Jazz | Fusion 13362 Items

We'll Talk About It Later

Release: 1971 / EU

Genre: Organic Grooves

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Glasgow-born pianist Mike McNaught’s aim was to infuse pop and rock into jazz, forming Atlantic Bridge after leading the London Jazz Four, recruiting bassist Darryl Runswick and drummer Mike Travis, who he played with in the Henry Lowther Band, alongside flutist/saxophonist Jim Philip of the Michael Garrick Sextet to craft a sole LP for Pye’s Dawn subsidiary. The lead track on this rare 12-inch EP, ‘I Can’t Lie To You,’ was a non-standard original that summed up all of their capabilities, with uncredited female vocals and unusual enhancing overdubs; instrumentals ‘Hilary Dickson’ and ‘Childhood Room’ are pleasantly atmospheric, the latter showcasing the awesome power of Runswick’s melodic bass prowess.

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Nucleus

LP | 1971 | EU | Reissue (Be With)

30,99 €*

LP | 1971 | EU | Reissue (Be With)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Their masterpiece? With breaks for dayyyyyys and an almost ambient, heavy jazz atmosphere throughout, *this* is the apex of British jazz-rock fusion. We'll Talk About It Later was first released on Vertigo in 1971 and original copies are now very tricky to score. Like all the Nucleus records, it’s aged ridiculously well and this Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll Talk About It Later is arguably Nucleus's best album. Not only that, it's in the top 5 of all fusion albums. By the time Nucleus entered Trident Studios in September 1970 to record Elastic Rock's successor, they had already won a best group award at the Montreux Jazz Festival. Once again presented in a Roger Dean designed die-cut gatefold sleeve it continued to demonstrate the chemistry and interplay that worked so brilliantly on Elastic Rock; Carr's sumptuous trumpet and flügelhorn lines, Karl Jenkins's funk-filled electric keyboards, Chris Spedding's wah-wah guitar, Brian Smith's sax and the rhythmic foundation of drummer John Marshall and bassist Jeff Clyne.

The group work and insane musicianship Nucleus were famed for is in evidence from the off. The intensely funky "Song for the Bearded Lady" is absolute FIRE, blasting out the speakers to leave listeners floored. Counterpoint riffing segues into a spacious groove and a Carr trumpet solo demonstrating the influence of electric Miles from the period. The stop-start funk of "Sun Child" would appeal to Soft Machine devotees whilst the genuinely touching "Lullaby for a Lonely Child" is a lovely downtempo ballad. Featuring an understated, reflective horn line from Carr and Smith and atmospheric, shimmering bouzouki from Spedding, there's an exotic flavour which contributes to the bliss. The ominous, sleazy title track retains a swaggering menace and is not the only track to lend a sort of heavy stoner rock atmosphere. The guitars and bass are deep and low throughout, conjuring heavy psych moments to go with the actual jazz and even funk. To say this album was in conversation with Bitches Brew would not be overstating the sheer brain-frying brilliance.

The Weather Report-adjacent "Oasis" opens Side B, a colossal track featuring nearly 10 minutes of steadily building melodic horns, keys and choppy guitar riffs. So ace, it could easily go on for another 10. Mesmeric. Spedding adds unique vocals to the undeniable groove of "Ballad of Joe Pimp" whilst saxophonist Smith's duet with drummer Marshall at the conclusion of "Easter 1916" - inspired by the Yeats poem about the Irish nationalist uprising in Dublin - adopts the wildness of the most incendiary free jazz.

This Be With edition of We'll Talk About It Later has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning die-cut sleeve has been restored with the original gatefold window pane depicting the Irish uprising in 1916. Incredible, timeless, guaranteed spine-chills.

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Nucleus

Solar Plexus

30,99 €*

LP | 1971 | EU (Trading Places)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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What a record! The outstanding Solar Plexus, the much-loved third album from Ian Carr and Nucleus, was first released on Vertigo in 1971. Inevitably, original copies are now very tricky to score and, like all the Nucleus records, it’s aged ridiculously well. This Be With re-issue, re-mastered from the original analogue tapes, shows off just why this deserves to be back in press.

Genius trumpeter and visionary composer Ian Carr was one of the most respected British musicians of his era. He was a true pioneer and saw the potential in fusing the worlds of jazz with rock, just as Miles Davis and The Tony Williams Lifetime did in the US. In late 1969, following the demise of the Rendell-Carr quintet, and tiring of British jazz, Carr assembled the legendary Nucleus. Regarding music as a continuous process, Nucleus refused to “recognise rigid boundaries” and worked on delivering what they saw as a “total musical experience”. We can get behind that.

