Jazz | Fusion 13062 Items

Release: 2017 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2018 | EU | Original (AR)

Fred Buscaglione

e i suoi Asternovas

Release: 2018 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fred Frith And Ensemble Musiques Nouvelles

Something About This Landscape For Ensemble

LP | 2023 | EU | Original (Sub Rosa)

21,99 €*

Fred Frith & Totsuzen Danball

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Since his early days with Henry Cow, Fred Frith has been regarded as a brilliant instrumentalist and improviser, but what has been overlooked is that he is also a first-rate composer. This recording offers both aspects. His most complex orchestral composition and two selected improvisations with the Ensemble Musiques Nouvelles. Fred Frith, as an infusion of energy and inspiration.

Go to Item

LP | 1982 | JP | Reissue (P-Vine)

LP | 2024 | EU | Original (ECM)

Release: 1982 / JP – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The combined powers of Fred Firth (ex. Henry Cow) and Totsuzen Danball! Originally released on cassette in 1982, the collaborative album is getting its first release on vinyl!

The first album from Totsuzen Danball, Can I? (1981) made waves with its experimental new wave sound, and the band suddenly found themselves with more overseas fans than they knew what to do with. Chief among them was Fred Frith, guitarist and co-founder of British art-rock group Henry Cow, who played with Totsuzen Danball during what was no doubt a legendary live show at Shinjuku Loft on July 23rd 1981. The recording from that night, originally released on cassette from Totsuzen Danball’s own label Floor - is finally getting an analog release! Listen as the sounds, and occasional noises, of two guitars, a pump organ, and drums intermingle to create something that’s never been heard before or since!

Go to Item

Fred Hersch

Silentlistening

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2021 | EU | Original (Palmetto)

Fred Hersch

Songs From Home

Release: 2021 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Everybody's Song But My Own

Fred Hersch Trio

LP | 2011 | JP | Reissue (Venus)

47,99 €*

Release: 2011 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Folk Songs For Far Out Folk

Fred Katz

LP | 1959 | EU | Reissue (Life Goes On)

12,99 €*

Fred Katz With Paul Horn & The Chico Hamilton Quartet

Release: 1959 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Cellist Fred Katz is best remembered as a sideman with the Chico Hamilton Quintet, Paul Horn, and Pete Rugolo, though on this famous, long unavailable record of his own, he serves as conductor and arranger rather than player. Folk Songs for Far Out Folk consists of his tantalizing, imaginative adaptations of African, Hebrew, and American folk tunes. The musical cast varies with each group of selections. The three African songs, highlighted by the explosive "Mate'ka," include trumpeters Pete Candoli, Don Fagerquist, and Irving Goodman, with a six-man percussion section that features Larry Bunker and Nat King Cole sideman Jack Costanzo. Four American songs include treatment of "Sometimes I Feel Like a Motherless Child" that alternates between brooding and upbeat cool, with vibraphonist Gene Estes, pianist Johnny Williams, and guitarist Billy Bean lending a hand. The two Hebrew songs focus on reeds exclusively (excepting Mel Pollen's bass). The playful setting of "Ray's Nigun" showcases Justin Gordon on bass clarinet with Paul Horn and Buddy Collette providing whimsical accompaniment on flutes. This CD reissue by Reboot Stereophonic expands considerably on the original Warner Bros. LP, adding updated liner notes and photos of Katz in addition to reproducing the original notes and poetry that were part of the original package. Highly recommended. (all music guide).

Go to Item

Zen: The Music Of Fred Katz

LP | 2014 | EU | Reissue (So Far Out)

12,99 €*

LP | 1986 | US | Reissue (Goner)

Release: 2014 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Small sticker on cover.

Go to Item

Fred Lane

Car Radio Jerome

LP | 1983 | US | Reissue (Goner)

Release: 1986 / US – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

As anyone who worked in a record store from the late 1980s to the mid-1990s can relate, the two Shimmy Disc albums released by the Rev. Fred Lane were the weirdest, most bizarre, abstractly enigmatic releases any of them had ever heard. From the dadaist titles and surrealist cover artwork to the absurdly peculiar lyrics and dementedly brilliant musical bent that careened from country to jazz to Morricone-inspired Western soundtracks, From The One That Cut You and Car Radio Jerome bewitched listeners with Lane’s eccentric take on music and, by extension, life in general. Early internet chat rooms and message boards were devoted to solving the mystery. For decades, rumors swirled about them. “We would just stare at the album covers and kinda make up our own stories,” Eric Friedl of Goner Records says of the misleading recording notations, fictitious back catalogs, and vague artistic allusions that dropped mostly fake clues for Lane’s most astute fans to decipher. Then, in 2013, Lane himself surfaced at the University of Alabama for an exposition. Seven years later, Icepick To The Moon, a documentary about Lane by filmmaker Skizz Cyzyk, premiered. The film, which took more than twenty years to piece together, filled in most of the blanks that had stumped generations of fans. Learning the details of Lane’s albums doesn’t change their inscrutability. The alternate Alabama universe that Lane and his compatriots conjured up—in, of all places, the southern college football town of Tuscaloosa—is a metaphysical place as vast and imbued with meaning as Faulkner’s Yoknapatawpha. As Friedl raves, “They’re still different from any other record out there.”

Go to Item

Fred Lane

From The On That Cut You

Fred Le Sacre Du Tympan Pallem

Release: 1983 / US – Reissue

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

LP | 2022 | EU | Original (Train Fantome)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fred Van Hove & Cel Overberghe

Fred Van Hove & Cel Overberghe With Strings - Met Strijkers - Avec Cordes

LP | 1977 | BE | Original (Kamikaze)

44,99 €*

Release: 1977 / BE – Original

Genre: Organic Grooves, Classical Music

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

A Blow For Me, A Toot For You

Fred Wesley

LP | 1977 | EU | Reissue (Speakers Corner)

Freddie Hubbard & Art Blakey

Release: 1977 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Thanks to their first-class training in funk and soul while playing in James Brown’s Band, Fred Wesley and Maceo Parker were the obvious choice when it came to participating in George Clinton’s P-Funk empire – the Godfather of Soul had had an enormous influence on Clinton anyway. In 1977, Clinton and Bootsy Collins produced "A Blow For Me, A Toot For You", the début album by Fred Wesley & the Horny Horns – an ensemble with Wesley on the trombone, Parker on the tenor and alto saxophone, as well as Rick Gardner and Richard 'Kush' Griffith on the trumpet. The majority of the numbers are by Clinton and Collins, so it is not really surprising that much of the LP is pure P-Funk. The album begins rather gloomily with a remake of Parliament’s "Up For The Down Stroke", and the influence of Parliament is also unmistakable in the other numbers. With regard to the instrumental numbers, "Four Play" fuses funk and jazz, while Wesley’s atmospheric "Peace Fugue" reflects the CTI sound of the 1970s. Actually "Peace Fugue" is the work which least sounds like Clinton on this LP. "A Blow For Me, A Toot For You" scarcely ranks behind Parliament’s "Mothership Connection" or Funkadelic’s "One Nation Under A Groove" and is certainly more than just a recommendable LP, which every funk lover should get to know.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: 1977 at United Sound Systems, Detroit, by Jim Vitti and Hollywood Sound Recorders, Los Angeles, by Jim Callon Production: George Clinton and Bootsy Collins

