Jazz | Fusion 1975 Items

Release: 2020 / UK – Original

Genre: Organic Grooves

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Charlie Haden & Brad Mehldau

Long Ago And Far Away (Live In Mannheim 2007)

CD | 2018 | EU | Original (Impulse)

17,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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This recording was made on November 5, 2007 at the Christuskirche in Mannheim, Germany, during the Enjoy Jazz Festival. It was on a Sunday, on September 19, 1993 to be exact, that Charlie Haden heard Brad Mehldau for the first time. Charlie and I were walking through the halls of the Hidden Valley Resort located in the Laurel Mountains in southwest Pennsylvania. The resort was sponsoring a jazz festival and Charlie had just finished an interview after which we needed to get back to the hotel room in order to prepare for Charlie’s sound-check and concert that night. As we hurried through the hall, one could hear, from behind the closed doors of the auditorium we passed, the sounds of a concert in progress,

Now, Charlie had the biggest ears of anyone in jazz, and while we were walking and talking, Charlie came to a sudden halt and said, “Shhh!"

His eyes opened wide as he crept to the door to listen. Someone was taking a solo. He said to me, "I have to go in and listen." We entered the auditorium and stood at the back to listen to the rest of the concert. It was Joshua Redman’s band with Joshua Redman, Brad Mehldau, Christian McBride and Brian Blade who, together, in 1994 recorded Joshua’s album Moodswing.

Once the concert was finished Charlie strode to the stage to greet the guys and to speak directly to the young pianist. It was Brad Mehldau who had taken that solo. They spoke for some time, and when Charlie came back to me, he said, “That pianist is brilliant. He is special, so unique.” Charlie would later go on to pronounce Brad one of the most important musicians of his generation because of his unique voice, his depth of knowledge of and facility on the instrument, and how he has moved the language of jazz forward.

Eventually, in 1996, Charlie found a way to bring Brad out to LA to perform with Lee Konitz and him at the Jazz Bakery. This led to a trio recording on Blue Note (1997) called Alone Together. In 2011, he and Brad recorded a live album with Lee Konitz, and Paul Motian for ECM called Live at Birdland. Brad and Charlie remained friends from the time of their first meeting. They had a special connection. In the early days, Charlie, in a sense, mentored this young pianist in life lessons. Personally, I think he saw a bit of himself in this young brilliant player.

The two musicians, however, had never had the chance to perform on stage in duo when, in 2007, Rainer Kern, the director of the Enjoy Jazz Festival in the Heidelberg region of Germany, invited Charlie and Brad to play a duet concert at a beautiful church, the Christuskirche in Mannheim. This was a rare opportunity for the two of them to have a musical dialogue and they both eagerly agreed. Rainer had asked to record the concert but the two artists said an emphatic, “No!” I, however, had a feeling about this concert and was able to talk the two musicians into relenting as Rainer graciously agreed to let us own the tapes. For contractual reasons regarding both musicians, the recording could not be released until now. Charlie listened to the tape often and dearly wanted to release it at some point. I am forever grateful to Rainer Kern for allowing us to record and own the work. As a result we have a dazzling testament to the interaction between two genius musicians: piano and bass, their brilliance resounding through the hallowed space of an art nouveau cathedral, recorded on November 5, 2007.

I must thank, first and foremost, Charlie Haden and Brad Mehldau for their transcendent performances and the devotion they show to the music. A special thanks to Brad Mehldau for being such a wonderful partner throughout this entire project. I must thank our friend, Rainer Kern for organizing this concert, and acknowledge the Enjoy Jazz Festival team for its support. Thank-you Jean-Philippe Allard for believing in the music and agreeing to release this recording on Universal Music, France. JP has been a great friend to Charlie’s music for many years.

It took a lot more people to make this recording happen as several parties had to agree thus many thanks to the hard work our lawyers put in to bring this project to fruition: Fred Ansis of Reed Smith LLP, Paul Bezilla of Fox Rothschild LLP, Valerie Foray and Christelle D’Almeida of Universal Music, Scott Southard and Tom Korkidis of IMN, Nanette Monton of Warner Bros. Records Inc, Bob Hurwitz, Nonesuch Records. Additional thanks to our friends, Farida Bachir, Jenny Defaut, Pascal Bod and Nicolas Pflug of Universal Music, France.

One of the most important aspects of recording is mixing and mastering. Charlie and I have worked with the recording engineer ,Jay Newland, for many years and he, again, worked his magic, bringing us the full experience of this live recording despite the inherent difficulties of such a recording taking place in an echo-resounding cathedral. Thank-you, Jay, for your incredible ears and skill. Many thanks to our mastering engineer, Mark Wilder of Battery Studios for his dedication to sound and his understanding that “Jazz is more than notes on a piece of paper.” Many thanks to Joe D’Ambrosio for facilitating the mixing and mastering process.

I need to mention the cover art. The painting was done by a friend of Charlie’s and mine, the Dutch-American painter, Luc Leestemaker who passed away in 2012. He had a timeless poetic style that Charlie and I really loved. Luc revered Charlie’s music, and we revered Luc’s paintings. We also used one of his paintings for the cover of Charlie’s album Land of the Sun. It feels good that Luc and Charlie get to do a project together again.

Charlie is gone now, and this recording was made “long ago and far away”, yet the music remains immediate. The music is now.

Ruth Cameron Haden, Los Angeles, California, July 2018

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Jazz At Massey Hall - Limited Edition In Solid Yellow Colored Vinyl.

LP | 2018 | EU | Original (Waxtime)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Magnificent Charlie Parker

LP | 2020 | US | Original (Emarcy)

36,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (BMG)

Now's The Time

25,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (New Continent)

The Hits

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Magnificent Charlie Parker

LP | 2019 | EU | Reissue (Clef)

14,99 €*

Release: 2019 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: Sealed

The Mercury And Clef 10-Inch LPs Limited Edition

5x10" | 2020 | EU | Original (Verve)

150,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2018 | EU | Original (Komos)

Cheick Tidiane Fall

Bobby Few

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2019 | EU | Original (Komos)

Cheikh Tidiane Seck

Timbuktu

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2021 | EU | Original (Not Now)

Best Of

26,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | Original (Groove Replica)

Chet Baker & Bill Evans

Alone Together

Release: 2021 / Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Craft)

Chet

Release: 2020 / US – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Not Now)

Chet

Release: 2020 / EU – Original

Genre: Organic Grooves

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Chesney Henry Baker Jr was more than just a trumpet player. He was so many things to so many people. To some, a Bix Beiderbecke for the post-bebop generation, forever creating lyrical phrases that sometimes jumped for joy, or opting for a melancholy beauty, so sad you could almost hear the tears falling. To others he was a flawed Hollywood hero, a face that set him apart from the usual run of 52nd Street icons; a From Here To Eternity Montgomery Clift or James Dean in headhung frustration in Rebel Without A Cause. Released in 1959 the Chet album proved to be one of the trumpet star s last offerings before heading back to Europe for what would become know as the Milano sessions.