Under bandleader Carr, Nucleus existed as a fluid line-up of inventive, skilled musicians. This constant evolution and revolution was all part of the continuous musical exploration and discovery that took jazz to new levels. And the music has kept relevant. To steal a line from a review of our re-issue of Roots, when it comes to anything Nucleus “it’s basically already hip-hop”.

We'll let Ian describe this one: "I wrote Solar Plexus' last year with the help of an Arts Council grant. It is based on two short themes which are stated at the beginning (Elements I & I1). The first theme is angular and has a slow, crab-like movement: the second theme is direct, simple and diatonic. CHANGING TIME and SPIRIT LEVEL explore the first theme and BEDROCK DEADLOCK and TORSO explore the second one. SNAKEHIPS DREAM tries to fuse both themes. (The title is a reference to the famous dancer 'Snakehips' Johnson)."

Solar Plexus features the same lineup as Elastic Rock and We'll Talk About It Later, but they're augmented by six guests, three of which play brass. Carr himself had almost full control of the writing and it does feel very different to the previous albums. It's more of a jazz record loosely based on a rock foundation rather than jazz fusion jamming.

The haunting synth-and-bass soundscape "Elements I and II" opens the album in dramatic, experimental fashion. It gives way to the bright, funky feel-good jazz of "Changing Times". An elegant onslaught of horns, courtesy of guests Kenny Wheeler and Harry Beckett, ride a solid groove for the duration. How the brass refrains have eluded samplers is beyond us. The melancholic "Bedrock Deadlock" features the brooding majesty of Jenkins' oboe and Clyne's mournful, skittering double bass. Wah wah guitar, drums and funky percussion then take over before the horns ride us out over frenetic beats. The dark, angular "Spirit Level" is a real highlight, by turns harmonic and beautiful then dissonant and wayward. Wonky jazz with no apparent structure or melodic bones. Regardless, it represents a great showcase for each virtuoso performer.

The breezy soul of "Torso" feels like a breath of fresh air, skipping along in the uptempo style with guitar, horns, drums and bass. A track which truly sounds scintillating, featuring sax solos, fantastic propulsive interplay from all the group around the halfway stage before Marshall gets his chance to really shine in closing out with a polyrhythmic drum solo. Final track "Snakehips' Dream" stretches cooly out over 15 minutes to round out a spellbinding album. An epic, suave groove, it's a relaxing piece with warm electric keys, laconic guitar and languorous horns. Truly sophisticated soulful jazz. An absolute masterclass. We could easily listen to this all day long.

This Be With edition of Solar Plexus has been re-mastered from the original Vertigo master tapes, Simon Francis’ mastering working together with Cicely Balston's cut at AIR Studios to weave their usual magic with these wonderful recordings. The stunning gatefold sleeve has been restored to complete this sensational package.

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The Trio

Conflagration

21,99 €*

Malombo Jazz Makers Volume 2

Release: 1971 / EU

Genre: Organic Grooves

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The core membership of free jazz act The Trio ensured its output was captivating, comprised as it was of double-bassist Barre Phillips, who had played with Archie Shepp, Chris McGregor, and Gong; saxophonist John Surman, who had played with John McLaughlin, Lester Bowie, and Alexis Korner; and drummer Stu Martin, who had played with Count Basie, Donald Byrd and Herbie Hancock. On the gripping sophomore set Conflagration, guest players include Chick Corea and trumpeter Harry Beckett, ensuring their take on abstract jazz contains melody as well as jarring exchanges. Another great Trio free jazz set!

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Malombo Jazz Makers

LP | 1971 | EU | Reissue (Strut)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Weather Report Colored Vinyl Edition

Weather Report

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Dizzy Gillespie And The Mitchell-Ruff Duo

In Concert

LP | 1971 | US | Original (Mainstream)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1971 | US | Reissue (CTI)

Freddie Hubbard

First Light

31,19 €* 38,99 € -20%

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1971 | US | Reissue (Everest Records Archive Of Folk & Jazz Music)

Coleman Hawkins

6,29 €* 6,99 € -10%

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | EU | Reissue (Holy Basil)

Atmo

Telegiornale

John Carter / Bobby Bradford

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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We're back digging through Flipper's legendary catalog, more precisely in the Octopus Records section, and after bringing back Alessandroni's "Storie Di Guerra" here is the return of Amedeo Tommasi's "Telegiornale", released under his Atmo alias. The album opens with a cinematic and suspenseful overture that immediately draws the listener into its world. Tommasi's virtuosic piano playing takes center stage throughout the album, with his nimble fingers crafting intricate melodies that are both evocative and emotionally charged. The title itself, which translates to "newscast" in Italian, hints at the album's concept of offering a musical narrative akin to the ever-changing stories and emotions conveyed through a news broadcast, captured in this beautiful Italian library recording.