Go to Item

Feel The Wind Black Vinyl Edition

LP | 1989 | US | Reissue (Tidal Waves Music)

18,99 €* 19,99 € -5%

Freddie Hubbard & Art Blakey

Release: 1989 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Welcome to ‘Feel The Wind’…maybe one of the greatest team-ups in Jazz history featuring jazz superstars Art Blakey and Freddie Hubbard! Art Blakey (1919–1990) needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Im pulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others. Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. Blakey was sampled and remixed by major acts such as The Black Eyed Peas, Digable Planets, Buscemi, KRS-One and Madlib. The legacy of Art Blakey is not only the music he produced, but also the opportunities they provided for several future generations of jazz musicians. Freddie Hubbard (1938-2008) also needs little introduction, he was one of the most renowned American jazz trumpeters who played bebop, hard bop and post-bop from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. At the age of 20, in New York, he began playing and recording with some of the best jazz players of the era, including Don Cherry, Quincy Jones, Ornette Coleman, John Coltrane, Wayne Shorter, Oliver Nelson and Herbie Hancock. Freddie Hubbard recorded for labels such as Blue Note and Atlantic and he became a prominent member of Art Blakey’s Jazz Messengers. Hubbard achieved his greatest popular success in the 1970s with a series of landmark albums. Hubbard's trumpet playing was featured on the track 'Zanzibar' from the 1978 Billy Joel album 52nd street (the 1979 Grammy Award Winner for Best Album) and in 1988, Hubbard played with Elton John contributing trumpet and flugelhorn solos. In 2006, the National Endowment for the Arts accorded Hubbard its highest honor in jazz, the NEA Jazz Masters Award. Freddie Hubbard was sampled and remixed by renowned artists such as Raekwon, A Tribe Called Quest, Beastie Boys, Jungle Brothers and Kamasi Washington. On the album that we are presenting you today (Feel The Wind from 1989) , you’ll find six sublime tracks recorded in 1988 by renowned engineer Max Bolleman at the Studio 44 Monster in Holland. These recordings were originally released on the legendary Dutch jazz label Timeless Records (and produced by its owner Wim Wigt). Supporting Hubbard and Blakey is an all-star line-up of musicians from the likes of Leon Dorsey (Lionel Hampton), Lonnie Plaxico (Dizzy Gillespie, Ravi Coltrane), Benny Green (Joe Henderson, Houston Person, Milt Jackson), Mulgrew Miller (Frank Morgan, Donald Byrd) and Javon Jackson (Cedar Walton, Curtis Fuller, John Hicks). The combination of this being one of Art Blakey's final recordings near the end of his life and a glorious rejuvenating return by Freddie Hubbard gives us all the ingredients for a unique album that sounds as innovating today as back in the day when it was released. Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This release is not only a classic but also a bonafide hit and a must have for any self-respecting jazz fan or collector. Tidal Waves Music now proudly presents this much-needed vinyl reissue that pairs up two iconic jazz legends at the top of their game. Originally released in 1989, this is the first time these unique sessions are being reissued as a deluxe 180g vinyl edition w/obi strip.

Go to Item

Feel The Wind Clear Vinyl Edition

LP | 1989 | US | Reissue (Tidal Waves Music)

Release: 1989 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Welcome to ‘Feel The Wind’…maybe one of the greatest team-ups in Jazz history featuring jazz superstars Art Blakey and Freddie Hubbard! Art Blakey (1919–1990) needs little introduction, the American Jazz drummer and bandleader made a name for himself in the 1940s & 1950s playing with contemporaries such as Miles Davis, Dizzy Gillespie and Charlie Parker. He is often considered to have been Thelonious Monk's most empathetic drummer (he played on both Monk’s first recording session in 1947 and his final one in 1971). In the decades that followed Blakey recorded for all THE labels that mattered in the field of jazz (Columbia, Blue Note, Atlantic, RCA, Imp ulse!, Riverside, Prestige, Verve, etc.). His collaborations were numerous and include working with equally legendary artists such as Sonny Rollins, Max Roach, Chet Baker, John Coltrane….and countless others. Art Blakey was a major figure and a pioneer for modern jazz, he assumed an aggressive swing drumming style early on in his career and is known as one of the inventors of the modern bebop style of drumming. Blakey was sampled and remixed by major acts such as The Black Eyed Peas, Digable Planets, Buscemi, KRS-One and Madlib. The legacy of Art Blakey is not only the music he produced, but also the opportunities they provided for several future generations of jazz musicians. Freddie Hubbard (1938-2008) also needs little introduction, he was one of the most renowned American jazz trumpeters who played bebop, hard bop and post-bop from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. At the age of 20, in New York, he began playing and recording with some of the best jazz players of the era, including Don Cherry, Quincy Jones, Ornette Coleman, John Coltrane, Wayne Shorter, Oliver Nelson and Herbie Hancock. Freddie Hubbard recorded for labels such as Blue Note and Atlantic and he became a prominent member of Art Blakey’s Jazz Messengers. Hubbard achieved his greatest popular success in the 1970s with a series of landmark albums. Hubbard's trumpet playing was featured on the track 'Zanzibar' from the 1978 Billy Joel album 52nd street (the 1979 Grammy Award Winner for Best Album) and in 1988, Hubbard played with Elton John contributing trumpet and flugelhorn solos. In 2006, the National Endowment for the Arts accorded Hubbard its highest honor in jazz, the NEA Jazz Masters Award. Freddie Hubbard was sampled and remixed by renowned artists such as Raekwon, A Tribe Called Quest, Beastie Boys, Jungle Brothers and Kamasi Washington. On the album that we are presenting you today (Feel The Wind from 1989) , you’ll find six sublime tracks recorded in 1988 by renowned engineer Max Bolleman at the Studio 44 Monster in Holland. These recordings were originally released on the legendary Dutch jazz label Timeless Records (and produced by its owner Wim Wigt). Supporting Hubbard and Blakey is an all-star line-up of musicians from the likes of Leon Dorsey (Lionel Hampton), Lonnie Plaxico (Dizzy Gillespie, Ravi Coltrane), Benny Green (Joe Henderson, Houston Person, Milt Jackson), Mulgrew Miller (Frank Morgan, Donald Byrd) and Javon Jackson (Cedar Walton, Curtis Fuller, John Hicks). The combination of this being one of Art Blakey's final recordings near the end of his life and a glorious rejuvenating return by Freddie Hubbard gives us all the ingredients for a unique album that sounds as innovating today as back in the day when it was released. Expect supercharged hard bop with striking notes, no-holds-barred musicianship, high swinging solos, screaming choruses and plenty of solid virtuosity to spare. This release is not only a classic but also a bonafide hit and a must have for any self-respecting jazz fan or collector. Tidal Waves Music now proudly presents this much-needed vinyl reissue that pairs up two iconic jazz legends at the top of their game. Originally released in 1989, this is the first time these unique sessions are being reissued as a deluxe 180g vinyl edition w/obi strip.

