Jazz | Fusion 3098 Items

Jazz At The Pawnshop: Late Night New Unreleased Tapes

2LP | 2024 | US | Original (2xhd)

91,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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Miles In France - Miles Davis Quintet 196364: The

CD | 2024 | EU | Original (Sony Music Catalog)

97,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

Box | 2024 | Original (Storyville)

Danish Radio Big Band

Xl-Lx

97,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-01

Charles Gayle / Milford Graves / William Parker

Webo

3LP | 2024 | US | Original (Black Editions Archives)

99,99 €*

Live At The Berlin Philharmonie 1969

Release: 2024 / US – Original

Genre: Organic Grooves

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"A legendary concert by one of the great unrecorded bands in free jazz history is here at last. Webo, the third installment in the Black Editions Archive series of previously unreleased recordings from Milford Graves' private tape library, roars into the station June 21, 2024. For the first time, Charles Gayle, Milford Graves, & William Parker—three lions of the Black American jazz avantgarde—are finally heard together on record, presented here across three audiophile-quality LPs for two brutalizingly joyous hours of real ju-ju & musical mastery. The trio of Charles Gayle, Milford Graves, & William Parker gave only seven public performances between 1985 and 2013, and released no recordings. Their June 1991 two-night stand at the short-lived Lower East Side venue Webo, long referenced as a signal event in New York free jazz's 1990s resurgence, has been a topic of discussion among close followers of the music for decades. In the uncompromising grassroots spirit of the 1970s New York Musicians Organization and loft jazz movements from which they had emerged, the band produced and promoted the Webo concerts themselves. Photography and audio recording were not allowed at the concerts, and this official recording, commissioned by the artists, was never released—until now. So vivid was the lore surrounding Webo that it topped the list of recordings sought by Black Editions Archive from Graves' private collection. The tapes maximally substantiate eyewitness accounts describing extra-sensory levels of communication within the band, and the extraordinary clarity and impact of their performance. From William Parker's liner notes: 'Imagine a village or choir of drummers, horn players and strings. You can hear the bass and drums churning with a call and response, a melodic-rhythmic propulsion. In reality there is only one drummer, one bass, and one saxophone.' Age 52 at the time of these concerts, Charles Gayle had only recently made his first recordings. To all but the most immediate insiders he was still more myth than reality. Milford Graves, two months out from his 50th birthday, was about halfway into his body of recorded work and had sanctioned just one appearance on a commercially released recording in the last 14 years (Pieces of Time by an all-drummer quartet with Kenny Clarke, Andrew Cyrille, and Famoudou Don Moye). William Parker, the young man of the group at age 39, was a mere fifty entries into his discography, now 500+ entries and counting. All three musicians were at least a quarter century into passionately developing a personal and collective music rooted in the cultural values and radical aesthetics of the 1960s and '70s Black American avant-garde. 30+ years after the Webo concerts, Black Editions Archive is honored to make these historical recordings available to the public. The three LPs are presented in a heavy black, pigment-stamped box with mounted cover painting along with liner notes by William Parker, commentary from Alan Licht (witness to night one of the Webo concerts), a reproduction of the original concert flyer, and a set of 6"x9" printed photos from the 2021 Webo reunion outside MoMA PS1, Queens, NY. Cover Painting by Jeff Schlanger/musicWitness, made June 8, 1991, at Webo during the band's performance. Vinyl pressed at RTI, lacquers cut by Kevin Gray at Cohearent Audio."—Michael Ehlers, 2024

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Sarah Vaughan

2LP | 2021 | FR | Original (Fondamenta)

99,99 €*

Release: 2021 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Numbered 0001/2000

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The Bootleg Series Vol. 1: Live In Europe 1967

Box | 2011 | EU | Reissue (Music On Vinyl)

102,99 €*

Release: 2011 / EU – Reissue

Genre: Organic Grooves

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Freedom Weaver: The 1959 European Tour Recordings Record Store Day 2024 Vinyl Edition

Sonny Rollins

4LP | 2024 | US | Original (Resonance)

103,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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Danielsson / Pohjola / Parricelli

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Trio Lim Deluxe Box Mit Kunstdruck

LP | 2024 | EU | Original (Act Music)

106,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-15

2LP | 2024 | CA | Original (2xhd)

Jaco Pistorius

Truth, Liberty & Soul

115,89 €* 121,99 € -5%

Release: 2024 / CA – Original

Genre: Organic Grooves

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The Bootleg Series Vol. 3: Miles At The Fillmore:

Box | 2024 | EU | Original (Music On Vinyl)