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Self Determination Music

LP | 1971 | UK | Reissue (BGP / Flying Dutchman)

25,99 €*

LP | 1971 | EU | Reissue (Four Flies)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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The John Carter and Bobby Bradford Quartet/Quintet were critical to the progressive jazz movement around Los Angeles in the late 60s alongside the likes of Horace Tapscott. Both hailed from the Watts area and trumpeter, Bradford played with a woodshedding Ornette Coleman for two years in the early 60s when the legendary free movement leader decided not to record for a while but wanted to hone his trademark sound on the saxophone. Multi-reed player, Carter also worked with Coleman who brought them together to lead their own band.

Their first outing on Flying Dutchman was “Flight For Four” as the Carter Bradford Quartet that was released in 1969. This is the second album they recorded where Carter and Bradford were supported by Tom Williamson (bass), Buzz Freeman (drums) and another uncredited bass player on four extended improvisations – ‘The Sunday Afternoon Jazz Blues Society’, ‘The Eye Of The Storm’, ‘Loneliness’ and ‘Encounter’.

The album has been out of print on vinyl since 1971 and Ace are delighted to release it with audio taken from hi-res digital transfers from the original masters.

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Giuliano Sorgini

Scappo Per Cantare

Genesis Black Vinyl Edition

Release: 1971 / EU – Reissue

Genre: Organic Grooves, Soundtracks

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Straight from the original master tapes and remastered on Limited Edition Vinyl LP for the First Time Ever 'ScappoPerCantare' by Giuliano Sorgini is one of the finest titles in his vast production. New cover artwork designed by Eric Adrien Lee.

Another dream coming true! One of Giuliano Sorgini’s finest and most sought-after titles is finally available as an official LP reissue – the first ever – remastered from the original tapes.
Originally released in 1971 on the small library music imprint FAMA, which operated as a sub-label of RCA Italy, the record contains the original music written for Scappo per cantare, a small, pseudo-psychedelic ‘musicarello’ (musical comedy film) broadcast on RAI television and starring, among others, Italian singers Gianni Morandi and Mauro Lusini.
The only credited album artist is Sorgini, but it’s impossible not to perceive, in this record, the hand of his close friend and colleague Alessandro Alessandroni.
This should not come as a surprise. In the early 70s, the two composers and multi-instrumentalists had a fruitful collaboration that saw them, under the monikers Braen (Alessandroni) and Raskovich (Sorgini), produce an abundance of works together, most of which have now gained the recognition they deserve. These include, among others, two 7” singles from their band The Pawnshop, three records in the series Alle sorgenti delle civiltà (Folkmusic), the crime/noir library albums Quarta pagina (Usignolo) and Inchiesta giudiziaria (Octopus Records), as well as the LP Tempo Libero (Panda Records), which was released shortly after the record presented here and in some ways drew rhythmic inspiration from it.
While their collaboration remained unacknowledged on the original release of Scappo per cantare (this was not uncommon at the time, especially in the field of library music), the record sounds perfectly in line with other works composed by Alessandroni in the early 70s, such as Complesso Gisteri’s Mostra Collettiva (co-written with Oronzo De Filippi), or even a landmark album like Spontaneous, where Sorgini contributed to a handful of tracks.
So, yes, the sheer beauty of Scappo per cantare is the result of an incredible synergy between two heavyweights of Italian library music! Airy and sweeping melodies à la Zoo Folle, psychedelia à la Under Pompelmo, and various percussion instruments played by Sorgini seamlessly blend and fuse with elements and touches provided by Alessandroni.
More specifically, we find Alessandroni’s signature, melancholy whistle in “Desolazione”; the peaceful and dreamy sound of his 12-string guitar in “Scogliere” and “Con Amore”; the trademark harmonies of his vocal ensemble Cantori Moderni in the last two tracks mentioned and in “Per cantare”; and his ingenious use of distortion on his Fender Stratocaster in the suspenseful transitions “Concentrazione” and “Fantocci”, as well as in the frantic/hypnotic hippie numbers “Mordente” and “Fendente” (as a side note, it is worth remembering that Alessandroni experimented extensively with distortion in the rock-infused album Underground, co-written with De Filippi and released in 1971 under the moniker Braen’s Machine, probably a reference to British psychedelic band Soft Machine).
The creative relationship between Sorgini and Alessandroni was so symbiotic that it would be useless to try to identify in more detail their respective contributions to the sound of Scappo per cantare. The alchemy between these two musical geniuses is the key to the album’s exquisitely Italian mixture of cheerful lounge, sweet psychedelia and smooth easy listening.
To do justice to the quality of the music, this remastered reissue is enriched by a new artwork by Eric Adrian Lee, who drew inspiration from the psychedelic visual culture of the period in which the album was written and recorded.