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LP | 2020 | US | Original (Craft)

Chet Baker In New York

Release: 2020 / US – Original

Genre: Organic Grooves

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Chet Baker Plays The Best Of Lerner And Loewe

LP | 2020 | US | Original (Craft)

Release: 2020 / US – Original

Genre: Organic Grooves

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Chet Baker Plays Vladimir Cosma

LP | 2020 | EU | Original (Wagram)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Chet Baker Sings Tone Poet Vinyl Edition

LP | 2020 | EU | Original (Blue Note)

43,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Chet - The Lyrical Trumpet Of Chet Baker Transparent Yellow Vinyl Edition

LP | 2019 | EU | Original (Waxtime In Color)

Release: 2019 / EU – Original

Genre: Organic Grooves

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For Lovers Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Italian Movie Soundtracks

LP | 2018 | EU | Original (Waxtime)

Release: 2018 / EU – Original

Genre: Organic Grooves

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Jazz At Ann Arbor Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Dom-Ermitage)

Live In Milan

Release: 2020 / EU – Original

Genre: Organic Grooves

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My Funny Valentine Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2018 | EU | Original (New Continent)

Chet Baker Quartet

In Paris

29,99 €*

Release: 2018 / EU – Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (SAAR)

Sextet & Quatet

Release: 2020 / EU – Original

Genre: Organic Grooves

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Saar Records, through its famous Music subsidiary, re-releases the second Chet Baker's LP, recorded with his sextet and quartet and originally released in March 1960; one of the rare occasions for our musicians to team together with an American trumpet player for a rather long period.

Chet Baker is one of the most important and essential characters of modern jazz and over the years he has not lost his strength and colour, a fact that's clearly demonstrated by this release, indeed showing us a quite different Chet Baker. His style has become less slender, more excited, more precise, more violent, and several tracks of this record prove it.

The musicians here accompanying Chet Baker are the very best the Italian jazz scene of the time could offer: Glauco Masetti on alto sax, Gianni Basso on tenor sax, Renato Sellani on piano, Franco Cerri on double bass, together with the Italian-American Gene Victory on drums. As usual in such situations, arrangements were entrusted to Giulio Libano, who wisely provided the musicians with ample space for their solos. Chet Baker is undoubtedly the protagonist, but a lot of freedom of expression is granted to his fellow adventurers.

The album was recorded on 25 and 26 September and on 6 October 1959 at the Guertler Bros studio.

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LP | 2018 | EU | Reissue (Jazz Images)

Sextete & Quartet

Release: 2018 / EU – Reissue

Genre: Organic Grooves

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Sings And Plays With Len Mercer And His Orchestra Angel Eyes

LP | 2020 | IT | Original (Cinevox)

Release: 2020 / IT – Original

Genre: Organic Grooves

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The lyricism of Chet Baker cannot be doubted because Chet in his musical expressions remains as singer and musicians essentially romantic. He fits beautifully into a context created around him and for him, a context that finds in the sonority of his trumpet or in the opacity of his voice a leading element, dominator and at the same time attractive and fascinating.

The songs on this record are aimed to everyone: jazz fans and those who are not very familiar with jazz. For music arrangers Ezio Leoni and Giulio Libano the work ground with Chet has been smoothed out: there was no need to build beyond the measure, it was important to expand, enhance, galvanize what Chet wanted to express. They have alternated lyrical songs with more stringent and alive tracks. With the continuous alternation of times, expressions and atmospheres they made sure to avoid any monotony.

The orchestra that recorded the album was consisted of 16 violins, 4 violas, 4 cellos, a flute, a bass clarinet, an oboe, a French horn, a harp which matched with Glauco Massetti's alto sax, Fausto Papetti's baritone sax, Mario Pezzotta's trombone, Gianni Basso's tenor sax, Franco Cerri's double bass, Gene Victory's drums. An imposing orchestra that was able to mix perfectly and alternate purely jazzy instruments with strings during the performances.

The repertoire included in the album ranges a lot: from well-known motifs such as 'Angel Eyes', 'When I Fall In Love' or 'I Should Care', to others less known but very pleasant tracks as 'The Song Is You' or
'Forgetful'. Other tracks lend themselves perfectly to a wider orchestration such as 'Autumn In New York', 'Violets for Your Fur' or 'Deep in A Dream'. Another theme was treated with a thrifty intervention of the strings, almost a crown of the whole performance, represented by the recording 'Street of Dreams'. In the last track Good-bye of Side A Chet expresses an exceptional sadness in a very valid and unusual way.

The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. recording
studio.The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. studio

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Sings Gatefold Sleeve Edition

Release: 2018 / EU – Original

Genre: Organic Grooves

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Sings Yellow Vinyl Edition

LP | 2018 | EU | Original (Waxtime In Color)

Release: 2018 / EU – Original

Genre: Organic Grooves

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2LP | 2020 | Original (Groove Replica)

Sings10 Tracks

Release: 2020 / Original

Genre: Organic Grooves

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3LP | 2020 | EU | Original (Jazz Images)

Young Chet

47,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2020 | US | Original (Concord)

Chick Corea

Plays

51,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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2LP | 2020 | EU | Original (Gearbox)

Chiminyo

I Am Panda

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2020 | UK | Reissue (Lovemonk)

Blue To Red

21,99 €*

Release: 2020 / UK – Reissue

Genre: Organic Grooves

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Chip Wickham made a splash in the UK scene with 2016's La Sombra and 2018's Shamal Wind, garnering attention from all the right people in the jazz scene. Chip's back for more, partnering with Lovemonk once again to enchant and heal with his cosmic, spiritual jazz.

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LP | 2020 | UK | Original (Lovemonk)

Blue To Red

Release: 2020 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover as new with slightly dented corners.
Small light scuff on side B
Includes original insert.