117,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Miles in France 1963 & 1964 - Miles Davis Quintet: The Bootleg Series, Vol. 8

Box | 2024 | EU | Original (Sony Music Catalog)

133,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-08

4LP | 2024 | US | Original (Cuneiform)

Soft Machine

Hovikodden 1971

139,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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Kind Of Blue UHQR Edition

LP | 2021 | US | Original (Analogue Productions)

140,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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Legends have a way of sticking around. If there was ever an album awaiting a high-fidelity, custom-pressed vinyl treatment of the level you now hold in your hands, it is Miles Davis' "Kind Of Blue". The top-selling jazz album of all time, it has been lauded, entered into "Best Of" lists and Halls of Fame, and universally acknowledged as a landmark recording — a five-track masterpiece of melancholy mood and melody. Now Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds, Inc., together with Quality Record Pressings, is putting "Kind Of Blue" where it belongs: the Ultra High Quality Record (uhqr) pressed on Clarity Vinyl on a manual Finebilt press with attention paid to every single detail of every single record. The 200-gram records will feature the same flat profile that helped to make the original Uhqr so desirable. From the lead-in groove to the run-out groove, there is no pitch to the profile, allowing the customer's stylus to play truly perpendicular to the grooves from edge to center. Clarity Vinyl allows for the purest possible pressing and the most visually stunning presentation. Every Uhqr will be hand inspected upon pressing completion, and only the truly flawless will be allowed to go to market. Each Uhqr will be packaged in a deluxe box and will include a booklet detailing the entire process of making a Uhqr along with a hand-signed certificate of inspection. This will be a truly deluxe, collectible product. A minor audio complication with "Kind Of Blue" has been addressed with this Uhqr edition. The motor on the studio's 3-track master recorder was running slowly the day of the album's first session. This speed issue affected the album's first three tracks, "So What", "Freddie Freeloader" and "Blue In Green", making them a barely perceptible quarter-tone sharp.This issue was finally addressed with the Classic Records reissue in 1995. This Uhqr was pressed from the same parts that Bernie Grundman cut directly from the original 3-track masters for Classic in '95. Sixty years have passed; this LP bridges that time span in the best way possible, struck from the master reel of "Kind Of Blue", free of speed issues and replete with all the instrumental detail, sonic environment and minimal noise. As we set out to make our Uhqr series the world's best-sounding vinyl records, we have also used Clarity Vinyl, which is free of any carbon black pigment which might introduce surface noise. All-in-all this edition of "Kind Of Blue" meets the highest audiophile standards and offers the truest sound for the most enjoyment.

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Miles '54: The Prestige Recordings

4LP | 2024 | Original (Concord)

142,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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Preorder shipping from 2024-11-22

Centennial: King Oliver's Creole Jazz Band

2LP+3CD | 2024 | US | Original (Archeophone)

143,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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The Mercury And Clef 10-Inch LPs Limited Edition

Charlie Parker

5x10" | 2020 | EU | Original (Verve)

150,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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3LP | 2024 | US | Original (Outside In Music)

Ray Angry

Three

158,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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Moonlight Sessions V1 Autographed 180g Edition 45 Rpm

Lyn Stanley

2LP | 2017 | US | Reissue (At Music)

159,99 €*

Release: 2017 / US – Reissue

Genre: Organic Grooves

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Impulse Records: Music, Message And The Moment

4LP | 2021 | EU | Original (Impulse)

163,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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The Complete - Liuto Records Heritage

Piero Umiliani

Box Set | 2024 | EU | Original (Schema)

164,99 €*

The Complete - Sound Work Shop Heritage

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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FOR THE FIRST TIME EVER, THE WHOLE* PIERO UMILIANI’S PRODUCTION ON HIS LIUTO RECORD LABEL IS COLLECTED IN A UNIQUE 19-CD BOXSET!

