 1970 | UK | Reissue (BBE Music)

Sphere

Inside Ourselves

44,99 €*

Good Morning Susie Soho Limited Yellow Vinyl Edition

Release: 1970 / UK – Reissue

Genre: Organic Grooves

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Recorded live on June 28th, 1970 at the Detroit Institute of Arts, ‘Inside Ourselves’ features John Dana on bass, Jimmy Peluso on Drums, Keith Vreeland on, Electric Piano, Eddie Nuccilli on Trumpet and Flügelhorn, plus bandleader Larry Nozero on tenor and soprano Saxophone. The album comprises seven captivating original compositions, written by Vreeland, Nuccilli and Nozero himself.

Perhaps Larry Nozero’s single most-recognisable contribution to popular music is the soprano sax solo on Marvin Gaye’s seminal, ‘What’s Going On’, the title track and tone-setter for one of soul music’s most successful, not to mention conceptual, recordings.

Like so many talented reedmen before him, Nozero received instruction from Detroit’s Teal School of Music, creating common ground with Yusef Lateef, Joe Henderson, and Benny Maupin. Although Nozero flirted with the Strata groundlings briefly in 1964 as a member of Charles Moore’s Detroit Contemporary 5, he was soon drafted into the military.

A mixed blessing, Nozero took full advantage of the opportunities within the Army Band, which led to several high-profile jobs upon his return to Detroit. Despite lengthy engagements with Henry Mancini, Sergio Mendes, and studio work with everyone from Holland-Dozier Holland to Berry Gordy, Nozero still relished musical freedom of expression, which made him right at home on the Strata roster.

While little is known about Sphere as a standalone group aside from its contributors and producer Bud Spangler, ‘Inside Ourselves’ represents the level of quality jazz expected from the Strata imprint.

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E.S.T.

2LP | 2023 | EU | Reissue (Edel)

41,99 €*

Release: 2023 / EU – Reissue

Genre: Organic Grooves

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In Hot House White Vinyl Edition

Ben Webster

LP | 1972 | US | Reissue (Tidal Waves Music)

Khan Jamal's Creative Arts Ensemble

Release: 1972 / US – Reissue

Genre: Organic Grooves

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Tenor saxophonist Ben Webster (born Kansas City, 1909) needs little introduction, Webster is regarded as one of the three foremost swing era tenor saxophonists – the two others being Coleman Hawkins and Lester Young. His ballad playing and sound inspired such later fellow saxophonists as Archie Shepp, Sonny Rollins and John Coltrane. Webster became famous for his unique sound, quick tempos, his solos that contained great virile rhythmic momentum, a rasping timbre and an almost brutal aggressiveness filled with growl, while his ballad playing was breathy, tender and sensual. The list of his collaborations is long, Ben Webster worked, recorded and played with legends from the likes of Art Tatum, Count Basie, Cab Calloway, Roy Eldridge and Dexter Gordon…but a dream came true when he was offered a permanent job in Duke Ellington’s orchestra where his personal style matured. Webster stayed with Ellington until 1943, after which he formed his own groups and played with other small ensembles. From 1952 on he spent his time between Los Angeles and New York playing, freelancing and recording with a variety of soloists, among them high-profile singers like Billie Holiday, Ella Fitzgerald, Carmen McRae and Frank Sinatra. Despite excellent reviews of his albums, it was difficult for Webster to find steady work in the US during the early 1960’s, and when in 1964 he got offered to play for a month in London he accepted and sailed to England. Webster never returned to the United States. In Europe he found plenty of work, playing residences in Scandinavia, settled in Amsterdam (1966-69) and then in Copenhagen (where he even has a street named after him). He toured frequently, playing in clubs and at big festivals with local bands or with visiting American musicians. Ben Webster suffered a stroke in Amsterdam in September 1973 following a performance in Leiden and died on September 20. Even when his health started to decline during his last years, his playing never did. To the last day Webster played with passion and intensity, delivering weight on every note. Webster is the subject of two renowned documentaries and two extensive biographies have been published about his legacy. Responsible for a plethora of excellent recordings he remains THE best-selling tenor saxophonist in jazz. Ben Webster was one of those unique jazz musicians whose presence came through on every recording (He recorded for prestigious labels including Verve, Impulse!, Prestige, Reprise, Blue Note…and countless others. On the album we are proudly presenting you today (‘In Hot House’ recorded at Leiden, May 1972) you will find mind-blowing rare Dutch sessions recorded at the Hot House club in Leiden. Hot House is one of the oldest jazz venues of The Netherlands (It has existed since 1969.) The album includes an international all-star line-up featuring Rob Langereis (Toots Thielemans), Eric Ineke (George Coleman) and Tete Montoliu (Rashaan Roland Kirk). Webster is in constant musical dialog with the rhythm section creating a unique back and forth with these musicians at the top of their game. Ben Webster played a total of three shows in Leiden, the first one dating back to 1967, then the recordings we are presenting you today (from 1972) and then the last one in 1973 (just two weeks before his untimely death). Needless to say the venue was packed with loyal fans…and the love an audience has for Webster can be clearly heard on this album. The musicians are constantly being fired up by a spirited crowd (almost making the audience a 5th bandmember). Tidal Waves Music now proudly presents the First ever vinyl reissue of this fantastic album (originally released as a limited private pressing by the Dutch Ben Webster fan club society back in 1979). This unique record comes as a deluxe 180g White North American vinyl edition (strictly limited to 500 copies) with obi strip and features the original artwork.