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Elvin Jones

LP | 1971 | US | Reissue (Blue Note / Third Man)

42,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Genesis Opaque Pink Vinyl Edition

Elvin Jones

LP | 1971 | US | Reissue (Blue Note / Third Man)

48,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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CD | 1971 | UK | Reissue (Sanctuary Midline)

Colosseum

Colosseum Live

LP | 1971 | IT | Original (Joker)

Release: 1971 / UK – Reissue

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: Generic

CD comes in a soft case, instead of the original crystal case. All booklets included.

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Art Tatum

Art Tatum 1945

11,99 €*

Release: 1971 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Joe Williams And George Shearing

The Heart And Soul Of Joe Williams And George Shearing

LP | 1971 | US | Original (Sheba)

Takesi Inomata & Sound Limited

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Innocent Canon Black Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Takesi Inomata & Sound Limited

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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Innocent Canon HHV Exclusive White Vinyl Edition

LP | 1971 | EU | Reissue (Cinedelic Orient Series)

Jan Erik Vold & Jan Garbarek

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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HHV Exclusive edition on white wax, limited to 80 copies worldwide.

Original masters licensed by King Records Japan. Includes OBI and insert. 'Innocent Canon' is one of the hopelessly obscure Japanese underground albums that few people know about. It is a kind of unreleased delirious groovadelic soundtrack played by an acid-soaked Japanese big band with powerful drumming, heavy jazz fumes and delirious organ/guitar lines and luminary narration.Inomata was a well-known jazz musician at the time, but like many of his contemporaries, he went off the deep end with psychedelic music between 1970-1972. Upon the release of the record in 1970 there was a great debate among Japanese journalists who tried to catalog a genre to the record. The attempt was in vain. They couldn't figure out what it was. Rock? Jazz? They had to accept that you couldn't always label everything. Takesi Inomata & Sound Limited produce music that has nothing to do with stereotypical genres; they play to bring to life an expression of modern sensibility. The title of the album, "Innocent Canon," is particularly intriguing to analyze in relation to this concept of the fluidity of music. The same can be said of Kano Tenmei, a talented photographer and DJ, who participated in the sessions with the role of a narrator who improvises aloud, and it doesn't matter if you don't understand everything he says; what matters is being able to fit into this complex emotional quest. Sound Limited consists of 10 members, but this number varies often; Inomata always leaves the door open to anyone who wants to join the band founded on a very loose philosophy. The recording process took only 24 hours. Inomata eventually declared, "we managed to create something exciting and interesting (in such a short time)." The album opens with an acidic "Introduction," played with organ, guitar, bass and drums. It is followed by "Funeral," a flute-dominated track over an organ carpet; it is dedicated to Janis Joplin. In a triumph of brass riffs, guitar, sax and drums solos, Kano Tenmei screams "No, No..." in "Rebellion"; a psychedelic funk shake over 7 minutes long. "Toy" is reminiscent of samba, with prominent horns and an electric piano solo. "Melancholy" follows a sick guitar riff over a cha-cha rhythm, with piccolo, sax and organ solos. This is followed by the long "Lonesome" introduced by sitar. The beginning and end of the song are breathtaking, as is the schizophrenic middle section. Closing is the short "Return," a folk ballad with acoustic guitar, whistles, piano and recorders. It is fair to say that this improvisational session produced outstanding results. The artwork is original features some very strange erotic sketches.

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Hav

LP | 1971 | EU | Reissue (Norske Albumklassikere)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Columbia)

Miles Davis

In A Silent Way

Things Ain't What They Used To Be (And You Better Believe It)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: G

US 1971 reissue.