Go to Item

LP | 1967 | EU | Reissue (Speakers Corner)

Backlash

Release: 1967 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

After his great success as a new discovery through playing on tour and in the studio with Art Blakey’s creative and inspirational group, the Jazz Messengers, Freddie Hubbard made a dozen LPs over 16 years for Blue Note and Impulse under his own direction.
It was no wonder then that a big record company made him a lucrative offer in autumn 1966. All in all, Atlantic Records released six LPs and the very first, entitled "Backlash", is still until today the best of the bunch.
Three numbers by Freddie Hubbard, one by Bob Cunningham, and two by friends, provide the basis for a successful transition between hard bop and soul beat. Hubbard made high demands on his fellow musicians James Spaulding, Albert Dailey and especially the bass player Bob Cunningham and the drummer Ray Appleton because they had to cope with the ever-changing beat. Right from the very first note, it is obvious that Freddie Hubbard had Fats Navarro and Clifford Brown in his heart and fingers. All the titles are excellent. Of special note, however, is "Little Sunflower". The sound colouring of the flute harmonizes particularly well with Hubbard’s brass, and Ray Barretto’s contribution is more than mere decoration. You’re certainly on the right track with this LP, no matter whether it’s the beginning of a Freddie Hubbard collection or a further contribution to a large jazz collection.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.

Recording: 1967 by Tom Dowd, Phil Jehle and Adrian Barber
Production: Arif Mardin

Go to Item

Blue Spirits Tone Poet Vinyl Edition

LP | 1965 | EU | Reissue (Blue Note)

42,99 €*

Release: 1965 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Breaking Point Tone Poet Vinyl Edition

LP | 1966 | EU | Reissue (Blue Note)

42,99 €*

Release: 1966 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | US | Reissue (CTI)

First Light

31,19 €* 38,99 € -20%

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

LP | 2017 | UK | Original (Pure Pleasure)

First Light

Release: 2017 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2023 | EU | Original (Culturefactory)

Hub-Tones

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1963 | EU | Reissue (Blue Note)

Hub-Tones

36,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Freddie Hubbard / Hubert Laws

Gibraltar / Family

12" | US (CTI)

13,99 €*

Release: US

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1981 | JP | Original (Eastworld)

Mistral

Release: 1981 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with insert and OBI! Vinyl is close to NM.

Go to Item

LP | 2019 | EU | Original (Jazz Images)

Open Sesame

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1960 | EU | Reissue (Blue Note)

Open Sesame

Release: 1960 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1960 | EU | Reissue (Culture Factory)

Open Sesame

Release: 1960 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1962 | UK | Reissue (Blue Note)

Ready For Freddie

Release: 1962 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Freddie Hubbard & Stanley Turrentien

In Concert

2LP | 1976 | EU | Reissue (Speakers Corner)

55,99 €*

Release: 1976 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | US | Reissue (CTI)

Straight Life

Release: 1971 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1971 | UK | Reissue (Pure Pleasure)

Straight Life

Release: 1971 / UK – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Body & The Soul Verve By Request

LP | 1963 | EU | Reissue (Impulse)

33,99 €*

Release: 1963 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

On his second and last album for Impulse! Records, trumpeter Freddie Hubbard went all out: with a first-class orchestra conducted and arranged by Wayne Shorter, occasionally reinforced by strings, and a varied repertoire that seamlessly combined standards with originals by Hubbard.
VERVE BY REQUEST SERIES: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve

Go to Item

LP | 1969 | EU | Reissue (Musik Produktion Schwarzwald)

The Hub Of Hubbard

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1976 | US | Original (Columbia)

Windjammer

Release: 1976 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Getting Ready... Limited Edition

Freddie King

LP | 2023 | UK | Original (Elemental Music)

Release: 2023 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Brown Sugar Vinyl Me, Please Edition

Freddie Roach

LP | 1964 | US | Reissue (Vinyl Me, Please)

35,99 €*

LP | 2023 | EU | Original (L.M.L.R.)

Release: 1964 / US – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-10-18

Why you'll love it...
Freddie Roach’s first three albums introduced him to the world, but Brown Sugar showed it who he was. It was the album that Roach made to capture the energy of soul jazz. To somehow take the sounds in the city, in the clubs, and bring them to a record. In his original liner notes, Roach writes that the album is an ode to late nights and loud clubs, to backs damp with sweat, arms wrapped around waists. ‘’Not caring for the moment about troubles or problems,'' he wrote of people dancing, ‘’their bodies quivering under smiles that seemed to promise ‘after the dance.’'' After talking to Alfred Lion, president of Blue Note, they decided that the album needed to be made up of standards — not the standards of the stage or screen, but the standards of the people. ‘’To get the ‘soul,’'' Roach wrote, ‘’I decided to do show soul tunes.''

Go to Item

Freddie Roach

Down To Earth

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2010 | DE | Original (Sonorama)

Freddy Cole

The Cole Nobody Knows

25,99 €*

LP | 2023 | EU | Original (Intermusic)

Release: 2010 / DE – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Sonorama is proud to release a legendary and sought after soul jazz LP that will send shivers down your spine. 77-year-old singer & pianist Freddy Cole, youngest brother of Nat "King" Cole and uncle of Natalie Cole, is a truly unique interpreter with an impressive career from 1952 until 2010. This very rare and privately pressed LP was recorded back in 1976 and finally gets its first remastered 1:1 reissue with original cover artwork (First Shot label), including such greats as "Wild Is Love", "Brother Where Are You" and "Live For Life".