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Drum Dance To The Motherland

LP | 1973 | EU | Reissue (Aguirre)

LP | 2022 | UK | Original (ATA)

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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There’s not another album on the planet that sounds even remotely like vibraphonist Khan Jamal’s eccentric, one-of-a-kind masterpiece, Drum Dance To The Motherland. Thirty years after its release, the album’s tapestry of sound, fearless abstractions, relentless grooves, cool swing, flashes of ecstasy, & pan cultural embrace remain powerful & beyond category. One of only three albums released on the Philadelphia-based Dogtown label, it was barely distributed beyond the city’s limits when it came out in the early ‘70s.

Finally available again, a really stunning document of musical exploration, a classic session. In its improbable fusion of free jazz expressionism, black psychedelia, & full-on dub production techniques, Drum Dance remains a bracingly powerful outsider statement fifty years after it was recorded live at the Catacombs Club in Philadelphia, 1972. Comparisons to Sun Ra, King Tubby, Phil Cohran & BYG/Actuel merely hint at the cosmic otherness conjured by The Khan Jamal Creative Arts Ensemble & by sound engineer Mario Falana's real-time enhancements.

Clearly, the members of the Khan Jamal Creative Arts Ensemble saw African American music as a continuum that stretched from the Motherland through the blues, R&B, jazz, & free jazz, & they prided themselves on mastering the continuum. In the early ‘70s, these were fairly new ideas, but they had taken firm root in Philadelphia. The search for an African American music that is modern & culturally progressive but rooted in an African tradition is the music’s heart & soul. Its connection to the specific African American community in Philadelphia is its immediate inspiration. “My ancestors eventually show up in my music every time i play,” Jamal says. “I’ve always said that my backyard is Africa.”

Originally issued by Jamal in 1973 in an edition of three hundred copies on ‘Dogtown’ records, Drum Dance To The Motherland was effectively a myth until eremite’s 2005 CD reissue. With the master tapes long vanished, the audio was transferred at Sony Music's 54th street studio from a minty copy of the original LP. Includes an insert with Ed Hazell's detailed telling of Drum Dance's incredible history. Under License From Eremite Records.

