Jazz | Fusion 12276 Items

Glam Tear Stain Black Vinyl Edition

Release: 2021 / EU – Original

Genre: Organic Grooves

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Kryptox records was born to show what’s happening in the new scene in germany. And David Nesselhauf is the next upcoming artist. Kryptox will release his 6 track EP.?Nesselhauf is a multi-talented artists: bass player, composer, bandleader and man of very original ideas. He was already featured on the Kryptox’ Kraut Jazz Futurism compilation vol 1 (2019) and now delivers his first solo EP for the label. This EP is a follow-up in a longer musical evolution that the Hamburg born talent has been making over the past years. A journey that’s basically a style he is building that he calls afro-kraut. Before joining Kryptox he already released 2 albums under the Afrokraut title on his own (Bandcamp) before meeting Mathias Modica (head of Kryptox) and they decided to work together. So on the “Rituals EP“ Nesselhauf salutes his personal pantheon of musical gods once again, leading the listener through his musical Jungle encompassing Krautrock, Downbeat, Drone, Electronica, Afrobeat, Lo-Fi, Shoegaze, Funk and Ambient textures in the blink of an eye.? The 6 new tracks share a common feel, but are colorful individuals at the same time. Some more organic, others with electronic elements. About Nesselhaufs workflow: Four of these compositions are based on quick, playful, raw jams recorded live within hours by a group of Nesselhauf’s inner circle musicians. Great grooves played by a heavy rhythm section that he uses also for his live gigs. Just on a few songs, Nesselhauf exchanged the human musicians with a legendary Vermona Drum Synthesizer as the main rhythm ingredient. Guests: One more track was recorded with Julian Gutjahr, Drummer for The Drawbars. Some tracks feature guest appearances by Dennis Rux (he also mixed the EP) and Graeme Currie on guitar.

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David Norland

LP | 2019 | EU | Original (Denovali)

31,99 €*

Organic Nation Listening Club (The Continual)

Release: 2019 / EU – Original

Genre: Organic Grooves

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Vinyl: heavy gatefold sleeves + black polylined inner sleeves, 180g vinyl, free download code // CD: nice digipak packaging!David Norland is an Emmy-nominated English composer living and working in Los Angeles. Most recently he composed the score to the current HBO film "My Dinner With Herve" (HBO 2018) starring Peter Dinklage and Jamie Dornan. His work with Emmy-winning director Sacha Gervasi includes the award-winning documentary ""Anvil! The Story Of Anvil"", (which won the IDA Best Feature award, an Emmy award, the Indie Spirit Best Doc award, and numerous other best doc awards around the world) as well as the score for "November Criminals" (Sony 2017) starring Chloe Moretz and Ansel Elgort. David Norland was also the music supervisor for the movie ""Hitchcock"" featuring Anthony Hopkins, Helen Mirren & Scarlett Johansson.Since 2010 he has composed much of the music for US broadcasting giant ABC's primetime news documentaries. His work for ABC is broadcast in the US and around the world on a daily basis. Having been a chorister from an early age, singing daily in Westminster Abbey, and a boy treble in The Elizabethan Consort of Voices, a touring choral group of the time, he also composes choral music. His electronic band Solar Twins was signed by Madonna to Maverick Records, and rode high on the US dance charts, and his record writing, production and mixing work with Jamaican legends Sly and Robbie has been nominated for a Grammy.""Glam Tear Stain"" is the first real solo full length of David Norland. It combines electronic influences, elements of his film scoring work and more intimate, minimalistic piano and string arrangements.""The music I want to make has changed over time - from imitation baroque pieces as an 11 year old chorister, through guitar pop with my first teenage bands, experimental sonic works with my first rudimentary recording equipment in my early 20s, through electronics, drum and bass, and reggae, leading finally to piano, choral, and string music informed by my film scoring wor...

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David Ornette Cherry

LP | 2021 | US | Original (Spiritmuse)

37,99 €*

Release: 2021 / US – Original

Genre: Organic Grooves

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David Rose & His Orchestra

The Stripper And Other Fun Songs For The Family

LP | 1962 | JP | Original (MGM)

9,99 €*

Release: 1962 / JP – Original

Genre: Organic Grooves, Pop, Classical Music

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1982 | JP | Original (Warner Bros.)

As We Speak

Release: 1982 / JP – Original

Genre: Organic Grooves

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Medium: VG+, Cover: VG

LP | 1983 | JP | Original (Warner Bros.)

Backstreet

11,99 €*

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

incl. OBI

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LP | 1983 | US | Original (Warner Bros.)

Backstreet

14,99 €*

Release: 1983 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Original US pressing.

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LP | 1983 | DE | Original (Warner Bros.)

Backstreet

Release: 1983 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | 1977 | US | Original (Warner Bros.)

David Sanborn Band

Promise Me The Moon

Release: 1977 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | US | Original (Warner Bros.)

Hideaway

3,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1980 | US | Original (Warner Bros.)

Hideaway

6,99 €*

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

LP | 1980 | US | Original (Warner Bros.)

Hideaway

Release: 1980 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Writing on cover.
Writing on labels.

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LP | 1981 | US | Original (Warner Bros.)

14,99 €*

Release: 1981 / US – Original

Genre: Organic Grooves

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Medium: VG, Cover: VG+

LP | 1981 | DE | Original (Warner Bros.)

3,99 €*

Release: 1981 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG+

LP | US | Reissue (Warner Bros.)

Release: US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

LP | US | Original (Warner Bros.)