Go to Item

Freddy King

Texas Oil

21,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

12" | 1997 | FR | Original (F Communications)

Frederic Galliano

Plis Infinis N°2

3,99 €*

Release: 1997 / FR – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: VG

LP | 2024 | UK | Original (Tramp)

Frederic Rabold

Time Machine

29,99 €*

The Jazz / Classical Union

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-10-04

Celebrating Frédéric RABOLDs 80th birthday
Frédéric Rabold was born on November 23rd, 1944, in Paris, France. His father was a jazz musician and had dreams of all three of his children becoming musicians as well. Frédéric started out learning the violin but always gravitated to the trumpet. The violin actually ended up on the wall at some point, which may have revealed Rabold's tendency toward impulsiveness. He came into contact with jazz music at an early age when he lived with his parents in France. Later on, his father had a big band with which he performed at dances in health resorts. At the age of 16, he often played with his father in American Army Clubs. From 1961 to 1964, Frédéric studied at the University of Music in Karlsruhe. In 1965, he moved to Stuttgart where he still lives today. In the same year drummer Axel Lauser approached him and asked if he wanted to play in his trio. Then, for a few years, Frédéric played in the Axel Lauser Quartet. In 1968, Frédéric founded his own band, the Frédéric Rabold Crew. The music of the "Crew" was well received in the 1968 era and the band quickly gained recognition in the German modern jazz scene. Invitations to several major festivals followed, including the jazz festival in Zurich. Later, they toured extensively through Eastern Europe on behalf of the Goethe Institute. In 1968, the first recordings were made by a friend of the band during a rehearsal. However, they were not to be released until 1980 on the LP "Berlin". "Noon In Tunisia" is one of these tracks. In March, 1970, the crew performed at the 12th German Jazz Festival in Frankfurt am Main amongst such Jazz greats as the Albert Mangelsdorff Quartet, the Klaus Doldinger Quartet and the Dave Pike Set. Two years later, the Frédéric Rabold Crew released their debut album entitled "Flair". This was followed in the 1970s by more than half a dozen albums for various labels. These included the album "Open House" with guest guitarist Martin Ederer, as well as three albums with singer Lauren Newton between 1975 and 1979. Rabold also worked with avant-garde jazz musicians such as Gunter Hampel, Leszek Zadlo, Lester Bowie, Manfred Schoof, Albert Mangelsdorff and Jeanne Lee.
In the mid-1970s, a second formation was formed, the "Frédéric Rabold Jazz Inspiration Orchestra", which, unlike the crew, continued to exist with the same line-up well into the 2010s. In 2018, Frédéric Rabold celebrated the 50th anniversary of his group, the Frédéric Rabold Crew.
Today, Rabold can look back on more than 1000 original compositions. Sometimes certain events led him to a composition, other times he just sat down at the piano and something happened, or not. Even though his real love is modern jazz, he has played all styles himself, including classical trumpet. In this respect, his role models were actually always American jazz musicians, who were sometimes quite unconventional in this respect. Frédéric Rabold's motto has always been: there is good and not so good music in all styles. This album brings together only the former.
Key selling points:
- deluxe double gatefold vinyl LP
- incl. detailed liner notes in german and english language
- incl. unseen photographs
- incl. download code
- limited to 500 copies
- pressed on Biovinyl => Replacement of petroleum in S-pvc by recycling used cooking oil or industrial
waste gases

Go to Item

Free Flight

LP | 1982 | US | Original (Palo Alto Jazz)

LP | 2017 | EU | Original (Souffle Continu)

Release: 1982 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+

Go to Item

Free Jazz Workshop

Inter-Frequencies

Release: 2017 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Shape Of Doomjazz To Come & Saxophone Giganticus

Free Nelson Mandoomjazz

LP | 2014 | EU | Original (Rare Noise)

Free The Robots / Gianni Safred

Release: 2014 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With a crunching sound that is as teeth-chatteringly heavy as metal icons like Slayer and Megadeth or ferocious grindcore groups like Napalm Death and Brutal Truth, yet is imbued with the freedom principle of such avant garde jazz icons as saxophonists Marshall Allen, Albert Ayler and Peter Brotzman, the formidable instrumental power trio from Scotland known as Free Nelson Mandoom Jazz debuts on the London-based RareNoise label with a provocative double EP that will confound jazz critics as it challenges the thrashmetalgrindcore community.

Jointly named for the late South African freedom fighter Nelson Mandela and the genre of fuzz-bass-inflected heavy-duty improvisation dubbed oomjazz', this renegade trio of bassist Colin Stewart, drummer Paul Archibald and alto saxophonist Rebecca Sneddon rattles the very grey matter of your brain on their imposing Shape of Doomjazz to Come/Saxophone Giganticus.

Go to Item

Autumn 2021 / Autumn 2001

7" | 2023 | EU | Original (Reloved)

10,79 €* 17,99 € -40%

2LP | 2005 | EU | Original (Schema)

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

With the release of Piero Umiliani’s ‘Discomania (Jolly Mare Lifting)’ Four Flies launched Reloved, a vinyl series where contemporary DJs and producers rework tunes from Italian golden age soundtracks and library music.

The aim of the series is to spark a conversation between past, present and future, joining the dots between Italy’s great film and library-music tradition and a global scene of forward-thinking producers - the names confirmed so far include Dengue Dengue Dengue, Free The Robots, Jolly Mare, Koralle (feat. Illa J), Fratelli Malibu, Mounika, Oké aka Deda, Luke Beats, Ollie Teeba of The Herbaliser and Deca. First in line is the 7” ‘Autumn 2001 / Autumn 2021’, with an original track from Italian jazz pianist and electronic music pioneer Gianni Safred and a rework from musician, DJ and beat maker Free The Robots.

‘Autumn 2001’ comes from the 1978 Italian library LP Futuribile (The Life To Come), a retro-futuristic masterpiece by Gianni Safred, one of the great pioneers of Italian electronic music.

Chris Alfaro, aka Free the Robots, is a musician, beat maker and DJ known for his ability to jump in and out of different sonic worlds, creating a unique signature sound blending electronic, hip hop, jazz and psychedelia.

Go to Item

Freedom Jazz Dance

Book II

25,99 €*

Release: 2005 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

9 tracks by Jukka Eskola, Dalindeo, ...

Go to Item

12" | 1981 | UK | Original (Beggars Banquet)

Flying High

4,99 €*

Release: 1981 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: G+, Cover: Generic

Vinyl close to VG

Go to Item

12" | 1980 | EU | Reissue (Far Out)

Keep In Touch (Pinky 1)

17,09 €* 17,99 € -5%

Release: 1980 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Two individually sold Vinyl 12"s. Far Out Recordings presents a double bill of two monumental Brit funk classics. 'Keep In Touch' and 'Stay' were the first two 12" singles by the iconic Freeez, both self-funded passion projects of its founding member John Rocca, for his own Pink Rythm imprint.