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Jake Mehew

Sage

LP | 1980 | EU | Reissue (Musik Produktion Schwarzwald)

Release: 2022 / UK – Original

Genre: Organic Grooves

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Jake Mehew is a Leeds based composer and performer, whose work combines principles of free improvisation with the technological considerations of the avant-garde. Jake uses both acoustic instruments, modular synthesisers and samplers to create rich, meditative soundscapes that envelope audiences within an immersive quadraphonic sound field. Having spent years studying the causation of flow, Jake endeavours to create the conditions for spontaneous and radical composition in his work.
Sage is a modern and contemporary turn on what a spiritual jazz record can be. Jake Mehew has crafted an album that captures the energy present within the performances, many of which were of the moment; one-take improvised recordings, harnessing the idea at it's inception, rather than at its production.
This exceptional record captures the energy present within the performances, many of which were of the moment; one-take improvised recordings, harnessing the idea at it's inception, rather than at its production. The unique nature of this recording is apparent in not only its content but also in its production; a combination of electro-acoustic music , jazz and contemporary classical sounds. A one-take improvised recording may not be as polished as a meticulously rehearsed studio recording, but it has a raw, genuine, immediacy that you just can't get out of a more artificial process.

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Alphonse Mouzon

By All Means

Release: 1980 / EU – Reissue

Genre: Organic Grooves

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The Best Of Wes Montgomery

Wes Montgomery

LP | 1968 | US | Original (Riverside)

LP | 1962 | US | Original (Atlantic)

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G+

US original.

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The Modern Jazz Quartet

Lonely Woman

The Glenn Miller Orchestra

Release: 1962 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Writing on back cover.

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The Direct Disc Sound Of The Glenn Miller Orchestra

LP | 1979 | JP | Original (Paddle Wheel)

LP | 1979 | US | Original (Asylum)

Release: 1979 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI! Few paper scuffs.

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Hammer

Black Sheep

3,99 €*

I'm Always Right (The WDR Tapes 1977)

Release: 1979 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: G+, Cover: VG

Cover with saw cut. Vinyl with heat mark on the first track of each side.

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Imagination

LP | 2020 | EU | Original (The Outer Edge)

LP | 1985 | GDR | Original (AMIGA)

Release: 2020 / EU – Original

Genre: Organic Grooves

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We are proud to present "I'm Always Right" by Imagination, an unreleased jazz rock LP from 1977. Comprised of five tracks with a playtime of roughly 30 minutes, you will hear one of the finest German late-70s rock-tinged electric jazz albums of the era. The recording is a delightful stand-out with unique compositions, aspiring solo work, and a soulful spirit throughout. Additionally, the album veritably glows with exceptional sound quality, as it has been remastered from original tapes that were cut more than four decades ago at the WDR Funkhaus, Cologne.
Here is the story of how label founder John Raincoatman became aware of these lost tapes:
"I first got in touch with members of Imagination from Düsseldorf (not to be confused with the UK disco band under the same name) in 2017 for licensing the track "Strawberry Wine" from their collectible "Shake It" album from 1980. A couple of months later, when I was speaking with Willi Hövelmann, the guitarist for Imagination, he told me about some recordings the band had made a couple of years before, when they had been invited to to the studio of the WDR, a major German broadcaster. A couple of weeks later, when Hövelmann finally sent me the files that he had requested from the WDR, I could not believe... more

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Uwe Kropinski

Solo

4,99 €*

2LP | 2019 | EU | Original (Schema)

Release: 1985 / GDR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Water damage on bottom left corner.

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Alessandro Magnanini

Someway Still I Do

20,69 €* 22,99 € -10%

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 1968 | US | Original (Columbia)

Dave Brubeck

Jackpot

Django Reinhardt & Stephane Grappelli

Release: 1968 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Quintet Of The Hot Club Of France

LP | 1974 | US | Original (Angel)

LP | 1974 | US | Original (Blue Note)

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover close to VG+

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Clifford Brown

Brownie Eyes

The Modern Jazz Quartet Guest Artist: Sonny Rollins

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: G+

Cover with cut corner, writing and seam split / torn seam. Vinyl with a couple of light scuffs

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The Modern Jazz Quartet At Music Inn — Volume 2

LP | 1976 | US | Reissue (Atlantic)

17,99 €*