11,99 €*

2LP | 2019 | US | Original (Ropeadope/Stretch Music)

Release: US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cover close to VG+

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David Sanchez

Carib

41,99 €*

LP | 1978 | US | Original (Arista)

Release: 2019 / US – Original

Genre: Organic Grooves

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David Sanchez triumphantly returns with a masterwork that not only emphasizes his deep roots and respect for Jazz with a capital J, but that continues the narrative from his album Melaza, digging further into the story of the African Diaspora as it is represented in the Caribbean, from Puerto Rico to Cuba to Haiti. His playing is at a peak, and the band flawlessly follows the story of his diverse study of Afro-Caribbean culture. --------------------------------------- “The African diaspora throughout the Americas feels to me like a big river, flowing and changing its formation across various lands, but remaining one immense watercourse. Carib is my continuation of that river, a personal and musical stream I began when I became bandleader for my first album, The Departure (1994) where you can clearly hear Puerto Rican rhythms running throughout. Another fork, my album Melaza (2000), has the most substantial connection with Carib because of its flow and the strong influence of the bomba music tradition from Puerto Rico. I believe some of the greatest contributions to contemporary music and culture have come from the African diaspora throughout the Americas. Unfortunately, there seems to be too little awareness of their influence, especially the vital stories told by the music. So, I wanted to approach this album as a means to pay tribute to all Afro descendent communities who have helped define my music and the culture’s broad ranging beauty and idiosyncrasies. Carib features traditional music from these two islands, because it still amazes me how similar their music flows. I focused on the Congo-Guinee in Haitian music because it is a musical tradition shared by many other Afro descendant cultures.” - David Sanchez

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David Sancious And Tone

True Stories

7,99 €*

LP | 1982 | US | Original (Elektra Musician)

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines. Cover with promo sticker and cut corner. Original inner sleeve with seam splits

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David Sancious

The Bridge

6,99 €*

LP | 1982 | US | Original (Elektra Musician)

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

saw cut

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David Sancious

The Bridge

OST The Conversation Record Store Day 2023 Edition

Release: 1982 / US – Original

Genre: Organic Grooves, Electronic & Dance

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Used Vinyl

Medium: VG+, Cover: VG+

Promo copy.

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David Shire

LP | 2001 | UK | Reissue (Silva Screen)

Release: 2001 / UK – Reissue

Genre: Organic Grooves

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LP | 1983 | JP | Original (CBS/Sony)

David Spinozza

Here's That Rainy Day

LP | 1969 | US | Original (Revue)

Release: 1983 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Vinyl close to NM

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David T. Walker

Going Up!

7,99 €*

LP | 2024 | AU | Original (La Sape)

Release: 1969 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: F

US original.
Sleeve has open seams.
LP has scratches.

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David Versace

Eye To Eye

LP | 2022 | UK | Original (La Sape)

Release: 2024 / AU – Original

Genre: Organic Grooves

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David Versace

Okra

10" | 2016 | EU | Original (ECM)

Release: 2022 / UK – Original

Genre: Organic Grooves

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David Versace is an Australian multi-genre keyboardist, composer and producer based in Meanjin, Queensland. Growing up in a very musical household it was always important to express and embrace all types of music and sonics. His sound ranges from Jazz and Samba to ambient works and the odd dance-floor heater. David also plays in Meanjin nu-jazz dance outfit First Beige.
Since late 2019, he has self released around 20 different tracks and with the most recent signing to La Sape Records David is excited to announce his debut solo album 'Okra' a conceptual body of work that flows through a culmination of raw organic concepts conceived by In The Moment, and his most elegant & articulated work yet.

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David Virelles

Antenna

LP | 1976 | UK | Reissue (Cacophonic / Early Future Records)

Release: 2016 / EU – Original

Genre: Organic Grooves

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David Virelles (born 1983) is a Cuban jazz pianist and composer. With “Antenna“, he releases his fourth album.

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David Wertman

Kara Suite

24,99 €*

David Wertman & Sun Ensemble

Release: 1976 / UK – Reissue

Genre: Organic Grooves

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The best kept secret for aficionados who actively choose to blur the lines between spiritual jazz and free jazz with no discrimination against art rock and the genre that might soon be christened punk (but not as we know it). Providing a platform for first-time players like Richard Schatzberg (French horn) and future avant jazz punk participant Ken Simon (tenor/soprano sax) alongside worldly free jazz luminary Charles Tyler (alto sax) and the naturalistic back-beat of Steve Reid himself to complete the dream team. Finally resurrected via the Finders Keepers/Early Future unison, complete with full cooperation and sleeve note narration by David's partner Lynne Meryl. Presented on black wax with illustrated insert.

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Earthly Delights

2LP | 1978 | EU | Reissue (BBE)

24,99 €*

David Wertman & Sun Ensemble

Release: 1978 / EU – Reissue

Genre: Organic Grooves

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‘Earthly Delights’ is a forgotten 1978 free-jazz masterpiece by bass player, composer and improviser David Wertman, alongside his Sun Ensemble.

Born in 1952 and raised in Queens NY, Wertman’s distinctive upright playing style was entirely self-taught. He cut his teeth in the notorious New York Jazz lofts, jamming for hours and hours with the likes of Billy Bang, Arthur Blythe, Marion Brown, Steve Reid, Dave Pike, William Parker, Brandon Ross and Charles Tyler to name but a few.

‘Earthly Delights’ is the first recording by the Sun Ensemble band and features the original line-up of Greg Wall (Baritone Saxophone), Jay Conway (Drums), John Sprague Jr. (Flute and Percussion), David Swerdlove (Soprano/Alto Saxophone), and John Zieman (Synthesizer). John Sprague Jr. financed and produced the album, releasing it on his own label Sweet Earth Records, a short-lived but bountiful imprint, perhaps best known for issuing Sun Ra And His Arkestra’s 1979 album “The Other Side Of The Sun”.

‘Earthly Delights’ is perhaps best described as loosely composed, or highly improvised, depending on where you stand on such subjective matters. Containing just 4 compositions, ‘Earthly Delights’ explores man’s relationship with nature; at times subtle and delicate, at times wide and sweeping in its gestures. The record’s spiritual message is conveyed by heartfelt, virtuoso performances from all six players, drifting together seamlessly from one sonic wave to the next.

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Wide Eye Culture

3LP | 2022 | UK | Original (BBE)

42,99 €*

Release: 2022 / UK – Original

Genre: Organic Grooves

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LP | 2016 | UK | Reissue (Acme)

Davy Graham & Holly Gwyn

Godington Boundry

16,99 €*

Dawda Jobarteh / Stefan Pasborg

Release: 2016 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Still in shrink, but opened, with hype sticker

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Live In Turku

LP | 2024 | EU | Original (April)

26,99 €*

Release: 2024 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Muzikawi)