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Ella Fitzgerald

LP | 1971 | US | Original (Reprise)

12,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

David "Fathead" Newman

The Best Of

Mal Waldron & Gary Peacock

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Promo copy with white labels

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First Encounter

LP | 1971 | EU (Trading Places)

20,99 €*

LP | 1971 | US | Reissue (Prestige)

Release: 1971 / EU

Genre: Organic Grooves

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After playing with Mingus, Coltrane, Lady Day and Abbey Lincoln, inventive jazz pianist Mal Waldron moved to Europe and first reached Japan in 1970, where he met Idahoborn double-bassist Gary Peacock, who had played with Art Pepper, Bud Shank, Bill Evans and free-jazz giant, Albert Ayler before moving to Japan to study zen buddhism. First Encounter, recorded in Tokyo in 1971 for French producer Herve Bergerat, shows that the intense pairing was quite natural, the harmonic dissonance of Waldron’s “She Walks In Beauty” contrasted by the up-tempo groove of Peacock’s “What’s That”; future Native Son founder Hiroshi Murakami makes important contribution on drums.

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Gene Ammons

My Way

LP | 1971 | PL | Reissue (Warner)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

1971 reissue. Vinyl is Close to VG+.

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Novi Singers

Novi Sing Chopin

Release: 1971 / PL – Reissue

Genre: Organic Grooves

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2LP | 1971 | US | Original (Impulse!)

Gabor Szabo

His Great Hits

34,99 €*

LP | 1971 | FR | Original (America)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with ring wear

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Charles Mingus

Blue Bird

37,99 €*

Release: 1971 / FR – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | AU (Great Barrier)

Mogul Thrash

LP | 1971 | JP | Reissue (Polydor)

Release: 1971 / AU

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Sealed, Cover: Sealed

Still sealed. Tiny corner wear. 2015 reissue.

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Mal Waldron

Left Alone

2LP | 1971 | US | Reissue (Craft)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI and insert!

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Woody Shaw

Blackstone Legacy

48,99 €*

LP | 1971 | EU | Reissue (Souffle Continu)

Release: 1971 / US – Reissue

Genre: Organic Grooves

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The post-bop opus Blackstone Legacy is the seminal debut album by trumpeter Woody Shaw. Originally released in 1971 on Contemporary Records, the groundbreaking album was inspired by the sociopolitical ills of the '60s. In their review, Allmusic called the album, "... a landmark recording, and a pivot point in the history of post-modern music". This 2-LP reissue was remastered from the original analog tapes by Kevin Gray, and pressed on 180-gram vinyl at RTI, housed in a gatefold tip-on jacket.

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Septet Matchi-Oul

Terremoto

27,99 €*

LP | 1971 | EU | Reissue (Music On Vinyl)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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To abandon animals for music – and avant-garde jazz at that –, could seeming shocking to some people. However, it is exactly what Manuel Villarroel did, as he was a vet for three years before leaving his native Chili for Europe and a career in music. And though the animals may have suffered, the world of music can be grateful.

Born in 1944, Manuel Villarroel lent an ear to the best pianists from North America: Oscar Peterson and Erroll Garner then Herbie Hancock, McCoy Tyner and Cecil Taylor. Manuel left Santiago in September 1970 to participate in the Contemporary Music Workshop in Berlin. To pursue his musical career, he rapidly decided to remain in Europe.

The following year in Paris, Manuel began a quartet with saxophonist Jef Sicard (who would also play with his brother Patricio, in the Dharma Quintet). But the group would rapidly expand: Villarroel and Sicard added Gérard Coppéré (saxophone), William Treve (trombone), François Méchali (bass) and Jean-Louis Méchali (drums). And with the arrival of Sonny Grey, a Jamaican trumpeter heard ten years earlier with Daniel Humair, the Matchi-Oul Septet was complete.

Complete and ready: on May 8th, 1971, Matchi-Oul was in the studio for Gérard Terronès’ Futura label. The septet recorded seven of the pianist’s compositions. A succession of tracks which flow magically from one to the next: from the first drum strokes to the last deep notes of the bass, the successive waves roll over the piano and whistle through the wind instruments. And when they all come together it gives even greater force to Villarroel’s beautiful songs. Terremoto is a masterpiece of collective expression: but what else could we expect from a “supergroup’’ of this stature?