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Blue To Red Black Vinyl Edition

LP | 2020 | UK | Original (Lovemonk)

21,99 €*

Release: 2020 / UK – Original

Genre: Organic Grooves

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LP | 2018 | UK | Reissue (Lovemonk)

Shamal Wind

7" | 2020 | EU | Original (Cordial)

Release: 2018 / UK – Reissue

Genre: Organic Grooves

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Recorded in Madrid in July 2017, Shamal Wind combines Chip Wickham's globetrotting, spiritual jazz expeditions with hard-won schoolings in the funk. Following his critically acclaimed 2017 debut, La Sombra, the record draws on spiritual jazz influences like Yusef Lateef and Sahib Shihab, and rests on Chip's many-sided experience as a musician, spanning left-field beat experiments to hard-hitting funk heavyweights.

After the Latin and flamenco whispers on La Sombra, Shamal Wind adds some Arab-influence percussion to the mix, most notably on the title track. Elsewhere, 'Barrio 71' sees him nodding to Shihab: high energy, lyrical and absorbing, with sax and the vibraphone taking the lead. 'Snake Eyes' taps into the meditative exaltations of modal jazz, while 'Soho Strut' nods to the jazz fusion, funk-influenced side of Chip's playing.

Like the Persian Gulf winds referenced in the album title, which often mark the shift to a new season, this album signals a new chapter for Chip, opening up a newfound energy and inclusiveness in his music, and further expanding on what he achieved in the past year. "Shamal Wind" is a heavy record, built on strong foundations.

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Chordially

Atomic Soul

12,99 €*

Room Of Silence & Cosmic Underground

Release: 2020 / EU – Original

Genre: Organic Grooves

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Atomic Soul' was written in July 2018 with a pairing of the multi talented Tom Funk and singer Ed Holley. At the time it received plays from Gilles Peterson on his BBC 6 Radio show. We've released the single under the original project name of Chordially. This is extremely limited to 150 copies.

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Chris Gall

2LP | 2018 | Original (Glm Gmbh)

25,99 €*

Release: 2018 / Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Edition)

Chris Potter

There Is A Tide

Release: 2020 / EU – Original

Genre: Organic Grooves

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Christian Lillingers Grund

COR

LP | 2018 | DE | Original (Plaist)

55,99 €*

LP | 2021 | EU | Original (Jazzaggression)

Release: 2018 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl is close to NM. Limited edition

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Christian Reim Sextet

Mona Lisa Moldejazz 73

17,84 €* 20,99 € -15%

2LP | 2020 | Original (Mack Avenue)

Release: 2021 / EU – Original

Genre: Organic Grooves

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An amazing loft tape find of a Norwegian Jazz concert suite taped at Molde Jazz Festival 1973, Christian Reim’s sextet Mona Lisa features Norway's top jazzmen at the time and it’s a rollercoaster post-bop showcase with influences from modal and spiritual jazz with folk undertones and pop psychedelia, one of a kind, never previously released and in great sound quality!

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Christian Sands

Be Water

Release: 2020 / Original

Genre: Organic Grooves

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Asp Nimbus Red Vinyl Edition

Christopher Hoffman

LP | 2020 | US | Original (Out Of Your Head)

29,99 €*

Release: 2020 / US – Original

Genre: Organic Grooves

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7" | 2020 | UK | Original (Athens Of The North)

Chuck Brimley

St. Elmos Fire

11,99 €*

Chui & Jazz Orkestar Hrvatske Radiotelevizije

Release: 2020 / UK – Original

Genre: Organic Grooves

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Milwaukee's artist Chuck Brimley's cover of Michael Frank's classic "St. Elmore Fire. An extremely hard to find record that even Andy Noble who runs a second hand record store in Milwaukee Wisconsin where the record is from had not heard, despite knowing Chuck who was a customer. Andy kindly put me in touch last summer and Chuck was happy for us to reissue this rare version.

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Chui Ovu Glazbu

2LP | 2018 | EU | Original (Dancing Bear)

27,99 €*

LP | 2020 | CA | Original (Marlow)

Release: 2018 / EU – Original

Genre: Organic Grooves

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The release comes in a fold out cover.

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Cinephonic

Les Paradis Artificiels

City Of Women I Feat. Jimi Tenor & Edward Vesala

Release: 2020 / CA – Original

Genre: Organic Grooves

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Cinephonic was founded in 2018 by composer / pianist / vibraphonist Pierre Chrétien, as an outlet for the new cinematic tunes he had been quietly writing when he wasn't busy leading larger groups such as The Souljazz Orchestra, Atlantis Jazz Ensemble and Slim Moore & the Mar-Kays.

In the fall of 2020, he releases "Les Paradis artificiels", his first full-length album under the Cinephonic moniker, on which he collaborates with heavyweight hip-hop drummer Robert Biesewig (Wu-Tang Clan, Havoc, Alchemist) and versatile percussionist Marielle Rivard (The Souljazz Orchestra, Slim Moore & the Mar-Kays), while performing all other parts himself on mellotron, piano and vibraphone.

Drawing inspiration from classic French film and library music, Chrétien expands on the sound with elements of orchestral jazz, cinematic soul, and instrumental hip-hop, creating a rich, evocative, and complex soundscape that juxtaposes intricate compositions with dark funk backbeats - a kind of epic soundtrack for a film that never existed.

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City Of Women

LP | 2019 | EU | Original (Sahko / Puu)

17,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Robyn EP Clear Vinyl Edition

Cktrl

EP | 2021 | Reissue (Touching Bass)

LP | 2021 | IT | Reissue (seriE.WOC)

Release: 2021 / Reissue

Genre: Organic Grooves

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Preorder shipping from 2024-10-25

With a shared ethos of elevating and amplifying left-field Black music, SouthLondon/Jamaica"s, cktrl shares his most ambitious work yet, partnering with Erroland Alex Rita"s Touching Bass to present" Robyn".