Dawit Yifru

Dawn Richard And Spencer Zahn

Release: 2023 / EU – Original

Genre: Organic Grooves

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"Ethiopia’s music company Muzikawi, will on 30 March reissue the self-titled solo instrumental album of Ethio-jazz composer Dawit Yifru, which offers an exceptional occasion to rediscover one of the most important eras in Ethiopia’s music history. The 11 track album features a compilation of songs that were restored and remastered from cassettes released throughout the 1970s. With Ethiopian Chickchika music, Twist, Congolese Rumba, and Waltz music styles converging, the songs reflect the dynamic musical crossroads that were present at the time in the Horn of Africa country. However, it is the inclusion of the violin instrument, which was uncommon at the time, that presents Dawit Yifru as a visionary composer amongst his mates at the time. “These elements have come together to create Ethio-jazz music at its most bold, spiritual and syncretic,” Muzikawi founder Teshome Wondimu said. “With this compilation, Dawit Yifru offers a bright window into the past of Ethiopia’s music scene which is so rich, deep and sophisticated, with a gentle, beautiful story to tell – and we see ourselves as the messengers who are bringing the world this story and sound.” This compilation is the first release of the Muzikawi’s Archive & Research project, which seeks to re-record and re-issue some of Ethiopia’s most celebrated music that never made it outside the country and in the process bring fame and recognition to musicians whose music was never available on the international market. “ Every country has its stars, its loved singers, but there are of course titans of their era and Dawit Yifru is one of the few, ” Wondimu said. “ The reason many will be experiencing his works for the first time is because in the 1970s, the Ethiopian music ‘industry’ thrived only at the capital Addis Ababa with little recording infrastructure in comparison to its neighbours like Kenya and Uganda, where cult record labels and producers captured the countries’ sound and made the recordings available internationally and for the masses.” “Therefore, our Archive & Research project is a guaranteed way to keep these great works of music alive and circulating. Overall, this compilation is an absolutely brilliant and must own recording from one of the most original sounding Ethiopian composers you’ll ever hear. Hopefully this release will open the door for the world to discover more incredible music and culture from Ethiopia.” Dawit Yifru remains a household name in Ethiopia due to his commitment to collaborating with a diverse range of musicians and sharing his musical skills not just to his peers but also with the new generation of musicians. Dawit Yifru will be available on all digital platforms and for purchase on vinyl. "

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Pigments

LP | 2022 | Original (Merge)

Day Is Over / Mike Koskinen

Release: 2022 / Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Record is close to NM.

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DJ Sotofett Versions - 458 R.T. / 60 Winslow

12" | 2016 | FI | Original (Jazzpuu)

9,99 €*

Release: 2016 / FI – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

12" | 2016 | CH | Original (Cave12)

DDK

Floating Piece Of Space

Release: 2016 / CH – Original

Genre: Organic Grooves, Classical Music

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2017 | EU | Original (Sdban Ultra)

De Beren Gieren

Dug Out Skyscrapers

2LP | 2021 | EU | Reissue (Sdban Ultra)

Release: 2017 / EU – Original

Genre: Organic Grooves

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This LP comes in a printed innersleeve and a download card. De Beren Gieren confirms their reputation as one of the most adventurous jazz trios of the Benelux with their fourth album. Raw energy, impressionist melodies and complex structures are generated via piano, bass and drums provoking polyrhythmic soundscapes with unexpected twists and sudden turns.

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De Beren Gieren

Less Is Endless

Release: 2021 / EU – Reissue

Genre: Organic Grooves

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LP | 2024 | EU | Original (Sdban Ultra)

De Beren Gieren

What Eludes Us

De Evergreens & Les Jaguars De Casablanca

Release: 2024 / EU – Original

Genre: Organic Grooves

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"Two and a half years after their acclaimed last release 'Less Is Endless', De Beren Gieren (""The Bear Vultures"") have finished their seventh full album. What Eludes Us is an ode to what escapes us and what we consciously want to look away from.

For this new full album, the band left aside the unimaginable beauty of the Norwegian fjords and crawled into a dusty recording studio in Bergen harbour. They did so with the celebrated and mysterious producer Jørgen Træen (a.o. Jaga Jazzist), who silently watched over the imperfections andinterference as a guiding force behind the adept playing of the electro-acoustic jazz trio.

The result turns out to be compelling music with deceptive rhythms, clear melodies and uninhibited electronics in a way that also managed to surprise them themselves. With De Beren Gieren, it is clear that there is still gold to be struck from the classic jazz piano format. Instead of changing direction, the band resolutely chooses to dig deeper.
"

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Es Lilin / Gonzales

7" | 2019 | EU | Original (Radio Martiko)

13,99 €*

"Deadly" Headley Bennett / Ossie Scott

Release: 2019 / EU – Original

Genre: Organic Grooves

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High Quality pressing in vintage silk screen sleeve. Surfing on the shores of Java and Casablanca! 2 un-expected tales from the Beat generation.Tony Turpijn and his Evergreens fulfill the dream of every pantropical music lover with a silky instrumental rhythm ’n blues take on the Sundanese love song “Es Lilin” (Ice Lolly). Link Wray meets Mulatu Astatke meets Oslan Husein in Rotterdam, 1965.

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Deadly Headly Bennett Meets The Magnificent Ossie Scott

LP | JM | Original (Gorgon)

29,99 €* 39,99 € -25%

Dean Martin-Greatest Hits

Release: JM – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: G+

Sleeve has water damage.

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Dean Martin

LP | 2021 | EU | Original (Elemental)

24,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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LP | 2022 | EU | Original (Act Music)

Dearest Sister

Collective Heart Black

28,99 €*

Release: 2022 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Supper Club)

Debby Moore

My Kind Of Blues

18,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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Debre Damo Dining Orchestra

3DO

LP | 2019 | DK | Original (DDDO)

Release: 2019 / DK – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: Near Mint

LP | 2024 | Original (Acid Jazz Uk)

Dee C Lee

Just Something

32,99 €*

Release: 2024 / Original

Genre: Organic Grooves

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LP | 1974 | EU | Reissue (Mr Bongo)

Dee Dee Bridgewater

Afro Blue

LP | 2020 | UK | Reissue (Mr Bongo)

Release: 1974 / EU – Reissue

Genre: Organic Grooves

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If you collect vintage 70's soul-jazz vinyl, there is a good chance that you already own a record that features the amazing vocal talents of Dee Dee Bridgewater. Whether it be Roy Ayers, Norman Connors, Billy Parker or Carlos Garnett - Dee Dee is the glue that fuses these artists together. Although best known for her jazz work, Dee Dee has had a wonderfully rich and varied career encompassing soul, musicals, gospel, and underground disco from the 70's to the present day. She is still active as a vocalist, composer, and producer and remains one of our favourite vocalists at Mr Bongo HQ. We take things back to the early years of Dee Dee's career with her debut album 'Afro Blue'. Recorded in Tokyo in 1974, the album was released exclusively in Japan via two different Japanese labels (Trio Records in 1974 and All Art in 1985 respectively). Each release had unique cover art and we have opted to present the album in its original 1974 form.
'Afro Blue' features an exquisite collaboration of American and Japanese musicians, such as Cecil & Ron Bridgewater, Motohiko Hino and producer Takao Ishizuka. The result is a sublime deep soul-jazz masterpiece with timeless versions of 'People Make The World Go Round', 'Love From The Sun', and 'Afro Blue'. It is arguably one of the finest albums in its genre. This record has long been a sought-after item for DJs and collectors alike, so we are delighted to finally make this wonderful music from an understated great available to all.