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Stanley Turrentine

Sugar

30,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | JP | Original (Musik Produktion Schwarzwald)

Count Basie Orchestra

High Voltage

14,99 €*

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Sings Today's Greatest Hits

Andy Williams

LP | 1971 | JP | Original (CBS/Sony)

11,99 €*

Claude Thornhill And His Orchestra Featuring Gil Evans

Release: 1971 / JP – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI, with insert. Cover close to VG+

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The Real Birth Of The Cool (Featuring Gil Evans Arrangements)

LP | 1971 | JP | Original (CBS/Sony)

LP | 1971 | US | Original (Mega)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

Tiny wear. Vinyl seems unplayed.

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Larry Coryell

Fairyland

14,99 €*

Release: 1971 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover has shelf and ring wear. Record has hairlines and surface marks.

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Yusef Lateef

The Best Of Yusef Lateef

Lionel Hampton And His Orchestra

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Promo copy! Taped spine. Writing on cover.

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Lionel

LP | 1971 | US | Original (Audio Fidelity)

Piano Improvisations Vol. 1

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

US original.

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Chick Corea

LP | 1971 | US | Original (ECM)

Soul To Soul (Music From The Original Soundtrack - Recorded Live In Ghana, West Africa)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Record is close to VG+. Cover has slight ring wear.

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V.A.

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Vinyl with many scuffs and hairlines. Vinyl with scuffs and hairlines

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Keith Jarrett

The Mourning Of A Star

17,99 €*

LP | 1971 | PL | Original (Polskie Nagrania Muza)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Cover has strong ring wear!

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Mieczysław Mazur

Rag Swing Time

Release: 1971 / PL – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Reflections Record Store Day 2024 Clear Vinyl Edtion

Amancio D'Silva

LP | 1971 | CZ | Reissue (Decca)

29,59 €* 36,99 € -20%

Release: 1971 / CZ – Reissue

Genre: Organic Grooves

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2LP | 1971 | EU | Reissue (Wewantsounds)

Harold Land

Choma (Burn)

Jiro Inagaki & Soul Media

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Wewantsounds is delighted to reissue Harold Land"s 1971 Mainstream Records LP "Choma (Burn)," recorded in Los Angeles with Bobby Hutcherson and featuring Reggie Johnson on bass, Ndugu and Woody Theus on drums, Bill Henderson & Harold Land Jr. on piano/Fender Rhodes. Together the musicians create a superb spiritual mix of funky and modal Jazz that was the trademark of the Harold Land-Bobby Hutcherson quintet between 1968 and 72. Choma (Burn) is reissued here in its original gatefold artwork with all the photos scanned from first generation negatives recently found in the Mainstream Records vaults, and comes with newly remastered audio and a 2-page insert including new liner notes by Kevin Le Gendre.

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Onna Tomodachi (Wandering Birds)

LP | 1971 | JP | Reissue (Nippon Columbia)

54,99 €*

LP | 1971 | EU | Reissue (Cosmic Jazz)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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This is the first time Jiro Inagaki has featured vocals in this bold take on new rock. The mysterious, blackened rock groove roars out. This jazz-rock work is particularly unique among Jiro Inagaki's works, featuring vocals by Sammy and Yasushi Sawada for the first time, and backed by Masahiko Sato, Kimio Mizutani, Hiro Yanagida, and others.

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The Chitinous Ensemble

Chitinous

23,74 €* 24,99 € -5%

Takeshi Inomata & Sound Limited

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Certainly one of the most obscure and perhaps one of the most fascinating work of the English jazz revolution. Master of ceremonies is cellist Paul Buckmaster, known for his work with the Third Ear Band and for his (later) collaborations with Miles Davis, David Bowie and Elton John. Chitinous is his the only album as leader and it was recorded between 31 March and 13 April 1970, by an orchestra of no less than 51 players, with violins, violas and cellos. In this enormous line-up we find the cream of English musicians involved, starting with trumpeter Ian Carr and ending with drummer John Marshall. The leader is on cello, his main instrument, but also on keyboards, which he shares with the excellent Pete Robinson. The music is organized in suites, with very broad suggestions that draw from classical and contemporary music and then move back into jazz territory.

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New Rock In Europe

LP | 1971 | JP | Reissue (Universal Music Japan)

36,99 €*

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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LP | 1971 | JP | Reissue (Mercury)

Clifford Brown All Stars

12,99 €*

LP | 1971 | JP | Original (A&M)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing with obi.

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Tim Weisberg

16,99 €*

Hajime Ishimatsu, Seiji Tanaka, Kunihiko Suzuki And Vienus

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG

Japanese pressing without OBI! Promo copy with b/w labels!

