Jazz | Fusion 251 Items

White Vinyl.

Record is slightly warped but still enjoyable.
Cover as new with slightly dented corners.

Single Sided Vinyl.
Picture Disc.

CD comes in a soft case, instead of the original crystal case. All booklets included.

No musician embodies more the dramatic transformation in the British jazz scene over the past thirty years than Courtney Pine. His debut album, Journey To The Urge Within in 1987, was the first serious jazz album ever to make the British Top 40, notching up sales to qualify for a silver disc.
Aside from being the preeminent figure in the resurgence of British jazz, Courtney became a renowned presenter and broadcaster, best known for his long running radio show for BBC Radio 2, 'Jazz Crusade'. He was also awarded an O.B.E in the 2000 New Year's Honours, and was also made a C.B.E in 2009 for services to Music.
As an artist always looking to work outside of and across established musical genres, it is easier to list the musicians and artists he hasn't worked with, but now in 2017 Courtney releases brand new music featuring another British music legend of equal repute, his Freestyle Records label mate and an artist also honoured for his own creative endeavours; Omar Lyefook M.B.E.
Both tracks of this single are taken from Courtneys' forthcoming album Black Notes From The Deep - the 19th of his stellar career. The exciting and fresh interpretation of Herbie Hancocks' Butterfly demonstrates straight away that this is a dream team combination. With Alec Dankworth laying down the bass, Rod Youngs' drumming underpinning the groove, the song also gives the outstanding keyboards of Robert Mitchell space to stretch out - Omars fantastic vocal performance rides sweetly on top of the dreamy backing vocals of Charleen Hamilton - and of course Courtneys' flowing, imaginative and creative solo perfects this modern version of a much loved classic.
Rules is a brand new, collaborative composition by Courtney & Omar - the punchy drums and bass line patterns hints simultaneously at classic jazz and funkier club-centric sounds. Courtney cooks on tenor saxophone and also the organ - whilst Omar marinades the super catchy melody with that unmistakable voice.
As an introduction to the forthcoming album Black Notes From The Deep this single points the way to what 2 British legends, both exemplary in their own right - can come up with when joining forces.

Record is slightly warped but still enjoyable.
Still shrink wrapped but opened.
Cover as new with slightly dented corners.

Vinyl with a couple of light scuffs, it is also slightly warped but still enjoyable. Cover close to NM

digipak + booklet

Betino's Records proudly presents its third release: an EP by the very sharp collective The Big Hustle. The band founded in 2014 by bass player and composer Sébastien Levanneur, brings together 70's old school funk with the hippest actual sound with influences spanning from Steely Dan to Snarky Puppy, from Mandrill to Lettuce and from Herbie Hancock (Manchild era) to Soulive. With mighty horn players, a rock and funky rhythm section, and percussions added to it, The Big Hustle’s music has a very large variety of sound landscapes. Still, the music never loses the groove and always stays close to the funk.
The A side opens with "Afrorever", a tribute to African culture and music. The guest of honor on this song is legendary Malian musician Cheick Tidiane Seck, longtime partner of Salif Keita, and collaborator of Joe Zawinul, Carlos Santana and Damon Albarn to name a few. After Cheick’s introduction, the songs jumps into a typical afrobeat vibe featuring a tight and powerful horn section, suddenly breaks into an electro funk groove and ends in a furious percussive party.
Second track on the A side is "Faure is the Magic Number". It is dedicated to Thomas Faure (co-composer of the track) and François Faure (both featured on this song on tenor sax and keyboards respectively). This piece displays the band’s ability to blend jazz-funk groove with a heavy hip-hop beat. Kind of DJ Premier meets Steely Dan.
The B side starts with "Afrorever (Sun's Up Mix)". Through this mix, one can acknowledge instantly Olivier Portal's touch. From the very first chords, he conveys us into his realm blending warm and melancholy keyboards with an old school deep-house rhythm pattern.
The fourth track is called “1, 2, 1, 2”. It is a purely improvised moment in the studio while the band was sound checking before recording with special guest rapper Raashan Ahmad. Nicolas Gueguen had the good idea to press the R button and what you hear is basically what happened afterwards.
Enjoy!

Diego Krause is next on Blind Box Series with three originals and the usual Blind Box mix from the label heads.

We thought these two great cuts from Paris Thought Seeds Album and NCE Ghost would fit a single well. Thick jacket complete with new drawings by Carol Sawall.

Close to NM.

Raphael gets the Gilles treatment and the people love it as well.

Gatefold 180g Includes Rare Or Exclusive Artwork Inside

Gatefold 180g Includes Rare Or Exclusive Artwork Inside

Gatefold 180g Includes Rare Or Exclusive Artwork Inside

Gatefold 180g Includes Rare Or Exclusive Artwork Inside

Gatefold 180g Includes Rare Or Exclusive Artwork Inside

Gatefold 180g Includes Rare Or Exclusive Artwork Inside

Gatefold 180g Includes Rare Or Exclusive Artwork Inside

Alto sax man Jukka Perko, one of Finland's leading jazz artists, presents a new project Tritone, where he joins forces with the dynamic rhythm section of Antti Lötjönen and Teppo "Teddy Rok" Mäkynen (who have appeared together in projects such as Teddy's West Coasters, The Five Corners Quintet, Timo Lassy Band, Verneri Pohjola Quartet, etc.). Perko, once a member of the Dizzy Gillespie Big Band, has put together a set of tunes made famous by Dizzy for the re-evaluation by the highly talented trio. The time is right now, Dizzy's 100th anniversary, 30 years since the alto sax player, back then a teenage sensation, shared the stages with the likes of Sam Rivers, Jerry Dodgion, Jon Faddis, and of course Dizzy himself.

As Perko himself put it: "It's not about what Dizzy's music means to us, but rather what we can bring to it. We're adding our own piece onto the mosaic which makes up modern jazz."