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Dee Dee Bridgewater

Afro Blue

7" | 2013 | UK | Original (Outta Sight)

Release: 2020 / UK – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Cover close to NM

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Dee Dee Sharp

Deep Dark Secret

Release: 2013 / UK – Original

Genre: Organic Grooves

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Tape | 2021 | EU | Original (Sheep Chase)

Deep Thoukus

Live At Blow Out 2020

13,99 €*

Release: 2021 / EU – Original

Genre: Organic Grooves

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CD | 1992 | DE | Original (Enemy)

Defunkt

Crisis

4,49 €* 5,99 € -25%

Release: 1992 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: Near Mint, Cover: VG+

Live At The Knitting Factory NYC

Defunkt

CD | 1991 | DE | Original (Enemy)

7,49 €* 9,99 € -25%

Release: 1991 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

LP | 1982 | DE | Original (Hannibal)

Defunkt

Thermonuclear Sweat

Release: 1982 / DE – Original

Genre: Organic Grooves, Rock & Indie

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Used Vinyl

Medium: VG+, Cover: VG+

CD | 2004 | AT | Original (Ecco.Chamber)

!Deladap

Cigani Ruzsa + Angelo

3,99 €*

2LP | 2017 | EU | Original (Chat Chapeau Nouveau)

Release: 2004 / AT – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

CD with scuffs and hairlines

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Deladap

Rejazzed-Bring It On

33,99 €*

Release: 2017 / EU – Original

Genre: Organic Grooves

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Inventions For Radio Record Store Day 2024 Edition

Delia Derbyshire

6CD | 2024 | UK | Original (Silva Screen)

41,99 €*

2LP | 2023 | EU | Original (Holidays)

Release: 2024 / UK – Original

Genre: Organic Grooves, Electronic & Dance

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The BBC’s Third Programme aired four radio broadcasts between January 1964 and September 1965, collectively known as Inventions for Radio.
They were ground-breaking in both form and content, conceived by playwright Barry Bermange and consisting of the voices of the general public answering questions on four themes,
one for each programme: dreams, the existence of God, life after death and ageing. Delia Derbyshire was assigned by the Radiophonic Workshop to edit and add electronic music/ effects.
The collaborative result is dreamlike and mesmerising, an audial window to another era. For many years Derbyshire was not credited for her contribution, nor were the broadcasts available commercially,
although they still managed to acquire something of a cult following. This boxset duplicates the recent vinyl release on CD, with one disc for each broadcast and two further CDs of additional material.
The booklet includes notes by producer Mark Ayres on these extraordinary pieces which have been the most elusive of Twentieth Century classics until now.

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Delivery Health

Superdeluxe!

Release: 2023 / EU – Original

Genre: Organic Grooves, Electronic & Dance

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For more than a decade, Giovanni Di Domenico, Jim O'Rourke, and Tatsuhisa Yamamoto have been coming together in various combinations - duos, trios, and larger ensembles - slowly becoming one of the most noteworthy, understated collaborations in the landscape of experimental sound. In 2015, the trio recorded a brilliant LP entitled “Delivery Health” for Silent Water, laying the groundwork for an enduring project that adopted that album’s title as its name, debuting properly in 2017 with the stunner “Hard Off”. Over the years since, we’ve encountered Di Domenico, O'Rourke, and Yamamoto playing together in Bonjintan, their project with Akira Sakata, and in further collaborations with Eiko Ishibashi and Joe Talia, not to mention O'Rourke and Di Domenico’s prolific work as a duo.

Of course, O’Rourke needs little introduction. Initially emerging in Chicago during the late 80’s and based in Japan since the mid-2000s, for more than three decades he has carved a relentless path through the field of experimental sound, creating a body of work - hundreds of albums deep - that refuses any form of stasis and obligation to genre or idiom. He is an artist driven by a singular quest, his endless curiosity driving him to constantly forge into uncharted, visionary realms. Slightly younger but nearly as prolific, Di Domenico - Italian born and Brussels based - has constructed a striking solo practice over the last two and a half decades, bridging numerous forms of improvised and electroacoustic music, all the while rigorously working within various ensembles - Abschattungen, AufHeben, Bonjintan, Cement Shoes, etc. - and an endless stream of collaborations. Among the most noteworthy drummers currently working in Japan, over the last decade and a half Tatsuhisa Yamamoto, in addition to his many efforts with Di Domenico and O'Rourke, has collaborated steadily with noteworthy figures like Otomo Yoshihide, Phew, Eiko Ishibashi, Sakaguchi Mitsuhisa, and Akira Sakata, as well creating a body of solo works.

Like its predecessors, “SuperDeluxe!” rides a beautiful line between striking singular creative ambition and accomplishment, and simply feeling like a free-wheeling conversation between friends who have relinquished their egos and presumptions out of a deep sense of mutual respect. The album is a kind of retrospective rewind, comprising five documents recorded live - between 2012 and 2014 - at the legendary SuperDeluxe, Tokyo, by Masahide Ando, then mixed by Giovanni Di Domenico, and finally mastered and cut by Frédéric Alstadt at Angstrom Mastering, Bruxelles. Taking us deep into the very beginnings and previously unheard activities of Di Domenico, O'Rourke, and Yamamoto, the trio weaves a knotted tapestry unfurling as sheets of sound, that sidesteps signifiers and the expectations that one might have of each of these artists on their own. Ranging from brisling ambient passages drawing on latent melodic flirtations, heavy jams on guitar, drums, electronics, and keyboards, and outright, full throttle noise, each moment represents a visionary excursion into the depths of experimental, improvised sound, revealing a shocking sense of real-time dexterity from each player, as much as the collective whole experiments in improvised sound.