Go to Item

12" | 2022 | EU | Original (Far Out)

Mariposa / Alone

16,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Continuing to shine a light on John Rocca & co.'s pioneering early 80s music, Far Out proudly presents the first ever 12” release of Freeez’s monster brit-funk classic “Mariposa”, along with the equally heavy and hard to find 12” mix of “Alone”.

Go to Item

12" | 1980 | EU | Reissue (Far Out)

Stay (Pinky 2)

17,99 €*

LP | 2023 | Original (Legere)

Release: 1980 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Go to Item

Freekind

Since Always And Forever

22,99 €*

Release: 2023 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1978 | NL | Original (Prodigal)

Fresh

Feelin' Fresh

9,99 €*

LP | 2022 | CA | Original (Telephone Explosion)

Release: 1978 / NL – Original

Genre: Organic Grooves, Rock & Indie

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

Cover with faint ring wear, small sticker and tiny seam split.
Record is close to VG+.

Go to Item

Fresh Pepper

33,99 €*

Fresu / Rubino / Bardoscia

Release: 2022 / CA – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Beyond whatever mood is likely struggling to be sculpted by the house playlist, restaurants are full of their own natural music. Porcelain and cutlery clatter in bus bins like little medieval battlefields; the chatter of patrons smears into a single stormy texture; the kitchen staff hollers and chides as their own chosen music competes for the ear of anyone walking to the restroom; the churning and hissing of the dish steamer leads the assemblage of sounds that leak out from the back of house to and cling to a diner’s subconscious. The fact that restaurants employ so many hustling musicians, whose entire lives are centered around sonic sensitivity and awareness, is either grand irony or total synergy. Toronto outfit Fresh Pepper, led by longtime friends Andre Ethier and Joseph Shabason, playfully navigates the mental and emotional mark left on many musicians by such places. Their self-titled debut is less concerned with their service-industry traumas, doldrums, and setbacks than it is with creating a relatable space for album’s contributors to fully be themselves within the ease and freedom of having similar histories. Shabason, Ethier, and company recount their culinary past lives across eight jazzy and benevolent tracks that exude their authors’ sheer enjoyment of the creation process. Though the mental image of restaurant inner workings might trigger a mix of urgency, weariness, and yearning for a better livelihood, Fresh Pepper recolors these frazzled scenes with fondness and levity, exorcizing past workplace woes through skillful musicianship and an earnest, slightly bizarre sense of humor.

Fresh Pepper was played and assembled in-person during a gap between Covid waves, and the gleeful rarity of the occasion is palpable. Whatever brooding was stereotypical of artists and musicians pre-pandemic was not invited to this reunion. From the very beginning moments of Fresh Pepper, Shabason and Ethier guide their companions (a sort of super group of Toronto musicians from acts like Bernice, Beverly Glenn Copeland, and even Destroyer’s Dan Bejar himself) with breathy, hushed tones via saxophone and vocals respectively, casually traversing their own annexed corridor between smooth jazz, exploratory avant-indie, and subverted adult-contemporary. Mid-performance apologies are left unmuted in the mix, room-tones are evident in spacious moments, and the spirit of close collaboration is omnipresent. After a mini-parade of loose and glassy keys, the pensive funk highlight “Prep Cook in the Weeds” intros with the kind of furrowed-brow noir-smoothness of some yesteryear crime drama, buoyed by Ethier’s gently insightful musings. “Another fly lands on the clock,” he sings in a hushed tone through a half-smile, pointing wryly toward the relationship between wage-workers and timekeeping devices. “Flies on the hands of time,” he continues, resigning his sense of control, “the flies take the wheel.” Ethier’s slice-of-life lyricism and serene baritone delivery find a fitting counterpart in Dan Bejar who appears on “Seahorse Tranquilizer”. Where featured vocalists-- especially those as iconic as Bejar-- would threaten to out-charisma an album’s resident personalities, Ethier and Bejar heighten the charm of each other’s demeanor in a natural and relaxed way, leading to one of the gentlest moments of an already gentle affair.

Conversely, the track “Dishpit” is noticeably the most abstract chapter of the album, reminiscent of the factory-like, thankless, yet oddly contemplative corner of the kitchen after which it is named. The track begins with a toyish, motorik pulse that imparts the fraught motivation of a full sink during lunch rush with still more dishes on the way. Shabason’s saxophone spins in the mist and steam, disoriented but determined, rallying an equally bewildered percussionist behind it. On much of the album, Shabason’s playing assumes more practical form in contrast to the ambient impressionism of his solo output, but here his atonal fourth-world fingerprints are easily visible. Following all this, “Congee Around Me” again finds warmth in the chaos, imparting the same sense of peace within the jumble that characterizes Fresh Pepper. “Mushrooms in the frying pan,” opens Ethier, summarizing the album’s pathos, “throw another in, I’ll see you when I see you.” Album ender “The Worm” - fatigued and victorious, fluttery and decayed, sounds like a memory-rich bygone era that never really existed. Was that 1990-something? Did it really happen that way? Did the sunlight really look like it does through a camcorder, or has sunlight always been the same as it is now? Does it really matter if I couldn’t see it from the kitchen anyway?

It could be argued that the best art frames its subjects without any commentary, leaving as much room for the viewer to fill with their own experiences, shortcomings, and longings as possible. Fresh Pepper provides this kind of framing around a scenario so taken-for-granted that it becomes mythic under the slightest examination. In this sense, like so many projects that Shabason puts his sonic stamp on, Fresh Pepper conjures an unexpected slice of enlightenment from somewhat unnoticed circumstances. True to form, Fresh Pepper assures us not just that we are going to be okay, but that we are okay right here and now, overtired as we are amid the stainless steel, heat lamps, and spattering oil.

Go to Item

Tempo Di Chet Colored Vinyl Edition

2LP | 2020 | EU | Original (Tuk Music)

41,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1980 | DE | Original (Sandra Music Productions)

Friedbald Rauscher

Piano Waves

Friedrich Gulda / Joe Zawinul

Release: 1980 / DE – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

Close to NM.
Sticker on cover.