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Clarence Peters Quartet

The Magnetic Atmospher

44,99 €*

LP | 2021 | Original (Dot Time)

Release: 2021 / IT – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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Claude Diallo Situation

I Found A New Home

41,99 €*

Release: 2021 / Original

Genre: Organic Grooves

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LP | 2020 | EU | Original (Cosmic Compositions)

Clear Path Ensemble

Clifford Brown And Max Roach

Release: 2020 / EU – Original

Genre: Organic Grooves

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Clear Path Ensemble is the new project and brainchild of Wellington jazz and sonic arts graduate Cory Champion with the help of like-minded artists such as Mara TK, Jake Baxendale, Daniel Hayles and others. Also producing left field house and techno under the name Borrowed cs, Clear Path Ensemble is Cory’s first offering to the jazz gods. Having spent many years playing drums alongside some of New Zealand’s most talented musicians in the revered Wellington jam session scene this release is an amalgamation of the energy & spirit that the Wellington scene encompasses. Walking over the blurred lines of psychedelia and spiritual jazz and taking cues from planetary rhythms and celestial oddities, CPE invokes a higher sense of self through the transformative power of sound. In it’s truest essence these are a collection of cosmic compositions and a release that in our opinion is one of the heaviest to ever emerge from the New Zealand neo-jazz scene.

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Study In Brown

LP | 2021 | Reissue (Emarcy)

39,99 €*

LP | 2020 | EU | Original (Jazz Images)

Release: 2021 / Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Vinyl with a couple of light scuffs

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Clifford Brown

In Concert!

Release: 2020 / EU – Original

Genre: Organic Grooves

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Clifford Brown & Max Roach

Study In Brown

LP | 2019 | EU | Original (Jazz Images)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Col Nolan & The Soul Syndicate

Shades Of Mcsoul / Whatever It's Worth

7" | 2019 | EU | Original (Pacific Theatre Encore)

11,99 €*

Col Nolan & The Soul Syndicate

Release: 2019 / EU – Original

Genre: Organic Grooves

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Australian Soul Jazz holy grail from 1968! Limited to 300 copies w/wide. Debut release on Pacific Theatre Encore, the reissue label started by Melbourne's contemporary funk / soul lynchpin Australian Lance Ferguson (The Bamboos, Menagerie, Lanu, ex Cookin' On 3 Burners). Two high energy Mod burners, both originals taken from the forthcoming album 'Whatever It's Worth'.
Lead by Australia's own rival to Jimmy Smith and Jimmy Witherspoon, the '68 line up of Col Nolan & The Soul Syndicate would prove to be an Australian jazz super-group, consisting of John Sangster on drums / percussion (whose own late '60s Festival albums are highly collectable), John Allan on bass, Col Loughnan on sax and Jimmy Doyle on guitar (the latter two were also in mid Oz '70s jazz-rock giants, Ayers Rock).
"Pacific Theatre Encore will be reissuing music from across the globe, but it was important to me for the first release to shine a light on the important legacy of our own scene" says Ferguson, who meticulously restored the audio himself, which was then remastered.

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Whatever It's Worth

LP | 2019 | EU | Original (Pacific Theatre Encore)

LP | 2020 | UK | Original (On The Corner)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Australian Soul Jazz holy grail from 1968! Debut album release on Pacific Theatre Encore, the reissue label started by Melbourne's contemporary funk / soul lynchpin Lance Ferguson (The Bamboos, Menagerie, Lanu, ex Cookin' On 3 Burners). Vinyl includes download card and liner notes insert, CD in digipak and booklet.
Lead by Australia's own rival to Jimmy Smith and Jimmy Witherspoon, the '68 line up of Col Nolan & The Soul Syndicate would prove to be an Australian jazz super-group, consisting of John Sangster on drums / percussion (whose own late '60s Festival albums are highly collectable), John Allan on bass, Col Loughnan on sax and Jimmy Doyle on guitar (the latter two were also in mid Oz '70s jazz-rock giants, Ayers Rock). Early '70s Soul Syndicate recordings have become highly sought by collectors, but this album is their rarest, with collectors paying sizable amounts on the rare occasion a copy appears.
The album was recorded in Sydney while they were the house band at the legendary Kings Cross nightclub, Whiskey A Go Go, during it's swinging sixties heyday. The city's best jazz players would play there and at surrounding clubs seven nights a week into the early hours, entertaining both high society and visiting American G.I.s on R&R, a far cry from the area's current lock out law enduced coma.
Their residency would allow them to break in new material night after night, much of it recorded on this album. The album is lead by some cracking originals written by Nolan, Loughnan and Sangster including the two Mod dancefloor burners, "Shades Of McSoul", the title track and the breakbeat monster "Rivera Mountain". But their versions of popular soings of the time are more like re-inventions, such as the drum heavy, low slung take on Bobbie Gentry's "Ode To Billie Joe" and a superlative rendition of Jimmy Webb's "By The Time I Get To Phoenix", which builds to a frantic, swirling psychedelic crescendo to close the album.
"Pacific Theatre Encore will be reissuing music from across the globe, but it was important to me for the first release to shine a light on the important legacy of our own scene" says Ferguson, who meticulously restored the audio himself, which was then remastered.

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Collocutor

Continuation

2x12" | 2018 | JP | Original (HMV Record Shop)

Release: 2020 / UK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Sealed, Cover: VG+

Still sealed. Cracked corner.

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Colored Music

Individual Beauty

49,99 €*

Release: 2018 / JP – Original

Genre: Organic Grooves, Rock & Indie, Electronic & Dance, Pop

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Used Vinyl

Medium: Sealed, Cover: Sealed

LP | 2021 | EU | Original (Byrd Out)

Coma World

LP | 2020 | EU | Original (W.E.R.F.)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Coma World is a new collaboration between Maxwell Hallett, a.k.a. Betamax (The Comet Is Coming/Soccer96) and Pete Bennie (Speaker's Corner Quartet) bringing together their potent chemistry in an intoxifying debut LP. Betamax drives the duo with his signature 'rhythmadelic' drum rapture as Pete elegantly pummels bass tones into an assortment of wonky pockets. Both layer on a blanket of electronic dark matter to create a sonic womb-like world laid out for the brave listener to explore. This is dub and jazz reduced to the raw fundamentals of experimentation, trance and spontaneity. Inspired by a friend's recollections of being in a coma, the duo delve through the mysteries of consciousness and return with a striking array of colourful sound artefacts. From Cosmic flushes that wouldn't sound amiss on a record by Byrd Out collaborator the late, great Andrew Weatherall, through to drowsy groove meditations and explosive eruptions, the album plays by its own rules but demands attention. The two artists sling their dirty funk through cold clouds of darkness leaving psychedelic trails of bleeping fractal spillage. The sonic experimentation is distilled through analogue studio relics followed by a rugged 'all hands on deck' live mix down performance from 1/4" tape. The result is a spontaneous collection of sonic debris that will be administered to willing participants through 12" vinyl format.