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LP | 1959 | US | Original (Jubilee)

And That Reminds Me

7,79 €* 11,99 € -35%

Release: 1959 / US – Original

Genre: Organic Grooves, Pop

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Used Vinyl

Medium: G+, Cover: VG

Vinyl has scuffs and scratches and plays with crackles and background sounds.
Cover has slight storage wear and a few small tears on the front.

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LP | 1965 | US | Original (ABC-Paramount)

C'Mon And Hear

7,99 €*

Release: 1965 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: G+, Cover: VG+

Cover has water damage and small tears. Vinyl is dense with surface scratches and scuffs--will likely cause pop, clicks, and constant background nois

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LP | 1978 | US | Reissue (Pickwick)

C'Mon And Hear

Release: 1978 / US – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

US reissue from 1978. Punch hole. Foxing on back cover. With a ouple of light scuffs.

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LP | 1960 | US | Original (RCA Victor)

Della

Release: 1960 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Vinyl with scuffs and hairlines

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LP | 2000 | JP | Reissue (RCA)

Moody

Release: 2000 / JP – Reissue

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: Near Mint

Limited Edition.
OBI not included.
Includes original insert.

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LP | 1965 | DE | Original (RCA Victor)

Moody

12,99 €*

Tape | 2022 | EU (Radiation Reissues)

Release: 1965 / DE – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG

taped seam split

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Demon Fuzz

Afreaka

12,99 €*

Release: 2022 / EU

Genre: Organic Grooves

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In a just world, Demon Fuzz would have been very successful. Sadly, however, the only real success they enjoyed is the fact that many club DJs now use their samples frequently. Although the band played most of the British underground festivals in the early seventies, Demon Fuzz were simply too way-out to make a significant impact on the college crowd and as a result they broke up after 18 months on the scene. Released in 1970 the band’s only album, the extraordinary Afreaka!, demonstrates their excellence in playing psychedelic soul, dub-heavy funk, progressive rock, Afro-jazz and black acid rock. Limited tape version of this all-time classic on the Radiation Reissues label.

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Demon Fuzz

Afreaka!

LP | 2017 | UK (Dawn)

Cavendish Series Volume 3

Release: 2017 / UK

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG+

Sticker on cover.

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Dennis Farnon

7" | 2022 | UK | Original (KingUnderground)

17,99 €*

Cavendish Series Volume 4

Release: 2022 / UK – Original

Genre: Organic Grooves

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KingUnderground to release a collection of 8 45s from the Cavendish Music catalogue. Paying homage to the genre of Library Music, furthering its exposure to a new generation of listeners. Library Music experienced its heyday in the 60s and 70s, as thousands of instrumental tracks were produced by musicians and composers for the purpose of placements in Radio, Television, and Film. This rich piece of European music history would go on to inform genres to come and speak heavily to the Jazz, Funk, and Hip Hop communities of the future.

This was often a musician’s first opportunity to become a composer, or what most would commonly know now as a producer of music. These composers would work with a stable of musicians to record 100s tracks that would go into a publishing Library. The pieces of music were recorded quickly and deliberately. The composers, musicians, and engineers understood their role in the process, it was an act of discipline amongst all involved. Often the composer was given a brief on what the end goal was for the client. The specifics would include tempo to lock into, song ending time, etc. In the early days of Library Music, there were 3 major companies that acted as publishers. KPM, De Wolfe, and Boosey & Hawkes, which is now known as Cavendish Music. None of this music was made commercially available, so these companies were collecting vaults worth of material, later to be discovered as some of the most influential music for current producers across experimental, dance, house, hip hop, jazz and more. This influence has no doubt infected the KU catalogue of music, and is present in such records as the 2020 release from Robohands ‘Shapes’.

Never before have these tracks from the Cavendish Music Library been pressed on 7” vinyl at 45rpm. In all there will be 8 individual 45s, licensed from Boosey & Hawkes & Cavendish Music Library. The collection includes compositions by Tony Kinsey, John Scott, Sam Fonteyn, Ray Davies, and more.

One of the unique things about the genre of Library music is the way that it has stood the test of time. One factor is that Library music was made up of so many different genres, but a key contributor to the timelessness and the reason why so many current DJs and producers have found this important and inspiring to their work is that the music was made over several decades and often depicted to times sonically. There’s a boldness to Library music. It’s in the forward nature of where the drums sit in the mix and the percussive playing of the keys that gives you something to grab hold of, it feels grounded yet exciting. Its music beamed in from a different galaxy! The first 45, titled ‘Dramatic’ features tracks from both John Scott and Tony Kinsey. Titling was important to Library music because it needed to clearly represent the emotions being expressed through the music, so it was easy for television and film executives to find what they needed to complete their projects. John Scott wasted no time getting into the dramatics with the opening track “Milky Way”, it displays the importance of grabbing a listener from the top, as well as being concise clocking in at just 47 seconds. Scott was not only a master composer but also known for his work on the Saxophone, including playing on John Barry’s soundtrack for ‘Goldfinger’ in the James Bond series. The juxtaposition of Tony Kinsey’s composition on the record offers a dynamic not present in the two tracks from Scott. Kinsey is more patient in his approach to “Kaleidoscope” building the tension with multiple movements and highlighting several instruments. The way the keys and bass play off each other leaves just enough room for a guitar lick to sneak in as if it is hinting toward something.

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Dennis Farnon

7" | 2022 | UK | Original (KingUnderground)

17,09 €* 17,99 € -5%

LP | 2022 | US | Original (Now-Again)

Release: 2022 / UK – Original

Genre: Organic Grooves

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KU to release a collection of 8, 45’s from the Cavendish Music catalogue. Paying homage to the genre of Library Music, furthering its exposure to a new generation of listeners.
Library Music experienced its heyday in the 60s and 70s, as thousands of instrumental tracks were produced by musicians and composers for the purpose of placements in Radio, Television, and Film. This rich piece of European music history would go on to inform genres to come and speak heavily to the Jazz, Funk, and Hip Hop communities of the future.
This was often a musician's first opportunity to become a composer, or what most would commonly know now as producer of music. These composers would work with a stable of musicians to record 100’s of tracks that would go into a publishing Library. The pieces of music were recorded quickly and deliberately. The composers, musicians, and engineers understood their role in the process, it was an act of discipline amongst all involved. Often the composer was given a brief on what the end goal was for the client. The specifics would include tempo to lock into, song ending time, ect.
Never before have these tracks from the Cavendish Music Library been pressed on 7” vinyl at 45RPM. In all there will be 8 individual 45s, licensed from Boosey & Hawkes & Cavendish Music Library. The collection includes compositions by Tony Kinsey, John Scott, Sam Fonteyn, Ray Davies, and more.