Go to Item

Music For Two Pianos

LP | 2012 | EU | Original (Jazzline)

15,99 €*

Release: 2012 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | US (Analogue Productions)

Fritz Reiner

Spain

53,99 €*

Friwi Sternberg - Quintett

Release: US

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g

Go to Item

Elefant 500

LP | 1987 | GDR | Original (AMIGA)

5,99 €*

Release: 1987 / GDR – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 2023 | Original (Jazzland)

Frode Haltli

Avant Folk-Triptyk

20,99 €*

Release: 2023 / Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Queit Nights (Full Stage Stereo)

From Scratch

LP | 2024 | EU | Original (Berliner Meister Schallplatten)

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-10-11

Quiet Nights (One Point - Blumlein)

From Scratch

LP | 2024 | EU | Original (Berliner Meister Schallplatten)

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Preorder shipping from 2024-10-11

7" | 2024 | UK | Original (Panorama)

Fruko y sus Tesos

Salsa Na Ma

15,99 €*

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2019 | EU | Original (ALO)

Fs Massaker

Plan B

17,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 2022 | EU | Original (Alien Transistor)

Fuchs

LP | 2023 | EU | Original (Akuphone)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Fuchs is a band that never was. It vanished as quickly as it appeared in the picture, much like the animal that can be seen on this album and after whom it was named. In 2005, Kante singer and guitarist Peter Thiessen travelled to Weilheim to visit Markus and Micha Acher in their studio, where they were joined, among others, by Notwist-affiliated musicians like Cico Beck, Robert Klinger, Carl Oesterhelt and Stefan Schreiber. Spirits were high, but schedules were full: after a week of improvised sessions, everyone went their own way. The recordings gathered dust until Markus Acher found them again in 2021 while cleaning out his studio. After carefully re-evaluating the rough mixes, the musicians decided to finally release them. The resulting album comprises six tracks that musically draw on jazz, aesthetically lean on dub techniques and ideologically pick up on krautrock: there’s no solos to be heard on this record, just a few equally skilled and open-minded musicians listening to each other carefully, providing each other with space in which to unfold. »Fuchs« is a document of egos dissolving in a collective spirit. Thiessen and the Acher brothers met in the 1990s and bonded not only over their shared background in hardcore music and the DIY ethos in which it was rooted, but also over their love for jazz. »If you look at those two things combined, you will eventually become convinced that you don’t have to be formally trained to make music that at least resembles jazz«, says Thiessen today. He invited Micha Acher to join his band Kante on flügelhorn in 2004 for a tour that saw the expanded group play unusual encores after the official concert was over. »Micha had taught us some dixie pieces, so night after night we would play a freestyle dixieland ska set in front of the remaining audience!« Naturally, the Acher brothers didn’t have to ask twice when they invited him for a visit in Weilheim to further explore their mutual interests in a studio setting. »I got on my way immediately and took two or three loose ideas, a tape echo and a guitar on whose headplate you could create fantastic sounds with me«, says Thiessen. Between immersing themselves in books by the photographer Leonore Mau, cooking together and drinking the occasional fruit schnapps, the trio went into the studio. Says Thiessen, »Micha brought his flügelhorn and some wonderful ideas with him, Markus an Indian harmonium and a plan, Carl Oesterhelt came with a glockenspiel and a Chinese zither and a bunch of amazing jazz musicians joined in, too.« He considers the resulting recording sessions to be a kind of attempt at musically translating their conversations during those days. They discussed different approaches to jazz, whether sampling and musical miscitations can unlock ecstatic potentials and the possible parallels between syncretistic religions and pop music. »There’s traces of glossolalia, it's like a blurry séance«, adds Thiessen in regard to the sessions. It is especially this spirit that managed to live on even though the recordings themselves were abandoned. »What we all liked most when listening back to the recordings is probably their marginal and fragmentary character, the empty spaces—the moments in which the virtuoso solo never comes, in which the centre remains empty.« The six pieces on »Fuchs« are chock-full of exactly these moments. When at one instant, the players seem to disperse and improvise freely, they always meet again on common ground a short time later, continuing on their way together. There are no conventions or even previous agreements that guide them, just a shared will to explore a vast range of curious sounds and unusual rhythms together as a truly unified constellation of very different musicians. Fuchs is a band that never was. Its ideas still reverberate vividly even 17 years later.

Go to Item

Fuji-Yuki

One Butoh

27,99 €*

Full Blast (Brötzmann/Wertmüller/Vandermark/..)

Release: 2023 / EU – Original

Genre: Organic Grooves, Rock & Indie, Classical Music

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Akuphone is proud to present Fuji-Yuki’s last masterpiece, One Butoh. A musical immersion into the most exciting avant-garde dance style of the past century. Created in Japan in the 1960s by Tatsumi Hijikata, butō is the "dance of the obscure body". It broke with the traditions of classical Noh and Kabuki Theater, which, at the time, seemed outdated in the national context. Nourished by a European artistic avant-garde, butō stands out as a mirror of the socio-political turmoil of a post-World War II Japan. One Butoh resonates as a perfect acoustic introduction to this subversive art and propels the listener deep into his own soul.

Fuji-Yuki is a Japanese vocalist who uses her voice like an instrument. With special vocal techniques, glossolalia and electronic pedals, she creates a wide variety of sounds. Inspired by the spirits of Buddhism and Shintoism, she creatively transforms her vocals into an ambient drone or prayers resonating in a church-like space. Her live performances are always different, depending on the place and space they take place in. She is also known as the vocalist of the experimental band Sarry.

Go to Item

Sketches & Ballads

LP | 2011 | EU | Reissue (Trost)

20,99 €*

LP | 2018 | EU | Original (Trost)

Release: 2011 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

180g vinyl / limited pressing of 500!

Go to Item

Full Blast

Rio

LP | 1974 | EU | Reissue (Comet)

Release: 2018 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Limited live release by Peter Brötzmann's Full Blast Power Free Jazz Trio
recorded at Audio Rebel, Rio de Janeiro, Brasil 2016. Mixed and Mastering :
Martin Siewert (Vienna) Artwork : Peter Brötzmann

Go to Item

Full Moon Ensemble

Crowded With Loneliness

Fumiaki Miyamoto - Norio Maeda

Release: 1974 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Comet Records present the first release out of the Comet new reissue series with this cult French Free Jazz LP from 1974, Crowded with Loneliness by Full Moon Ensemble was produced by Claude Delcloo, check the classic ‘Samba `Miaou’, like a lost Pharoah Sanders tune mixed with politically-engaged French poetry! The whole LP is varied, avant-garde and spiritual and now available as Vinyl LP with Gatefold cover, set to become collectible as the original is impossible to find.

Go to Item

Jazzy Wind

LP | 1983 | JP | Original (CBS/Sony)

8,99 €*

Rise And Shine: Live At The Aketa's

Release: 1983 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG+

Small light scuffs on side B.
Record is close to VG+.
Includes OBI and insert.

Go to Item

Fumio Itabashi Trio

LP | 1977 | EU | Reissue (Studio Mule)

LP | 2024 | EU | Original (Wewantsounds)

Release: 1977 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

This is the third reissue of fumio itabashi on mule.