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Dynamic Drum Complete Album

2LP | 1971 | JP | Original (Union)

44,99 €*

Clifford Brown With Strings

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with OBI and insert!

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Clifford Brown

LP | 1971 | JP | Reissue (Mercury)

Le Grand Orchestre De Paul Mauriat

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

OBI not included.
Includes original insert.

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Nocturne

2LP+Box Set | 1971 | JP | Original (Philips)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | IT | Original (Joker)

Sammy Price

Piano Solos

4,99 €*

Release: 1971 / IT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Ella Fitzgerald & Billie Holiday

Ella Fitzgerald Und Billie Holiday

LP | 1971 | GDR | Reissue (AMIGA)

LP | 1971 | US | Original (Epic)

Release: 1971 / GDR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Sticker on cover.

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Chase

13,99 €*

Phil Woods And His European Rhythm Machine

Release: 1971 / US – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Cover and vinyl are Close to VG+. Sampled by Black Sheep, House Of Pain, Talib Kweli. Pitman pressing.

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At The Frankfurt Jazz Festival

LP | 1971 | JP | Original (Atlantic)

Sérgio Mendes & Brasil '77

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. Vinyl is close to NM. Die cut cover.

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País Tropical

LP | 1971 | JP | Original (A&M)

22,99 €*

LP | 1971 | DE | Original (Island)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. With OBI. close to NM

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Colosseum

The Collectors Colosseum

11,99 €*

Mr.Drum & His Friends With Strings

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+

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Drums Big Hits 16

LP | 1971 | JP | Original (Columbia)

16,99 €*

LP | 1971 | EU | Reissue (Elemental)

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

Japanese pressing. OBI is missing. Close to VG+.

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Pharoah Sanders

Thembi

31,99 €*

LP | 1971 | US | Reissue (Mobile Fidelity Sound Lab)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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The seventh album by spiritual jazz saxophonist Pharoah Sanders, Thembi was released in 1971. Recorded with two different ensembles, the album marked a departure from the slowly developing, side-long, mantra-like grooves Sanders had been pursuing for most of his solo career, and instead offers an intriguingly wide range of relatively concise ideas, making it something of an anomaly in Sanders' prime period. A//Music reviewer Steve Huey gave it a rating of four out of five stars. This would be the last time Sanders recorded with his regular collaborator, pianist and composer Lonnie Liston Smith, who began his experimentation with electric keyboards on this LP. Also featured are violinist Michael White, bassist Cecil McBee, and percussionists Chief Bey, Majid Shabbaz, and Nat Bettis.

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Miles Davis

Tribute To Jack Johnson

83,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | US | Reissue (Craft)

Idris Muhammad

Black Rhythm Revolution!

36,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | JP | Reissue (Mercury)

Clifford Brown All Stars

The You and Me That Used to Be

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing with obi.

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Jimmy Rushing

LP | 1971 | JP | Reissue (RCA)

LP | 1971 | JP | Original (CBS/Sony)

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Japanese pressing without OBI!

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Vikki Carr

Vikki Carr's Love Story

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1971 | JP | Original (Epic)

Chase

LP | 1971 | IN | Original (Daybreak)

Release: 1971 / JP – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG, Cover: VG

No obi.

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Count Basie

Have A Nice Day

14,99 €*

LP | 1971 | DE | Original (MCA)

Release: 1971 / IN – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Seam split and discolouration. Indian pressing!

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Osibisa

Thembi Verve By Request Edition

Release: 1971 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Vinyl has a few paper scuff. Cover is close to NM.

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Pharoah Sanders

LP | 1971 | WW | Reissue (Impulse)

Novi Sing Chopin Purple Vinyl Edtion

Release: 1971 / WW – Reissue

Genre: Organic Grooves

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Released in 1971 on Impulse and recorded with two different ensembles, "Thembi" marked a departure from the slowly developing, side-long, mantra-like grooves Sanders had been pursuing for much of his solo career. Instead, it offers an intriguingly wide range of relatively concise ideas resulting in something of an anomaly in Sanders' prime period. Verve BY Request Series: remastered, audiophile-quality 180-gram vinyl from Third Man Pressing/Detroit, Gatefold Sleeve.

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Novi Singers

LP | 1971 | EU | Reissue (Warner)

27,99 €*

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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LP | 1971 | DE | Original (Metro)

Gene Krupa

Jazz Spectrum Vol. 9

Release: 1971 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1971 | EU | Reissue (Music On Vinyl)

Weather Report

LP | 1971 | US | Reissue (Solid/Ultra-Vybe)

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: Near Mint

Limited 180gr Blue Vinyl Edition.
Record is close to VG+.