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Commander Spoon

Spooning

2LP | 2019 | UK | Original (Honest Jon's)

Release: 2020 / EU – Original

Genre: Organic Grooves

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The Brussellians of Commander Spoon interlace their eclectic wealth of influences into an energetic jazz sound, respectfully demolishing walls between jazz, hip hop, rock and electronica.

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Company

Epiphanies I-VI

27,99 €*

3LP | 2019 | UK | Original (Honest Jon's)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Derek Bailey’s guests for Company Week at London’s ICA in July 1982 were contemporary classical pianist Ursula Oppens, folk/jazz singer-turned-improviser Julie Tippetts and her partner pianist Keith Tippett, violinist/electronics wizard Philipp Wachsmann, guitarist Fred Frith, trombonist George Lewis, harpist Anne LeBaron, and from Japan free jazz bassist Motoharu Yoshizawa and sound artist Akio Suzuki.

Altogether they performed the stunning extended improvisation Epiphany.
In different, more intimate lineups they detonated numerous Epiphanies.

Here, to start, Yoshizawa and Oppens (both on the keyboard and inside her piano) bounce ideas off each other like ping-pong balls.
Then Tippetts, Wachsmann and Bailey do extraterrestrial cubist flamenco; and Lewis and Frith rumble at everyone magnificently.
Tippett and Oppens kaleidoscope the entire history of the piano into just over fifteen minutes (Fourth and Fifth) with added seasoning from LeBaron and Wachsmann.
To close, Akio Suzuki — despite once describing himself as “pursuing listening as a practice” — makes one hell of a racket with his self-made instruments: a flute, a spring gong and his analapos (two single-lidded cylinders attached by a long steel coil, which he can manipulate and strike, besides vocalising into the tube). Yoshizawa and Bailey give him a real run for his money, and it all builds to an ecstatic, swirling, grinding climax, with Suzuki whooping and hollering wildly.

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Company

Epiphanies VII-XIII

30,99 €*

2LP | 2019 | UK | Original (Honest Jon's)

Release: 2019 / UK – Original

Genre: Organic Grooves

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More buried treasure from Company Week 1982: seven previously unissued Epiphanies by lineups involving Derek Bailey, Ursula Oppens, Julie Tippetts, Keith Tippett, Philipp Wachsmann, Fred Frith, George Lewis, Anne LeBaron, Motoharu Yoshizawa and Akio Suzuki.

Fred Frith is a stellar improviser — 1974’s Guitar Solos is still a seminal album of free improv — and he has three opportunities here to showcase his considerable talents. Eleventh is a tour de force of extended technique, with George Lewis working slowly but surely through a variety of trombone mouthpieces, while Frith’s guitar, strummed, bowed or prepared, could be a theremin, a koto, a mouse trapped inside a grandfather clock or a lion cub inside a shoebox. Bookending the album, on Seventh he swaps Webernian shards with Lewis and harpist Anne LeBaron and on Thirteenth, with pianist Keith Tippett, he condenses a whole lifetime of musical exploration into a mere twelve minutes. When it’s over both musicians are so amazed they burst out laughing.

Elsewhere, on Eighth, Wachsmann reveals his understated mastery of both his violin and the electronics he’s devised to extend its range, and pianist Ursula Oppens proves she’s as adept as conjuring forth magic from inside her instrument as she is at the keyboard. Major and minor triads too!

Ninth is spikier, with Lewis quacking, spitting and wheezing like a flock of geese let loose in a fairground, while Derek Bailey and Motoharu Yoshisawa patiently explore the outer limits of acoustic guitar and double bass. Bailey and Lewis team up again on Twelfth to take on Oppens — and everybody wins. Voice is more to the fore on Tenth, with Julie Tippetts’ coloratura and flute and Akio Suzuki’s analapos and spring gong flying high, while LeBaron, Wachsmann and Yoshizawa weave intricate webs of pizzicati, spiccati and glissandi beneath.

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Company

Trios

27,99 €*

Simurg Feat. Murat Ertel & Esma Ertel

Release: 2019 / UK – Original

Genre: Organic Grooves

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A typically eclectic collection of guests joined Derek Bailey for Company Week in 1983: saxophonists Evan Parker and Peter Brötzmann; cellist Ernst Reijseger, mainstay of Dutch new jazz (ICP Orchestra, Clusone Trio); American wind virtuoso J.D.Parran, veteran of the Black Artists’ Group and Anthony Davis and Anthony Braxton ensembles.
The French bassist Joëlle Léandre is equally at home playing free or performing works by Cage and Scelsi, while Vinko Globokar is an acclaimed composer as well as a trombonist of monstrous virtuosity.

British electronics pioneer Hugh Davies served time alongside Globokar with Karlheinz Stockhausen. Percussionist Jamie Muir was with Davies on the very first (Music Improvisation) Company outing in 1970, before a brief stint with King Crimson.

Is there an ideal number of musicians for free improvisation? Bailey once described playing solo as a “second-rate activity” – though he did it spectacularly well – while at the other end of the spectrum, large improvising ensembles can descend into an unwieldy racket.

Three may be a crowd for some, but for Pythagoras it was the perfect number, and trios work surprisingly well in improvised music. Sometimes one instrument takes centre stage, like Parker’s circular-breathing soprano at the beginning of Five, but knowing when to lie low, as he does in the brief austere Three, is just as crucial to the success of the whole. Muir makes sure he doesn’t get in the way of Globokar and Parran’s leisurely exchanges on Four, but the trombonist is all over the place on One, with Léandre racing up and down her bass and Davies all spikes, squeaks and squiggles.

With a touch of Bailey’s dry humour, two of these seven recordings aren’t trios at all: Trio Minus One is his duo with Reijseger, running the gamut from crazed polyrhythmic strumming (imagine Reinhardt and Grappelli playing Schoenberg and Nancarrow simultaneously) to what must be the fastest cello pizzicati ever recorded. And on the closing ecstatic nonet, Brötzmann and trumpeter John Corbett prove that more cooks don’t necessarily spoil the broth but sure as hell can spice it up.