Go to Item

Fumio Itabashi

Watarase

32,29 €* 33,99 € -5%

Release: 2024 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1982 | JP | Reissue (P-Vine)

Fumio Itabashi

Watarase: Echo

37,99 €* 39,99 € -5%

Release: 1982 / JP – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Watarase" is one of jazz pianist Fumio Itabashi's most famous compositions from the 1980s. This compilation is a collection of previously unreleased versions of the song and takes that were released only as independent recordings and were not widely known. Minoru Wakasugi, one of the pioneers of the Japanese jazz scene, compiled this unknown take on "Watarase," now in the limelight of jazz fans around the world, from the contemporary perspective. Composed by Fumio Itabashi in the early 80's, the beautiful melody of this song is reminiscent of the music of Pharaoh Sanders, Ahmad Jamal, and Dollar Brand, or even surpassing them, it is a superb and super spiritual jazz anthem of Wamono Jazz. When this song was first released, it gradually gained popularity in the jazz scene, and it was a popular song in the scene. This album looks back over 40 years of history and carefully selects "Watarase" to be heard today. We can enjoy a fragment of his life here as he continues to express the ultimate in the art of jazz with all his might.

Go to Item

LP | 1980 | JP | Original (CTI)

8,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | JP | Original (CTI)

9,99 €*

Release: 1980 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

Go to Item

LP | 1980 | JP | Original (CTI)

11,99 €* 14,99 € -20%

Release: 1980 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing with OBI and insert.

Go to Item

Grand Prix / Double Steal

12" | 1980 | UK | Original (CTI)

Release: 1980 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: VG

LP | 1984 | JP | Original (Electric Bird)

Ice

LP | 2022 | EU | Original (Chuwanaga)

Release: 1984 / JP – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: Near Mint, Cover: Near Mint

No obi.

Go to Item

Fusion Affair

Venom

26,99 €*

LP | 1975 | EU | Reissue (Musica & Entretenimiento)

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

If you're into the classic sound of the best releases from the seventies and eighties era Jazz-Funk or Fusion with a slightly modern and exciting touch, you don’t want to miss out on Fusion Affair’s first album: Venom! Proudly presented by Parisian label Chuwanaga, Venom is filled with sharp synths, electrifying basslines, serious guitar licks, amazing themes, in-the-pocket drums grooves and true excitement all over the six tracks of the album. Starting with "Fruits Rouges" which introduces the listener to the beautiful and soulful harmonies spread throughout the album but also an overall overview of how Fusion Affair and Venom brings together strength and delicacy. Then, the impetuous and dangerous ride of "Venom" will leave you either dancing or shocked. A dangerous trip with a perfect climactic ending: watch out for the snakes! The serious but fun-filled groove of "Bounce" will take you back to Herbie Hancock’s seventies, with a jazz-funk style that you cannot resist bouncing your head to! Despite its chordal simplicity, the dreamier yet modern track "Dasha" begins with an unconventional use of berimbau. After several expositions of its beautiful main melody, the track intensifies with a perfectly executed drum and bass interlude. "Missing Cat" returns to a classic Jazz-Funk vibe with late seventies synth brass accentuating its playful theme. This one’s definitely got a vintage vibe! Finally, "Bougie Noire" ends Fusion Affair’s first album with powerful chords and orchestration while keeping it truly mysterious : to be continued... Fusion Affair brings together the talents of French musicians from Lyon, Paris and Montréal, all gathered by the producer LeMatoux. Following many sessions at the infamous Studio Delta, record label Chuwanaga and the band are ready to spread their infectious groove all over the globe!

Go to Item

Fusion

Top Soul

35,99 €*

LP | 2022 | EU | Original (Black Sweat)

Release: 1975 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Top Soul" (1975) by Fusion is released now on vinyl, from the original IRT masters! The experience of the group Fusion, historically considered the first Chilean electric jazz project, according to musicologist Alvaro Menanteau in his book Historia del jazz en Chile (History of jazz in Chile). Luna was the son of Peruvian diplomats settled in Chile. He had lived and studied art in New York and for that reason he had first-hand knowledge of the current jazz scene: the last years of John Coltrane in the avant-garde and the mutation of Miles Davis to electric jazz. He had studied at the Boston school of Berklee and had an important collection of records by Davis himself and his disciples: Joe Zawinul, Herbie Hancock, Chick Corea, Wayne Shorter, Miroslav Vitous. While Pizarro, who had appeared in the mid '60s as a very young pianist, of outstanding technique, advanced ideas and notorious musical culture, was also returning from a period of study at Berklee. The workshop meetings, jam sessions and auditions of new music were held at Pizarro's house, on Hernando de Aguirre and Eliodoro Yánez streets, and there was no jazz musician during those years who did not go through the experience of attending the initiation sessions. According to Chilean musicologist Alvaro Menanteau in his book Historia del jazz en Chile (2003), from the youngest (pianists Manuel Villarroel and Mario Lecaros or drummers Patricio Villarroel and Pedro Greene), to the most experienced (saxophonists Patricio Ramírez and Sandro Salvati or drummer Jaime Farfán), they frequented Pizarro's house and consolidated the core of musicians that faced the hard decade of the 70s. That was the seed of the foundation of Fusion, a group that adopted its name directly from the generic topic that began to understand and describe the music promoted mainly by Miles Davis in those years. In 1972, Fusion launched its project with the Luna-Pizarro-Salvati trio, using electric instrumentation, experimenting with rhythmic patterns of soul, funk and rock, but keeping intact the impulse of the original jazz improvisation and an important factor of Afro-Latin music, full of percussion. Although to record the album "Top Soul" (1975), the band ended up with soloists like David Estánovich (tenor sax) and Lautaro Rosas (guitar), plus a rhythm trio with Mario Lecaros (electric piano, ex Village Trio), Enrique Luna (bass) and Orlando Avendaño (drums, ex Nahuel Jazz Quartet), plus guests like trumpeter Daniel Lencina, and the young percussionist Santiago Salas (from the group Santa y su Gente). But it was, in any case, a brief history with few live appearances. One of them took place in 1972 at the Chile Stadium, with some members of Fusion as Luna, Pizarro and Greene, joined Los Jaivas for a free collective improvisation session, under the name of La Banda, and of which there is a valuable filmed testimonial record, although without audio. Fusion's life ended definitively after the release of the album, with Matías Pizarro living in Paris since 1977, Mario Lecaros in Barcelona in 1976, Orlando Avendaño retired from music, Enrique Luna back in Peru after working with the fusion group Almandina, and a hostile reality for the development of music during the first years of the military dictatorship.

Go to Item

Fusione

Çatla Patla / İnsanciklar

Release: 2022 / EU – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

What is this? Who are them? Free jazz? Psychedelic? This mysterious album has been recorded by jooking faryds folks that came up in the middle of June 2015 at the space-time door Guscio Studio, Milan. At the very beginning there was no plan to release this jamming jam until a birthday present changed their minds.