The boxset includes a set of 18 albums for a total of 19 CD’s (the last one in the series is a double CD) enclosed in faithful reproductions of the original sleeves, plus a 72-page booklet with rare photos, two essays about Umiliani and his music production written by Maurizio Corbella and Niccolò Galliano, and a detailed discography and full tracklist section. This release has been fully approved by the Umiliani family.
* * *
Without Umiliani’s contribution, Italian jazz, film music and library music would lack some of the key identifying features we associate them with today, thanks to his ability to carve out a distinctive sound identity from his personal craft, the studio he built and the trust he gained from his collaborators. This identity for many simply encapsulates the cipher of an unrepeated age of Italian popular music.
At the Sound Work Shop studio (opened in 1968) Umiliani conceived the majority of his projects and hosted the recording sessions for numerous movie soundtracks, pop hits and library music albums by the most remarkable musicians in Rome — including himself. In this exciting environment, he had the opportunity to experiment with many different styles, from funk to psychedelic rock, from disco to avant-garde, from easy-listening to electronic music, following the ever-changing needs of the soundtrack and library music industries. He therefore mastered an extreme variety of genres, moods and atmospheres, often mixing up their peculiar features to achieve unusual combinations in albums conceived both for production purposes and for home listening.
Umiliani’s ability to reinvent the concept of musicianship in the fast-moving society of his time made him a modern musician in the most complete sense of the term, by putting himself in charge of every facet of his work, from the conception to the production, the recording, the publishing and even the packaging of his own music.
In less than two decades, Umiliani released almost 80 records on the three labels he established between the mid-1960s and the early 1970s: Omicron, Liuto, and Sound Work Shop, besides all the music he was simultaneously composing for movie productions, licensed and published by Italian major companies.
This box set allows us to fully appreciate this little-known side of Piero Umiliani in an unprecedented way: his ability to seamlessly intertwine his musical creativity with his vision as a producer and publisher emerges clearly from this series as a unique feature of this composer. This corpus altogether constitutes a remarkable contribution to the so-called Italian sound of the 1970s, covering areas such as library music and film music and a plethora of genres such as jazz, funk, psychedelia, prog, easy listening, electronic music and much more!

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Piero Umiliani

Box Set | 2024 | EU | Original (Schema)

164,99 €*

The Complete Palm Recordings 1973-1974

Release: 2024 / EU – Original

Genre: Organic Grooves, Soundtracks

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For the first time ever, the whole Piero Umiliani’s production on his Sound Work Shop Record label is collected in a unique 17-Cd Boxset! The boxset includes a set of 17 CD’s enclosed in faithful reproductions of the original sleeves, plus a 72-page booklet with rare photos, two essays about Umiliani and his music production written by Maurizio Corbella and Niccolò Galliano, and a detailed discography and full tracklist section. This release has been fully approved by the Umiliani family. Without Umiliani’s contribution, Italian jazz, film music and library music would lack some of the key identifying features we associate them with today, thanks to his ability to carve out a distinctive sound identity from his personal craft, the studio he built and the trust he gained from his collaborators. This identity for many simply encapsulates the cipher of an unrepeated age of Italian popular music. At the Sound Work Shop studio (opened in 1968) Umiliani conceived the majority of his projects and hosted the recording sessions for numerous movie soundtracks, pop hits and library music albums by the most remarkable musicians in Rome — including himself. In this exciting environment, he had the opportunity to experiment with many different styles, from funk to psychedelic rock, from disco to avant-garde, from easy-listening to electronic music, following the ever-changing needs of the soundtrack and library music industries. He therefore mastered an extreme variety of genres, moods and atmospheres, often mixing up their peculiar features to achieve unusual combinations in albums conceived both for production purposes and for home listening. Umiliani’s ability to reinvent the concept of musicianship in the fast-moving society of his time made him a modern musician in the most complete sense of the term, by putting himself in charge of every facet of his work, from the conception to the production, the recording, the publishing and even the packaging of his own music. In less than two decades, Umiliani released almost 80 records on the three labels he established between the mid-1960s and the early 1970s: Omicron, Liuto, and Sound Work Shop, besides all the music he was simultaneously composing for movie productions, licensed and published by Italian major companies. This box set allows us to fully appreciate this little-known side of Piero Umiliani in an unprecedented way: his ability to seamlessly intertwine his musical creativity with his vision as a producer and publisher emerges clearly from this series as a unique feature of this composer. This corpus altogether constitutes a remarkable contribution to the so-called Italian sound of the 1970s, covering areas such as library music and film music and a plethora of genres such as jazz, funk, psychedelia, prog, easy listening, electronic music and much more!

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Byard Lancaster

Box Set | 2024 | EU | Original (Souffle Continu)

169,99 €*

8: Kindred Spirits - Live From Lobero Super Deluxe Box

Release: 2024 / EU – Original

Genre: Organic Grooves

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5lp+12"+7".

Souffle Continu records presents Byard Lancaster – The Complete Palm Recordings 1973-1974, the definitive package of Philadelphia-born jazz wizard Byard Lancaster including his 4 legendary albums released on Jef Gilson’s Palm Records in the 1970s, Us, Mother Africa, Exactement and Funny Funky Rib Crib, along with the first ever standalone edition of Love Always, a fifteen minute modal jazz beauty plus a 20 page booklet with rare photos and in-depth article about Byard Lancaster’s Parisian years by Pierre Crépon.