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Kim Sang-Hee

Sings Tom Jones

52,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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LP | 1971 | EU | Reissue (Holy Basil)

Atmo

Telegiornale

19,99 €*

From A Whisper To A Scream

Release: 1971 / EU – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Small light scuff on side A.
Cover as new with slightly dented corners.

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Esther Phillips

LP | 1971 | US | Original (Kudu)

49,99 €*

LP | 1971 | US | Original (Mainstream)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl is close to VG+.

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Sarah Vaughan

A Time In My Life

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1971 | US | Original (CTI)

Stanley Turrentine

Salt Song

55,99 €*

LP | 1971 | US | Original (Ode)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Lamination coming loose. Original US Pressing.

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David T. Walker

His Most Important Second War Concert: Carnegie Hall 1943

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Original US Monarch pressing.

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Duke Ellington

LP | 1971 | UK | Reissue (Sagapan)

Release: 1971 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Dizzy Gillespie, Bobby Hackett, Mary Lou Williams, Grady Tate & George Duvivier

Giants

LP | 1971 | US | Original (Perception)

10,99 €*

LP | 1971 | US | Original (A&M)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

Vinyl close to VG+

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Quincy Jones

Smackwater Jack

15,99 €*

LP | 1971 | US | Reissue (Blue Note)

Release: 1971 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with many scuffs and hairlines. Embossed cover

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Thad Jones & Mel Lewis

Consummation

13,99 €*

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Mal Waldron / Kimiko Kasai

One For Lady

LP | 1971 | EU (Trading Places)

20,99 €*

LP | 1971 | JP | Original (Atlantic)

Release: 1971 / EU

Genre: Organic Grooves

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New York-born jazz pianist Mal Waldron’s incredible career saw him backing Mingus, Coltrane, and Billie Holiday, and after surviving a heroin overdose and mental breakdown, he decamped to Europe to compose film scores; then, in 1970, he made his maiden voyage to Japan, where One For Lady was recorded with rising star Kimiko Kasai, drummer Hiroshi Murakami and bassist Yoshio Suzuki from Sadao Watanabe’s band. Waldron’s expressive pianos and Kasai’s sultry vocal delivery are the outstanding draws, the sensitive renditions of ‘Willow Weep For Me’ and ‘Lover Man’ summing up the album’s enduring appeal.

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Herbie Mann

Memphis Underground

LP | 1971 | FR | Reissue (America)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG

Japanese pressing without OBI!

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Charles Mingus

Pithycanthropus Erectus

29,99 €*

The Best Of Astrud Gilberto

Release: 1971 / FR – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover with light wear

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Astrud Gilberto

LP | 1971 | JP | Reissue (Verve)

23,99 €*

Sun Ship Vinyl Me, Please Edition

Release: 1971 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

Japanese pressing without OBI. Cover with seam split on bottom spine, otherwise VG+

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John Coltrane

LP | 1971 | US | Reissue (Vinyl Me, Please)

Piano Improvisations Vol. 1

Release: 1971 / US – Reissue

Genre: Organic Grooves

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Why you'll love it...
"On August 26, 1965, we find John Coltrane and his quartet recording at RCA Victor Studios on 24th Street in Manhattan. In the tunes tracked for Sun Ship, we hear Coltrane revisiting ground he had covered in the past with heightened sensitivity and a deepened interest in timbre. Sun Ship is a portrait of Coltrane’s most important band during his most important year, and while it’s sometimes overlooked in Coltrane’s discography — probably because it was released posthumously — it’s a crucial document for understanding what this band had accomplished, and it also offers a glimpse of why Coltrane moved beyond it. He needed to be in places where he was less sure of himself."

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Chick Corea

LP | 1971 | JP | Original (Polydor)

LP | 1971 | JP | Original (Atlantic)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing. OBI is missing. With insert. Reissue.

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King Curtis

Live At Fillmore West

36,99 €*

LP | 1971 | DE | Original (Musik Produktion Schwarzwald)

Release: 1971 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Cover and vinyl are close to NM! Rare Japanese pressing. OBI is missing.

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The Oscar Peterson Trio

Walking The Line

16,99 €*

Beverly Glenn-Copeland Vinyl Me, Please Edition

Release: 1971 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

German pressing.

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Beverly Glenn-Copeland

LP | 1971 | US | Reissue (Vinyl Me, Please)