Go to Item

Füsun Önal

7" | 1975 | TR | Original (CBS)

LP | 2021 | JP | Original (EM)

Release: 1975 / TR – Original

Genre: Organic Grooves, Electronic & Dance, Pop

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG, Cover: Generic

Cover is missing.

Go to Item

Futoshi Moriyama

Yütai-Ridatsu

21,24 €* 24,99 € -15%

12" | 2022 | EU | Original (Ten Lovers Music)

Release: 2021 / JP – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

"Yūtai-ridatsu ±", an album from Osaka-based electronic music producer Futoshi Moriyama. Initially released in 2015 as a cassette on the Birdfriend label run by Koshiro Hino (aka Ypy), augmented by four unreleased/new tracks which replace other tracks. Beautifully weird home-recorded orchestral music!

Go to Item

Future Jazz Ensemble

Rough Times EP

12,99 €*

7" | 2000 | FI | Original (Lifesaver Records)

Release: 2022 / EU – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Future Jazz Ensemble is a project from multi instrumentalist Nicola Penna. With Future Jazz Ensemble, Nicola is exploring of the intersected sonic paths of jazz, ethnic and electronic music; trying to recall the past and evoke the future. His previous two Future Jazz Ensemble releases; The Mankind's Place 12" LP and Art For Art's Sake 7" were limited runs and are now very sought after. We are very proud to have Nicola releasing music on Ten Lovers Music and look forward to future projects.

Go to Item

G-Litter

Kakspiippunen Juttu

LP | 2024 | UK | Original (Last Resort)

Release: 2000 / FI – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: Generic

Blue Transparent vinyl

Go to Item

G.S. Schray

Whispered Something Good

Stan Kenton Presents Gabe Baltazar

Release: 2024 / UK – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Circling guitar lines; the rise of fall of delicate bass; deep, breathy horns: sonic elements that exist in a state of slow, perpetual motion, like ideas sprouting from some kind of cognitive compost. With wonder and charm, G. S. Schray's new solo album, Whispered Something Good, evokes a realm of new growth while offering a fitting soundtrack for its exploration, as if tailor made for both the daydreamer and silly adventurer.

We start in the darkness of "Unlit Center" with elliptical phrases of jazz guitar. A conversation between double bass, synthesiser, and piano plays out on "In Tears Twice A Page" before we're ushered into the reflective zone of "Another Haunted Mirror." There is synth mist which trumpet cuts through decisively like a shaft of light from the sun: warm and clear. As the album proceeds, firmer rhythms coalesce. On "Prelude for Probably," clattering drums lock into a triumphant groove with horns. And then, to close, the instrumental art-pop of "Gone in Amber," probing not necessarily towards a final destination but another stop-off, one of distant birdsong and the faintest flicker of synth. Intimate and inviting, the act of listening to Whispered Something Good is akin to digging through an imagination. It's a place of subliminal melodies blooming into rhizomatic musical shapes, stray musings coalescing as bolts of inspiration — change fostering yet more change.

Go to Item

Gabe Baltazar

LP | 1979 | US | Original (Creative World)

8,99 €* 9,99 € -10%

Release: 1979 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG+

12" | 1983 | DE | Original (Virgin)

Gabi Delgado

Amor

5,99 €*

Release: 1983 / DE – Original

Genre: Organic Grooves, Electronic & Dance

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

Used Vinyl

Medium: VG+, Cover: VG

LP | 2021 | US | Original (Sola Terra)

Gabo

Jungle Fever

LP | 1969 | EU | Reissue (Ebalunga!)

Release: 2021 / US – Original

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

The Glasgow African Balafon Orchestra (gabo) is a cocktail of musicians of all different backgrounds, bringing together the distinct flavours of the world through the joy of orchestral music. It is a unique blend and fusion of musicians, folklorists and storytellers representing the best musical flavours and stories of our shared humanity. The infectious energy of Gabo is built around Ambatarian Philosophy—a past-present which is secretly woven and embedded in Jang-da—the traditional African wooden xylophones. The Jang-da tradition – a folklore and oral convention of passing messages of hope within the stories of everyday life through the vortex of music – is an almost forgotten ancient African philosophy that teaches us to celebrate life as an endless opportunity of eternal joy. Gabo’s philosophy is sharing the ripple effects of joy in communal music, storytelling and group bonding—a great source of mutual energy exchange that brings people together on a fair playing ground where every soul’s desire can be fully realised through music. In Gabo’s world; no one is left out feeling isolated, unappreciated, unrelated or unloved. We are never alone because we all belong to a shared experience of music. Gabo believes that there is more love in the world today than hatred, and we are inspired by this belief. We focussed our best creative healing energies on sharing the love of Afrobeat, global jazz, soul, funk, and some traditional tunes from rural Africa and other parts of the world that have not been previously heard by the rest of the world.

Go to Item

Gabor Szabo

1969

Release: 1969 / EU – Reissue

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

“Gabor Szabo exploded onto the American jazz scene in the early sixties. His unusual approach and unique sound brought something startling and new to jazz. With Chico Hamilton, Charles Lloyd and Gary McFarland, Szabo offered something few in jazz had ever heard before: guitarist as enchanter and conjurer and musician as storyteller and mesmerist. Once Szabo declared his independence in 1966, he also proved how seamlessly jazz can blend the Beatles and Bacharach with Latin and Indian styles. The guitarist released a string of albums on Impulse that challenged many assumptions about jazz and stand out today as some of the most radical, yet appealing music of the period. But the times were woefully a-changing. Szabo biographer Károly Libisch considers the year 1969 a “turning point” for the guitarist. The spell Szabo weaved in the press was beginning to wane. The blizzard of coverage he generated in the previous few years began to trickle off. Perhaps the rise of rock – and rock-guitar heroes – tamped down the guitarist’s exotic allure and faddish charm. Then, too, Szabo’s erratic behavior started attracting poor notices and hastened the demise of his storied quintet, featuring guitarist Jimmy Stewart and percussionist Hal Gordon, in late 1968. Now, both Gabor Szabo, the artist and businessman, needed a hit. 1969 was his response to the call of 1969.

The album was released in August 1969, initial reviews were positive. Cash Box raved that Gabor Szabo 1969 “is magnificent music, and an album that deserves great success” while Record World called it “luscious guitaring” that features “lots of contemporary material, which he makes completely his own.” Gabor Szabo 1969 never did find the success it was seeking. But it remains a lovely listening experience that finds the guitarist at his melodic best at an important crossroads in his recording career. “

Go to Item

Genre: Organic Grooves

Add to Cart Coming Soon Sold out Currently not available Not Enough Coins

LP | 1968 | EU | Reissue (Skye)

Gabor Szabo

Bacchanal