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Compro Oro

LP | 2020 | EU | Original (Sdban Ultra)

LP | 2018 | US | Original (Mexican Summer)

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP in printed innersleeve. Belgian psychedelic jazz collective Compro Oro are pleased to announce a new collaboration with Murat Ertel, co-founder and frontman of Istanbul's cult psychedelic folk band BaBa ZuLa and his singer partner Esma Ertel. Entitled 'Simurg', the album follows Compro Oro's critically acclaimed sophomore album 'Suburban Exotica', released last year.

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Connan Mockasin

Jassbusters

33,99 €*

Release: 2018 / US – Original

Genre: Organic Grooves

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Conny Bauer / Matthias Bauer / Dag Magnus Narvesen

The Gift

LP | 2020 | EU | Original (NoBusiness)

Release: 2020 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | EU | Reissue (Gearbox)

Cookers

Look Out!

26,99 €*

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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LP | 2019 | UK | Original (Ajxlp470)

Corduroy

Rare Stock

Release: 2019 / UK – Original

Genre: Organic Grooves

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Cornell Dupree Meets The Texas Horns

Doin' Alright

LP | 2021 | EU | Original (P-Vine)

LP | 2021 | EU | Original (Worm Discs)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Cornell Dupree was an American jazz and R&B guitarist. He iswell known as a founding member of the band Stuff, and worked at various times with Aretha Franklin, Bill Withers, Donny Hathaway, King Curtis and Steve Gadd, appeared on David Letterman. The album called "Doin' Alright" was originally released in 2011. Although it was the first album as leader since 1998, Dupree's groovy guitar play was more polished and it could have been another milestoneof his outstanding career. But unfortunately, Dupree had passed away in May 2011without seeing the album placed on the shelfof record shops.This analog reissue is newly rearrangedwith tough and fatty horn sections played by The Texas Horns including tenor saxophone player Kaz Kazanoff who participated in original recording sessions. 180g heavyweight vinyl with a Japanese OBI strip!

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Corto.Alto

Not For Now

Release: 2021 / EU – Original

Genre: Organic Grooves

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2LP | 2021 | UK | Original (Finders Keepers)

COS

Cosmix

Release: 2021 / UK – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

2LP | 2021 | UK | Original (Finders Keepers)

COS

Cosmix

24,99 €*

Cos / Daniel Schell & Dick Annegarn

Release: 2021 / UK – Original

Genre: Organic Grooves, Rock & Indie

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COS might not be the first genre defying progressive music group you’ve heard who share both wordless onomatopoeic vocals and a snappy three letter title (complete with philosophical leanings and alchemic penchants) but on listening to this first ever custom Cos compendium you might have just discovered a new favourite! Perhaps it’s no coincidence that COS share close spiritual, stylistic or social connections to the aforementioned bands, as one of the few long-withstanding single-syllable ensembles to remain utterly idiosyncratic and incomparable within their hyper-focussed and impenetrable creative bubble. But as a 1970s group that effortlessly MIX head-nod prog, synth-driven jazz, cinematic sound-designs, dislocated disco, arkestral operatics and high-brow conceptual anti-pop grooves, it’s easier to remember the name COS than thumb the vast amount of genre-dividers in your local record shop which COS Could occupy. With the crème de la crème of Belgian jazz/prog/psych/funk within their ranks, their combined idea-to-ability ratio litters the Cos-ography with concepts that aficionados, future fans, collaborators and critics still haven’t began to unravel. With their earliest roots in the compact jazz group Brussels Art Quintet the group spent their sapling years creating art-school prog under the name Classroom, this flourishing collective, cultivated by multi-instrumentalist mainstay Daniel Schell, would soon shed its leaves, dropping band-members and typographics reducing its moniker to simply COS (a multi-purpose, globally recognised word, with links to Alchemy and philosophy, with a hard phonetic delivery to suit the groups heavier rhythmic approach). In it’s new skin COS also shed all forms of orthodox language to find its true exclusive voice. Fronted, in the conventional sense, by the daughter of author and part-time jazz player Jean De Trazegnies, the bands wordless singer changed her name to Pascale SON, to accentuate the French word for “sound”. Drawing comparisons with sound poets like Polish jazz legend Urszula Dudziak or Hungarian Katalin Ladik, but retaining the crystalline femininity (and funk) of Flora Purim, while effectively sharing an imaginary lyric book of non-words with Damo Suzuki, Magma or a future Liz Fr

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Mein Maschin Ist Schön / The FF Boom

7" | 2021 | UK | Reissue (Finders Keepers)

14,99 €*

LP | 2020 | EU | Original (Spiritmuse)

Release: 2021 / UK – Reissue

Genre: Organic Grooves, Rock & Indie, Electronic & Dance

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From the same continental cosmic egg that hatched Marc Moulin, Marc Hollander and Belgian synth fusion combo Placebo comes your favourite new Franco-Flemmish pop discovery. COS, where have you been all my life? Compact in name but wide-eyed in nature, it’s understandable how the 70’s band known simply as COS has remained trapped in the tight cracks between pop stardom and prog indulgence where other like minded names like CAN, Zao, Neu! And Egg have managed to squeeze into gaps of your record collection. In presenting one of the band’s most infectious and potentially crossover legible tracks on this exclusive user-friendly 45, COS mastermind Daniel Schell not only breaks an unlikely new format for this lesser-known femme-fronted, electro/jazz fusion/prog pop opera/would-be disco cinematic six-piece but also sends a sonic telegram to a new generation of futurist pop aficionados ready to explore the deep realms of his band’s dense, expansive and consistently rewarding catalogue. Placing the microscope over the central motif of the band’s onomatopoeic 1978 triptych known as Mein Maschine Ist Schön (My Machine Is Beautiful) this very rare proposed single edit from the group’s third album combines the type of warm, brooding, discoid funk and nymphish Morse code vocals that unite fans of Stereolab, Curved Air, Jan Hammer, Emerald Web and Ursula Dudziak not to mention Schell’s own close friends, the aforementioned, Hollander, Moulin and Placebo. A prog rock 45 might sound like a contradiction in terms but with a band like COS you can only expect them to defy convention. Backed here with another deeply conceptual sliced of deep orchestral symphonic psych from Schell’s short-lived FF Boom project from the previous year this suitably compact introduction to your new favourite COSmonauts provide digestible versions of some of Schell’s finest moments and clears the decks for future explorations of a wider musical universe waiting to be explored. Turn on this beautiful machine and let yourself melt into the COSmix.