At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.

In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of... Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again. On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.

“Us”, the first of the four records was recorded on November 24th, 1973 with Sylvin Marc on electric bass (a Fender... Lancaster?) and the evergreen Steve McCall on drums.

On the album, the trio works from the John Coltrane model; free jazz shook up by the timely contributions of the bassist, followed by a mesmerizing atmospheric music. Then, Lancaster delivers a sinuous solo path, which is a reminder of his unique tone. On the album’s companion single, the trio launches into great black music of a different genre which would lead the clairvoyant François Tusques to claim that Byard Lancaster is an “authentic representative of soul/free jazz”, to sum up this is Great Black Music! A few months after recording “Us”, Lancaster recorded “Mother Africa” along with Clint Jackson III, a trumpeter, partner of Khan Jamal or Noah Howard on other recordings.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums). Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions. When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking... Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims... The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today!

The recording of “Exactement” required two sessions in the studio: February 1st and May 18th 1974 – in between the two dates, Lancaster recorded, alongside Clint Jackson, the excellent Mother Africa.

Two names appear on the cover of “Exactement”: Lancaster (Byard) and Speller (Keno). Byard Lancaster wanted to be precise, moving regularly from one instrument to another: first on piano, which was the first instrument he learned. On “Sweet Evil Miss Kisianga”, his inspiration is first and foremost Coltrane (even if leaning more towards Alice than John), this announces the storm to follow.

It is Lancaster’s horn-playing which really stands out: on alto (the sound of which is transformed by an octavoice on one track, "Dr. Oliver W. Lancaster") or soprano saxophones, as well as on flute or bass clarinet, the musician walks a tightrope making the most of all the risks he takes. Using the full register of his instruments, he has fun with the possibilities.

Then, Lancaster invokes or evokes Ornette Coleman, Eric Dolphy and even Prokofiev, before going into a danse alongside Keno Speller on percussion. Above all, he has a unique sound. Byard Lancaster, on whatever instrument he plays and by continually seeking, always ends up hitting the right note... ends up by playing exactement the note he had to play.

“Funny Funky Rib Crib” is an unforgettable recording (made up of several sessions dating from the middle of 1974) of creative jazz overwhelmed by funk and soul. If Lancaster had already made successful albums in the same genre – notably New Horizons, under the name Sounds Of Liberation which he co-led with Khan Jamal –, this one is an homage to James Brown and Sammy Davis enjoying the company of a host of guests including François Tusques (electric piano), Clint Jackson III (trumpet), François Nyombo (guitar), Joseph Traindl (trombone)...

Funny Funky Rib Crib’s cover is a three-quarter profile portrait of the saxophonist (who can also be heard on flute, piano and even vocals), however, on the record, it is the whole group, inspired and frenetic, that tests the melodies of “Just Test”, “Dogtown” or “Rib Crib” – the two versions of which display leader Lancaster’s art of nuance. On both sides of the album, the group also moves into a calmer groove, infused by blues and soul, “Work And Pray” and “Loving Kindness” are meditative tracks where listeners can lay back and relax before asking for more: Funny Funky Rib Crib!

The magnificent “Love Always” was originally released on the fourth (and last) volume of the Jef Gilson Anthology series released in 1975. Recorded on 8th March 1974, it is a beautiful 15-minute-long modal jazz piece. Four notes from the bass (the relentless Jean-François Catoire, who makes up the rhythm section alongside drummer Jonathan Dickinson and percussionist Keno Speller), and the group is up and running! On piano, Gilson shows the subtle tact of a sideman, leaving the lions’ share of the place to the horns. This allows us to hear the trumpet of Clint Jackson III and the alto (which sometimes sounds almost flute-like) of Byard Lancaster each staking their claim in a long hallucinatory march which moves from moments of direct exaltation to profoundly sensitive collective playing. And if further proof was required of the confidence that Byard Lancaster and Jef Gilson inspire, “Love Always” provides it on this one sided release exclusive to the box set.

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Charles Lloyd

3LP+2CD+DVD | 2020 | EU | Original (Blue Note)

174,99 €*

Release: 2020 / EU – Original

Genre: Organic Grooves

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LP | 2021 | CH | Reissue (We Release Jazz)

Hiroshi Suzuki

Cat

199,99 €*

Release: 2021 / CH – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Generic

Special release white label test pressing - collector's item, only 28 copies available

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Blue Note Review Volume 3

3LP | 2024 | US | Original (Universal)

203,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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Preorder shipping from 2024-10-25

8LP | 2024 | US | Original (Concord)

Chick Corea

Trilogy

286,99 €*