There’s a boldness to Library music. It's in the forward nature of where the drums sit in the mix and the percussive playing of the keys that gives you something to grab hold of, it feels grounded yet exciting. It’s music beamed in from a different galaxy!

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Denny Zeitlin

The Name Of This Terrain

57,99 €*

LP | 1998 | JP | Reissue (Venus)

Release: 2022 / US – Original

Genre: Organic Grooves

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At Now-Again, we avoid hyperbole, yet we believe that this album is one of record collecting’s ultimate finds: the missing entry in jazz pianist/composer/psychiatrist Denny Zeitlin’s discography, a wonderful and weird fusion of avant-classical, jazz, funk, rock and electronic music. The Name Of This Terrain was recorded and pressed in a scant, custom run as a demo in 1969 –and it so defied its own existence that, even after its producer died and his copies were discovered, Zeitlin steadfastly resisted its release for almost 20 years, destroying his remaining demos so not to posthumously suffer the same ignominy. Following his reappraisal, this album is issued with its creator’s blessing and guidance. You will surely never hear an album like this again, by the musician the venerable jazz critic Leonard Feather called, “the most versatile young pianist to come to prominence in the early sixties,” and who took a left turn at the end of the decade, documenting a pivotal 20th century moment with passion, intellect, and humor in turn. The Name Of This Terrain found its way out of the depths – wonderful and having aged well, like well-corked, deep wine stored in a cold cellar. Ready for another moment to shine and be understood, redolent of the tastes and textures of a different time, one we pine for and that we won’t often see again, but can happily, momentarily, indulge. Now-Again’s Eothen Alapatt and Zeitlin-chonicler Andrew Gilbert collaborate here to tell the story of this amazing album. Never-before seen photos and ephemera appear in the oversized book. Download card for WAV files for all vinyl tracks, as well as bonus tracks, included.

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Denny Zeitlin Trio

As Long As There's Music

63,99 €*

Release: 1998 / JP – Reissue

Genre: Organic Grooves

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Prelude Colored Vinyl Edition

Deodato

LP | 1973 | EU | Reissue (Music On Vinyl)

31,99 €*

Release: 1973 / EU – Reissue

Genre: Organic Grooves

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2LP | 2018 | UK | Original (Honest Jon's)

Derek Bailey

Aida

Derek Bailey And Andrea Centazzo

Release: 2018 / UK – Original

Genre: Organic Grooves

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At last, the vinyl reissue of this masterwork, adding two hitherto unreleased gems recorded solo for Charles Fox’s Radio 3 programme Jazz in Britain, in the same few months of 1980 as the stunning Aida performances.

The phrase ‘in the moment’ is often bandied about with reference to free improvisation, and indeed there’s no better way to describe Derek Bailey’s playing. The acoustic guitar is notoriously lacking in natural reverberation — notes barely hang in the air for a couple of seconds before they disappear — which explains the almost non-stop flow of new material in these stellar performances. Bailey knew from one split-second to the next exactly where to find the same pitch on different strings, either as a stopped tone or a ringing harmonic, and there’s never a note out of place. ‘He who kisses the joy as it flies,’ in the words of William Blake, ‘Lives in eternity’s sunrise’ — and this music is forever in the moment, constantly active but never gabby, kissing the joy.

One of the special pleasures of the BBC set is the guitarist’s own laconic commentary, a deliciously deadpan description of what he’s doing while he’s doing it — “I like to think of it… as a kind of music” — and the interaction between words and music is a particular delight. “You may have noticed a certain lack of variety,” he quips, while unleashing a furiously complex volley. Is it a coincidence that the final seconds recall the famous cycling fifths of the coda to Thelonious Monk’s Round Midnight? Surely not — for Bailey, like Monk, was a note man par excellence. And they’re both still alive and well in eternity’s sunrise.

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Drops

LP | 1977 | EU | Reissue (Ictus)

21,99 €*

Derek Bailey & Cyro Baptista

Release: 1977 / EU – Reissue

Genre: Organic Grooves

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In the history of free improvised music, there has been arguably no greater advocate for the idiom’s power and potential than the English guitarist Derek Bailey. Fiercely principled, between his emergence during the 1960s and his death in 2005, he cut a wide path, positioning this music at the height of creativity, transpiring in real time, and a means through which people from diverse backgrounds could come together, express, and commune. For Bailey, “playing is about playing with other people... Improvisation is a process that gets relationships sorted out.”

Among many great examples of this within Bailey’s sprawling discography, a stand out is his 1977 duo LP Drops - originally issued as the third album on Ictus - recorded with the Italian percussionist / drummer Andrea Centazzo. Capturing the guitarist during one of his most prolific and creatively visionary periods - overflowing with explosive clarity, dialogic energy, and imagination - he clearly found a perfect foil in Centazzo, who recalls of the sessions “The kaleidoscopic quality of Drops was created by this restraint of performing limits, i.e. the choice of instrumental timbres, dynamics and metronome speeds to suit each piece. We explored some aspects of our improvisational art, gleaned the best elements from our baggage of music memories and exposed them clearly and confidently.”

Comprising nine individual improvisations, Drops encounters each of its players at their best, finding a strange middle ground between the intuitive logics of their instruments; Bailey’s tones taking on decidedly percussive approaches, while Centazzo’s fractured polyrhythms and beats often veer toward the presence of a notable tonality. Remarkably expressive and diverse in the approach of each piece, Drops presents creative interplay at its most striking and challenging, rethinking the terms of musicality and collaboration every step of the way. Flurries of rattle back and forth, sculpting barbed and pointillistic landscapes of texture, stripped of reference and precedent, and abstract as real time organised sound comes.

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Cyro

2LP | 1988 | EU | Reissue (Honest Jon's)

Derek Bailey & Jamie Muir

Release: 1988 / EU – Reissue

Genre: Organic Grooves

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When Cyro Baptista moved to New York in 1980 from his home city of São Paulo, he brought with him an arsenal of percussion instruments, including the cuica (friction drum), surdo (the booming bass drum associated with samba), berimbau (single-string bow with resonating gourd), and cabasas galore, in the next few years deploying them most notably in numerous ensembles curated by John Zorn, who helped set up this studio session in 1982.