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Cosmic Vibrations

Pathways & Passages

33,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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Love Thoughts / 1976 Interview Of Al Hall Jr With By Gerald Wilson

Cosmos Dwellerz Arkestra

12" | 2019 | EU | Original (Super Disco Edits)

Release: 2019 / EU – Original

Genre: Organic Grooves

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The Atomic Mr. Basie Orange Edition

Count Basie

LP | 2019 | EU | Original (Waxtime In Color)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Double Dinners Black Vinyl Edition

Cousin Kula

LP | 2021 | EU | Original (Rhythm Section International)

21,99 €*

Double Dinners Yellow Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Bristol based band Cousin Kula announce their debut album Double Dinners. With co-signs from the likes of Badbadnotgood and newly signed to Rhythm Section, Cousin Kula have created their own musical universe of otherworldly pop serenity with vastly distinct, but complementary elements: “the possibilities of jazz, the emphatic energy of club culture, and the sonic tapestries of psychedelia” Clash Magazine remark.

Living and recording together, nestled in the sun-drenched hills on the outskirts of Bristol, Cousin Kula are masters of their craft, and also of restraint; widely regarded by their fans for their superior live show. Having performed live in various bands for the past 10 years since their early teens, not being able to hit the stage during lockdown took its toll on these musicians. Ever resourceful, however, Cousin Kula began a series of their own home-made live sessions, which lead in turn to a Boiler Room Session and further a request from XL signees Badbadnotgood to record a live adaptation of their new single.

Now, Cousin Kula flutter into the collective consciousness with a timeless slice of psychedelic soul on debut album Double Dinners. The latest band to emerge out of the buoyant Bristol music scene, they have stripped back all excess baggage for their most accomplished recordings to date. Existing on a similar plane to contemporaries such as Connan Mockasin, Mildlife, Toro Y Moi, Mac DeMarco and Homeshake, the band caught the attention of renowned tastemaker Bradley Zero with their 'Casa Kula Cassette' EP at the end of 2020, with the Rhythm Section founder swiftly taking the 5 piece under his wing, with him commenting:

“The band balance an outsider approach with more hooks than you can shake a stick at... the result being a gently beguiling sound that effortlessly draws you in, revealing more character with each listen.”

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Cousin Kula

LP | 2021 | EU | Original (Rhythm Section International)

LP | 2019 | EU | Original (Black Sweat)

Release: 2021 / EU – Original

Genre: Organic Grooves

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Cucoma Combo

LP | 2021 | US | Original (Out Of Your Head)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Cucoma Combo. Above all, the new boiling energy of pan-rhythmic music, the awakening dance of joy, the experimental space for ambitious arrangements and free-improvised parts of colorful horns. From Black Africa to South America, we travel on paths of Congolese soukuss and Amazonian carimbò, between accents of Colombian cumbia, kalimba vibes and tribal voices. We find seeded traces of space-funk and afrobeat, with amazing acid keyboards and an enchanting female voice. The power of rhythm and in general the whole project are leaded leaded by Marco Zanotti, a multifaceted drummer and fine poly-percussionist, expert of the African and South American sound universe. With his Classica Orchestra Afrobeat, he proudly took part in outstanding collaborations with Seun Kuti, Sekouba Bambino and Baba Sissoko, as well as a prestigious participation in the Glastonbury Fest.

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Curt Sydnor

Deep End Shallow

29,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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LP | 2020 | US | Original (Out Of Your Head)

Curt Sydnor

Deep End Shallow

LP | 2020 | CH | Original (Les Disques Bongo Joe)

Release: 2020 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

slight seam split.

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Cyril Cyril

Yallah Mickey Mouse

Release: 2020 / CH – Original

Genre: Organic Grooves

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LP | 2019 | US | Original (Pure Pleasure)

Dadisi Komolahe

Hassan's Walk

LP | 2021 | EU | Original (Blacklake)

Release: 2019 / US – Original

Genre: Organic Grooves

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Don’t let the date fool you, released back in 1983 this modal to slightly free jazz outfit from California takes you on a journey back to the late 60s and very early 70s, into the spiritual realms of greats like John Coltrane, Pharoah Sanders, John McLaughlin and Miles Davis among others. A soul jazz treasure from the LA scene of the early 80s – a fantastic record that I rank with the best Strata East sides of the time! The group's led by alto saxophonist Dadisi Komolafe, and features vibes by Ricky Kelly, piano by Eric Tillman, bass by Roberto Miranda, and drums by Sunship Theus – all working together in a style that's infused with soulful, post-Coltrane exploratory energy, never going too far outside, and always staying true to the rhythmic pulse at its core. Kelly's vibes are really great – sparkling underneath solos by Komolafe that remind me a lot of Gary Bartz's earliest work.

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Damian Wilson

Limehouse To Lechlade

Damon Locks & Black Monument Ensemble

Release: 2021 / EU – Original

Genre: Organic Grooves

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Damian Wilson’s new album, Limehouse to Lechlade, will be out on November 12th on LP, CD and digital format. The album, produced by Andrew Holdsworth, is Damian’s first full-length solo album since 2016’s Built For Fighting. It contains 13 original songs and is Damian's most eclectic work yet. The album is mastered by Tony Lindgren (Billie Eilish, Opeth, Katatonia) and features a wide range of musicians, 17 in total, including Alex Reeves (Elbow), Lee Pomeroy (elo), Michael Buckley (Glen Hansard) and Chris Hill (Jamie Cullum). Known for his exploration into different genres, the songs on the album range from folk-rock to power pop, with the occasional Floydian guitar solo. The title, Limehouse to Lechlade, refers to the navigable length of the River Thames heading upstream from central London to the Cotswolds. Damian loved his many years living on river boats, and traveling the River Thames is particularly special to him. The album has an underlying concept throughout that represents our journey through life.

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Now (Forever Momentary Space)

LP | 2021 | US | Original (International Anthem)

Damon Locks & Black Monument Ensemble

Release: 2021 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Black vinyl edition.
Record is close to NM.
Includes original inner sleeve and insert.