As you might expect from someone whose infectious grooves have graced the work of Herbie Hancock, Astrud Gilberto and Cassandra Wilson, Baptista expertly fires off cunning polyrhythms, even traces of thumping samba, with restless fluency. Bailey the wily old fox skirts and eschews the bait, which is quickly conjured away and newly fashioned. The guitarist homes in on the delicious squeaks of the cuica and the twanging drones of the berimbau with truly awesome tonal precision. You could sing along if you wanted, after a caipirinha or two. And he gets almost as many different sounds from his instrument as Baptista can from his kit – check out the stratospheric plings and string-length fret-sweeps of Tonto, which sound more like a prepared piano than an acoustic guitar.

Wonders abound, from the berimbau/bent-string exchanges that open Quanto Tempo to the delightful collision of howling cuica and spiky bebop on Polvo, and the spare, preposterous Webernian samba of Improvisation 3.

These days, ‘improvisation’ often appears without its customary qualifier ‘free’. If there were ever a case to be made for its reinstatement, this album is the best supporting evidence. Freedom means you’re free to get into the groove, free not to, free to play with each other, free to play against each other. Sometimes frustrating, even scary, but more often than not in the hands of these two great masters it’s hilarious, exhilarating and utterly irresistible.

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Dart Drug

LP | 2018 | UK | Original (Honest Jons)

Derek Bailey / Simon H Fell

Release: 2018 / UK – Original

Genre: Organic Grooves

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Percussionist Jamie Muir was a member of King Crimson during the recording of Larks’ Tongues In Aspic, in 1973. Staying less than a year with Robert Fripp, the Scot had already cut his teeth with another master guitarist, Derek Bailey, as part of the Music Improvisation Company, along with Evan Parker, Hugh Davies and Christine Jeffrey, whose eponymous 1970 album was one of the first releases on ECM. Muir and Bailey recorded Dart Drug eleven years later, in 1981.

There’s no shortage of great percussionists in the brief history of free improvised music but on the strength of Dart Drug alone Jamie Muir deserves a place at High Table. Unlike for example Han Bennink and John Stevens, though, you can’t hear echoes of any particular jazz drummer in Muir’s playing, even if he has expressed appreciation for Milford Graves (who himself sounded like nobody else who’d come before him).

What on earth did Muir’s kit consist of? Some instruments are clearly identifiable (bells, gongs, chimes, woodblocks); others could be… well, anything. Old suitcases thwacked with rolled up newspapers? Tin cans and hubcaps inside a washing machine? Who cares? It sounds terrific – but if you’re the kind of person who faints at the sound of nails scraping a blackboard, you might want to nip out and put the kettle on towards the end of the title track.

Dart Drug is consistently thrilling, and often very amusing – but it’s certainly not easy listening. In music we talk about playing with other musicians, whereas in sport you play against another opponent (or with your team against another team). Why not play against in music, too? That’s precisely what happens very often in improvised music, and Bailey was particularly good at it. How can a humble acoustic guitar hope to compete with a Muir in full flight? Sometimes Bailey’s content to sit on those open strings, teasing out yet another exquisite Webernian constellation of ringing harmonics and wait for the dust to settle in Muir’s junkyard, but elsewhere he sets off into uncharted territory himself.

“The way to discover the undiscovered in performing terms is to immediately reject all situations as you identify them (the cloud of unknowing) – which is to give music a future.” Bailey evidently concurred with this spoken statement by Muir, including it in his book Improvisation.

Derek Bailey is no longer with us, of course, and Muir gave up performing music back in 1989. All the more reason for seeking out this magnificent, wild album.

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At Sound 323

2LP | 2024 | US | Original (Confront)

57,99 €*

Release: 2024 / US – Original

Genre: Organic Grooves

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2LP | 1979 | EU | Reissue (Honest Jon's)

Derek Bailey & Tony Coe

Time

Derek Bailey & Tristan Honsing

Release: 1979 / EU – Reissue

Genre: Organic Grooves

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Multi-reedist Tony Coe was born in 1934, four years after guitarist Derek Bailey. He cut his teeth as a career jazzman with Humphrey Lyttleton, before an extended stint with the Kenny Clarke/Francy Boland Big Band. On this rare 1979 duo outing, he sticks to clarinet. And though that instrument has an illustrious jazz pedigree, Coe’s playing here is something else.

It’s worth noting that the clarinettist has also played under the baton of arch-modernist Pierre Boulez, the kind of composer Derek Bailey enjoyed taking to task in his book Improvisation. You might think the Frenchman’s uncompromising serialism and the free playing Bailey defended with such passion all his life would have little in common, yet both men were hugely influenced by Anton Webern. It’s an influence you can hear right through Bailey’s career in his obsessive exploration of tight parcels of registrally-fixed pitches, notably those trademark ringing harmonics. Meanwhile, Coe’s meandering semitones and sinuous arabesques here recall both Boulez’s clarinet writing in Domaines, and the harmonic world of Boulez’s own teacher Olivier Messiaen.

Still, no traditional classical musical notation could ever render the extraordinary rhythmic subtlety and timbral complexity of this music. It’s at one and the same time dazzlingly virtuosic — Coe and Bailey are on stellar form throughout, and have enough sense to, yes, accompany each other where needs be — and supremely lyrical and spacious.

An absolute delight.

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Duo

LP (Honest Jons)

30,99 €*

Genre: Organic Grooves

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LP | 1978 | JP | Original (Progressive)

Derek Smith

New Soil

LP | 1978 | US | Original (Progressive)

Release: 1978 / JP – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG+, Cover: VG+

Japanese pressing without OBI, but with insert.