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Now (Forever Momentary Space) Black Vinyl Edition

LP | 2021 | US | Original (International Anthem)

Damon Locks & Black Monument Ensemble

Release: 2021 / US – Original

Genre: Organic Grooves

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Originally conceived as a medium for Chicago-based multi-media artist/activist Damon Locks’s sample-based sound collage work, Black Monument Ensemble (bme) has evolved from a solo mission into a vibrant collective of artists, musicians, singers, and dancers making work with common goals of joy, compassion, and intention. A genuinely multi-generational collective, ages of BME members range from 9 to 52 years old; members include instrumentalists and fellow

Iarc recording artists Angel Bat Dawid and Ben LaMar Gay. Their debut album Where Future Unfolds was released in 2019 by International Anthem glowing praise; landing at #3 on Bandcamp’s “Best Albums of the Year,” #25 on Wire Magazine’s “Best Albums of 2019,” and being repeatedly dubbed “The Best Album of 2019” by BBC/Worldwide radio titan Gilles Peterson.

Locks & BME’s new album NOW was created in the final throes of Summer 2020, following months of pandemic-induced fear & isolation, the explosion of social unrest, struggle & violence in the streets, and as the certain presence of a new reality had fully settled in. Set up safely in the garden behind Chicago’s Experimental Sound Studio, the music was recorded in only a few takes, capturing the first times members of BME had ever played or sang the tunes. For Locks,

the impetus was more about getting together to commune and make art than it was about producing an album. In his words: “It was about offering a new thought. It was about resisting the darkness. It was about expressing possibility. It was about asking the question, ‘Since the future has unfolded and taken a new and dangerous shape... what happens NOW?’”

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Where Future Unfolds

LP | 2019 | EU | Original (International Anthem)

2x12" | 2020 | EU | Original (MVKA)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Where Future Unfolds is a new work spirited by Chicago-based sound & visual artist Damon Locks. Starting as a solo sound collage piece (where Locks pulled samples from Civil Rights era speeches and recordings to create an improvisational pallet for performance on his drum machine), over 4 years the project has blossomed into his 15-piece Black Monument Ensemble - featuring musicians (including Angel Bat Dawid on clarinets and Dana Hall on drums), singers (alumni of the Chicago Children's Choir), and dancers (members of Chicago youth dance company Move Me Soul). Where Future Unfolds is a live capture of the ensemble's epic debut at the Garfield Park Botanical Conservatory on the West Side of Chicago. Recalling the spirits of Phil Cohran's Artistic Heritage Ensemble, Eddie Gale's Black Rhythm Happening, Archie Shepp's Attica Blues, and Public Enemy's It Takes a Nation of Millions to Hold Us Back, the album presents an inspired, innovative & immediate intersection of gospel, jazz, activism & 808 breaks. à

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Dan Keane

Roamin'

Release: 2020 / EU – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Absurd In The Anthropocene

Dan Rosenboom

2LP | 2020 | EU | Original (Gearbox)

Release: 2020 / EU – Original

Genre: Organic Grooves

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Daniel Casimir & Tess Hirst

These Days

LP | 2019 | UK | Original (Jazz Re:Freshed)

LP | 2020 | EU | Original (Edition)

Release: 2019 / UK – Original

Genre: Organic Grooves

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Award-winning bassist Daniel Casimir and vocalist Tess Hirst release their debut album via pioneering London-based record labe Jazz re:freshed

Following the success of Daniel Casimir's critically acclaimed debut EP 'Escapee' which featured Hirst on vocals and fellow rising stars on the scene Moses Boyd, Joe Armon-Jones and Shirley Tetteh, this album - 'These Days' is inspired by the duo's London surroundings, delivering thought-provoking lyricism, neo-soul and modern jazz

Casimir, a former Birmingham Conservatoire student, has collaborated with Julian Joseph, Jason Rebello, Benet McLean, Lonnie Liston Smith, Nathan Facey, Shane Forbes, Chihiro Yamanaka, Ashley Henry, David Lyttle, Nubya Garcia, The Tracey Quintet (Meantime Jubilation), Tom Harrison (Unfolding In Tempo), Jasmine Power (Stories And Rhymes), Camilla George and Art Blakey Jazz Messenger saxophonist, Jean Toussaint

Named Young Jazz Musician of the Year by the Musicians' Company in 2016, Casimir has received plaudits for his arrangements and recital, while Hirst has made a name for herself with her vocals on the jazz circuit having moved between London, Leeds and LA to hone her craft. What sets Hirst apart as a musician is not only the originality of her music but her perspective of herself as an artist. She is an Ethnomusicology Graduate of Soas and her writing style walks us through her upbringing in West London and down the halls of academia

Casimir and Hirst fuse traditional jazz sounds into beautiful compositions, narrating their way through a political and cultural landscape across these twelve tracks. The frenzied groove heavy'Security' addresses the need to trust one another and how we protect ourselves personally, while the rich atmospherics of 'Freedom' combined with Hirst's vocals, explore liberation and the rejection of duty - from a female perspective.

At the heart of 'These Days', Casimir plays with a passion and power that resonates throughout each composition. His knack for complex chord changes are highlighted in 'What Did I Do', bringing an energy and enthusiasm to the track while Hirst decries our changing capital. Elsewhere, references to John Agard's poem 'Listen Mr. Oxford Don' in 'The Magic Money Tree', explore the past and its relevance to now while a re-imagining of Charles Mingus' 'Fables Of Faubus' further ensures this theme remains central to the essence of the album.

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Daniel Herskedal

Call For Winter

Daniel Humair & Francois Jeanneau &

Release: 2020 / EU – Original

Genre: Organic Grooves

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DANIEL HERSKEDAL tuba and bass trumpet

Call For Winter is an album with a sonorous beauty and majestic flow.

The album builds on the territory mapped in Mistral Noir, the opening track of Herskedal’s first album, Slow Eastbound Train, erecting layers of solo tuba and bass trumpet into an imposing edifice of sound.

Call For Winter was performed by Herskedal during two weeks alone in deepest Norway; a cinematic journey through 12 original compositions manifesting that crystalline landscape and fusing the spirit of jazz with the compositional craft of classical music

Rarely do you hear a musician with such depth, emotive intensity and virtuosity shine whilst simultaneously pushing the boundaries of his instrument to the limit.

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Akagera

LP | 2021 | Original (Jms - Cream)

24,99 €*

Release: 2021 / Original

Genre: Organic Grooves

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Caminhos Cruzados: Antonio Carlos Jobim Song Book

Daria Toffali

LP | 2018 | JP | Original (Venus)

47,99 €*

Release: 2018 / JP – Original

Genre: Organic Grooves

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Raw Demoon Alchemy (A Lone Operation)

Darius Jones

LP | 2021 | US | Original (Northern Spy)