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Derek Smith Trio

Love For Sale

6,64 €* 6,99 € -5%

Release: 1978 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

LP | 1981 | Original (Progressive)

Derek Smith Trio

Plays Jerome Kern

7,59 €* 7,99 € -5%

LP | 2022 | EU | Original (Les Giants)

Release: 1981 / Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Copy close to VG+. Cover with promo sticker

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Des Édens

La Non-Pareille

19,99 €* 24,99 € -20%

Descendants Of Mike And Phoebe, The

Release: 2022 / EU – Original

Genre: Organic Grooves

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"Lava music, maybe. Lava music, always evolving, always surprising, always exciting because we don’t know what the other will bring to the music that we start improvising and exploring together. We’ll see what bubbles will form in this lava music And sometimes an idea comes up, a bubble pops and it becomes a track. Lava, like the wax that was melted to press the record. Lava, like energy flowing, slow. Improvising most of the time, you really connect with the other musician. It takes all your energy, trying to follow, trying to figure out where to go next, what will happen if I do this and if Pacôme, next to me, decides to change instrument. All of a sudden. Pacôme may be holding his clarinet in one hand, but he also has a synth on his lap and a harmonica around his neck. Oh, and he recalls : « I remember Antoine searching new rhythm ideas with his machines directly connected to an old cassette player with speakers. All these subtle changes gave the direction and the evolution of each track. We were side by side, maybe only one meter from each other -very close. This afternoon autumn session when we made the record was first to rehearse for a gig, so I think we were particularly taking care of transitions – while playing for an hour non-stop.»

This record was mostly improvised in a quiet bedroom, on the third floor of a building in Pantin, close to Paris. The room was filled with quiet sunlight. Instruments were all over the place, with some effects pedals, speakers for the electronic machines, a recorder to catch the whole atmosphere and music. A few overdubs later, the record was done.

Leafing through the pages of Flaubert’s novel, we found these two sentences; they became our track titles and shed a poetic light over the music. Thank you for listening."

Antoine Cortes & Pacôme Genty - des édens

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A Spirit Speaks

LP | 2022 | JP | Original (P-Vine)

36,99 €*

Descendants Of Mike And Phoebe, The

Release: 2022 / JP – Original

Genre: Organic Grooves

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Active during the prime years of New York jazz label Strata-East, The Descendants of Mike and Phoebe was one of the various projects on the label spearheaded by bassist Bill Lee. Together with siblings Cliff Lee on the flugelhorn and A. Grace Lee Mims adding enchanting soprano vocals to four of these tracks, the group composed hypnotic works of socially astute spiritual jazz on their only record A Spirit Speaks. P-vine is delighted to present the 1974 classic as a limited edition LP with an iconic Japanese obi strip attached.

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A Spirit Speaks

LP | 1974 | UK | Reissue (Pure Pleasure)

35,99 €*

LP | 2023 | EU | Original (We Jazz)

Release: 1974 / UK – Reissue

Genre: Organic Grooves

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One of the most unique albums on the Strata East label – and that's saying a heck of a lot, given the creative energies flowing through that legendary jazz outlet! "Descendents Of Mike & Phoebe" is a righteous little project put together by Spike Lee's father, Bill Lee, and his brothers and sisters (Cliff Lee, Grace Lee Mims, and Consuela Lee Moorhead) – working here in a group named after their slave ancestors, who are paid tribute in a beautifully flowing batch of tunes! Lee's round, warm bass tones are firmly at the head of the group on most numbers – recorded at a similar level to his excellent work with Clifford Jordan on Strata East during the same time – and other instrumentation includes piano from Consuela, flugelhorn from Cliff, and percussion from Sonny Brown and Billy Higgins – all used in a wonderfully evocative style that's even better than some of Lee's later soundtrack work. A few numbers feature vocals from Grace – singing wordlessly and with a really heavenly sort of quality – and together, the whole group have an undeniable sense of power and majesty, yet also one that's touched by a really personal sense of poetry too. Titles include a great version of Lee's "Coltrane", which was more famously recorded with Clifford Jordan.

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Designers

26,99 €*

Release: 2023 / EU – Original

Genre: Organic Grooves

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LP | 2023 | EU | Original (Rataplan)

Devin Gray

Most Definitely

42,99 €*

LP | 1981 | EU | Reissue (Petit Cherie)

Release: 2023 / EU – Original

Genre: Organic Grooves

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Brooklyn-Berlin based American drummer-composer Devin Gray made his widely lauded leader debut in 2012 with the release Dirigo Rataplan, which included a crew of heavyweight veterans Ellery Eskelin, Michael Formanek and Dave Ballou. Now in 2023 he gives us Most Definitely, a first showcase of his unique solo performances. Years of bandleading and sideman experiences have led to his growth as a continually forward thinking creative artist.

Throughout the tracks are electronic twists and turns which push the envelope of musical possibilities from a solo drummer setting. On standout tracks; Hunker Down, and Soldier on, Milford you can really feel Gray’s personality delivered directly as if you are between the microphones and his drums. Gray says, “The electronic integration really ramps up the excitement of this music for me, making it an honest modern musical offering, of which it Most Definitely is.”

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Dewey Jeffries

This Is For You

26,99 €*

Release: 1981 / EU – Reissue

Genre: Organic Grooves

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Dewey Jeffries was a renowned jazz pianist for 40 years in the Greater Cleveland area as well as cities throughout the United States and Canada. He frequently played with jazz giants such as Miles Davis, Benny Carter. Dewey Jeffries was appeared in the early 70s when he released some singles and then in 1981 he released "This Is For You" an incredible piece of rare modern soul funk. For Motown and Daptone sounds extimators.

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LP | 1962 | EU | Reissue (Blue Note)

A Swingin' Affair

Release: 1962 / EU – Reissue

Genre: Organic Grooves

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Genre: Organic Grooves

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LP | 1982 | US | Original (Elektra Musician)

American Classic

9,99 €*

Release: 1982 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: Near Mint, Cover: VG

US original.
Sleeve has in opened shrink wrap.

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LP | 2020 | EU | Reissue (Waxtime)

Blows Hot And Cool

Release: 2020 / EU – Reissue

Genre: Organic Grooves

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Blues Walk! The Montmartre Collection Vol. II

LP | 1974 | US | Original (Black Lion)

11,99 €*

Release: 1974 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Cut corner.

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LP | 1973 | US | Original (Prestige)

Ca' Purange

16,99 €*

Release: 1973 / US – Original

Genre: Organic Grooves

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Used Vinyl

Medium: VG, Cover: VG

Clubhouse Tone Poet Vinyl Edition

LP | 2019 | EU | Original (Blue Note)

38,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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LP | 2019 | EU | Original (Jazz Images)

Daddy Plays The Horn

18,99 €*

Release: 2019 / EU – Original

Genre: Organic Grooves

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Dexter Calling Clear Vinyl Edtion

LP | 1961 | EU | Reissue (Sowing)